#if it works it works kind of things
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GazAlex Undercover AU Sneak Peek
Author's Note: I blame @stuffireadandenjoy for having me already working on this when I promised myself I wouldn't start another WIP until I finished at least one of them. But someone had to come up with the idea of Selkies!Soap and Gaz trying to seduce Ghost and Alex respectively...
Anyways, good reading to y'all and feel free to ask questions/for more snippets since it won't be a priority work.
If y'all want to suggest titles for the fic, I'm all for it. I know nothing but what happens below and like 2, maybe 3 scenes
A fucking cruise.
That's the last thing Kyle Garrick wants in his life.
He's good and well with ships and the water, but something about cruises specifically makes the sergeant want to cut his career short. His hatred stems from an unfortunate experience in his childhood, but the haunting memory of the incident has forever tarnished his ability to calmly step foot onto a cruise ship.
Needless to say, the sour expression on his face is enough to clue Captain Price and Laswell into his displeasure with the proposed undercover operation he's being assigned.
"It's only two weeks. That's the window we have on these guys, and they're using the cruise as cover for moving some items of interest." Laswell says in an attempt to ease Gaz's clear disgust. Gaz doesn't respond, just remains frowning as he listens.
"You'll be working with a contact of mine. We'll have you two meet and then we'll discuss the cover story." Laswell continues as she ignores the pouting sergeant in front of her.
But Gaz's problem isn't just the idea of being stuck on a cruise ship.
It's being in an undercover operation while stuck on a cruise ship.
Of course, Gaz's luck is just so that he's never done such an in-depth undercover operation before, and it especially doesn't help he's not even gotten a name for the partner he's been assigned.
"Trustworthy?" Gaz asks, and Price quirks a brow, mostly amused that Gaz would be bold enough to question the trustworthiness of Laswell's contact.
"I like to believe so. And he's done plenty of undercover operations, so he can help keep your head above water during the two weeks." Laswell answers, and Gaz's mood only worsens. The second to last thing he needs in life is a bossy, know-it-all "partner" telling him what to do. Laswell must notice his displeasure, as she shakes her head with a smile.
"Relax, he's not a bossy person. Far from it, if you had to ask me." Laswell's clarification does little to ease Gaz's frustrations, but it helps some. At least he might be treated more with respect and given advice, rather than be strictly ordered around. Gaz sighs, letting the tension fall from his shoulders as he slouches further in his seat.
"You can back out anytime, Gaz." Price mumbles, and Gaz glances over at him. There's no judgement, just concern, and it eases more of Gaz's anxieties.
"No, I'm in."
"Good. Tomorrow, you two will meet for breakfast and then head back here for a briefing on further mission details." Laswell hands Gaz a small piece of paper, the address of the place he's meeting tomorrow morning written across it. He takes it with a nod, the reality of his commitment starting to get to him.
Here's to hoping this works.
#title idea: 'When It Works'#kinda thinking there should be a theme of Gaz and Alex having bad luck during the whole operation#Except they work so well together that they figure it out always#if it works it works kind of things#like I don't know how to explain it#it's about the vibes#kyle gaz garrick#captain john price#kate laswell#alex keller#alex keller mw2#gazalex#gaz x alex#alex x gaz#call of duty#cod mw2#cod au fic#gazalex undercover au
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10 years later
#my art#jujutsu kaisen#jjk#jjk fanart#jujutsu kaisen fanart#yuji itadori#fushiguro megumi#nobara kugisaki#itafushi#itafushikugi#jjk spoilers#jjk manga spoilers#least heterosexual group photo ive ever drawn tbh#u have the kings of subtle pda and their judgy lesbian third wheel#this does remind me a lot of the kind of art i used to do jhgdjghdfj#specifically that one furuba main trio piece i did forever ago. same vibe better art#anyway......i tried my best........ i tried so hard#i do not know how old they look . the goal was 25/26 but atp i've gaslit myself into thinking they look the same#especially megumi im so . throws hands in the air in defeat#but idk what else i can do cries at least i like it??? i think???????#i don't know!!! if they look younger than 25 whatever!!!!!!!!#why is it so hard fr me to make chars look older im gna slam my head against the door#maybe its fine. idc <- (lie)#in other news itfs are married fight me abt it . yuuji rockin the right hand ring fr Lack Of Finger reasons#also i am Eating nobara's fit . she might also look a bit younger than intended the more i look at her gDI why cant i have nice things#new hairstyle carrying tbh. i think she would a. grow it out and b. switch the side she parts it on to make Seeing easier#god just take it all tht really matters 2 me is low pony nobara and Rings On Fingers itfs#i did my time in yoi i know how to make wedding bands Work
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king and harbinger, old and young
#hi sorry i havent been animating much cuz. i didnt fucking want to#i have my major work animations to work on so its kind of. drained the fun out of it#but this doctor who audio killed me the fuck dead so uh here#spoop combining his interests again…. who woulda thunk….#lmk#lego monkie kid#lego monkie kid fanart#monkie kid#monkie kid fanart#lmk fanart#lmk mk#lmk sun wukong#sun wukong#qi xiaotian#qi xiaotian fanart#honestly this is less of a father/son thing and more just. kinship. if that makes sense#they are alike and wukong takes a sort of refuge in that he is not the only one out there#idk how to explain it ahsbdbjdf#also in my head this is set before mk is left at pigsy’s doorstep. idk man idk
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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giving the people what they want (jokes about spreadsheets)
anyway, Twst continues to prove that it is aimed at me specifically by giving us not one, but now TWO extended scenes of characters being incredibly difficult about signing an NDA. you just don't get this anywhere else.
#art#twisted wonderland#twisted wonderland spoilers#tapis rouge#gif warning#gifs that tempted the gods and lost warning#azul specifically is making everyone's lives difficult by insisting on actually reading things before he signs him#like some kind of nerd who actually cares about his rights or whatever#no but i love that for him#(i have only a few more postcards left to unlock him...sigh...)#anyway vil just went full scarlett o'hara over here and made it WORK#i am sad we didn't get to see the infinity tiara though#in my mind it's three feet tall and looks like a bejeweled crown rack of lamb#this is why some things are better left to the imagination i guess
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i was REALLY surprised i hadnt seen anyone animate over anything from the prevenge script reading yet, so i took matters into my own hands. i thought this bit was hilarious
audio from here
#transformers#maccadam#tailgate#ultra magnus#mtmte#lip syncing is actually a lot more fun than i expected#but tailgate's mask probably saved me like eight hours lmao#speaking of him i'm REALLY happy with how expressive he ended up being#i really didn't expect that kind of deformation to mesh well with the... uh... mesh.#so i was pleasantly surprised when it turned out as great as it did#mags' model was hard to figure out because he is SO FREAKING INCONSISTENT IN THE COMICS#but that also meant i got to cherry pick the features i liked best/that were simplest to model so... still a win#tailgate's blissfully consistent tho. his hood thing gave me a lot of trouble but i managed#this is my first time working with a lot of geometric shapes so i ran into a lot of road blocks but i did it!! yay!!
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class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)
#dimension 20#fantasy high#fhfy#fhsy#fhjy#riz gukgak#gorgug thistlespring#kristen applebees#figueroth faeth#adaine abernant#fabian seacaster#my class swap stuff! oh yeah I think I got a tag for that I'll call that#fh class quangle#gna slowly go back and get that tag on relevant posts too. for organization's sake#even tho I didnt really intend this blog to be that kinda blog lmao. we were all just gonna be out here dealin with that at our own pace#anyways uh! they! u know all the lore for the designs already I put em in tags. but otherwise this also collects like the#color keys kind of for these. mostly the things that change between designs#doing this did make me realise half of these are a Lot more consistent in color keys than the other half lol#like kristen's palette stays pretty much the same. and fabian's. the hit's mostly in the construction#a lot of this is overall like an exercise in remembering what high schoolers would actually wear and how to work in Costume pieces#on this point at least I straight up have No relevant recollection lmao all the basic education establishments I went to have uniforms#and outside of school I was. well kind of a shorts and tee guy. so#on that topic I feel like fabian's is the furthest stretch lmao. like if a guy in high school wears the same bright yellow raincoat#to school every day that's like. people would Not like that guy. fabian really is saved by being cute and a rogue#he will still have stans when he's deep in his fishing arc in junior year he's the manic pixie dream bf#anyways uh. things to do! stuff to get done. sleep first tho. have a good night lads#I have not caught new nsbu yet! seems I mostly catch them like two to three days late nowadays.#so please uhh. don't reply on my posts with nsbu spoilers? we are all excited and having fun but that's rude#ok thank u. signing off for the day have a good night#!!
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Horror isekai where Perceiving the Weird Eldritch Thing gets you catapulted into a nightmare labyrinth of puzzle-solving.
I.e Those Who Perceive The Hunt of the Goblin King Must Partake In The Labyrinth and Can Only Be Freed If They Complete It In One Day and One Night. By Fae Law. For Reasons.
But the definition of “perception” clearly needs to be updated because some normal guy simply films the Hunt of the Goblin King Behind Arby’s, and puts it on Facebook -
No, not instagram or TikTok, it’s important that it be Facebook -
Because the rules are pretty clear, “the rules are the rules” as is carved ominously in elvish runes above the grim gate, and the Contract is Sealed. and so therefore the guy and 25 of their most random real-life acquaintances must run the gauntlet together. It’s Some Guy, their immediate neighbors, their first partner’s mom, their friends from hobby Facebook groups (oh this poor guy and their hobbies; the elderly birdwatchers from Facebook and the young up-and-coming drag king community), their random teen kid niece, college friends, a dog who also watched the video, a couple consisting of a woman who is the guy’s Facebook friend and showed her husband the video, and the husband doesn’t even know Some Guy, so he’s in the labyrinth and absolutely furious about being forced to be involved, and they proceed to break up over the course of the puzzle.
It’s important that the narrative keeps trying to be a sexy dark horror isekai! but within this the comedic reality of Catherine, 52, the guy’s horse-riding instructor, being passionately involved in escape-room-style puzzle solving and grappling with minor goblins. They are in fact speedrunning the gauntlet.
The Goblin King finally has to say: all right, actually, I only really set all this up to fuck with one (1) guy at a time, thanks for your willingness to participate, but I think all 25 of you can consider the gauntlet fully run.
And the group would be quite hurt by that. The rules are the rules. We have a contract, actually. Let Catherine cook.
#this feels extremely like… 2015 tumblr to me#but it also feels a sort of comforting honesty in this time#thank you for giving me this safe space#this plot idea just feels like some kind of nostalgia . to me.#writing it out I felt like I knew it was unfashionably written AND YET#I was thinking last night about how Stranger Things works quite#well because it’s set in the 80s… it is load-bearing that it be set in the 80s… it’s plot relevant and worldbuilding#well for some reason this plot has to be set pre-pandemic post-impact-text-memes
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QUICK NO ONE'S LOOKING
(See readmore for thoughts, cope, bonus, etc.)
Anyone else up thinking about Ratio's big, strong, secure arms and how warm and all-consuming they could be in a hug or embrace. :/ Anyway
I just wanted to draw them being cute and seizing a sliver of a moment where they could have some PDA silly time without actually having any eyes on them. They're public figures and working adults with very clear boundaries between public persona and private life (to varying degrees of "in a sad way"), so while it may be in Aventurine's nature to constantly blur lines for various agendas and self-preservation (read: play "the flirt" without an aligned goal), I believe that in an actual relationship they'd be fairly private.
It's kind of fun to break your own rules, though! Ratio would be more upset about the consequences, though. He's a little bit of a hypocrite, which is devastating for someone of such discipline, but nobody's perfect.
I'm of the mentality of, "If you're tired of working on it, then just post it!", so here are some fun peripherals that I didn't feel like adding:
Some staff in the background sweeping up to evoke a blended sense of fragile privacy and liminal time.
A laptop on the aquarium/bar/counter because there's something fascinating about seeing people on their work laptops in public.
The rest of their clothes (casual friday)
#hsr#dr. ratio#aventurine#aventio#ratiorine#my art#hsr fanart#there's nothing profound about this I just like drawing cute fluff. I'm having fun with my Gay Working Adults Romance#epic universe! still have to get on a conference call with ten people kind of thing#i'm always thinking about how both of them control the personality they convey very meticulously#how it's a survival mechanism for aventurine but some... other thing for ratio....#it's practicality and discipline and ideals.#it's also ''midnight on a sunday'' so i am going to schedule this to post at a ''normal hour''#and then ''go to bed''#what wip do i work on next. the answer is probably nothing i've already started#my art: hsr#aventurine doing his evil flirting thing to rile people up 🤝 ratio trying to ''be in character'' on the IPC broadcast and making his and#aventurine's work partnership ''seem blurry and messy''#= manufactured youtuber drama#they're going home and ratio's going to bake some fish dude!!!! aventurine is LLLLLLITERALLLYYYYY turning on the radio#and helping him peel carrots.#and most importantly#they are NOT googling themselves ‼
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Someone I am not
#silver the hedgehog#satbk galahad#satbk#silver#galahad#sonic and the black knight#satbk sir galahad#sth#sth fanart#sonic fanart#my art#doodles#hi. been working on this off an on for the past couple. months? anyways#<3#something about being haunted about who you are or could have been#are they you? would they have done things differently if they were in your position? would things have ended up exactly the same#are you jealous. sad. horrified by someone who is you but transformed and mirrored so many times they are someone else entirely#would you be kind to them. give them comfort that you either know you need or wish you had#what would you around someone you think you know. do you even know yourself? maybe not entirely. not anymore#anyways enjoy the painting <3
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Soviet Birds.
The secret facility that I work in has holes in the ceiling. We don't know how to get them fixed.
We tried asking the government to fix it, once. We told them that the holes in the older parts of the facility had gotten large enough to fit birds through, and that birds were getting through, and that, perhaps, a Soviet Spy could fit through as well.
After all, it is well known that Soviet Spies and pigeons are approximately the same diameter.
Our hope was that that this vague and nonsensical threat would put a little fire under Uncle Sam's feet. If the fed couldn't be bothered to give a shit about the giant gaping holes in the roof of our facility, perhaps they could be persuaded to give a shit about... Soviet Spies.
This attempt at manipulation 100% blew up in our faces.
See, the government does not need to be persuaded to give a shit about Soviet Spies. It still wakes up most nights, drenched in cold sweat, terrified and confident that a Soviet Spy is hiding in their nightstand. If it sees a rock on the ground, it flips it over, pistol drawn, ready to shoot the Soviet Spy it fully expects to slither out from underneath. Which is to say: The government is crazy. So when we dropped those two words - inflitration risk - in the repair request, they came in guns-a-blazin'.
Does that mean that they fixed the roof? Of course not. Don't be stupid. No, instead of performing basic maintenance, they installed a state of the art alarm system throughout the facility - lasers, sonar, the works - and told us to always be on the guard. Because of the roof holes.
Then they left.
So now we had an extremely good alarm system... and birds. Which have combined in incredibly obvious and predictable ways to produce an unending fountain of problems.
For Example: About once a month, someone gets called in by the local airforce dispatch because AAAAAAAAAAA a Spy is in the Rad Lab! We're all gonna die! Except every time, it's a bird. And I get why we have to check, but every time, the dispatcher is panicked and the person going out has to be like listen, listen: It's a bird. It's always a bird. It's been a bird every month for the last fifteen years. It will be a bird next month. All this stress? Bad for your heart.
Second Example: Sometimes, birds get in while we're actually working. And when it's in the morning, you know, it's a nuisance, and it stops testing (we are not going to risk irradiating a bird) but it's not an all-hands-on-deck situation because it doesn't take ten hours to get a bird out. But surprisingly often, the bird gets in riiiiight at closing time, and in that situation, everyone goes feral because nobody can leave until the alarm is set, and we cannot set the alarm while the bird is there, because the bird would immediately trigger it and then we'd have to stay another 4 hours to confirm that it was not a Soviet Bird.
So in order to go home, everyone's top priority is Get That Bird. And we have a system for it.
Step 1: The test stands tend to be located in rooms with 30+ foot ceilings. We can't catch birds in places like that - so we have to lure the bird into the relatively low ceilinged (8 feet only) upper offices.
We do this by turning all the lights off in the test rooms, then putting floodlights by the exits. I don't know why this works - some kind of evolutionary brain fragment shared by both Bugs and Birds - but work it does. The birds almost always follow after the lights. From there, it’s just two guys moving the floodlight and a third guy to turn off the lights.
Step 2: Everyone else has been waiting for this step. There is this long stairway up from the basement level into the offices, and in the final stage, the floodlights are brought to the base of the stairwell to bring the bird up. At the top of the steps there will be a group of tennish people, waiting for the signal. The light guys will set up the final transfer, everyone will tense, and then, swish...a bird will flit up the stairs and into the offices.
It's like watching werewolves on a full moon. Before the bird cometh, we are engineers. Nerds. Pale and skinny things, trembling under the fluorescent lights. After the bird, we are beasts. Feral, gnawing things, glowing under the orange sunrise of the 70's halogen floodlights.
And like all beasts, we cannot help but give chase.
Step 3: The were-engineers begin the hunt. The goal at the start is not really to catch the bird - just exhaust it. So the pack simply does not relent. Because the stakes are going home on time, the group is basically given free reign to go anywhere in the building. If someone's door is open, and the bird goes inside, they're going to have to deal with ten sweaty panting maniacs leaping around their office. They don't get to say that they're busy, or remark on how all this movement is a terrible distraction. They are allowed to sit in silence during the chaos, and perhaps thank the war party for chasing the bird while they sat comfortably on their ass. This has been explained several times, and it will continue to be explained until cooperation is achieved.
Anyway.
The chase can go on for quite some time. Sometimes, the bird will get tired and find a crevice to hide in, where it can then be reached through standard cornered-bird catching techniques.
Other times, it will slow down enough that someone can actually yoink it out of the air. But this will go on until someone catches the bird and triggers Step 4.
Step 4: The Finale. This is the get-the-bird-out-of-the-building stage, and it requires someone to adopt a specific role: To Become the Sacrificial Vessel of Bird Removal.
This job is both coveted and feared. It's coveted, because holding a wild bird in one's hands is a precious thing. To feel how small, and fragile, and scared it is, only to free it from the building? That is what it's like to be a benevolent God. But the cost! Oh, the cost. The entire time the Vessel is in motion, the bird will be biting the hell out of their fingers. And I cannot emphasize enough just how painful bird bites are. Their entire face is a set of needle posed pliers, and they know tricks the even the cartels haven't figured out yet. So there's always a little hubbub about who shall be The Vessel while onlookers, stranded outside The Office of Bird Capture, can only look on. Quiet arguments and pleas are heard, little fragments of fear and pride and glory trickling out of room like the silver dust left behind in a bag of well shook quarters. The sound of concensus is silence, and the argument will go on until that's all that's left. And then, from the darkness of the final office, the chosen sacrifice will step forward: Hands gently cupped, tears streaming down their face, fingers trembling from the pain of the ongoing bird chomps.
And this scene is what organizes people. Not leadership, not truly. No one can think and coordinate a crowd while their fingers are being attacked with a combination nutcracker/ear piercer. But the crowd sees the suffering of their annointed, and it is driven to do everything poossible to make the process flow. People instinctively flair out, finding the fastest path outside. Doors are held open. Paths are cleared. Someone, somehow, always knows the way forward and can describe it to the sufferer. Left, left, forward. Corner closet. Yep, there's a hall in there. Forward. Two-hundred more feet man, you're doing great. Just hold it together a little longer. You're killing it.
Then the final door swings open, and the bird flees out into what remains of daylight. And yet, even here, the deed is not yet done. I cannot explain it in words, but the crowd that helped is never content until they can see and speak on the Bird Vessel's wounds. They all have to pull the fingers back and see what was given. Estimate the price: One day to get better - No, three - No, a week! Are you blind? Do you see that blood blister? -Yeah, that's not going away anytime soon - Damn, can you believe how feisty those things are? Like wolves without teeth.
(They cannot help but touch as they go. It has always been this way. Even Thomas was not content until he felt the wounds in Christ's hands.)
Only when the last of the helpers has seen, and commented, and commended, will the engineers scatter. It is their return from the underworld that announces to the sun living surface dwellers that they too can go home. (@somerunner tolja it needed to be a post.)
#DoD work#lab nonsense#soviet birds#i really like being the bird guy if you cant tell#i just like birds in general#i think this was an essay?#dont really know how to cover the ending for this thing#one part explanation of insane government inefficiency#one part explanation of the kind of joyful humanity that only *comes* from interacting with hilariously inefficient systems#like a full on defense of the beauty that only comes from poor uses of resources#and one part poetic exploration of the sacrificial hero archetype as a bird catcher#i spent so much fuckin time make this guys you have no idea#maximum effort post#effort post
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Part two of the reverse verse is here! The reverse boys meet the original boys. They're not really getting along as well as I had hoped...
Again, this was a commission for @i-am-as-normal-as-you-are and they asked for angst/funny vibes... I think it's mostly just angst though. Oh, well...
Part one
#dead boy detectives#dbda#payneland#edwin x charles#reverse verse#there's a lot i could say about this one#the idea of someone telling edwin he's go to hell is absurd as it is#edwin telling edwin? lmao#the charles... oh they hate each other#reverse charles is angry (he always is) because this other version of himself was spared hell... in exchange for edwin going there?#obviously it doesn't work like that. og charles hadn't even been born when his edwin was sent to hell#but anger is not a rational thing. especially not for this boy#og charles? you don't want to know what he's thinking#i'm telling you anyways#he... kind of agrees. if someone had to go to hell#why edwin? why not him? there is an universe in which that happened#so why not this one? unfair#then again... look at this charles who did go to hell#he's explosive. he's DANGEROUS#he shouldn't be near edwin#if og charles had gone to hell would he be the same? would he be too angry to be trusted? would he be like his father?#and if so would that really count as saving edwin at all?#if this is the kind of best friend poor edwin would end up with?#on a happier note though#physical contact!! reverse charles loves it#i don't have all the details but his hell was on the rage ring so it was different to the dollhouse.#and it was a very violent place so boy loves gentle touches#luckily edwin is more willing to give them to him with each year#i think what the edwins are feeling is a lot more clear#but still would love to hear your thoughts
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in spite of everything, I had fun <3
#my art#jujutsu kaisen#jjk#jjk fanart#jjk spoilers#jjk manga spoilers#jjk leaks#yuji itadori#fushiguro megumi#nobara kugisaki#itafushikugi#jjk 271#well we made it :'>#im kind of ignoring a lot of the tag rn ghsdff ik people are upset#if u follow me u know th full extent of my thoughts on the wrapping up of the series but tl;dr the caption says it all#this series meant a lot to me and im working on a bigger tribute to fully express that love and gratitude#but take a redraw 2 tide u over for now#im just so happy. its bittersweet but those r my kids n theyre tgt and theyre okay#i think the return to normalcy is good fr them. i say let them rest n b together n process everything in time#/i'm/ satisfied with what i got out of jjk as a whole and that's all that matters to me#however ik that not everyone shares tht sentiment n thats valid!#regardless of how u feel abt the finale i hope that u at least take time to remember things abt the series that brought u joy#thats all i can say#oh yeah anyway i lightened up megumi's expression his face is so funny in that panel i can't believe he really said -_- until the very end#still tho i think megu deserves a content lil smile
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there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love
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forgot I drew this a long while back :’)
#gravity falls#stanley pines#mabel pines#stan pines#my art#sorry for being kind of quiet lately#work and life have been kicking me down#haven’t really had time to sit and draw properly#but I have the rest of the week off after tomorrow so hopefully some new things!
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People ask me sometimes how I'm so confident that we can beat climate change.
There are a lot of reasons, but here's a major one: it would take a really, really long time for Earth to genuinely become uninhabitable for humans.
Humans have, throughout history, carved out a living for themselves in some of the most harsh, uninhabitable corners of the world. The Arctic Circle. The Sahara. The peaks of the Himalayas. The densest, most tropical regions of the Amazon Rainforest. The Australian Outback. etc. etc.
Frankly, if there had been a land bridge to Antarctica, I'm pretty sure we would have been living there for thousands of years, too. And in fact, there are humans living in Antarctica now, albeit not permanently.
And now, we're not even facing down apocalypse, anymore. Here's a 2022 quote from the author of The Uninhabitable Earth, David Wallace-Wells, a leader on climate change and the furthest thing from a climate optimist:
"The most terrifying predictions [have been] made improbable by decarbonization and the most hopeful ones practically foreclosed by tragic delay. The window of possible climate futures is narrowing, and as a result, we are getting a clearer sense of what’s to come: a new world, full of disruption but also billions of people, well past climate normal and yet mercifully short of true climate apocalypse. Over the last several months, I’ve had dozens of conversations — with climate scientists and economists and policymakers, advocates and activists and novelists and philosophers — about that new world and the ways we might conceptualize it. Perhaps the most capacious and galvanizing account is one I heard from Kate Marvel of NASA, a lead chapter author on the fifth National Climate Assessment: “The world will be what we make it.”" -David Wallace-Wells for the New York Times, October 26, 2022
If we can adapt to some of the harshest climates on the planet - if we could adapt to them thousands of years ago, without any hint of modern technology - then I have every faith that we can adjust to the world that is coming.
What matters now is how fast we can change, because there is a wide, wide gap between "climate apocalypse" and "no harm done." We've already passed no harm done; the climate disasters are here, and they've been here. People have died from climate disasters already, especially in the Global South, and that will keep happening.
But as long as we stay alive - as long as we keep each other alive - we will have centuries to fix the effects of climate change, as much as we possibly can.
And looking at how far we've come in the past two decades alone - in the past five years alone - I genuinely think it is inevitable that we will overcome climate change.
So, we're going to survive climate change, as a species.
What matters now is making sure that every possible individual human survives climate change as well.
What matters now is cutting emissions and reinventing the world as quickly as we possibly can.
What matters now is saving every life and livelihood and way of life that we possibly can.
#hope my reasoning here makes sense#idk I'm just a person who does a lot of research and posting talking about my take on things#I'm not any kind of Real Authority#but still#and for what it's worth the climate and climate transition data I've been following DOES make me confident in this conclusion#I struggled with the line between recognizing the very real damages of climate change#especially on the global south and especially in the last few years#and focusing on the positive instead of regaling you all with depressing situations#especially when there is so much amazing work being done throughout marginalized countries and marginalized groups#literally if rich countries just paid climate reparations and did actual decolonization/landback#a lot of communities could sort out the shit they need to sort out themselves#and/or in alliance and solidarity with each other#or at least most of the things they need to sort out!!#cough anyway#climate change#climate action#climate emergency#climate crisis#global warming#climate solutions#hope#hope posting#not news#me
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