#if i use myself as an example over any other person in my life

[angelnumber27]

violently forcing myself to have better days

[dalishious]

The Sanitized Lore of Dragon Age: The Veilguard

Tevinter is the heart of slavery in Thedas. This lore has been established in every game, novel, comic, and other extended material in the Dragon Age franchise to date that so much as mentions the nation. But in Dragon Age: The Veilguard, when we are finally able to actually visit this location for the first time… this rampant slavery we’ve heard so much about is nowhere to be found. It’s talked about here and there; Neve mentions The Viper has a history of freeing slaves, as does Rook themselves if they choose the Shadow Dragon faction as their origin, for example. But walking down the streets of Minrathous, you’d never know. Because Dragon Age: The Veilguard, for all its enjoyment otherwise, has one glaring issue: It’s too clean.

The world of Thedas is full of injustices. Humans persecute elves, fear qunari, and belittle dwarves. Mages of any race are treated like caged animals in most places. The nobility is corrupt. Although, Dragon Age has not always handled these injustices well, mind you. Many, many times I’ve found myself frustrated with moments that just feel like a Racism Simulator. But what makes it worth it, is when you can actually do something about it. These injustices are things that a good-aligned character strives to fight back against, maybe even for very personal reasons. Part of the power-fantasy for many minorities is that this fight feels tangible. I cannot arrange the assassination of a corrupt politician in real life, but I sure can get Celene Valmont stabbed to death in Dragon Age: Inquisition, for example. Additionally, these fictional injustices can be used to make statements on real life parallels, like any source of media. For example, no, the Chant of Light is not real, but acting as a stand-in for Catholicism, through a media analysis lens we can explore what the Chant of Light communicates on a figurative level.

When starting Dragon Age: The Veilguard and selecting to play as an elf – this should be unsurprising to anyone who is familiar with my bias towards them – I was fully prepared to enter the streets of Minrathous and immediately get called “knife-ear” or “rabbit”. But this did not happen. I thought perhaps it was just a prologue thing, but returning to Minrathous once again, there was not a single shred of disapproval from any NPC I encountered that wasn’t a generic enemy to fight. And even the generic enemies, the Tevinter Nationalist cult of the Venatori, didn’t seem to care at all that I was a lineage they deemed inferior before now. This is a stark difference from entering the Winter Palace in Dragon Age: Inquisition and immediately getting hit with court disapproval and insults. Are we now to believe that Tevinter has somehow solved its astronomical racism and classism problems in the ten years since the past game? Or perhaps are we to believe all the characters who have demonstrated Tevinter’s systemic discriminatory views were just lying or outliers? Because it makes absolutely no sense at all for this horribly corrupt nation to not have a shred of reactivity to an elven or qunari Rook prancing around. But here were are, and not a single NPC even recognizes my character’s lineage. And because this is so different from every single past game, it feels weird.

As an elf, you have the option to make a comment about how “too many humans look down on us” in one scene early in the game. You can also talk to Bellara and Davrin, the elven companions, about concerns that people won’t trust elves after finding out about the big bad Ancient Evanuris… but this is presented as if elves don’t already face persecution. It’s all so limited in scope that it could be all too easily missed if you are not paying very close attention, and coming into the game with pre-existing lore knowledge.

All this made it easy to first assume that the developers simply over-corrected an attempt to address the Racism Simulator moments. And if that was the case, than I would at least give credit to effort; they did not find the right balance, but they at least tried. However, the sudden lack of discrimination against different lineages in Dragon Age: The Veilguard is not the only sanitized example of lore present.

In Dragon Age: Origins, Zevran Arainai is a companion who is from the Antivan Crows; a group of assassins. He discusses in detail how the Crows buy children and raise them into murder machines through all kinds of torture. The World of Thedas books also describe how the Antivan Crows work, echoing what Zevran says and expanding that of the recruitment, only a select handful of those taken by the Crows even survive. When you start Dragon Age: The Veilguard as an Antivan Crow, you immediately unlock a re-used codex entry from the past, “The Crows and Queen Madrigal”, that says the following:

“His guild has a reputation to uphold. They are ruthless, efficient, and discreet. How would they maintain such notoriety if agents routinely revealed the names of employers with something as "banal" as torture.”

Ruthless, efficient, and discreet. Torture is banal. This is what the Crows were before Dragon Age: The Veilguard decided to take them in a very different direction. The Antivan Crows in this latest game are painted as freedom fighters against the Antaam occupation of Treviso. Teia calls the Crows “patriots”. And while I can certainly believe that the Crows would have enough motivation to fight back against the Antaam, given that it is in direct opposition to their own goals, I cannot understand why they are suddenly suggested to be morally good. They are assassins. They treat their people like tools and murder for money. Even as recent as the Tevinter Nights story Eight Little Talons, it is addressed that the Antivan Crows are in it for the coin and power, with characters like Teia being outliers for wanting to change that. It makes the use of the older codex all the more confusing, as it sets the Antivan Crows up as something they are no longer portrayed as.

I personally think it would have been really interesting to explore a morally corrupt faction in comparison to say, the Shadow Dragons. Perhaps even as a protagonist, address things like the enslavement of “recruits” to make the faction at least somewhat better. (They are still assassins, after all.) Instead, we’re just supposed to ignore everything unsavory about them, I suppose…

We could discuss even further examples. Like how the Lords of Fortune pillage ruins but it’s okay, because they never sell artifacts of cultural importance, supposedly. Or how the only problem with the Templar Order in Tevinter is just the “bad apples” that work with Venatori. I could go on, but I don’t think I have to.

It is because of all this sanitization, that I cannot believe this was simply over-correction on a developmental part. Especially when there is still racism in the game, in other forms. The impression I’m left with feels far deeper than that; it feels corporate. As if a computer ran through the game’s script and got rid of anything with “too much” political substance. The strongest statements are hidden in codex entries, and I almost suspect they had to be snuck in.

Between a Racism Simulator and just ignoring anything bad whatsoever, I believe a balance is achievable; that sweet spot that actually has something to say about what it is presenting. I know it is achievable, because there are a few bright spots of this that I’ve encountered in Dragon Age: The Veilguard too. For example, some of the codex entries like I mentioned, and almost all the content with the Grey Wardens thus far. It is a shame there is not more content on this level.

Dragon Age: The Veilguard is overall still a fun game, in my opinion. But it’s hard to argue that it isn’t missing the grit of its predecessors. The sharp edges have been smoothed. The claws have been removed. The house has been baby-proofed. And for what purpose?

-----

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[catmask]

if it's not too intrusive, would you be comfortable talking about your experiences with OCD and maybe what made you seek a diagnosis?

idm it might help other people. i mean disclaimer not to use this as a diagnostic tool but if this sounds like u and u got a doc to talk to its worth bringing up

i think an important place to start and why i didnt think i had ocd is i am 1) autistic 2) a csa victim. this is pertinent because all of the things that actually lead me to get diagnosed with ocd i just kept dismissing as parts of those two other things. thinking 'surely this is all thats up there cant be anything else wrong with me' (<- thoughts of a clown)

the trouble with this is that coping skills id found for parts of both autism and csa trauma weren't working with things i later found out were related to ocd. so like, for example. frequently having intrusive thoughts about csa/sex trauma, i was told that if im experiencing a flashback the best thing i can do is try to ground myself and comfort myself. and yeah this is true, it would work if a flashback is all it was. but what it DIDNT account for is the guilt/dirty feeling id get after having them and the obsessive need to be 'clean' after.

and this trickled into hundreds of aspects of my life. 'cleaness' has always been such a vague unattainable concept unmedicated for ocd. if some things touch other things theyd become 'unclean'. if a person i felt uncomfortable around touched me or something it became 'unclean'. there were 'good' and 'bad' thoughts to have. i was constantly existing as if my presence was being monitored 24/7.

i could not fucking relax because every action i took, regardless of whether or not i was in private, i was constantly thinkin 'am i doing something wrong? am i hurting someone by doing this? am i breaking any rules?' and the 'bad thing' i was doing was like. i missed my boyfriend while he was at work. or i was going over former scenarios in which i was socially awkward in my head and wondering if i should be dead for doing that.

part of why i dismissed this as autism ofc too is yknow. being autistic i often missed social queues as a kid and was pretty brutally punished for it (physically by my parents, emotionally and socially by peers) so i was like yeah its Normal and Realsitic id have super intense fear about 'am i secretly doing something bad and dont realzie it because no one will fucking tell me until ive already done it and its too late and then i deserve all the punishment i get' but where my loved ones stepped in and were like Hey thats Not really normal. is where it waslike. other autistic people going 'brother i dont do that'

so yeah. it was like. kind of rule of elimination? the problems that wrrent getting solved by coping skills for the Other problems i Knew i had, i isolated those leftover things and my doctor was like 'this sounds like you have ocd. do you do this too' and listed out like 60 other things i didnt consider symptoms i just considered 'funny quirks' i had, like crying so hard id throw up if i couldnt get a blanket to lie perfectly flat during a picnic when i was 8 or thinking i was going to hell and my stuffed animals could feel pain so i would apologize to them iver and over while crying when they fell off the bed

you know. 'quirks'

[cripplecharacters]

The Mask Trope, and Disfiguremisia in Media

[large text: The Mask Trope, and Disfiguremisia in Media]

If you followed this blog for more than like a week, you're probably familiar with “the mask trope” or at least with me complaining about it over and over in perpetuity. But why is it bad and why can't this dude shut up about it?

Let's start with who this trope applies to: characters with facial differences. There is some overlap with blind characters as well; think of the blindfold that is forced on a blind character for no reason. Here is a great explanation of it in this context by blindbeta. It's an excellent post in general, even if your character isn't blind or low vision you should read at least the last few paragraphs.

Here's a good ol’ tired link to what a facial difference is, but to put it simply:

If you have a character, who is a burn survivor or has scars, who wears a mask, this is exactly this trope.

The concept applies to other facial differences as well, but scars and burns are 99% of the representation and “representation” we get, so I'll be using these somewhat interchangeably here.

The mask can be exactly what you think, but it refers to any facial covering that doesn't have a medical purpose. So for example, a CPAP mask doesn't count for this trope, but a Magic Porcelain Mask absolutely does. Bandages do as well. If it covers the part of the face that is “different”, it can be a mask in the context used here.

Eye patches are on thin ice because while they do serve a medical purpose in real life, in 99.9% of media they are used for the same purpose as a mask. It's purely aesthetic.

With that out of the way, let's get into why this trope sucks and find its roots. Because every trope is just a symptom of something, really.

Roughly in order of the least to most important reasons...

Why It Sucks 

[large text: Why It Sucks]

It's overdone. As in — boring. You made your character visibly different, and now they're no longer that. What is the point? Just don't give them the damn scar if you're going to hide it. 

Zero connection with reality. No one does this. I don't even know how to elaborate on this. This doesn't represent anyone because no one does this.

Disability erasure. For the majority of characters with facial differences, their scars or burns somehow don't disable them physically, so the only thing left is the visible part… aaand the mask takes care of it too. Again, what's the point? If you want to make your disabled character abled, then just have them be abled. What is the point of "curing" them other than to make it completely pointless?

Making your readers with facial differences feel straight up bad. I'm gonna be honest! This hurts to see when it's all you get, over and over. Imagine there's this thing that everyone bullied you about, everyone still stares at, that is with you 24/7. Imagine you wanted to see something where people like you aren't treated like a freakshow. Somewhat unrealistic, but imagine that. That kind of world would only exist in fiction, right? So let's look into fiction- oh, none of the positive (or at least not "child-murderer evil") characters look like me. I mean they do, but they don't. They're forced to hide the one thing that connects us. I don't want to hide myself. I don't want to be told over and over that this is what people like me should do. That this is what other people expect so much that it's basically the default way a person with a facial difference can exist. I don't want this.

Perpetuating disfiguremisia. 

"Quick" Disfiguremisia Talk

[large text: "Quick" Disfiguremisia Talk]

It's quick when compared to my average facial difference discussion post, bear with me please.

Disfiguremisia; portmanteau of disfigure from “disfigurement” and -misia, Greek for hatred. 

Also known as discrimination of those mythical horrifically deformed people.

It shows up in fiction all the time; in-universe and in-narrative. Mask trope is one of the most common* representations of it, and it's also a trope that is gaining traction more and more, both in visual art and writing. This is a trope I particularly hate, because it's a blatant symptom of disfiguremisia. It's not hidden and it doesn't try to be. It's a painful remainder that I do not want nor need.

*most common is easily “evil disfigured villain”, just look at any horror media. But that's for another post, if ever.

When you put your character in a mask, it sends a clear message: in your story, facial differences aren't welcome. The world is hostile. Other characters are hostile. The author is, quite possibly, hostile. Maybe consciously, but almost always not, they just don't think that disfiguremisia means anything because it's the default setting. No one wants to see you because your face makes you gross and unsightly. If you have a burn; good luck, but we think you're too ugly to have a face. Have a scar? Too bad, now you don't. Get hidden.

Everything here is a decision that was made by the author. You are the one who makes the world. You are the person who decides if being disabled is acceptable or not there. The story doesn't have a mind of its own, you chose to make it disfiguremisic. 

It doesn't have to be.

Questions to Ask Yourself

[large text: Questions to Ask Yourself]

Since I started talking about facial differences on this blog, I have noticed a very specific trend in how facial differences are treated when compared to other disabilities. A lot of writers and artists are interested in worldbuilding where accessibility is considered, where disabled people are accepted, where neurodivergence is seen as an important part of the human experience, not something “other”. This is amazing, genuinely.

Yet, absolutely no one seems to be interested in a world that is anything but cruel to facial differences. There's no escapist fantasies for us.

You see this over and over, at some point it feels like the same story with different names attached.

The only way a character with a facial difference can exist is to hide it. Otherwise, they are shamed by society. Seen as something gross. I noticed that it really doesn't matter who the character is, facial difference is this great equalizer. Both ancient deities and talking forest cats get treated as the same brand of disgusting thing as long as they're scarred, as long as they had something explode in their face, as long as they've been cursed. They can be accomplished, they can be a badass, they can be the leader of the world, they can kill a dragon, but they cannot, under any circumstances, be allowed to peacefully exist with a facial difference. They have to hide it in the literal sense, or be made to feel that they should. Constantly ashamed, embarrassed that they dare to have a face.

Question one to ask yourself: why is disfiguremisia a part of your story?

I'm part of a few minority groups. I'm an immigrant, I'm disabled, I'm queer. I get enough shit in real life for this so I like to take a break once in a while. I love stories where transphobia isn't a thing. Where xenophobia doesn't come up. But my whole life, I can't seem to find stories that don't spew out disfiguremisia in one way or the other at the first possible opportunity.

Why is disfiguremisia a default part of your worldbuilding? Why can't it be left out? Why in societies with scarred saviors and warriors is there such intense disgust for them? Why can't anyone even just question why this is the state of the world?

Why is disfiguremisia normal in your story?

Question two: do you know enough about disfiguremisia to write about it?

Ask yourself, really. Do you? Writers sometimes ask if or how to portray ableism when they themselves aren't disabled, but no one bothers to wonder if maybe they aren't knowledgeable enough to make half their story about their POV character experiencing disfiguremisia. How much do you know, and from where? Have you read Mikaela Moody or any other advocates’ work around disfiguremisia? Do you understand the way it intersects; with being a trans woman, with being Black? What is your education on this topic?

And for USAmericans... do you know what "Ugly Laws" are, and when they ended?

Question three: what does your story associate with facial difference — and why?

If I had to guess; “shame”, “embarrassment”, “violence”, "disgust", “intimidation”, “trauma”, “guilt”, “evil”, “curse”, “discomfort”, “fear”, or similar would show up. 

Why doesn't it associate it with positive concepts? Why not “hope” or “love” or “pride” or “community”? Why not “soft” or “delicate”? Dare I say, “beauty” or “innocence”? Why not “blessing”? “Acceptance”?

Why not “normal”?

Question four: why did you make the character the way they are? 

Have you considered that there are other things than “horrifically burned for some moral failing” or “most traumatic scenario put to paper”? Why is it always “a tough character with a history of violence” and never “a Disfigured princess”? Why not “a loving parent” or “a fashionable girl”, instead of “the most unkind person you ever met” and “total badass who doesn’t care about anything - other than how scary their facial difference is to these poor ableds”? Don’t endlessly associate us with brutality and suffering. We aren’t violent or manipulative or physically strong or brash or bloodthirsty by default. We can be soft, and frail and gentle and kind - and we can still be proud and unashamed.

Question five: why is your character just… fine with all this?

Can’t they make a community with other people with facial differences and do something about this? Demand the right to exist as disabled and not have to hide their literal face? Why are they cool with being dehumanized and treated with such hatred? Especially if they fall into the "not so soft and kind" category that I just talked about, it seems obvious to me that they would be incredibly and loudly pissed off about being discriminated against over and over... Why can't your character, who is a subject of disfiguremisia, realize that maybe it's disfiguremisia that's the problem, and try to fix it?

Question six: why is your character wearing a mask? 

Usually, there's no reason. Most of the time the author hasn't considered that there even should be one, the character just wears a mask because that's what people with facial differences do in their mind. Most writers aren't interested in this kind of research or even considering it as a thing they should do. The community is unimportant to them, it's not like we are real people who read books. They think they understand, because to them it's not complex, it's not nuanced. It's ugly = bad. Why would you need a reason?

For cases where the reason is stated, I promise, I have heard of every single one. To quote, "to spare others from looking at them". I have read, "content warning: he has burn scars under the mask, he absolutely hates taking it off!", emphasis not mine. Because "he hates the way his skin looks", because "they care for their appearance a lot" (facial differences make you ugly, remember?). My favorite: "only has scars and the mask when he's a villain, not as a hero", just to subtly drive the point home. This isn't the extreme end of the spectrum. Now, imagine being a reader with a facial difference. This is your representation, sitting next to Freddy Krueger and Voldemort.

How do you feel?

F.A.Q. [frequently asked questions]

[large text: F.A.Q. [frequently asked questions]]

As in, answers and “answers” to common arguments or concerns. 

“Actually they want to hide their facial difference” - your character doesn’t have free will. You want them to hide it. Again; why.

“They are hiding it to be more inconspicuous!” - I get that there are elves in their world, but there’s no universe where wearing a mask with eye cutouts on the street is less noticeable than having a scar. Facial differences aren’t open wounds sprinkling with blood, in case that's not clear.

“It’s for other people's comfort” - why are other characters disfiguremisic to this extent? Are they forcing all minorities to stay hidden and out of sight too? That’s a horrible society to exist in.

“They are wearing it for Actual Practical Reason” - cool! I hope that this means you have other characters with facial differences that don’t wear it for any reason.

"It's the character's artistic expression" - I sure hope that there are abled characters with the same kind of expression then.

“They’re ashamed of their face” - and they never have any character development that would make that go away? That's just bad writing. Why are they ashamed in the first place? Why is shame the default stance to have about your own face in your story? I get that you think we should be ashamed and do these ridiculous things, but in real life we just live with it. 

"Now that you say that it is kinda messed up but I'm too far into the story please help" - here you go.

“[some variation of My Character is evil so it's fine/a killer so it fits/just too disgusting to show their disability” - this is the one of the only cases where I’m fine with disability erasure, actually. Please don’t make them have a facial difference. This is the type of harm that real life activists spend years and decades undoing. Disfiguremisia from horror movies released in the 70s is still relevant. It still affects people today.

"But [in-universe explanation why disfiguremisia is cool and fine actually]" - this changes nothing.

Closing Remarks

[large text: Closing Remarks]

I hope that this post explains my thoughts on facial difference representation better. It's a complicated topic, I get it. I'm also aware that this post might come off as harsh (?) but disfiguremisia shouldn't be treated lightly, it shouldn't be a prop. It's real world discrimination with a big chunk of its origins coming out of popular media.

With the asks that have been sent regarding facial differences, I realized that I probably haven't explained what the actual problems are well enough. It's not about some technical definition, or about weird in-universe explanations. It's about categorizing us as some apparently fundamentally different entity that can't possibly be kind and happy, about disfiguremisia so ingrained into our culture that it's apparently impossible to make a world without it; discrimination so deep that it can't be excised, only worked around. But you can get rid of it. You can just not have it there in the first place. Disfiguremisia isn't a fundamental part of how the world works; getting rid of it won't cause it to collapse. Don't portray discrimination as an integral, unquestionable part of the world that has to stay no matter what; whether it's ableism, transphobia, or Islamophobia or anything else. A world without discrimination can exist. If you can't imagine a world without disfiguremisia in fiction... that's bad. Sad, mostly. To me, at least.

Remember, that your readers aren't going to look at Character with a Scar #14673 and think "now I'm going to research how real life people with facial differences live." They won't, there's no inclination for them to do so. If you don't give them a reason, they won't magically start thinking critically about facial differences and disfiguremisia. People like their biases and they like to think that they understand.

And, even if you're explaining it over and over ;-) (winky face) there will still be people who are going to be actively resistant to giving a shit. To try and get the ones who are capable of caring about us, you, as the author, need to first understand disfiguremisia, study Face Equality, think of me as a human being with human emotions who doesn't want to see people like me treated like garbage in every piece of media I look at. There's a place and time for that media, and if you don't actually understand disfiguremisia, you will only perpetuate it; not "subvert" it, not "comment" on it.

I hope this helps :-) (smile emoji. for good measure)

Mod Sasza

[aliceramblez]

BroZone Brothers With An Insecure S/O 😔💗

Tags: GN! Reader, Self-Deprecating Jokes, Low Self-Esteem, Abandonment Issues, Slight Body Insecurities. Fluff/Comfort.

A/N: Here we go with our first request! I really liked this idea as someone who has low self-esteem, and honestly it goes to all of y'all who think you're not good enough— cause you are! Also sorry it took a bit! I've been sick because the universe hates me 🙃

Feel free to leave a request & hope you enjoy! ^^

John Dory

At first, he doesn't really know what to make of it.

He finds it a bit strange, but doesn't question your odd sense of humor, and will sometimes even join in on the joke by saying stuff about himself, thinking it's some sort of inside thing between the two of you.

“Man, I can't believe I'm so clingy, sorry! Feel free to use me as a bad example, at least that way I won't be totally useless, haha!”

“Ha! You think that's bad? Babe, you haven't even seen me when I'm up at night just staring at the ceiling contemplating my life choices.”

It isn't until getting a good smack from Bruce and Floyd that he realizes you're actually being serious. And the prospect of that kinda puzzles him, not gonna lie.

“Look at you, tiger! Got yourself plenty of groupies already— Not surprising honestly. Don't have to worry about backups when you decide you're ready to move on, either!”

After a performance at the Pop Troll village, everyone is gushing over BroZone because of course they are. JD only barely manages to squeeze past the number of fans to get to you on the other side of the podium.

The oldest sibling looks at you in shock, and has to get closer to make sure he heard you right. “Babe, why would you say that?”

Caught off guard, you manage a nervous chuckle as you play with your hair. “I-I mean... Wow, would you look at the time! We gotta meet with Poppy and the others!”

John Dory stops you on your tracks and demands an explanation, which isn't really good for your poor heart. All you can do is kick the dirt and avoid his gaze, since that makes what you're about to say much easier to voice aloud.

“I mean... You're John Dory. You could date any troll you wanted and yet you're sticking with me. It honestly feels like a dream sometimes... And I'm scared of the day you realize you can do WAY better and decide to leave me.”

After processing this, he immediately holds your face in his hands and gives you the most serious expression you've ever seen on him. “I don't want just any random troll... I want you. You're my number one fan, and I'm yours, so don't even think about stuff like that, okay?”

After the exchange, he's always on the lookout for whenever your bad habit wants to kick in again and is ready to stop it ASAP

Spruce/Bruce

He notices it happens mostly when you're working at the cantina.

Whenever you get an order wrong, trip over your own feet or don't remember how to work one of the machines properly, you'll go into an awkward insecure flight response.

You'll say “Oops! Sorry! Clumsy Twinkle Toes, coming through!” while grinning and laughing along with the customers, but Bruce knows that it's affecting you more than you lead on.

It also happens whenever BroZone is getting ready to perform and you don't know what to do with yourself since you're “standing in the way”, despite being told multiple times that it's okay for you to be backstage with everyone else.

When he talks to you about it, you get really uncomfortable and just say that it's no big deal and that you can handle it.

“I've always been a clumsy person, so I guess that's always making me doubt myself over the smallest of things... Sorry if it's annoying.”

Bruce will then proceed to give you a huge warm hug and a kiss on the forehead as he whispers comforting words into your ear.

“Hey, I can be clumsy too! I've always been the worst out of everyone when it comes to choreography. Don't tell JD though, cause I know he'll throw a fit knowing I don't practice.”

He'll throw in other examples that may seem inconsequential to you, but you appreciate the effort nonetheless and smile and giggle through the embarrassing stories he shares.

He helps you get more confident by being there with you while taking orders at the cantina and praising you whenever you get something right— albeit in private as to not embarrass you.

Same goes with rehearsals, where he WILL drag you into the lounge area to hang with his brothers and/or Poppy and Viva when they decide to visit, too.

Overall he wants what's best for you and will try and push you out of your comfort zone, but only in a safe environment where he knows that if something does go wrong, it won't be as catastrophic as you make it out to be in your head.

You never stop thanking him for being your crutch during these times.

Clay

The moment he hears the words come out of your mouth he's completely flabbergasted.

First of all, who said those things to you? Because he swears he just wants to talk to them—

It's at a sleepover with his brothers and the gals at the Bergen Golf Course, and among the many games, snacks and movies watched, pictures are also taken.

As soon as you take a look at the array of selfies, you let out what sounds like a mix between a laugh and a sigh.

“I mean, at least it stays consistent— in photos, I look ugly. And in real life, I'm also ugly!”

As soon as those words leave your lips, Clay is at your side with an almost unreadable expression, only to snatch one of the photos from your hands. “How DARE you say that about the most attractive troll I've ever met? Shame on you!”

He then starts going around the room waving the picture around to his brothers, saying stuff like “Look how attractive my S/O is! I'm dating them!” while you're just blushing profusely and begging him to stop (even though deep down your kinda giddy about it).

After that day, Clay will do small gestures in which he reminds you how beautiful he thinks you are. Everything to outright saying it each morning, joking about it with his brothers, and even bragging about you to his friends in the Bergen Golf Course.

He's a simp and he's totally okay with that because it's you.

Clay feels like he's the luckiest troll in the world for being able to snatch someone like you since he's “the most boring and uninteresting of the bunch”, so he feels like he's hit the jackpot.

You immediately tell him that he's not boring to you and that he's the best boyfriend ever, which only causes him to smirk.

“Doesn't feel good to know the person you love feels so bad about themselves, does it?”

Finally realizing his reverse psychology, you give in with a laugh. “No, it doesn't. I guess... We can both work on that? Together?”

And so you do, and end up helping each other whenever one is feeling down in the dumps, as a sort of personal cheerleader. You truly couldn't have asked for someone better.

Floyd

You're the kind of person who's very vocal about your interests.

So it's no surprise that you have to catch yourself mid-ramble whenever you're talking about something you're either interested in or knowledgeable about. And with Floyd being such a good listener, it honestly slips your mind more times than you'd prefer.

After realizing you've been talking for too long, you turn pink in the face and start apologizing profusely.

“Sorry! You probably didn't need to hear all of that. They didn't call me ‘Chatter Box’ when I was younger for nothing! Haha...”

But Floyd could care less about any of that. He loves hearing you talk, not just because he's not much of a chatty person, but because he just finds it incredibly endearing.

He'll hold your hands in his own and give you the softest smile ever that just makes you think that it should be illegal to be THIS sweet.

“You're just so cute when you get lost in the moment like that. Besides, I love seeing you happy. By all means, I'm glad you get to do the talking for the both of us, otherwise we wouldn't get anywhere in this relationship.”

You laugh at his attempt to make you feel better and melt under the touch of his lips on your cheek.

After that, whenever you go out either just the two of you or with your group of friends, Floyd will encourage you to express yourself. He does this by either asking you a question directly or subtly incorporating you into the conversation by saying something like. “I think (y/n) knows about this kinda stuff. Don't you, love?”

Obviously this all happens with your consent beforehand, since he doesn't want to put you in a tight spot, either.

Either way, he always values whatever you have to say, since you always bring in new perspectives that maybe others didn't think about before.

He will also encourage you to be yourself and not try and match your topics of conversation with things you think other people will find interesting. You deserve to be happy by sharing what you love with the world.

Poppy and Viva are huge helps in the art of feeling confident by speaking your mind, and Floyd couldn't be happier for you.

You thank him by telling him about your day each night, in which sometimes he'll fall asleep to the soothing sound of your voice, which only warms your heart on so many levels.

“Goodnight, my prince.”

“Goodnight, my little chatter box.”

Branch

Just like Clay, this man is ready to throw hands.

Just give him a name and he'll get the job done before sunrise—

He notices that sometimes you struggle with finding outfits for different occasions, either something casual, dressy, classy, etc.

But it's not because you don't have anything in your wardrobe, on the contrary it's pretty much brimming. It's more the fact that you're not satisfied with any of them because you feel like you don't look good in them.

Branch tries to convince you otherwise, saying that you look great no matter what you wear, but you can't help but feel self-conscious in anything that isn't a good old sweatshirt.

He isn't knowledgeable in fashion (clearly) so he enlists the help of Poppy and The Snack Pack to try and cater outfits to your exact measurements, along with any other nitpicks you've had in the past with either texture or material.

I mean, Branch has backup plans to his backup plans, you think he wouldn't keep notes on what kind of stuff his S/O doesn't like— INCLUDING mundane stuff like their clothing?

He surprises you with these, and you can't help but feel attractive in them since he paid extra attending to the complaints you had from your own designs.

“I personally think you look great no matter what you wear. But if you feel so strongly about it, might as well get some stuff you'll actually enjoy wearing.” He'd said when you asked why he did it, and your heart just melted.

You vow to try and work on your self-imagine regardless, which he gets happy over and says he can't wait for you to see yourself the way he does.

[beegalactica]

The real 'glow-up' is all mental.

With it being the prime season for the 'how to glow up' guides to make their rounds in the media we consume, it is always worth reminding yourself that the only way you are going to 'glow up' on the outside is if you 'glow up' on the inside.

I personally get annoyed with the whole glowing-up phenomenon because it perpetuates this idea that there is some kind of 'end goal' in life and once you reach it, everything will be perfect. In a world where the idea of what it means to be attractive, intelligent, successful, or desirable in any way is constantly changing, there is only one constant: YOU.

You are a lifelong investment, and you are worth every penny, second, and ounce of effort you put into yourself.

Let's go over some of my glow-up tips and habits for you this year and examine how much of your levelling-up will really need to take place in your head.

Invest in your hygiene. This doesn't mean buying the most expensive skincare and having a 30-step routine, this means brushing your teeth every day, taking showers regularly and looking after your hair. Of course, we all want to achieve that 'clean girl aesthetic' but to me, simple hygiene is the best way to send a message to your body and mind that you care. Nothing says "I love you just the way you are" to your body like taking the time to clean it, care for it and pay attention to what it needs.

Invest in your surroundings. Now I know, making your bed every morning can be an unnecessary waste of time, especially if you're just going to end up getting back into it at night, but I like to think that my surroundings reflect my mental state, so if my room is a mess, best believe my mind is a mess too.

Invest in your interests. Start a hobby, pick up a new skill, try to find a book that interests you, or even start a Tumblr blog 😉😉! This year, I am focusing on really cultivating myself and becoming an interesting person who has things to talk about with people, instead of mindless gossip or resulting in self-deprecation to entertain others.

Invest in your happiness. Do what makes you happy. Distance yourself from those who seek to pull you down, to prop themselves up. You are worth so much more than that. Sometimes, those people are in our households, and the only way to cope is to know what makes us feel good and chase that happiness. Know that whatever issue you are facing shall pass and you will feel good again.

There is a common belief among people who may struggle with their self-image that once they fix this, or change that, everything will be perfect, but as someone who has had that mentality, it won't. If you want to lose 10kg for example, but hate your current body, waking up skinny tomorrow won't fix that voice in your head that tells you that you're still not good enough. If you love yourself as you are, and acknowledge that exercising is a form of self-love, and it doesn't take away from it, that mental glow-up will begin to manifest itself physically.

What's the point of others complimenting you daily if you don't believe it or can't accept it because you don't think of yourself the way that they do?

Trust me when I say this, my biggest milestone on my 'glow up journey' was not losing x amount of weight, but looking at myself in the mirror, first thing in the morning with no make-up or styling, and still being able to say "Damn, I'm so beautiful." And I can confidently tell you that to reach this point, I didn't set the intention of losing weight and trying to become more beautiful, I set the intention of loving and accepting myself the way that I am and all the actions that followed after stemmed from this love that I have. I didn't feel the need to exercise because I wanted to be skinny, but because I knew that it was what my body needed, and I loved my body so much that I was willing to do that for her.

It's easy to get wrapped up in so many things and lose sight of yourself, but when that phone is off and you're all alone, disconnected from the rest of the world, what do you say to yourself?

P.S. If you're reading this thank you all for the love on my first post! Opening Tumblr every day to new notifications has created this sort of excitement and extreme joy that I didn't even know was possible! Stay safe and take care of yourself 💗💓

[tangents-within-tangents]

Thoughts on Echo as amputee/disability representation

First and foremost, I am not disabled or an amputee and I don’t claim to speak for those communities (and if I was I couldn't speak for everyone). What little I do know mostly comes from this youtube channel (@oakwyrm), this post, and other research I’ve done for my writing (and like one amputee I kinda knew in passing). By all means correct me and add to the conversation, I just have some thoughts I want to share because I haven’t really seen this discussed anywhere

Overview

So Echo is interesting. He is a triple amputee which is pretty rare in media. His disabilities come from extremely traumatic circumstances: injured in a near-death experience, imprisoned and dehumanized as an experiment with no autonomy over what happened to his body.

There are a few moments in the shows where Echo is treated… questionably. Like this bit where Rex uses him as an example of the Separatists' evils to convince the locals to fight back:

To be fair, yeah Echo’s treatment does prove that the Techno Union is not neutral like they claim. The modifications that everyone is gasping in horror at here obviously weren’t made with comfort and accessibility in mind, nor with Echo’s consent. But you still just want to be sure that “They took away his freedom, his humanity, they tried to turn him into a machine” is about using him as a living computer, not the fact that he is missing limbs. 

The Batch is also pretty insensitive toward him and his trauma imo, which is weird considering they've supposedly also faced discrimination for their mutations

Disabled people do have to deal with stuff like this in this day and age so I guess it can speak to those experiences. I think especially him being mistaken as a droid (and Hunter going along with it (bruh)) might resonate with some people. 

Aside from that stuff, Echo isn't really treated any differently as a character/person which is really good (as low of a bar as that is).

We get this moment in CW where Echo contemplates that yeah things are gonna be different now

While also (imo at least) showing that he is still the same person regardless, evidenced by the fact that he just echoed Rex :,) I also think it's significant that he joins the Bad Batch on his own terms and we're given a really emotional scene to specifically show that he's not just like 'lumped in with the other misfits' but that it is his choice to go where he feels his place is.

A lot of people, myself included, are disappointed that TBB didn't have more time to explore Echo's PTSD, but I think the one panic attack scene we did get is really good. Even thought it's minor it at least is an appropriate reaction from a guy who was medically tortured (which is more than I've come to expect from Star Wars shows lol)

And it's really sweet to see Omega showing Echo some empathy and consideration.

It would have been nice to see more of his adjustment period, and other side effects like chronic pain and maintenance, but there’s a lot of daily life stuff the show never had time for (i.e. we don’t know if he removed his prosthetics to sleep, but we also never saw him sleep anyway). His disabilities might take on a background role (much like the character himself sadly) but for the most part they aren’t invisible or erased, nor do they define his character and arc.

Physical Appearance

Okay this one is bit dicey, bc on the one hand, yes complaints that Echo’s paleness (most likely caused by burns from the explosion or chemical burns from the cryo-chamber) is whitewashing are totally valid. But I also think you can draw comparisons to real life conditions that affect pigmentation/complexion (like you know burns). So while I understand why a lot of fanart will depict him with his original skin tone and with hair, consider that there are real people who have to live with temporary or permanent changes to their appearance, and the idea of “fixing" him by making him look more like his old self can be problematic.

It's also interesting to note that Echo could act as a reversal of the 'disabled/disfigured = evil' trope. He's pale and bald and wears black and red, which is so often visually associated with villains, but we all know Echo is the bestest boy™

The Headpiece

Echo’s headpiece is interesting because within the show we don’t actually ever learn much about it (idk if there is more info in books or whatever bc i don’t have them so?). He didn’t have it in CW so we know it didn’t come from the Techno Union and therefore Echo probably had more choice with it. We don’t know its exact purpose but it’s most likely related to his scomping abilities. When he is hacking with his scomp in CW, before he has his headpiece, it’s clearly very mentally straining:

We don’t see him struggling like this in TBB once he does have it (though that could be bc he got more used to it over time). There doesn't seem to be much of an impact when he removes his headpiece in s3 ep14-15, except that he gets stuck in the ports every time he uses his scomp which is not something we’ve seen before: 

There might not be an exact real-world equivalent, but the headpiece is some kind of accessibility aid. It means that someone specifically designed a device to help him adapt to the changes the Techno Union made, as well as a helmet that integrates it. It’s removable and visually very present, much like a cochlear implant would be. (A lot of people actually headcanon it to act partially as a hearing aid, since it makes sense that Echo’s hearing would have been damaged in the explosion, but there isn't really any indication of this in canon.) The headpiece is never really acknowledged in the show, but I think that's a good thing. It's something he needs/wants and it just exists, completely normalized, and that's pretty cool 👍

Legs

Sigh... So from the very first episode of TBB I was really disappointed that the animation team or whoever completely visually erased Echo’s prosthetic legs (I think we all were, honestly, if fanart is anything to go by). It’s one thing when he’s in armor because he would probably want to protect his prosthetics, but we literally see him in his blacks and there is no indication whatsoever that he lost his legs even though it was not left up for debate at all in CW:

Like ??????!?

This is just really strange to me! Idk what went on behind the scenes with this decision but I don’t really see why it would be that much harder to animate or anything since it’s 3D and they've done it before. We do see some pretty sophisticated cybernetic technology in Star Wars canon that mimics real limbs:

But Luke’s fancy hand is technically 20ish years from now, so Anakin and Maul are more of a representation of what level we could expect here

So yeah, for no apparent reason, his leg amputation is effectively, visually and narratively nonexistent. Which is not great 👎

Arm!

The scomp on the other hand (uh lol!) is the complete opposite and I kinda love it!

At first I, like many others, thought it was a bit odd that they didn’t give Echo a prosthetic arm. Losing hands is basically a Star Wars tradition at this point, so robotic arms/hands are well established within the worldbuilding: 

We aren’t necessarily given a canon reason for why Echo doesn't get a cybernetic arm (again unless it's in some lore book I haven’t read, sorry). General fanon explanations I’ve seen are that he either couldn’t because the Techno Union wired the scomp too far into his nervous system, and/or the resources to give him one were deemed too expensive for a clone (what about his legs tho?), or that he chose not to, usually because he thought the scomping was useful. 

Regardless, I actually really love this choice (and it's the whole reason I made this post), because here's the thing: There’s a lot of problematic tropes out there that either erase/cure disabilities or compensate them with perks (like how pretty much any blind character is actually not blind by some sort of magic power). With amputees that is done with robotic arms. The character is still an amputee or course, and there is still value in that representation, if this story from Mark Hamill that makes me tear up is anything to go by:

but for the most part these characters function like anyone else, just with a limb that looks a little different. It’s no more than a video game skin, an able-bodied actor with a green screen glove. It “cures” the disability, or it actually makes the character even stronger than usual: 

It usually makes sense within the world of the story, but the reason it’s not so great in my opinion is that in the real world we just do not have technology anywhere close to that yet. Prosthetics can more or less replace any mobility from lost legs, but not for all the complexities of a hand (and even if they could the average person wouldn’t be able to afford it).

So

I think it's actually really super cool that Echo’s scomp bypasses the canonically-established amputee erasure and functions much like a stump would irl. He integrates it into his movements and everyday life and it’s (as far as I know) a lot closer to an everyday amputee’s experience. 

It doesn’t define his character, it doesn’t hold him back, he lives a full life, the other’s don’t treat him any differently, and he’s still a total karking badass 

The only additional thing is that he sometimes uses it as a weapon (which given his story, I think it’s cool to see him taking back autonomy in a way, and we only see that like twice)

And also the scomping, which could be seen as the 'added/compensating superpower' trope. But narratively it's no different than if he was plugging in with a hacking gadget of some kind (he didn't necessarily "need" to lose his arm for it) and it’s not like Echo is completely defined by this skill. Personally, I think it's well worth the positives of him actually having a visible and realistically impactful amputation. 

I see a lot of posts or comments out there that say stuff like “how come Echo doesn’t get a hand?” or fanworks that do give him one and I just think it’s a bit of a shame. If he did get a robotic hand, it just would have disappeared the same way his legs and Anakin’s arm did (aside from that one time he got yoinked by a magnet). When Echo did “get a hand” in the last two episodes there were comments like “yay he finally got a hand! but it doesn’t even work” but I was actually so relieved that it didn’t! Bc for one thing that wouldn’t make any sense, he grabbed it off a droid, it wasn’t designed to implement with his scomp, that would be really complicated. But more importantly because it again refused to erase/cure his disability! It functioned like a real-world cosmetic prosthetic (useless beyond appearance) which is exactly what he needed it for, so that he could blend in better with his disguise.

And he continually took it off throughout the episode and ditched it at the end. He only used it for the necessity of a stealth mission, he doesn’t feel the need to visually “fit in” in his daily life. 

And, last but very much not least, he made a dad joke and from my intel that is very accurate representation!

TLDR: Echo’s scomp is actually really cool from an amputee representation perspective, especially within Star Wars, and I think that deserves some appreciation 

[theabigailthorn]

Hey I’ve been a fan for a little while now, and I just wanted to say that you’ve been an inspiration for me, a younger transfemme. But I do wanna also ask: what’s it like being a trans woman with her life together? I’m 19 (as of sending), been on hrt for almost 5 months, and have been trans for a year and change. But I’m scared. So, I guess, I wanted to ask: does being trans ever become the norm, my baseline? What’s it like after 2-3 years? And does it get any less confusing or scary?

I think there are a few things going on here.

I don't have my life together as much as it might seem; I just don't show you all the ways it's not. I don't talk publicly about the auditions I don't get, or the things I try and fail at, or the insecurities in my own head that hold me back sometimes, or the handful of decisions I've made that were bad calls and which still keep me up occasionally. I've talked about trauma and mental illness in the past, but I only ever discuss stuff I'm comfortably over - when I'm overwhelmed or in the middle of a crisis I don't post about it. I don't set out to deceive you by presenting myself that way, I just keep my most private stuff private. Everybody has failures and regrets and insecurities: "it's a sign of having lived," as my friend Phoebe told me today. But you see a curated version of me that appears not only more together than the real person, but more together than any real person.

Also, if you're 19 a lot of your life hasn't been in your control until pretty recently and a lot of it still might not be. I'd say it's okay to not feel like you have it all together. You just transitioned, which I think is one of the hardest things a human being can do: you can give yourself credit for that even if you feel like you're not settled into it yet. Congratulations!

As for it becoming the baseline, I mean yeah? Kinda? At least for me. Sometimes I forget. I had a moment today in the gym where I saw a man and I was like "Oh yeah, I used to be one of them, sortof? Weird!" The first year is the hardest, or so they say. I wouldn't say I get less confused or scared now, just scared and confused in different ways. I worry less about getting attacked in the street than I did in my first year, for example. (I'm lucky and privileged in that regard.) But I worry a lot more about other people. I struggle a lot with survivor's guilt, which is something only people who survive get! Anyone who's had a drink with me in the last six months has heard me beat myself up because the night of The Prince premiere in New York was the night of Brianna Taylor's vigil in the UK. That wasn't a deliberate decision - the premiere was booked and paid for months before she was even killed - but I've become a lot more sensitive to those sorts of feelings precisely because I spend less time worrying about myself. I'm more aware now of what my transness means for other people. Like, I made an ironic joke when I came out that I'd become The Transgender Princess of TERF Island, and it's kindof haunted me since - I didn't set out to become "a famous trans person" but it's happened a little bit and it's going to happen a lot more next year. That comes with serious responsibilities and a few mild drawbacks, as well as perks, obviously. So I guess that's a longwinded way of saying I might be a weird person to ask this question because, at least for right now, my transness, my whole self, doesn't just belong to me.

Oh also, some great advice I got from my friends: Paris: "Only change the things that bother you on your good days," and Mattie: "Don't believe anything you think about your life after 9pm."

[drdemonprince]

the porn addiction anon made me think to ask, do you have an opinion on viewing self-harm behaviors as an addiction?

i personally have found it to be a helpful way of looking at my relationship with it and fairly accurate to my experience with urges and tolerances etc, and i don't personally care whether it's ever officially considered an addiction or not, but i am curious about the conversation about it and your opinion if you have one.

thank you for reading this and if you respond, thank you for your response!

I think that the 'addiction' frame for self-harm can make the most sense if you're personally on board with a goal of abstinence -- but I would still caution against it somewhat, as research generallly suggests that when a person views a behavior pattern as being caused by an 'addiction' they are less likely to feel that they have agency over it, and are more likely to experience shame when they experience relapses.

What I find most appealing and helpful in understanding self-harm, both for myself and others, is to appreciate the multiple needs that the self-harm typically satisfies. This can be things like providing an endorphin rush, distracting from a disturbing situation, a physical outlet for emotional pain, a means of conveying to others that you are suffering, a source of stimulation, a means of grounding oneself within one's body, an intense enough sensation to shock you out of dissociation, a way to burn off excess energy, an acceptable outlet for one's anger, a way to take control over one's own body, a means of accessing privacy, a means of expressing a meltdown or any number of other things.

When we can see that self-harm is beneficial and sensible in several key ways, it's easier to view it as just one option among many for meeting a person's needs -- and sometimes it might be the best option! Appreciating what self-harm meaningfully does for us allows us to make clearer decisions about what is lacking or painful for us in life at the moment, and minimizing the unwanted damage caused by it. This framing also centers the self-harming person as having the authority to determine what is best for their own life, even while honoring that they might require support getting their needs satisfied.

For example, I used to look down on my excessive exercise habit as solely an eating disorder symptom, one that I was "addicted" to and shamefully couldn't shake. But any time I tried to force myself to not exercise the way I wanted to, I felt cranky, pent up, resentful, stressed, and was actually prone to more damaging forms of self-harm.

It was only after reading more about harm reductionist approaches to eating disorders that I figured out that the long walks I love to go on are not *only* a means of purging, though that is how they began -- they also provide me a needed energy valve, a space to meditate and daydream, an excuse to get away from people when I'm feeling trapped, and a daily obligation that for many years prevented me from overworking, because it consumed up so much time in my day.

I was most prone to long, long, longgg walks that bordered on physically damaging when I was trapped in a house that was not emotionally safe to me, completely overwhelmed with stress due to school and work, and unaware of the sensory and energy-expenditure needs related to my neurodivergence. Now that I'm in a better situation, I still need to exercise almost every day to keep my anxiety and rage even somewhat at bay, but I don't need to do it for *hours*, and I'm making my body stronger rather than weakening myself. I have other ways of addressing my sensory needs, seeking privacy, finding stimulation, and so on. Compared to others I can still seem a bit compulsively physical, exercising even when I am sick, and when I can't work exercise into my daily schedule I do get fucking irate -- but really, what's the problem? It doesn't really qualify as self-harm anymore.

The same logic works on most of the other forms of self-harm I have exhibited, too, from seeking out abusive relationships to reading transphobic hate forums. I did those things because I was completely emotionally blunted, depressed, isolated, and craving stimuli that reinforced my existing self-hatred. And those forms of self-harm intellectually engaged me, filled me with excitement, and shocked my system in ways both good and bad. I'm glad I don't do that shit anymore mostly, but it didn't get better because I realized I was "addicted" to self-harming or anything like that. I had to work on addressing the unmet need.

I hope that others who view self-harming differently will sound off in the notes, because I do think the forms my self-harm has taken are significantly different from things like cutting, burning, etc, and what works for me won't work for everybody else. For the most part I have only physically struck myself when I'm in the midst of a meltdown, so that form of self-injury hardly even ranks as "self harm" to me because it's not really intentional.

[transmutationisms]

Genuine question here, how can we increase patient autonomy and handle psychiatric medication for people who are disabled to a point where communication and understanding medication schedules would be difficult? I think a lot of people in my circles have gotten to a point of understanding, yes, anti-psychs can be more detrimental to patients with no positives when talking about a person with psychosis in their 20s who is somewhat able to manage themselves, but have difficulty parsing what would be best in the case of an older person with a neurodigenerative disease, and as someone who is at risk for developing Alzheimer's, I'm not sure what patient autonomy would look like for myself at that stage of life.

alright so, the question of how to increase patient autonomy for those who are mentally incapacitated in various ways is a legitimate one -- this has been a problem in paediatric and geriatric medicine for reasons both social and biological, and also affects disabled/injured/sick people of any age.

the assumption you've attached, though, is that 'antipsychotics' (neuroleptics) are actually in a patient's best interest, and that therefore it might be justified to administer them without consent in cases where it cannot be obtained. this is just incorrect and tells me you didn't read any of the links in my other posts about neuroleptics. these are not drugs that 'cure' 'psychosis' -- they are drugs that used to be marketed as 'chemical lobotomies' for a reason! they are unsafe in the long and short term, and are administered because they make patients compliant (incapacitated, numbed out, chemically dependent). the question of consent is just moot here imo.

to touch on the general question: usually with patients who are unable to consent, what is supposed to happen involves a mix of designated legal representatives, loved ones who are present, professional patient advocates, and the patient's own advance directives. my opinion (& this is common among disability advocates) is that doctors are often overeager to decide patients cannot consent, and will talk over/about them rather than taking the time to try communicating with them in ways they can understand. a person's own legal representation or the hospital's patient advocates sometimes help bridge this gap, but many times these people are also nakedly ableist, and fundamentally it's ableism that is exacerbating this tension.

obviously there will also always be some cases where it's simply impossible to get consent from the patient themself (for example, my uncle had a pituitary tumour that made him suddenly and irreversibly experience a total break from reality, resolved only after his wife consented to surgery on his behalf) -- in those cases, yeah, medicine sometimes means intervening without a direct yes from the patient. but the reality is that many people who are currently considered unable to communicate, choose, or advocate for themselves are in fact capable of a trying to do those things -- they're simply not being granted that right in current social/economic conditions. this often includes people dealing with neurodegenerative conditions btw -- these are incredibly difficult conditions, i won't pretend otherwise, but it is a myth that they completely and instantly rob a person of all ability to formulate preferences about medical treatment or quality of life, or to express those preferences.

[suzannahnatters]

Let Your Knights Weep

One of the big things I've had to train myself out of when writing medieval historical fiction?

The stiff upper lip.

This used to really bewilder my editor, who for some time attempted to nudge me away from having my grown men weep and wail and blubber, but for me it's an essential part of the setting. Whether in grief or fear, medieval people did not hold things back.

Here are some of my favourite quotes to explain.

First, a couple from two great 20th century medievalists:

CS Lewis in his Letters put it this way:

“By the way, don't 'weep inwardly' and get a sore throat. If you must weep, weep: a good honest howl! I suspect we - and especially, my sex - don't cry enough now-a-days. Aeneas and Hector and Beowulf, Roland and Lancelot blubbered like schoolgirls, so why shouldn't we?”

Dorothy Sayers, in her fabulous Introduction to her translation of THE SONG OF ROLAND, speaking of Charlemagne discovering Roland's body on the battlefield:

Here too, I think we must not reckon it weakness in him that he is overcome by grief for Roland’s death, that he faints upon the body and has to be raised up by the barons and supported by them while he utters his lament. There are fashions in sensibility as in everything else. The idea that a strong man should react to great personal and national calamities by a slight compression of the lips and by silently throwing his cigarette into the fireplace is of very recent origin. By the standards of feudal epic, Charlemagne’s behaviour is perfectly correct. Fainting, weeping, and lamenting is what the situation calls for. The assembled knights and barons all decorously follow his example. They punctuate his lament with appropriate responses:

By hundred thousand the French for sorrow sigh; There’s none of them but utters grievous cries.

At the end of the next laisse:

He tears his beard that is so white of hue, Tears from his head his white hair by the roots; And of the French an hundred thousand swoon.

We may take this response as being ritual and poetic; grief, like everything else in the Epic, is displayed on the heroic scale. Though men of the eleventh century did, in fact, display their emotions much more openly than we do, there is no reason to suppose that they made a practice of fainting away in chorus. But the gesture had their approval; that was how they liked to think of people behaving. In every age, art holds up to us the standard pattern of exemplary conduct, and real life does its best to conform. From Charlemagne’s weeping and fainting we can draw no conclusions about his character except that the poet has represented him as a perfect model of the “man of feeling” in the taste of the period.

OK, now let's dig into some quotes that I found just in Christopher Tyerman's Chronicles of the First Crusade and Joinville's Life of St Louis:

Truly you would have grieved and sobbed in pity when the Turks killed any of our men....

As for the knights, they stood about in a great state of gloom, wringing their hands because they were so frightened and miserable, not knowing what to do with themselves and their armour, and offering to sell their shields, valuable breastplates and helmets for threepence or fivepence or any price they could get....

When Guy, who was a very honourable knight, had heard these lies, he and all the others began to weep and to make loud lamentation....

They stayed in the houses cowering, some some for hunger and some for fear of the Turks....

Now at vigils, the time of trust in God’s compassion, many gave up hope and hurriedly lowered themselves with ropes from the wall-tops; and in the city soldiers, returning from the encounter, circulated widely a rumour that mass decapitation of the defenders was in store. To add weight to the terror, they too fled…

In the course of that day’s battle there had been many people, and of fine appearance too, who had come very shamefully flying over the little bridge you know of and had fled away so panic-stricken that all our attempts to make them stay with us had been in vain. I could tell you some of their names, but shall refrain from doing so, because they are now dead.

I could go on looking for quotes in all the other medieval literature I've read, but that would be beyond the scope of this Tumblr post.

In the meantime, this leads me to make some comments on how trauma was perceived.

In Jonathan Riley-Smith's The First Crusade and the Idea of Crusading, the author discusses the mental breakdowns suffered by the first crusaders during the second siege of Antioch, which caused many of them to flee at the moment of direst need:

In these stressful circumstances it is not surprising that the crusaders were often very frightened. At times, indeed, they seem to have been almost paralysed by a terror that they themselves could hardly comprehend. … When the crusade was bottled up in Antioch by Kerbogha's relief force it was gripped by such blind panic that there was the prospect of a mass break-out and on the night of 10 or 11 Juney 1098 Bohemond and Adhemar had the gates of the city closed. It is worth noting that many of those whom later chroniclers, writing after the events in comparative comfort in Europe, vilified for cowardice and desertion seem to have been treated more charitably by their fellow-crusaders, who must have understood what pressures they had been under.

--

In conclusion: the way we feel about things today in the English-speaking isn't necessarily the way people felt about things in the past (and this goes for other cultures, real or imagined, too). I'm continually catching myself writing people with stiff upper lips and emotional reservations, and having to remind myself that the culture was different back them. If a grown man wanted to weep, he could. That's a good thing. (Oh, and my medieval historical fantasy? Check out the Watchers of Outremer series on Amazon or wherever books are sold!)

[emmyrosee]

okay so, this evening has not been fun for me, so ofc I’m gonna try coping via escapism 🤩

and as always you are absolutely NOT obligated to write it. I’m so serious, if you don’t want to there’s absolutely zero pressure emmy, I’d completely understand one hundred percent.

very long story short, I got my grades back for this semester and despite doing soooo much better overall this year than my first year and not failing a single class this time around, unless I get a miracle it’s looking like I’m going to have to be asked to withdraw from my university for a whole year ☹️

and as someone who got straight As from elementary til my last year of high school/made school my whole life, this is just an enormous blow to any self confidence I had finally built back up. I was doing better mentally and finally feeling a bit like myself again and I’ve just felt so sick with anxiety all evening because I don’t even know what to do anymore. If they decide to ask me to leave, it’ll make my chances of medical school even slimmer than they already were and I can’t help but feel like a bit of a failure and like I’ve just ruined my future despite knowing it’s not all true and I still have options :(

it’s so hyper specific and I’m so so so sorry abt that, but would it be possible for some comfort + tons of fluff with kuroo possibly? I just want to be babied a bit by this fictional man LOL. I feel like he’d know exactly what to do and how to get my mind off of it until I inevitably get that email :(

anon <3

My love, I am so sorry you’re having to go through this, and I am here, to PERSONALLY, tell you that you are far from a failure, and you should still be proud of yourself for getting so far. It’s okay to have bumps like this that halt your dreams, and it doesn’t make you any less deserving of continuing to chase those dreams. And hey! Use me as an example! I went from being a mechanic for four years and being fired for being so terrible (yes that is an actual thing that happened) then I went to college for writing; and now I’m a licensed esthetician with a focus in makeup artistry! There is no such thing as a dead end, no such thing as a closed room, just keep treating yourself gently and reminding yourself that this is far from over, your dream is still more than obtainable with some time and it is more than okay.

Ahem. Let me get off my soapbox PFFFF-

——-

Last night, you refreshed your emails who knows how many times, staring at your computer screen on the verge of hyperventilating for what felt like hours- and it might have been; your brain can’t process how long it was right now.

Your bottom lip was tight between your teeth, the hand on the mouse pad trembling, waiting in anticipation, tight with nerves. Your other rested a fist on your lap, waiting for the results and occasionally wiping a rogue tear that falls.

There’s a soft rapping on the door, but you don’t turn to face it. You merely keep refreshing.

“Hey,” tetsuro whispers, and you hear his feet padding into the room, and when he gets next to you, he crouches down. Once again, you can’t spare him a glance. “Any updates?”

You stay silent. He winces, “I’ll take that at a no…” he lays a warm hand on your back and gently rubs it in circles, “it’s okay baby. We’ll figure it out, we always do.”

“Tetsuro, please,” you whimper, not quite in the mood for a pep talk. “I’m going to puke right now, my life is in flames and crumbling around me, I’m so nervous, please. Save the pep talk, I can’t handle it right now.”

“I'm sorry,” he soothes. He doesn’t say anything further, just rubbing your back in slow, firm circles with his palm, blinking his golden eyes up at you warmly, lovingly.

You feel your body cramp from being under his loving touch, suddenly dawning on you just how long you've been sitting in the chair, inert and unwilling to peel your eyes from the email inbox. You suddenly become hyperaware of how your legs feel numb, your fingers are cramped and your eyes are burning. It's the first time in hours you've taken a break from your refreshing to scrub at your eyes, breeding a wetness to try and soothe the sting.

You hear Tetsuro sigh, "why... don't we go to bed, angel?"

"No."

"But-"

"I can't," you whimper. "Not now. Not yet-" your breathing picks up as you look at him in despair, chest fluttering and heart pounding as you try to breathe. He furrows his brows and shushes you softly, big hands moving to cradle your cheeks and force you to look at him.

"Baby," he says softly, but firm enough to ground you. "It's late. They're not going to send it this late at night. And if they do, we'll deal with it when we wake up tomorrow. But I'm almost certain they're not going to send it to you this late. I promise, okay?"

You let out a shaky sigh and look at the time: 22:43. It's far too late to be thinking, to be worrying, and you'd much rather breakdown in the comfort of your own bed, than alone in this wooden chair.

But you do know that, no matter what, Tetsuro is going to be right next to you, rubbing your back and cradling you close.

When you say nothing, Tetsuro slowly stands up and scoops you in his big, strong arms, "come on, angel face. Let's get some rest." You thunk your head against his chest and fist your fingers into the collar of his shirt, letting him carry you to the bathroom where he plops you down on the countertop.

He grabs your toothbrush and some toothpaste, and gently tells you to open, which you sleepily do. He's extra careful, making sure to get every tooth he can, scrubbing softly as to not make you uncomfortable. Silence, save for the bristles on the toothbrush, fills the room, the corner of Tetsuro's tongue sticking out in focus.

"Okay. Spit," he says, moving so you can comfortably turn your head and spit the froth out. Skincare comes next, and his touch is even softer as he massages in every product you use.

"Good girl," he whispers, picking you back up to carry you to bed. "My good girl. Good, brave girl..."

You drift off in his arms at his praise, not even feeling the way he gets you into pajamas or gets you under the covers, the exhaustion of the constant high of anxiety weighing you down.

Waking up this morning, your bones feel like bricks under the wall of your muscles, barely able to move under the force of it all. Your skin feels like paper, so hyper aware of it now that you’ve had the time to come down from your anxious state. You blink up at your ceiling, eyelids tight as you do, and you continue to stare and let your body wake up molecule by molecule, inch by inch. You feel it coming to life, and you slowly bring your hands up to press the heels of your palms into your eyesockets to force the rest of the sleep out of your eyes.

When your hand then drops next to you, you feel yourself grow saddened at the lack of warmth. Tetsuro’s been out of bed long enough to let his side cool down, and it makes you want to cry at the idea of being alone right now.

You never should’ve shut him down last night. All he wanted to do was help, and you shut him up and made him feel bad, now he’s not even in bed with you anymore, and you feel tears sting at your eyes again, this time out of anxiety of making him upset, and-

“Ah, you’re up.”

Your guilty, howling mind shuts up as soon as tetsuro’s body makes its way into the doorway, smiling and stirring his tea with a spoon. “Good morning, babygirl.” He takes a step into the bedroom and before you know it, he’s at your side, sitting on the bed next to you. He uses his free arm to wrap around you, but not pull you to his chest. “Did you sleep okay?”

“No,” you whimper, voice croaky. He nods and lets his thumb rub up and down the curve of your shoulder. “I’m sorry I yelled at you last night.”

His brow cocks in confusion, “huh?”

Now, finally, you turn to face him, “I snapped at you… I told you to-“

“You told me you didn’t want a pep talk,” he chuckles, shaking his head. “That’s okay. You’re allowed to tell me that my words might not be the most helpful. I’m not going to get mad at you for that. It’s not like you told me to shut my ugly ass up- you’d never do that, I’m too pretty.”

This, for the first time in what feels like days, has you crack a smile. You let out a small laugh, breathy and barely there, but he smiles proudly all the same, pulling you in for a hug now. “You’re a goof,” you murmur.

“And you, need to eat something,” he whispers against your head, and you deflate in his arms again. “Don’t you protest me, you know you have to eat something.”

“‘M not hungry,” you say.

“I know, but you didn’t eat last night, and I let you sleep in-“ at his words, your eyes flick to the clock on your nightstand, red numbers flicked onto 10:24. “You have to have something.”

“But-“

“I know,” he says. “Do you want something sweet, or savory?”

20 questions. It’s something he does after a fit of your anxiety to try and make your life just a hair easier, decisions quicker, and your day just a bit brighter because you’re getting exactly what you want. He claims he used to do it with kenma, hence why he’s so good at it.

“Uhm…” you shrug, “why not both?”

“Both?” He echos. “Okay. Do you want fruit?” You nod. He nods with you. “Okay. How about a bagel?” You nod again. “Okay. With some cream cheese?” You shake your head and he clicks his tongue, “butter?” You shake your head again, “okay. Uhmmmm-“

“I want to do it,” you mumble, and he presses a kiss to your head.

“You sure? Because I can whip something up-“

“I have to do it. I have to put the toppings on my bagel.”

He nods a final time and squeezes you close, “okay. If you need any help deciding, I’m right here, okay? I’ll be cutting your fruit.”

You hum and slowly swing your legs out of the bed, stretching and mewling from the force. When your hand instinctively darts for your phone, he clicks his tongue, "leave it. You don't need it right now."

"But-"

"I told your family to text me if they need you. Your phone is on do not disturb. Leave it there, babe." He swings his own long legs over and extends a hand out to you, wiggling his fingers enticingly for you to hold. When you grab three of them, he smiles and slowly leads you into the kitchen.

The news is playing on tv at a low volume, there’s a discarded blanket on the couch, and you quirk a brow in intrigue, “tetsu, how did you know I was awake?”

He shrugs, “my life shifts when you wake up for the day. I feel it in my soul.”

“Ew.”

“Shaddup.”

You laugh again, smiling a weak smile as you plop down at the table. He makes his way to begin cooking your bagel, popping it in the toaster before making his way to cut up your fruit. You sigh and play with your fingers, wondering if you should make conversation, or let silence rule, and you sigh shakily before opening your mouth to speak. “What’re you going to have?”

“I, my love, already ate some toast with some apple jelly and butter.”

“Oh.”

“But I’m going to pick at some fruit with you, because I don’t want you eating alone.”

“You don’t have to do that-“

“I know,” he hums. Then, he turns to face you with a smile. “I want to.”

Your heart flutters as you smile at him, looking down at your fingers to distract yourself. Usually, you’d be scrolling through your social media, checking apps and emails, but since he forbade it, you’re left to listen to him sing softly and the newscaster drone on and on. After a few short minutes, your bagel pops, and he plates it with some sliced fruit and places it in front of you, before kissing your head and grabbing various toppings for it.

Breakfast drags, but in a comforting way, where it drips by so slow like honey, syrupy sweet as Tetsuro talks. He talks about everything and anything, about the game Kenma's going to stream for charity, and the funny meme he sent the streamer- or funny to Tetsuro at least, as allegedly Kenma left him on read. You find yourself eating at his company, and before you know it, your bagel, juice, and fruit is gone. You look down at your plate in surprise, and he wiggles his brows at you, "feel better, angel?"

"Uhm... yeah," you say, almost confused. "I didn't think I was that hungry."

"I don't care how you thought, I'm glad you ate." He stands out of his chair with a stretch, "you still hungry? I can make you another-"

"No," you sigh. "I... I really should check my email-"

"Not until I give you a bath and a massage."

You quirk your brow, "you're going to give me a bath and a massage?"

"Of course," he chuckles, "If you're too anxious to give yourself some self care, that's plenty fine, but that means I'm going to give you self care." He shrugs, "those are just the rules."

"Do you even know how to give a massage?"

"Bokuto and I used to massage each other after practice all the time." Your brow quirks higher, and he holds his hand up, "don't ask. Just trust me."

"Can Bokuto give me a massage?" You tease, giggling at the way he gives you a fake smile and a high pitched "no," to tease you.

He presses a kiss to your head, "I'm going to go run the bath, why don't you get changed and meet me in there?"

"Okay," you hum. He nudges your nose with a finger before stalking down the hall to the bathroom. When your hear the tub running, you make a dash towards the small office room for your laptop, nervous to check your email, and-

"I took it out!" He calls, followed by a cackle.

"You're an ass!"

"It's your favorite ass, though!"

You grumble and make your way to the bedroom to get undressed per his request, stealing one of his oversized shirt to conceal yourself until the tub is filled. You stalk into the bathroom and blush under the way his eyes glaze up and down you, "fuck, I love you in my clothes."

"Back off, I'm about to bathe," you snort.

"Yeah, but I can still find you hot." As the tub fills, he adds a scoop of epsom salt, and a splash of bathing bubbles, large bubbles brewing on the surface of the water. You smile and watch them shape and form, the sweet smell filling the air around you. You feel excitement brewing inside of you as you watch him turn off the water and push himself up and off the floor with the edge of the tub, "should do it, baby. I'm gonna let you soak, I'll set up for a little massage after, make you nice and comfortable.

"Okay," you mewl. He presses a kiss to your lips and makes his way to the door. "Hey, Tetsu?" You say, reaching for his hand, which he takes happily. "Thank you."

"Anything for you, babygirl," he whispers. "You know that." He pinches your cheek and leaves the bathroom for you to relax.

The bath water is warm as you soak in the epsom salt, feeling your muscles loosen and relish in the combination. You bury your face in the bubbles and close your sleepy eyes, letting the smells lull you into a state of relaxation. Your head is still heavy with anxiety, but your heart is full of love and warmth for your boyfriend.

You're not sure how long you were floating in silence, lost in the bubbles and oils, but he gently knocks on the door, "you okay? Haven't heard you for a bit."

"Yes," you mewl, stretching. The water is now chilly and the bubbles are mostly gone and you rub your hands over the surface of the water. "Is the massage stuff ready?" You tease, looking at your hands and wincing at how pruny they are.

"It's been ready, I didn't want to bother you," he snickers. “Come out when you’re ready, just wanted to make sure you were alive.”

“I’m alive, I’m coming,” you call, getting out of the tub to dry yourself. You take your time drying off, trying to enjoy the last little bit of warmth clinging to your skin. You leave the bathroom to get dressed into some clean pajamas, smiling as tetsuro busies himself with the whole massage set up. “Candles? You spoil me.”

“There’s a lot of smells going on,” he says with a face.

“I know I can tell,” you hum. Getting dressed, you slip on a pair of his boxers and a shirt, and you make your way to the bed to wait for him.

“Alright-“ he pats the bed for you to crawl on top of. “C’mere, let me pamper you.”

You giggle, “you have been pampering me!” Regardless, you swing your legs onto the bed and lay on your stomach, squeaking as he straddles you and cracks his knuckles.

He lays a massive paw on each of your shoulders, using his thumb to splay and press the muscle under his force, and your eyes cross in the middle and flutter in relaxation. They work in circles to press into the muscles, before laying flat on your back to dig his heel into before his fingers press and roll back up to your shoulders.

Thick fingers roll over the knot in your right shoulder, no doubt from the refreshing of the page for hours on end last night. You whine and bury your face in the bed, and he hums, "I know beautiful, I almost got it."

"Feels good," you murmur.

"Told you it would," he says softly. “You need to trust me.”

“I think I trust you too much,” you snicker. Tetsuro says nothing, merely offering you a laugh through his nose as he continues with the massage.

Your body twitches as the tips of his fingers dig into your side as part of the massage, but your snicker doesn’t go unnoticed by your boyfriend. “Something wrong?” He hums, doing it again.

"Tetsu!" You giggle, reaching behind you to try and stop his wrists, "that tickles!"

"That's crazy, I'm not tickling you," he snickers, and it's hard to tell if he's lying or not. "I mean, I can tickle you, if you want-"

"No!" You squeal, and your laughter turns choppy as he uses the sides of his hands to playfully chop up and down your back, making your body instinctively let out bumpy noises from your mouth.

“Quite an attitude on ya today,” he taunts, before hooking his fingers up under your arms, making you shriek, “okay, now I’m tickling you.”

Your mind spins from the sensory change, the signals in your brain cross, but one thing is for certain:

The email is far from the front of your mind.

And it feels good to laugh.

[highseas-swede]

Aziraphale and Trauma

[Just a note that I initially wrote this in response to this post: https://www.tumblr.com/theangelyouknew/732357015604756480?source=share&ref=_tumblr which is full of insightful info. I'm reposting my response here with some minor edits so it's easier to find in tags.]

This is something I actually find interesting within the fandom, because there seems to be this weird divide in fandom when it comes to Aziraphale.

See, I love Aziraphale. I think he's an amazing and well nuanced character, but a lot of the time fandom boils him down into this really simple version of himself. This happens both with people who dislike him and claim he's a bad person as well as with those who want to soften him up and make him more palatable. Aziraphale isn't the only one who has trouble with black and white thinking here!

Things like Coffee Theory remove Aziraphale's agency because the thought of Aziraphale doing something to hurt Crowley deliberately is something they can't stomach. If Aziraphale is acting under some kind of major magical influence, it means that it's possible to brush over the fact that he can - and has - hurt Crowley in the past and it certainly hasn't always been accidental.

There's a lot of Psychology I could touch on here, but it's honestly such a complicated topic that I don't really feel I can do it justice attached to a completely different topic.

But one thing I do want to touch on a bit is how Aziraphale asserts control in his own life via his connection with Crowley, and that touches on something equally complicated, which is something that's probably hard to understand.

Abuse victims are often manipulative.

I don't mean this at all as some kind of slight or insult. I've been an abuse victim myself and it's one reason I know it's true.

Fandom talks a lot about Crowley's trauma and he's got loads, to be sure. I think of that meme about "this bad boy can fit a lot of trauma" and it's very true. I've even seen people mention that Aziraphale has a different kind of Trauma than Crowley, which is also true.

What I haven't seen is someone addressing that the type of religious trauma is a form of CPTSD. CPTSD or "Complex PTSD" is a very specific form of PTSD. PTSD is characterized as being the result of a traumatic event - Crowley's fall, for example, is a good example of PTSD and I can go into that at some point. CPTSD is different because it's not a singular event, it's the result of being in a constant high stress situation. A lot of abuse victims - especially those abused by parental figures or significant others - have this form of PTSD.

A good way to see the difference is in comparing how they relate to their trauma. When Crowley thinks he's lost Aziraphale in S1, it sends him into a spiral. But importantly we see that this traumatic event is causing Crowley to go back to another traumatic event in time, triggering his memories of his fall. This emphasizes how much Crowley's fall defines his trauma. We rarely see him experiencing trauma at the hands of Hell, as he's mostly allowed freedom to handle his job on earth the way he wants.

https://cptsdfoundation.org/ defines CPTSD as "the results of ongoing, inescapable, relational trauma. Unlike Post-Traumatic Stress Disorder (PTSD), Complex PTSD typically involves being hurt by another person. These hurts are ongoing, repeated, and often involving a betrayal and loss of safety."

In humans, this is caused by having no sense of safety in key moments of development. It strips away sense of self, sense of worth and really any agency. We even see the angels using direct gaslighting tactics on Aziraphale in S2, which I'm surprised doesn't get mentioned more often: When they come to the bookshop looking for Gabriel, they mention Gabriel and then almost immediately when Aziraphale asks "you were looking for Gabriel", Uriel outright says a line that goes something like "Did we say we were looking for Gabriel?", leading Aziraphale to fumble and try to remember if they did, in fact, say that at some point (they did).

So, one big thing to know about CPTSD and this kind of abuse related trauma is that learning to lie and be manipulative is often what people have to do to survive. Children with abusive parents will learn how to be manipulative in order to get what they need or avoid losing things they need.

We see this with Aziraphale, time and time again. He could just ASK Crowley for things he wants. A lot of people point out that he could ask and that Crowley would probably give in to him most of the time anyway. But that's not how it works in an abusive home. Instead, Aziraphale maneuvers Crowley into situations where Crowley is forced to give him what he needs or wants.

His lack of agency, as a result of his CPTSD, is also why he needs to be worked into making decisions that he already knows - or at least suspects - are right. That's why they have their little dance every time Crowley has to talk Aziraphale into something by finding the right way to frame it so it makes sense with Aziraphale's strict rule structure. These rules exist as a defensive mechanism too. Having rules makes it easier to figure out how to avoid being hurt and Aziraphale cannot simply step outside the rules because it's Not Safe. Not even with someone he trusts as much as Crowley.

The entire apology dance scene stands out for a few reasons. Everything Aziraphale does in the entire scene is an act that allows him to take control of the situation. He's already won, so to speak, because Crowley is back and Crowley is going to do what he wants. The apology is unnecessary on every level.

This post talks about how uncomfortable Crowley has to be sharing a space with Gabriel. Gabriel is with the abusive team, whether or not he was directly involved with Crowley's fall. Crowley also harbors a severe distress and mistrust of Gabriel because of Gabriel's attempts to destroy Aziraphale, the most important person to Crowley. But it's worth noting that Aziraphale is uncomfortable too.

Another good indicator of how stressed Aziraphale is with all this is that he doesn't eat ANYTHING when Gabriel is in the shop. The only food he consumes in modern era is when he's in the Bentley which is a "safe" space. Gabriel constantly hounded Aziraphale over eating and despite offering Gabriel hot chocolate, we don't see him partaking himself. He does briefly drink to demonstrate how "drinking tea" works for Muriel, but he doesn't seem to drink from his cup at all after demonstrating.

The bookshop is also Aziraphale's safe space, his ONLY safe space - Crowley still technically has the Bentley, and honestly I feel like Aziraphale wanting to borrow the Bentley is actually partially because he needs to get away from Gabriel and the Bentley is the only place that feels safe for him at the moment. Shax ruins any illusion of safety for him, but Aziraphale is much more enthused for his trip in ep3 and a fair amount of it is because he's not trapped with Gabriel.

A small note here, as a thought occurs to me. Aziraphale asserting that the Bentley is "our car" is probably mostly for himself. He's trying to realign his thinking to make the Bentley an acceptable "safe space" for himself prior to the trip.

There is a very different relationship dynamic when it comes to Gabriel and Aziraphale because Gabriel is the constant source of Aziraphale's trauma. He's Aziraphale's superior, the one he has to report to, the one who passes down his missions and his punishments. When Aziraphale takes Gabriel in, he's just invited his former abuser of over 6000 years into his safe haven. This is a hugely uncomfortable thing for an abuse survivor.

Worst of all, because Jim is, for all intents and purposes, NOT Gabriel, Aziraphale can't bring himself to lash out at his former abuser the way he wants to.

That brings us back to this apology scene.

There are two major things going on here and both of them are bad and hurtful toward Crowley. They're also both intensely unfair. I love Aziraphale but this was definitely a dick move.

Firstly: Aziraphale is using Crowley to reassert a sense of control over the situation because he is spiraling. He can't assert control over his life and his shop, which is one thing that he falls back on heavily, and that leaves him scrambling to find somewhere where he can control his situation. He makes Crowley go through this whole unnecessary apology and dance routine because it makes him feel like he has control over SOMETHING in his life right now.

Secondly: Aziraphale is also enacting his own trauma on Crowley. He's treating Crowley the way Heaven treats him. This is a direct parallel to the way Crowley terrorizes his house plants because he can't do anything to the people who actually caused his trauma. This is, obviously, wildly unfair of Aziraphale to do - and I'm fairly sure there are other small moments where Aziraphale does this in a mild way, I'd have to rewatch again.

These are both behaviors common in CPTSD caused by environments that apply this constant state of stress.

I'm not going to say it's right, or that Aziraphale isn't being a bit of a bastard in this moment - he absolutely is - but this behavior does have some obvious triggers that might be easy to overlook. It's just important to understand that Aziraphale is falling into self-preservation habits that are actively detrimental to his relationship with Crowley. It's not just the manipulation, he's also hiding things and lying to Crowley when he really shouldn't be - both things often necessary in abusive environments - but he's doing it because that's the method that he's created that works with his abusive relationship in Heaven and he's falling back on it because he feels unsafe. The trouble is, this survival tactic does not work with Crowley and actively makes things worse because it shuts down open communication entirely.

[sodasa-was-taken]

Why Suletta and Miorine's story is a romance: A Mobile Suite Gundam: The Witch from Mercury story structure analysis by Sodasa

So, I recently watched The Witch from Mercury, and I felt compelled to write an analysis of the show's use of the story structure of romances. I'm a hobbyist in the history of trends in genre fiction with a particular interest in romances. I thought it would be fun to use my area of expertise to talk about how the budding relationship between Miorine and Suletta is intertwined with the story of G-Witch.

Something particular about the romance genre is that, unlike other genres of fiction, it's mostly defined by its story structure. This means that just because a story is about two people getting together does not automatically make it a romance in the same way having magic in a story qualifies it as a fantasy. The flip side of this is that while you can't have a fantasy without fantastical elements, a romance can be put in any setting. As long as the story hits the required plot beats, it's still a romance. This makes Romance simultaneously one of the strictest and most versatile genres, as the plot can be anything as long as it ties into the main characters' developing relationship. Use this structure in a story about financial politics and mechs, and you get a story like The Witch from Mercury.

I think the show uses this structure very effectively. In my opinion, a great romance should, first and foremost, be an exploration of the part of the human condition where previous bad experiences make us reject intimacy. The romance story structure is designed to have the characters come face-to-face with their inner demons by giving them a reason to overcome them. Something that's a lot harder to pull off outside of romances, as not many things in life require us to overcome some of our deepest insecurities instead of just pushing them down.

G-Witch is a great show to use as an example of what makes a romance a romance as it follows the story structure almost to a tee, but it's also not the kind of story that most people usually think of when picturing a romance. I also believe that seeing the show through the lens of the romance structure leads to some juicy character psychoanalysis for Suletta and Miorine. I'll go over all the plot beats of a romance and explain how they apply to G-Witch and, if applicable, why I think you don't see those plot beats outside of romances. The names of the plot beats are taken from "Romancing the Beat: Story Structure for Romance Novels" by Gwen Hayes, which is also my primary source, along with my own extensive experience with the romance genre.

I hope someone gets something out of this. I have seen some excellent analyses and theories for this show, but they have been on things I don't know much about myself. Since the only part of story analysis I excel at is the structure of romances, I thought I'd lend my own area of expertise. I want to clarify that while I might sound matter-of-fact, this is just my opinion. I'm by no means saying that you have to think that G-Witch is a romance. I'm just arguing for why I personally consider it to be one.

[divine-crows]

Using Cartomancy to Understand your Witches Compass

This is a method I've been doing to uncover archetypes, symbolism, and mythologies/stories (some of my own making, some are not). If you are personally attuned to divination, this may be a fun exercise for you!

I'd like to note that I'm not an authority by any means over the subject of the Witches' Compass, I'm still exploring and learning how it fits into my life. However, I'm really passionate about the subject so I'm quite eager to share this idea I've been working with.

[Process explained under the cut. Warning! This is a lengthy post]

There are probably more correspondences to the cardinal directions than I'm even aware of, and there are multitudes of ways you can correspond each element. I highly recommend finding a firm understanding of how you generally perceive each cardinal direction, that way you have a basis before you start.

First, a list of things I recommend for this exercise, but they aren't necessarily required:

Have a preexisting idea of what each Cardinal Direction means to you. For example, I meditated on each direction and got an idea of which senses and emotions were evoked by each direction.

Take advantage of how the time of day can be associated with the Compass.

Have an understanding of how the elements connect to your cards and what symbolism they possess.

Now, moving onto the exercise itself:

1. Select a deck from which you can work with.

Tarot. Playing cards. Whatever you feel will take you on this journey without hindering you with preconceived notions. In my case, I selected a playing card deck I consecrated for divination.

2. Select four cards that represent each element along with 'beginnings'.

In my case, I used the ace card and then meditated on each card until I felt pulled to ascribe a direction to each one. You may feel pulled to rely on predetermined associations when it comes to ascribing directions-- go ahead and do that if it feels fit.

3. Take the card you associated with "East", this is the first card you will be starting with. Meditate on what symbolism behind the card means to you and how it empowers the cardinal direction.

If you're working with unfamiliar symbolism, don't shy away from taking a day to research the hidden meanings behind each card. You may also ascribe any preconceived feelings or notions towards this cardinal direction while you meditate on this card.

4. When you feel like you've sufficiently connected to both the card and the cardinal direction, place it to the east. Place the others in one of the cardinal directions.

Since the other cards aren't the focus, it shouldn't matter how accurately the others are placed. However it's desirable to attempt some accuracy if it doesn't pull away from your focus.

5. Now, this is when you will invoke the Compass:

I am not one for consistently opening the compass the same way every time, but for this excersize specifically I felt it nessicary to start with rhythmic humming and chanting. Moving clockwise, I invoked the spirits of each direction. I used an "open arms" gesture as I spoke to better connect me to each spirit (a symbolic way of welcoming each one). When I finished invoking each spirit, I would bend down and place a hand on each card, imagining the spirits of that direction standing guard over their respective card. I also find it helpful to imagine myself as the center of a Compass, and the circle I walk is the bounds I traverse.

6. Stand/sit at the center (whichever is more comfortable for you) and state your intentions with this working:

In this instance, I had said something to the effect of "I ask the spirits to facilitate my exploration of the East direction." And then I specifically asked the spirits of the east to "help me better connect with the direction of the East through symbolism and mythos."

7. Close your eyes and let yourself be taken on a journey. While waiting for the journey to begin, imagine the aspects of the cardinal direction, and imagine sensations and feelings you associate with it.

How this journey looks will vary greatly from person to person based on their beliefs, notions, and ideas of the unseen world. For me, I was approached each time by a different Goddess who shared with me a pivotal story that shaped them, but for you it could be a wide variety of possibilities.

8. After your journey is done, write down what you experienced. I personally like keeping my compass open for this portion because I feel that it helps me recall better. After you're done thank each cardinal direction for it's part in the exercise, and then close the compass when you feel ready.

I strongly recommend taking the rest of the day to do other things. I found it was easier for me to fully understand and digest the experience when I split each component of the exercise into dedicated days.

9. Repeat with each cardinal direction, moving in a clockwise direction.

So after your work with East, you will delve into South, then West, and finally North.

Concluding Statement

I think that just about covers everything! I took heavy inspiration from the exercises created by Ian Chambers in his book "The Witch Compass" so I definitely urge you to read his work if my exercise did anything to help you open your eyes to the nature of your compass.

I myself am nearing the end of my cycle on this exercise (I'll be honest I'm waiting until winter solstice to fully harness the energy of the north for my final journey), and it definitely has given me a robust understanding of how each facet of the compass can represent me as a person.

I hope this idea can be as helpful to you as it was to me! Feel free --as always-- to share any ideas you have for exercises that can supplement this one or ideas that can work alongside mine!

[greeniegirl23]

Isn't It.. Lovely? (Chapter 3#)

One month.

You had one month to make the biggest decision you'd ever make in your life. Part of you wondered why you didn't tell Alastor to have a field day with your Father's corpse, until you remembered that the other part of you still loved and cared for him.

He was still your Dad and once upon a time he was a very good Dad. Your parents were practically a power couple when your Mom was alive, after her death, depression fell on him like a bag of bricks. Leading him to find feeling again in glasses of wine and bottles of hard liquor.

Everyday you pondered on this, wondering if something would finally push you over the edge. If you'd snap and take revenge for yourself.

You didn't like having those thoughts. Yes, the idea of liberty made you feel elated but at the cost of the last family member you had? It was conflicting to say the least.

All that worrying came to a halt once Alastor began to solidify his place in your life.

Every night at 9pm sharp, when you were dressed for bed and your despicable abuser was asleep. Alastor used his powers to turn your radio into your own personal hotline. He was ever so happy to hear from you, happiest when he saw nor heard any traces of harm inflicted on you that day.

He soon found out that you were a curious one and a terrible over-sharer. It was obvious you never really had friends before and if you did, they left you behind long ago. You were as innocent and pure as the driven snow. Always asking questions about him, about Hell, and what it was like back when he was on Earth.

You loved when he told you more about his life. It was like he was reading you your own personal bedtime stories. Tales of speakeasies and the depression, parties that lasted from dusk to dawn, and of course, all of the completely justified crimes he committed before his demise.

As payment for his stories, you told him about your own and caught him up on modern day issues. He seemed especially interested in World War I, disappointed that he died a few years shy of when it started. You told him about your health science classes, your school, and he even became a good study buddy to help you out with your tests.

“Alright darling, last question.” He stated, a drum roll playing in the background. “If your patient performs a forward lunge, which plane of the body are they moving in?”

You chewed on the end of your pencil. “..Coronal?”

A bell dinging made you smile. “Correct! Well done darling, but I'd like for you to work on your confidence when you answer. No one wants a doctor that's unsure of what they're doing.”

“Yeah..I just get so unsure sometimes. I think I'm more scared of being wrong than being right.”

He chuckled. “Do not fret my dear! I've been doing these little pop quizzes with you long enough to know you have a sharp mind. Confidence is a tool that will solidify your place in the career you plan to pursue, so don't be afraid to utilize it more.” His voice was so kind and mentoirish. It felt like he was giving you life lessons almost every time he talked.

On one hand that made you embarrassed. Like these were things you should have already known but you didn't, but you decided to give yourself some grace. Life was different for you than everyone else, so obviously there would be some things you didn't experience to gain knowledge from.

You placed your pencil down and sat cross legged in your chair. Not being the type of person who could sit still, nor do things normally. “Is that how you become a radio host? Because you were super confident?”

There was a pause. “Well, it was something that helped. Being a professional at what I do required more than just believing in myself. Most people think it's easy, but it has its challenges. For example, I used to rehearse my script in the mirror to stop myself from unconsciously going ‘umm’ every 10-30 seconds. It also aided in preventing myself from fumbling my words.”

“That sounds like solid advice.” You smiled. “I should start keeping a journal when you're around and call it ‘Life Lessons As Taught By The Radio Demon.’”

A loud cackling broke out over the radio. “Ah, so the girl does have a sense of humor. A good one at that!” He said proudly. “And here I thought you were all doom and gloom.”

“Hey! I'll have you know staying positive at all times can be very exhausting.” You huffed, placing your hands on your hips in a pouty attitude. “It's really hard to smile when it feels like the world is against you...”

There was a stagnant silence in the air as you turned your head to gaze out the window, watching the rain drizzle from the grey sky. It was your favorite weather, even more so because of the friend it allowed you to find.

Alastor pondered over your words before he took a deep breath. “That leads to a question that I've been meaning to ask you for some time now. It's a rather sensitive one so if you'd prefer not to answer, I would understand.”

Giving the plushie your attention, Alastor's tone turned concerned as he asked. “I can’t help but wonder, Darling, where is your mother..?”

Without missing a beat, you replied. “Oh, my Dad murdered her.”

A sharp microphone screech omitted from the radio. It was safe to say he most definitely was not expecting that..

Not because he can't see your degenerate of a guardian doing something of the sort, he was actually more curious as to how someone as sloppy as your Dad could get away with something like that. No. What got him was even though you were saying words that no child should ever say until they're well into adulthood, you smiled. A soft one, filled with unspeakable pain and a lust for something you could not yet gain.

You could feel him hesitating to ask you some more questions on the topic, so you decided that you could quickly give him your life story. “Whenever anyone asks about it, I always tell them that she passed from cancer but, that's not true..”

Alastor’s signal chirped in curiosity, but he made sure to sound sympathetic. “What happened?..”

You chuckled a bitter melody.

“She was born a diabetic and I was around twelve.. Everyday my Mom took her medicine, the diabetes is actually what led her to becoming a doctor in the first place. Every morning my Dad would make her coffee, as a way of telling her he loved her. I snuck a few sips before only to find out she made it black, when she caught me she told me “Mommy can't have sugar…”

When I turned fourteen, they started arguing. A lot. I can remember hearing them sometimes. Mom threatened to leave him because he was starting to grow a gambling issue and she was tired of taking the brunt of most of the bills. He promised to change and that's when everything started to go downhill.. Weeks went by, she just started getting sicker and sicker seemingly out of nowhere. Still had her morning coffee though. I'd make it for her sometimes and she reminded me “Mommy can't have sugar.” Hardly able to do anything for herself, much less take her medicine. Of course he said he'd do it, he promised me he did when he took me to school..He still made her coffee, before he went to work and after she had been made bed bound..I thought it was a lie, that it wasn't true until I realized that she died that morning with a cup of coffee in her hand..”

A sour laugh left your lips, as you recalled that day you came home from school and found her lying there with blood on the pillow, blood that she had been coughing up for almost a month.

“That bastard was poisoning her with fucking sugar… Everyday he was putting a little bit in her morning coffee and not giving her the insulin she needed. She was a Type 1 diabetic and he did all of it for some fuckin insurance money..” You sighed, running a hand through your hair. Before yanking it in frustration and punching your fist through the nearest wall, your face was blank and unmoving for a second not even flinching as you removed your bruised fist from the drywall. “Mama couldn't have sugar..”

Alastor listened as you explained your mother's demise. His distaste for your father grew more and more as he recalled memories of his own childhood. He'd never tell you to your face, but he could see parts of himself in you from his younger years, if lead in the proper manner, you could become quite the promising killer.

He shook his head. Not the best thoughts to be having right now, not while you're on the edge of a mental breakdown.

“I..Would be lying to you if I said I knew what to tell you about such an awful situation..” He stated hesitantly. “But I can say that I am sorry, that you had to deal with something like this so early in life.”

“Don't be sorry, there's nothing to be done about it…She's gone now and I have to get away from him.” You declared, looking at your now bruised hand. “Now you understand why I made that wish. On any day, at any time, for any reason, that man could decide to kill me. To kill his own daughter in cold blood..”

Alastor hummed. “If you know this, then let me help you." He demanded. "I cannot sit idly by forever my dear, these links to your world are only good for short times to prevent other demons from causing other problems. No one understands the severity of this situation more than you. I would love to help you exact revenge on that putrid sack of skin but you must choose before it is too late and I am no longer around..

You sat in silence as Alastor did his best to help you come to a decision. As much as you hated being rushed, you couldn't deny that he was correct. But the decision was hard, harder than you thought it would be considering the fact that you still loved your father and the man he used to be…

All these thoughts ran through your head on a daily basis, everytime they made you wanna curl up and cry. Snatching up the plush doll, you gave it a good squeeze and hid your face in your knees, wishing that your Mom was still around.

The Radio Demon pursed his lips in thought, he wasn't good with others emotions unless he could feed off of the entertainment from it, much less comforting them. There was nothing entertaining about this, about you being sad. He didn't like it for a reason he couldn't explain, perhaps because you were so bubbly in the beginning?

You weren't trying to do anything miraculous, you just wanted to live your life in peace and possibly get justice for your mother. That was something he could understand. He wouldn't mind completely decimating your Dad, truly he wouldn't! It'd be on the house for you, truly you're the most pitiful soul he's come across in a long while.

He supposed he could pull a few quick strings to make you feel better in the moment. To bring back that smile of yours, full of wonder and a desire for life.

As you continued to seek shelter in your knees, you felt a gentle touch caress the top of your head, sharp claws softly scraping your scalp in an attempt to comfort you.

Wait..

WHAT?!

Quickly yet carefully, you snapped your head up to see none other than The Radio Demon crouched down right in front of you. His hand still rested on the crown of the head as you both stared at each other for a moment.

“I'm sorry.. am I dreaming?” You blurted out.

Alastor smiled, laughing in a low tone at your completely gobsmacked expression. “Fortunately for you, the answer is no my dear. As a gentleman, it'd be rude of me not to at least attempt to help a lady in emotional distress.”

You were still dazed and confused about him being here, much less t o u c h i n g you!! “Ida..I-- I didn't know you could-”

“Travel through the radio? It is quite possible but I only do so on rare occasions since it requires a fair bit of my power that cannot be overexerted in one day.”

Standing up to his full height, you realized how tall he was and thanked God that the ceiling was high enough for his antlers not to scrape. Crawling out of your chair, you immediately felt like an ant compared to him, the top of your head barely came to his collarbone.

“Holy crap you're tall." You blurted again. "I mean, I knew that you were tall but, you're really, really tall..”

Smirking with pride, he twirled his cane expertly like the show off you knew and loved. “7”0 exactly my dear, a foot taller than I was when I was a mortal! Though I suppose that was the universes funny way of punishing me for my crimes, I've bumped my forehead on door frames a good 50 times in both life and death!”

As you examined his real life appearance, you couldn't help but laugh. “Yeah well, the heels don't help.” You pointed to his shoes.

He huffed in feigned offense. “They are not heels, darling they are tap dancing shoes and it was quite common for them to have a bit of height back in my day.”

“Okay, Fred Astare.” You snorted as he settled himself on the side of your bed as you marveled at the fact that he was still taller than you even while sitting down. “And here I was preparing to offer you a dance in hopes of lifting your spirits, only for you to insult my tastes in fashion.” He hmphed, crossing his arms and legs while sticking up his pointy nose towards you.

In a daring moment, you sat right next to him crissed crossed, careful not to to touch him while he continued to play offended. “C’mon Al, don't be so huffy. I didn't mean anything by it.”

“ ‘Al’ huh?” He hummed. “Sounds like someone is getting rather familiar.”

“Hey, you call me 'Darling' and 'Dear' so often I think that it's only fair that I call you 'Al' on occasions.”

“I suppose you have a point. Nevertheless, I came here to try and boost your spirits, you seem to be doing better so if you wish to be bratty I can just go back home..” He teased with an evil grin.

“Wait!” You said just a bit too loudly. “Would you like to play a game with me? Ya know, before you go..”

Alastor raised an eyebrow in curiosity as he parted his lips to deny your offer, until you pulled out the big guns and gave him your best puppy girl eyes. A chill went down his spine from your usage of such cheap tactics, remembering his years as a lad and doing the exact same thing when he wanted something desperately from his dear mother.

“Okay! Okay!” He said, placing his hands up in surrender. “I shall subject myself to whatever game this is for one round, as long as you stop making that revolting expression..”

He watched as you smiled with pure enthusiasm. Such a beautiful smile you had, it made him irritated that you didn't do it more, yet proud that he typically was the source of it sprouting in the first place. Crimson eyes followed your movements as you shuffled off the bed to grab a small deck of cards off of your shelf. A part of him hoped you heard the chuckle that left his lips while you struggled to stand on your toes to retrieve this game.

“It's called ‘Uno’ “ You explained, walking back to him with a red box in hand. “It's a pretty simple game and the rules are easy.” Dumping the cards out of the box, the two of you sat parallel with one another.

”However, this simple game has been known to end more friendships than Monopoly and Mario Kart put together. It shall truly test our bond as companions, only the strongest survive it's trials..” You spoke in a dramatic tone while shuffling the cards and placing the proper numbers out for the both of you. Once you were finished, you placed the extra cards in the middle and looked the Radio Demon square in the eye. “Are you ready?”

“Yes yes,” He replied aloofly. “There isn't any possible way this silly game could cause such a staggering amount of broken relationships. I refuse to believe it's that bad.’

You chuckled bitterly. “You beautiful unsuspecting fool.”

---------------------- ( 2 Hours Later) ---------------------

“That's against the rules!” Alastor hissed underneath his breath as you threw out a fat stack of +2 cards.

“No it's not Alastor, you said you wanted to play stacks and this is how it's played.” You muttered.

The first round between you two consisted of showing Alastor the ropes. The confident man he was, he assured you that the game was easy enough for an infant to play and win effortlessly, especially since he won the first round. You then decide to spice things up by teaching him how to play stacks. He claimed that was easy as well and you allowed him to believe this as the next round consisted of him losing, and so did the next round, and the round after that, and the round after that…

Before you knew it, two hours had gone by and Alastor was determined to beat you at least once. It had gotten so intense that he resorted to taking his tail coat off and even putting his hair up, leaving him in his tight red office shirt and hair that framed his face like the scrumdiddlyumptious being that he was. The sight of his bare arms totally didn't have you blushing up a storm behind your cards.

While he was stewing over his next move, you got to confirm a few fan theories and ogled at his appearance.

Respectfully, of course.

But, the game wasn't over yet. Alastor sat across from you, irritated and with at least eleven cards in his hand, while you had three. The air was tense as he scratched his head and finally decided to throw out a small handful of 8’s, bringing his card count down to five.

Your poker face remained unmoving as you calmly threw out a wild card. “Blue.”

A warble of interference omitted from Alastor's person as his eyes scanned his cards carefully. You were actually surprised at how the tables had turned personality wise. In the beginning, it was Alastor who was calm and collected, but every loss slowly chipped away at the pride that fueled his unwavering persona. His usual smile was now looking more forced, making his disdain obvious.

Throwing out a blue card, you threw out two on top, leaving you with one card as you stated that dreadful word. “Uno.”

With a growl, Alastor tossed out a draw +4. “Red.” He stated blandly. A quick glance at the clock let him know he was late for a meeting with Charlie, but formalities be damned because he was going to win this game.

You took your cards quickly and deemed your hand an amazing one. He replied by tossing out a 2 and leaving three cards left. Victory was close and he swore that once he won he would ‘kindly’ rub it in your face.

But, just as you had been doing for these past five rounds, you had an ace up your sleeve. You tossed out the red ‘Skip’ card, costing Alastor a vital turn that could have turned the tables, only to metaphorically slap him in the face by cheering “Uno!” and dropping your final cards in the middle of the messy deck.

He suppressed a scream of irritation as you did your little victory dance, glaring at you both with gaiety and pure spite. He stood up and snapped his coat back on and his hair back down, he pinched your cheek just a little too hard. “That's enough cutting a rug darling, especially for someone that has two left feet such as yourself.”

“Stop trying to cease my dancing, I must wiggle out my joy.”

With a roll of his eyes, he tuned the radio on to his station to prepare to go back home. “Well you can dance until your heart's content, unfortunately I have to return back home to handle some business.”

Immediately your uncoordinated movements stopped, as you frowned. “Oh, right..”

Part of him felt bad. Not that he would tell you outright, but he didn't exactly want to leave you behind either. The thoughts of what your father could do unannounced made him concerned for your safety, but there wasn't anything he could do. Instead, he smiled genuinely and lifted your gaze up with his finger.

“Chin up, dearest. I shall check on you tomorrow as always and don't forget, you still need to make up your mind about what you want from the options presented to you.”

You didn't reply verbally, but you did nod your head sadly which would have to be enough for now. As he prepared to walk off, he was suddenly stopped by a tight embrace from behind. Anyone else who would have ever dared to think of such a thing would have been a splatter on the wall and he was just about to give you a kind yet serious talk about personal space until he felt something wet soaking through his clothes.

“..Thank you.” You mumbled through the fabric. Inhaling his scent as you sniffled and tried to calm down, honestly you were surprised he didn't push you off.

As mentioned before, emotions were not Alastor's think nor was physical affection. However in this moment, with you crying lightly and hugging him as if he were your only hope of survival, he decided that maybe, just this once, he would let it slide.

For his comfort, you didn't allow the hug to last longer than a minute. Once you pulled away you were embarrassed to say the least and prepared for him to possibly scold or never talk to you again. But, to your surprise, he simply pat your head and whispered, “Sleep tight, cher.”and was gone with a blink of your eyes.

To say you were sad was an understatement, but you knew that he'd be back tomorrow like he was everyday. The idea of talking to him tomorrow. To hear his voice in real time, talking to you and to offer comfort because he actually cared made your heart pound in your chest. As much as you didn't want to think this way, you couldn't help it. He seemed so concerned about you, in a way that no one else has until now.

You did your best to still your beating heart as you began to clean up your fun from earlier, only to find your cards were missing. You looked everywhere and still couldn't find them, ultimately you claimed into bed and decided that maybe Alastor snapped them somewhere you'd never find so that he wouldn't have to loose, I mean, play anymore.

Meanwhile…

“Alastor you're late!” Vaggie snapped as he came waltzing down the stairs, following her to where the rest of the group sat waiting.

“I am aware Vagatha, I was busy doing something else.” He replied calmly, only to make the fallen angel more irritated. “Whatever, I hope you brought something because it's your turn for a group activity today..”

“But of course! How could I forget?” He smiled impishly, before pulling out a red box with a familiar word on it. Once with the rest of the residents, Alastor clapped his hands together and pulled out a chalkboard seemingly out of nowhere.

“For today's activity being hosted by yours truly, we shall all be playing a game suited for bonding and the strengthening of relationships,” He beamed, writing out the title of the game in big letters for everyone to see.

“The name of the game is...UNO!"

------------------------------------------------------------

(Thank you for coming back for Chapter 3# of this story! I hope you stick around for the next one because I plan to make it the last. I've been so busy with life and stuff, it's kinda hard to find time or motivation to write, but I do want this to come to a close while still making room for a bit of fun between Al and the Reader.

For those who asked me to make a tag list, I'm not entirely sure how to 😅. Though I will try to figure it out for the next time I write a short story. Don't forget to leave your opinions behind in the comments and thank you for all the love you guys give me, it means a lot 💜

Stay Tuned! :D

Taglist: @twistedvanillacoffee @diffidentphantom @boldlyenchantingfox22