#if people are interested i might answer asks about it
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charmac · 2 days ago
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Opinions on Charlie woobification? Also, do you think the fandom woobifies Dennis (too much)?
A few people have sent me asks about my thoughts on Dennis being woobified in the fandom and I’ve failed to answer them (sorry). Not for lack of interest on the subject, it’s just hard to answer. I think, though, answering this Charlie question in the same ask might make it easier to explain my thoughts on this.
When we talk about the fandom we’re generally talking about the people here, a couple hundred people on Twitter, maybe some Instagram stans(?) and tend to ignore the million (1,000,000)+ people on the subReddit and the huge chunk of people on Facebook and casual Twitter who are constantly, continually pushing a narrative that these characters have no depth, and thus their characterisation is what we see on the surface and nothing more. I think the one time it’s probably important not to ignore those people as fans of the show is when it comes to woobification.
Because at a surface level, the people who are consuming this show as a comedy and making posts that exhibit their takes/opinions on these characters to the majority of people portray the characters very simply: Charlie is an idiot and the best member of the Gang, in every sense of the word, and Dennis is a mere representation of toxic masculinity to a psychopathic degree. And those opinions are the loud majority.
So any discussion in our minority section of the fandom that woobifies Charlie or Dennis operates within and on top of the general narrative of the public perception (“face value”) of the characters. Woobification of Charlie, then, almost always further infantilises the majority of his traits to contribute to the idea that he’s not a bad guy and doesn’t deserve the position he’s in in life, while woobification of Dennis mostly works to counteract the idea that he’s a cold-blooded psychopath.
In a way, I think you have to woobify Dennis to a degree in order to properly understand his character (and Glenn makes that clear). Do some people take it too far? When it gets into the realm of genuinely somehow believing he’s not a bad person, absolutely, but in over a decade of Sunnyblr posts, I think I’ve seen that conclusion once, maybe twice. I really don’t think any post that’s diving into how Dennis' actions reflect his insecurities and trauma is ever speaking ignorant of the rest of his character, and that normally seems clear to the majority of people because rarely, if ever, does a dive into Dennis woobification cause fans to understand the character worse than they understood him at face value.
Whereas, with Charlie, you constantly do see this. Posts and threads and fights between fans arguing up and down that Charlie is better than the rest of them: he’s the smartest, actually, he means to do good, he shouldn’t be lumped in with the rest of them as sexual predators... People in this fandom genuinely argue that you are a *better person* if you’re a Charlie stan, that Charlie ships are softer, more moral, than toxic Dennis ships. The result of Charlie woobification seems to often make people less media literate about the character (and the show as a whole if we’re being real) than they would be if they just watched at face value.
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They’re all morally despicable characters.
TL;DR: Due to the face value perceptions of the characters, woobification is an almost necessary tool for better exploring and understanding Dennis under his surface, while it really only exacerbates an annoying surface-level understanding of Charlie
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furiousgoldfish · 4 hours ago
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How free are you? A Poll
Instructions: If the answer to the question is 'yes', give yourself 1 point. If the answer is 'no', take 1 point away. If the answer is 'maybe', or 'I don't know', or 'unsure', don't add any points.
Can you wear whatever you want, without having to explain yourself or worry about getting berated for it?
Can you choose what to do with your own time, without having anyone criticize or guilt you for it?
Can you choose what you eat every day, or at least reject the food you don't want to eat?
Do you have access to food that is nourishing, healthy and unlikely to cause any health issues in the long term?
Can you choose freely who you spend your time with, without reprecussions?
Can you choose what you do for a job? Can you change it without severe consequences for your financial stability?
Are you allowed to go wherever you please, if your finances allow for it?
Do you have a community of people you're connected to, who have the same or similar beliefs and circumstances as you do?
Do you have a network (or a family) of people who you consider to be 'your people', who accept you and care about you?
Will you be okay and taken care of in case of illness, injury, incident or a disaster?
Can you choose your own religion, or reject a religion, without severe social consequences?
Do you have knowledge of your basic human rights, and are you informed on what to do if some of these rights get violated?
Can you go about life without ever worrying about physical violence occuring from a person you know and are around?
Can you go about life without worrying about physical violence coming from a stranger?
Can you walk the planet without being self-conscious of your body and how you're perceived, and being objectified or devalued because of it?
Do you feel safe and comfortable in most of the places you exist in?
Can you get by without taking special measures, such as hiding, lying, escaping, locking yourself in, avoiding certain places and activities, avoiding certain people, changing your name, in order to be safe in the world?
Do you have safe access to communication with people you want to communicate with?
Can you access the money you need without having to ask or explain why you need it?
Do you feel safe that your basic physical needs, such as food, clothing, sanitary items, tools, shelter and utilities are and will stay accessible to you?
Do you have secure access to healthcare, without having to severely worry about the financial aspect of it, or about someone barring you from access?
Do you have reliable information about your own health, and about how the activities you do might affect it, both for better and for worse?
Are you allowed to change your mind about how you feel about the issues in the world, your own circumstances, people around you, your faith and your politics, without being outcasted from your group of peers?
Can you go trough life without worrying about a hate crime being committed against you, both by people you know and strangers?
Is your health and physical state of body stable enough to work a full time job?
Can you secure enough money to live comfortably, without your physical or psychological health suffering and deteriorating for it?
Can you comfortably communicate your needs, feelings, problems, struggles and affection to others, when you want to?
Can you speak your mind most of the time, without worrying about reprecussions?
Can you be open about your interests, hobbies, beliefs, sexuality, identity, politics and relationships with most of the people around you?
Can you comfortably speak about the circumstances and facts of your life, without being corrected or denied to name some of them?
Can you recognize when a choice has been taken away from you, and things have been decided for you? If yes, can you also walk away from this, and refuse to take on the consequences?
Can you comfortably place blame on the people who have caused you distress and pain in your life, without any pushback or criticism for doing so?
Do you have support, knowledge and resources you need in order to deal with grief and tragedy?
Can you feel comfortable and at ease around all people you are around with?
Can you freely confront a person in your life who has attempted to cause injustice to you, even if that person is in position of authority to you? Do you feel safe and able to do so?
Can you freely choose your sexual partner(s), or refuse any you don't want without having to worry about their feelings, assault, your financial situation or your safety?
Can you choose freely to undo any consequences sex had on your body, if you don't want it to be happening to you?  (abortion rights, skip if it doesn't apply to you)
Can you break up your relationships, parental bonds and marriages to other people without having to worry about survial, physical safety or keeping a roof over your head?
Do you have information and resources to immediately recognize red flags of being lured into a scam, exploitative work, grooming, abuse, sexual abuse, cults, human trafficking, or similar situations?
Can you live without being severely affected by human made-disasters, such as wars, chemical damage to the environment, mass destruction and shootings?
Ideally, in a functional society, a human being should have all of these freedoms. I understand for most, if not all of us, to have every single of these points is impossible. If you are in the negative points, your situation is dire and freedom has been stripped from you to the inhumane level. For reference, the score I got for this was 9! 39 or 40 would be the ideal, which I don't believe anyone will get.
If your answer is 'no', for questions about having access to information, having knowledge and resources, this isn't your fault. You are not solely responsible for figuring out every single aspect of it yourself, this should have been covered in your education and upbringing. Also, if you're underage, questions like being able to work a job, securing money and choosing sexual partners do not apply to you, you should instead be protected from having to worry about any of that until you reach the adulthood or age of consent. If you are having to worry about any of that, the answer is automatically no. If you have no worries about that, you can give yourself a point for each of these.
Disclaimer: This poll was made by one person, using personal ideas about freedom in this world, I am sure I forgot to include many things, please do add in the comments other perils to freedom that are not mentioned here. It is not a definitive statement on human freedom, only a reference point and a source of information.
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nadas-dirthalen · 3 days ago
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A Veilguard Achievement Icon Opened My Eyes on 15 Years of Lore... but Was I Right?
PART TWO: What Veilguard Did Narratively, and What That Tells Us Going Forward
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Hello again, friends and travellers. Now that I've beaten Dragon Age: the Veilguard, I wanted to go through all those 30,000 words of predictions that I wrote in the ~11 days leading up to its release. I'd seen an achievement icon that pieced together a lot of Dragon Age lore for me.
But, I hadn't played Veilguard. All I had was the footage from September 19, the achievement list, and anything else BioWare had released.
So... was I right? And if so, how much was I right about?
This is your warning:This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.
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(my davrinmance is going great as i try and collect every codex, thanks for asking!)
Today's Discussion: to Understand Dragon Age, We Must Understand Its Writing.
Before I can go any further on why I think the way that I think, or why I imagine the story might take us in certain directions, it's essential that you all understand where I'm coming from. Veilguard, like any game, is a piece of art. Its bones are built with similar narrative structures to novels (though not identical, and that's important!). To make sense of what's to come, we must examine Veilguard's bones the same way.
I've seen a lot of people wondering why, for instance, the Inquisitor is not Veilguard's protagonist. I've seen people lamenting the fact that there were not on-screen clarifications of popular lore theories. Before this series goes any further, I need to say my piece about why I believe that it was essential that Veilguard was written as it was, and why its writing does in fact help us better predict Dragon Age's path forward moreso than even Inquisition.
That said, today I hope to cover:
What Veilguard Demanded of BioWare's Writing Team, and Why
The Protagonist: Why Rook's Perspective Matters
The 3 Act Structure: Our Lens
The Companions: Paths to Our Answers — and Future Games
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What Veilguard Demanded of BioWare's Writing Team, and Why
Let's get this out of the way right away: it has been 10 years since Inquisition. And, like it or not, that means one gigantic thing for BioWare: if they wanted to have any hope of making more Dragon Age, they needed to bring in new players and resuscitate the interest of many old players who did not stay in the fandom the whole time. They didn't—and couldn't—write Veilguard specifically for you or I, people of Tumblr. If they did, it would've pleased us... and then cost them so much money that we'd never get any more Dragon Age.
That doesn't just mean modernizing the game's aesthetics, or providing a glossary in its Codex. It means they would have to balance all of the following (just at a glance):
Managing the learning curve in general. Not even I looked in the glossary as I played. Me, supreme enjoyer of all codices ever. It's just not something most players are ever going to do, as much as it the lore is such a fundamental part of the game in general. That means simplifying terms where possible — elven gods in place of Evanuris, for example — but also trimming down what would have to necessarily reference past games. Only a tiny fraction of the fanbase has played Inquisition in the last 3 years, nevermind this year.
Recontextualizing the lore. That does not mean rebooting it, it means situating all we have learned so far in a framework that fits all we have learned so far. Much of what we learned about the Evanuris seemed, for so long, to be totally separate for the things we knew about the blight and Blights. Veilguard needed to show us how those things relate, and to do so in a fresh context that would allow everyone to develop new understanding.
Pushing us one step past Inquisition's knowledge. Veilguard, after reframing the lore, had to leave us a path for new lore, and increased understanding. I think the devs put it really well when they say that their aim is to give us some answers, but leave us with even more questions. More on that later, and in future posts.
Updating Thedas' ethos. Let's face it. It has been 15 years since Origins came out. The things that were more typical of scifi/fantasy (SFF) then are just not the same now, and would not be perceived by 2024 players in the same way as by those who started Origins in 2009. The world has changed; our cultural understandings are broadening and need to continue broadening. BioWare is doing a good thing by incorporating things like nonbinary identities into Veilguard, and it is good that Veilguard is progressing the world of gaming in that way, especially considering its success. (This is also, I wager, why we choose an Archon out of two choices who want the same thing, rather than leaving that open to a more "evil" option).
Dislodge older fans from their Solas headcanons to get everyone old and new to the same confusion and potential distrust. Hear me out. Everyone who's stayed since Inquisition has beliefs about Solas. Even me, who got here in March of this year, whose fic reads overly soft now because I just didn't know Solas' grander plan until 48 hours before Veilguard came out. Everyone has had headcanons for so long that everyone has had time for their opinions of Solas to cement themselves. In order for Veilguard to work as a story, they had to debunk what everyone thought they knew: both lovers and haters of the famously controversial egg. By breaking down our existing beliefs, the devs open up essential curiosity from the players as to who—and what—Solas really is, which propels us through the narrative and has us absorbing information.
And this curiosity? It is why Veilguard could not have the Inquisitor as its protagonist. To keep us curious as players (and "readers" of the lore), BioWare needed a new protagonist.
Specifically, they needed Rook.
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The Protagonist: Why Rook's Perspective Matters
Here's the thing. The protagonist is not just the face of the game. They are our vehicle to understanding that game. The plot follows their wants and responds to their understanding. What they don't know, what they want to know, is what makes up our every objective. Their emotional journey through the game is our emotional journey through the game. Following it, going after the things that matter to our protagonist, is how the entire game (including its lore) takes shape in our minds.
That's why it's essential that they don't know everything—especially after a ten year interim between games.
Veilguard's plot and twists proved that the Inquisitor did not know everything. They, in fact, knew less than half of everything. If we had kept them as the protagonist, all of our knowledge and curiosity would be shaped by the Inquisitor's understanding: a wrong understanding. We could constantly be fighting with what we think the Inquisitor should know, what should be true because we had seen it through the Inquisitor. We would be set up to be at odds with the very events of the game. Rook is a blank slate, barring a few key tonal indicators, and that blank slate allows for us to fit all previous lore into its new, recontextualized shape that I mentioned above. (Again, note that I am not saying rebooted.)
That, and Rook has multiple motivations. The Inquisitor is focused largely on stopping or saving Solas; Rook is charged with figuring everything out as it is happening to them in real time with almost no context or experience, AND stopping or saving Solas. The Inquisitor has existing allies and resources; Rook does not. Rook must build their own campaign from the ground up, and that means the player is building their own experience from the ground up. Their allies, abilities, and home base, yes, but also their knowledge. Discovering things at the same pace as Rook, with a similarly urgent drive to do so, keeps the game from infodumping at us. It keeps the reveals evenly spaced, but also immediately interesting to the player.
And best of all? Rook allows the writers to do what they want to Solas without breaking his dynamic with the endless sea of Inquisitors (or, at least, with way less risk of doing so). We needed to have our theories about him broken down and rebuilt as players; to do that to the Inquisitor would damage an entire sea of headcanons. We'd never get the Solavellan ending we wanted, for instance, if Solas had played mind games with Lavellan for that many months. And if Solas didn't do those things, if he'd been wholly defanged, he would have lost his appeal and importance in the narrative. He wouldn't be the Dread Wolf in the ways that matter to Veilguard.
It's important, then, that Rook has just the slightest bit of backstory. They care about their allies. They are not a potential political force like the Inquisitor. They have many options to be impulsive. Every single Rook has rebelled against authority. Every single one has a stubborn streak. BioWare put all those qualities there on purpose, because Solas uses every single one, in every single Rook, as a tool. That was all essential for his character development in this game! At the same time, they couldn't do that with the Inquisitor as protagonist, because after 10 years, no two Inquisitors are similar enough to predict/script their actions and responses in that way.
Those twists are perhaps the most important tool for forward momentum in the game. The more they keep us guessing, the more we'll play and seek new information, the more we'll learn. Which brings me to...
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The 3 Act Structure: Our Lens
Like I said: BioWare couldn't just infodump at us in Veilguard. It wouldn't be interesting to even half the fans that stayed, these ten years. To keep us engaged as players, they had to string the lore through a series of engaging events. Keep the momentum up, so we would not be lazily looking over codices, but chasing new knowledge and understanding. It all had to be emotionally relevant and resonant to keep us caring, because very few people play games they don't care about.
Veilguard, like a lot of written art, follows the three act structure. Though there are a lot of variants on the more precise beats, they all broadly follow the same-ish path.
Hook: The opening image. In Disney movies, this is the song where the character sings about all the things they want in their journey, and what they truly need is only implied. It gives an opening note for the theme by showing what the character lacks, and what they might need to gain before defeating the final villain. In Veilguard, this is our prologue, centered entirely around Varric: the big red herring where we see that Rook is out of their depth, opting to push over a support beam rather than take on the Dread Wolf. Off-screen, it is also the background information about Rook, showing us who they are and what they want before we play.
Inciting Incident: The event that kicks off the main plot. In DA:tV, there's a big collection of these (because every companion needs one; we'll get to that). The first big one is, of course, the failed ritual. The death Rook doesn't see. The Evanuris are freed, but Rook has only half the information.
First Plot Point: "Plot Point" means "big/defining decision" in writer-speak. This is the moment the protagonist decides to go forth on their adventure. In video games, this is more or less determined for you, but you have the option to flavour this moment in Veilguard. You can choose how to tell Solas that you'll do what he wants: either by appeasing him or angering him. You do the same for Neve and Harding afterward, and then again in Arlathan and D'Meta's Crossing. You state that you're doing this, no matter what it takes.
First Pinch Point / "The Setback": "Pinch" means "twist" in writer-speak. It's the first time the narrative is shaken up, and is also usually the first time we see the true scope of the villain. In Veilguard, the first big twist has been called "the Setback" by some of the devs (notably, I heard it at a panel in September). For Veilguard, this is Weisshaupt. We see the true scope of Ghilan'nain's horrors, but we also see the first BIG hints (outside of Varric) that Solas is manipulating us—because he really doesn't seem to hate the Wardens as much as Inquisition enjoyers like myself expected. This event concludes act 1.
"New World" / "Fun and Games": The devs have remarked that they wanted to see the tone of their setback (Weisshaupt) threaded through the rest of the game, and we do: through Davrin and Lucanis' banter, through the reflections on the consequences of Weisshaupt, through every character struggling with their confidence and identity after that point, through the blight getting worse and worse and worse. That's what the New World is: the characters getting used to new circumstances after that first big twist. The Fun and Games are the slow and steady recovery from the twist, warming and solidifying formerly tenuous relationships. This is where we do a lot of companion and faction quests.
Midpoint: In a narrative that ends in a victory (so most games ever), the midpoint is a false victory. We think we've nailed something, only for something else to happen that begins to seed doubt in the protagonist's capability and/or ability to solve the plot. For Veilguard, this is the blighted dragon fight: we think we've got Ghilan'nain, but then Elgar'nan shows up and demonstrates that Rook is in so, so over their head.
Second Pinch Point: The second twist. The villain's identity is crystal-clear, and by now we've definitely interacted with the villain more directly. This is Arlathan, Elgar'nan's mind-trap—and Solas' "rescue" of Rook, showing his duplicity in full. Elgar'nan notably says a line about not falling for Fen'Harel's tricks again, and it foreshadows what we will see of Solas.
Disaster / Crisis: This is the event that triggers the protagonist's downward spiral. Not a twist (necessarily), but a catastrophe. In Veilguard's case, it's both: the Ghilan'nain fight leaves one companion dead-dead and another presumed dead. Then, the twist: Solas using Rook's sharply felt regret to pull his gambit and swap places with them. A series of events that literally had me gasping so frequently I got dizzy. Thanks, BioWare :) Many people say that this event, or something between this event and the "All is Lost" beat, conclude act 2. For games, the pacing is sometimes different, as is the cutoff mark, because otherwise the third act has the potential to be very short.
"All is Lost" / The Dark Night of the Soul: It's exactly as the name suggests: all has been lost. The protagonist doubts themself completely. It seems like nothing more can go wrong, and like nothing might ever go right again. The protagonist is at a loss for how to move forward. In Veilguard? Varric is dead. Davrin/Harding is dead. Bellara/Neve is dead. Rook is literally trapped not only in their regret, but in a reflection of Solas' regret. And to get out, they'll need...
"The Epiphany" / Second Plot Point: "Plot point" means "big/defining decision" in writer-speak, as stated above. Only this one contains more layers than the first. This is where the thematic statement of the piece comes out: the lesson that the protagonist must learn is stated, clearly, for all of us to see. It is the thing that picks them up off the ground, giving them strength to face the climax and the danger it promises. In Veilguard, this is Varric saying to Rook, "Have you learned nothing here?" and reminding both Rook and player that he chose this; Rook's companions chose this; we cannot blame ourselves for the actions of others. We cannot carry grief for other people, or we'll drown in it. Sound like any other character we know?
Climax: The big fight! But also, the big moment where the theme is shown to be the narrative key. In every ending of Veilguard, Rook being Solas' perfect mirror is the key to winning the day against the Dread Wolf. It just depends on what facet of Solas Rook chooses to mirror: the trickster, the nasty combatant, or the person who was haunted by their own failings and lost companions.
Resolution: Narrative threads are tied up, or a promise is made to tie up those loose ends in future installations. Veilguard's credits do both of those things. :)
Why am I telling you all of this? Because the lore must follow that skeleton. Every reveal we get must fit into both the timing and the feeling of those events. It would not fit to suddenly drop everything about the Titans right after Rook gets to the Lighthouse, which is why those enemies you need to kill to get the last memories are level 30-40. It would not fit to uncover everything about the blight's origin before Weisshaupt. If they forced us into that as players, all the casual fans and new players would duck out, feeling overwhelmed.
Even for us older fans, narrative structure shapes significance. You can tell a lot about a codex's overall importance and tone just by understanding where you find it, and when. That's why the Trespasser codices carry so much weight, even the ones about the Evanuris' actions that we don't see on screen at all: they are at the bitter end, and so they carry all the bitterness, longing, and mourning of that ending. Without the context of Trespasser, they mean less.
This is also why Veilguard paces its companion quests this way, not allowing you to complete them until later in the game. Every companion has something to teach us, and BioWare wanted to give each companion's narrative the weight it deserved.
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The Companions: Paths to Our Answers — and Future Games
Anyone who's played Inquisition knows that companion quests shape entire facets of the lore in individual games, as well as set us up for the trajectory of the next games. Just look at Solas and Cole: together, they shaped our whole understanding of spirits in Veilguard. They set us up to ask all the right questions about not only spirits being bound as demons (Solas' quest), but about spirits being able to manifest in physical shape (Cole's quest). Together, their narrative conclusions foreshadowed much of the Evanuris' reveals in Veilguard: that they were spirits who could manifest into corporeal shape, and that they had the ability to ask others to manifest—and then bind them.
Again, these quests are paced throughout Inquisition's main plot. You cannot do their before Skyhold, and you cannot do them after the cutoff of (I believe) the Temple of Mythal. Inquisition forces you to see those quests' endings in the exact right spot: sometime around the midpoint (Adamant/WEWH), but before the disaster/dark night (the Temple of Mythal). They do that so you will feel that those things are significant.
Veilguard does the same thing. Every companion has a facet of the lore attached to it, but you cannot follow those threads to their conclusions at the beginning of the game. The game won't let you, because the moments need to be spaced out properly and carry the necessary emotional weight. Not all of their quests promise speculative material for future games in the same way, because some explain the context of the current game (Varric, in DAI, accomplished both with the red lyrium content, for instance; Leliana, meanwhile, dealt with the theme of faith in DAI and did not promise future speculation).
These concepts will all get far more attention in due time, but in short, here's what I think is associated with each companion:
Harding: Titans! But also, angry titans, and the difference between "angry titan" and "source of blight." In the same vein, what the dwarves should do going forward, and where they should place the titans in their culture.
Neve: The soul of Veilguard; her narrative is very current to DA:tV, in my early understanding. But she brings forth a lot of nuance to the themes of regret, and what that regret looks like on a smaller scale (a city, rather than a world). She does a lot of work in showing us that regret is regret, no matter the scale, and that the work we do to do better matters, no matter the scale. Additionally, her personal quest foreshadows Solas' use of blood magic against us being more than we thought by showing off Aelia's puppets, suggesting to us (tonally) that Rook may be Solas' puppet.
Bellara: The Forgotten Ones!! Anaris! Also, the place of ancient elvhenan in the future of Thedas, and what the elves should do/feel going forward.
Lucanis: I think they were going for some Forgotten One/Forbidden One hints, judging by some notes from the Ossuary and some banter between Lucanis and the others. This needs more dissection. Lucanis sort of does both what Bellara and Neve do: the Forgotten Ones, and also the heart of Veilguard's theme, with a lot of found family vibes thrown in.
Davrin: The blight itself, and the future of the blight without any archdemons left to cause capital-B Blights. Thedas' path to healing its nature.
Emmrich: The nature of what spirits are. I need to go screencap more specifics, but I swear this necromancer has referenced the difference between spirit and human soul and has stumbled upon saying that the two might not be so different at least once. Also, the Formless One centers around the Necropolis, and I'm thinking "spirits seeking bodies" and this whole idea of unlife/undeath is going to be explored later.
Taash: Remember how I said BioWare needed an ethos update? I think we see that most predominantly in Taash, whose entire personal quest is an examination of the values and priorities of different cultures, as well as the place of gender and gender ideology in Thedas. We saw this with Dorian and Krem in DA:I, but Taash modernizes that conversation (10 years has changed a lot!) and brings it front-and-center. At the same time, their existence is referencing (potentially) the Scaled Ones, and showing us that the kossith (Qunari) might have far more ties to Evanuris shenaniganry than we thought—and that those shenanigans did not happen on Thedas, but potentially far across the sea. (Neve and Lucanis accomplish this, also, with the Shadow Dragons and Crows, but not to the degree that Taash does).
This is why the companion quests MATTER, and (at least partially) why the game asks you to complete these quests or suffer consequences in the finale.
You know what else happens, upon completion of these companion quests?
You get codices. In Dragon Age, they are the threads that tie the seemingly disconnected pieces of the plot together, and that's on purpose. This time, they automatically unlock upon completing different stages of companion quests—and as far as I can tell right now, days after completing the game for the first time, the ones revealed later DO contain spicier hints about future lore than those revealed earlier.
And between ALL of these things—the demands Veilguard's timing placed on Bioware, the need for Rook as a protagonist, and the structure for every companion's quests—I think BioWare did an amazing, genius job with their narrative. Yes, I have seen some of the art book content, and yes, it would have been so cool to have those things, but... I truly do not think BioWare needed them, as close as I would have held cameos like Cole to my heart.
From a lore perspective? They knocked it out of the gods-damned park with Veilguard. They did an amazing job with each of their quests, and I promise: there is no shortage of juicy lore to be found in Veilguard. Now that I've inflicted an outline of what I know about stories upon you, I promise: all of this serves as context for everything I look forward to saying in future posts.
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If you got this far, thank you, as always!
This series is going to take a turn toward what I noticed in Veilguard, how I feel that Veilguard adds to my theories (or perhaps debunks some of them), and where I think the series is going to go from here. But in order to write all that properly and miss as little as possible (even though, in November 2024, with no wiki or transcripts, I am guaranteed to miss things), I need to keep playing the game and keep reading the codices I find.
Stay tuned for the next instalments, though I cannot say how quickly they will come after this. <3
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starryjoy · 3 days ago
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you wrote "are you saying all trans women are radfems" which is so insane girl 😭 the post literally says its about cis feminists definition of patriarchy and its about the op being bigender in this patriarchy, you just made the wildest assumption ever and rolled with it.
like no youre not just asking questions, you made a post *immediately* after your reply saying how "people are calling trans women radfems now". you were never interested in the actual concepts of the post. you just saw a post that made you feel like your vision of feminism might be unhelpful for nonbinary people and got so offended that you had to make an addition that made no sense at all.
i dont want you to answer this. i want you to close tumblr and go think about that. because seriously, the people who are being assholes to my friend about this post are all terfs. so maybe think twice about who you are agreeing with when you go around "just asking queestions" to random nonbinary people you dont know, about things they have not said.
*especially in this fucking climate*
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[ID: Meme that reads "I bring a sort of "The Patriarchy was defined by Cis Feminists and the Definition Should be Updated To Better Represent the Lived Experiences of Trans and Intersex People" Vibe to Transfeminist Theory that Radfems don't really like" the background is a photo of a man with a backwards baseball cap looking into the distance while standing outside /end ID]
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yellowocaballero · 3 days ago
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i see you reblogging aa, is this a sign an ace attorney fic is on the horizon 👀
I resign myself to the fact that any reblogging spree of one work inevitably results in people in my inbox asking if I'm currently writing fanfic about it. I can't complain, because the answer is usually yes absolutely of course I am.
I will say that the Great Phoenix Wright Trilogy Playthrough Of 2024 was this summer! It was very much a tether to sanity and I'm very grateful towards @lazuliquetzal for letting me watch her play and for making the experience so much fun. A very intricate bedrock of lore/in-jokes developed. Edgeworth thinks he discovered homosexuality and younger sister figures are mandatory in a court of law. We found it extremely well-written, very funny, and really interesting in character dynamics. I also got her to play Ghost Trick, which was awesome as usual. We're currently both obsessing about different things - and my fanfic to-do list is already VERY long - so no fanfic is actually in the works right now.
Of course I've already written some, who do you take me for. I wrote this just for us, so it's unfinished and rife with our in-jokes, but somewhat shockingly it probably has the densest joke-to-word ratio that I've ever written. Sometimes I want to continue writing something, but I look at it and I'm like, 'This is too good. I can't keep up this level of good. I can't reach this high again'. The short fanfic - sourced from our recurring jokes/efforts to figure out [SPOILERS FOR ACEATT3] how blind Godot is exactly, and what I would have found the most interesting - is, believe it or not, too good to keep writing.
Zany fanfic and spoilers for Ace Attorney 3 under the cut.
           As it turned out, there was a prosecutor’s lounge.
           Like a lot of Phoenix’s least favorite facts, it was both obvious in retrospect and deeply disturbing. The defendant’s lounge had an obvious purpose: confer with your client, beg them to tell you simple facts that would determine if they were sentenced to death via electric chair, let your coworkers blow off steam by making fun of you. Gumshoe is useful at the least useful second. None of these banal and extraordinarily stressful events had anything to do with a prosecutor.
           That was why Edgeworth had always wandered into the defendant’s lounge and made vague yet affectionate threats at Phoenix. If he had his own sterile room to stand around awkwardly, he surely would have done so. This felt so obvious it ought to have gone without saying. There couldn’t, like, actually be a real lounge. That would imply a lot of things about Edgeworth’s choices. 
As a result, when Gumshoe tossed Phoenix the updated coroner’s report and asked him to run it to the prosecutor’s lounge, Phoenix’s first instinct was to contemplate suicide. His only remaining link to sanity was the knowledge that running Gumshoe’s errands to an imaginary room was better than the alternative of staying here.
           Much better. Gumshoe was looking at Maggey, Maggey was refusing to look at Gumshoe, Phoenix wanted to be nowhere near any of this, and he was taking the out. Gumshoe might as well have asked him to go check if his refrigerator was running. Call him a mechanic, because he grabbed both Maya and Pearl and high-tailed it out of there.
           He had to ask for directions three different times before he even found the place. It was a place that could be found. In real life. Phoenix better go catch his fucking refrigerator!
It was also right next door to the defendant’s lounge. Had this really been here the entire time? Could Phoenix have been wandering into Edgeworth’s lobby and making vague yet affectionate threats at him? He could have even stood in front of the door and blocked Edgeworth’s ritualistic escape from his feelings. His was a life of missed opportunities.
           “I bet they have free coffee,” Maya said grimly. “I bet they have tacos.”
           “With free avocados,” Phoenix intoned. “As much as they want. Maybe caviar.”
           Pearl blasted her large and doleful eyes up at Nick. “Why don’t you put avocados on the tacos you make for us? I love them…”
           Poverty, but he couldn’t tell her that. Nick settled for patting her on the head. “Avocados are as immoral as the prosecutors themselves, Pearly. It’s a matter of ethics.”
           “Ethics are so overrated,” Maya said mournfully, kicking the doors open. “Let’s go evil, Nick. For the sake of the children.”
           The cops inside did not appreciate Maya’s dynamic entry, but nobody ever did. Disappointingly, the prosecutor’s lounge was identical to the defendant’s one – down to the cops, cheap sofa, and ugly-ass art. The only difference was – son of a bitch, they did have coffee!
           Entirely possible that Godot refused to step foot inside the courthouse unless they installed a coffee machine. But it was the principle of the thing, goddamn it! Nobody ever cared about Phoenix’s hunger strikes!
           Potentially entirely due to coffee, Godot was sitting on the scratchy sofa with his head tilted back and one earbud in his ear. Its cord snaked onto the cushions of the couch, attacked to some small black media player. Was he awake? Was he asleep? Was he dead? If they were really quiet, would he sleep through the trial and leave Phoenix to win by default –
           “They have a chartreuse board!” Maya screeched. “Those rat bastards!”
           Pearl gasped, hands flying to her mouth. “Is that sushi? Free sushi!? I love sushi!”
           “Get my purse, Pearl-chan! Grab much as you can!”
           “So it’s hereditary,” Godot growled. Phoenix winced, instinctively checking for coffee cups in his vicinity. The familiar cheap coffee table seemingly only had one, but on closer look Nick could tell that they were carefully stacked into each other. How tidy! “How did you even know this place existed, Trite?”
           One of these days Phoenix was going to start pronouncing his name “guh-dot”. That would show him. He hadn’t mustered the courage yet, but one of these days! “How could I not know it existed?” Poker face, Phoenix. Look condescending. Evoke Edgeworth. Show him what’s what. Literally nobody else you know is scared of him, therefore you are not scared of him, we are manifesting absolute zen in the face of the tallest man Phoenix had ever met in his life. He was sitting down. This shouldn’t be hard. “It’s right next to the defendant’s lounge, how could we miss it?”
           “Is that so?” Godot slowly leaned forward, like a great beast awakening from a mighty slumber. His movements were stiff and disjointed, like a fat bear waking from hibernation. “The spotlight of truth must be like a floodlight to the most enlightened defense lawyers. Illuminating all. Hiding nothing. But shadows cling to the undersides of society, and true darkness lurking underneath the charcuterie board –“
           “I have the updated coroner’s report,” Phoenix said, flapping the envelope loosely. “Gumshoe wanted you to have the other copy.”
           “Yeah, give it here.”
           “If the charcuterie board is evil don’t tell me.” Maya was plowing through a hunk of goat cheese like a rabid coyote. “I don’t wanna know. None of my business. Put the wasabi in my coin purse, Pearl-chan.”
           There was something inherently evil about having a cheeseboard at the workplace, but the legal system couldn’t get much worse. Godot didn’t stand up from the couch – he just thrust out a hand, making shockingly childish little grabby hands, forcing Phoenix to cross the entire room and put it in his hands. Pearl ran up to Phoenix and helpfully smeared wasabi on his hand.
           Godot took the coroner’s report and dropped it on the table. He leaned back, reaffixing his earbud in his ear. “Charmed. Clean us out of the nori, girls, it’s Payne’s favorite and I want him to experience suffering.”
           Pearl helpfully tugged at Phoenix’s sleeve, dying it a light green. If he lost this case because the judge thought he smelled bad… “Can you pour me the last of the coffee, Mr. Nick? I wanna be a big girl and do it for me but the big jug is too heavy.”
           “Are you kidding? You’re way too young for coffee.” The last thing they needed was a nine year old bouncing off the walls. In a courtroom. During a murder case. Phoenix turned to Godot, who was biting his tongue and barely restraining himself from cursing out a nine year old. Was that blood? “You’ll want to take a look at that, Mr. Godot. There’s a new piece of evidence that could change everything.”
           “Save the dramatics for the courtroom.” Godot leaned back again, waving his hand absently. Yeah, that was definitely blood on his yellowed teeth. Phoenix had to admire the restraint. “What’s this new tidbit that’s so important, then?”
           Was he everyone’s errand boy? “The report’s right there, read it yourself.”
           “Seems like I was correct in pegging you as the lazy type, Trite. Look at you refusing to do a simple task.”
           Pearl made an ‘ooo’ing noise behind her hands. Maya broke a cracker in half, giving her the smaller piece. “Don’t say that world, Pearl-chan.”
           “What wo –“
           “You can’t insult me into doing the most basic aspect of your job. You read it.”
           “I’m a busy man. I’m hard at work actually making justice.” But he was sleeping?! “Defense attorneys clearly have nothing better to do than eat our precious cheeses. Show me that you can do the most basic element of the job.”
           Talk about a turnabout! This man had cranked the hostility meter up towards eleven and broke the knob off. Francizka had spent most of a year almost gnawing his face off, but she had never made Phoenix feel so specially hated. “Sorry, Godot, I’m not falling for it. But you’ll definitely want to read the report yourself. It has essential information for the trial in literally five minutes.”
           “If it’s so important than why did we give it to him at all?” Maya garbled, spewing pita chips everywhere. “We could have hid it and won this case!”
           “Because that’s unethical –“
           “You never let anything go! You and your silly ethics –“
           “Silly?!”
           Godot leaned forward and swept his hand over the table with incredibly unnecessary drama. He swept the folder into his hands, yanking the crumpled police report out. He ostentatiously snapped the paper and held it up to his visor, reading it closely. He nodded several times. He even hummed once.
           Finally, Godot straightened and tossed the report on the table. “Boring! So much for crucial evidence. You’re looking at the shadows in the cave and calling them innocent of heinous crimes, Mr. Trite. Turn away from illusions and overcome your cowardice by entering the deepest depths of Plato’s cave, facing your inner demons and reckoning with the truth of –“
           “Boring?” Phoenix cried. “The window for the potential time of the murder is completely different than we thought? And I’m the one living in a fantasy land?”
           Godot stared at him. “Really?” Phoenix made a garbled noise of outrage. Godot ignored him. “What’s the new window, then?”
           “Read it yourself!”
           “Hm.” Godot angled his head to the side, facing away from Phoenix. “Hey, little girl. I bet you can’t read.”
           Going for the throat?! Pearl clearly didn’t know whether or not to puff herself up in indignation or start crying. “I am such a good reader!!!!”
           “Really? Prove it.” Godot picked up the crumpled page and wave it at her. “Or are you a liar?”
           “Being a liar is for bad girls! I am a very good girl!” Pearl reached up on her tip-toes and nabbed the paper out of Godot’s hands. She scanned the page seriously, eyebrows furrowed. “Here! Right here! The new time of death is –“
           “Are you making a nine year old read a coroner’s report?!”
           Maya slurped slivers of ginger with pitying eyes. “She channels the dead, Nick.”
           “And that’s the time,” Pearl finished smugly. Phoenix hadn’t even heard her say it. She held out the papers to Godot again, who ignored her. “Now you know the time, because I am such a good reader.”
           “You’re a diamond in the rough, kid,” Godot told her seriously. “Never let these dullards dull your shine.”
           “My name’s not Diamond,” Pearl informed him, equally seriously. “It is Pearl Fey. Don’t feel bad. It’s a very common mistake.”
           “I don’t make mistakes, kid. I’m just one step ahead of reality. Count on it.”
           “You don’t have to be prideful, Mr. Godot.” Pearl smiled brightly and encouragingly at him, as if she was trying to connive a pit bull into a doing a trick. “It’s okay if you aren’t a good reader. Or if you aren’t a good speller. I’m a bad speller but that doesn’t make me a bad reader. Being a bad speller has nothing to do with being a good reader. I am a piece of decisive evidence about that.”
           Maya looked grimly at Phoenix, who was contemplating suicide again. “We’re ruined her vocabulary.”
           “We let her sit in during murder cases, Maya.”
           “And it’s ruined her vocabulary.”
           “What’s ruined your brain?”
           “Do you need me to read more things for you?” Pearl asked sweetly. “I like practicing my reading. I’m always practicing with Mr. Nick’s court records. They’re lots of fun and very educational. I can read ‘five counts of manslaughter’ very well. Do you want to see me spell it?”
           Godot looked at Maya. He looked at the coffee table, where the papers were not. He looked contemplative, maybe. Finally, he said, “How are you at serving coffee?”
           “If the jug is medium sized I can be very good at it!”
           “You’re hired.”
           Alright, that was enough. Phoenix had a lot of responsibilities, but his responsibility to Maya and Pearl came before every single one. That conviction had been put to test during that awful Engarde case. Phoenix almost sacrificed his integrity as a lawyer for Maya’s sake - he was not going to lose it now!
           “Absolutely not,” Phoenix said. It didn’t matter how insanely tall this guy was. Phoenix was taking a stand - right here, right now. Granted, the stand would go to his shoulder, but it was the conviction that counted! “Child labor is against the law, and her legal guardian does not give consent for this.” Phoenix made dangerous eyes at a cowed Maya, just to reaffirm that her legal guardian was not giving consent. “Don’t you have your own co-counsel? Make them do your chores, and stop stealing mine!”
           “I wasn’t planning on paying her,” Godot said affably. “That’s a violation of child labor laws, you know.”
           Maya appeared to be seriously considering his proposal. Which shouldn’t have been a big deal, but please refer back to the legal guardian wrinkle in this case. “I don’t know, Nick. Don’t you think it’s time Pearl flew out from underneath your shadow? It’s not exactly as if you pay me either.”
           “You’ll get paid when you do something helpful that gets me paid,” Phoenix said instantly. Maya glumly accepted this reality. “There’s no paycheck in moral support, Maya. Godot can use his own co-counsel –“
           “I don’t have a co-counsel,” Godot said. “Do I look like I’ve received an ounce of moral support in the last four years? Of kindness? Hell has no comradeship.”
           Phoenix flapped a hand. “Yeah, whatever. Your plucky imouto, co-counsel, whatever. Just get her to do it.”
           For the first time, Godot actually gave him a baffled look. Maybe. It was insanely hard to tell. “What would I do with a – younger sister, is it?”
           Everybody froze. You could have heard a penny drop. Maya and Pearl’s eyes practically goggled out of their heads.
           Godot just stood there, ignoring Pearl and Maya but clearly unsettled by the silence. “Cream and sugar undercuts the delectable bitterness of the black coffee. A life without siblings is a satisfyingly dark roast.”
           Slowly, Phoenix said, “I’m sorry. You’re a lawyer with no plucky female sidekick?”
           “I’ve had kouhai,” Godot said defensively. “I have a certain talent for mentorship –“
           “Mentorship? What makes you think you’re qualified to give any sort of mentorship? You’re a rookie!” Phoenix said the word ‘rookie’ like how Edgeworth said ‘polyester’, which was deeply satisfying. “And haven’t you lost every case you’ve ever taken?”
           Maya looked close to tears. “No wonder he’s such an awful lawyer…he doesn’t have a single imouto.”
           “Is that the ‘hell’ Mr. Godot talks about?” Pearl asked, voice wavering. “A world with no women?”
           “You’re projecting,” Godot snapped. “Just because you’re surrounded by teenage girls all day doesn’t mean any other lawyer is obligated to do the same.”
           “Any good lawyer. Why do you think Edgeworth has an imouto.” The thought of Edgeworth with no Franciska to hone his…edge…how sad. “And Franciska has Edgeworth as an imouto. This is law one-oh-one, Godot.” Phoenix propped his hands on his hips, grinning. “Hah! No wonder you can’t beat me! You don’t know the first thing about law, do you?”
           “And he can’t read,” Maya said sadly. “Maybe Mr. Godot isn’t exaggerating when he tells us how sad and pathetic he is…”
           “You thought he was exaggerating?”
           The tragic sight of the thoroughly baffled man clearly tugged at Pearl’s heartstrings, but she quickly found her resolve too. She rolled up her sleeves, as if they were at the office and she was ready to attack Phoenix’s toilet with a scrub brush. Once she had almost fallen in. “That does it! If Mr. Godot doesn’t have an imouto, then I’ll - ”
           “Nope. His problem, not ours.” Frankly, Phoenix was just trash talking a little. If you pretended Edgeworth and Franciska didn’t exist – impossible for Phoenix, but he could stretch his imagination – then Godot was a pretty good lawyer. To be a pretty good lawyer without the massive handicap of no young girl…Phoenix better stop giving the competition a hand like this. “Come on, the security guard’s started glaring at us again. It��s definitely time to start the trial.”
           “Your face will freeze like that, you know,” Pearl seriously told the security guard. He didn’t visibly react to her words at all. Maybe Pearl was onto something… “Mr. Nick, I have a duty to my fellow man -”
           “You can practice your reading with picture books, like a normal kid.” Pearl indignantly opened her mouth, doubtlessly about to launch into a meandering and breathless rant about her favorite Newberry Award winning children’s book author. “In English, not Japanese. Reading in English is your problem. At this rate you’re going to know how to read legalese and nothing else.” Phoenix yanked open the door, shepherding both girls out. Maya quickly stuffed more California rolls in her sleeve. “Bad enough Maya’s neglecting – Jesus Christ!”
           “You can’t give me a hard time about that,” Maya said reproachfully. “I’m Shinto.”
           Obviously, goddamn Gumshoe was at the door, one fist raised and clearly about to knock. His fist fell at the exact moment that Phoenix opened the door, and Phoenix only barely avoided a royal smack on the head by via Gumshoe’s meaty fist. He really couldn’t afford another concussion at this rate! CTE was a very serious brain disorder!
           “Mr. Wright! Hey, I thought I’d find you here! Right underneath my fist too! How’s that for some detective work, huh!” Gumshoe laughed uproariously, as if his crush wasn’t about to board her kayak and start doing the death row. And as if he hadn’t told Phoenix to go here. “Well, enough playing around! It’s time to get back to it! There’s no excuse for slacking off when Maggey’s life is on the line, you know!”
           “You’re the one who sent me on an errand!” Phoenix snapped. He shut the door tightly behind him. The last thing he needed was Godot adding his two cents. Or, knowing his wordiness, his two dollars. And change. “Did you forget telling me to give Godot the coroner’s report? It was five minutes ago!”
           “What? Why would I do that?” Gumshoe paused a second, creaky and rusty gears churning in his brain. Maya made demonstrative kissy noises. “Oh, yeah! Did you read it out to him?”
           Phoenix was going to have a fucking aneurysm. “Is there some reason why Prosecutor Godot is incapable of doing his own work? I’m already doing half the prosecutor’s job in the courtroom anyway!”
           “Some reason? Uh, yeah.” Gumshoe scratched the back of his neck, quirking an eyebrow. “It’s not exactly as if he can read the thing, you know.”
           “Oh my god,” Maya whispered, “he really can’t read.”
           Pearl’s eyes were brimming with tears. “A lawyer who can’t read…he’s so brave!”
           “Brave is one word for it,” Phoenix said flatly. How could he have ever been scared of this guy? No imouto, no literacy…the only thing impressive about him was how he’d even gotten this far. “It’s not my problem if Godot dropped out of fourth grade. He’s giving me enough problems, tell him to solve his own.”
           For some reason, Gumshoe outright glared at Phoenix. Phoenix was getting used to his misplaced ire over Xirneohp, but what did Maggey have to do with this? If anything, he should be thanking Phoenix for refusing to help the competition. “That’s out of line, pal! Haven’t you heard of basic human decency?”
           “In a courtroom? No.”
           “He’s got you there,” Maya said wisely. “When Nick’s putting the ‘Nick’ in ‘panicked’, then he can do some pretty sketchy stuff –“
           “And you call me the narc?!”
           “The courtroom doesn’t matter.” Gumshoe was still scowling at Phoenix. Of course it’s only Phoenix who gets treated like this. Edgeworth insults Gumshoe all day and he’s still his biggest fan. “I told you specifically to read out the autopsy report so Prosecutor Godot could record it into his PDA. Then he always labels it with that funny little label maker of his. You gotta get your ears cleaned out, pal.”
           Phoenix turned to Maya and Pearl, silently pleading for backup. Gumshoe was making Phoenix doubt his own sanity. Normally he just made Phoenix think he was losing it.
           But Maya just looked tragically disappointed in him. “Nick…you didn’t even let Godot label it with his funny little label maker?”
           Desperately, Phoenix rounded on Pearl. He was ready to fake tears. But Pearl just looked ready to whale on him with her little fists. “How could you, Mr. Nick? I didn’t get to see Mr. Godot’s cassette recorder! I’ve always wanted to touch one!”
           “Ah, Prosecutor Godot’s things are always super fun to touch!” At least Gumshoe looked sufficiently cheered up. “His bumpy labels make no sense to me, but I think they’re super cool. Like a secret code or something. But Prosecutor Godot always dumps coffee on my head when I mess around with them…makes me put ‘em back in order, then he says I’m doing it wrong, and…I won’t say I miss the whip, but prosecutors can be so rough sometimes.”
           Wait. Hold on a minute. Several different small pieces clicked into place, and Phoenix’s familiar trusty intuition began to churn its gears. Phoenix raised one finger, and Gumshoe instinctively ducked. “Detective…that label maker wouldn’t happen to be a Braille label maker, would it?”
           Gumshoe brightened, nodding voraciously. Then he apparently remembered he was angry at Phoenix, and started scowling instead. “Yeah, that’s what he called it! And I’ve just caught ya in a contradiction, pal! You said I didn’t tell you about the bumpy label maker. But you obviously knew what it was, didn’t you? You really were lacking human decency on purpose, weren’t you!”
           Cool. Phoenix wished he was dead.
  Both girls looked at Phoenix immediately, correctly deducing the return of his consistent suicidality but uncertain of the cause. Phoenix pinched the bridge of his nose, hard. “Braille is an alphabet for the blind. You read it by feeling little bumps with your fingers. Apparently Prosecutor Godot is some level of blind. And apparently nobody saw fit to tell us this.”
“Did we gotta?” Gumshoe asked blankly. “Mr. Godot doesn’t like talking about it.”
“Yes, you gotta! Now I look like some kind of - you know!”
Sure enough, Maya was giving him the most judgmental look he’d ever seen. Her face when full-ass adult Maximillian admitted that he had asked a sixteen year old to marry him was nothing in comparison. “You were bullying the blind, Nick? I can’t believe you!”
What was it, bully Phoenix for something that was not his fault week? “It’s his fault for not saying anything -”
“Victim blaming?!”
“I thought he was just being an as - jerk again! It’s not exactly out of character!”
“Ableism,” Maya denounced. Phoenix drooped. “I can’t believe it. I expected better from you, Nick.”
“I’m literally ADHD, don’t give me this -”
“Who isn’t autistic?” Maya said frankly. “That doesn’t count.”
“Plenty of people in this world are neurotypical, Maya.” 
He’d had to explain this multiple times. Sometimes she even made him doubt himself. It wasn’t as if he knew neurotypical people. The people in Phoenix’s life either knew they were neurodivergent or thought that normal people were the freak. Most fell into the later category. Unfortunately. Lana wasn’t winning sister of the year, but Ema’s diagnosis and Ritalin prescription was probably his sole link to sanity during that case. Phoenix had a conspiracy theory that Gumshoe plus Ritalin would produce a shockingly competent person. Like everybody else on the prosecutor’s side, he had no idea.
There was no way Edgeworth knew he was autistic, but Phoenix was softening him up for the revelation. He had to take it slow. Couldn’t afford for him to run off to the Philippines to find himself and then come home acting as if he invented autism. Again. Like he did with homosexuality. Shut up about the German discotheques, Edgeworth!
“Mr. Godot is blind?” Pearl gasped. Horrifically, Phoenix was relieved that she knew what blind people were. “Is that why he couldn’t read? And you made fun of him! That’s bullying, Mr. Nick!”
This was a thousand times worse coming from Pearl. “I wouldn’t say I made fun of him,” Phoenix said evasively. “If anything, I really think he’s been bullying me.” This did not impress Maya and Pearl, who somehow only looked more disappointed in him. Phoenix began to sweat. “I got nothing against the disabled, guys. They’re - like, they’re fine! Some of my best friends are -”
“Autism doesn’t count,” Maya said frostily. “You’ll never get your Disability Awareness and Inclusion Girl Scout badge at this rate, Nick.”
“I - am I a nine year old girl now? Seriously?”
Pearl straightened, eyes widening. “I’m a nine year old girl!” Phoenix gestured towards her, emphasizing the handful of differences between them. Gumshoe nodded vigorously. “Can I get a disability aware badge? I’m aware of disabled people!” Left unsaid: unlike Phoenix, apparently. Yet another difference between him and nine year old girls.
“You aren’t a Girl Scout,” Phoenix said, exhausted. “If that’s something you’re interested in, we can sign you up -”
“Girl Scouts! That’s a great idea. I was a Girl Scout way back when. It was awfully rewarding.” Gumshoe gave Pearl a big thumbs up, as if he hadn’t casually dropped the most insane bomb of all time and promptly moved on. “You’re probably overqualified for the Legal Expert and Fortune Teller badges. You could really make it!”
That was it. They had lost her. Pearl rolled her sleeves up, puffing out her chest with pride, and before Phoenix could react she had already turned around and pushed the lobby doors open. They swung open with a theatrical flair, revealing -
Godot, just on the other side of the doors. Judging by his somewhat harried look and unbalanced stance, he had also just barely managed to avoid door-to-face impact. Or, more likely, door-to-visor impact. 
Pearl either didn’t notice or didn’t care. She jabbed a finger at Godot, who still seemed dazed from the unintentional assault. “I’m taking your case, Mr. Godot! I’ll be your co-counsel! I’ll find you innocent of all charges - um, not that!”
“I lost all innocence a long time ago,” Godot said darkly. He pushed past them, flagrantly brushing off everybody. “If you wish to scout for something, scout for that. It ought to distract you from standing around and wasting time with meaningless gossip.”
Phoenix winced. He didn’t seem very happy. But he never really did - cheerful and amused, frequently, but almost never actually happy. “Uh, hey, man. I’m really sorry about - in my defense, you were actively hiding it -”
“Classic defense attorney,” Maya announced. “Always defending himself!”
“Mr. Edgeworth says that the attorney who represents himself has a fool for a client,” Pearl said helpfully, blissfully unaware of that one time Phoenix had to defend himself against a murder charge. Edgeworth had known. Obviously. 
“Save your pity, Trite. Save it for the courtroom. So you can pity yourself.” Godot held up one hand, not even bothering to aim it in Phoenix’s direction. “Out of all of your victims, of course you would pity yourself the most.”
“Dude,” Phoenix said, “did I, like, ghost you the morning after or something? I’m sorry about it, but becoming a lawyer because I didn’t text you back is a little weird.”
“A little weird?” Gumshoe said, baffled. “That’s a crazy accusation, Wright. Who would become a whole lawyer because of a guy?” Phoenix looked at the ceiling. Godot coughed. “I don’t like the sound of that cough, pal.”
“For whom does the bell toll, Detective?” Godot said. Maya looked actively distressed as she attempted and failed to decipher what the fuck he meant by that. “I’ll see you all in court. Prepare yourselves. I don’t intend on losing to the likes of you.”
He turned on his heel, striding down the hallway and escaping them all as quickly as possible. Pearl gasped, and she immediately let go of Maya’s hand so she could set off barrelling down the hallway. “Hold on! Wait for me, Mr. Godot!”
Godot didn’t look back. But he did slow until Pearl caught up, and when she shoved her little hand in his large one he didn’t pull away. 
Gumshoe scratched his chin. Maya squinted at the departing duo, obviously wondering how Godot knew where to take a left turn at the hallway. Phoenix made a mental note of it too. For a blind guy, he was really familiar with the courthouse…which meant that Phoenix’s mistake was perfectly reasonable! Anybody would make it! “Just double checkin’. You two are actually cool with sending off a little girl with the sketchiest grown man ever? Completely unsupervised and stuff?”
What, seriously? Phoenix and Maya glanced at each other before shrugging. “If you can’t trust your coworkers,” Maya intoned seriously, “you can’t trust anybody. Nobody’s more trustworthy than a real lawyer.”
“And Edgeworth recommended him,” Phoenix pointed out. “Good enough for me. The state of California would never have certified him as a defense attorney if he wasn’t trustworthy.”
“That doesn’t sound right, but I don’t know enough about the law to dispute it,” Gumshoe said cheerfully, displaying a chain of logic that had proven extremely convenient for Phoenix over the years. Maya had once tricked Gumshoe into letting them into a crime scene by pretending that there was a legal holiday once a year where every law and police procedure was inverted. “Don’t we got a trial to hit, anyway?”
“Shit!”
Pearl’s inaugural performance as the prosecution’s co-counsel/imouto went off without a hitch. Phoenix couldn’t be prouder of her efforts. She played her part perfectly: from the well-timed timed motivational encouragements to tension-relieving funny quips, she was a natural. Her only experience co-counseling with Phoenix had been very stressful for her, so Phoenix was happy to see her shine with confidence. Pearl Fey was truly suited for villainy.
She even went above and beyond into the role of personal assistant imouto. She carefully managed the presented evidence, holding up the right photograph or blood-stained object for the purview of the court. Pearl read out any written reports, described the evidence that Phoenix presented, and reported on any notable body language. Phoenix wasn’t sure if Godot knowing that ‘the Defense looks like you ate the last onigiri he was saving for lunch…’ was remotely helpful, but it was cute. Godot better realize how lucky he was to have such a top-quality imouto at his side today. It confused the judge, but what didn’t.
“I’m sorry,” the judge said, as Pearl carefully withdrew a generic white coffee mug from a large box underneath the table. Seemingly…filled with more mugs.  “Doesn’t that little girl belong to the Defense?”
“The Defense is loaning her out today,” Phoenix said seriously. Pearl began wrangling a coffee pot the size of her head. “Don’t worry, it’s not a conflict of interest.”
“I see!” Pearl carefully tipped the large pot into the white mug. It spilled everywhere, but coffee was poured. “And what is a ‘conflict of interest’?”
“Obscure old legal term. Don’t worry about it.” Pearl reached over the table and attempted to slide the mug towards Godot, as the unlucky draftee from the audience always did. He just pointed at a random pot in the crowd and told somebody that they were in charge of his coffee today. Terribly unorganized way to do things. 
“Watch it, you senile old man. The Defense is distracting you with outdated legal concepts. Focus on the most important aspect of this case!” Why was only the prosecution allowed to insult the judge! Why were they the only ones allowed to get away with that! Seriously unfair! As if Phoenix didn’t want to strangle the judge with his own two hands too?!
The mug scooted forward a little, but barely moved. Pearl scowled and tried again, sliding the mug forward a few inches and sloshing coffee over the side again. Pearl huffed in frustration before carefully cupping her hand around the mug and pushing it forward as she walked down the table. 
Godot cupped his hand on the table and let Pearl push the cup into his hand. Then he slammed the table, throwing his head back and chugging the entire mug of steaming hot coffee in one go. He slammed the mug back on the table. Pearl carefully retrieved it. 
“The fact that the old man and this fake Frenchman saw the accused put poison in the cup!” Godot announced. “That’s one fact that can’t be denied! Not by a reliable witness!”
Pearl clapped. Godot patted her on the head. Phoenix groaned.
Phoenix got his way - as usual - by the skin of his teeth - as usual. He was going to have a heart attack before he was thirty at this rate. Phoenix and Maya waited in the courtroom lobby for almost fifteen minutes before Pearl finally came running up to them. She was beaming, cheeks flushed red with pride. 
“Great job out there today, Pearl!” Maya cheered, clapping her hands. Yeah - a little too good. Godot’s performance in court was way smoother than last time. Maybe he was just getting his sea legs, but Phoenix never underestimated the power of young girls pursuing merit badges. “Are you ready to go home?”
“Nuh-uh! Mr. Godot said he’s gonna take me out for ice cream!” Pearl thrust her hand out, shining the biggest, wettest gaze directly into his eyes. “Can I have money for ice cream, Nick? Please?”
“Typically speaking, when you take people out for food, you’re the one paying,” Phoenix said flatly. “Mr. Godot’s on a prosecutor’s salary and I’m representing a waitress. He can pay.” 
“Mr. Godot doesn’t get paid,” Pearl said frankly. “He said he does it for the love of the game.”
This was somehow the most surprising thing he’d heard all day and completely predictable. 
Maya frowned, tilting her head. It was a gesture he’d seen in Mia a thousand times. Even after all this time, Maya still hurt him in those little ways. “Prosecutors get paid by the government. How do you legally work for the government and not get paid?”
“Maybe he’s a volunteer?” Phoenix suggested. “People volunteer at places, right? Like…in zoos?”
“That makes sense!” Maya said brightly, clapping her hands together. “Zoos, a court of law…what’s the difference, right?”
“After we’re done with it, not much.”
“I can’t believe I didn’t meet the parrot,” Pearl said, crushed by the immovable weight of the world’s injustices. “I wanted to make friends. We have so much in common.”
Maya sympathetically patted Pearl’s back. “You do! You’re both so good at imitating voices! Maybe one day Phoenix can cross-examine you too, huh?”
Nope. No. No way! “Not happening. I’ve accused every imouto I’ve ever had of murder on the stand. Pearl’s merciless enough, we can’t take that chance. She wouldn’t make it a day in prison.” 
“Sounds like a you problem,” Maya said, unimpressed. “Godot would never accuse an imouto of murder. He’s a bro like that.”
“He’s a prosecutor, it’s not his job -”
“Apparently being a prosecutor isn’t his job either.”
“You’d make an unemployed man pay for my ice cream?” Pearl demanded. “For shame, Mr. Phoenix Wright!”
Phoenix sighed and pulled out his wallet. He didn’t know why he wasted time pretending this wasn’t going to happen. Pity he wasn’t in the habit of accepting the inevitable. His life would be a lot easier.
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dogtoling · 7 hours ago
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General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...
The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.
Longer post under cut:
So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.
Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.
Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).
How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.
The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.
Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.
So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.
So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...
If you read this to the end heres a treat for you = 🍪
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hibiscus-intern · 2 days ago
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Fit check for my new internship! This freighter ship is super cramped. You can barely see anything in the mirrors! I'll h- uh. Sounds like the Captain... Curly, I think? Sounds like he broke the news to my new boss. I'd better go check that out. AMA and I’ll get on it after my shift, yeah? Apparently we only get like, five hours of sleep! Aw man, I don't know anything about... Recording ended.
ASK BOX IS OPEN!
A/N and guidelines under cut! Please read before sending :]
Hi and welcome! I haven't run an ask blog in years, now, but this isn't my first go at it so I'll hop right into some rules and guidelines for interaction!
As a canon-adherent Mouthwashing blog, themes of abuse, assault, institutionalized misogyny & violence against women, capitalist and patriarchal hierarchies, rape culture, ageism, etc. can and likely will be explored. I am 21 years old and as such will tackle adult topics! I gently ask that people who interact do their due diligence not only to keep themselves safe but also to respect the severity of the themes in the games when engaging with Daisuke. While lighthearted asks are more than welcome, this is a blog run in earnest and out of a genuine interest (personal and scholastic) in the themes in Mouthwashing. I will tag with trigger warnings as I see appropriate. Thank you!
With this in mind, the blog is canon-compliant, meaning Daisuke only knows what Daisuke knew in-game (thus far, only pre-crash)! For example, he is not aware of Jimmy's true nature. Please bear this in mind when interacting and please do not be too surprised if his answers aren't as critical as a player of Mouthwashing might be. But not all questions have to be explicitly about the game canon! Feel free to ask personal questions or pose hypotheticals--I will tag headcanons and non-canon responses as appropriate. This is still a blog made out of love and for entertainment purposes!
I will periodically update the transit time in the blog description to reflect when in the voyage the questions are being answered from. If you want your ask answered from a specific time into the voyage, just add it in your ask! For archival purposes, the date at which he answered the question will be recorded in the tags :D
My name is Clem (he/him 🇲🇽🇬🇹), feel free to directly ask me things you're curious about!! 💗
Small shoutout! The creation of this blog was inspired by @/ask-anya-anything, whose posts I ran into over on Twitter! Absolutely an incredible writer and artist you should totally check out!
Thanks a bunch! Hope to hear from you soon ☀️
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boy-gender · 4 hours ago
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How do you deal with guilt around being a man, and like generally feeling like you're "betraying women" or choosing to be something bad by transitioning? It's something I've really been struggling with..
I sort of have two answers for you.
The first is a bit glib, but I think you've got some bioessentialism to unlearn, anon. I know that it's probably not a belief you arrived at yourself- rather, a bunch of hateful radfem douschebags have so often repeatedly said shit like that, that you're a traitor, you're failing feminism, youre just trying to escape the patriarchy, you're mocking what women are, men are evil and youll become evil especially with testosterone. That kind of crap.
Genuinely I do not give it any thought. It's ridiculous on the surface, so I write it off as misguided and inane. There is no logical way to justify grouping an entire half of the population together, deciding that the one thing they have in common (being men) is somehow the defining trait about them (because nothing else is being taken into account, like their sexuality, ethnicity, trans or intersex status, poverty level, where they live, whatever) and then also deciding that one common trait is the root of all evil. I've personally had a lot of experience with people doing this with certain mental illnesses- particularly cluster B personality disorders- and deciding like "yes this one thing about you makes you evil. You have Evil Person Disorder," and seeing how stupid that was, I just applied it elsewhere. Humans are far too diverse, nuanced, and contradictory for any flat rule like "all X people are bad" to ever be accurate. If it's not accurate, it's not useful, so I don't judge myself by it. I literally just block the people spewing that shit and let it slide off like water on a duck. I have enough warped internalized beliefs from my upbringing- I'm not adding more when I can immediately and obviously see their flaws.
So my advice is to block anyone you see saying that shit. You might be beginning to internalize it because of just how often you see it- so you need to cut that off at the source. Radfems are not and never will be allies; they do not have "some good points." Their movement was specifically designed by conservatives to uphold white supremacist capitalism, and nothing that comes from that is ethically correct. I'd suggest picking up Mothers of Conservatism by Michelle Nickerson. A lot about the origins of the radfem/female separatism movements are detailed there, created by fundamentally conservative women. With this new 4B movement shit on the rise, it's helpful to understand how fucked up and wrong they've always been from the beginning. My second answer to you is to look at what manhood means to you. If you don't think you can be objective about this, ask a friend to help. List the traits you associate with what *you* personally want to be as a man, what you hope you transition towards. Do you want to be a financial provider? Do you want to defend your community? Do you want to be generous? Brave? Do you want to be an expert in a special interest? Do you want to make lots of friends?
Make a list of those traits. Then look at them, divorced from the idea of gender. Is being a financial provider "bad?" Is being generous bad? Or brave? Or having lots of friends? Are any of these things bad in isolation, or does your guilt about them come from their association with manhood? Is that /your/ association, or did other people cause you to think there is an association?
For me, I had two formative male relationships as a child. My father, and my maternal grandfather. My father was an abusive piece of shit who liked to pick me up by the throat and slam me into walls, threaten our pet cats, scream at me until I dissociated, called me slurs, hated my opinions on anything, belittled me, believed only in capitalism, is a social darwinist capitalist schill, hates my mom, treated me like a servant and punching bag, and is a miserable fuck with no friends.
My grandpa was an old man who loved scotland and tartan and scottish terriers even though he never had one, loved each of his cats which he had all the time. He collected coins and read about history, he made model planes. He watched judge judy with me and talked about the cases and if we agreed with her rulings; he watched the news from multiple different outlets a day and taught me to weigh them against one another. He loved sitting on the porch and watching neighborhood kids play, and he drank a lot of lemonade. He was a brilliant chemist, provider, raised 4 kids in near poverty, then raised 8 grandkids after that. He would sneak me chocolate malt balls as a "vitamin" and he would tease my grandma by pretending to pick up and lick his plate after dinner. He taught my uncle to garden who then taught my cousin, so all my life gardening has been "mens work" to me. He was soft spoken, curious, patient, and mischevious. He loved my grandma for 60 years until he died.
These men have nothing in common except that they were men. Being a man didnt make my grandpa evil because he chose not to be. Being a man didnt make my dad evil either; he's an evil fuck because he made that choice. They are both sentient beings, who can use logic and emotions alike. One chose poorly. It never made sense to me as a child to assume all men would be like my dad or like my grandpa, because they were both men and they weren't at all like each other. Some categories are just so broadly diverse that they aren't really helpful- if I ask you to picture a mammal, do I mean a monkey or a mouse? Does "sea creature" mean a giant ass blue whale or a tiny piece of plankton? "Man" as a category is too broad to make assumptions about. I know it sounds circular and reductive, but the only thing that makes someone a man is...being a man. Nothing else.
I find it helps to look at a diverse array of men, to see all that men can be, especially men not like myself or the men I know. What does it mean to be a man in rural Yunnan farm country? What did it mean to be a man in medieval europe? What is it like being a gay black man from california, or a hunter living off the grid in appalachia? What does it mean to be a man in a culture where long hair is masculine, or where harvesting plants is masculine, where being a doctor is masculine? What about cultures where adornment is masculine? Hell, what about animals? What's it like to be a male lion vs a male house cat? What do I think about male cardinals, who are the bright lovely red ones, whose color is meant to draw a predators eye to them and away from the female cardinals and their nests?
To me, gender is an all you can eat buffet. It's customizeable. You can pick up or ignore or throw away any traits you want or don't want. Grab things that are feminine in your culture and incorporate them into your manhood in a subversive, gender nonconforming way. Take things that are masculine that make you happy, that you're reclaiming in a way because you may not have been allowed to do/be them before. Fill your gender with the ideals and aesthetics you like. You are fundamentally changing manhood by being a man, by being a different kind of man than any other man. If there are 4 billion men on the planet, there are 4 billion different 'microgenders' of man.
Seems silly to write off an entire 4 billion people as inherently evil and incapable of either goodness or change. It's just illogical. For me, that's enough to discard the idea wholecloth. If it doesn't make sense, I'm not wasting my time with it. That's not an ability everyone else has easily though, so you take the time you need. Try to look at yourself as objectively as possible, as an outsider. As you transition, have your actions become more evil? Are you committing sexist acts? Have you literally betrayed all the women you know somehow? Do you feel yourself becoming less kind, less patient, less interested in equality or the preservation of life? I'm betting, since you're nervous about it enough to ask, that none of those things are happening to you. Do not let yourself be gaslit into believing you are becoming something you're not. Look at your actions, your words. Look at your values and how you live up to them. If you don't see any sudden discrepancy, then you know anyone who tells you you're becoming evil by becoming a man is straight up lying to you. They're projecting an idea onto you that doesnt fit reality; trying to put a round peg in the square hole. Be curious, be objective. Do not be misled, and for those who try to mislead you, hit them with a chunky block button.
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thelonelyshore-if · 1 day ago
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Oh well, Ring confusion aside, I actually have a new question!
I've still been thinking about that Jay PoV about when they rescued MC from the lake, and I can't stop thinking about Ravi initially not wanting the MC there (not to mention that ask about him regretting offering for the MC to go with him, too).
And now I'm curious but... What does Ravi think about a MC who just follows him like a puppy and is always full of sunshines towards him, no matter his teasing and what not? Like, 100% trust and sweetness and friendlyness. And on a side note, what does Jay think of such a MC following their best friend like that?
PS: I'm mostly asking this as an "early game" question, where MC may have had an instant crush on Ravi, but you can't properly call that the "crush stage" of the relationship yet, basically. Though of course, if you want, you can also answer it for crush or relationship stage! I'm just mainly asking for the current general time frame cause I think it's interesting if you take into account Ravi's behavior with the MC atm.
Oooh interesting question!!
Ravi's thoughts about MC in the early game here are mixed. He doesn't understand why the fog is letting something stay that it didn't bring in itself. That...scares him isn't the the right world. Concerns him, I guess. It makes him wary that there's something about MC he doesn't see yet. Something that changes things.
Ravi doesn't really like change.
That being said, he's interested in MC from the start for the same reasons. Not necessarily romantically, but more in a 'study you under a microscopic' kind of way. It's why he's friendly in the beginning, despite his reservations.
All this to say. If MC was a sunbeam of a person who instantly took a liking to him and trusted him and followed him around, he'd feel...weird about it, I guess? He's not usually the type of person folks are drawn to. They'd be some self-doubt there, and some suspicion.
On the other hand he likes being around that sort of person. People who are so full of life make him feel alive, and it's intoxicating. He'd grow very fond of MC very quickly, despite his reservations. Plus, if MC trusts him and follows him around, it'll be that much easier to keep them safe. If they stick together MC couldn't wander into the woods and get eaten or disappeared or whatever.
And tbh I don't think Jay would think much of it!! They'd find it a bit surprising--Ravi isn't really the type to make friends--but they'd be happy that there's someone else around who might be able to make Ravi smile c:
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wings-of-ink · 3 days ago
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Hi Lunan, I was wondering about the player stats if you have time. I keep getting reckless as a go to response for things despite trying to play a more shy and timid MC and it made me curious. How do you determine what choices actions constitute which stat? I understand that the game is still in development and it may not be set in stone or other aspects of the game might be more of a priority, but I was mostly interested in picking your brain, in a general sense, if that's OK. I'm sure you're very busy so there's no rush to answer this ask, or answer it at all.
Hello, Anon!
Let's see, player stats are definitely something that will get fine-tuned as we go. And, funny that you ask, I have literally been dwelling specifically on the reckless stat this weekend.
I'll just explain how I have worked this out below. I apologize that I went a little long...I genuinely enjoy chatting about this stuff, and I gotta bit...lost in the sauce here, lol. ^_^
For the MC's personality and actions/reactions and some of their speech patterns, I have 4 main stats. These are on a scale with their opposing characteristics, so 8 total. There's a 5th stat that tracks how your MC flirts.
Reserved vs Outgoing
Gentle vs Assertive
Serious vs Playful
Reckless vs Cautious
Bold Flirting vs Shy Flirting
The MC starts with scores directly in the middle for all of these (50 on a scale of 100); however, I decided not to code for much in the way of "middle ground" behavior. This saves me tons of coding and tons of agonizing about what a middle-of-the-road response would be. So, if your MC's score is above "49" they default to the characteristic listed first, but lower than that, they default to the one listed second.
The only score that is treated differently is the one for flirting. To default to bold, the score needs to be below 40, so the character must show a fairly direct preference for boldness in this area. I did this since shyness is a fairly "safe" bet for this type of characteristic.
Number 4 does not come into play very often - yet. As things heat up, some actions that the player does not get to choose will be determined by their score in this stat. Currently, there are only a few options to choose what influences this score. It is possible to barely have any score for this stat one way or another. I'm going to be increasing the influence of this and probably adding some new ways to get points for this as I do some editing.
As for how I determine if something raises or lowers a stat in general, I try to use my best judgment to determine motivation when I design the choices that influence stats. To me, being reckless or cautious could be either intentional or not. I think the first time this stat comes into play is in Chapter 1 when MC decides if they are going to try to steal the honeycakes at the beginning. Trying to snatch one gives an increase to recklessness since it could be a naughty or impulsive decision.
I also wanted 1, 4, and 5 to be independent of one another since someone could be more outgoing but very timid when they flirt and cautious when they act. Outgoing/Reserved is another that needs some adjusting as well and will be tweaked in the future.
The others are more straightforward. If an action or speech choice is more kind/soft/mild/considerate, I label it "gentle." If it is more direct or even a bit aggressive, I label it "assertive." I kinda just have to use my own interpretation as best I can, and I know that to other people some of my options will feel flipped (occupational hazard, lol).
I have liked this system for the most part. It took a lot of working out when I got started. I was just learning so it was easily a solid week of me just hammering out what I understood and what worked. I have learned so much since then. I knew I wanted to keep things paired down to ease my own burden. Lots of stats can be so much fun in a game, but I just do not want to get too lost in it, so I keep my focus narrow.
Hope that helps, Nony! If you have follow-up questions, please feel free to let me know! ^_^
A side note, while we are on the subject...
For my next IF, I may play with a different way to set the MC personality. I may just have players pick at the beginning from either specific stats or like 4 or 5 MC archetypes. The wheels are still turning on this though, nothing is set!
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Hi I was wondering if I could request something.
How would the 2012 turtles feel about an autistic s/o who had situational mutism? I am someone who has both and I use cue cards or text my responses when I am unable to communicate them verbally. It would be interesting to hear how the four of them approach this circumstance.
Situational mutism
Thank you for your request! I hadn't heard of situational mutism before, so I hope that what I wrote is somewhat accurate to how it works! Feel free to correct me and educate me (can be in my DMs or requests if you prefer it to be more private!) And if I made a mistake, I'll change it!🌸
Leo
Thought you were mad at him at first, or didn't understand what he was saying
When you explained (by typing it out), he just let out an "Oooh... okay"
He might struggle a bit, the first time it happens
When you are able to communicate verbally again, he will try to make a plan with you (here comes the plan-guy again, who needs a plan for everything...)
He will ask you what you need, what he can do to help, what you don't like, how it works, etc.
Prefers if you communicate through text to speech, but if you prefer something else, that's totally okay too
He just wants to make sure you're comfortable
He will make sure everyone waits for you to type out what you have to say to make sure you're not talked over or ignored
He will teach you some ninja hand signs as well, for emergency communication
Raph
Would be really confused and frustrated at first
He would think you're purposefully not replying to him and it would tick him off
After you explained (by typing it out), he would feel really guilty about getting angry with you
You'd get one of them rare apologies
After that, he would stick up for you and get angry for you if people weren't considerate enough or impatient in their communication with you
"Situational mutism is hard, you asshole! Be considerate, or I'll beat a little respect into you!"
Violence may not be the answer you were hoping for, but it is an answer nonetheless
The dumbass will sometimes not notice or forget that you have situational mutism, though.
In his own words, feel free to hit him on the head and make him pay attention/remember
Döner kebab
He would be quick to pick up on the fact that it's not 'just you being quiet'
Would ask you about different options in his mind that could possibly be related to you being silent
"Don't you want to talk or can't you talk? You can't? Okay. Does it give you anxiety to talk? Sometimes, okay... You also have autism, right? Yes? Situational mutism? Yes? Okay, that makes sense, then."
He will do his research
Will make you a smart watch that is designed for non-verbal communication, where you have different keywords, phrases, and letters to communicate
One of the phrases will be "Donnie is the best boyfriend ever!"
Please don't give him too much space to talk, though (I'm saying this for your own good). Any silence he can find, he will yap about some science related stuff
Mikey
He would be too busy yapping to notice at first
He would just start asking you endless questions and you could not keep up with answering them, since it takes longer to even answer with text or cuecards.
When you did manage to explain, he'd just react with "wooow... alright. Dope." While he does fingerguns. (6/10, kind of funny response, but could've been more considerate, since it's a struggle sometimes)
Out of all of them, he will pick up the communication the easiest
Cuecards will work best on him
He will spend the afternoon making them with you
He thinks it's really fun to use cuecards to communicate together, and he will use them to you too
Will always have a set of cards on hand for you (or him!)
One of the cards will have an arrow pointing up with the word "kiss here" written on it
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deathwitchess · 1 day ago
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"And what exactly interests you then? Hm? A mystery to uncover? Hm? Crossing a few lines?" Baird asked with a little amused flick of his eyebrow. It was a fun topic, at the very least, an entertaining back and forth. And he enjoyed when someone showed some interest in him, How could he not?
"True and I do love all the attention I deserve" Baird shot back without missing a beat as he enjoyed that laugh that danced though the air between them. It was a nice sound from the other man, considering the mental clouds the other had seemingly had when this conversation started. "Well now- you think nine levels of hell with you wouldn't be worth it? I think we both know that's not true." never let it be said he was the sort to back away from such a time.
'Really now? Going to boil me down to one answer like that? Complex, I suppose. The dead are full of regret. Missed chances. Missed moments. Not all that different from people. The side of you that you present to the world might not be the same one you consider yourself. The dead are the same way, trapped in moments they can't move on from. So...complex is better." The Scottish man mused with small shrug of his shoulder.
"You know there's a big gap between blowing something up and getting yourself killed. " With some concerning things in the middle but- hey, he wasn't about that to push too much on the subject. "Just keep your head on your shoulders handsome."
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“no,   but   only   because   i   would   approach   you   whether   you   were   dangerous   or   safe.   it's   not   only   the   thrill   that   interests   me.”   he   had   no   shame   in   making   all   of   that   apparent.
thinking   about   how   many   people   could   just   pop   up   now   as   ghosts   was   going   to   be   exhausting.   he'd   much   prefer   his   hauntings   to   be   physical.   “and   the   most   entertaining   always   gets   the   attention   they   deserve.”   a   small   laugh   fell   from   his   lips   as   baird   made   such   a   bold   statement.   although   a   part   of   him   knew   the   man   thought   he   was   telling   the   truth.   “even   so,   that   doesn't   mean   i   wouldn't   make   you   see   the   nine   levels   of   hell.”   in   his   eyes,   they   were   equally   matched.
“which   path   do   you   prefer   from   both?   the   complexity   or   the   simplicity?   careful   how   you   answer,   because   that   will   reveal   everything   about   who   you   are.”   now   isamu   was   being   dramatic,   but   he   wasn't   going   to   take   his   statement   back.   instead,   he   leaned   back   as   he   eyed   the   death   witch,   wondering   which   one   would   he   choose. 
“i'm   not   going   to   blow   anything   up   or   get   myself   killed,   hopefully,   so   it's   a   surprise   for   now.”   hopefully   not   for   long.
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captn3 · 2 months ago
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throwing this into the tags before grandfest, what if the idols were godparents for the agents?
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canisalbus · 10 months ago
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I just want to say, everytime the notification that ypu posted pops up, I find myself running to tumblr with such fervour I thought i held for only running to hear my fave song on the radio. Just want ya to know that :3
Hearing that makes me feel both glad and a bit guilty :'> On one hand I'm flattered you care about my rambles enough to have notifications on, but I've developed a habit of responding to a lot of asks and I'm already worrying I might be clogging people's dashboards with them ´v` If you truly look forward to my posts and don't mind getting spammed with notifications then I'm happy they brighten your day!
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girderednerve · 2 days ago
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thank you to everyone who voted! explanation/potted history of american money below cut
i think the gold standard is fascinating because it is one of the most straightforward & concrete ideas about money that are still in circulation (ha). there are a lot of conflicting ideas about & approaches to money (is it inert, or active; is it neutral, or political; does it derive naturally, or as the result of state intervention; what gives it value, and how; &c. &c.), but most of these debates are pretty removed from how people think about & talk about money in their day to day lives. based on my own experiences, people mostly are concerned about having enough money, which means that to the extent they're concerned about the dollar, they're worried about inflation. this is a privileged position, naturally; i've never heard a white american express concern about exchange rates, for example. anyway the general consensus i hear is that inflation is bad, and that money is somehow now less real or reliable because we aren't on the gold standard, which made the dollar have concrete value (it was exchangeable for a fixed amount of gold), and prevented us from printing too much money. okay, well, what is the gold standard? there are a couple different things that we might mean by that, and one's opinion of when the united states dollar parted ways from gold will vary depending in part on what one means by 'gold standard.'
the most conventional, robust answers to the gold standard question i asked are a) in 1933, when, among other things, the roosevelt administration ceased to exchange paper currency for gold coinage and b) in 1971, when nixon 'closed the gold window,' and ceased to exchange treasury bills &c. for gold. nixon also fixed wages and prices, but the abrupt shift in the international monetary system set off a global economic shock ('the nixon shock'). the former was an effort to address severe deflation of the dollar, and the latter was an attempt to address stagflation (that is, stagnant economic growth combined with rising inflation, a novel problem at the time).
i am not arguing with people who chose earlier options, though: the early monetary history of the united states could, in my view, be reasonably described as 'chaotic.' generalizing a lot: before the civil war, there were literally hundreds of legal circulating currencies in the united states, including not just federal dollars, but currencies issued by the states and chartered banks. while those issuing agencies were responsible for having reserves (usually in bullion, not strictly in gold) to cover those notes, there were so many issuing agencies and so little consistent enforcement that there was little guarantee; there was also a lot of counterfeiting, to the point that some vendors preferred counterfeit currency from good banks over genuine currency from bad. huge mess! the currency centralized during & after the civil war, but the united states didn't get a permanent central bank, responsible for overseeing the currency, until the federal reserve was chartered 50 years later (on december 23, 1913, a day that lives in infamy to annoying libertarians, who apparently yearn for the days of cyclical bank panics). in 1873, the united states demonetized silver (that is, required all currency to be backed by gold), and in 1875 congress required that the treasury offer gold exchange at a set rate for all dollars; the functional effect was to reduce the amount of circulating currency, which caused problems for people who needed to conduct business but could not get enough physical money to do it, so there was a national movement to return to a bimetallic standard (see the "cross of gold" speech in 1896). then the gold supply increased and people dropped the issue until FDR's reforms in the great depression.
one of the things that interests me is that money can be technical, but it's also, i think, the bread & butter issue, so it stands out that the content & character of money isn't part of the common discussion about it. people who think fondly of the gold standard assume that it imparted stability (demonstrably untrue) or that it gave money a kind of objective value (what makes gold valuable, then?). the libertarian suggestion is that it removes the government from the money supply, because the amount of money will be a straightforward function of the amount of available gold and thus subject to pure market forces (how do we get gold, then? is the government totally uninvolved?), which is why there have been multiple attempts to create cryptocurrencies backed by gold. all of these ideas are funny if you have read about premodern coinage, which had all kinds of value problems & was, generally speaking, a massively involved series of government projects.
this general way of thinking about money completely disregards international exchange, which is ironic because a substantial amount of american policy hinges on the status of the dollar as an international reserve currency, or the money that countries keep to conduct international trade; there's a built-in, reliable demand for dollars which the united states government can take advantage of for cheap finance. the reserve status of the united states is a leftover from the postwar monetary system (bretton woods), which the united states more or less wrote; when nixon unilaterally adjusted it, he did so in part as an attempt to preserve the dollar's reserve status, which had started to slip (it is still slipping, but it's slow).
for my purposes, please consider durable/longterm policy changes, and use whatever definition of the 'gold standard' makes the most sense to you
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cashmoneychiyo · 1 year ago
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Hi do you guys have any plan to translate the bonus vol 15.5 as well? Apparently my country's publisher does not have permission to release them here😭
Yes we definitely plan to work on Volume 15.5! When we'll release the chapters + other scans depends on when our copy of Volume 15 arrives + how we juggle the release schedule and member availability with the main manga translation, but we're keen to get out like we did with Nozaki-san!
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