#if yes they were right

[thestarsloth]

Yaz Sammy and Ben are literally the "its finally me and you and you and me just us

and your friend steve"

[ratbaby15]

Got inspired, made something, hope you enjoy.

Pretty accurate if I do say so myself.

[bellaciao-ciao-ciao]

[poorly-drawn-mdzs]

This wine tastes like pigs blood!

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[balimaria]

I just realized I can cross over my favorite characters and literally no one can stop me. This is way too much power.

(these captures are from gll99's GX fansub! you can find it free on their blog @/kaiowut99)

Part 2

[ruvigapo]

Run boy run!! The sex monsters eat salmon!!

In which i arrive Fashionably Late to the fishssek party

[khaopybara]

❝This is your only chance, Ai'Mook.❞

CHANYA AMARIT as VIVI and AYA ORAPAN as KAIMOOK episode 8 of LOVE SEA

[feralforbeanix]

Manfred Von Karma did not burn Phoenix's letters to Miles.

Like, I'm not even saying this to defend Manfred's character (though the fanbase does get a little crazy with what he actually did and didn't do) I'm saying this because that's not canon. I'm not sure it was even possible in canon.

Phoenix didn't write letters to Germany. He didn't know Miles was in Germany, let alone Von Karma's address. He didn't even know who Von Karma was until Edgeworth told him about Manfred in Turnabout Goodbyes.

In the game canon, Miles just stopped showing up to school one day. All Phoenix seemed to know was that he transferred schools suddenly. He didn't know why or where to. Remember, Phoenix didn't even hear about DL-6 until Turnabout Sisters when Maya mentioned her family's involvement.

Even in the anime canon (I haven't watched the anime in a while so I might be off about this) where Phoenix and Miles get a chance to properly say goodbye, Phoenix still doesn't have a direct means of contacting him. His best way of doing so was dedicating a song through the radio using Signal Samurai codenames and hoping Miles would hear it.

Phoenix mentions trying to contact him several times when explaining their relationship to Maya, but this was after finding out Miles was this "Demon Attorney". Miles would have to be at least 20 at this point in time, living back in California with at least a few trials under his belt. With how young he reached success, it's not impossible Miles was living on his own at the time. Even if he wasn't, I doubt Manfred was going through this grown adult's mail.

No, what the game seems to be implying is that Miles ignored Phoenix. (Maya even says, "I guess he didn't want to hear from his old friends.") And I don't think this was out of hatred or anything, I think Miles just wanted to forget his past entirely because even the good memories of his childhood would be bittersweet at best.

And to be honest that makes it even more tragic to me. Why do we need Manfred to intercept their connection when Miles' trauma and guilt complex is already doing that?

I like to think Miles knew Phoenix would be asking questions if he ever responded to those initial attempts at contact. Questions he of course doesn't want to answer because they'd at best open old wounds or at worst risk his childhood friend finding out he might have committed patricide.

I also like to think he knew Phoenix of all people would stubbornly try to find the answers Miles wouldn't willingly give because he literally mentions Phoenix always being "single minded in his work" and "always seeing things through to the end". If anyone was going to press and bring those uncomfortable and painful memories out in the open for the sake of "helping him", it would be Phoenix Wright.

Why do we need Manfred to take away all that complexity and tragedy? That is such a waste!

[technically-human]

Your art is so, so, so, so cute. If you ever were so inclined, I would love to see your take on Charles finally getting to eat a plate of spaghetti

Edwin wasn't too sure he liked it, but I think he's convinced now!

ko-fi

[im-totally-not-an-alien-2]

"Why?"

That one word sent a shock through Danny's system, like he was back in the portal being electrocuted all over again. Still, he knew what was at stake, so even though that look on Tim's face made him want to fall to his knees and explain everything, he knew he couldn't.

Instead, he raised his gun as the portals filling the sky multipled and merged together as the ghost zone tried to absorb their reality. Channeling his inner Dan, he gave Tim a mocking smirk, What? You didn't think all that was real, did you?"

"You...you're lying!"

Danny tilted his head at an angle he knew would look as smug and condescending as possible, and judging by the burst of rage he felt coming from Nightwing a few rooftops over, it worked. "Tim, you know better." He said in Bruce's voice, It was the exact thing Bruce had told them when they were starting thier relationship.

Everyone had disapproved when he had brought his new boyfriend home a few months after meeting at the skatepark. Bruce hated Danny from the get-go, more suspicious of him than he had been with any of the batkids' previous partners.

Danny opened his mouth to mock him more but was quickly cut off by a punch to the face, not by Nightwing, or by Robin, who was still racing towards him at seemingly Mach speeds. Nope. It was Hood, who looked madder than Danny had ever seen him, surprising both Tim and Danny alike.

"You did all of this just to steal our souls and trap us in some weird afterlife dimension as your slaves?!"

Danny had no idea where the slaves thing came from, but it sounds villainous, so Danny's gonna go with it, "Of course!"

[xxplastic-cubexx]

pov: you are charles xavier and you have been invited onto asteroid m

bonus:

[starry-bi-sky]

wolfpack. aka: if not friend, then why friend-shaped?

"Hey-- uh, Danny?" There's an almost imperceptible tremor in Tucker's voice.

Danny doesn't look up from what he's doing, his pencil scritching across his notebook as he tries to do another quadratic formula question. "Hm."

"What's -- uh -- what's with the dogs?"

He looks up now, and finally sees where Tucker is -- standing in the doorway of his room with an ashy look on his face and a skewed, nervous smile. He's got a white knuckle grip on the doorknob. Sam is wide-eyed behind him, and using him as a partial meat-shield.

Danny looks down to the two giant ghost wolves sprawled next to him lazily. One large green one with his head in Danny's lap, letting him use him as a prop-up for his notebook. Another equally large black one splayed against his hip, sleeping on her side with her head tilted inward to his calf.

Automatically, a grin tilts across Danny's face, and he lifts his notebook up to scratch behind the green one's ears. He opens a lazy eye, one that is bloody red with a ring of yellow around the pupil, before slipping it shut and leaning his head into Danny's touch. "This is Sirius and Procyon," he says, and reaches down to scratch Sirius' belly. "And they're not dogs, they're wolves."

"Great," Tucker says, his voice suddenly much smaller and faint, "Love that distinction."

Sirius makes a great big groan, and Danny's grin widens, his heart swelling with fondness. His hand slips away from her belly, and before he can put his notebook back down, Procyon pushes his head up his lap until his ear is against his stomach, demanding pets now too.

Sam peeks her head up from over Tucker's shoulder, "I think what Tucker's asking here is what are they doing here, Danny."

He shrugs, scratching under Procyon's chin. "They kinda just showed up. I tried sending them back to the Zone, but they keep returning." And they were weirdly intent on just following him around, which is the only reason he gave up on returning them. They weren't causing trouble, and they knew how to hide around the living. Plus, he just loves dogs. "So now I have two wolves living with me."

This, oddly enough, did not do anything to calm Sam and Tucker down. Tucker's mouth purses into a thin line, and he presses the sides of his palms to his lips in prayer. "How have your parents not found out about this?"

Danny wordlessly raises his hand, and his sleeve slides down to reveal a thin chain bracelet hooked around his wrist. He whistles sharply, and both Procyon and Sirius jerk their heads up to look at him, ears pricked up and eyes alert.

Silently, he points to his wrist and rattles it twice, and in unison both wolves stand up and pounce. Instantly, they turn into a respective, opaque black and green mist that swirls around the bracelet and forms into two, flat wolf charms.

Both wolves are posing in the stereotypical wolf howl, with little stars indented on the sides. Procyon's charm has the Canis Minor constellation engraved on it, while Sirius has the Canis Major.

Danny faces Sam and Tucker, and points at his wrist. "Like this."

[sovamurka]

Thinking about how Ma Meilleure Ennemie can be considered a continuation and an interesting thematic expansion of Enemy.

"No shit, lmao, they both have the word enemy in them".

Like, yes, that's exactly the point.

But there's more to it than meets the eye.

We all know that Enemy in many ways is meant to be from Jinx's perspective (music video supports that) - it's HER internal worries, it's HER exhaustingly sad sarcasm, it's HER wreck of emotions that she can't stop.

The song explains why and how she basically convinced herself that she's a curse and will never be a saint no matter what she does.

She exclaims that everybody wants to be her enemy. For her this word means "the person that everyone hates, the person who everyone abandoned, the person for whom no one prays or hopes".

And then in Ma Meilleure Ennemie Ekko... agrees with her - she IS his enemy. But to him this word has so much more meaning and underlying feelings than just "the person I'm against, the person I hate".

For him enemy is also someone who's always near - if not in body, then in mind. Someone who truly shares history with you and can hurt you in more ways than one.

Who you hate so much because you had too much love in your heart for them.

Hatred is not the opposite of love, it's just love with a minus instead of plus, the true opposite of love is indifference. And Ekko feels anything but indifference towards Jinx, even though he tried so many times to convince himself otherwise.

First verse of the song is basically his admission that she's an essential part of him - no matter what he does, no matter how many times he forces himself to forget, no matter how much he tries to keep his enemy out of his mind.

He knows he should stay away, he knows he should keep his own heart under hundreds of locks to not let anyone break it again. But he can't help it. He still loves her despite everything, including his own self.

That's why he also agrees that she's indeed a curse. The most beautiful one. She haunts his thoughts and he hates himself for finding comfort in it. But it's better to be in a bad company than alone, am I right?

The chorus of Ma Meilleure Ennemie sounds almost like a last resort - a mutual attempt to push each other away.

To make matters worse, the whole "meilleur/pire" (best/worst) dichotomy that is constantly present in the song literally from the beginning, is a simple yet clever play on a famous wedding vow - "Pour le meilleur et pour le pire" (translation: for the best and the worst of it). The more they try to convince each other that they should not be together, the more they intertwine their fates because they repeat this vow again and again.

And then in the second verse of Ma Meilleure Ennemie Jinx finally lets herself say things she was so afraid to say before. Lets her feelings and thoughts be known in the most vulnerable way possible. Not with Enemy's upset angry screaming but with this gentle melodic whisper.

And what does she have to say about her feelings towards the person who she shares so much complicated history with?

That his name cuts her open every time she hears it. And that's why she doesn't say it - it hurts her so much.

Ekko's name literally echoes in her mind. Jinx can't even say for sure whether this pain she feels comes from hatred that formed over the years or from pure sweetness, softness and gentleness that she still keeps in her heart for him.

And then comes Je t’avais dit: “Ne regarde pas en arrière” (translation: I told you not to look back) which is such an obvious Orpheus and Eurydice myth reference when you say it out loud.

Albeit, their situation is an interesting take on this myth.

Let me explain. Orpheus had a chance to bring his wife Eurydice back to the land of the living if he guided her there without looking back or else she would end up in the underworld again. There are several versions of the myth that give different explanations on why Orpheus turns back, but they all agree on one thing - it was done because of love.

However, in Ekko's case it's kind of a reverse situation - Jinx will disappear if he turns away from her.

That's what, in my opinion, Turn Your Back and I'll Disappear song means, actually.

And here, at the end of second verse, Jinx explicitly tells Ekko that he shouldn't look back. He should leave past behind, should leave her behind, let her disappear from his life and from this world altogether or else everything will get infinitely worse.

But of course he doesn't, of course he turns back (time) again and again.

He does it because he loves her, just like Orpheus loves Eurydice.

Despite not having much screen time, timebomb still managed to tell such a wonderful intricately woven story.

I analysed just a small part of Jinx and Ekko's symbolic lyricism. Believe me, there's still so much more to talk about and uncover since this story is told through different forms of art that are all worth your attention.

[oceanwithouthermoon]

"i dont hate this female character, i just have a nuanced take on her" and the nuanced take is comically stereotypical misogyny

[poorly-drawn-mdzs]

When in doubt, Soup it out.

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[fury161]

portraits for a de au i think about a little bit