#if it shows up in a character tag that it shouldn't

[aroaceleovaldez]

i'm so happy you brought back up the topic of rick's shitty writing of anyone even remotely non white / "white passing"

with that being said, do you think the shitty script he gave to annabeth in the show has to do with him just being deeply uninterested in adapting his story to include characters of color? bc it seems like once rick encounters a character that cannot be easily erased all ethnic or racial identity of to fit them into an usamerican specifically white ass narrative, he gets lost.

i just keep thinking how the only thing that "changed" about annabeth as presented in the show was her race but her plot relevance and her characterization got downgraded severely. meanwhile percy, whiter than before (wheres the mediterranean god look......................................), got half her functions. like i just look at rick in context and i wonder if he just gives so little fuck about characters of color he cant even write a decent character arc for an adaptation of a very established persona

thoughts? thank u!

I wouldn't be surprised if it's Rick (and the writer's room, since it actually seems Rick isn't all that heavily involved if much at all with the script itself based on some interviews) just has internal biases that he refuses to reflect on. It would be a consistent trend with the uptick in offensive writing in the books themselves (see: the troglodytes in general, all the Jewish kids in CHB being in Hermes cabin, etc etc). Rick seems to want to engage with these topics but refuses to actually assess how he's approaching it and his own biases while also overemphasizing his engagement with the topics. It's a kind of big talk/words vs actions type thing to me.

[this got a wee bit long so throwing it under a cut]

I was having a couple of conversations about this topic recently - one being group reading/discussion of WottG and how, allegedly, the slightly different characterizations in that book are inspired by the actors in the show. Annabeth is repeatedly and frequently described as motherly and maternal in the book, plus some other misc characterizations that make you tilt your head and go "Wait, what about Leah made you want to write Annabeth this way?" and concerns about it leaning into stereotypes. (It's also strange, because in the show Sally is MUCH more aggressive and less maternal, and this is painted like it's supposed to be a girlboss thing cause her being too soft and motherly was too weak or something? But now book Annabeth is now being described as all soft and maternal??? What. What is happening.)

Another conversation that i had with my therapist (cause we talk about pjo a lot lol) and later repeated and discussed more with other folks on discord more specifically regarding the show was a lot of discussion about the casting. Particularly casting choices and how the writing either is refusing to take casting into consideration to respectfully approach how things would be changed to avoid problems or are actively changing the script for characters in a way that is potentially if not downright offensive. Clarisse is the number one example i bring up because a lot of people say that the reason a plus sized actress wasn't cast for her was to avoid the "fat bully" trope. The thing is, there is ALSO a POC bully trope that is just as bad if not worse, so if they were actually taking offensive tropes into consideration one would expect them to avoid that too (especially since Percy was cast as a pasty white boy - which just makes it all look worse)? (Also other plus-sized characters like Dionysus and Gabe were also cast as skinny, same with Tyson. So it just seems like they don't want to cast plus-sized actors either.)

But also they're rewriting stuff that actively puts the casting decisions into worse tropes. Like hey, why is Percy (a white guy) the one who knows the "real" versions of all these myths and is expositioning them to Annabeth (a black girl), who in the books is supposed to know more than him? Why does he know better than her for some reason and have to guide her? Why is Percy teaching Annabeth about pop culture and how to be a kid? Not to mention stuff like the show constantly encouraging the viewer to doubt or distrust characters like Grover and Clarisse and Annabeth as red herrings as to who the traitor is. Plus there's no adjustments to stuff from the books like Annabeth initially being somewhat aggressive/antagonistic towards Percy, or Clarisse's aggression and bullying towards Percy to try and circumvent those being bad tropes in the contexts of the casting.

And there's an ongoing trend of characters who are antagonistic towards Percy in the books being divided into two groups: those who continue to be antagonistic towards Percy in the show, or those who are tweaked to suddenly become kinda silly-goofy and significantly less threatening. Gabe, Dionysus, Ares, and Hades are all examples of characters that should be antagonistic towards Percy but are softened SIGNIFICANTLY and played for laughs in the show. Echidna is played as a twist antagonist because she initially because she approaches the kids as very sweet and helpful. And they're all cast as white! Meanwhile other characters like Clarisse, Luke, Zeus, etc, are still antagonistic towards Percy (plus also like Annabeth initially and again, Grover being painted as a major red herring). Plus some new additions like Hermes, Mr. Lin Manuel Miranda himself, being wholly introduced into the plot when he's not supposed to appear until book 2, and all he does is sabotage the quest. Like, it's weird! That's a weird writing decision!!!! I get wanting to get that sweet sweet LMM cameo money, but, why is Hermes an antagonist here???????? he's not even supposed to be here yet!.

We also have stuff like Poseidon (who, like many of the god/major kid pairings so far seems to have been cast to match each other appearance-wise) saving the day for Percy and being this weirdly good dad, versus the books where we get the iconic "I am sorry you were born" line and Percy and Poseidon's tension is part of their arcs. Notably, Poseidon does this by ceding to Zeus, who is actively about to start a war. While Gabe is rewritten to be a total loser, Sally is MUCH more aggressive and her yelling and screaming at young Percy is supposed to be sympathetic for some reason? If Gabe were acting like Sally does in the show, he would actually be significantly more like his book counterpart! The show is making active decisions to paint these characters the way they do!

Admittedly, part of it may just be they got overzealous with their casting (not inherently a bad thing! diverse casting is good!) and then proceeded to not consider how that casting affects the way the characters are perceived. It also doesn't bode well for certain guesses we can make going further into the show - Thalia is very at odds with Percy initially. She's a very aggressive character. They fight a lot! Also Annabeth's description already implies that they're tweaking Thalia's character to be more "tough love" versus the books where she's significantly more of a bleeding heart when she first meets Annabeth. Like, I'm very happy about Thalia's casting, her actress seems amazing, but also I'm VERY concerned with how they're going to approach her character to make sure it doesn't end up wildly offensive. Athena is similar - we can guess based on casting decisions so far that they're going to try and cast Athena as similar in appearance to Annabeth/Leah. The show has already painted Athena has antagonistic and uncaring towards her daughter. If projected trends continue, these things are not gonna be great.

And the show does seem to rarely want to engage with these topics - like the scene with the cop in the train. You can tell what they wanted to address by having Annabeth be the one to confront him. The thing is they were too cowardly to actually have that conversation! They paint the kids as being unreasonable and getting unnecessarily upset when they aren't directly being accused of destroying a room, therein painting the cop as the one in the right in that situation. The implication seems to be a little bit they were going for "Oh, this is Annabeth's hubris getting them into trouble" but. that's such a bad way to do it! That's like the worst way you could have done it! (This is also a trend in books from HoO onwards, more or less - Rick tries to engage with certain topics, often using characters of specific demographics, and then proceeds to do a really bad job of it.)

There are also some aspects that are just like - in the books, Luke being a middle-class blond-haired blue-eyed pretty white boy is relevant! Because the fact that he has privilege from that particularly in how he's perceived is part of how he came to where he is and why he acts the way he does. Percy not having those same privileges, and having aspects like constantly inherently being labeled as a trouble-maker just based on his atypical (neurodivergent) behavior and coming from a lower socioeconomical background play heavily into his character!!! Percy being both a poor and disabled kid (and implied potentially POC) plays DIRECTLY into why he feels so strongly about standing up for other disenfranchised kids (in SoM, explicitly including other disabled kids and kids of color). It directly relates to his experiences and standing up for kids who are like him because he didn't have that, versus Luke whose perceptions and goals are very self-oriented. Now, in the show, we've essentially swapped Percy and Luke's appearances, and that paints a very different narrative. And that's important to acknowledge!

[deanpinterester]

having sally yell at baby percy feels so fundamentally wrong. i didn't mind when she got frustrated with him in the pool because that was just one instance of sally losing her temper but now it's like oh. this is just how the show version of her is.

like. idk. one of sally's defining traits was that she never got mad at percy. that didn't mean she was weak. that was her strength. that she could pull through tough times by putting a smile on her face, so that she didn't scare percy, so that she could protect him.

i just feel like it would have been a much more well-defined scene if we got to see how sally manages to talk percy out of the car by. being nice?? coaxing him??? explaining the situation in a way he would understand instead of just saying "there are things i have to do that you don't understand" (if you say that to a kid they are 100% not going to listen to you bc. yeah they don't understand!! so you have to explain it in a way they WOULD understand!!)

if sally had already been dating smelly gabe at this point, she could have leveraged this. she could have put a funny spin on it and said "i'm just trying to get you away from smelly gabe's stinky gym shorts." if she wanted baby percy to not feel like she was abandoning him and separating him from the rest of society, she could have said "the kids in there are just like you." she could have given him a keepsake, to show she will always be with him. there are SO many ways the writers could have spun this and they just didn't. they went the easy way out.

all of these flashback scenes are painting a very unfortunate picture that percy didn't actually have a good relationship with his mom. and i know that's not the vibe the show is trying to go for, but they've got to understand!! that not everyone who's watched the show has the read the books! we don't all automatically know that sally and percy have the bestest mother-son relationship ever! if you only show sally being frustrated at baby percy, we start to think oh dang, maybe this whole time percy doesn't actually have a good relationship with his mom!

[kiose]

Me waiting for the hsr fanarts

Sorry to keep ya waiting!!!

Oops it's all ship art!! The only kind I'm able to do

Missed like a thousand details because these ouitits are DETAILED, I'll get used to them eventually 👌

This game sucked me in like a black hole I'm so sorry I was too weak to resist this much power... I have been drowning in ships so much my little free time is gone forever

[swiftfootedachilles]

im just gonna be honest gang obviously its gonna be easy for you to say youre in love with a character and theyre an angel when anytime they do something you don't like you brush it off as out of character

[templeofvengeance]

No, I'm not picturing Jake Lockley cough up a hair ball why would you say that?

[The dumbass in question]

[thelonelynindroid]

I don't understand even slightly when people (YouTube mostly) see Brad MQ and are like 'Abed', etc etc. Like as someone who is literally rewatching community for the first time (genuinely consecutively after my first watch) and watching MQ for the first time SIMULTANEOUSLY with Abed and Brad as my favs in both respective shows, I literally cannot conceptualise them as the same person even if I try. Like if you put them in the same room I'd be like 'oh cool seems legit. How do they know each other' like. DO U GET WHAT I MEAN. i don't look at Abed ans think of Brad I don't look at Brad and think of Abed that's just how it is. AND I'M LITERALLY WATCHING THEIR SHOWS LESS THAN TWO HOURS APART FROM EACH OTHER

[freevoidman]

Someone please help me why are there people playing FF7 Rebirth when they haven't played FF7 Remake

[theultracharmingladynoire]

This has been a rant building up for a while now and I just need to put it in here but it's that. I remember the joy and excitement I felt when I watched y/o/i ep 1 - 10 because I literally. Knew nothing about the show except for the fact it was gay?? dvsjgshd but it just was so GOOD but then I. Came across a couple of interpretations of ep 11-12 (which I hadn't watched by then so I had no idea what went down) which was just people being disappointed, people thinking the ending was changed for a season 2, people thinking it was out of nowhere (especially V/ictor's comeback?? I guess??) And that really. messed up my perception of the show?? Like upto then I was forming my own interpretations of the characters and after this I. Was lowkey scared to watch the last two episodes because I was afraid of it being bad™ (if that even makes sense) and then one day even when I did watch them I didn't watch them properly?? Like I even missed a lot of scene and dialogue because I was too nervous about what I had read about it before.

And like. I don't even think those interpretations are entirely wrong for record. I understand that especially when there was a whole week between episodes and when the fandom was so huge and active people might have a very different viewing experience which directly plays into how they interpreted the character arcs! And those interpretation are extremely valid even though I disagree with them. The show definitely leaves a lot upto intrepretation of the viewers so there isn't any interpretation that is necessarily wrong™ (Idk how to phrase this sorry)

But it's just that I wasn't able to form MY own interpretation properly because I was influenced by others' ?? (In lack of a better way to word it) and I just. I've been mulling over this for a whole MONTH and going back and forth and back about the ending. And it just feels very draining when I go out to look for meta and people who had opinions similar to mine and find...like what ten people?? it kind of makes me feel like I am looking at things wrong, and that probably the finale WAS just bad or whatever (which seems to be a more common idea in what I've seen)

I do think there were pacing issues, and I do think the character arcs CAN be interpreted differently than what they are in the finale but I also am a bit sad that not many people tried to recontextualise the show in light of the finale (again, it isn't a MUST But I really wish people tried to if I am making sense?)

And it's sad because I know this can be fun if I just created my own bubble without all the meta and opinions I disagree with but it's hard when that is somehow always what I come across? And I KNOW I should stop reading a post when I see that it may suggest something towards the opinions that I disagree with (because that'll just waste my energy), but then what if I AM wrong? What if those posts are right and I am willingly closing my eye towards what the characters originally are or something?? Is what perplexes me out and really makes me sort of nervous and uneasy(?)

And now it is getting worse and I feel like I am slowly losing all the love I had for this show and it absolutely SUCKS because I just want to enjoy this silly little show and now this is all....just a mess

[rutadales]

that's not a shameful secret as a foolish blog it's a 'recognises eret abandoned the idea as soon as it wouldn't make her the main character' secret

LMAO i meaaaan ur not wrong 😵‍💫😵‍💫

[throughpatchesofviolet]

If only you guys could see me trying to piece this mystery together ... I was just making one of those poses Jil's drawn Sherry in.

^ One of these. I'm deep in thought, trying to solve this crime.

[bxtonpxss]

[darkficsyouneveraskedfor]

You'll Be Home For Christmas

Warnings: non/dubcon, and other dark elements. Not all kinks or triggers are tagged. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Summary: You agree to do a favour for your coworker but it might be more than you can handle.

Character: Clark Kent

Day Nineeen of the December Daze Challenge.

Prompt - fake dating becomes too real.

Note: As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging.

"I know it sounds weird, but, my mom's getting up there..." Clark looks away as he pokes his tongue into his cheek. 

You're not sure how he does it. How someone like him can make himself look pathetic. He's a big man. Mountainous really. He dwarfs just about everybody in the office. Even the desks look tiny next to him. And the chisel of his face is so sharp yet in that moment, he looks heart-wrenchingly soft. 

"It's just you two this year?" You ask. 

"Um, yeah," he rubs the back of his neck then drags his hand around and down his chest. He shifts in his chair and clears his throat. "Look, I know I can be nosy but I overheard you and Maggie. You said you don't have any plans this year--" He cringes and leans forward, putting his elbows to the desk as he covers his face then peeks out between his fingers. "It's a dumb idea." 

"It seems like you're pretty stressed," you fold your hands behind you. You don't want to agree with his last statement and make him feel worse. 

"Yeah, after Lois..." he shakes his head, "my mom's convinced I'm going to be alone forever and she keeps telling me how old she's getting. Says she wants to live long enough to see me happy." 

"Wow, sounds worse than my mom," you kid but quickly deflate. "Sorry, I'm not trying to make light." 

"No, it's ridiculous," he heaves and drops his eyes. "I've asked two of my neighbours, I asked my mail lady, and oh, yeah, the girl who made my coffee today. I'm all out of shame." 

"Can I think about it?" You ask. You know you're going to say no, but you don't want to do it right away. 

He perks up and his blue eyes flick to meet yours. His brows rise hopefully and he rolls forward in his chair, "really?" 

"I didn't say yes." 

"But you're the first person not to say no," he smiles. 

Oof, there it is. You've always had a hard time in situations like these. You're a people pleaser in the worst way. 

"Anyway, I should get back to work," you say. 

"When-- when will you know?" He asks. 

You hesitate. 

"End of today?" He suggests. 

You nod. Alright. You just need to get out of there before you cave to that puppy dog sparkle in his eyes. A man who looks like that shouldn't be able to make himself so pitiful. 

✨

You don’t know why you said yes. You really were going to say no but when Clark came back to check in, you weren’t prepared. So absorbed in your work, that you forgot about the odd request. 

So here you are, right beside him, wound as tight as a spring as you try not to show it. It’s not how you imagined spending Christmas. When your typical traditional obligation felt through, you were almost relieved. Now that dread has returned but in a new flavour. Meeting someone else’s family is somehow more intimidating than your mother’s judgement. 

Clark’s own anxiety pales in his knuckles as he drives silently. Only the radio provides some softness in the tension between you. It’s always strange to spend time with coworkers outside the office and now you’re jumping headfirst into their most personal facet. 

You fidget in your seat and let your eyes blur out the window. You didn’t expect his mom to live this far, yet you should have. He’d mentioned before he grew up on a farm. It must have been nice in a way, peaceful, out where you can’t hear the city honking and hollering. 

The snow thickens as you get further into the country. His large truck doesn’t falter as he steers cautiously through snowed over tire tracks. Would the plow even get this far out here? If it did, you don’t imagine it would come very often. 

Your mind latches onto those random things to avoid the obvious. You’ve always been this way. Instead of worrying about your mother lecturing you about your stagnant work situation, you’re usually more concerned with how your hair lays or if she’s going to the like that bottle of wine you spent too much money on for her. 

“Thanks again,” Clark’s baritone rolls over you like thunder. “Really. I know it’s... strange. I’m just not ready to date again but... my mom...” 

“Trust me. I get it. My mom can be... a lot,” you chuckle, though it’s really not that funny. 

“Oh yeah? I didn’t want to be nosy, but...” 

“Right, uh, you know, my brother asked if we could have dinner on Christmas Eve instead and the rest of us agreed. She insisted that Christmas Eve isn’t Christmas...” Your heart picks up with the anxiety you bury deep down. “Well, she cancelled Christmas since no one agreed with her.” 

“Wow, really?” 

“Uh, yep,” you can’t look at him. It’s embarrassing. It’s like when your mother dumped your birthday cake in the garbage because you pointed out you were 13 not 12 that year. Or when she walked out of your graduation because your grandmother wouldn’t switch seats. “It’s whatever. Family, right?” 

“I guess,” he says. “My parents always loved holidays too. Especially when dad was around.” 

“I’m sorry about your dad,” you murmur. 

“Don’t be. Sorry if it seems like I keep bringing that up,” he sniffs. 

You look ahead to the sole structure as it looms closer and closer. A farmhouse that comes clearer through the drift of flakes, and a barn like a shadow near its rear corner. It’s like one of those classic festive paintings printed on an advent calendar or some 1950s domestic dream. 

He pulls up to the house and shifts in his seat. Concern needles in his cheek as he squints over the steering wheel. He wrenches the shifter into park and kills the engine. You sit futilely and let him take the lead. 

“Lights are off,” he mutters. 

You nod, unsure what to say. Is something wrong? 

He gets out and you watch the snow dust into his dark hair and across his broad shoulders. He is unfettered by the deep snow. You zip up your coat and turn to your door. You push it open and look out into the perilous carpet. 

Clark surprises you as he comes around. “Here,” he puts his arms out, “it’s deep.” 

You grab his hand and his other goes to your waist. He as good as lifts you and sets you down in the path he’s stomped through the piles. You thank him and awkwardly detach. He shuts the door and moves around you closely. 

He leads the way to the porch so you can walk through his footsteps. Your lashes catch the snow as you look up at the grey sky. You don’t think you’ll make it home that night. Shoot. 

Clark kicks off his boots as he digs in the pocket of his coat and pulls out some keys. He unlocks the door and gestures you in ahead of him. You try to clear off your treads before you enter. He reaches around the frame to flip on the light. 

He crowds you as he enters. You try not to step off the mat and make a mess of the floor. You slip free of your Adidas, not the best choice for the weather, and shuffle aside. He hangs his jackets and combs his fingers through his hair to clear the flakes out. The dark strands glisten with the moisture. 

“Give me your coat,” he reaches for you. 

“Oh, yeah,” you unzip your jacket and hand it over. It isn’t exactly climate appropriate either. You’ve been meaning to invest in winter gear. A lot of times your intentions are only ever that. “Thanks.” 

“Quiet...” he mulls as his eyes skim the ceiling and he hooks your jacket on the rack. 

“Yeah, a little.” 

“Ma’s probably laying down,” he utters with a hint of concern. “I’m gonna go check and see what’s going on.” 

“Oh, I hope she’s okay.” 

“No worries. She stays up all night reading,” he shakes his head. “Feel free to make yourself at home.” 

“Right, er, okay.” 

You back up as he passes you. He heads upstairs and you slowly pivot to take in the interior. The pale wood is marked with knots which give it an even more rustic atmosphere and the decor is simple but in a quaintly traditional way. The details etched into the slender drawer of a side table or the dainty trim of the area rug give a lived-in effect. 

You tiptoe into the front room and hug yourself as you feel a draught whisper in around the window. You find the light switch and flip it on to cast more light across the neatly arranged furniture. There's an old-fashioned iron firestove in the middle of the room, the flue built up to the ceiling.  

You can hear Clark moving around above. The rest of the house is silent. You look at the old grandfather clock standing against the wall. It’s just after eleven in the morning. 

You turn as the stairs creak. Clark appears in the doorway with a sober expression. “Mom’s just waking up. It might be a while. She... she’s having a tough day.” 

“Oh, I’m so sorry. Is she sick?” 

“She is and she isn’t. Just getting older, you know? Ever since she broke her hip last year, she’s been a bit slower,” he explains. 

“Oh, gosh, Clark,” you say. “Is there anything I can do to help? You said she was planning on dinner but I can get all that started for her.” 

“Sure, she usually thaws the turkey in the sink overnight,” he says. “We should probably start there.” 

“Right,” you chew your lip. 

“It’s nice of you to offer but if it’s too much--” 

“No, no! It’s cool. I’ve just never stuffed a turkey on my own,” you say. “I was always just an observer.” 

Your mother never believed anything was done right unless she did it herself. Then she’d complain about having to do it. 

“I can help,” he offers. 

“Sure, sounds like a plan. I think she might appreciate the help, huh?” 

He smiles but doesn’t answer right away. For a moment, he only stares. He clears his throat and nods at last, “she would—will.” 

“Show me where it all is,” you show your palms, not wanting to presume too much. 

He beckons you after him as he leads you through the doorway perpendicular to the one you came through. He turns on another light. This place feels desolate with them off. 

“So uh...” he begins as he goes to the counter and peeks in the sink, “yep, turkey’s in here.” 

“Great, hopefully it’s dethawed,” you say. “Alright, do you mind if I poke around?” 

“It’s all yours. I’ll try to help but gotta be honest, as a kid, I was out in the field,” he stands back to watch you. 

“Right,” you come forward to look the turkey over. Good thing is it won’t need extra time due to being half-frozen. 

“Hum... do you know if your mother does stuffing from scratch or a box?” You turn back to him. 

“Scratch, probably,” he shrugs. 

“Cool, uh, I need bread,” you declare. It’s almost nice being in charge. A very new but refreshing feeling. 

✨

The smell of turkey wafts from the stove as you work at the other fixings. You follow the list on the fridge. The paper is a bit yellowed but you can read it nonetheless. At least Clark’s mother is a planner. Although a few of her ingredients are a bit... aged. Nothing you can’t use but the spices have a little extra dust on the caps. 

Clark appears again. He’s been pacing in and out, helping where he can, but he seems too restless to focus. You tap pause on your phone to stop the music. You don’t get any signal out here but you have a bunch downloaded. It helps ease the silence that thickens with the fall of snow. 

“So, how’s mom? She doing okay?” You ask. 

“Mom?” He hesitates, “yeah, she’s getting there. Sorry about this. I know the whole reason you did this was to make her happy. For me. I just didn’t expect--” He blows out a heavy breath and leans on the counter. “It’s hard when you get older and everyone you love starts to leave. Or change.” 

Your heart flickers. You try not to frown too deep, “I’m sorry, Clark.” You look back down at the bowl of soaking cranberries. You take your family for granted. The might be a little toxic but they’re there. 

“Not your fault. I just... I thought I had it figured out with Lois. Everyone was happy and my mom was ecstatic,” he clutches his hands together. You meet his eyes sheepishly. “I just wanted her to be that way again. And you’re so sweet and nice.” 

“Aw, Clark. Well, you know, I should thank you. At least I’m not alone on Christmas,” you try to pep yourself up. “Um, I gotta wait for these cranberries a little long. Could I use the bathroom?” 

“Right, er, it’s just down the hall,” he points towards the second doorway that interconnects with the same hallway that leads back to the stairs. 

“Thanks,” you wipe your hands on a dishcloth and leave him with a thin smile. 

As you flit out, your chest sinks. You think of everything you’ve said since you got there, how insensitive it must have seemed. And back in the car when you complained about your mom. Ugh, he must think you’re so ungrateful. 

You close yourself in the bathroom and tend to your business. You’d been holding it since he picked you up from your building. You wash your hands, pumping the soap bottle hard to dislodge a clog in the tube. You finally finish up but find the smell of mildew stuck to your hands from the towel. 

You come out of the bathroom and look up and down the hallway. You shift to see the framed picture a bit better. Those must be his parents, and little Clark. You can’t believe he was ever that small. 

There are other pictures across the table below. A cluster of frames; class photos, impromptu snaps of memories, and posed family shots. Beneath one, there’s a slip of paper. You try not to be intrusive but the fading font catches your eye. You lean in as you tilt the frame to see the full letter, the card bent and forgotten beneath. 

‘Our condolences. We were so sorry to hear of your mother’s passing. Please do let us anything we can do for you.’ The message is signed Mallory and Chuck. You blink in confusion. Maybe it’s an old card meant for his mother; for a grandparent. 

“She died last year,” Clark startles you so you whip up and nearly tip as you stand straight. “It’s my first Christmas without her,” he continues. “I’m sorry I lied but I didn’t want to be alone.” 

You shake your head. Confusion swells through your stomach and clouds your brain. The fog clears and your eyes wander up to the ceiling. 

“Your mom?” 

“I miss her,” his voice cracks. “She took care of me.” 

“Oh, well, yeah,” you quaver unevenly. You’re reeling. Why would he lie about that? And to get you here? You’re just coworkers. “That must be hard.” 

“Mhm,” he nods and pouts. As he comes closer, you tense, wavering with his steps. “You’re not mad at me?” 

Your lips part then close. The wind whistles outside and reminds you of how isolated this place is. Clark drove you here... 

“I’m just... wondering why you need to lie,” you eke out. 

“I know it’s wrong but... if I told the truth, you might say no.” 

You nod and as he reaches for you, you wince away. You hug yourself and push your shoulders up. You swallow, “Clark, what is the truth? Why am I here?” 

He tilts his head and his eyes drift to the side. The light fades in his pupils and his jaw clenches. His fingers twiddle by his leg. 

“To be with me,” he looks at you again and smiles. A smile shadowed sinisterly beneath the worn bulb above. “You’re alone too.” 

You stare at him. Terror floods your veins and paralyses you. You want to turn and run but you won’t get far. All you can do is bide your time and hope that you can find a chance and way to get out. But for now, with him so close, so much bigger, you have to pretend. That is exactly what he asked you to do, after all. 

[angelltheninth]

Zayne Gets Angry Over a Patient Flirting with You

Pairing: Zayne x Fem!Reader

Tags: nsfw, smut, co-workers, secret relationship, doggie style, jealousy, clit stimulation, possessive sex, desk sex, colluegues who fuck, unprofessional!Zayne

Ko-Fi | Rules | Fandoms and Characters | Commissions

A/N: Zayne dropping his professional side is my favorite kink with him. Divider is by @adornedwithlight.

Amazing how quicly he can switch from your co-worker to your lover

One moment he's talking about work, then he's listening to you talk about the latest patient who professed his love for you, and the next moment he has you bent over that patient's file, fucking you from behind

Like a switch has been flipped inside of him he was on you, kissing you to stop you talking about that man

It's the end of the work day, your shifts are over, you shouldn't have to think about patients like that

Confessing love for his doctor, that's completely unporfessional, and as if Zayne fucking you in his office isn't

But that's different, he cares about you much more than that other guy

He rocked his hips against yours, staying inside you a bit longer every time, making your pussy take the shape of his cock

Skilled fingers dance all over your body, easing their way across, one on your chin, keeping your eyes on the photo of the patient, the other flicking your clit

Zayne wants you to say his name while he fucks you

No, just once won't do he warms as he smacks yout clit, say it again, louder this time, clear when he thrusts his cock into you again

Good, that one was better, again

Rarely does he show his possessive side, you make him like this

Every time he sees someone flirting with you with the intentions to hurt your feelings after, like you're some pump and dump kind of woman he really wants to be unprofessional

But he can't, he knows he has a reputation and he knows better than to let his feelings get to him during work

However now, when work is officialy done and it's just the two of you he can let his walls down

Show you how he really feels about you, and those idiots that flirt with you all the time

At some point you realize that he's not even pulling out anymore, he's only touching your clit

What he wants is for your pussy to drain his balls dry

Moan his name while you do it, because it's always gonne be him who fills you up, not some horny patient who doesn't even know you

[cheapshrimpysheep]

I read the rules and I hope I'm not doing something against them! I have a cute request... Headconan with the Pomefiore trio (Vil, Rook, Epel Separately) and a female reader who was tasked with taking care of a newborn for a day (I didn't think whose child is this honestly lol I just liked the idea.) and she ask them to help her :3

COMMENTS: I liked the idea! The only problem is that I have 0 experience with children, let alone babies. 😅 So I asked a friend of mine who has taken care of newborns to help me, and she did such a good job that I ended up writing more than I expected. 💜

I hope you and all enjoy it 👶

CHARACTERS: Pomefiore (Vil Schoenheit / Epel Felmier / Rook Hunt)

TAGS: Fluff; Fem Reader; Headcanons; Flirting

WORD COUNT: An average of 680 words per character.

CONTEXT: You hear someone knocking on the door of Ramshackle Dorm and when you open it you find Professor Trein holding in his arms, not Lucius, but a baby.

He explains to you that one of his daughters showed up to visit him and the island, but she needed to do something and asked Professor Trein to take care of his grandson for a while. But Professor Trein still has work to do and can't take care of the baby at the same time, so he asks you to take care of him for a day until his daughter comes back.

He also tells you that if you need help, ask Pomefiore's students as they are some of the ones he trusts most.

“Me? Help take care of a baby? I have never done such a thing. Why would you ask me for help? I'm sure someone with younger siblings would be more qualified for-” Vil is interrupted by the baby who started crying in your arms. He sighs. “Sorry, I shouldn't have spoken that way. May I?”

Vil stretches his arms to ask you to hand him the baby. Despite saying he had no experience with children, he picks up the baby with incredible delicacy.

“You're right, you're right. I shouldn't speak so harshly in front of you.” He says in the sweetest voice you've ever heard from him, as he rocks a little and smiles at the baby. The baby starts to calm down and looks at Vil's face in amazement.

“Someone has good taste.” He chuckles, then looks at you. “Very well, I'll help you. But only because this is Professor Trein's grandson. However, I'm also curious to see how you do on this task.”

Whenever the baby starts crying for some reason, Vil is always very calm about it. No matter how many failed attempts to understand what the baby needs, he will never show any kind of frustration. At least not near the baby.

If the baby is crying because he has a dirty diaper: The first time this happens, Vil will ask you to change it so he can see how it's done. And if it happens again he will offer to do it that time. The two of you will take turns whenever this happens afterwards.

If the baby is crying because he is hungry and needs a bottle, Vil will offer to prepare the milk in the healthiest way for a baby. But he will ask you to be the one to feed the baby.

While you give the baby a bottle, Vil will watch you. Not to check if you are doing it correctly, but to enjoy the sight of you doing it. You can't read minds, so he can imagine that this is your beautiful baby as much as he wants. If you look at him, he will simply smile at you.

If the baby is crying because he is sleepy and Vil offers to try to rock him, you will see him standing and rocking gently while singing a lullaby with his beautiful voice. He will look at you at some point and smirk at your admiring gaze. “You and this baby are lucky.” He will whisper after the baby falls asleep. “I have never sung exclusively for anyone.”

If you rock the baby and sing him a lullaby, Vil will look at you with admiration and affection. And if, by chance, you are singing a song that he knows, he will join you and the two of you will sing together. He will even get closer to you and in the end you will see the baby sleeping in your arms and between the two of you. Vil will smile smugly and whisper to you: “Be careful if you brag about this to anyone. There are people who would kill to be in your place.”

While the baby is sleeping, the two of you will try to entertain yourself in quiet ways. Vil will continue with his usual routines if he can and make you join him. Any beauty treatments he does like skin care, he will do them to you too.

If the baby is crying because he is simply in need of some affection, you will probably be the person in charge of that. Vil will see you talking to the baby, hugging him and giving him little kisses on the cheek, maybe even talking to him in that baby voice.

Vil will start to daydream about you, imagining you taking care of his and your child. And he will smile thinking about it. Entertaining the baby will be your job. Let's face it, you're probably more fun than Vil in this regard.

If you are in a flirting phase with each other, he will approach you, hug you from behind while you hold the baby in your arms and whisper in your ear: “You would be a wonderful mother. And I know that our children would be the fairest of all.”

“You're in luck. I already had to take care of my cousin a few times when he was a newborn, so I have some type of experience at least.” Epel tells you half confident, half fearful.

Even though he wants to convey confidence, you can see that he holds the baby tensely, as if he were holding a very expensive piece of glass and was afraid of breaking it.

When the baby starts crying he immediately gets worried because there are a multitude of reasons why the baby could be crying and you both just have to guess what it is.

He will always interact with the baby with a smile, but the more failed attempts to understand what the baby needs, the more frustrated he will become and it will reach a point where he will grab you by the arm and say in despair: "WHAT DOES HE WANT?!"

If the baby is crying because he has a dirty diaper, Epel will say: "Oh, I've already changed my cousin's diapers a few times, I can take care of that."

If the baby is crying because he is hungry and needs a bottle, Epel will help you prepare the milk for the bottle.

If Epel is the one giving the baby a bottle, you will see him sitting on the sofa focusing on the baby in his arm and on the bottle. At first his expression is almost serious, but as soon as he becomes more comfortable you see him smiling at the baby. “Wow, for someone so little you have a big appetite, don't you? Heh heh.”

If you are the one giving the baby the bottle, Epel will look at you while you are distracted with the baby. If you look at him, he will look away and you will see him blushing slightly because of the things he was thinking.

If the baby is crying because he is sleepy and Epel offers to try to rock him, you will see him standing and rocking gently while singing a lullaby from his homeland with that dialect that you only understand half the words. And you will hear him sing with that sweet voice he has.

If you rock the baby and sing him a lullaby, Epel will look at you with admiration and affection. And if, by chance, you are singing a song that he knows, he will join you and the two of you will sing together. He will even get closer to you and in the end you will see the baby sleeping in your arms and between the two of you. Epel will blush and turn away.

While the baby is sleeping, the two of you will try to entertain yourself in quiet ways. Good chance he'll start carving some apples for you.

If the baby is crying because he is simply in need of some affection, you will probably be the person in charge of that. Epel will see you talking to the baby, hugging him and giving him little kisses on the cheek, maybe even talking to him in that baby voice.

Epel will start to daydream about you, but he won't even dream of telling you anything about it. Eventually, he may join you in making the baby happy.

“You are asking me for help with taking care of a baby? BEAUTÉ! Oh, what a wonderful experience to go through with you of all people! ... If I have any experience with babies? Absolutely none! Isn't that exciting?” He says with an enthusiastic smile and not at all worried, unlike you.

The first time he asks to hold the baby, you may even be reluctant to let him do it. “Protective already?” He smiles at you in admiration. “Indeed, there is no more beautiful and inspiring power in nature than the fierce protection of a mother. Or of any woman over a child. I am so extremely lucky to be able to see this side of you.”

But if you eventually let him hold the baby, you will see him take great care when holding him. And looking at the baby with an extremely affectionate look. “To think that we all started out in this world so fragile. La beauté de la nature.”

When the baby starts crying he will be...excited about it? He genuinely enjoys having to figure out what the baby needs and failing in his attempts. “Oh, we haven't figured it out yet? What could it be?” He says smiling.

If the baby is crying because he has a dirty diaper: The first time this happens, Rook will ask you to change it so he can see how it's done. He can learn and appreciate you at the same time. And if it happens again he will gladly offer to do it that time. The two of you will take turns whenever this happens afterwards.

If the baby is crying because he is hungry and needs a bottle, Rook will help you prepare the milk for the bottle.

Just like with diapers, the first time this happens Rook will ask you to be the one to give the bottle to the baby so he can see how it’s done. However, he learns quickly in the first few seconds. The rest of the time he will simply enjoy the sight of you doing it. And if you look at him, he won't look away, you'll see him looking at you with an extremely admiring and affectionate look, and smiling at you with a slight blush on his face.

After that, if it happens again, Rook will gladly offer to be the one to give the baby the bottle this time. You will see him sitting on the sofa, smiling while focus on the baby in his arm, at least in the beginning. As he begins to feel more comfortable, you will see his shoulders relax. If he looks at you and sees you looking at him with a certain kind of affection, he will smile broadly.

If the baby is crying because he is sleepy,  Rook will immediately offer to sing a lullaby to him. But he will teach it to you first in case you don't know, so you can sing it together. Rook will ask you to be the one holding the baby. You can see that he feels more protected and relaxed with you (I wonder why). As you sing, Rook will focus on you while you focus on the baby.

While the baby is sleeping, Rook's attention will remain focused on you. He will join you for any activity you want to do to entertain yourself.

If the baby is crying because he is simply in need of some affection, Rook will try to fulfill this role, but even for a baby his love seems to be too much, and the baby starts to struggle in his arms because he wants you to be the one to give him affection. Rook will be a little sad that he was rejected so brutally honestly, but will be very happy to see you making the baby happy. However, he will continue to help in any way he can.

Rook will see you talking to the baby, hugging him and giving him little kisses on the cheek, maybe even talking to him in that baby voice. And he will start to daydream about you. “You truly are a source of light and comfort. It's impossible not to be captivated by you and this baby is proof of that.”

If you are in a flirting phase with each other, he will go deeper with his praises. “Any child of yours will be deeply fortunate to have you as a mother.” He will come closer to you and whisper to you. “And I wonder if I would have such a privilege to be by your side to raise them. Maybe even help you make them. And see how wonderful it would be to see the two of us together as one... or more.”

If you dropped in here out of the blue and want to read more from me, you can find it in my pinned post: INDEX

[deathbxnny]

Helloo!! Arcane is ending soon, so I was wondering if I could request the Arcane cast reacting to a reader who suspiciously seems to know everything that’s gonna happen in the plot? They always appear where the action is, and they warn about dangers before they happen, trying to ”subtly” change the outcomes of horrible events. Tragedies are a core element of the story, so I feel that the narrative would create another disaster if one event got prevented, but the thought of these characters being safe and happy after all they’ve been through would be so healing :3 It’s up to you which way you want to take it 🐁💖 I’m fine with both platonic and romantic, but I’d love to see Vi, Jinx and Caitlyn if that’s ok :)

I love love love your writing, reading your HC’s before bed has become an important part of my day and it’s always a joy to see your work pop up in the tags <3 Thank you for letting us read your creations 💖 I can’t wait to read the second part of your Caitlyn fic!!

The Timekeeper. | Vi, Caitlyn, Jinx x Gn!Reader

I absolutely LOVE this idea, Anon, and I appreciate your request so much!! Also, thank you for your kind words. It really means the world to me reading something so sweet!<33

Content: Angst, can be read as either platonic or romantic tbh, time traveling, fluff, bitter sweet, cursing, spoilers for season 2?, sfw

Reader has no set pronouns.

((Not proofread))

You were always a mysterious figure to them. One that appeared at the right time in the right place whenever they needed you the most.

You never revealed a thing about yourself. You never even told them your name. But one thing they did know was that you had always looked out for them, like a guardian angel in a way.

And on one fateful day, after another evaded tragedy, they finally caught up to you just before you could leave again.

》VI

"Who the hell are you?" She asked completely out of breath after having practically chased you down through the dense crowd of the undercity. She had seen you so many times before. So, so many times. And every time she did, you were somehow able to save her from certain death by subtly showing her the right way to survive.

It took her a while to piece together that you must've known the outcome of every situation she had ever been in beforehand. That was the only logical answer to the many questions around your existence she could come up with, but it wasn't enough to satiate her desperate curiosity. There were times she had chosen against your signs, and the consequences ended up being almost grave. So whoever you were, you must've had otherworldly knowledge about everything and everyone.

Because whilst she didn't know a thing about you, you certainly knew everything about her.

Raising your hooded head, you idly played with the pocket watch in your hand, piercing eyes meeting her own. "Does that matter?" You ask, and truthfully, it shouldn't. Who cared about your identity when she knew she could trust you? But that wasn't enough. "Yeah, it does to me. Now tell me who you are already. I... I've been seeing you everywhere for years now. You have always been there and I..." She trailed off, suddenly losing her confidence.

She had thought of this moment for years now, imagined exactly what she would say to you. And yet, ultimately, she found herself speechless in your presence that seemed to drown out everyone else around you two. "I see... but my apologies, we were not supposed to meet yet." You said calmly, seemingly undisturbed by her appearance. "Time and fate... they both are so tightly intertwined and yet also so far apart from each other... how odd that the timeline changed so suddenly again, no?" Your words made zero sense in her mind, but that just added to your mystery.

"What-" "-Are you happy with the way your life is going?" You ask, and that made the woman pause in thought. The answer was positive, of course, but only because you had a strong hand in it once she accepted your help. She thought of Powder back home, who was probably happily tinkering away with the young girl Isha they recently took in, and that made her finally nod. "Yes. All thanks to you." "Not at all. It was you who chose your fate. I only showed you the alternative paths."

You two stood there in silence for a moment before she shoved her hands into her pockets and looked over to a nearby bar she liked to frequent in-between missions. "Let's go grab a drink and talk. It's on me." Deciding to accept this new path the timelines had given you, you accept her invitation with a smile.

》JINX

"You're terrible at your job." "Am I? I like to pride myself in my good work ethic, actually." Jinx was idly swinging her gun back and forth on her index finger whilst she rested up in the ceiling above you, clearly having followed you around secretly. But she knew that you already knew that from the start.

Scoffing at your words, she jumped down and landed in front of your indifferent figure as she pointed the gun right at you. "Pah! You're a funny one... so what are you? A time traveler?" "Ah, I like the title Timekeeper more." You were aggravating but at the same time a familiar face she had grown to appreciate deeply. You were the reason she was doing well in life now, even if she ignored you for a very, very long time. She thought she knew better despite all the odds pointing against her, especially you. Ultimately, she learned her lesson when she finally just listened to you.

"Ugh... whatever. Can't ya at least tell me your name?" "No." "Man, you're such a pain in the butt!" "Likewise." Rolling her eyes, she lowered her gun and lazily leaned against a wall, arms crossed tightly as she observed the crowds passing by from outside the abandoned building you were in. An admittedly comfortable silence fell between you two, one that relaxed her shoulders and made her sigh in defeat after a while. Your presence was always so comforting.

"So, you let me catch up to you this time. Finally tired of the cat and mouse game we've been playing?" You lowered your head at her question, a sly smile on your face that made her narrow her eyes in interest. "Perhaps. Or maybe I just wanted to ask you how you're doing?" What an odd question, considering the context of your meet-up. And yet, it was somehow fitting coming from you specifically. Wasn't your whole mysterious mission revolving around her well-being anyway?

"Shouldn't you know the answer to that, oh so esteemed 'Timekeeper'?" You found no offense in the mockery of your title. Just pure amusement. "I'm afraid that mind reading was not in the initial job listing." Jinx took a moment to think about your question carefully then, deciding to indulge you despite her better judgment. Things were good now, after all. She, Isha, and Vi were together again as a family, including Vander, even if they had yet to find a way to turn him back properly. But everything was happy otherwise... because you made sure that the end to her story wouldn't be a painfully tragic one.

"... I'm fine. Everything's fine." She muttered, and your smile widened at that answer. "So... I'm not terrible at my job, after all?" Pressing a playful hand to her chin, Jinx acted as though she was in deep thought. "Hmmm... I guess I'll need more convincing than all of this to decide." "Of course... then how about we start with running away before the Enforcers show up to raid this place in approximately... 2 minutes?"

Jinx rolled her eyes again with a grin but agreed to follow you, very much glad to have learned her lesson at your side throughout the years.

》CAITLYN

She was ignorant towards your judgment from the start, especially as she was able to analyze very quickly that you weren't all you claimed you were. You were too smart, too fast, too aware of everything. It was clear that you already knew how her life story especially would come to an end. But that didn't mean that she'd always listen to you.

Caitlyn believed to know better, even going as far as to protest against your word, which she had learned to be fate itself. And sometimes she'd nearly get away with her life, and on others, you'd be the one to show up just in time to save her. It was embarrassing and at times even near humiliating, but you never judged her, just silently left every time she attempted to confront you.

And this time she had finally succeeded.

Now dressed in a formal uniform, she watched your still form stare out of a window in her estate, as though you weren't practically trespassing. But Caitlyn was used to that. "It's going to rain soon. I wonder if the construction workers will get done with the restoration on time today before the first drops fall." The navy haired woman came to stand next to you, ears finely tuned to your calming voice she had heard in her dreams and mind for so many years. It felt surreal to stand next to you at last.

"You already know the answer... but I think Mother will send out guards soon to retrieve them." Her mother, who had only narrowly escaped her death, if it wasn't for you. She had only gotten a little injured from falling debris, but that was all that happened. All of the councilors and people in the building had survived the Jinx attack. No grave injuries. All because you prevented it by throwing Jinx slightly off balance enough to make her shot not as precise.

"... Thank you." "For what?" The right answer would be absolutely everything, but she refrained, noting that you didn't seem keen on praise. You saw it as your job. As your duty to her for a reason unknown. "For saving my mother." That should do.

You nodded at her words in acknowledgment as your eyes spied Ambessa retreating with her troops in defeat. They were practicing chased away by the council since their help was unwelcome. Served them right for meddling with the business of other nations. You had exposed their ulterior motives in secret, and that's all it took for the tide to turn against them. "Just my duty." "I knew you'd say that... but I want to reward you for all you've done. If it wasn't for you... then I... I don't want to know what I would have become."

You glanced at her with an unreadable look in your eye, and that reconfirmed her suspicions regarding how deep she would have fallen otherwise. It's best not to think of it.

Humming to yourself in thought, you gave her a small smile. "Very well, if you insist... you can treat me to some fine tea and cookies." Caitlyn weakly mirrored your grin, relief filling her senses at you accepting her offer. She was worried you wouldn't. "Of course. Follow me." Linking your arms together carefully, you made your way through the dim halls.

A chuckle left your lips when it indeed began to rain.

[syllabicacronyms]

Seriously, with all tags - try and remember they're archival tags meant to help people find stuff, even the things you think of as a warning.

Tagging question here for the audience: I have a character that is possessed by a demon [A], a demon [B] and another character that is not possessed [C].

So if in my fic I plan C to have sex with B while he possessed A's body, and then A learns about it later and starts cooperating with B to haves sex with C, should I tag it Rape/Non con or just Extremely dubious consent?

--

Neither.

Tag it based on the vibe of the story. From the incredibly small amount of detail here, it sounds like A is like "Oh, we're doing that now? Cool!" which in fanfic land counts as consensual sex.

It's dubcon if the focus is on A's lack of consent or on C being deluded into thinking they're sleeping with A when they're really sleeping with B or something.

It's noncon if A feels like they got raped.

If A feels like "Look at this hottie you found for us!", it's neither of those things.

'Extremely Dubious Consent' tends to show up on fic of shit like a stepparent grooming their stepkid to think the sex is consensual, someone drugged out of their mind and unaware they're being manipulated while the reader does know, etc. Is this a mindbreak fic with B using their magic to turn A into a compliant vegetable?

Seriously, anon, stop polluting the non/dubcon tags with irrelevancies.