#if i have to cry over them so do you

[emry-stars-art]

Touch

Find an accompanying post here

[words-writ-in-starlight]

listen I expected literally Nothing from the D&D movie okay, like I can't make it clear enough that I expected the most soulless money grab with a good cgi budget imaginable, I went in having already gone through every stage of grief and landed on acceptance and LISTEN

I fucking CRIED during this dumb RPG movie. it wasn't just "not terrible" it was objectively good with a clever plot and compelling characters and sincere emotional beats. this movie loves D&D so fucking much and it NAILS the "a bunch of goobers try to be cool and accidentally discover The Power Of Friendship And Also Great Violence" classic D&D party vibe. their barbarian's last name is fucking Kilgore and my entire family cried in the theater.

I hope they make twelve of these motherfuckers.

[heartorbit]

i'm sending this endless melody to a nameless you

[banditblvd]

We're not handling it very well guys

Here's where i got the idea I'm not funny enough to think of this myself

[overtake]

“a sexual awakening so intense it registered on the richter scale” is the single best and most accurate description I have ever heard.

pov: you're 16 years old and doing the final test for your super license ahead of joining f1 as the youngest ever driver. you expect the doubt and hate, and you know you can prove on track why you deserve to be there once you actually get in a car, but until then, you just have to be the subject of everyone's headlines and criticism for a factor you can't control.

then this guy comes along.

race winner who got himself to a top team and is beating his world champion teammate, a cool older handsome charismatic guy with a giant smile and big brown eyes, beloved and kind while still being fiercely talented, competitive, and hungry? the guy who you met in 2011 and who gave you the time of day before you were old enough to sniff at the f1 grid. he's not even going to be your actual teammate (yet), but he still takes the time to tell you he's looking forward to seeing you on the grid when so much of what you've heard is nonstop criticism.

he tells you good luck for your super license with a big grin meant just for you

and this is how it makes you feel.

this is live footage of daniel ricciardo becoming a permanent fixture in max's spank bank. it's one of those foundational crushes you have at a young age that sticks with you for life and unconsciously affects "your type" forever and never truly goes away.

also, i just think everyone should hear the way max very softly says "he's a really nice guy, yeah" with so much affection packed into every word.

how are you not to psychosexually imprint on him? one look at that video and max was ready to risk it all. he's been metaphorically tucking his hair, kicking his feet, and giggling since day one. he found a guy who he could race hard, who would challenge him on track, but who would still make the miserable pr days better for them, who was always laughing at max's jokes every time he did his little glance over to ensure it landed. max is so fiercely loyal to his people, and daniel has clearly earned that trust.

tldr: max verstappen is number one dirlie and if he were on f1blr, he would be writing long posts with onboards, data, and that ☝️🤓 attitude of his explaining in detail why everyone is wrong about daniel, and i hope it haunts all the max fans who get their rocks off to calling daniel a washed asshole loser that max's porn folder is daniel late braking compilations.

[silusvesuius]

nnnnnnnnnnnnno maa'am

[kacievvbbbb]

Honestly despite my feelings about how the last arc of MHA went down I really love Deku and his story.

I just feel like a lot of the time we get these protagonists whose whole philosophy is it doesn’t matter what you were born as everyone can achieve greatness. But then the series goes on and it turns out that actually it DOES matter because the protagonist has this really great lineage and these really great powers you can only have through birth they were actually born born, predestined if you will, to do this.

But MHA actually sticks to its guns. Midoriya wasn’t revealed to have some great connection to all might that the universe had put in place. He wasn’t defended from some great lineage that makes him uniquely suited to this. Hell All for one didn’t even turn out to be his father, there was no hidden powerful quirk he was always meant to have. He was just Midoriya Izuku a boy who was in the right place at the right time and simply decided to act while the world did nothing. And that’s what really made him a hero.

I don’t know, maybe it’s just me, but I believe him a bit more when he goes anybody can be a hero if you just decide to act

[moeblob]

This is all because I wanted to draw Arven with a lil braid and it got out of control with me letting my kids be friends.

Some formal event and Arven is like "I'll bring this along because Penny will probably have one" and then they don't have one so he has to give them his. And he's like "ok so i have heard of a security blanket but not a security boa......".

[hotmess-exe]

"MY life has gotten marginally better or been unaffected under the current administration, so give the Democrats YOUR vote"

that's what y'all sound like. fuckin entitled. or do none of y'all actually believe in one person, one vote lol

just say that other people's problems, well-being, stability, and dignity is secondary to your fucking comfort under the status quo.

if things are "better under Biden" for you to such an extent that you feel entitled to other people's fucking votes, I got news for ya — you were probably fine under Trump too 🙃

[fisheito]

collab #2 with @xenole i was given a chibi yakumo and i.. i...... turned it into thiS

[dollypopup]

"Colin should have grovelled more!" "Penelope folded too easily"

I think statements like this typically come from people who like Penelope. . .but don't really understand her. And don't really understand just why she cares for Colin, and just why him groveling would not in any way bring her peace.

Penelope and Colin are kindred spirits in their loneliness, in season 3 more than any others. Penelope had lost her friendship with Eloise, and Colin didn't really have a close friend circle to begin with. Except with Pen. Pen was the person he could put the mask down for, could open up to, (in particular with their 'dreams' discussion) and that's why he couldn't even entertain the idea of giving up talking to her in Season 2. She is a vital part of his life, and holds so much significance and importance to him.

I imagine that's what made their silence over his travels especially painful for him. They spent such a long time talking after Season 1, and he even informs her that her letters were so encouraging, that it helped him heal something inside of himself. That if she could see him in a gentle way. . .so could he. (And he repays this, because he is honest to god out here acting and looking at her like she hung the moon in the sky). But without her presence in his life, he spiraled. Didn't feel confident in being who he is, and thus put on his persona more firmly. We know this because he wrote in his journal that "I want to be less needy, less insecure, while still maintaining the core of my vulnerability that makes me who I am". That he misses his family, that he misses home.

And we know, from the books, that Home? Home is Penelope. Penelope is his North Star, is his guiding force, and who I argue he feels he needs. In his very first scene, he looks toward her house, tries to find her in the window. When he does not, he returns to his family. In the outdoor gathering, he looks for her and finds her, eager to talk. He states aloud that he misses her, and I imagine he wrote it, too. Not hearing back from her over the course of his travels was surely something that hurt him, but he doesn't hold any ill will toward her for it, only wants to reconnect again. In fact, the one and only time he brings up how he misses her and that she didn't respond, she makes very clear the reason why: she heard what he said and it hurt her. And he's ashamed of it.

Colin hears her call him cruel, and instead of ruffling his feathers about it, instead of getting upset, instead of having a chip on his shoulder as I feel so many men would about it. . .he understands why she does so.

Penelope is a woman who has been largely treated poorly in her society. She feels unheard, she feels undesired, and in her circumstances, and I can't help but ask myself. . .has anyone ever truly apologized to Penelope for hurting her, before? Her mother? Her sisters? Eloise, likely, but. . .anyone else? And the way Colin did? Because of all the characters in the show, Colin? Colin knows how to apologize. He has a lot of practice in it. And very importantly: Colin, a man of privilege in his society, apologizes. . .predominately to women. To Marina, to his mother, and multiple times to Penelope.

Ultimately, Penelope wants to be heard, Penelope wants to be understood, Penelope wants to feel desired.

And Colin checks every single one of those boxes. He informs he is not who he was before, and then he proves it to her. He hears that he hurt her, and he comments on it directly. An entire night apart, and he comes back to her 'Because I embarrass you' with 'I am most certainly not ashamed of you', replies to her 'I am a laughingstock' with 'you are clever, and warm, and I am proud to call you my good friend'. He hears her proclaim her own insecurities, and empathizes so deeply with her. He listens. He understands. He makes clear that he cares for her, and that she *is* desired. 'You lift my spirits' 'I seek you out at every social assembly'. That she helps him see the world in ways he loves, that he sees HER and how much she has cared for HIM, that she makes him feel appreciated, that he appreciates her, in turn.

And then? Then? He shows her. He tells her, and he shows her. His actions all throughout Season 3 reinforce this apology. He continues looking for her in every corner of every ballroom, he continues complimenting her, he laughs at her jokes and respects her boundaries, he is ever so gentle with her, he listens to her with an attentiveness that no one else has ever given her. To Lady Whistledown? Sure. But to Penelope? Who else in the entirety of that ton has listened to Penelope the way Colin has?

Absolutely no one.

Penelope Featherington ghosts Colin Bridgerton for months with no explanation, and Colin comes back wanting to reach out to her, and she finally tells him why.

And he apologizes. Because he listens. Really, truly listens. And really truly cares.

I need you to understand how rare that is, even nowadays, but especially back then. That Colin is the kind of man who can put his hurt to the side and realize he made a mistake, that he said something callous, and he adores her, and he can't lose her, and he has to see her and make it right.

Because that's why Penelope fell for Colin. Not because he's beautiful, not for his charm, not for his family. But for his heart. Because he shows her kindness in a world that so often disregards her. Because he seeks her out and tries to understand her, truly hears what she has to say and compliments her, says he's sorry and looks at things from her perspective.

Because he saw her when she was invisible.

Penelope Featherington, who grew up in a house that made cruel jabs at her, has Colin Bridgerton come to her and say he regrets what he said, and that he was wrong, and that he understands why she's mad at him. Penelope Featherington who has so rarely had much of anyone tell her that they're sorry for what they said about her, sits before Colin Bridgerton as he professes how much she means to him. That he cannot even spend a full day away from her knowing they're on bad terms with each other without making it right. That he sees how she is hurting and he has to in any way he can amend it. She is lonely, with no one really in her corner at the start of season 3, and she feels like she lost it all, and Colin comes to her and says 'no, I'm here and I appreciate you and you are special to me, please let me in and let me prove it'. Is it any wonder why after she shakes his hand, she stands in the sun, and she feels the warmth of it, she can smile? That she can breathe, again? That she can be truly content for the first time in the season?

Because Penelope Featherington does not want Colin to beg. She knows him. She knows the tender, full heart he hides behind the new cavalier persona. She knows the soft underbelly of Colin Bridgerton.

He never had to grovel. All he had to do was love her. Assuredly. Fervently. Loudly. Unapologetically.

And he does.

[a-usernamelol]

it is always incredibly irking to me when I see a post with NPC characters and its like “for the (insert NPC) GIRLIES ❤️🥰💦” “For the LADIES 😘😍🥵”

Hi! 👋 Hello! 👋 GUY here! Gay trans MAN here!

Here’s some Ominis for EVERYONE because EVERYONE deserves their favorite character, and I’ll be posting pictures of other NPCs too ❤️

HAVE SOME FREE OMINIS BECAUSE YOU DESERVE IT NO MATTER WHO YOU ARE❤️ PEACE AND LOVE ON PLANET EARTH

[dirty-droid]

So I played through some more dbh last night and woke up thinking, God, there is a good reason Markus and Kara, and their respective companions never got as popular as Connor and Hank. Literally The Bridge is surrounded by the most *do everything for absolutely no reason* chapters, and there's no comparison.

First the Kara chapter wastes your time, she barely gets any small talk in with Luther, then the car breaks down, then you're just doing tiny tasks, doing a shitty sum up of her story so far when Alice asks you to make one up- they could have done something interesting with that story but they chose not to, literally anything specific anything that would function as a parallel to their journey would have actually had some value. Then you barely start a conversation with Luther, where are you maybe get a hint of his personality before we're back to just talking about the plot and Alice, but then it's over again and you meet the Jerries and you learn almost nothing about them.

It is a chapter where you do nothing interesting, and you learn almost nothing about the main characters, for a downtime chapter, I expect character development and get barely a sneeze of it. There is so much room and so much time for you to really push and question your main characters but it just doesn't get used.

Honestly I think the protagonists all could have probably really benefited from the audience getting to hear their internal monologues if they weren't actually going to talk to their companion characters, but even that would just be a substitute for decent writing.

Either way, after that, we come back to Connor and Hank, who do almost no tasks in this chapter, *but spend the entire time TALKING.* They talk to each other in a constant volley back and forth for the entire length of the chapter and it's probably one of the best chapters in the game, it's certainly one of the most important in their story. You spend the entire bridge scene learning more about Hank and Connor's inner worlds, and how they think, and how they feel, you spend the whole chapter learning so much about their perspectives, this chapter is all about asking the hard questions about both of their individual characters, and the tension is high, it's a straightforward chapter to play, and it really fucking feels like your choices matter here, there will be immediate consequences, not just walking through your environment trying to find the right answer, or being dragged through an interaction. It's just plain good.

And then Markus infiltrates the Stratford Tower, and you get the most boring and useless and frustrating chapter in the game that doesn't seem to serve any purpose beyond looking cool. If Kara's last chapter was only to gain sympathy and create some soft and fuzzy feelings, this chapter is only about looking cinematic. This is probably my least favorite chapter in the game, honestly I've just gotten lost on that yellow ass office floor building too many times, even though I'm very familiar with the game now I still managed to get lost again last night.

I will admit that eventually it does become an opportunity to decide between pacifism and violence but that seems to be the only real development for Markus, and it wouldn't have been hard to make that kind of opportunity in another setting. Because we get next to nothing watching him get past the front desk, or from walking around that floor, just some outfit changes and pretending to be a machine and a little more Android hate in the background, Markus is almost completely silent yet again, there is almost no talking with North once she appears. We actually get more about North's personality here than Markus', she just feels like she has more lines somehow, because sometimes she just talks without it being connected to the plot and Markus never does.

This bit is more speculative, but my fiance and I were going off last night about whyyyy did they have to break into the tower? We're never given any reason for what the steps are and why they are important, just usually pretty important in these mission impossible type scenes, they're usually explaining in a voice-over why they are taking the steps that they are taking. But we get no explanation for why he needs to go to the 47th floor or whatever, No explanation for why he needs to change into a maintenance Android uniform, why North was in the stairwell, how Josh and Simon got in, it's all just handwaved, and whyyyyyy they couldn't have just?? Made a recording and then hacked the station's broadcast remotely and basically just posted the speech? I don't know, it's just a particularly frustrating chapter to play, personally, but it isn't strong.

Either way, you've got two chapters with next to no character development, that just have a lot of empty space and time where the characters could have been talking or could have been doing something else, but didn't because the vibes were more important, sandwiching a simple scene with ten pounds of character development and it just feels weird. And once I noticed it, it just made the Kara and Markus chapters look incredibly weak and poorly written... And conversely, make the Connor and Hank chapter look much, much stronger in comparison.

It's like Detroit become human almost needs it's own type of Bechdel Test, just to show how much they fail Markus and Kara. "Do they talk about something that isn't the plot?"

"Do Kara and Luther talk about something that isn't Alice or getting to Canada?" "Does Markus talk about anything besides his speech for this chapter?" "Does Alice talk at all beyond basic communication with Kara?" "Does Markus or his buddies talk about anything that's not the revolution or just Markus himself?"

... They don't pass a lot.

It's just hard to take these characters above simply *likeable* when they just, don't, ever, talk. There's little to no development for Markus or Kara, and because they've just become deviants, there's hardly any character establishment in the first place, they barely even get the chance to just be flat, because if they don't really know who they are, we don't really know who they are.

Connor and Hank's friendship is more functionally the main plot, more so than the deviant investigation, and for Markus and the team, and Kara with Alice, that's simply just not the case, there is hardly any relationship, they're just in the same boat. This is why Connor got astronomically more popular, and why he and Hank have the staying power that they do.

Markus and Kara just don't ever talk, and Connor does. And I'm fucking mad about it. The amount of time that was just wasted in their stories, I could probably take a damn stopwatch to all the moments where there could have been a little something-something, and nothing was put there. It's not to say Connor doesn't get some quiet moments too but he always gets the chance to make up for it.

Even at the beginning of the Stratford Tower chapter, I noticed that they could have had Simon and North talking about something maybe unrelated when Markus walks up, but there's nothing, only silence until Markus comes in with a plan. And of course we know about every time Luther tries to bring up the fact that Alice is an android, only to be shut down and walked away from. It fucking kills me how much time Mark is has the focus of the camera but it's only so he could look cool for a minute, and share no thoughts of his own, none of his new feelings, everything is only implied and then followed by the action where he is only allowed to be the leader of the revolution and never just Markus. There's a tragedy in that, but they could have driven it home harder by *pointing that out.*

[sneez]

more of them :-) the first one is based on a promotional photograph for the 1928 film and the second is based on an extremely ugly lamp i found in an antique shop. please don't tag as body horror or anything similar [id in alt text]

[mymarifae]

i think the most important thing in the world is vbs being best friends who love each other so much and are super affectionate with each other like. listen to me:

- when toya hugs kohane he'll pick her up a tiny bit (a tiny bit is all he can manage. noodle arms) and she squeals with delight every time

- toya just really likes hugs in general. it's suuuuper common for him to just come up behind akito or an or kohane and wrap his arms around them and lean his head against theirs. hello and goodbye hugs with him always last a good 20 seconds because he won't let go sdjfjsnfkd

- kohane loooooves to tuck her hand in the crooks of her teammates' elbows while they're walking together. this way she won't get lost <3 sometimes she'll hold onto like, akito's elbow with one hand and an's with the other. it's very cute. and as vbs has grown closer, she's started to switch to hand holding. (don't tell anyone but akito's her favorite to hold hands with because he swings their arms as they walk and it's cute)

- also, kohane's hair tends to be messy because of her damn hats and this bugs akito so he spends a lot of time fussing over it. he'll just sort of...tug her closer and take out the pigtails and comb through it with his fingers. at some point she starts packing a brush in her bag to placate him. i like to think akito knows how to do hair because ena will sometimes make him do hers so after a while he stops just rebrushing kohane's hair and starts pulling it up in different ways... braiding it... etc... and he starts keeping things like hairspray in His bag. yknow. jic

- the hairstyling extravaganza extends to an and toya too. (i mean there's only so much akito can do with toya but he tries...) it's a calming thing for him - fiddling with his teammates' hair as they plan setlists or wait backstage. and having your hair played with is always nice <3

- i think shortly after teaming up an started giving kohane little kisses on the cheek. not as a romantic gesture - just simple affection! and after a while, she starts kissing toya and akito too. toya is always happy to lean down so she can pepper his face with little platonic kisses, but she usually has to wrestle akito. it's all in good fun and he'll always relent and let her kiss him in the end

- speaking of platonic kisses, i ALSO think that akito gives toya little kisses from time to time. it started back when they were still BAD DOGS. toya wasn't having a great time one night and after soothing him with a good sturdy hug, akito kissed the top of his head. it completely floored toya and akito blew up when he realized what he did. and they never fucking talked about it <3 but since toya didn't seem MAD about it, akito decided to stick with it and kept giving toya kisses like that. it's not common, and he ONLY does it when they're alone. except for when they make up after their little divorce arc in the main story. IGNORE the gunjo sanka mv and listen to me. they HUG after their heart to heart. and akito kisses toya's cheek. right around where he punched him

- but an's overaffectionate nature kind of rubs off on akito after a while. so he becomes less stingy when it comes to kisses and starts giving them to kohane and an too <3

- they lean against each other while sitting like kohane might cuddle into toya's side or an goes and lays her head on akito's shoulder

- and they have sleepovers and they fall asleep comfortably tangled up together (or not comfortably. at all. seriously cuddling while sleeping can get so uncomfy but it's worth it to be so close to someone you love). ken's taken quite a few adorable (and sometimes really funny) pictures of all four of them passed out on piles of blankets and futons. just dad things

i could go on forever it's just. platonic affection is so important to me and it's so frequently Ignored in fandom spaces. and in the case of vbs and the prsk fandom specifically, there's a tendency to separate vbs into akitoya VS anhane. which is so 💔 because the whole POINT of their story is that while they started off as separate duos, that's no longer the case! they've become such good friends. they're inseparable.

like even jokes about akito and an being "wlw and mlm hostility" are starting to wear on me because... they're friends, guys. they're incredibly close. akito is always looking out for an and is right by her side to support her through all the shit she's currently struggling with. there's no "hostility" present in their relationship. like, if you actually look at the game's text, an... rarely teases akito. the person who teases him the most is actually toya but you know... whatever... gotta reduce an down to a mean lesbian amirite... completely ignoring that she's one of the kindest characters in the whole game...

idk. i juuuuuust wish that this fandom wasn't so defensive and obsessive over shipping akitoya and anhane (mostly akitoya while anhane is a second thought but YOU KNOW) because it results in so many people watering down vbs as individuals And as pairs - because all they care about is shipping. like i promise that the other dynamics in vbs are worth exploring (both platonicallyand romantically but too much of this fandom still feels threatened by m/f vbs ships). and hell, explore akitoya and anhane on a platonic level, too! don't just jump to shipping them because teehee boyxboy and girlxgirl. take the time to understand what draws them together in the first place

i love friendship. i love when friends outwardly express their affection for each other and it doesn't have to have any romantic implications. can we talk about friendship for once like this game is literally The Ultimate Friendship Simulator feat. Hatsune Miku

[requiemforthestars]

I'm a NATLA defender now, tbh. I think more people will grow to appreciate its good parts more as time goes on. I'm of course waiting to see how they wrap everything up and I'm not immune to its flaws, but I think people are so blinded by everything not being The Exact Same as the original cartoon than they're not appreciating its good parts. It's an adaptation, a companion, it's not a replacement to the original.