#if anyone is curious about my characters

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[doctormori]

I love this book to death, so here's some things I noticed <3

[aroaceleovaldez]

finally settled on a Silena design \o/ survived/revived!AU here just cause I wanted to give her a cute eyepatch and try drawing her scars. I've struggled with how to dress her for ages and what headcanons I wanna do for her but then I realized I can give her a saree and all my problems are solved <3

I imagine in a survived/revived au she's mostly blind in both eyes, it's just one requires more protection than the other ergo the eyepatch. Also it means her and Ethan match.

[circuitcircus]

in defense of kabumisu……..

addressing things I see people say about why kabru being shipped w mithrun is ‘bad’ or why their canon relationship ‘doesn’t mean anything’ while also clearing up misconceptions of the characters some fans have

listen it keeps popping up and I just gotta do this or my brain will melt (if you don’t see it around then god I wish that were me) there’s an age gap!- erm there’s also an age gap in farcille (ily), the most popular ship in the series...also chilchuck looks like a kid but a lot of fans recognize him as a dilf because of his relative age, so there should be no age gap discourse among adult characters because it feels so conditional tbh

kabru taking care of mithrun is racist!- marcille likes to take care of others as well. is that sexist, or just an aspect of her character?

kabru isn’t treated like a servant, waiting on mithrun hand and foot…I mean he gives mithrun a foot massage but no one told him to do all that lmfao

he's also not the only one to care for mithrun. pattadol is shown to worry for him and milsril was the one to start taking care mithrun in the first place after he…...y’know. speaking of which-

they probably met when kabru was a kid!- neither of them showed signs of recognizing each other the entire time mithrun was introduced nor when they were together. and im pretty sure KABRU of all people would show some kind of recognition if they'd met before. it's kabru!!! the people person!!! mr. "i-noted-down-50+-characters-in-this-dude's-backstory-for-fun-and-actually-enjoy-social-gatherings"

you would think some kind of memory would come back to him especially after hearing mithrun’s backstory if milsril had even told kabru about him as a kid. but nope. it’s just fan speculation unless there's a side comic suggesting otherwise that i haven't seen

mithrun doesn't care about kabru, his shapeshift double looked like shit!- it's obviously because of mithrun's (then) lack of desires that it looked like that, but they really grow on each other

i think it's safe to assume it'd look more like kabru after they spent so much time together (also laios can barely even remember kabru's name..also saw his face multiple times and didn’t recognize him when they talked for the first time)

mithrun is racist!- he’s actually the least likely character to be racist since he lost his desires and that includes a desire for superiority over others. he even calls his past self out on that part of himself. the other elves in that side comic were being just as racist to shorter lived races but just didn’t use ‘outdated slurs’

(unfortunately literally every main character in dunmeshi is at least a lil prejudiced, but I believe it’s worldbuilding and a sign of the times rather than a reason ryoko kui is giving to hate each character)

taking care of others is a pain in the ass!- saying this as a reason kabru and mithrun shouldn't be together is basically saying disabled people shouldn't be allowed to have romantic relationships because they're a "burden"...if someone is actually willing to put in the work, then let them be.

that's not even all of their relationship, mithrun is the fighter of their duo and kabru would've been killed by the shapeshifter or something if he'd fallen down the hole on his own since he sucks at fighting monsters. mithrun helps collect ingredients for cooking every time, too (barometz fruits and griffin egg). he pulls his weight and then some!! i feel like people forget that part of mithrun a lot somehow.

+senshi literally cooks for everyone all time. it's kind of an important aspect of the narrative.

+also, while it is a popular fan thing I see around that kabru handfeeds mithrun, he literally never does lol this is mithrun using his own hands to eat:

also here we have him washing his own body

just saying because people like to treat mithrun like a baby even though the narrative respects him as a capable adult who also has special needs because of an accident. he’s captain for a reason

kabru hates taking care of mithrun!- not exactly, he was initially surprised and put off but got used to it quickly. i’m sure he’s grateful for all the times mithrun saved him from a monster and teleported them out of danger as well

he even starts doing “unnecessary” things for mithrun’s comfort and safety like when mithrun pushes himself too hard fighting, even after his mission to take care of him was complete when the canaries came back

here is even kabru resting while mithrun keeps watch (mithrun let him sleep for 5 hours before waking him up from the nightmare earlier, too):

there's nothing more to their relationship!- they actually have had a very tight and consistent dynamic since they met and they incite the most change within each other by the end. kabru is the one who inspires mithrun to create new desires so he doesn't waste away, and mithrun is the first person we see kabru being genuine with and it leads him to be more honest with others by the end instead of tiptoeing around everyone all the time (that mask was also the reason some ppl initially disliked kabru…)

kabru’s relationship with mithrun is honestly so important for his character and vice versa, but it’s often disregarded because of one over exaggerated aspect of it (an aspect that isn’t even the first way they interact with each other) or because people want to just straight up ignore it for some reason 🥲🥲

kui dedicates many panels to them that don't particularly serve the narrative as a whole in order to demonstrate this and i think that's pretty significant

you're taking this too seriously!- as if i'm the first person in the world to be crazy about a ship or the characters 😭 i love analyzing text and it's upsetting to see them mischaracterized when kui lays out the characters so clearly and deliberately

also they end up touching each other like all the time and have the kind of canon validation most ppl can only dream of lol i feel so insane look at this:

and this is just when they're first getting to know each other cuz there's a fuckload more

kinda hard to explain how i don't actually need them to get married or whatever but i'd die on this hill for them and i enjoy their dynamic immensely

haha you thought you were reading ship discourse but it was actually a character analysis 🤪🤪🤪

also don’t somehow take this to mean I think anyone has to ship them, I just need everyone to understand these accusations kind of don’t make sense especially when they can also apply to other pairs or characters

bonus kabru just looking at mithrun:

[definitelynotshouting]

saw this post assigning devastating quotes to each life series members, got incredibly inspired, and decided to try my own hand at it but specifically with snippets of the poetry ive personally written throughout the years :] thoughts and musings on several of my choices will be under the cut if you're interested in that sorta thing!! Enjoy<3

Bdubs: "it's all so blue. so blue, so wet, so cold, but you've got a fire in your heart like a hundred rockets. you aren't hungry, but you could eat the dead, / cut your teeth on a rotting corpse."

BigB: "SOMETHING HAS FRACTURED HERE AND IT WILL NEVER BE THE SAME AGAIN. EACH DAY YOU WILL CHASE THE FAULT LINES LOOKING FOR A BRIDGE ONLY TO FIND IT ALREADY BURNT."

Etho: "I am above myself, hovering, pressing pale fingers into the dull bruise of yesterday to test its lingering ache. Is this all that's left?"

Gem: "what are gods if not the mothers of our own inventions. we are the avatars of violence and love and hope and fear in equal measure."

Scar: "I think I want to live. I know one day, I must die. In the cosmic wheel of fortune, I am a gamble in the making, gentle breath washing a little luck over the dice."

Grian: "Within the shape of my clawed fingers are knives: scrabbled dirt; scarlet lines; the escape route / Between a fence and / Tall grasses."

Impulse: "Life's bitter, stilted offering / Is that every person we meet / Will one day become a perfect stranger."

Martyn: "Dangerous beasts must earn / Their survival. / You are no different than a knife / In the hands of murderers."

Lizzie: "When I think of the egg-tooth, / I revel in purple glass; the lightning; the shatter; the knife-slip between / Death, and a wake."

Mumbo: "This is your life now, / Found in the cracks and crevices, scraps pried between laughter and reckless abandon."

Pearl: "I am begging, raw in the face of absolution— do not hate me. Please, keep watering me in your garden, / Despite how closely my heart resembles a weed."

Ren: "— and sometimes hearts are forged in violence /— and sometimes blood cannot form scabs / — and sometimes wounds carry half-hearted sutures / — and we are all but living fragments / —"

Skizz: "Just a little longer. Please. / There is light pooling at the bottom of the flower vase."

Scott: "I can only hope that with the rising of the dawn / I will pass through darkness and return to day, / Where I am a solar ray blinding— teeth and claws sharpened, the stretch of my skin carrying gold / Above the dull, dug out earth"

Joel: "Tamed by nothing, no one, I lose myself to the shattered chains; / Yes, there is a loss."

Jimmy: "for year after bloody year, i clung to life with aching fingernails, grasped at every straw, took every scrap of double-barrelled hope and shot myself in the chest with it."

Tango: "every time you claw yourself from the ashes you insist it will never happen again. every time you reach the breaking point, it happens a little bit faster."

Cleo: "It's about catharsis, not letting go. / Because a part of me wants to hold this, / A swelling hurt deeper than tides, / Hotter than stars. The kind of rage / A mother might raise against her own child."

I dont share my poetry on here very often, partially because it tends to end up coming from a very personal part of me, but since this was actually a lot of fun maybe i'll start posting my poems more often here :]] i think what i found most interesting about this exercise was that as i scrolled my notes app and cherry-picked quotes for each character, it felt like the ones i chose naturally became part of a larger conversation-- as if the characters were speaking to me through my own words about their lowest points, about their ultimate views on the games filtered through the lens of a red life.

It felt enlightening; i dont often feel like im speaking to characters or being informed about their plots/preferences, etc. the way many other writers discuss in workshops or casually online, but by the end of this exercise i felt like i just... understood them, better than i had before. There's something inexplicable about reading your own words and consciously finding ways to apply them in a way that encapsulates them down to a character's core that just... truly highlights the specific qualities that resonate most with you. And i think stumbling upon that organically was a very vivid and incredible experience for me

Admittedly, i did struggle on Scott, Ren, and Etho a lot-- im not as familiar with them as characters, and for a while i couldn't quite pinpoint what exact themes they tend to carry with them throughout all their life seasons. But when i started to really look at everyone's quotes as a whole, i realized they felt like a story, like the response to a question-- as if i was being TOLD what they felt and how, and that that was how i needed to frame the rest of my selections. So Scott's ended up being about control, and the desperate hanging onto of it; Ren's is about the acceptance and bitterness of what he cannot change; Etho's is a quiet resignation rounded out with softer disbelief. The more i looked at these choices, the more they felt correct to me-- and while i still think i have a ways to go before i fully understand these characters, i feel like this has helped me a lot with that ultimate goal :]

Of all these poetry snippets, though, i think Scar, Skizz, and Joel's are my absolute favorites. Skizz's poem is actually the whole poem in its entirety (as is Cleo's, funnily enough)-- it's a short, very simple poem that is incredibly close to my heart for many reasons, but the main one being because it was written at one of my lowest points a few years back. Its about clawing for hope when there isnt any, and finding even the smallest of beautiful things to hold onto, and begging yourself to keep holding onto that at any cost. The pure, clean beauty of watching light refract through a vase of flowers, and knowing that sometimes, that's all there is to live for-- I felt like that really spoke to Skizz's life series character as a whole: finding the beauty in every tiny thing, no matter how small, and scrabbling for more time to appreciate it.

Scar's snippet comes from a much longer poem of mine about the difficulty of reconciling the idea of a future when you havent had to think of one before (incidentally, Etho's snippet comes from this poem as well). I think out of everyone, this quote encapsulates him the best; i like how it subtly references that inner well of vivacity he draws from that many other characters struggle to find, and how that in turn ties in with the lore that he never died a final death during Secret Life. And i love how it simultaneously manages to encompass the way he utilizes the social game in each season as well-- Scar's an incredibly intelligent social player, and i think the imagery of a gambler breathing their luck over the dice as they cast it, and as he casts himself at others for alliances and enemies, truly does fit him.

As for Joel, the full poem his quote comes from is one im particularly proud of, especially for its final lines. I think, quite honestly, i can let this poem stand for itself in its entirety:

They say transformation is letting the light in, But in my mind it's a violence. A coarseness, a fracturing, the bloody vowels between a scream And a howl. How do you transform without killing yourself? When I am a lion, my hands and feet Grow claws; my teeth sharpen. No longer do I spark— I ignite. Tamed by nothing, no one, I lose myself to the shattered chains; Yes, there is a loss. To transform is to leave behind a body And eat its still-breathing corpse.

I find myself referencing this poem a lot even in my daily life-- as longterm readers of mine already know, one of my favorite themes is that of replacing yourself and permanent transformation. This poem really is just about how changing, in any shape or form, alters you forever; how you can look back on yourself from even just a few months ago and feel like a completely different person despite remaining the same. Connecting it with Joel's character, and how he acts during his red lives in each season, was a natural and intuitive progression once i really sat and thought about it.

Alright thats enough yapping from me 😂😂😂 im not used to writing meta nor delving into my poetry on here, so this was a bit of an experimental post for me. If youve read up until this point, i both applaud your patience and really hope you enjoyed this window into my personal works and thoughts on them :]] cheers, and thanks to @/chipperchemical the op of the original post for inspiring me!!!❤️❤️❤️

[twinstxrs]

thinking about kageyama’s “it’s the setter’s job to break the wall in front of the spiker” in reference to how kenma sponsoring hinata while he’s in brazil and onwards is effectively doing that on a financial level. once a setter always a setter.

[mixxmoon]

Everyone come say hi to my son!!! (After reading his ch time period is now after the timeskip)

Heres Percy with his 2 other tattoos:

Son of Sea Foam Series

[cairavende]

Worm Arc 21 thoughts:

Well that was sure a turn around from last arc's "I'm going to rally the students so I don't get captured."

I know my daughter has made some . . . mistakes, but I'm not a fan of her turning herself into the openly corrupted and also bad at their job parahuman cops.

(Parahuman cops as in "cops who police parahumans" not "cops who are parahumans")

Like look, I get it. A precog told her to cut ties. I can't say it's wrong to follow that advice. But she could do that in a lot of ways that don't involve the PRT.

The second not from Dinah just being "I'm sorry" is brutal.

But before she can turn herself in she has to absolutely fucking crush the PRT/Protectorate for outing her civilian identity.

I love how fucking simple taking out the entire PRT headquarters was for Skitter and her girlfriends!

Who needs anyone else? Bitch brings muscle, Tattletale brings information, Skitter brings battlefield control. Lesbian polycule power activate!

Was it an overboard response? Maybe. Was it badass how she just took out so many heroes and PRT troops with ease? Yes.

Poor Dovetail has one of the most embarrassing introductions ever. First time we see her and Skitter is wiping the floor with her and thinking about her "crummy power".

God I hate Tagg so much that he makes me miss Piggot. Like she was absolutely terrible, but he's worse! And making me miss Piggot makes me hate Tagg even more!

Kindly old cemetery groundskeeper who doesn't pay much attention to the news! Never a bad trope.

They gave Butcher 15 to Cherish???!? Like sure they give all the reasoning for it but like ... it just seems like a really high risk situation. If she ever gets out it's going to suck. A lot.

THE SCENE AT RACHEL'S PLACE OH MY GOD!

SHE IS BUILDING A COMMUNITY! I LOVE HER SO MUCH!

Rachel just over here finding everyone like her and giving them a place. Legit crying. Look at that fucking growth!

(Also shout-out to my wife for having basically done the same thing. It's how I met her. It's how I met one of my girlfriends. And so many other important people. So ya. I fucking love this.)

Also you ever like a girl so much you try to give her an entire planet? Cause Taylor sure has.

"Rachel I don't want you to be sad when I'm gone so you can basically have this whole other planet we found."

GGGGGGGGGGAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY!!!!!!!!!

Imp let Regent take control of her . . . welp. Like, I'm not really surprised by this. And in a different situation I wouldn't even really find it that weird. I'd do it with the right person. But combination of age and the situation they are in and Regent being Regent annnnnd ya. Welp.

I did love how much of the interactions between Skitter and Regent/Imp really was just her struggling with parenting two teenage supervillains.

IT'S NOT SO EASY, IS IT CHILD?!? MAYBE YOU'LL CUT ME SOME SLACK AND LISTEN TO MY ADVICE IN THE FUTURE!

(She won't)

I fucking LOVE that she made the bible themed hero kneel. Absolutely fucking amazing.

Oh shiiit, Skitter just flat dropped that guy multiple stories. Is she going to far?

. . . wellll, these guys do literally worship the Endbringers so I guess a little aggression is ok.

Damn, Valefor sure has some fucked up powers, I wonder what they're gonna do abou-

. . .

. . .

. . . . . .

. . . wellll, these guys do literally worship the Endbringers so I guess a little aggression is ok.

. . .

Yep.

. . .

. . . I think I preferred when she just used a knife.

So anyway

Not a fan of Taylor having more alone time with Brian (not because I have any issue with the idea, but because I think she needs to be focusing on her girlfriends), but I am a fan of her using bugs to clean her dress and fix her hair afterwords while Brian just kinda sits there and has to contemplate what he has gotten himself into. Queen shit.

Flechette was SO mad that Parian wasn't "cute" anymore, I couldn't stop laughing. Sure, she said "You had to take the playfulness away? The joy?" but we all know what she meant. Of course, it's won't take very long for the new costume to get Flechette's attention. (I have to mention that this is basically exactly what I said when reading the scene, and the interlude a few chapters later just proved me right.)

Flechette is just so hopelessly gay

Miss Militia is actually getting very mild respect from me right now. Like, she's still working for the cops but she is actually agreeing to silently push against some things. Now, she says she doesn't have more power then that but she is a very well known hero and if she would publicly speak out about certain things there is a decent chance she could do more. That would of course be putting her position at risk though. Which is why she only gets very mild respect right now.

OH MY GOD I DIDN'T JUST GET TO SEE TATTLETALE'S MURDER WALL, I GOT TO SEE HER ENTIRE MURDER ROOM!

Fucking multiple bulletin boards with threads connecting them. Everything color coded. Reference numbers to files with more details. Multiple TV screens, computer with constant information dump. God. It's like a literal representation of the inside of my mind while I read Worm. SO MANY THINGS TO FIGURE OUT!

I love a lot of characters, but Tattletale always stays near the top. She gets me.

And from the fucking joy of getting to see that setup I come crashing the fuck down.

Like, I have completely figured out at this point that Skitter is turning herself in. I know what is coming. She's had her moment with everyone else and Tattletale is the last one.

And then. Then just . .

No goodbyes.

😭😭😭😭😭

HOW DARE THIS BOOK MAKE ME FEEL MY OWN FEELINGS!! I'M TOO GAY FOR THIS!

I do find it hysterical that the PRT officers working the front lobby don't all recognize Skitter on sight. Fucking gas station employees will manage to keep track of people with pictures on the "bad check" board, you'd think the PRT could manage to have their officers keep track of the face of one of the most well know villains in the country, if not the world, who also controls their city. PRT is forever bad at their job.

That one guy did notice her eventually though, so I guess he gets to be employee of the month.

The Number Man interlude thoughts:

The inside of this mans mind is one of the sexiest things I have ever seen and the constant reminder of the horrible things he is helping Cauldron do to all their prisoners was very helpful because it was the only thing keeping me from deciding that The Number Man is a perfect soul that can do no wrong.

I have no illusions here. I am weak. This man is a monster and I should not have any trouble remembering that.

But fuck shit fuck oh god fuck I don't even need him to touch me. I just need him to TALK to me. I just need him to get high with me and let me pick apart how his mind works!

He understood numbers, and through them, he understood everything.

That line. Absolute killer. Fucking take me.

. . . anyway yes it's a very interesting interlude!

Loved seeing more of the inner workings of Cauldron

I very much want to see the final level of their basement that only the Doctor goes into because I said that I thought Cauldron had a dead (for values of dead that are non-definable) higher dimensional being in their basement back during arc 15 and now I know for sure that there is something down there. I wanna know if I was right!

Oh my god he was friends with Jack

"Friends"

Look I make everything gay ok? It's not my choice! Sure it means I get to enjoy every tiny bit of Wolfspider and Chatterbug cause I see all of it. But it also means I see the ships I don't want to think about!

I men what was I supposed to think when Jack said “We can live this. Together. Every waking second…”?

Gay

Parian interlude thoughts:

And speaking of gay!

Fucking Flechette just full blown "Fuck all of this I want you to tell me what to do for the rest of my life!"

Full U-Haul lesbian.

GAAAAAAAAAAAAAAAAAAAAAAYYYYYYYYYYYYYYYY!

This is Parian's new costume having an effect.

Just so gay. I love it.

Also Bitch just so fucking ready to break Skitter out. So fucking gay.

And the incredible loyalty, which is gonna hurt if she ends up feeling betrayed by Skitter.

Still gay though.

Tattletale, basically without powers, just completely giving Accord the "fuck off, we're in charge" was amazing. All she had to do was promise to consider his binders and he was all in. This poor man just wants somebody to read his ideas! He's like a aspiring screenwriter just begging people to read his script.

[drawotion]

So, I've been playing a lot of Dandy's World lately... And here is my toon, Gino! A chill shroom going with his own pace, loves a nice hot chocolate on cool days.

He's based on mushroom that grows around where I live. c:

[torgawl]

diluc mentioned in the lore of "wings of concealing snow", nice!!

you know, i wonder if the owls in this story are connected to the underground intelligence network that contacted diluc in snezhenaya. his character story definitely refers to the "observer" as a third-party entity, considering diluc's distaste for the fatui, the abyss order and the knights of favonious we can rule all those options out of the way. the way they don't go into detail about it or even go as far as saying its name, mentioning how secretive they are, i assume they're not a group we've met/are aware as of yet.

going back to "wings of concealing snow" though, the story is very clearly about sal vindagnyr. the description separates the population, if i can call it that, in two different groups: falcons and owls. owls are described almost as if they were councelors while falcons are described as ambitious, with the desire to rule the skies.

from the information we have of sal vindagnyr, we know there's 3 important figures with higher hierarchy: the princess (prophetess and highly connected to the frostbearing tree), the scribe and the priest-king (the princess' 'father').

the princess was able to foresee the future - for example, she foretold what would much later happen with durin - and painted the murals we can still see in dragonspine. she was specifically called a lovely maiden and described as having beauty and skill that was thought to be as eternal and pure as moonlight. it's also relevant to point out the frostbearing tree was very likely an irminsul tree. if we know anything about symbolism in genshin is that moonlight, knowledge and the ability to foresee the future are all key-words that directly point to seelies. and we can parallel this princess directly to someone like sibylla, mentioned in remuria as advisor of god-king remus, who appears as a golden bee and who protected the irminsul where an ancient civilization was located in the abyssal depths. the form of these remuria bees are very akin to what seelies look like and there's also heavy implications she was a seelie. it would make sense that someone overlooking the irminsul tree in ancient dragonspine was also a seelie, or at least related to one somehow.

as for the concept of priest-kings, they're not something exclusive to sal vindagnyr. we've seen the exact same depictions of crowned individuals guiding populations in tsurumi island and the concept was also talked about in the "guilded dreams" artifact set (the set focuses on king deshret and a sumeru desert civilization).

i think it's not that crazy to think ancient civilizations had similar social foundations. the way seelies cohabited with humans, also learned from the chasm lore, implies they guided humanity in some way as divine envoys (words used in "flower of paradise lost", artifact set about nabu malikata). or, more specifically, advised civilizations' gods/kings.

the wings' description also goes on to talk about "birds of the land of the wind" and say the owls gained dominion in the absence of light while fledgeling birds stayed in their nests. this happened after the nail was casted upon sal vindagnyr and the darkness drowned the land (likely the abyss, in reference to forbidden knowledge). if owls and falcons are adult birds in this story, maybe the fledgelings refer to the basis of what would later become the mondstadt civilization. the line "the nestlings would never know who it was who saved them" followed by "the dragon ... would also be forgotten" imply the saviour of the people was someone who ended up being forgotten. as far as i'm aware, there's only one being who was worshipped in mondstadt and ancient civilizations like the one in enkanomiya who ended up forgotten, istaroth. so, there's that!! i also thought it was interesting that the owls that "once shone brightly in the darkness" would also end up with the same fate, although there's no mention they ever disappeared, which brings me to the next point.

"a flash of red flames would reveal his silhouette for but a moment in the darkness of the night, before he disappeared in an instant" sounds a lot like what the owls were like to the people of mondstadt. diluc also only started his darknight hero endeavours after he returned from snezhenaya, after entering the secret organisation and rising quickly in its ranks. and guess who, in the manga, wears an owl mask? an owl is also diluc's constellation and these are diluc and kaeya's respective voicelines in the section "interesting things":

coincidence that kaeya associated the owl with dragonspine? moreso, some of diluc's voicelines are very intent on judgement/punishment: "time for — retribution!" or even "lay waste to the wicked!" which parallels fischl's "no rest for the wicked...". fischl has also said the retribution voiceline in "summertime odyssey". these are interesting parallels because fischl from "the legend of the shattered halberd" and "flowers for princess fischl" has a red eye - auge de der verurteilung or eye of judgment/condemnation - and her mission is to observe and weave the threads of fate. fischl not only parallels kaeya but also king irmin, though it's still interesting this theme is also connected to diluc. but how does this connect to dragonspine? this is the ending line in the description of "wings of concealing snow".

whatever that "greater trial" is, it also implies some sort of payback towards celestia and/or the abyss. as for who are the "we", if not the seelies who got basically wiped out from teyvat, i can only think of the owls.

at last, i want to leave here the messages found in the scribe's box found in dragonspine that clearly belonged to the scribe in sal vindagnyr:

the first message shows resentment towards the skies (it almost sounds like tsaritsa's desire to burn the old world described in the cryo gemstone). the second message refers dust and wind which are very suspicious words considering they can be connected to concepts like alchemy, khaenri'ah and either the anemo god or the god of time. it also shows intent in finding imunlaukr (the hero from another land that left sal vindagnyr to fight what i assume was the abyss during the conflict). the fourth message directly states this person was the last to survive and that it made no more sense to keep watch (of what? the fledglings like the owls?), probably meaning this person left dragonspine. and, in the last message it directly references khaenri'ah's establishment and early days. could this person have fled to somewhere outside of teyvat, away from the gods, like khaenri'ah? this really isn't that surprising when we have in account sal vindagnyr and khaenri'ah share the same written latin-based language.

i actually went a bit more in depth about sal vindagnyr and imunlaukr on this twitter thread, if anyone cares, but i'm going to include here part of it. the name imunlaukr means "sword", being a direct reference to the god ullr - step-son of thor and the son of lady sif. sif was famous for her beauty and unique golden hair, said to be inherited by her children. genshin's imunlaukr went on to pass his name on to a clan in mondstadt that was known for raising brave and gifted warriors that fought hard and died young. the clan adopted their progenitor's viewpoint that combat was merely for the entertainment of the gods and as such would fight anyone and anything for the sake of fighting, as well as enact war tales. do you know who else is a sword, happens to be blonde and has connections to khaenri'ah? dainsleif, which translates to dáinn's heirloom. dáinn (or dain) means 'dead' and he's a character in norse mythology. most of the tales relating to him depict him as a dwarf or king of elves. hehe, break time to introduce fun facts about nibelung. the term in legend has usually referred to either a group of humans or a group of dwarves but the name in genshin is likely derived from richard wagner's four-part opera der ring des nibelungen "the ring of the nibelung", in which the dwarf (or nibelung) alberich creates a ring capable of controlling the world, using gold he stole from the rhinemaidens (or rheintöchter "rhine-daughters"). the conflict that arises over the ownership of this ring eventually leads to the destruction of the gods and their home. continuing with dainsleif, in myhtology, the sword is involved in a so-called eternal battle between kings, initiated by one man falling in love with and running off with another's daughter. dainsleif was forged by the dwarves whose god/king was alberich, and the sword was cursed with insatiable bloodlust and would not be able to be sheathed until it had killed and any wound caused by the sword would never be able to heal. maybe the connection between imunlaukr and dainsleif is a stretch - timewise, it wouldn't really make sense as dain seems to be exclusively from the eclipse dynasty but khaenri'ah was somewhat recent in the scribe's notes - but i really don't think the connection between khaenri'ah and sal vindagnyr is.

furthermore, dainsleif is called "bough keeper", a bough being a branch of a tree - like the irminsul. if you notice his design, one of his arms has blue lines akin to those in irminsul trees. blue lines also appear in his and pierro's mask. the introduction to his character is written by a self-proclaimed prophet and mentions the desire to see the skies burning - like the message in the scribe's box - as well as desire for atonement of bygone mistakes and mentions of alchemy (gold being the end goal as it's related to reaching the magnum opus and the philosopher's stone - elixir of life and immortality). the symbol the angel figure in dragonspine's mural is handing to the humans resembles a circumpoint, that can represent gold. it's also something that appears associated with rhinedottir in one of the videos about the hexenzirkel (which makes sense as she's such a proeminent figure related to the art of khemia and khaenri'ah, very much associated with the cataclysm).

not sure what the conclusion of all of this is but i don't think it's impossible this underground intelligence network and the owls might be something connected, directly or indirectly, to the person from sal vindagnyr that might have fled dragonspine all those years ago or even khaenri'ah. could diluc and kaeya work more closely together than we think? considering the third-party observer that rescued diluc is said to be from the north when that supposedly happened in snezhenaya, does this mean this north they speak of is beyond the land of the tsaritsa?

note: i wanted to make some type of connection to the book "anecdota septentrionalis" or anecdotes of the north, as the book not only talks about snezhenaya but also tells a very fantastical and non-sensical story that includes other nations but i understood very much zero about it other than the fact that north from where the major plot takes place there's a tall wall in the middle of the sea stretching into the sky with countless densely packed human figures suspended "and though they had neither bodies nor muscles, their forms could clearly be seen". whatever that means, so i can't really make any inference to what it beyond snezhenaya.

note 2: forgot to mention but owls besides being birds associated with wisdom, in sumerian, akkadian, and babylonian culture, are also associated with lilith. she was theorized to be the first wife of adam and is cited as having been "banished" from the garden of eden. it's just a fun fact if we think of seelies, divine envoys who are symbols of wisdom and guidance, that got punished by the heavens after their ancestor married a traveler from afar.

[k1tty5]

hello :D please tell me more about your mezalian (is that how you spell it??) smalletho I will forever be indebted to you

(they are gorgeous I love them sm)

hey hi !! it would be my pleasure … (and I’ve been spelling it mezalean ??? but i have no idea LOL. there might be a canon spelling but i havent watched joels esmp1 since… probably since it ended. i will have to check sometime)

apologizing in advance because i will probably get very ramble-y!!

ummm. Oh god. How to start. Lets see. WELL. In this silly little au (i guess it has become a bit more than just me doodling designs LOL) in my head they have like this sort of zelink dynamic? obviously without all the zelda lore & stuff, just that kind of … okay forgive me I haven’t brushed up on my zelink lore for a good many years but. Like the princess and her personal knight that doesn’t really talk much sort of thing.

this made more sense in my head. But yeah. They have the vibes of zelink ? At least if i remember zelink right, I have a really bad memory :’) not exactly the same, i do think etho talks to joel (whereas if iirc link never really talks) - especially after getting to know him a bit - but just. they have the Vibes. You know?

I reckon Joel’s definitely very into sculpting in this au, maybe dabbles a little in painting - I imagine mezalea to be very heavy on art and expression in general. think you’d especially see lots of pottery and textiles all around the place. He probably also has an interest in some form of like. um. whats the word. Some sort of … fighting. lmao. Specifically thinking of fencing, i had this idea in my head that he’s watched Etho practice outside the palace at some point and is just absolutely fascinated and enamored. by both the practice and etho himself haha.

and for etho… talented swordsman? he is Not washed. i dont really have many ideas for his character in this au To be completely honest, mostly just of his personality. Although, I alsooo think he’s probably not actually from mezalea? I like to draw him with those pointy elf ears, and i think mezaleans are just humans. I cant remember if thats canon or not but um. mezaleans have human ears, so i’d imagine etho’s probably from like.. rivendelle? Is that. What it’s called. The elf guys? Are they elves??? Goodness I cant remember. Grimlands would make sense too since i THINK they’re kind of like. technical engineer guys? but i dont know what species they are um so ,,, yeah,,,,

i think joel’s probably a bit put off by etho at first, mostly just because he’s not super enthused about the idea of a personal guard, but also because the guys a bit odd, you know? but he’s also probably suuuper intrigued by him. he wants to figure this new guy out, and when they start talking a bit more, i think. They are both incredibly charmed by the other. head over heels? possibly.

most of my ideas of this au are just little scenes that are cute and silly but dont follow any main plot. I would love to write some one-shots of some of the ideas i have in the future, but as of right now im experiencing a bout of creative burnout and am busy with the holidays - spending time with family, so… not right now lol!

hopefully this is what you wanted,,,, i tend to get very ramble-y when talking about literally anything, so i do apologize for that haha, i am Not good at explaining things in simple ways, as i’ve said many a time before.

[odo-apologist]

I have things I should be working on but I'm too busy wondering what a Low or High Kochanski would be like

[whomstsnek]

Posting another of my many, many DND characters. Here's Kaiser!!

Originally, Kaiser was from a modern setting zombie apocalypse campaign a friend of mine ran :3 they wanted to try out preplanned classes, and I ended up with doctor (life domain cleric). In his original iteration, he was an anxious but empathetic doctor; he originally went into medicine to help others and run from his family of dubious morals.

I haven't played him in this iteration yet, but here I imagine him as a chronurgy wizard. He's a changeling originally born into an inner city crime family and couldn't stand seeing people suffer at the hands of his family and their employees. In his late teens/early 20s he assumed a new identity and ran, moving from town to town every few months and changing his disguise every few years. He's incredibly paranoid about being followed or found out.

In one town he took up a quick job to earn a little coin before his next move, and ended up helping an older man clean out and organize his home. While cleaning the man's study he found countless tomes, scrolls, and spellbooks, and seeing Kaiser's interest the man offered to teach him what he knew. He hesitantly accepted, unable to help his curiosity.

After many more years than he had planned, learning magic under the tutelage of the old wizard, the man woke him in the dead of night, shoved his personal spellbook into Kaiser's hands, pushed him out the door with the sole instruction to save himself. Ever dutiful, he did as he was told, the last thing he saw being the wizard's humble home burning in the distance.

Another few years later he's taken on his most recent disguise, that of a human man with fair skin and dark hair, and he is still struggling to read his mentor's old tome. He yearns to someday unlock the tome's secrets, and understand the mystery of that night and why the book was so important to save.

[nexus-nebulae]

every day i wish that Rats SMP was a cartoon bc it would make the greatest show ever i think

[cubiefy]

redid the main reference art for 2 of my ocs recently :] their names are violet and sage respectively

[pelideswhore]

my penelope wears a dorian chiton when odysseus is there and an ionian one when he’s in troy/out at sea.