#if i use myself as an example over any other person in my life

[callipraxia]

I’ll admit it - thinking of ‘but what will people think of me?’ has stopped me short of writing things before, in everything from writing actual content to writing part of a review on a friend’s story. “What will [Friend] think, seeing that I know that? Even if I explain the actually relatively innocuous reason why I know it, would they even believe me? This is an issue of how something is portrayed in media that I feel pretty strongly about, but in context, it might be better to just…drop it.”

I…tried actually including a detailed example of my next point here, drawing from Anon’s Robert Jordan remark, but it ended up breaking the thousand-word limit before I even got past the introductory explanations, so I guess I’ll write a separate essay about why I don’t really agree with the “dudebro is secretly obsessed with lesbians and BDSM” line of thinking, maybe link it back here later if I remember. In the meantime, the point was - if I start thinking “dang, I think Author X has an Issue with Y,” it’s usually a lot less because of what the author leaves in than what the author leaves out. As an author, one deliberately chooses to explore certain topics, including dark ones that reflect the issues that preoccupy us (isn’t Anne Rice’s work supposed to be kinda messed up? I mean, I’ve never read a word she wrote that I can recall, but aren’t they all, y’know, horror novels?). As distasteful as we might find it, incest and pedophilia and sexual assault and suicide and all those other words you can’t use on YouTube are real things that happen every day. There’s a plethora of reasons why any given author might want to explore such issues in writing, and at least half of ‘em have nothing to do with sex. I’ve never heard anyone imply that Dostoyevsky must have been really, really turned on by the thought of attacking pawnbrokers with axes, much less that he ever committed a murder in real life just for the heck of it. From what I’ve read - though to be fair, my reading on the subject is not extensive - Nabokov probably wasn’t really a pedophile, and Mario Puzo probably had nothing to do with real-life organized crime. I have heard a few people suggest Stephen King must be a perverted serial killer in real life to write what he writes, but those people were idiots. And so forth. Point is, an author examining evil through a certain point of view really should not lead to the assumption that the author has done or wants to do any of those bad things. That’s why we say that authors use their imaginations when they’re working.

Plus, well…nine times out of ten, nobody’s going to make you read a book. If you really can’t read a book without getting uncomfortable because you can’t stop thinking that X or Y means that the author might have wanted his wife to put him on a leash and spank him, you can almost always just…put down the book and go read something else. You can also do this if you’re uncomfortable with Anne Rice apparently having conflicting feelings about God - that isn’t a potential theme that bothers me, but I know people who would be upset for days about reading something that even hinted at someone Having Questions about the divine. Heck, I have a few books I 99% enjoy and I just skim over or entirely skip parts that involve actions I find uncomfortable - my one hard rule is that I won’t willingly even skim anything where bad things happen to pets, but even then, I don’t assume that everybody who ever earned a Newbury Medal is a bad person who likes thinking about such things. I just don’t read their books. Unless you are compelled to do otherwise for a class* or the like, just do thou likewise.

*I was, very reluctantly, compelled to read two books in my undergraduate Adolescent Literature class where bad things happened to dogs; it was the first and last time in my life that I’ve ever tried to get out of reading something, but the professor didn’t believe what I could bring myself to explain about just how negative of a reaction I knew I would have if I read any books with dying dogs in them. Now I still have one of those scenes lodged in my carousel of intrusive thoughts that drive my anxiety level up and make it really difficult not to engage in compulsive behaviors whenever they rudely shove their way up to the front of my brain, but I don’t think badly of Sherman Alexie because of it.

Do you think authors sometimes don't realize how their, uh, interests creep into their writing? I'm talking about stuff like Robert Jordan's obvious femdom kink, or Anne Rice's preoccupation with inc*st and p*dophilia. Did their editors ever gently ask them if they've ever actually read what they've written?

Firstly, a reminder: This is not tiktok and we just say the words incest and pedophilia here.

Secondly, I don't know if I would call them 'interests' so much as fixations or even concerns. There are monstrous things that people think about, and I think writing is a place to engage with those monstrous things. It doesn't bother me that people engage with those things. I exist somewhere within the whump scale, and I would hope no one would think less of me just because sooner or later I like to rough a good character up a bit, you know? It's fun to torture characters, as a treat!

But, anyway, assuming this question isn't, "Do writers know they're gross when I think they are gross" which I'm going to take the kind road and assume it isn't, but is instead, "Do you think authors are aware of the things they constantly come back to?"

Sometimes. It can be jarring to read your own writing and realize that there are things you CLEARLY are preoccupied with. (mm, I like that word more than concerns). There are things you think about over and over, your run your mind over them and they keep working their way back in. I think this is true of most authors, when you read enough of them. Where you almost want to ask, "So...what's up with that?" or sometimes I read enough of someone's work that I have a PRETTY good idea what's up with that.

I've never read Robert Jordan and I don't intend to start (I think it would bore me this is not a moral stance) and I've really never read Rice's erotica. In erotica especially I think you have all the right in the world to get fucking weird about it! But so, when I was young I read the whole Vampire Chronicles series. I don't remember it perfectly, but there's plenty in it to reveal VERY plainly that Anne Rice has issues with God but deeply believes in God, and Anne Rice has a preoccupation with the idea of what should stay dead, and what it means to become. So, when i found out her daughter died at the age of six, before Rice wrote all of this, and she grew up very very Catholic' I said, 'yeah, that fucking checks out'.

Was Rice herself aware of how those things formed her writing? I think at a certain point probably yes. The character of Claudia is in every way too on the nose for her not to have SOME idea unless she was REAL REAL dense about her own inner workings. But, sometimes I know where something I write about comes from, that doesn't mean I'm interested in sharing it with the class. I would never ever fucking say, 'The reasons I seem to write so much of x as y is that z happened to me years ago' ahaha FUCK THAT NOISE. NYET. RIDE ON, COWBOY.

But I've known some people in fandom works who clearly have something going on and don't seem to realize it. Or they're very good at hiding it. Based on the people I'm talking about I would say it's more a lack of self-knowledge, and I don't even mean that unkindly. I have, in many ways, taken myself down to the studs and rebuilt it all, so I unfortunately am very aware of why I do and write the things I do most of the time. It's extremely annoying not to be able to blame something. I imagine it must be very freeing. But it ain't me, babe.

Anyway, a lot of words to say: Maybe! But that might not stop them from writing it, it might be a useful thing for them to engage with, and you can always just not read it.

Also, we don't censor words here.

[ai-art-thieves]

they're calling us ableist for pointing out ai art XD

Ok. Let me understand what's going on here

You try to alert someone about this, but it didn't go too well and now rjalker is demanding for a witchhunt for anyone that goes against crippled-peeper.

And I thought shit like this only happens on twitter....

Might as well clear my name and debunk the claims present here.

To clarify, transmisic is not a misspelling of transmisogynic. It is another word for "transphobic".

First of all, I had never interacted with crippled-peeper before I got the tip from anon. At all.

I never even heard of that user before in my life.

I probably bet that the users that rjalker claim to be ableist or transmisic have never heard of or interacted with crippled-peeper either.

Next point:

Let me answer rjalker's question with a question. Have you ever seen JPEG artifacts before?

And, more specifically, do you know the difference between ai pixel art and regular pixel art?

The fact that it don't show evidence/proof that the icon is not ai generated and shows examples of jpeg artifacting clearly shows that its post is a reactionary response. (I know this sentence structure sounds kind of weird, but I'm trying my best with the pronouns that I have been provided.)

Luckily, I can debunk that claim right away because I am quite familiar with pixel art myself.

I have done my fair share of sprite edits.

And before this user claims that I'm stealing another person's art, no. I am not. My main account is @magicalmysteryperson, and here is the proof.

Here's links to the pieces as well.

Now, with that out of the way, allow me to prove why rjalker's claims make no sense.

By redrawing the image from scratch. Here's the image.

here's the original, for reference

Already something is amiss.

There are a whole bunch of varying line weights and splotches that are considered by most sprite artists as serious faux pas.

Some parts of the image are blending with each other.

The gradients with both the floor and the wall are way too smooth for an image like this.

And the small leaves on the soil are an extremely big give away that the image was ai generated.

I am not demonizing the person for ai generating their icon.

Yes, ai art is bad, but some people do use it, even disabled artists.

I'm not going to demonize someone just because they play with that tool.

It's the dishonesty that is the main issue here.

Remember: their story behind this icon was that they made it over three years ago.

And their stance on AI on September 25th, 2024:

However, the claim that they made the image over three years ago is put into question when in 2021, 2022, and 2023, they had various other icons... as well as using ai art constantly.

The images in the latter two screenshots have not been archived by the wayback machine, and these posts have been scrubbed by the user. Again, everything prior to 2023 is scrubbed from the account.

I will also do what rjalker did and provide wayback machine links. here, and here, and here, and especially here.

Now, let's tackle the second claim: "It's JPEG compression".

Here's both the png and the jpeg files of the plant I drew.

Note that with the jpeg compression, you can also see that even though the image looks softer, there is still a form of pixelation. It's still made up of little squares, not rounded splotches.

You can simply look up "compression artifacts" and find that what's going on in crippled-peeper's image is not the result of jpeg compression artifacting.

If you want to see what my image looks like in a bigger form, here you go.

I have also did numerous forms of jpeg compression to see if I could replicate what crippled-peeper did.

I wasn't able to.

I just got more cronch and more pixels.

And before rjalker claims that the icon was an ai upscale of a jpeg...

I upscaled my own images on various sites to check if that claim even had any legs to stand on.

While some of the effects were present, it wasn't enough for me to replicate what crippled-peeper did unless I made the same thing with an ai image generator.

Until crippled-peeper has proof that the image was made over three years ago and made on a tablet in the hospital, the allegations presented here stand.

And please, do not harass rjalker.

I get that it made a post that, while it had the best intentions, was poorly researched and reactionary.

But I don't want that post to ruin its life.

I want that post to be used as a teachable moment.

To think before you type or post.

Don't let your gut control you. Just stop and think.

You don't want to post a call out post that completely backfires and hits you instead.

Not that it matters, they already blocked me.

[angelnumber27]

violently forcing myself to have better days

[dalishious]

The Sanitized Lore of Dragon Age: The Veilguard

Tevinter is the heart of slavery in Thedas. This lore has been established in every game, novel, comic, and other extended material in the Dragon Age franchise to date that so much as mentions the nation. But in Dragon Age: The Veilguard, when we are finally able to actually visit this location for the first time… this rampant slavery we’ve heard so much about is nowhere to be found. It’s talked about here and there; Neve mentions The Viper has a history of freeing slaves, as does Rook themselves if they choose the Shadow Dragon faction as their origin, for example. But walking down the streets of Minrathous, you’d never know. Because Dragon Age: The Veilguard, for all its enjoyment otherwise, has one glaring issue: It’s too clean.

The world of Thedas is full of injustices. Humans persecute elves, fear qunari, and belittle dwarves. Mages of any race are treated like caged animals in most places. The nobility is corrupt. Although, Dragon Age has not always handled these injustices well, mind you. Many, many times I’ve found myself frustrated with moments that just feel like a Racism Simulator. But what makes it worth it, is when you can actually do something about it. These injustices are things that a good-aligned character strives to fight back against, maybe even for very personal reasons. Part of the power-fantasy for many minorities is that this fight feels tangible. I cannot arrange the assassination of a corrupt politician in real life, but I sure can get Celene Valmont stabbed to death in Dragon Age: Inquisition, for example. Additionally, these fictional injustices can be used to make statements on real life parallels, like any source of media. For example, no, the Chant of Light is not real, but acting as a stand-in for Catholicism, through a media analysis lens we can explore what the Chant of Light communicates on a figurative level.

When starting Dragon Age: The Veilguard and selecting to play as an elf – this should be unsurprising to anyone who is familiar with my bias towards them – I was fully prepared to enter the streets of Minrathous and immediately get called “knife-ear” or “rabbit”. But this did not happen. I thought perhaps it was just a prologue thing, but returning to Minrathous once again, there was not a single shred of disapproval from any NPC I encountered that wasn’t a generic enemy to fight. And even the generic enemies, the Tevinter Nationalist cult of the Venatori, didn’t seem to care at all that I was a lineage they deemed inferior before now. This is a stark difference from entering the Winter Palace in Dragon Age: Inquisition and immediately getting hit with court disapproval and insults. Are we now to believe that Tevinter has somehow solved its astronomical racism and classism problems in the ten years since the past game? Or perhaps are we to believe all the characters who have demonstrated Tevinter’s systemic discriminatory views were just lying or outliers? Because it makes absolutely no sense at all for this horribly corrupt nation to not have a shred of reactivity to an elven or qunari Rook prancing around. But here were are, and not a single NPC even recognizes my character’s lineage. And because this is so different from every single past game, it feels weird.

As an elf, you have the option to make a comment about how “too many humans look down on us” in one scene early in the game. You can also talk to Bellara and Davrin, the elven companions, about concerns that people won’t trust elves after finding out about the big bad Ancient Evanuris… but this is presented as if elves don’t already face persecution. It’s all so limited in scope that it could be all too easily missed if you are not paying very close attention, and coming into the game with pre-existing lore knowledge.

All this made it easy to first assume that the developers simply over-corrected an attempt to address the Racism Simulator moments. And if that was the case, than I would at least give credit to effort; they did not find the right balance, but they at least tried. However, the sudden lack of discrimination against different lineages in Dragon Age: The Veilguard is not the only sanitized example of lore present.

In Dragon Age: Origins, Zevran Arainai is a companion who is from the Antivan Crows; a group of assassins. He discusses in detail how the Crows buy children and raise them into murder machines through all kinds of torture. The World of Thedas books also describe how the Antivan Crows work, echoing what Zevran says and expanding that of the recruitment, only a select handful of those taken by the Crows even survive. When you start Dragon Age: The Veilguard as an Antivan Crow, you immediately unlock a re-used codex entry from the past, “The Crows and Queen Madrigal”, that says the following:

“His guild has a reputation to uphold. They are ruthless, efficient, and discreet. How would they maintain such notoriety if agents routinely revealed the names of employers with something as "banal" as torture.”

Ruthless, efficient, and discreet. Torture is banal. This is what the Crows were before Dragon Age: The Veilguard decided to take them in a very different direction. The Antivan Crows in this latest game are painted as freedom fighters against the Antaam occupation of Treviso. Teia calls the Crows “patriots”. And while I can certainly believe that the Crows would have enough motivation to fight back against the Antaam, given that it is in direct opposition to their own goals, I cannot understand why they are suddenly suggested to be morally good. They are assassins. They treat their people like tools and murder for money. Even as recent as the Tevinter Nights story Eight Little Talons, it is addressed that the Antivan Crows are in it for the coin and power, with characters like Teia being outliers for wanting to change that. It makes the use of the older codex all the more confusing, as it sets the Antivan Crows up as something they are no longer portrayed as.

I personally think it would have been really interesting to explore a morally corrupt faction in comparison to say, the Shadow Dragons. Perhaps even as a protagonist, address things like the enslavement of “recruits” to make the faction at least somewhat better. (They are still assassins, after all.) Instead, we’re just supposed to ignore everything unsavory about them, I suppose…

We could discuss even further examples. Like how the Lords of Fortune pillage ruins but it’s okay, because they never sell artifacts of cultural importance, supposedly. Or how the only problem with the Templar Order in Tevinter is just the “bad apples” that work with Venatori. I could go on, but I don’t think I have to.

It is because of all this sanitization, that I cannot believe this was simply over-correction on a developmental part. Especially when there is still racism in the game, in other forms. The impression I’m left with feels far deeper than that; it feels corporate. As if a computer ran through the game’s script and got rid of anything with “too much” political substance. The strongest statements are hidden in codex entries, and I almost suspect they had to be snuck in.

Between a Racism Simulator and just ignoring anything bad whatsoever, I believe a balance is achievable; that sweet spot that actually has something to say about what it is presenting. I know it is achievable, because there are a few bright spots of this that I’ve encountered in Dragon Age: The Veilguard too. For example, some of the codex entries like I mentioned, and almost all the content with the Grey Wardens thus far. It is a shame there is not more content on this level.

Dragon Age: The Veilguard is overall still a fun game, in my opinion. But it’s hard to argue that it isn’t missing the grit of its predecessors. The sharp edges have been smoothed. The claws have been removed. The house has been baby-proofed. And for what purpose?

-----

Want to support me writing more essays like this? Become a Patron!

[wildfire317s-oc-box]

"I suppose you could say that, though I am confused about what you mean by "act"...Demons can change how old we look physically but in our heads we are still the same age we were when we were turned..." *She explained as she tilted her head to the side and her carved eyebrows give a wooden sounding click as they move into a quirked position* "So one of my demon arts is partially why I am able to transfer bodies, it is why I am able to switch over without any assistance and helps make sure I do not accidentally possess a table or something...another one allows me to do something similar to what Tsuki-chan's spider friend can do, for example" *she explains before spawning threads of dark blue yarn from her finger tips and around the limbs of a doll which she gracefully and gently puppeteers around for a moment before setting the doll down again* "and then another one allows me to bring other toys to life and if they are loved and played with enough they even have their own personalities...and then theres the one that allows me to create a toy that can be used in self defense...one of them is more for my fabric forms and allows me to completely unravel myself and get into small spaces and the last one is mostly because I can't grow my limbs back and stuff but it lets my to control any of my limbs that get detached" *If asked she wouldn't exactly call her original eating habits a sore subject, more so just an awkward one since it involved her birthparents jobs*

*A red fox with a camellia flower red collar and a messenger bag scampers up to you before barking softly to get your attention, perhaps the little creature has something for you?*

She looks down at the smaller creature with a gentle smile. “Hello there little one how can I help you today?” She reaches her hand down slowly to let the little fox sniff her and get her scent.

[catmask]

if it's not too intrusive, would you be comfortable talking about your experiences with OCD and maybe what made you seek a diagnosis?

idm it might help other people. i mean disclaimer not to use this as a diagnostic tool but if this sounds like u and u got a doc to talk to its worth bringing up

i think an important place to start and why i didnt think i had ocd is i am 1) autistic 2) a csa victim. this is pertinent because all of the things that actually lead me to get diagnosed with ocd i just kept dismissing as parts of those two other things. thinking 'surely this is all thats up there cant be anything else wrong with me' (<- thoughts of a clown)

the trouble with this is that coping skills id found for parts of both autism and csa trauma weren't working with things i later found out were related to ocd. so like, for example. frequently having intrusive thoughts about csa/sex trauma, i was told that if im experiencing a flashback the best thing i can do is try to ground myself and comfort myself. and yeah this is true, it would work if a flashback is all it was. but what it DIDNT account for is the guilt/dirty feeling id get after having them and the obsessive need to be 'clean' after.

and this trickled into hundreds of aspects of my life. 'cleaness' has always been such a vague unattainable concept unmedicated for ocd. if some things touch other things theyd become 'unclean'. if a person i felt uncomfortable around touched me or something it became 'unclean'. there were 'good' and 'bad' thoughts to have. i was constantly existing as if my presence was being monitored 24/7.

i could not fucking relax because every action i took, regardless of whether or not i was in private, i was constantly thinkin 'am i doing something wrong? am i hurting someone by doing this? am i breaking any rules?' and the 'bad thing' i was doing was like. i missed my boyfriend while he was at work. or i was going over former scenarios in which i was socially awkward in my head and wondering if i should be dead for doing that.

part of why i dismissed this as autism ofc too is yknow. being autistic i often missed social queues as a kid and was pretty brutally punished for it (physically by my parents, emotionally and socially by peers) so i was like yeah its Normal and Realsitic id have super intense fear about 'am i secretly doing something bad and dont realzie it because no one will fucking tell me until ive already done it and its too late and then i deserve all the punishment i get' but where my loved ones stepped in and were like Hey thats Not really normal. is where it waslike. other autistic people going 'brother i dont do that'

so yeah. it was like. kind of rule of elimination? the problems that wrrent getting solved by coping skills for the Other problems i Knew i had, i isolated those leftover things and my doctor was like 'this sounds like you have ocd. do you do this too' and listed out like 60 other things i didnt consider symptoms i just considered 'funny quirks' i had, like crying so hard id throw up if i couldnt get a blanket to lie perfectly flat during a picnic when i was 8 or thinking i was going to hell and my stuffed animals could feel pain so i would apologize to them iver and over while crying when they fell off the bed

you know. 'quirks'

[pinkolve]

A Spencer Reid Fic- The One Where He Reads Her Diary

───── ⋆⋅☆⋅⋆ ─────

Summary: Spencer Reid gets pressured into reading your diary. How will things end after you find out...

Genre: Fluff, and a little angst

CW: Autistic coded!Fem!Reader, use of Y/N, a bit of dramatic? reader, sad Spencer :(, steamy kisses, slight artist!reader.

Word Count: 2,227

A/N: I'm not the best at writing in a reader's perspective!! I always write my fics with myself in mind, so y/n is usually very similar to myself. I hope you still enjoy this anyways, and let me know if you have any tips for writing x reader fics!! Thank you! <33

Y/N’s always been an honest person, she always tells people exactly what she thinks. She’s blunt, but still kind. Y/N believes that everyone deserves to know the truth, especially when specifically asking for it. But, she also has millions of secrets piled up. Some of them, people know. The others…No one knows, except her diary. 

Y/N had just turned twenty-two a few months ago. Some would argue she’s much too old for a diary, while others would say how beneficial it is for the mind. Like Spencer Reid, for example. He himself had a journal, he just hadn’t used it nearly as much as she did.

He used his journal to talk about important events or changes in his life, while Y/N used it for everything. She wrote everything she ever thought, and drew whatever came to mind. 

The one mistake she had made from the start was keeping her diary in her work bag…That she always left on her desk when she left for the bathroom. 

***

“Reid, man, come on. You need to tell her eventually.” Morgan bantered, standing right next to Spencer’s desk. 

“I’d rather not look like an idiot, Morgan.” Spencer slightly rolled his eyes, still focused on his paperwork. 

“You already do?” Morgan said, confused. Spencer looked up with a scowl. “I’m just messin’ with you Pretty Boy! Just ask her out for coffee, nothing wrong with coffee.” He shrugged. Spencer simply shook his head, staring back down at his files. Morgan shook his own head in disapproval before walking back to his own desk, passing Y/N’s in the process. 

As he passed by, his hip bumped the half-open bag on her desk, knocking it to the floor. Morgan immediately turned around and swore. He set his mug down on the desk and bent down to grab her bag. He took notice of a surprisingly thick notebook. He picked it up and reveled at how heavy it was. Morgan looked at the cover to read ‘Diary.’ His eyes immediately widened. 

A smirk took over his face as he placed the bag back on her desk and carried the journal back over to Reid’s desk. Once he was close enough, he threw the journal on the desk with a particularly loud ‘thud.’ Lucky for the two of them, the office was mostly empty so they were able to pull more shenanigans than usual. 

Spencer looked over at the cover and looked up at his friend with furrowed brows. 

“What is this?” 

“Y/L/N’s diary. Fell out of her bag.” He gestured behind him. Spencer’s face went white, his jaw dropping, and eyes almost bursting out of his head. 

“You cannot be serious! Put this back!” He jumped up from his desk, journal in hand, ready to bring it back to its rightful home. 

“Woah there, Pretty Boy!” Morgan put his palms against Reid’s chest, pushing him back in his desk chair. “You have a major advantage here. You read that, and you’ll probably know everything Y/N’s ever thought about you.” He wiggled his eyebrows. Spencer’s face was angry. “Look Reid, if Y/N finds out I’ll take all the blame. I’ll tell her I read it to you and you didn’t want anything to do with it.” Spencer looked down at the book in his hands, contemplating. 

“I can’t believe I’m letting you convince me into doing this.” Spencer sighed, shaking his head to himself. He hated the idea of invading his best friend’s privacy but he was also still a man. A man with a terrible crush on said best friend. How could he hold her very diary in his own two hands and not read a single word? “One page, that’s it!” Spencer groaned while Morgan ‘woo-hooed.’

Spencer took notice of just how thick the journal was before opening to the newest page. He held the book open gently, praying he wouldn’t break it since it was falling apart already. He looked at the left page, two messy sketches were drawn there in pen. They both were of him, the specific view Y/N had of him from her own desk. These are actually pretty good…He thought to himself. 

“Holy shit, Reid. Is that you?” Morgan practically gasped. 

“Yeah.” He whispered, too entranced by the book. The right page had an entry. 

11/10/24 Sunday, 6:22 pm

Dear Diary, 

Today hasn’t been very eventful. I came into work to try and finish some of my paperwork. Morgan and Spencer apparently had the same idea. I’ve been feeling so weird around Spencer lately. I can’t quite put my finger on why. Usually I feel fine around him, he is my best friend after all. I think it may have something to do with the wet dream I had about him last night…I can’t quite shake it from-

“Okay! That’s enough!” Spencer shut the book harshly, his face beet red. Morgan looked at him with a wide grin. 

“Why wouldn’t you keep reading? It was just gettin’ good!” He chuckled. Spencer glared at him. “Well, now we know she likes you.” Morgan smirked. 

“This doesn’t prove anything! People have wet dreams about other people when they don’t even like them, all the time!” Spencer almost screamed. Just then, Y/N came in through the large glass doors, letting out a loud sigh and stretching. She took one look at her desk and groaned. 

“Derek Morgan, I told you to stop leaving your coffee on my desk!” She complained, grabbing it angrily. She looked over at the two, their faces covered in guilt. “What happened to you guys?” She questioned. 

“Nothing. Nothing at all!” Spencer yelled, awkwardly covering the journal with both his arms. Y/N walked towards them while chuckling. 

“Come on guys, you look totally guilty. What’d you do?” She smiles at Morgan then looks over at Spencer, taking notice of the large lump under his arms. “What’s that? Did you accidentally buy erotica again?” She shook her head. She reached over to pry his arms away from the object. “I told you to stop-” Y/N cut herself off, staring at her own journal. Her face drained of any color and every feature on her face practically melted. 

“Y/N/N, I’m so-” Spencer started.

“Shut up.” She spit out. She tore her journal from him and slammed Morgan’s coffee on his desk, causing it to spill everywhere. She practically ran back to her own desk and packed her things. 

“Y/L/N, it wasn’t his fault. I’m the one who-” Morgan tried to reason. 

“I said shut the fuck up!” She screeched, her face red with anger and embarrassment. “I never thought you would do something like this to me. I trusted you with everything I had and you broke it like it was nothing.” She was crying now, looking between the two men. But all of them knew she was only really talking to Spencer. 

“Y/N, please-” 

“Don’t ever talk to me again you fucking asshole!” She sobbed out before running to the elevator and making a fast exit. Morgan looked over at Spencer and his heart nearly broke. Spencer looked like a wounded puppy, his eyes were wide and filled with unshed tears. He looked frozen in place, he couldn’t move a single inch. He begged any and every deity he could think of to make Y/N come back so he could explain. They hadn’t listened to any of his pleas. 

***

Y/N lay in her living room on her large corner sofa. The TV was on, playing ‘Gilmore Girls’ very loudly. She hoped to drown out any thought she had with the noise. So far, it wasn’t working. 

She hadn’t been to work in nearly a week, it was currently Saturday and no one had heard from her. She only called Hotch to tell him she wouldn’t be in for a while, sick with the flu. She sure as hell couldn’t admit that the real reason was because her crush read her diary. It felt stupid enough in middle school, she wasn’t about to say it aloud to her own boss. 

Everyone on the team was very worried, getting barely any information and zero replies from Y/N. Penny, Emily, Morgan and J.J had all come to her apartment on different occasions, begging to see her. She never let them in. The only thing she cared about was seeing Spencer, but at the same time, she never wanted to see him again. Funnily enough, Spencer was the only one who hadn’t come over. Y/N was partially glad for this because she knew if he was at her door, she wouldn’t be able to stop herself from opening it. 

Spencer had of course sent about fifty-three text messages and made twenty-four phone calls to her. Once again, all of them were ignored. Spencer was the kind of person who liked to talk in person, apologize in person. All his text messages were him begging to talk to Y/N, to let him explain. None of them actually contained any excuses or apologies. She was clearly clueless on any reasoning he had, or how much he had read, because he didn’t want to say any of it in a meaningless text. He had been waiting since Wednesday for the weekend to come rolling around. He planned to show up and explain everything, but he needed to make sure they had plenty of time to talk, hence the weekend. 

Everyone on the team knew of his plan so they all refrained from going over themselves. They just hoped the two would figure everything out. 

*** 

Y/N had just gotten out of the shower when she heard a knock on her door. She rolled her eyes to herself and sighed, looking at the time. 

“Which one of them has the brilliant idea to come over at eight in the morning?!” She yelled to herself. She softly and slowly walked against the hardwood floor, careful not to make a single noise and alert whoever was behind the door. She wouldn’t answer it but she at least wanted to know who it was this time. 

“Y/N…It’s me.” Spencer’s voice rang out and she froze. “I know you’re angry but I really need to talk to you. Please let me in.” His voice was pathetic and sad, cracking occasionally. Within seconds the door opened in front of him. There stood the girl he’s been dreaming of seeing all week. Her hair was soaking wet and so were her shoulders and arms. A towel was wrapped around her body tightly, showing off her figure. Spencer watched a single droplet of water pass down between the valley of her breasts. 

“H-Hey.” Spencer choked out. 

“Hi.” Y/N greeted shyly. 

“I need to talk to you.”

“So I heard.” She nodded a little. “What about?” 

“You know what about…” 

“Okay, fine. What specific part of that interaction would you like to discuss? What, did you just come over to make fun of me? To ridicule me for the way I feel? Did you come over here just to humiliate me even more?!” Y/N’s voice raised the more she spoke. 

“No!” Spencer yelled, cutting her off. “I don’t want to do any of that!” He sighed to himself. “I…I never should have read your diary. Morgan convinced me, and I know I should have reacted better, and not listened to him. He just kept telling me how…Convinient it would be. I’ve been scared to tell you how I really feel for the last two years. He told me that reading your diary would be the perfect way to see how you feel about me before I confessed and made an idiot of myself. I just…I had a weak moment and I hate that I hurt you in the process.” A couple tears fell from the corners of his eyes. “I’m so…So sorry, Y/N/N.” 

She looked up at him with an expressionless face. Spencer looked back into her eyes with the saddest look on his face. He was about to ask her what she was thinking when she told him instead. 

“Do you like me? Romantically?” She asked, voice monotone. 

“Of course I do. I genuinely thought it was obvious, I can never stop how flustered I get around you. All I’ve dreamed about since we became friends is spending my life with you. Whether we spend it as best friends or more, I couldn’t care less. I just want you with me every step of the way” Spencer spoke honestly. 

“Kiss me.” Y/N blurted out. Spencer’s eyes went wide. 

“W-What?” He stuttered. 

“Please.” She breathed out. “Kiss me.” Her eyes were heavy and clouded. Spencer was quick to reach down and grab the sides of her face in his hands, pushing their lips together roughly. Y/N whimpered the minute his lips touched her own. Just as fast as the kiss happened it turned sloppy. Spencer’s hands travelled down to her waist, gripping tightly. She had wrapped her arms around his neck, her breasts pushing up against his chest. Their tongues collided and twirled against each other. 

“I love you, Spencer.” She whispered against his lips. 

“I love you more, Y/N.” He sighed.

[divine-crows]

Using Cartomancy to Understand your Witches Compass

This is a method I've been doing to uncover archetypes, symbolism, and mythologies/stories (some of my own making, some are not). If you are personally attuned to divination, this may be a fun exercise for you!

I'd like to note that I'm not an authority by any means over the subject of the Witches' Compass, I'm still exploring and learning how it fits into my life. However, I'm really passionate about the subject so I'm quite eager to share this idea I've been working with.

[Process explained under the cut. Warning! This is a lengthy post]

There are probably more correspondences to the cardinal directions than I'm even aware of, and there are multitudes of ways you can correspond each element. I highly recommend finding a firm understanding of how you generally perceive each cardinal direction, that way you have a basis before you start.

First, a list of things I recommend for this exercise, but they aren't necessarily required:

Have a preexisting idea of what each Cardinal Direction means to you. For example, I meditated on each direction and got an idea of which senses and emotions were evoked by each direction.

Take advantage of how the time of day can be associated with the Compass.

Have an understanding of how the elements connect to your cards and what symbolism they possess.

Now, moving onto the exercise itself:

1. Select a deck from which you can work with.

Tarot. Playing cards. Whatever you feel will take you on this journey without hindering you with preconceived notions. In my case, I selected a playing card deck I consecrated for divination.

2. Select four cards that represent each element along with 'beginnings'.

In my case, I used the ace card and then meditated on each card until I felt pulled to ascribe a direction to each one. You may feel pulled to rely on predetermined associations when it comes to ascribing directions-- go ahead and do that if it feels fit.

3. Take the card you associated with "East", this is the first card you will be starting with. Meditate on what symbolism behind the card means to you and how it empowers the cardinal direction.

If you're working with unfamiliar symbolism, don't shy away from taking a day to research the hidden meanings behind each card. You may also ascribe any preconceived feelings or notions towards this cardinal direction while you meditate on this card.

4. When you feel like you've sufficiently connected to both the card and the cardinal direction, place it to the east. Place the others in one of the cardinal directions.

Since the other cards aren't the focus, it shouldn't matter how accurately the others are placed. However it's desirable to attempt some accuracy if it doesn't pull away from your focus.

5. Now, this is when you will invoke the Compass:

I am not one for consistently opening the compass the same way every time, but for this excersize specifically I felt it nessicary to start with rhythmic humming and chanting. Moving clockwise, I invoked the spirits of each direction. I used an "open arms" gesture as I spoke to better connect me to each spirit (a symbolic way of welcoming each one). When I finished invoking each spirit, I would bend down and place a hand on each card, imagining the spirits of that direction standing guard over their respective card. I also find it helpful to imagine myself as the center of a Compass, and the circle I walk is the bounds I traverse.

6. Stand/sit at the center (whichever is more comfortable for you) and state your intentions with this working:

In this instance, I had said something to the effect of "I ask the spirits to facilitate my exploration of the East direction." And then I specifically asked the spirits of the east to "help me better connect with the direction of the East through symbolism and mythos."

7. Close your eyes and let yourself be taken on a journey. While waiting for the journey to begin, imagine the aspects of the cardinal direction, and imagine sensations and feelings you associate with it.

How this journey looks will vary greatly from person to person based on their beliefs, notions, and ideas of the unseen world. For me, I was approached each time by a different Goddess who shared with me a pivotal story that shaped them, but for you it could be a wide variety of possibilities.

8. After your journey is done, write down what you experienced. I personally like keeping my compass open for this portion because I feel that it helps me recall better. After you're done thank each cardinal direction for it's part in the exercise, and then close the compass when you feel ready.

I strongly recommend taking the rest of the day to do other things. I found it was easier for me to fully understand and digest the experience when I split each component of the exercise into dedicated days.

9. Repeat with each cardinal direction, moving in a clockwise direction.

So after your work with East, you will delve into South, then West, and finally North.

Concluding Statement

I think that just about covers everything! I took heavy inspiration from the exercises created by Ian Chambers in his book "The Witch Compass" so I definitely urge you to read his work if my exercise did anything to help you open your eyes to the nature of your compass.

I myself am nearing the end of my cycle on this exercise (I'll be honest I'm waiting until winter solstice to fully harness the energy of the north for my final journey), and it definitely has given me a robust understanding of how each facet of the compass can represent me as a person.

I hope this idea can be as helpful to you as it was to me! Feel free --as always-- to share any ideas you have for exercises that can supplement this one or ideas that can work alongside mine!

[theambitiouswoman]

How to know if something is normal, or if it’s incredibly messed up but you’re so used to it that you can’t tell the difference:

I’ve spoken about how easy it is for our body to get used to both good and bad things so much so that we can’t decipher the difference. I see a lot in your messages and responses how certain things have become normalized for you, so much so that you don’t consider them a big deal, but should not be something you should be accepting. You’ve become so used to it, you actually don’t realize the effect it has on your frame of mind and health.

This concept is called adaptation—how our bodies and minds become accustomed to certain habits, environments, or stimuli, whether they’re beneficial or harmful. Over time, this normalization makes it harder for us to recognize what is healthy for us and what might be detrimental to our psyche and wellbeing.

For example:

• A poor diet might feel “normal” if it’s been a habit for years, even though it drains energy or causes other health issues.

• On the flip side, regular exercise can feel like a necessity over time because the body adapts to the positive effects.

Sometimes, our lives run on autopilot, and we normalize things that might actually harm us. This is why mindfulness is so important— constantly tuning in to assess whether what we’re used to aligns with what we need for our well being.

How to decipher which is which:

1. Listen to Your Body

• Does it leave you feeling drained, anxious, or unwell?

• Physical Symptoms: Headaches, tension, or digestive issues might be signs of stress or unhealthy patterns.

• Recovery Time: Do you feel worse after engaging in it, whether it’s food, an activity, or even a person?

Try This: Write down how your body feels after meals, activities, or interactions for a week. Notice any recurring discomforts.

2. Evaluate the Long Term Impact

• Does this habit, relationship, or choice align with your goals and values?

• Ask: “If I continue this for 5 years, will it benefit or harm me?”

3. Check Your Emotional State

• Recurring Feelings: Does it bring consistent joy, peace, or growth?

• If it triggers guilt, resentment, or unease, it might not be healthy for you.

• Peace and Joy: Healthy habits and relationships leave you feeling lighter and more fulfilled.

Try This: Before making a decision, pause and ask, “Will this add to my peace or take away from it?”

4. Track Patterns

• Track Daily Habits: Note how you feel physically and emotionally after key moments (e.g., eating, exercising, interacting with people). Journal how it makes you feel physically and emotionally over time.

• Identify Triggers: Over time, you’ll see patterns—what lifts you up and what drags you down.

Start Small: Write down 3 things each day—one thing that made you feel good, one that drained you, and one change you could try.

5. Test Alternatives

• Try removing it or replacing it with something healthier and observe how you feel.

Examples:

• Diet: Swap processed foods for whole foods and notice the difference.

• Relationships: Spend less time with toxic people and see if your stress decreases.

• Habits: Replace scrolling on your phone with journaling or reading for a week.

Ask Yourself: “Do I feel better or worse without this?”

6. Seek Outside Perspectives

Sometimes, we’re too close to the situation to see clearly.

• Ask People you Trust: They might notice what you’ve normalized.

Try This: Say, “I feel like [this habit/relationship] might not be good for me. What do you think?”

7. Trust Your Intuition

Your instincts are powerful. If something feels “off,” it probably is.

• Gut Feelings: Do you feel uneasy or hesitant about continuing it?

• Inner Voice: Are you justifying something that deep down you know isn’t right?

Ask Yourself: “If I truly valued myself, would I allow this in my life?”

[talon-dragonbeast]

Anglocentrism in alterhuman communities: ramblings of a Spanish-speaking dragon and a cat

[original in spanish here, though i have no doubt that this version will be disseminated more widely] • [original en español aquí, aunque tengo la certeza de que esta versión se difundirá más ampliamente]

this post was originally written as part of The Sol System's Alterhuman Writing Challenge. written by @talon-dragonbeast, with the help of my sibling @watcherwingedcat. we hope you like it!

word count: 2422

This writing, which is more of a rant with myself than a proper essay, is one I've been meaning to write for a long time; ever since I first joined an online community, to be more precise. Anglocentrism, according to Wikipedia (and yes, the irony of the article not being available in Spanish is not lost to me), is "the practice of viewing the world primarily through the lens of English or Anglo-American culture, language, and values, often marginalizing or disparaging non-English-speaking or non-Anglo perspectives."

If you are monolingual and your native language is English, chances are you have never stopped to think about the advantage this gives you over those of us who are not so fortunate as to be born with the lingua franca on our lips. Yes, you may have had to study some Spanish in school, but let's be honest, very few people remember what they learn in elementary school. As an English speaker, the whole world is built for you, and it's the rest of us who have to fit your mold. Culture, scientific articles, movies, books, video games, the internet, online communities, technical language, educational videos: even in the most international spaces, everything revolves around English. Which brings me to the subject of this writing: The Alterhuman community.

My name (as I am known on the internet, at least) is Talon. I've been a member of the alterhuman community, and more specifically, the otherkin community, for a little over a year now. Otherkin (a word that comes from other, in Spanish otros; and kin, shortened form of kind, in Spanish tipo) are people who identify as nonhuman in some way. For example, I identify as a dragon (among other things), and that's what I am, even if I look human on the outside and am perceived as such. There are many reasons why someone might believe they are not human, but I'm not here to discuss that, so let's get back to the topic at hand.

Since I've been in this community, I haven't written a single post in Spanish. And not for lack of desire, nor because I am intimidated to share something as personal as my mother tongue. No, the reason is simple: The community does not exist in any language other than English. By this I don't mean that there are no non-humans outside of England or the United States, because of course there are (even if they are on other platforms like TikTok or Instagram), and I'll talk about those later. But simply put, the reason you don't see many alterhuman communities in other languages is because all the resources, the introductions, the chronologies of the (English) alterhuman community, the definitions of the terms, the terms themselves, everything is in English.

I have always been bilingual. Well, trilingual actually, although my third language is not too relevant in my day to day life and I only use it in classes or when someone starts a conversation in the language. It's hard to explain how your brain works when you speak multiple languages fluently, but basically it's like running two parallel systems at the same time, but with thoughts. I don't usually think with words, but when I do it usually happens that some of my thoughts are in Spanish, and others in English, roughly in a 50/50 ratio. Or it can also happen that I start the thought in one language, but finish it in another. Or I may try to use a specific word in English that does not have an exact translation into Spanish, so that when translated literally the sentence does not make sense. Basically, everything I write or say out loud I have to run it through several filters first, one to remove the words from the other language, one to find the words to replace them with, and one to make the sentence make sense. Sounds exhausting, doesn't it? It is. Now imagine if in order to express yourself as you really are, in order to participate in a community with beings who understand and accept you like no other, you had to basically suppress half of who you are, all the time.

The problem is not only not being able to use my native language to express myself. As I have demonstrated in the last year and a half that I have been in this community, I am fluent enough in English not only to be understood when I speak, but also to express such complicated concepts as the self, human nature, the psychology of being, and all that comes with existing as nonhuman. The real problem comes when I try to express relatively common alterhuman concepts in my native language. I'm not just talking about labels like otherkin or therianthrope, which can be adapted to Spanish with relative ease. It's the little things, the simplest things.

For example, the term shift. The word itself is already difficult to translate; during my searches, I found a glossary of terms on the Otherkin Hispano website in which they call them "desplazamientos", which... is an accurate translation, I guess, but impossible to use comfortably in everyday life. There are also terms whose definitions use expressions that simply cannot be translated into other languages. For example, otherkin and otherhearted. In English, the difference between these two terms is that otherkin means "[to] identify as" while otherhearted is "[to] identify with". But this is a purely English expression. In other languages, the distinction does not exist, or it makes no sense to use it; therefore, these terms are totally inaccessible to any international user. Or compound words like "catkin", which are difficult to express in other languages. According to Otherkin Hispano, in Spanish it would be said as is without translation, Soy catkin. But that... is not grammatically correct, since it would be mixing two languages in the same sentence. The most appropriate would be to say Soy gatokin, which sounds wrong and doesn't make sense anyway, because kin is still an English word. Or "hearttype", which in Spanish could be roughly translated as "tipo del corazón" (kind of [the] heart). When saying that you have a specific hearttype, for example "corvidhearted", one way of expressing it could be a simple Soy corvidhearted, which carries the same problems as catkin. Or you could, as Wikipedia advises, say Soy corazón de córvido ("I am heart of corvid"). I don't dislike it, to be honest, but some might find it too metaphorical or poetic.

Finally, and before reaching the conclusion, I want to dedicate a few paragraphs to talk about the alterhuman community that exists in other languages. I mentioned before these communities; that although they do exist, they are very scattered through platforms such as TikTok or Instagram, with which I am not so familiar. But since I can't talk about Anglocentrism without at least talking about the Spanish-speaking alterhuman community, I asked my sibling Watcher @watcherwingedcat what it thought about the topic. This is what they wrote:

Hi guys, I'm Watcher, and I'm here to talk a bit about the Spanish-speaking therian community, which I think is the pristine example of the hate we receive both from people outside the community and from those inside, both Spanish and South American. While this post focused more on the language barriers, I want to focus on the real consequences of this barrier, how it divides us in the way we interact with each other: The social part of this whole thing (as I already said some other time or another and some of my followers know, I am studying Social Education, so from my point of view the social part is very relevant for everything we do). As my sister already said (hi Talon!), the English community is the majority in alterhuman spaces, but, what is the Spanish-speaking community really like?

Not very large, is the answer. The term itself is not very widespread, and the community is quite small. However, after a while of searching, I found it in a little corner of the internet. When I found a community in my own language, I was excited, but my curiosity and joy were soon extinguished... When I saw the reactions to their videos and posts on tiktok mainly. They were packed with hate messages. Packed. If you think hate in the English community is bad, you are not prepared for the hate received in other communities, especially the Spanish one. This is more a matter of culture, a little bit also due to the closed mindedness in countries like Spain, Argentina, or Colombia.

In general, the non-humans of the Spanish-speaking community mostly post about quadrobics and masks. At least, I haven't seen much beyond that, and the community is mostly in tiktok. And the reception of their expression of way of being? Disgusting. To give an example of how bad the hate is, in one of the videos I found (I think it was a therian making a mask or something), humans and non-humans were insulting the therian posting the video, discussions about how we are crazy and sick in the head and should be in mental institutions... It was horrible. The worst were the death threats, even, wishing the therian to die, or hang themselves, or worse (I've even seen rape threats). Comments that said things like, "If my sister told me she was a dog I would take her clothes off and force her to sleep outside and eat animal food, if she wants to be a dog I will treat her like one." Threats of abuse, both physical and sexual... Absolutely disgusting. And the worst thing is that the tiktok platform did not remove these hate accounts, the copy and paste messages of insults, the threats....

I am proud of the Hispanic community for being so open about their identity, don't get me wrong, but there are times when it is safer to just not share that part of who we are with others, especially if you are a minor and vulnerable. That's another issue that concerns me, as I've seen people coming out to parents, siblings, friends, and them just belittling them. That, coupled with misinformation, is a recipe for disaster.

I couldn't help but notice the deep root of misinformation in the non-human community itself. They confuse definitions, the different terms, which leads them to spread even more misinformation. This I don't think is entirely their fault, or that they are so young for the most part, as I have not seen Hispanic therians over the age of 18. I think this is largely due (as Talon already mentioned) to the language difference, and the lack of translation of certain terms. In general, when talking to friends with whom I am open about my non-humanity, I use English terms. It is a little weird to use those words in English while speaking in Spanish, but I am bilingual and for now there is no solution to that. I think the Spanish community would benefit from spreading correct information, and having a platform to express themselves with their own, like tumblr is for the English community. Something my sister expands on in dreir post. As for me here I finish my little comment, I'll leave you with Talon now. Watcher out.

As a conclusion, I would like to talk about the consequences that Anglocentrism might have on non-English speaking alterhumans, and then propose some ideas on how we might begin to address (or at least mitigate) it as a community.

First of all it is the obvious; the vast majority of non-English speaking alterhumans simply never realize that they are alterhumans in the first place, on account of the language barrier. All of the resources for beings who are questioning their humanity or lack thereof are in English, so they are not accessible to people who don't understand the language; therefore, a non-English speaker would have a much harder time accessing them. Another consequence is not being able to express your alterhumanity fully, both internally and externally. Remember when I mentioned that my thoughts are evenly distributed between English and Spanish, always keeping a 50/50 ratio? Well, recently, I have noticed that when reflecting on my identity as a dragon, all my thoughts are automatically generated in English. I find this deeply shocking, as I feel that a fundamental part of my identity is being eroded. It is devastating to feel that you can only express half of who you are, suppressing what could otherwise be a complex and multifaceted identity. Not being able to express myself in my other language limits my ability to explore that part of myself.

Anglocentrism is a cycle that never ends; since all the resources are in English, no members in other languages can join, and since there are no members in other languages, all the resources that are created are in English. And while I wish I could say that I have a solution to end this Anglocentrism once and for all, unfortunately, I do not. I am only one person (dragon), and this is a problem that I alone cannot solve. True, there have been some commendable attempts by the international community (translations of writings, alterhuman blogs in languages other than English, the Eurokin server on Discord are some examples); however, these initiatives often don't often get very far because of the very nature of the community. As I have already said, most of the alterhumans are North American or English, therefore any attempt to globalize the community would be restricted by the fact that there are not many members who would be interested in this in the first place. So what can we do to change this? The answer lies in you, reader. If you have a second language, encourage yourself to create writings in it from time to time. If you come from a culture other than the mainstream, talk about how that affects your identity. If you have traditions specific to your country that you believe are alterhuman in nature, share them. And if you are part of the English-speaking majority, I invite you to contribute in a positive way through simple actions, such as listening to us when we express ourselves in other languages, recognizing that we do not all share the same culture, and keeping an open mind when discussing topics that may be unfamiliar to you. Our strength as a community lies in the diversity of our members; let's embrace it.

[cripplecharacters]

The Mask Trope, and Disfiguremisia in Media

[large text: The Mask Trope, and Disfiguremisia in Media]

If you followed this blog for more than like a week, you're probably familiar with “the mask trope” or at least with me complaining about it over and over in perpetuity. But why is it bad and why can't this dude shut up about it?

Let's start with who this trope applies to: characters with facial differences. There is some overlap with blind characters as well; think of the blindfold that is forced on a blind character for no reason. Here is a great explanation of it in this context by blindbeta. It's an excellent post in general, even if your character isn't blind or low vision you should read at least the last few paragraphs.

Here's a good ol’ tired link to what a facial difference is, but to put it simply:

If you have a character, who is a burn survivor or has scars, who wears a mask, this is exactly this trope.

The concept applies to other facial differences as well, but scars and burns are 99% of the representation and “representation” we get, so I'll be using these somewhat interchangeably here.

The mask can be exactly what you think, but it refers to any facial covering that doesn't have a medical purpose. So for example, a CPAP mask doesn't count for this trope, but a Magic Porcelain Mask absolutely does. Bandages do as well. If it covers the part of the face that is “different”, it can be a mask in the context used here.

Eye patches are on thin ice because while they do serve a medical purpose in real life, in 99.9% of media they are used for the same purpose as a mask. It's purely aesthetic.

With that out of the way, let's get into why this trope sucks and find its roots. Because every trope is just a symptom of something, really.

Roughly in order of the least to most important reasons...

Why It Sucks 

[large text: Why It Sucks]

It's overdone. As in — boring. You made your character visibly different, and now they're no longer that. What is the point? Just don't give them the damn scar if you're going to hide it. 

Zero connection with reality. No one does this. I don't even know how to elaborate on this. This doesn't represent anyone because no one does this.

Disability erasure. For the majority of characters with facial differences, their scars or burns somehow don't disable them physically, so the only thing left is the visible part… aaand the mask takes care of it too. Again, what's the point? If you want to make your disabled character abled, then just have them be abled. What is the point of "curing" them other than to make it completely pointless?

Making your readers with facial differences feel straight up bad. I'm gonna be honest: this hurts to see when it's all you get, over and over. Imagine there's this thing that everyone bullied you about, everyone still stares at, that is with you 24/7. Imagine you wanted to see something where people like you aren't treated like a freakshow. Somewhat unrealistic, but imagine that. That kind of world would only exist in fiction, right? So let's look into fiction- oh, none of the positive (or at least not "child-murderer evil") characters look like me. I mean they do, but they don't. They're forced to hide the one thing that connects us. I don't want to hide myself. I don't want to be told over and over that this is what people like me should do. That this is what other people expect so much that it's basically the default way a person with a facial difference can exist. I don't want this.

Perpetuating disfiguremisia. 

"Quick" Disfiguremisia Talk

[large text: "Quick" Disfiguremisia Talk]

It's quick when compared to my average facial difference discussion post, bear with me please.

Disfiguremisia; portmanteau of disfigure from “disfigurement” and -misia, Greek for hatred. 

Also known as discrimination of those mythical horrifically deformed people.

It shows up in fiction all the time; in-universe and in-narrative. Mask trope is one of the most common* representations of it, and it's also a trope that is gaining traction more and more, both in visual art and writing. This is a trope I particularly hate, because it's a blatant symptom of disfiguremisia. It's not hidden and it doesn't try to be. It's a painful remainder that I do not want nor need.

*most common is easily “evil disfigured villain”, just look at any horror media. But that's for another post, if ever.

When you put your character in a mask, it sends a clear message: in your story, facial differences aren't welcome. The world is hostile. Other characters are hostile. The author is, quite possibly, hostile. Maybe consciously, but almost always not, they just don't think that disfiguremisia means anything because it's the default setting. No one wants to see you because your face makes you gross and unsightly. If you have a burn; good luck, but we think you're too ugly to have a face. Have a scar? Too bad, now you don't. Get hidden.

Everything here is a decision that was made by the author. You are the one who makes the world. You are the person who decides if being disabled is acceptable or not there. The story doesn't have a mind of its own, you chose to make it disfiguremisic. It doesn't have to be.

Questions to Ask Yourself

[large text: Questions to Ask Yourself]

Since I started talking about facial differences on this blog, I have noticed a very specific trend in how facial differences are treated when compared to other disabilities. A lot of writers and artists are interested in worldbuilding where accessibility is considered, where disabled people are accepted, where neurodivergence is seen as an important part of the human experience, not something “other”. This is amazing, genuinely.

Yet, absolutely no one seems to be interested in a world that is anything but cruel to facial differences. There's no escapist fantasies for us. You see this over and over, at some point it feels like the same story with different names attached.

The only way a character with a facial difference can exist is to hide it. Otherwise, they are shamed by society. Seen as something gross. I noticed that it really doesn't matter who the character is, facial difference is this great equalizer. Both ancient deities and talking forest cats get treated as the same brand of disgusting thing as long as they're scarred, as long as they had something explode in their face, as long as they've been cursed. They can be accomplished, they can be a badass, they can be the leader of the world, they can kill a dragon, but they cannot, under any circumstances, be allowed to peacefully exist with a facial difference. They have to hide it in the literal sense, or be made to feel that they should. Constantly ashamed, embarrassed that they dare to have a face.

Question one to ask yourself: why is disfiguremisia a part of your story?

I'm part of a few minority groups. I'm an immigrant, I'm disabled, I'm queer. I get enough shit in real life for this so I like to take a break once in a while. I love stories where transphobia isn't a thing. Where xenophobia doesn't come up. But my whole life, I can't seem to find stories that don't spew out disfiguremisia in one way or the other at the first possible opportunity.

Why is disfiguremisia a default part of your worldbuilding? Why can't it be left out? Why in societies with scarred saviors and warriors is there such intense disgust for them? Why can't anyone even just question why this is the state of the world?

Why is disfiguremisia normal in your story?

Question two: do you know enough about disfiguremisia to write about it?

Ask yourself, really. Do you? Writers sometimes ask if or how to portray ableism when they themselves aren't disabled, but no one bothers to wonder if maybe they aren't knowledgeable enough to make half their story about their POV character experiencing disfiguremisia. How much do you know, and from where? Have you read Mikaela Moody or any other advocates’ work around disfiguremisia? Do you understand the way it intersects; with being a trans woman, with being Black? What is your education on this topic?

And for USAmericans... do you know what "Ugly Laws" are, and when they ended?

Question three: what does your story associate with facial difference — and why?

If I had to guess; “shame”, “embarrassment”, “violence”, "disgust", “intimidation”, “trauma”, “guilt”, “evil”, “curse”, “discomfort”, “fear”, or similar would show up, because it's always the same shit.

Why doesn't it associate it with positive concepts? Why not “hope” or “love” or “pride” or “community”? Why not “soft” or “delicate”? Dare I say, “beauty” or “innocence”? Why not “blessing”? “Acceptance”?

Why not “normal”?

Question four: why did you make the character the way they are? 

Have you considered that there are other things than “horrifically burned for some moral failing” or “most traumatic scenario put to paper”? Why is it always “a tough character with a history of violence” and never “a Disfigured princess”? Why not “a loving parent” or “a fashionable girl”, instead of “the most unkind person you ever met” and “total badass who doesn’t care about anything - other than how scary their facial difference is to these poor ableds”? Don’t endlessly associate us with brutality and suffering. We aren’t violent or manipulative or physically strong or brash or bloodthirsty by default. We can be soft, and frail and gentle and kind - and we can still be proud and unashamed.

Question five: why is your character just… fine with all this?

Can’t they make a community with other people with facial differences and do something about this? Demand the right to exist as disabled and not have to hide their literal face? Why are they cool with being dehumanized and treated with such hatred? Especially if they fall into the "not so soft and kind" category that I just talked about, it seems obvious to me that they would be incredibly and loudly pissed off about being discriminated against over and over... Why can't your character, who is a subject of disfiguremisia, realize that maybe it's disfiguremisia that's the problem, and try to fix it?

Question six: why is your character wearing a mask? 

Usually, there's no reason. Most of the time the author hasn't considered that there even should be one, the character just wears a mask because that's what people with facial differences do in their mind. Most writers aren't interested in this kind of research or even considering it as a thing they should do. The community is unimportant to them, it's not like we are real people who read books. They think they understand, because to them it's not complex, it's not nuanced. It's ugly = bad. Why would you need a reason?

For cases where the reason is stated, I promise, I have heard of every single one. To quote, "to spare others from looking at them". I have read, "content warning: he has burn scars under the mask, he absolutely hates taking it off!", emphasis not mine. Because "he hates the way his skin looks", because "they care for their appearance a lot" (facial differences make you ugly, remember?). My favorite: "only has scars and the mask when he's a villain, not as a hero", just to subtly drive the point home. This isn't the extreme end of the spectrum. Now, imagine being a reader with a facial difference. This is your representation, sitting next to Freddy Krueger and Voldemort.

How do you feel?

F.A.Q. [frequently asked questions]

[large text: F.A.Q. [frequently asked questions]]

As in, answers and “answers” to common arguments or concerns. 

“Actually they want to hide their facial difference” - your character doesn’t have free will. You want them to hide it. Again; why.

“They are hiding it to be more inconspicuous!” - I get that there are elves in their world, but there’s no universe where wearing a mask with eye cutouts on the street is less noticeable than having a scar. Facial differences aren’t open wounds sprinkling with blood, in case that's not clear. Also, despite what you clearly think, unless your setting has like twelve people total, there will be multiple people with facial differences in it.

“It’s for other people's comfort” - why are other characters disfiguremisic to this extent? Are they forcing all minorities to stay hidden and out of sight too? That’s a horrible society to exist in.

“They are wearing it for Actual Practical Reason” - cool! I hope that this means you have other characters with facial differences that don’t wear it for any reason.

"It's the character's artistic expression" - I sure hope that there are abled characters with the same kind of expression then.

“They’re ashamed of their face” - and they never have any character development that would make that go away? That's just bad writing. Why are they ashamed in the first place? Why is shame the default stance to have about your own face in your story? I get that you think we should be ashamed and do these ridiculous things, but in real life we just live with it. 

"Now that you say that it is kinda messed up but I'm too far into the story please help" - here you go.

“[some variation of My Character is evil so it's fine/a killer so it fits/just too disgusting to show their disability” - this is the one of these cases where I’m fine with disability erasure, actually. Please don’t make them have a facial difference. This is the type of harm that real life activists spend years and decades undoing. Disfiguremisia from horror movies released in the 70s is still relevant. It still affects people today.

"But [in-universe explanation why disfiguremisia is cool and fine actually]" - this changes nothing.

Closing Remarks

[large text: Closing Remarks]

I hope that this post explains my thoughts on facial difference representation better. It's a complicated topic, I get it. I'm also aware that this post might come off as harsh but disfiguremisia shouldn't be treated lightly, it shouldn't be a prop for your whump whatever to play around with. It's real world discrimination with a big chunk of its origins coming out of popular media.

With the asks that have been sent regarding facial differences, I realized that I probably haven't explained what the actual problems are well enough. It's not about some technical definition, or about weird in-universe explanations. It's about categorizing us as some apparently fundamentally different entity that can't possibly be kind and happy, about disfiguremisia so ingrained into our culture that it's apparently impossible to make a world without it; discrimination so deep that it can't be excised, only worked around. But you can get rid of it. You can just not have it there in the first place. Disfiguremisia isn't a fundamental part of how the world works; getting rid of it won't cause it to collapse. Don't portray discrimination as an integral, unquestionable part of the world that has to stay no matter what; whether it's ableism, transphobia, or Islamophobia or anything else. A world without discrimination can exist. If you can't imagine a world without disfiguremisia in fiction... that's bad.

Remember, that your readers aren't going to look at Character with a Scar #14673 and think "now I'm going to research how real life people with facial differences live." They won't, there's no inclination for them to do so. If you don't give them a reason, they won't magically start thinking critically about facial differences and disfiguremisia. People like their biases and they like to think that they understand.

And, even if you're explaining it over and over ;-) (winky face) there will still be people who are going to be actively resistant to giving a shit. To try and get the ones who are capable of caring about us, you, as the author, need to first understand disfiguremisia, study Face Equality, think of me as a human being with human emotions who doesn't want to see people like me treated like garbage in every piece of media I look at. There's a place and time for that media, and if you don't actually understand disfiguremisia, you will only perpetuate it; not "subvert" it, not "comment" on it.

I hope this helps,

Mod Sasza

[aliceramblez]

BroZone Brothers With An Insecure S/O 😔💗

Tags: GN! Reader, Self-Deprecating Jokes, Low Self-Esteem, Abandonment Issues, Slight Body Insecurities. Fluff/Comfort.

A/N: Here we go with our first request! I really liked this idea as someone who has low self-esteem, and honestly it goes to all of y'all who think you're not good enough— cause you are! Also sorry it took a bit! I've been sick because the universe hates me 🙃

Feel free to leave a request & hope you enjoy! ^^

John Dory

At first, he doesn't really know what to make of it.

He finds it a bit strange, but doesn't question your odd sense of humor, and will sometimes even join in on the joke by saying stuff about himself, thinking it's some sort of inside thing between the two of you.

“Man, I can't believe I'm so clingy, sorry! Feel free to use me as a bad example, at least that way I won't be totally useless, haha!”

“Ha! You think that's bad? Babe, you haven't even seen me when I'm up at night just staring at the ceiling contemplating my life choices.”

It isn't until getting a good smack from Bruce and Floyd that he realizes you're actually being serious. And the prospect of that kinda puzzles him, not gonna lie.

“Look at you, tiger! Got yourself plenty of groupies already— Not surprising honestly. Don't have to worry about backups when you decide you're ready to move on, either!”

After a performance at the Pop Troll village, everyone is gushing over BroZone because of course they are. JD only barely manages to squeeze past the number of fans to get to you on the other side of the podium.

The oldest sibling looks at you in shock, and has to get closer to make sure he heard you right. “Babe, why would you say that?”

Caught off guard, you manage a nervous chuckle as you play with your hair. “I-I mean... Wow, would you look at the time! We gotta meet with Poppy and the others!”

John Dory stops you on your tracks and demands an explanation, which isn't really good for your poor heart. All you can do is kick the dirt and avoid his gaze, since that makes what you're about to say much easier to voice aloud.

“I mean... You're John Dory. You could date any troll you wanted and yet you're sticking with me. It honestly feels like a dream sometimes... And I'm scared of the day you realize you can do WAY better and decide to leave me.”

After processing this, he immediately holds your face in his hands and gives you the most serious expression you've ever seen on him. “I don't want just any random troll... I want you. You're my number one fan, and I'm yours, so don't even think about stuff like that, okay?”

After the exchange, he's always on the lookout for whenever your bad habit wants to kick in again and is ready to stop it ASAP

Spruce/Bruce

He notices it happens mostly when you're working at the cantina.

Whenever you get an order wrong, trip over your own feet or don't remember how to work one of the machines properly, you'll go into an awkward insecure flight response.

You'll say “Oops! Sorry! Clumsy Twinkle Toes, coming through!” while grinning and laughing along with the customers, but Bruce knows that it's affecting you more than you lead on.

It also happens whenever BroZone is getting ready to perform and you don't know what to do with yourself since you're “standing in the way”, despite being told multiple times that it's okay for you to be backstage with everyone else.

When he talks to you about it, you get really uncomfortable and just say that it's no big deal and that you can handle it.

“I've always been a clumsy person, so I guess that's always making me doubt myself over the smallest of things... Sorry if it's annoying.”

Bruce will then proceed to give you a huge warm hug and a kiss on the forehead as he whispers comforting words into your ear.

“Hey, I can be clumsy too! I've always been the worst out of everyone when it comes to choreography. Don't tell JD though, cause I know he'll throw a fit knowing I don't practice.”

He'll throw in other examples that may seem inconsequential to you, but you appreciate the effort nonetheless and smile and giggle through the embarrassing stories he shares.

He helps you get more confident by being there with you while taking orders at the cantina and praising you whenever you get something right— albeit in private as to not embarrass you.

Same goes with rehearsals, where he WILL drag you into the lounge area to hang with his brothers and/or Poppy and Viva when they decide to visit, too.

Overall he wants what's best for you and will try and push you out of your comfort zone, but only in a safe environment where he knows that if something does go wrong, it won't be as catastrophic as you make it out to be in your head.

You never stop thanking him for being your crutch during these times.

Clay

The moment he hears the words come out of your mouth he's completely flabbergasted.

First of all, who said those things to you? Because he swears he just wants to talk to them—

It's at a sleepover with his brothers and the gals at the Bergen Golf Course, and among the many games, snacks and movies watched, pictures are also taken.

As soon as you take a look at the array of selfies, you let out what sounds like a mix between a laugh and a sigh.

“I mean, at least it stays consistent— in photos, I look ugly. And in real life, I'm also ugly!”

As soon as those words leave your lips, Clay is at your side with an almost unreadable expression, only to snatch one of the photos from your hands. “How DARE you say that about the most attractive troll I've ever met? Shame on you!”

He then starts going around the room waving the picture around to his brothers, saying stuff like “Look how attractive my S/O is! I'm dating them!” while you're just blushing profusely and begging him to stop (even though deep down your kinda giddy about it).

After that day, Clay will do small gestures in which he reminds you how beautiful he thinks you are. Everything to outright saying it each morning, joking about it with his brothers, and even bragging about you to his friends in the Bergen Golf Course.

He's a simp and he's totally okay with that because it's you.

Clay feels like he's the luckiest troll in the world for being able to snatch someone like you since he's “the most boring and uninteresting of the bunch”, so he feels like he's hit the jackpot.

You immediately tell him that he's not boring to you and that he's the best boyfriend ever, which only causes him to smirk.

“Doesn't feel good to know the person you love feels so bad about themselves, does it?”

Finally realizing his reverse psychology, you give in with a laugh. “No, it doesn't. I guess... We can both work on that? Together?”

And so you do, and end up helping each other whenever one is feeling down in the dumps, as a sort of personal cheerleader. You truly couldn't have asked for someone better.

Floyd

You're the kind of person who's very vocal about your interests.

So it's no surprise that you have to catch yourself mid-ramble whenever you're talking about something you're either interested in or knowledgeable about. And with Floyd being such a good listener, it honestly slips your mind more times than you'd prefer.

After realizing you've been talking for too long, you turn pink in the face and start apologizing profusely.

“Sorry! You probably didn't need to hear all of that. They didn't call me ‘Chatter Box’ when I was younger for nothing! Haha...”

But Floyd could care less about any of that. He loves hearing you talk, not just because he's not much of a chatty person, but because he just finds it incredibly endearing.

He'll hold your hands in his own and give you the softest smile ever that just makes you think that it should be illegal to be THIS sweet.

“You're just so cute when you get lost in the moment like that. Besides, I love seeing you happy. By all means, I'm glad you get to do the talking for the both of us, otherwise we wouldn't get anywhere in this relationship.”

You laugh at his attempt to make you feel better and melt under the touch of his lips on your cheek.

After that, whenever you go out either just the two of you or with your group of friends, Floyd will encourage you to express yourself. He does this by either asking you a question directly or subtly incorporating you into the conversation by saying something like. “I think (y/n) knows about this kinda stuff. Don't you, love?”

Obviously this all happens with your consent beforehand, since he doesn't want to put you in a tight spot, either.

Either way, he always values whatever you have to say, since you always bring in new perspectives that maybe others didn't think about before.

He will also encourage you to be yourself and not try and match your topics of conversation with things you think other people will find interesting. You deserve to be happy by sharing what you love with the world.

Poppy and Viva are huge helps in the art of feeling confident by speaking your mind, and Floyd couldn't be happier for you.

You thank him by telling him about your day each night, in which sometimes he'll fall asleep to the soothing sound of your voice, which only warms your heart on so many levels.

“Goodnight, my prince.”

“Goodnight, my little chatter box.”

Branch

Just like Clay, this man is ready to throw hands.

Just give him a name and he'll get the job done before sunrise—

He notices that sometimes you struggle with finding outfits for different occasions, either something casual, dressy, classy, etc.

But it's not because you don't have anything in your wardrobe, on the contrary it's pretty much brimming. It's more the fact that you're not satisfied with any of them because you feel like you don't look good in them.

Branch tries to convince you otherwise, saying that you look great no matter what you wear, but you can't help but feel self-conscious in anything that isn't a good old sweatshirt.

He isn't knowledgeable in fashion (clearly) so he enlists the help of Poppy and The Snack Pack to try and cater outfits to your exact measurements, along with any other nitpicks you've had in the past with either texture or material.

I mean, Branch has backup plans to his backup plans, you think he wouldn't keep notes on what kind of stuff his S/O doesn't like— INCLUDING mundane stuff like their clothing?

He surprises you with these, and you can't help but feel attractive in them since he paid extra attending to the complaints you had from your own designs.

“I personally think you look great no matter what you wear. But if you feel so strongly about it, might as well get some stuff you'll actually enjoy wearing.” He'd said when you asked why he did it, and your heart just melted.

You vow to try and work on your self-imagine regardless, which he gets happy over and says he can't wait for you to see yourself the way he does.

[azrielmasterlist]

His Shadows & Their Starlight

Storyline:-(Ver.2.0) Azriel is sitting next to Elain as you sit by the fireplace reading. You've been staying with Azriel, Cassian, and Rhysand for the past two months in Velaris. You're a mortal but Rhysand says you have different abilities that no mortal should be able to have. For example, winnowing or teleporting. Azriel is in love with Elain Archeron even though Elain already has a mate.

Word count:- 1.15k

Warnings:- Insecurity, Lonliness, Jealousy, Angst.

Series:- Chapter 1

Chapter 2: The Haunting Past

Isla's POV

I was still learning how to navigate the quiet corners of Velaris. They felt both beautiful and unnerving, like living inside a painting that could come alive at any moment. The Night Court was steeped in an elegance that seemed almost otherworldly, yet its people were undeniably vibrant, alive with a spirit I found both comforting and overwhelming.

I didn't know how to place myself in this world of power and magic. I felt more like an intruder than a guest. A mortal—a temporary flicker of existence—among beings who had centuries carved into their souls.

Azriel, however, was a puzzle all his own.

He was distant, a ghost that hovered at the edges of every room, every conversation. And yet, when his shadows moved, it was like they betrayed the parts of him he tried so hard to keep hidden. Those shadows weren't silent. They whispered, they reached, and sometimes... they found me.

I caught glimpses of him in those quiet moments when his focus faltered, and something more human slipped through his carefully crafted mask. That morning, as I stood on the balcony overlooking Velaris's sprawling, shimmering streets, I thought about those moments. About him.

The door creaked softly behind me, and I turned, expecting to see Feyre or perhaps one of the others. But it was Azriel.

His presence felt heavier than the others. He didn't speak right away, and the silence stretched between us like a thin thread, taut and fragile.

"Good morning," I said cautiously, unsure of how to fill the space.

He gave a small nod, his wings rustling faintly as he stepped closer to the edge of the balcony. His gaze flicked over the city below, but his attention wasn't on the view. He seemed... preoccupied, his brows furrowed as if lost in a memory.

I wanted to ask what he was thinking, but I didn't dare. Instead, I waited, letting the silence settle again.

Finally, he spoke, his voice low and rough. "Do you ever think about what you've left behind?"

The question caught me off guard. I turned to face him, unsure of what to say. "All the time," I admitted. "I don't think it ever leaves me. My life before this—before here—it feels like another world entirely. Like I'm not the same person I was."

Azriel's gaze shifted to me, his hazel eyes sharp and searching. "And does it make you want to go back?"

It was a complicated question, one I hadn't fully allowed myself to answer. "Sometimes," I said honestly. "But... even if I did, I'm not sure I'd fit there anymore. Not after this."

He nodded slowly as if he understood. His wings stretched slightly before settling again, and for a moment, he looked like he wanted to say more.

"Do you?" I asked carefully, my voice barely above a whisper. "Think about what you've left behind?"

A shadow passed over his face, and for a moment, I thought he wouldn't answer. But then, quietly, he said, "It's not what I've left behind that haunts me. It's what I've lost."

There was a weight to his words that made my chest ache. I didn't know the details of Azriel's past, but I knew enough to understand that it was filled with pain, with scars that ran deeper than anything I could comprehend.

I wanted to reach out to him, to say something that might ease the burden he carried, but I wasn't sure if he'd let me. Instead, I stayed quiet, hoping my presence would be enough.

His shadows moved then, curling around his feet like restless tendrils of smoke. They shifted subtly, almost imperceptibly, and I felt that strange pull again—the way they seemed to acknowledge me, to reach for me.

"Your shadows," I murmured before I could stop myself. "They're always... moving. Always watching."

Azriel's gaze snapped to mine, sharp and wary. "They have a will of their own," he said simply, but there was something in his tone that made me think he didn't entirely believe his own words.

"They comfort me," I admitted, my cheeks flushing slightly as I spoke. "When I feel... out of place. Like I don't belong here."

For a moment, he looked genuinely surprised. His shadows stilled as if they were listening to me, and I wondered if he felt what I did—the warmth they carried, the strange sense of solace they offered.

"I didn't realise they could do that," he said, his voice softer now, almost hesitant.

"Maybe it's not them," I said quietly, my gaze dropping to the floor. "Maybe it's you."

The words hung in the air between us, and I instantly regretted saying them. But when I glanced up, I saw something shift in his expression.

"It's not me," he said, but his voice lacked its usual certainty. "I've never... I'm not the kind of person who offers comfort, Isla."

I didn't know what to say to that. He seemed so sure, so convinced that he was nothing more than the sum of his shadows and his pain. But I wasn't convinced. There was more to him than that—there had to be.

Before I could respond, his gaze drifted away, his features hardening slightly. I followed his line of sight and saw Elain standing at the far end of the balcony, her delicate features framed by the soft light of the morning sun.

The tension in Azriel's posture was immediate, his shadows shifting restlessly around him. I felt like I was intruding on something deeply personal, something I couldn't possibly understand.

Elain's gaze flicked to me briefly before settling on Azriel, and for a moment, it felt like the world held its breath.

"Azriel," she said softly, her voice carrying a note of something I couldn't quite place.

He nodded to her, his expression unreadable, and then, without another word, he turned and walked away. His shadows lingered for a moment, hovering around me like a fleeting whisper before following him into the shadows.

I watched him go, my chest tight with an ache I didn't fully understand.

Elain didn't say anything to me, but she didn't need to. Her presence alone was enough to remind me of the gulf between us—the mortal girl with no place in this world and the woman who seemed to hold a piece of Azriel's heart, even if it was fractured and complicated.

As the day wore on, I couldn't stop thinking about the way Azriel had looked at me, the way his shadows had reached for me. There was something there, something unspoken, and I couldn't shake the feeling that it mattered.

But it wasn't just about me. It was about him—about the pain he carried, the battles he fought within himself. And as much as I wanted to reach out to him, to offer him some semblance of comfort, I wasn't sure if he'd let me.

All I knew was that his shadows had chosen me, and maybe, just maybe, that meant something. Something neither of us fully understood yet.

Put some suggestions for the story scenes in comment section If you'd like. I am open to any new ideas or recommendations.😊😜.

Taglist:-

@donnadiddadog

[beegalactica]

The real 'glow-up' is all mental.

With it being the prime season for the 'how to glow up' guides to make their rounds in the media we consume, it is always worth reminding yourself that the only way you are going to 'glow up' on the outside is if you 'glow up' on the inside.

I personally get annoyed with the whole glowing-up phenomenon because it perpetuates this idea that there is some kind of 'end goal' in life and once you reach it, everything will be perfect. In a world where the idea of what it means to be attractive, intelligent, successful, or desirable in any way is constantly changing, there is only one constant: YOU.

You are a lifelong investment, and you are worth every penny, second, and ounce of effort you put into yourself.

Let's go over some of my glow-up tips and habits for you this year and examine how much of your levelling-up will really need to take place in your head.

Invest in your hygiene. This doesn't mean buying the most expensive skincare and having a 30-step routine, this means brushing your teeth every day, taking showers regularly and looking after your hair. Of course, we all want to achieve that 'clean girl aesthetic' but to me, simple hygiene is the best way to send a message to your body and mind that you care. Nothing says "I love you just the way you are" to your body like taking the time to clean it, care for it and pay attention to what it needs.

Invest in your surroundings. Now I know, making your bed every morning can be an unnecessary waste of time, especially if you're just going to end up getting back into it at night, but I like to think that my surroundings reflect my mental state, so if my room is a mess, best believe my mind is a mess too.

Invest in your interests. Start a hobby, pick up a new skill, try to find a book that interests you, or even start a Tumblr blog 😉😉! This year, I am focusing on really cultivating myself and becoming an interesting person who has things to talk about with people, instead of mindless gossip or resulting in self-deprecation to entertain others.

Invest in your happiness. Do what makes you happy. Distance yourself from those who seek to pull you down, to prop themselves up. You are worth so much more than that. Sometimes, those people are in our households, and the only way to cope is to know what makes us feel good and chase that happiness. Know that whatever issue you are facing shall pass and you will feel good again.

There is a common belief among people who may struggle with their self-image that once they fix this, or change that, everything will be perfect, but as someone who has had that mentality, it won't. If you want to lose 10kg for example, but hate your current body, waking up skinny tomorrow won't fix that voice in your head that tells you that you're still not good enough. If you love yourself as you are, and acknowledge that exercising is a form of self-love, and it doesn't take away from it, that mental glow-up will begin to manifest itself physically.

What's the point of others complimenting you daily if you don't believe it or can't accept it because you don't think of yourself the way that they do?

Trust me when I say this, my biggest milestone on my 'glow up journey' was not losing x amount of weight, but looking at myself in the mirror, first thing in the morning with no make-up or styling, and still being able to say "Damn, I'm so beautiful." And I can confidently tell you that to reach this point, I didn't set the intention of losing weight and trying to become more beautiful, I set the intention of loving and accepting myself the way that I am and all the actions that followed after stemmed from this love that I have. I didn't feel the need to exercise because I wanted to be skinny, but because I knew that it was what my body needed, and I loved my body so much that I was willing to do that for her.

It's easy to get wrapped up in so many things and lose sight of yourself, but when that phone is off and you're all alone, disconnected from the rest of the world, what do you say to yourself?

P.S. If you're reading this thank you all for the love on my first post! Opening Tumblr every day to new notifications has created this sort of excitement and extreme joy that I didn't even know was possible! Stay safe and take care of yourself 💗💓

[tangents-within-tangents]

Thoughts on Echo as amputee/disability representation

First and foremost, I am not disabled or an amputee and I don’t claim to speak for those communities (and if I was I couldn't speak for everyone). What little I do know mostly comes from this youtube channel (@oakwyrm), this post, and other research I’ve done for my writing (and like one amputee I kinda knew in passing). By all means correct me and add to the conversation, I just have some thoughts I want to share because I haven’t really seen this discussed anywhere

Overview

So Echo is interesting. He is a triple amputee which is pretty rare in media. His disabilities come from extremely traumatic circumstances: injured in a near-death experience, imprisoned and dehumanized as an experiment with no autonomy over what happened to his body.

There are a few moments in the shows where Echo is treated… questionably. Like this bit where Rex uses him as an example of the Separatists' evils to convince the locals to fight back:

To be fair, yeah Echo’s treatment does prove that the Techno Union is not neutral like they claim. The modifications that everyone is gasping in horror at here obviously weren’t made with comfort and accessibility in mind, nor with Echo’s consent. But you still just want to be sure that “They took away his freedom, his humanity, they tried to turn him into a machine” is about using him as a living computer, not the fact that he is missing limbs. 

The Batch is also pretty insensitive toward him and his trauma imo, which is weird considering they've supposedly also faced discrimination for their mutations

Disabled people do have to deal with stuff like this in this day and age so I guess it can speak to those experiences. I think especially him being mistaken as a droid (and Hunter going along with it (bruh)) might resonate with some people. 

Aside from that stuff, Echo isn't really treated any differently as a character/person which is really good (as low of a bar as that is).

We get this moment in CW where Echo contemplates that yeah things are gonna be different now

While also (imo at least) showing that he is still the same person regardless, evidenced by the fact that he just echoed Rex :,) I also think it's significant that he joins the Bad Batch on his own terms and we're given a really emotional scene to specifically show that he's not just like 'lumped in with the other misfits' but that it is his choice to go where he feels his place is.

A lot of people, myself included, are disappointed that TBB didn't have more time to explore Echo's PTSD, but I think the one panic attack scene we did get is really good. Even thought it's minor it at least is an appropriate reaction from a guy who was medically tortured (which is more than I've come to expect from Star Wars shows lol)

And it's really sweet to see Omega showing Echo some empathy and consideration.

It would have been nice to see more of his adjustment period, and other side effects like chronic pain and maintenance, but there’s a lot of daily life stuff the show never had time for (i.e. we don’t know if he removed his prosthetics to sleep, but we also never saw him sleep anyway). His disabilities might take on a background role (much like the character himself sadly) but for the most part they aren’t invisible or erased, nor do they define his character and arc.

Physical Appearance

Okay this one is bit dicey, bc on the one hand, yes complaints that Echo’s paleness (most likely caused by burns from the explosion or chemical burns from the cryo-chamber) is whitewashing are totally valid. But I also think you can draw comparisons to real life conditions that affect pigmentation/complexion (like you know burns). So while I understand why a lot of fanart will depict him with his original skin tone and with hair, consider that there are real people who have to live with temporary or permanent changes to their appearance, and the idea of “fixing" him by making him look more like his old self can be problematic.

It's also interesting to note that Echo could act as a reversal of the 'disabled/disfigured = evil' trope. He's pale and bald and wears black and red, which is so often visually associated with villains, but we all know Echo is the bestest boy™

The Headpiece

Echo’s headpiece is interesting because within the show we don’t actually ever learn much about it (idk if there is more info in books or whatever bc i don’t have them so?). He didn’t have it in CW so we know it didn’t come from the Techno Union and therefore Echo probably had more choice with it. We don’t know its exact purpose but it’s most likely related to his scomping abilities. When he is hacking with his scomp in CW, before he has his headpiece, it’s clearly very mentally straining:

We don’t see him struggling like this in TBB once he does have it (though that could be bc he got more used to it over time). There doesn't seem to be much of an impact when he removes his headpiece in s3 ep14-15, except that he gets stuck in the ports every time he uses his scomp which is not something we’ve seen before: 

There might not be an exact real-world equivalent, but the headpiece is some kind of accessibility aid. It means that someone specifically designed a device to help him adapt to the changes the Techno Union made, as well as a helmet that integrates it. It’s removable and visually very present, much like a cochlear implant would be. (A lot of people actually headcanon it to act partially as a hearing aid, since it makes sense that Echo’s hearing would have been damaged in the explosion, but there isn't really any indication of this in canon.) The headpiece is never really acknowledged in the show, but I think that's a good thing. It's something he needs/wants and it just exists, completely normalized, and that's pretty cool 👍

Legs

Sigh... So from the very first episode of TBB I was really disappointed that the animation team or whoever completely visually erased Echo’s prosthetic legs (I think we all were, honestly, if fanart is anything to go by). It’s one thing when he’s in armor because he would probably want to protect his prosthetics, but we literally see him in his blacks and there is no indication whatsoever that he lost his legs even though it was not left up for debate at all in CW:

Like ??????!?

This is just really strange to me! Idk what went on behind the scenes with this decision but I don’t really see why it would be that much harder to animate or anything since it’s 3D and they've done it before. We do see some pretty sophisticated cybernetic technology in Star Wars canon that mimics real limbs:

But Luke’s fancy hand is technically 20ish years from now, so Anakin and Maul are more of a representation of what level we could expect here

So yeah, for no apparent reason, his leg amputation is effectively, visually and narratively nonexistent. Which is not great 👎

Arm!

The scomp on the other hand (uh lol!) is the complete opposite and I kinda love it!

At first I, like many others, thought it was a bit odd that they didn’t give Echo a prosthetic arm. Losing hands is basically a Star Wars tradition at this point, so robotic arms/hands are well established within the worldbuilding: 

We aren’t necessarily given a canon reason for why Echo doesn't get a cybernetic arm (again unless it's in some lore book I haven’t read, sorry). General fanon explanations I’ve seen are that he either couldn’t because the Techno Union wired the scomp too far into his nervous system, and/or the resources to give him one were deemed too expensive for a clone (what about his legs tho?), or that he chose not to, usually because he thought the scomping was useful. 

Regardless, I actually really love this choice (and it's the whole reason I made this post), because here's the thing: There’s a lot of problematic tropes out there that either erase/cure disabilities or compensate them with perks (like how pretty much any blind character is actually not blind by some sort of magic power). With amputees that is done with robotic arms. The character is still an amputee or course, and there is still value in that representation, if this story from Mark Hamill that makes me tear up is anything to go by:

but for the most part these characters function like anyone else, just with a limb that looks a little different. It’s no more than a video game skin, an able-bodied actor with a green screen glove. It “cures” the disability, or it actually makes the character even stronger than usual: 

It usually makes sense within the world of the story, but the reason it’s not so great in my opinion is that in the real world we just do not have technology anywhere close to that yet. Prosthetics can more or less replace any mobility from lost legs, but not for all the complexities of a hand (and even if they could the average person wouldn’t be able to afford it).

So

I think it's actually really super cool that Echo’s scomp bypasses the canonically-established amputee erasure and functions much like a stump would irl. He integrates it into his movements and everyday life and it’s (as far as I know) a lot closer to an everyday amputee’s experience. 

It doesn’t define his character, it doesn’t hold him back, he lives a full life, the other’s don’t treat him any differently, and he’s still a total karking badass 

The only additional thing is that he sometimes uses it as a weapon (which given his story, I think it’s cool to see him taking back autonomy in a way, and we only see that like twice)

And also the scomping, which could be seen as the 'added/compensating superpower' trope. But narratively it's no different than if he was plugging in with a hacking gadget of some kind (he didn't necessarily "need" to lose his arm for it) and it’s not like Echo is completely defined by this skill. Personally, I think it's well worth the positives of him actually having a visible and realistically impactful amputation. 

I see a lot of posts or comments out there that say stuff like “how come Echo doesn’t get a hand?” or fanworks that do give him one and I just think it’s a bit of a shame. If he did get a robotic hand, it just would have disappeared the same way his legs and Anakin’s arm did (aside from that one time he got yoinked by a magnet). When Echo did “get a hand” in the last two episodes there were comments like “yay he finally got a hand! but it doesn’t even work” but I was actually so relieved that it didn’t! Bc for one thing that wouldn’t make any sense, he grabbed it off a droid, it wasn’t designed to implement with his scomp, that would be really complicated. But more importantly because it again refused to erase/cure his disability! It functioned like a real-world cosmetic prosthetic (useless beyond appearance) which is exactly what he needed it for, so that he could blend in better with his disguise.

And he continually took it off throughout the episode and ditched it at the end. He only used it for the necessity of a stealth mission, he doesn’t feel the need to visually “fit in” in his daily life. 

And, last but very much not least, he made a dad joke and from my intel that is very accurate representation!

TLDR: Echo’s scomp is actually really cool from an amputee representation perspective, especially within Star Wars, and I think that deserves some appreciation 

[theabigailthorn]

Hey I’ve been a fan for a little while now, and I just wanted to say that you’ve been an inspiration for me, a younger transfemme. But I do wanna also ask: what’s it like being a trans woman with her life together? I’m 19 (as of sending), been on hrt for almost 5 months, and have been trans for a year and change. But I’m scared. So, I guess, I wanted to ask: does being trans ever become the norm, my baseline? What’s it like after 2-3 years? And does it get any less confusing or scary?

I think there are a few things going on here.

I don't have my life together as much as it might seem; I just don't show you all the ways it's not. I don't talk publicly about the auditions I don't get, or the things I try and fail at, or the insecurities in my own head that hold me back sometimes, or the handful of decisions I've made that were bad calls and which still keep me up occasionally. I've talked about trauma and mental illness in the past, but I only ever discuss stuff I'm comfortably over - when I'm overwhelmed or in the middle of a crisis I don't post about it. I don't set out to deceive you by presenting myself that way, I just keep my most private stuff private. Everybody has failures and regrets and insecurities: "it's a sign of having lived," as my friend Phoebe told me today. But you see a curated version of me that appears not only more together than the real person, but more together than any real person.

Also, if you're 19 a lot of your life hasn't been in your control until pretty recently and a lot of it still might not be. I'd say it's okay to not feel like you have it all together. You just transitioned, which I think is one of the hardest things a human being can do: you can give yourself credit for that even if you feel like you're not settled into it yet. Congratulations!

As for it becoming the baseline, I mean yeah? Kinda? At least for me. Sometimes I forget. I had a moment today in the gym where I saw a man and I was like "Oh yeah, I used to be one of them, sortof? Weird!" The first year is the hardest, or so they say. I wouldn't say I get less confused or scared now, just scared and confused in different ways. I worry less about getting attacked in the street than I did in my first year, for example. (I'm lucky and privileged in that regard.) But I worry a lot more about other people. I struggle a lot with survivor's guilt, which is something only people who survive get! Anyone who's had a drink with me in the last six months has heard me beat myself up because the night of The Prince premiere in New York was the night of Brianna Taylor's vigil in the UK. That wasn't a deliberate decision - the premiere was booked and paid for months before she was even killed - but I've become a lot more sensitive to those sorts of feelings precisely because I spend less time worrying about myself. I'm more aware now of what my transness means for other people. Like, I made an ironic joke when I came out that I'd become The Transgender Princess of TERF Island, and it's kindof haunted me since - I didn't set out to become "a famous trans person" but it's happened a little bit and it's going to happen a lot more next year. That comes with serious responsibilities and a few mild drawbacks, as well as perks, obviously. So I guess that's a longwinded way of saying I might be a weird person to ask this question because, at least for right now, my transness, my whole self, doesn't just belong to me.

Oh also, some great advice I got from my friends: Paris: "Only change the things that bother you on your good days," and Mattie: "Don't believe anything you think about your life after 9pm."