#if i was in any way technically skilled i'd be doing it myself but. i'm a technological dinosaur.
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i’ve been watching mammals recently, and i just have to say... i am quite honestly astounded that nobody in the merlin fandom has made a merthur edit yet with footage of colin morgan saying “i miss your cock”.
i mean... come on, folks. it’s a beautiful opportunity and it’s right there for the taking.
#bbc merlin#i'm not even into merthur that much these days but come ON people!!#if i was in any way technically skilled i'd be doing it myself but. i'm a technological dinosaur.#also for anyone who wasn't aware of his latest series don't get too excited colin morgan isn't actually the one asking for cock#he does say those words but. not for the reasons you're hoping.#he is pretty great in the show though so if you can stomach james corden i recommend giving it a go!#oh and if edits with this footage do indeed exist and i simply haven't found them then send them to me!
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Trying to remember your skills you've accidentally picked up through fandoms and hobbies is difficult when you don't think they're actual skills because you're self taught in them all is so fun.
#I know they're skills that can help me but their origins are what make me think eh I don't need to put that down#Yes you do bitch - if you want a job you better but down that skill or so help me#Anyway I also forget that because I was always so indecisive about what career I wanted I tried out a lot of things to see if I'd like it#I technically have experience in teaching - had my own class despite being in eighth grade - but didn't like it#I designed games levels through a website where they give you the basic tools bc I was bored#And had my family try and test them as a way to revise if they were too difficult or confusing#I've made several websites that I completely forgot about bc they were for school projects lol#And I always forget that I used to design clothes for years and would make those designs on a small scale for dolls#I also had to remind myself that I can use my experience in writing - which can extend to editing#And I always forget I know how to draw#Like am I am expert at any of these? No#But can I do these things? Yes#And that's a good starting point#And I'm sure there's other things I'm forgetting because I don't deem them as an important skill I have#Like the fact that I helped run a suicide prevention through my church in eighth grade#Where I was a spokesperson - I was in charge of advertising it - created posters fliers and had to talk to multiple people#I had to update my school on it bc it was a heavy project for school that they weren't sure if I could handle#I was in all the meetings with my church and would bring their ideas to spread the word to life#We raised money mostly through food sales - I would prep the food and there I helped with concessions#Fuck I forgot how much I did for that project#Because we sorted through a lot of donations - and had to organize by sizes#Like how did I forget about all that#I remember the project bc it's something really close to home but it didn't feel like enough so when I think about it#I don't remember how much work I genuinely put into it bc of how much the church held us back bc it was ''too much work' '#Anyway I do have valuable skills but I feel like an impostor in all of them so I forget I can put all of those down
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AITA for disapproving of my best friend's relationship? (CW for grooming)
Context: about a year ago I (17, transmasc) joined a local group for queer teenagers to hang out and do stuff together (we meet once a week at the library). The group consists of roughly 10 people and I usually get along with all of them, but my closest friend in the group is W (20, transfem). I would say she's my best friend in general, and I think she'd say the same for me. I'm still in high school and W goes to the community college here.
A few weeks ago, myself, W, and another friend from the group, J (18, cis guy) were over at my place. After a while W said she had some news for us - she'd gotten into a relationship! W used to be (and still is) very socially isolated. She didn't have any friends to speak of before joining the group, not even online, so for her to find a romantic partner was super exciting and I was honestly really proud of her. I obviously wanted to hear more about it, so I asked her to elaborate and this is where things go off the rails.
She said that her new girlfriend (let's call her L) was also trans, and that she was 27. She said they'd met in college and started spending more and more time together. She told us she'd honestly just expected to be friends, but over the winter break L officially asked her out, she was elated, and since then they'd been spending basically all their free time together. immediately alarm bells started ringing in my head - I asked her if I'd heard it right, that L is 27, and W responded yeah, and she knows it's a little strange, but she doesn't mind, so whatever.
I tried to calmly tell her that a 7 year age gap is way too much and that it's not a safe relationship to be in. She immediately got defensive, saying she's an adult and she can do what she wants, etc etc. I said I don't care if she's technically an adult, that's still fucking creepy! I asked J, who had been keeping quiet the whole time, to back me up, but all he did was give me that "I don't know, it's not my place to say anything" bullshit. I was genuinely shocked, I thought he would have supported me but he just… waffled. We had all gotten pretty heated, and at this point W had stood up and started shuffling over to the door. She started in saying I was overreacting over nothing, that they'd been together for not even two weeks, and she didn't need my permission to have this relationship. She said she thought she could trust me, she only told me because she thought I'd be happy for her, on and on, and then she walked out.
It's been a few weeks since then, and she hasn't shown up to the group at the library. I've been too scared to text her because she's clearly pissed off at me. I recognize that I wasn't very good at keeping my composure, and I definitely could have been kinder about it, but I was just scared for my friend. It would be worrying if anyone had gotten into a relationship with that much of an age gap - but she has essentially 0 social skills, and hasn't been in a relationship before, so I'm terrified that she's being taken advantage of because of her inexperience.
What are these acronyms?
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Your art is amazing and so cute! Do you have any drawing/anatomy tips you’re willing to share?
Oh man I don't know if I'm in any position to give ANATOMY tips specifically hgfdkh I feel I still have a LOT to learn in that regard!! I have a degree in Graphic Design but tbh a lot of those classes were based in - well graphic design and didn't cover a ton of drawing/illustration stuff, so much of what I know is self-taught!
I'd say just in general, draw as much as possible. Even if it didn't turn out exactly the way you want. I'm gonna post some Cringe Art of mine to show some examples
I Did not like how these turned out in the end. BUT they were requests from my Strawpage and this was super early on in me posting on twitter n gaining a little following, so I just pushed on, finished them, and posted them. Not letting myself get Obsessed with one drawing and making sure it turned out "perfect" helped me to just KEEP drawing, which sharpened my skills and gave me WAY more muscle memory! I used to have to check other drawings of Arkham Ed to make sure I was drawing him right, but now I could pop out an Origins, City, or Knight Riddler with one hand behind my back because I've drawn him. So many times now ghksfh
and I think this general advice applies to technical skills like anatomy, lighting, etc. too! The more you just force yourself to draw that janky hand and keep it moving, you'll learn what you DON'T want things to look like, and eventually you'll kind of Teach Yourself the way it's supposed to look. At least for you in your art style!!
AND OFC THANK YOU SM FOR THE COMPLIMENT YOU ARE TOO SWEET
#I know I didn't give much technical advice#but I truly don't feel I'm in a position too HGSDJKG#pls ask someone MUCH more qualified like a person with like#a character design background or something much more technical than me#I'm running on passion drive and a desire to DRAW#ALSO WARMING UP#IS SO IMPORTANT#NEVER TRY TO JUST SIT DOWN AND DRAW#fucking doodle fifty circles or draw twenty little flowers#anything to get your hands loose and flowy
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The Patron Saint of One Way Trips
Ch25
Description: Fluff Fluff Fluff
*Laika's POV*
Johnny announces that he has ordered a takeaway. He and Kyle leave the kitchen shouting something to John about car keys and collecting it - they said they'd be twenty or so minutes. I settle onto the sofa, trying to relax myself from today's events. I close my eyes and take some deep breaths.
My phone, long forgotten in my pocket, dings. It's a message from an unknown number.
Hello Amorcito,
Alejo and I shipped your things a couple of days ago. They should arrive tomorrow.
Please, if you ever need somewhere, know that you are always welcome in Las Almas.
I hope your Alphas come to their senses soon. You belong with them even if you do not see it yet.
-Rudy x
I read the message, smiling with teary eyes. I'd never felt so.. cared for.
"What're you crying about?" Simon asks in that gruff voice of his.
"Oh" I sniff "it's nothing.. just a text from Rodolfo.. they shipped our stuff. He says it'll be here tomorrow.."
He nods with narrowed eyes "and that made you cry because..." he tilts his head, confused.
I can't help but giggle at his lack of social skills.. I just turn my phone around to him so he can read the text himself.
"You're not fuckin' going back to Las Almas, love.." he grumbles.
"No, I - I" I gulp, nervous about what I'm about to say "I think I want to stay here.. until you guys get sick of me, that is.. I know I'm a lot to deal with"
He rolls his eyes, throwing himself heavily on the sofa beside me. He grabs me around the waist, easily dragging me over his lap, so that I'm sat sideways over his huge thighs.
I squeal at the sudden shift and the blast of Alpha scent I get due to being so close to him.
"Stop doubting yourself so much. I did the same when I first joined. Wasted months pushing them away, love.. don't make the same mistake.."
"But it's hard.. I don't mean it.." - "I know you don't, just let us prove to you that we want you here, yeah?"
I gulp again and nod, sending a soft smile his way.
"Uhm.. Simon..?" I ask, thinking that now is as good a time as any to ask the question that had been burning in the back of my mind all day.
"What is it, little bird..?" - "How.. How much do you know about Omegas.. and heats..?" - "Enough.. why, what's botherin' you?"
"I - I thought my heat would last longer.. what if I'm damaged..?"
"Wish ya' wouldn't think like that.. Your heat technically started when you went feral because of that fuckin' Graves wanker.. musta' lasted a coupla' days, at least.."
"But.. why could you smell me, when the others couldn't.. and do I still smell..?"
"You still smell, don't have to worry about that, sweet girl" he purrs, making a point to sniff into my neck, making me giggle and push against him.
"And.. the others could still smell you, love.. but it wasn't as strong. I must have some resistance to the blockers or whatever fuckin' drugs the Russians put you on. Could always smell you just fine. It was bitter to begin with, because you were so stressed and scared.. but it's changed... I can tell it's leavin' your system.. not long now and you'll be clean as a whistle.." he jokes, nudging me gently.
"Do- do I smell nice..?" I ask, self consciously ..
He looks at me as if I'd grown two heads. "Are you havin' a fuckin' laugh? Can't you see how we all react to you? And that's us holdin' back.. Johnny was droolin' and humpin' you for fuck sake, love"
I hide in his neck, giggling. "You're not as scary as you try to pretend to be, Lieutenant.." I whisper into his ear.
He growls softly and pinches me in my waist softly, causing me to jolt and yelp in surprise, giggling against him louder now.
"Behave, girl.." he grumbles at me. I relax against him and wait for the food to arrive. I must doze off momentarily, because when I wake to the sound of Johnny and Kyle arriving back, I can feel Simon tracing shapes on my back, softly while scratching my scalp. He had taken his gloves off. I relax into him, so that he doesn't know that I'm awake. I feel him move slightly and whisper shout to Johnny and Kyle to shut the fuck up. I can't help the little giggle that I let out.
"Awkt, the little lass was havin' you on, Si.. she wisnae even sleepin'! Just wanted you to keep scratchin' her.. You like bein' petted like a little kitten then, do ya lass?"
I blush and hide from them, whining into Simon's neck tiredly.
"Johnny, piss off and go find Cap.. he'll be in his office. Kyle, get the food ready would ya?"
"On it, LT" Kyle replies, quickly leaning over the arm of the sofa to place a kiss on my forehead then looking to Simon, holding me so softly, before giving him a quick kiss on the top of his masked head as well.
A couple of minutes later, Johnny and John return.
I shuffle off of Simon's lap, much to his disapproval. I settle in between his and John's thick thighs.
"You okay, gorgeous..?" John asks me. I blush and nod. He curls a large arm around my shoulder and pulls me closer.
"Was on the phone to Alejandro.. he says your stuff should be arriving tomorrow" - "I know.. Rudy told me.." I giggle.
He furrows his brow. "How did Rudy tell you, Love.. I've just found out myself..?" - "He text me" I hold up my phone and show him the message.
He takes the phone and reads the message grumbling the words aloud as he reads.
"Nice that he messaged you and all, Love. But you ain't going back to Las Almas.." he says lowly.
"Already told her that, Cap" Ghost huffs from my other side.
"Good thing we came to our senses then, eh, Simon?"
"What does the text say? I'm confused.." Kyle shouts over from the other side of the kitchen.
"Aye, let's see it Lass.."
I stand up and walk towards the two sergeants, holding my phone out for them to read.
Johnny reads the message quickly, plucking the phone from my hands and placing it on the counter, before grabbing me and lifting me into his arms.
"No fuckin' way.. staying with us now, Lass.. Cap, you need to get a move on and bite a claim into her pretty wee neck.. don't want her wanderin' off to a new pack.." he jokes, licking and nipping at my scent glands, cheekily.
"Johnny!" I whine, giggling. "What, Lass? We'll mark you up real good. All four of us.. I think I'll put my mark rigghhtttt..." - he nips dangerously hard into the valley between my collarbone and shoulder - "HERE!"
I yelp and moan in pleasure. He just laughs at my reaction, smug in the knowledge that he was turning me on.
"Johnny, stop teasing the poor girl" John warns him, standing from the sofa and making his way over towards us.
Johnny slowly lowers me back to the ground, planting another quick kiss to my cheek.
I feel John's big, burly arms wrap around me from behind.
"Seems like I'm the last one to get my hands on you, Love.." he growls into my ear - "Y-you've been busy.." I whisper, overwhelmed by all of the attention.
"Aye, been busy but I've managed to get us a few days off.. we're shippin' out again next week, but until then, we're on leave" he grumbles to the other Alphas who all sound pleased.
He massages my shoulders, still pressed up against my back. I lean into him, loving how warm and safe he felt.
"I thought we could take our girl out, tomorrow. Shopping and a meal.. what do we think?" he asks.
The others all agree, I turn in his arms and whisper "I'd like that, Alpha.."
"Means I'll finally get to spend some time with you. Been jealous watchin' these prats get to play with you while I've been working. Drives me fucking mad"
I lean into him, standing as tall as I can, and press a sweet kiss to the corner of his mouth. He purrs, before suddenly showing his Alpha side.
"And as for marking you up, Love.." he pulls my hair away from my neck, and studies where Johnny had left small marks, and the slightly darker one where he had bitten, not enough to break skin..
"I reckon mine will sit right here.." he circles the spot on my neck, where he has chosen to mark me, with the soft pads of his thumb, leaning down to kiss softly on it.
"But needs to be done properly.. not just gonna bite into you like a mutt.." he grumbles.
"Alpha.." I whine.
"Shh, all in good time, sweet heart.. all in good time"
"C'mon now, time to eat".
He steps away from me and I glance at the others in the room.
They were all staring at the scene before them, at how their pack Alpha had teased me.
I stumble back to the sofa and curl up to Simon, whining and whimpering. Simon whispers to me "Won't be long, love. Don't worry".
#abo dynamics#john mctavish x reader#john price x reader#john soap mactavish#kyle garrick x reader#omega reader#poly 141#simon riley x reader#task force x reader#kyle gaz garrick
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How do ik my writings good? It's my first story and so far it's been stressful cause I don't know if I'm doing anything right. I understand that writings a skill that'll build overtime but I have Noone that can give me critiques or tell what's ik doing right. All I get is it good which is nice but it's not beneficial 😅. So idk how to judge my self accurately
Part 1: How to ask for feedback
One way to get around just 'this is good' as feedback (especially when it comes from well-meaning places, like people who love you, so you don't know if you can trust it) is to ask some follow up questions.
This is partly because it helps you figure out what you're going for in a story/what's important, can be a way of checking if you conveyed what you wanted to convey etc. This is also partly because giving good feedback is as much of a learned skill as writing is. The questions can help anyone giving you feedback along because they don't necessarily know what you want or what would be helpful or where to start.
This can be questions that you submit alongside the piece or it can be questions you ask the person after. E.g. 'I was going for X, is this the impression you got?' This can be more or less complicated depending on who the reader is. So, if it is another writer, it might be more technical. If it's a kind friend, it might be 'did you see the ending coming?'
(The questions will depend on you/your story and what it is that you specifically want feedback about. There are many lists of 'questions to ask beta readers' floating around on the internet if you're not sure where to start.)
The questions can help bypass 'good', because no one wants to be mean, but if you ask the right questions it can help highlight if there are any issues in the story etc.
Leading to...
Part 2: It really does come with time/you as the writer/editing skill
Critique and feedback is fantastic and often validating. Most writers (myself included) adore feedback. Yay feedback!
However, the other skill you will developing alongside writing is editing and reflecting on your writing. This might include questions you ask yourself like:
E.g. Is this what I set out to achieve? On on a technical level, does this sentence flow nicely or am I catching on it? Is there a stronger word I could use here? Are there any boring bits?
Reading books you enjoy and figuring out what they're doing can help with this - and so can reading books and figuring out what you don't like about them and why. Both are part of the same skillset, it's just harder to do with your own work.
Final editing note: leave space between finishing a story and going back to it with an editing/'is this good' hat on. You will be blind to your own words straight after the writing process. Coming back in a week or two with fresh eyes can give you a much clearer perspective.
A first draft is often stressful and we are often not sure about it and honestly it often does need work or changes. That doesn't mean your writing is bad. It means it's a first draft and 75% of really brilliant writing is editing.
Part 3: Very important caveat
Good can mean 'I enjoyed writing this.'
You are on your first story! That's so exciting :D
While I've tried to give some practical advice in this post, honestly in the same way that someone who goes running for the first time probably isn't immediately training for a marathon, I'd also seriously argue you don't need to worry about technical ability on your first story. Or your second. Or your third!
Your first job is deciding if you actually like writing, same as with any hobby you might try. It's playing around with things and experimenting, because if you do like writing, that's what will make your writing your writing over any prescriptive guide you might read about writing craft. It's taking a stab at a story idea you had and seeing what happens.
My first pieces of writing were technically terrible. This is an example of my not even first piece of writing, but near the start of my journey:
I posted it back in 2018 with comments on how I would improve it with hindsight. I maintain it's an excellent example of the fact that writing is a skill you build over time. I know you know that. But I think there's a difference between intellectually knowing that and seeing it in action.
I hope this helps!
Good luck and try to have fun <3
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Hello all! So if you follow me, you likely also follow my comic Valley Echoes as well as any of my other art drabbles. You may also know that I've been financially limping along for some time.
For context, my day job is dog grooming. It's a "career" I came into relatively recently and honestly love. However, my location has recently been incredibly dead. I haven't been able to make commission from lack of dogs and my hours have been cut drastically.
I'm currently looking into finding extra work where I can that will still fit with my technically full time schedule. This has been a big part of why the comic updates have slowed considerably in the last few months.
In the meantime, however, I did want to show that I am available for commissions at this time. This is the first time I'd be getting into commissions, so if folks do request I just ask for patience as I figure it all out, but I'd love to be able to draw your requests. I have a vgen account that's still being set up at the moment.
I also want to plug my Patreon again - honestly, the fact you all give this much for what I do now is incredible to me. I recently met the fun "milestone" of Patreon temporarily locking access to my withdrawals because I had made enough money this year to require filling out a tax form before my funds could be released, which I did. Maybe it's silly but it made me a little happy. I also have a Kofi though that's updated less.
This next part ended up being much longer and more personal than I expected so I'll put it under a cut.
Anything at this time would help immensely. Cost of living is insane, I just turned 30 and keep wondering how much longer I'll be able to keep renting, let alone ever saving to afford a home. I'm very, very lucky in that I have support from my dad, who has honestly been one of my strongest lifelines for years. But I obviously don't want to have to keep taking so much of that support from someone who should be enjoying retirement.
There are a lot of expenses I keep having, and things I'm putting off. The ipad I use for art has been cracked for months, but is still functional thank god. I recently finally bought myself clothes that aren't falling off my body after losing over 100 lbs in the last year. I have to buy and maintain my own tools for my grooming job, and I have to maintain my own health, both mentally and physically. My left hand/arm probably has nerve impingements and muscle strains science hasn't even named yet lmao. And of course there's taking care of my two terrible feline children who cause nothing but chaos in my home and who I love dearly.
Even if you don't give monetary support though, I so, so greatly appreciate every one of you who shares, likes, or comments on my work. I just recently got an anon who I mean to reply to soon gushing about they love Valley Echoes. Nothing makes my day more than waking up to see a million notifications that's just one person liking each of my comics as they read through it the first time.
Ever since I was 6 years old I wanted to be a storyteller in some way. I used to draw my own Dilbert and Far Side comics, and I constantly wrote wild fantasy stories. But after going through college, dealing with a huge amount of stress, burnout, and just one random person online telling me that I needed to hear the harsh "truth" that my writing skills were garbage, that spark was just gone. Excluding occasional stuttering starts, I didn't really write for years.
Doing this "silly" comic and getting the feedback I have is starting to rekindle that spark. I have so many stories of my own that I'm starting to make tentative plans on producing in some way. But even if I never become some official published recognized author, I feel like just putting out this comic is fulfilling that dream I had as a kid. So thank you again, as cheesy and long winded as this post has become.
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Anon wrote: hello! thank you for running this blog. i hope your vacation was well-spent!
i am an enfp in the third year of my engineering degree. i had initially wanted to do literature and become an author. however, due to the job security associated with this field, my parents got me to do computer science, specialising in artificial intelligence. i did think it was the end of my life at the time, but eventually convinced myself otherwise. after all, i could still continue reading and writing as hobbies.
now, three years in, i am having the same thoughts again. i've been feeling disillusioned from the whole gen-ai thing due to art theft issues and people using it to bypass - dare i say, outsource - creative work. also, the environmental impact of this technology is astounding. yet, every instructor tells us to use ai to get information that could easily be looked up in textbooks or google. what makes it worse is that i recently lost an essay competition to a guy who i know for a fact used chatgpt.
i can't help feeling that by working in this industry, i am becoming a part of the problem. at the same time, i feel like a conservative old person who is rejecting modern technology and griping about 'the good old days'.
another thing is that college work is just so all-consuming and tiring that i've barely read or written anything non-academic in the past few years. quitting my job and becoming a writer a few years down the road is seeming more and more like a doomed possibility.
i've been trying to do what i can at my level. i write articles about ethical considerations in ai for the college newsletter. i am in a technical events club, and am planning out an artificial intelligence introductory workshop for juniors where i will include these topics, if approved by the superiors.
from what i've read on your blog, it doesn't seem like you have a very high opinion of ai, either, but i've only seen you address it in terms of writing. i'd like to know, are there any ai applications that you find beneficial? i think that now that i am here, i could try to make a difference by working on projects that actually help people, rather than use some chatgpt api to do the same things, repackaged. i just felt like i need the perspective of someone who thinks differently than all those around me. not in a 'feed my tunnel-vision' way, but in a 'tell me i'm not stupid' way.
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It's kind of interesting (in the "isn't life whacky?" sort of way) you chose the one field that has the potential to decimate the field that you actually wanted to be in. I certainly understand your inner conflict and I'll give you my personal views, but I don't know how much they will help your decision making.
I'm of course concerned about the ramifications on writing not just because I'm a writer but because, from the perspective of education and personal growth, I understand the enormous value of writing skills. Learning to write analytically is challenging. I've witnessed many people meet that challenge bravely, and in the process, they became much more intelligent and thoughtful human beings, better able to contribute positively to society. So, it pains me to see the attitude of "don't have to learn it cuz the machine does it". However, writing doesn't encompass my full view on AI.
I wouldn't necessarily stereotype people who are against new technology as "old and conservative", though some of them are. My parents taught me to be an early adopter of new tech, but it doesn't mean I don't have reservations about it. I think, psychologically, the main reason people resist is because of the real threat it poses. Historically, we like to gloss over the real human suffering that results from technological advancement. But it is a reasonable and legitimate response to resist something that threatens your livelihood and even your very existence.
For example, it is already difficult enough to make a living in the arts, and AI just might make it impossible. Even if you do come up with something genuinely creative and valuable, how are you going to make a living with it? As soon as creative products are digitized, they just get scraped up, regurgitated, and disseminated to the masses with no credit or compensation given to the original creator. It's cannibalism. Cannibalism isn't sustainable.
I wonder if people can seriously imagine a society where human creativity in the arts has been made obsolete and people only have exposure to AI creation. There are plenty of people who don't fully grasp the value of human creativity, so they wouldn't mind it, but I would personally consider it to be a kind of hell.
I occasionally mention that my true passion is researching "meaning" and how people come to imbue their life with a sense of meaning. Creativity has a major role to play in 1) almost everything that makes life/living feel worthwhile, 2) generating a culture that is worth honoring and preserving, and 3) building a society that is worthy of devoting our efforts to.
Living in a capitalist society that treats people as mere tools of productivity and treats education as a mere means to a paycheck already robs us of so much meaning. In many ways, AI is a logical result of that mindset, of trying to "extract" whatever value humans have left to offer, until we are nothing but empty shells.
I don't think it's a coincidence that AI comes out of a society that devalues humanity to the point where a troubling portion of the population suffers marginalization, mental disorder, and/or feels existentially empty. Many of the arguments I've heard from AI proponents about how it can improve life sound to me like they're actually going to accelerate spiritual starvation.
Existential concerns are serious enough, before we even get to the environmental concerns. For me, environment is the biggest reason to be suspicious of AI and its true cost. I think too many people are unaware of the environmental impact of computing and networking in general, let alone running AI systems. I recently read about how much energy it takes to store all the forgotten chats, memes, and posts on social media. AI ramps up carbon emissions dramatically and wastes an already dwindling supply of fresh water.
Can we really afford a mass experiment with AI at a time when we are already hurtling toward climate catastrophe? When you think about how much AI is used for trivial entertainment or pointless busywork, it doesn't seem worth the environmental cost. I care about this enough that I try to reduce my digital footprint. But I'm just one person and most of the population is trending the other way.
With respect to integrating AI into personal life or everyday living, I struggle to see the value, often because those who might benefit the most are the ones who don't have access. Yes, I've seen some people have success with using AI to plan and organize, but I also always secretly wonder at how their life got to the point of needing that much outside help. Sure, AI may help with certain disadvantages such as learning or physical disabilities, but this segment of the population is usually the last to reap the benefits of technology.
More often than not, I see people using AI to lie, cheat, steal, and protect their own privilege. It's particularly sad for me to see people lying to themselves, e.g., believing that they're smart for using AI when they're actually making themselves stupider, or thinking that an AI companion can replace real human relationship.
I continue to believe that releasing AI into the wild, without developing proper safeguards, was the biggest mistake made so far. The revolts at OpenAI prove, once again, that companies cannot be trusted to regulate themselves. Tech companies need a constant stream of data to feed the beast and they're willing to sacrifice our well-being to do it. It seems the only thing we can do as individuals is stop offering up our data, but that's not going to happen en masse.
Even though you're aware of these issues, I want to mention them for those who aren't, and for the sake of emphasizing just how important it is to regulate AI and limit its use to the things that are most likely to produce a benefit to humanity, in terms of actually improving quality of human life in concrete terms.
In my opinion, the most worthwhile place to use AI is medicine and medical research. For example, aggregating and analyzing information for doctors, assisting surgeons with difficult procedures, and coming up with new possibilities for vaccines, treatments, and cures is where I'd like to see AI shine. I'd also love to see AI applied to:
scientific research, to help scientists sort, manage, and process huge amounts of information
educational resources, to help learners find quality information more efficiently, rather than feeding them misinformation
engineering and design, to build more sustainable infrastructure
space exploration, to find better ways of traveling through space or surviving on other planets
statistical analysis, to help policymakers take a more objective look at whether solutions are actually working as intended, as opposed to being blinded by wishful thinking, bias, hubris, or ideology (I recognize this point is controversial since AI can be biased as well)
Even though you work in the field, you're still only one person, so you don't have that much more power than anyone else to change its direction. There's no putting the worms back in the can at this point. I agree with you that, for the sake of your well-being, staying in the field means choosing your work carefully. However, if you want to work for an organization that doesn't sacrifice people at the altar of profit, it might be slim pickings and the pay might not be great. Staying true to your values can be costly too.
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i'd watched the first 2 episodes of ROP s1 when they first came out, but i found them boring and so didn't continue. however, i've been hearing that charlie vickers is eating and leaving no crumbs in the new season, and that is my sweet boy guglielmo pazzi from i medici (2019) and i've Got to see him killing it in a huge role, i'm so proud of him!!! always a delight when a previously-unknown actor from an obscure show you love ends up making it big
so i decided to give it another shot and dove straight into 1x03 after reading a summary of the first 2 eps to refresh my memory, and idk if 1x03 really is that much more interesting than 1&2 or if it's just that i happen to be in a different frame of mind now that's more predisposed to getting interested in this show, but WOW i am loving it!! i'm an extremely casual LOTR fan (in fact i wouldn't even rightfully call myself a fan, more just "i've watched the movies a few times and like them" haha) and so whatever complaints the fans have about ROP obviously are not things that bother me. i'm just here for a good time, and i'm having one!
the galadriel & halbrand plotline is definitely my favorite (heck, if the numenor stuff had arrived in ep2 instead of 3 i might've been on board with the show the first time around). i already know he's sauron, of course, so i was like "i won't get attached to halbrand since he's not a real person, just sauron's disguise" but fuck, i'm attached, and it hurts!!!!! loving a character who starts out good and turns to the dark is one type of pain, but loving a character who was never real at all because they were evil the whole time and this "character" was never anything more than a facade - it's an entirely different and perhaps even worse type of pain! i can't even soothe myself imagining an AU where halbrand never turned evil, because halbrand was never real! genuinely in immense anguish over this. but once i reach s2 and get to the Unabashedly Evil Sauron Era, it'll be so sexy that i might immediately go "oh no! anyway" and forget all about my anguish jdkjfg
............wait a moment. do i now know how show!rand must be feeling post-s2? attached to someone who was never real because they were always just an evil person's fake persona? oh rand honey i'm even sorrier for you now!
speaking of WOT, it really has broken my brain because i try to polyship everything all the time nowadays. why did i go "wake up babe new polycule just dropped" during that scene when galadriel, halbrand, and miriel had a meeting lmao girl you KNOW this bitch is sauron! but i already knew people were shipping him and galadriel, so i went in to my new watch expecting to see the vibes, and indeed seeing them, and i ALSO unexpectedly saw vibes for galadriel and miriel (two leaders overburdened by duty, oh it's my kryptonite), so how can i help creating a polycule? oh well, i'll enjoy it while it lasts and then once galadriel finds out he's sauron i will instead get some angst to enjoy! and she will still have her girlfriend to comfort her (as long as nothing happens to miriel.........i haven't heard any spoilers about her, so we shall see!)
back to halbrand, the "he's the lost king of the southlands" idea is such a clever misdirect because it allows halbrand to demonstrate unusual skills in combat/diplomacy/manipulation that we wouldn't expect a seeming peasant to have, but provides a cover for it and so we think this one "identity reveal" is all there is to it, and aren't suspecting a second, bigger identity reveal! and actually, as far as i can remember, he never actually confirms that he's the lost king, he just plants a clue to lead galadriel to believe it and then responds to her assumptions in ways that seem to confirm them but don't actually. very aes sedai of him! and hey, if the southlands used to serve sauron, wouldn't it technically be accurate for him to be considered their lost king? very aes sedai of him x2. liars who lie without technically lying are the best kind (gen from the queen's thief also). anyway, because of this misdirect, i don't think i'd be suspecting him of being sauron at all at this point if i didn't already know. on the other hand, there aren't really any other sauron candidates except adar who clearly isn't him. but back to the first hand, the show never set up a "one of our major characters is sauron, who is it?" mystery so i might just be assuming he was hanging out offscreen yet to show up, if i didn't already know.
i'm enjoying the other plotlines too! i remember feeling that the hobbits & the stranger plotline was the weakest link in the first 2 eps, but totally changed my tune now, nori and the stranger (who i'm guessing is gandalf, but i'm not sure, so don't tell me if you know) have the most wholesome friendship, i could die!!
or rather, the second most wholesome friendship after elrond and durin, which i remember was my favorite storyline the first time around. they are so pure!! and disa is a delight! she and elrond have impeccable sibling-spouse energy (yes we've got another polyship in the house, of course we do)
i'm trying not to get too attached to bronwyn because i know they kill her off between seasons due to the actress leaving the show, but i really like her :(( her son's kinda annoying, but he's an angsty teen, so i can't hold it against him. and arondir!! what a man, i'm swooning constantly over everything he says and does. i really like how in the most recent episode i watched they had a Good Guy (bronwyn) genuinely consider giving up her principles of honor and going to swear fealty to the bad guys in order to survive, it feels more realistic and it really sells us on just how desperate and hopeless the situation is (and on how sauron is able to get supporters by creating such situations).
it's also a visually gorgeous show, very decadent (i was practically drooling the first time they showed numenor haha i love white stone seaside cities, and the ancient greek aesthetic vibes are the cherry on top!), and the MUSIC!!!!! you guys know i'm a tv soundtrack fanatic, and my god, this is the best tv soundtrack i've heard in a LONG time. i'd put it as second to WOT because it's traditional fantasy orchestra whereas WOT's soundscape is so different and unique. but "traditional fantasy orchestra" isn't a knock here, because it's done INCREDIBLY well, so it does feel unique instead of generic like other, lesser Traditional Fantasy Orchestra soundtracks do. it's sumptuous, it's lush, it's rich, it's got very distinctive Themes for each character/location that always play in the appropriate contexts (which is one of my favorite aspects of WOT's soundtrack too). i'd been listening to the s1 soundtrack for quite a while before now, so i'm well-primed to recognize all the different themes!
my favorite has gotta be the halbrand theme, i have a character in my WIP who's a sad mountain prince (and a gawyn knockoff <3) and this theme just reminds me sooooo much of him, i cry. but if we dispense with the halbrand pretense after s1, we might not get to hear this theme anymore!!!! it's also the southlands theme, though, so hopefully we'll keep it, and i did hear it crop up briefly in a track from the s2 album. also, shoutout to the fact that the halbrand melody is an inverse of the sauron melody, bear mccreary you son of a gun (the sauron theme is another one of my favorites, the first time i heard it i assumed it was his theme from the original movies because it just had the feel of an Iconic Villain Theme, but no, it's new to ROP!)
anyway! i've watched up through 1x05 now. pacing's definitely still a bit slow, but i'm enjoying it nonetheless, and it's picking up now that galadriel & co are headed for the southlands. and i've heard that s2 is a big step up in many respects (a la WOT s2), so i'm excited to get there!
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FNV Quest Mods That Don't Suck
I know I've made modlists before but talk of DLC-sized mods made me want to make another. Big, DLC-sized quest mods are nine times outta ten messy, poorly-made and poorly-written, feel like they should've been fo3 mods, or have numerous other qualities that are detestable to normal people with taste. I've played most of the popular ones and hate nearly all of them. Here are the ones I actually can recommend.
Note: I also highly recommend having a proper modding setup before installing any of these. Everyone and their mother has already recommended the Viva New Vegas guide before because it works and it's beginner-friendly.
Allow me to spare your dash by putting this list under a cut.
"DLC-sized" Quest Mods
Boom to the Moon - A quest where you go to the moon (yes, really) to find out what happened to a man's wife. I promise it's way better than I could possibly describe. Honestly I recommend almost all of Jokerine's mods for her attention to detail and all the cool shit she makes. This quest mod doesn't even end with the moon trip, you'll also get the best-written mod companion I've ever seen. Seriously please give this one a try if nothing else on this list.
Autumn Leaves - A murder mystery in an archival library vault inhabited by Protectrons. Story so good Bethesda stole it to make a fo4 DLC. No combat, no need for weapons or companions. WARNING: if you suck at navigating vaults like I do you may have a bad time finding stuff (there's a walkthrough in the files). Also some of the lines are a bit odd because the author's first language isn't English. Also one character is a bigot in every way possible because he's intentionally designed to be as punchable as possible. Despite all of this it's still easily one of the best quest mods I've ever experienced.
Unfortunately, making quest mods DLC-sized in general leaves ample opportunity for shit to get messy fast, so honestly your best bet for quest mods is smaller scale, vanilla-feeling mods. So while I highly recommend the above mods, I'd recommend the following ones even more for a more seamless experience.
"Vanilla-feeling" Quest Mods
The Collector - A quest given by a broker in which you collect debts from gamblers. Similar to the Atomic Wrangler quest Debt Collector.
Caravan Tournament - Do you suck at Caravan? Skill issue. Play this anyway and tell me how it feels to lose because I'm sure it's just as interesting as winning but I'm too good at Caravan to to see it for myself. If you get good you get to see a tiny Robobrain wearing a hat.
Working On The Chain Gang - A Powder Ganger Quest Mod - Okay, technically this makes a second faction of Powder Gangers that aren't affected by your reputation with the vanilla Powder Gangers (so yes, even if they hate you, you can experience this mod). These new Powder Gangers reorganize themselves into a legitimate faction that blends seamlessly into the Mojave NPC ecosystem.
The Moon Comes Over the Tower - This one is technically cut content, but that just means it's peak vanilla-feel. Restores the rest of the quest where Emily Ortal asks you to bug Mr. House's network in which you actually have to travel to places to do it.
Okay, these ones are silly, but trust me
Among Us But It's Fallout - It's a vault with a murder mystery you get to solve! Memes aside it's honestly really well done and you should try it.
The Hollander Hotel and Casino - For a quest involving a haunted hotel (no jumpscares, don't worry), this one feels a little goofy at times, especially with The Shining references and the guy outside selling nothing but 500 bottles of Sunset Sarsaparilla. But you should give it a try anyway.
Legion Quests
Haven't done a Legion run not because you don't like being a bad guy, but because the Legion route feels lacking? Try some of these.
Legion Quests Expanded - Adds more Legion quests and expands several vanilla quests.
A Golden Opportunity - Legion El Dorado Quest - A quest where the Legion goes in and shuts down the NCR's El Dorado station.
Five Card Ante - A Legion Quest Mod - A quest parallel to Three Card Bounty in which you get to eliminate the NCR's First Recon.
Yes I Would Actually - A Legion Quest Mod - You know how Bitter Springs has three quests you can do for the NCR? Well, now you can do them for the Legion instead. You can even recruit help from the Great Khans to fuck the NCR's shit up.
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pls talk more abt the stupid art trend of only drawing neutral faced white women no matter what its something that has been eating away at me as i see the community of artists growing ever more. it frustrates me so much cause like??? is that really the extent of your creativity? some... nameless attractive woman?
I'm really not an art historian or even an extremely analytical person, so take all I'm about to say with a grain of salt, it truly is just my off-the-cuff assumptions.
First of all I wanna clarify I don't think painting a pretty girl for the sake of painting a pretty girl is inherently creatively bankrupt, I'd be a hypocrite if I said that. Plus there are many many examples of artists having a POINT when choosing that subject matter and I don't wanna be throwing them under the bus. If you know a Pretty Girl(tm) piece of art that you think actually has a message that is enhanced by the usage of that sort of face, assume I'm not talking about them.
What really bugs me is the sheer prevalence of it EVERYWHERE and how incredibly unexamined it often gets from both the artists themselves and the audience observing.
because here's the thing, I'm pretty sure I know why they're choosing a perfume-ad-type woman as their subject. Over a very very long time that specific type of face has become the Neutral Beautiful Subject in art. A: it's a human face, which our monkey brains immediately respond to. Humans see a human face, we instinctual pay attention, that's just kinda how we work. B: it's a young unblemished face with no indications of personality or personal agency or identity that could impact the viewer's attraction, and it is assumed the viewer finds the face attractive. C: It's a white feminine face/form that has an extremely long and complicated history that I won't be able to adequately layout here (again, not a historian) but is firmly entrenched in western society as being, of all the bodies, the most synonymous with beauty and art.
So from the artist's perspective, this is a very very useful subject matter because we, as an audience, have been trained not to read into it as the Neutral Beautiful Subject Matter. The assumption is that we will like looking at it, but it won't distract too much from what else the artist is doing, the technical skill they're putting in or the unusual medium or whatEVER it is they wanna flex. That specific face is visual shorthand for beauty, and we're not intended to read into it beyond that.
But that's, like.... bullshit?
It's BULLshit that we are supposed to just accept that face as the neutral symbol of beauty. It's not neutral!!!! It's EXTREMELY political!!!!!! When you make that face the subject matter of your art with NO indication that we are supposed to take ANYthing else away from it, then you, as an artist, are in fact making a statement that you are seemingly completely unaware that you are making.
All SORTS of very very heavy social things go into that seemingly passive face. The dehumanization, sexualization, and commodification of women. The deification of white femininity. The fear of age, of disability, of injury, of sexuality outside man-attracted-to-woman. The very idea that all of this could in any way, in any universe, be considered neutral.
And I don't think all the artists who create using this kind of face are rubbing their hands together going "nyehehehe, today I will support a lot of heinous cultural bullshit for profit nyehehehehe" Most of them just aren't looking at it past face value. Again, it's a useful device. It's largely popular, it will get you views and attention and as an artist myself I fucking GET IT man. I want money too. I have rent too.
But i'm just... tired. I'm tired of it.
I'm tired of how unquestioned it gets. Of how much it's rewarded.
I don't have anything else to add, I don't know how to fix any of it, just, augh.
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what are your personal favorite headcanons for meta knight?
Boy, oh BOY am I glad you asked!! You have unleashed me!!
First of all, I am very much Team White-Eyed Meta!!! (And his pretty pink cheeks!!!!!) -slams my drawing from last year on the table as exhibit A-
I respect everyone on Team Yellow-Eyed Meta since that's what is technically canon. But I just think drawing white eyes is so fun and pretty to look at... My first Kirby game was Squeak Squad and I was so mesmerized by his pretty white eyes when they were revealed for that split second! I'd replay that boss fight a bunch as a kid just to see them.
So yeah, I have the power to be in denial about a few facts for my own amusement and that's one of them. Draw and consume the content that makes you happiest, friends!! :P
About his backstory and origins, I don't have any solid headcanons of my own since I really like seeing other people's takes on it! Being Dark Matter-born, made by Nightmare, blending anime and game lore together, etc. There's so much I enjoy! His mysterious past can be frustratingly open-ended but at least it's given a lot of people the opportunity to be super creative!
I do like to think he gets more enjoyment out of a good, honest battle than he likes to let on. I mean, it's what he's best at! He fights for fun! An entire arena was built for him in Waddle Dee Town!
...So speaking of fighting, I've been doing some thinking about his powers... Like a lot of thinking. This is what I really wanna talk about!!
He's got some good old-fashioned, hard-earned skill with a sword. Probably from years of training. But his more powerful attacks use a lot of wind and electricity. That's why I think Meta Knight has the power of Storms.
Some examples of his use of wind:
One of his signature moves is Mach Tornado, after all!
Now, the bat effect to his spin in RtDL Deluxe kinda puzzles me. It just looks cooler I guess. This is a dude who put his face on his airship so why not have tiny bat particles come from your signature moves? Could just be a natural evolution of his power growing stronger, teehee.
Anyway, here are some examples of his use of electricity: (This man has a LOT of electric effects in his attacks!)
So much electricity!! Zappo! Bzzzzt!
And as a bonus, when Meta unsheathes Galaxia in the anime it materializes from lightning. THAT IS DOPE AS HELL. I don't personally subscribe to much of the anime lore, but I eat this detail UP.
Next, I used to think Meta had telekinesis because of Star Allies. All that purple aura when he lifts the rocks seems like solid evidence.
But then he does the same move in Forgotten Land and he's actually lifting the rocks with wind!! And a lot of it!! So his mastery of wind is significant to me! Probably helps him fly better too! I think his use of wind could certainly give his opponents the impression that he has telekinesis and psych them out a bit!
Finally, I used to think his duplication move was because of the Jamba Heart in Star Allies but I realized he does this in the Kirby Mass Attack mini game (whose canonicity is probably up for debate, but hey.) I'm willing to hear someone else out for an explanation because I'm stumped! Lol :P
....So yeah!! TLDR I think he is a swordsman with the power of Storms!
I'm interested to see other people's takes on him, this is just what I've made up for myself, haha! Either way, I love Meta Knight and he is super cool!! Thanks for reading!!
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🦎 Weekly Tag Wedn- Thu- never mind🦎
Hehehe, I am incredibly late, but I've been absent for weeks again and I'm holding myself ransom to do this 👀
Thank you for tagging me Macy @heymacy, Evie @energievie, Kat @mybrainismelted, Leo @lee-ow, Comet @spacerockwriting, Ice @spookygingerr, Gre- I mean Pie @gallapiech, Jess @jrooc, Rory @roryonic, Ash @mickeysgaymom, Karen @palepinkgoat, Ajax @transmickey and Nosho @creepkinginc! You are all amazing 💙
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Name: Sky 🪲
Your time zone: I am literally unable to memorize this. CEST.
Favorite food: Sztrapacska.
Your eye color: Brownish, but it's being ✨extra✨with a hint of green.
Do you have curly, wavy, or straight hair? Wavy, sort of. It does curl up sometimes if I let it air dry and stuff. It will most likely curl up more and more, the older I get, if my mother is anything to go on.
Coffee or tea? Depends on context, but I'd say coffee. Iced.
You can only listen to one album for the rest of your life. which album is it? Nope. Nobody takes ANY music away from me, I'd find a way.
How many countries have you visited? 8, I think? Maybe more (I'm counting random border crossings too).
Favorite social media platform (other than tumblr): From what I've seen, we're counting Discord, so Discord.
If you had to be reincarnated as an animal, what animal would you want to be? Any kind of bird of prey. Or a dragon.
relationship status: I'd say something funny, but I don't have a good sense of humor or decent jokes. I'm single.
Did you go to college? if so, what did you study? Not yet - not technically anyway. My assistance dog trainer school was a higher level education, but not college. Education here is funny.
You’ve just made a letterboxd account. what are your top 4 films? I'm unable to put together a top 4 list at the moment.
What’s one of your pet peeves? Tailgaters. Learn how to drive, at least.
What’s one of your guilty pleasures? Never in my life have I been able to answer this question.
And finally, if you could learn any skill, what skill would you want to learn? Flying. If we're talking possible, playing the organ. I can play the piano, but boy, that's not even close.
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Not tagging, because.... you all know, I'm not even gonna try to explain myself. Here, have a muffin (cupcake?): 🧁
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If you're up for sharing more writing tips, how can I tell if what I've written is actually any good? With writing I get stuck in a cycle of feeling like I'm the next Shakespeare while writing but then I'll look over my work a few days later and absolutely hate everything and think it's the most cringe shit ever, then I'll leave it a bit longer and think eh it's not as bad as I thought but still not great and so on. I feel like being forced to write for a grade during school and having everything be marked and assessed and assigned a particular value has robbed me of the ability to critically analyse my own work in a way that's objective and accurate but also fair and realistic. I can analyse other peoples' stuff till the cows come home but I lose all rational thought when it comes to my own stuff
Adding onto that, how do I get to the point where I can stop looking back at my old work and hating everything and wanting to delete it all? Realistically I know finding fault with my old stuff is good bc it means I've grown and improved from where I once was etc but at the same time I wanna enjoy stuff I've made in the past without cringing every time I read it
Hey there Nony, I wanted to let this one percolate a little bit before answering because I've been where you are. And it's a rough time for sure. But aside from my own experiences, I also wanted to get the opinions of some of my writerly friends in the fandom, too, since everyone is a little font of wisdom in their own right.
So I'm going to share their advice alongside my own, because this is kind of a complicated string of questions you're asking. Long post ahead!
@paraparadigm says to Keep Writing: "Write more. Write so much (and so many different things) that eventually the sheer volume bulldozes over self-devouring ego, comparison twitches, or feeling lost, because you don't yet know your own baseline. Coupled with "read more, read everything, read things you enjoy and things you don't, read for the craft as much as the entertainment." And: "I'd add that when revisiting old writing, it's helpful for me to differentiate between "ew the writing is not as technically solid as it is now" and "ah that's interesting, I guess that's where I was at then, emotionally and psychologically". Old writing is also a sort of archaeological record of your younger self, and that can, in fact, be a bit itchy to revisit, so learning to cherish that without passing judgement can be really helpful. I try to treat it like those little marks one puts on the door jamb to track a kid's height."
@mareenavee says "Part of it is writing more, as Para said and I will always second that. Another part is, honestly, the hardest part. It's to try very hard to get out of the habit of negative self-talk.... There's so much work involved with this but normalizing being proud of your work and having some grace with yourself is part of that answer."
@archangelsunited says "Early on, instead of going “this has to be a masterpiece” I would tell myself my only job was to tell a story. I couldn’t tell a story if I was deleting it. Also, talking about your work helps. The less ashamed I was of my writing, the more people wanted to read it. There is a need to hide your work, and that can lead to a downward spiral all its own. And, 90% of the time, you have to suck at something to learn to be good at something. The work you already wrote shouldn’t be the sum of all your skill, it should be one of those measuring sticks for the moment. Despite previous thought, you won’t be stuck at the same level forever."
@polypolymorph says "In addition to accumulating experience via reading and writing, you also have to be willing to reinvent the wheel. Unfortunately the Process™️ is unique to everyone, and even when you are deliberately mimicking a voice as, say, a ghost writer, you can't expect that 2+2=4 for you. Your process might look more like a Lotka-Volterra equation for the same type of work and that's okay. Trial and error is the best way to figure out what advice actually works for you--and if it doesn't, it doesn't mean you're wrong. Don't get stuck on pop writing advice like a sad roomba does on an upturned rug. Learn when to throw it out."
So there's some advice from some other excellent writers! I hope you've been able to find some value in their advice, because it certainly kicked me in the pants a few times.
As for me, I think, having been where you are, my biggest piece of advice is: Find joy in the craft. Get curious instead of critical. An artist shouldn't down themselves over a rough sketch when they're working out a drawing, so why would a writer do such a thing? Everything you write is practice. Everything you make has value because it builds up to the next thing you make.
At the end of the day, you are the only one who is capable of telling the stories that are in your head. This fact alone gives whatever you put onto paper value, regardless of quality. You are creating magic, in the most literal sense! Creating something out of nothing, conjuring images into someone else's mind from hundreds of thousands of miles away, transcending space and time. It's amazing!
Lastly, my final piece of advice is to just write for fun. Write things nobody else will ever see just because you wanted to get words onto paper. You have to unlearn what was drilled into you in school. You are more than a content creation machine. You are an artist, a wordsmith. And just know that there will never be a day when you look at your own work and say "That's it, I have achieved perfection."
Writing is a life-long journey. Just enjoy the ride!
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What IS the “my hero academia boyfriend experience asmr roleplay” situation?
okay so i am unfortunately very invested in """asmr""" character roleplays (these are not usually truly asmr and most creators acknowledge this but continue using the term asmr because it's what people search for on youtube rather than, idk, just "audio roleplay" or something which i find understandable) in a way that is simultaneously kind of ironic and also not ironic. i do not enjoy these things in the way i think they are intended to be enjoyed but i do get genuine joy out of the performance.
anyway if you don't know, boyfriend (or girlfriend, etc.) experience roleplays are an entire genre of videos on youtube where talented and up-and-coming vocal performers act out being the listener's partner. true boyfriend experience roleplays are usually just "boyfriend comforts you after a long day" sort of things, but there are also certain tropes and niches such as "mafia boyfriend", "dom boyfriend", "yandere boyfriend", "vampire boyfriend", "neko boyfriend", etc. etc. there is a boyfriend out there for everyone.
still with me? this is where character roleplays come in, wherein voice actors will portray various pre-existing characters. i've seen by far the most in the bnha fandom, by like. degrees of magnitude. there are probably hundreds of these videos and you can find at least one for i'd bet pretty much any male character.
the reason for this, you see, is not because there are dozens and dozens of people doing these roleplays. it is because there are like 10 people who have the absolutely unbridled hubris to try to play every bnha boy they can think of. i am talking all of them. i am talking 10 or more characters voiced by the same person.
and sometimes. just sometimes. these creators will do some very charming fanservice where two or more of the characters they play are seducing listener-chan at the same time. i have seen up to 5, i believe?
and this is not a collab situation with one of the other bnha boyfriend experience roleplayers.
this is the same person, in a hurculean feat of audio recording, playing five different characters at once. i've seen twins, very occasionally, outside the scope of the bnha character roleplay community but this is not a hitachiin twin situation. this is one person, one man and his blue yeti microphone against the world, playing five different characters at once.
sometimes it ends in polyamory (including the boys having something with each other!) though which is pretty cool.
i am not making fun of these people for the record, i am genuinely in awe of both their technical skill and their hubris to attempt to play 5 different characters at once. i can barely voice myself.
please salute our humble heroes. i'm going to listen to some shinsou roleplays.
#not fandom#ask danny#i might delete this later and i have made it unrebloggable because i do not want this to breach containment and end up targeting people.#i genuinely love that these performers exist and some of them have been at this for years#they are dedicated and passionate and genuinely have amazing careers ahead of them should they choose to pursue them im sure.
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hi!!! ive been putting off sending this ask bc idk how to phrase it in the best way but … ive been trying to work on my drawing lately even tho the Voice that wants to give up bc im not immediately good at things is VERY strong !!! & i love your work so much + ive been taking a lot of inspo bc its kinda scribbly and pared-down but still really expressive + differentiated (i.e. im just saying its something i feel like i can try match the vibe of rather than like, a very detailed and refined thing?!?! absolutely not my intention to sound rude at all!!!) .
anyway very rambly but the main thing is ive been struggling a lot w figure+perspective+silhouettes and honestly everything so i was just wondering what ur process was like??? particularly bc ur style is more pared back but everything is so cohesive and all the perspective n posing is perfect. i’m curious sketching/planning is involved before a typical work you’d upload? and idk like……. how much technical skill + consideration goes into a drawing especially re: posing & perspective. just bc i feel like Such a Noob and like my eyes r literally wrong and nothing looks Right. im such a type A planner it just feels like maybe idk am i supposed to be educating myself on figure drawing and shading perspective first??!?! or do i just draw until it’s good?!?!?
idk man i create in a lot of different mediums and i feel super comfortable letting my writing be terrible before it’s good but w drawing the self-critique is SO difficult to ignore. thanku for what turned out to be a vent lol. but i would appreciate any insight! also i love your art ok bye
Hi! yeah great ask. I've been there. Live there, even. Here're two of my comfort hacks
1. Scribbles = Bonsai It can be real hard to know when you're 'done' with an illustration (or anything really) if you don't have a job for it. My doodles are 'done' to me if they have Character, Rhythm, & Balance. I stole that from a youtube doc about Bonsai.
2. Figures / Perspectives / Shading = Planning The Chunks These are kind of all the same thing - 'how am I using volume to say something.' I've found formal perspective stuff to be stifling. I work around it by making little marshmallow toothpick people and putting them in a diorama.
I like the diorama method because all I have to do is make far things lighter and close things darker. That's a lot of depth for very little effort and I'm on a budget.
If this helps y'all I'd love to hear about it 🍀
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