i find it so desperately sad that goyim generally would be so much less antisemitic if jews started physically fighting back with guns or sticks in every country. calling for the murder of muslims all over the world, if the jewish population was big enough to have large scary groups of crazy fringe fundamentalist synagogues all over the world, a billion strong, that preached murder and hate so goyim could look down on jews like some noble savage in need of assistance and western education and protection. so we could be reformed in obvious patronizing ways because there were so many of us that we had militant violent fringe extremists, like christians and muslims have, mixed in with the normal jews.
if jews didn't have such a reputation for success and intelligence maybe conspiracy theories would stop blaming us for controlling the world. if we felt less in danger maybe we wouldn't be so obsessed with long term survival.
is antisemitism some warped form of envy? maybe. what sucks is that jews are no better or worse than anyone else. some jews are brutes and some are the most wonderful people imaginable, just like any other group. what sucks is we don't all live up to the reputation of tactical geniuses and wizards with mind control magic. all of us jews are just tired and abused humans who have lived with 2000+ years of generational trauma and the endless fall out from a popular jewish book written 3000+ years ago describing the best practices of jewish culture. It has some great stories, histories, life advice, diet recommendations, hygiene, and rules about how to treat others.
is that such a crime?
trying to show a path forward? not demanding anyone else follow those rules but wanting to do our best to follow them anyway? how to live a good life that makes the world better and makes you proud to have been on earth for the time you were there? jews fail to do this all the time, just like everyone else. I fail all the time. why are people so obsessed with that? people say shylock is a stereotyped antisemitic character but,
"I am a Jew. Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example? Why, revenge! The villainy you teach me I will execute, and it shall go hard but I will better the instruction."
so why do jews always have to be the better man? why do we have to apologize for being angry and sad and hating the people that attack us? that was written by Shakespeare, a christian in the 1600s who often was in debt to jewish money lenders, the only profession left to jews at that time. even he saw the double standard. it makes a good point.
now, i don't want vengeance, i don't want violence, but i feel vengeful. i feel angry that i am unsafe because of play actors and terrorist supporters who want revenge for jews existing but scream bloody murder when jews refuse to dig their own graves, beg forgiveness for ever being born, and lay down in them to be mocked and pissed on and abused in the worst ways imaginable for the entertainment and conquest of it. i want peace with them. they are as human as i am, full of foibles and anger. i want nothing to do with them. i want them to never come near a jew again for the rest of time.
i am sad. all i want is to feel my feelings and advocate for what is the most ethical and practical work around to a world filled with unending suffering while i am still alive. i want them on thier side to live in the world they want and me on my side to live in the world i want. why don't these children of all ages, lost in delusions of fantastical battles and ultimate good and evil, see that? why can't I be a human first as well as a jew first? why do they ask me to pick? why am i not allowed to pick?
it's been almost a year. we're all so tired.
I'm going to a music festival. I'm trying to decide whether to wear a star. why is it dangerous to wear a star around my neck?
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whenever i watch phil’s daring advice videos i realize he is really against overtly jealous boyfriends, do you think dan is better with jealousy these past few years? do you think he used to be bad with it?
dan has, in the past, referred to himself as jealous. in my opinion, he's also very bad at hiding it.
i'd have to go back to specific segments, but the advice phil generally gives is more about excessive/controlling jealousy. the type where red flags are popping up continually. for the people receiving advice, it might just be a conversation they have to have, or they might have to call it.
i think it's up to dnp with how they deal with it. clearly, it isn't the same as situations presented by viewers, otherwise his advice would be different. i think there's a few points of interest around this all.
if we're looking back to the beginning: dan is 18. he's young, his brain isn't fully developed, he had a difficult childhood. stability is not something he knew. so to meet phil, with all his awkward emo rizz and close relationship with his family--it's natural to want to hold onto it. i can completely understand any jealousy from that point in time, because it comes from fear. it's rooted in insecurity and instability. all he wants is this one thing, why does everyone else have to want it too? but he knows exactly why people want phil--it's why he does! he does seem aware of it, as the quote i mentioned earlier does come from the early years. but it doesn't mean he could stop it from coming out. and i don't really think he wanted to, at that point. (this did change)
there's a secondary participant in this though too. someone who saw all his flaws and loved him anyway, loved him despite them, and loved him because of them. if there's one thing you know about phil lester, it's that he loves dan. and has for a very, very long time. from what we've seen, in the early days, phil liked a jealous dan. there clearly wasn't a discussion about stopping it. it's nice to be wanted. to be seen. instead of just tolerated by your peers. one of the things he'd do would be invite dan in when he felt jealous, or when he could feel jealous later. dan should be a youtuber too. then they can do this together. and it's not to say any or all of their career decisions were based on jealousy. but i do think it played a role. because they know each other too well to simply ignore it. (but i also think it'd unconscious for phil, sometimes).
but as the years go, they had to 'clean up' their image for radio. they put themselves into boxes and those boxes weren't supposed to have jealousy in them because it's too real. but of course it came anyway. and phil is not as innocent in this as you may think.
the second thing you know about phil lester is that he loves to rile dan up. he loves when dan gets snarky and wordy and dramatic. he loves the outbursts and the swearing and the enthusiasm in it all. he loves that dan feels things and acts on them. so he... pokes the bear sometimes. cause it's fun.
in the next years, there was both more and less jealously. less because of their Straight branding, and therefore pushing anything like that down. more because of 'phil trash #1' becoming part of their brand. and it's never really gone away--cause it's true. dan could suddenly be jealous or fond on main again and it could be played off. so it happened more. but also, they were successful now. secure, in so many ways.
if you see jealousy now it's very evident that dan's trying to hide it. it's just as bad as it used to be, if not worse. cause he's allowed to be jealous now, and is out of practice of hiding it. and i honestly don't think they care that much anymore. he fights it back cause he doesn't want to say it at times, but it's different now. and phil can still tell anyway, cause he loves pushing dan's buttons.
in terms of phil giving advice, i'd say it's more about finding someone who is compatible with you, and loves you for you: the things you do, the words you say, the person you are. dan and phil live in an existence of constantly affirming each other, and they probably don't think about it since it comes so naturally to them. they are on the same page. there's trust and love there. phil knows why dan gets jealous. but he isn't going anywhere. and he knows dan knows that too. so it's kind of fun to play into it all.
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Icarus gets the fuckig hug (so i can sleep peacefully)
"Do you want a hug?"
The question caught them off guard. They weren't expecting that. They weren't really expecting any of this conversation to go the way it has. They weren't expecting Rae to even be there today.
They knew the answer, of course. They couldn't remember the last time they'd been hugged. But the thoughts ate away at their mind, telling them that they didn't deserve a hug. Especially not from Rae, and yet here he was. Telling them he missed them, he loves them. Offering that hug. That human contact. Something so simple, so basic yet something they craved so deeply.
"y- yeah... please"
They took a hesitant step towards Rae and he closed the rest of the distance. He wrapped his arms around them and they melted into his embrace. They didn't know what to do with their hands, so they remained awkwardly standing there as their brother held them. He was crying. They were trying so hard not to.
They missed him, too.
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I’m probably a little late to the party (heh) but there’s something I’ve noticed concerning color theory and Max, and Max in general
When she is introduced to us as MADMAX, her situation with Billy makes her feel lonely and angry. She’s wearing red clothes (with a white stripe!) and her hair is down (letting her rage roam free).
In here, she’s clearly annoyed. She’s just left Billy’s car, Mr. Clarke made her stand before the class and named her Maxine when she just wanted to melt into the background and get over her first day at an unfamiliar school, still not thrilled about having to move from California.
Still, she’s zipped down, since those people didn’t do anything especially hurtful towards her and maybe she’s a little hopeful about them.
When she’s mad after an interaction with Billy she’s wearing red:
Darker red! She’s at school where she won’t have to deal with Billy for a while. She’s cooling like lava but there’s still one streak of the anger in the back of her head.
When the boys approach her, her zip-up sweatshirt is unzipped to show some of the color underneath. She’s happy! She will not let her guard down completely but she won’t hiss at them immediately! Still, she’s ready for disappointment and snapping right back to being fully red.
Yellow is not a lighter shade of red, but it’s definitely close on the color wheel. Closer to white, too! She is showing she’s not only mad, there also is softness inside her! It’s still a shade connected to red (anger) but yellow by itself is more of a happiness color. She wants to make friends but is still scared because of the new environment and Billy.
In the car with Billy (the scene where he wants to run over the party), the entire scene is shot in a way that’s barely letting us see her clothes. It’s mostly covered by hair, too, but we can see it’s still at least a little unzipped as there’s a bit of the yellow collar visible.
In the scene, she’s defending Hawkins saying, that it’s not that bad and that she can’t see any cows (yellow). She’s scared of Billy, so she’s trying to cover up her sympathy towards Hawkins and towards the boys (with red and her hair, Billy saw her get out of the car with the sweatshirt zipped up and hair down, now she’s covering her softness with what is familiar to Billy, so that he doesn’t see anything has changed, notice that softness and hurt her. That’s exactly what she does when she says she doesn’t know the boys trying to protect them from getting ran over).
Yellow! Fully yellow :) She’s happy to be shown weird pollywog-like creatures with the rest of the Party!
Right after Will gets possessed, her question as to what “true sight” means gets brushed off by all of the boys. She’s hurt and feels excluded, but her hurt makes her angry again. Next time we see her, she’s all red again.
“Party members only! This is non-negotiable.”
“I thought you guys wanted me in your Party!”
At the arcade! She’s already acclimated to Hawkins, and the arcade is her favorite place.
Alright, I’m getting tired and my third eye is slowly closing, so I’m going to wrap this up quickly, since I think I presented what the gist of the idea is.
In season 3, yellow, patterns, colors! She is now fully a member of the party! She has friends, she knows the secrets, El is back. This is the happiest she’s been.
Clothes are important in both of the girl’s characters! (El changes from murky colors to vivid patterns when she finds herself and there’s a post about El shedding layers of blue in season 4. I’d link it but can’t find it, I’m sorry!) There being a scene like this, with them fooling around with their clothes is basically the peak of happiness :)
Here Max gets really worried because of Billy. She’s feeling a bit guilty ‘cause that’s her step-brother that’s sowing chaos and hurting her friends. El is straining herself. The situation is looking BAD. Blue!
Beginning of season 4
Blue - she’s grieving and feeling guilty, Black coat - she’s hiding herself in a shell. She’s not particularly hiding her grief but she can close off at any moment.
(Btw Lucas is also wearing a blue shirt with some coats. I’d say he is sad because Max dumped him and doesn’t want to tell him things but the coats have a couple of colors because he’s hiding away his nerdiness in order to be cool :)
Now, the overcoat is blue with yellow elements - Max is being honest about her grief. She’s targeted by Vecna, the Hawkins gang knows she is SAD. It’s her last day, she can unfurl. The sweatshirt is unzipped and showing red and white underneath, the same colors we’ve seen her wear when we first met her. The girl that slammed the door of Billy’s car. The one that was scared of him. That girl is still inside Max.
Sometimes, she’s wearing this. Grief covered up with brownish-reddish... Red. She’s going back to her previous self, she is talking to Lucas again and he SEES her... But to get that shade of red you go more towards black on the color wheel. She’s not that vivid, fiery red anymore. There are bits of that girl deep inside her, but she’s too tired to make it her entire self. She’s tired.
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I wonder if Scott's alpha teeth made him nervous even after he got used to them just Being A Thing Now. If, when he would catch the glint of red eyes staring back at him, he had to still an instinctive flinch and try not to think of all the people who have threatened to or almost ended his life with that same vibrant hue. If the feeling of blood under his claws, on his skin, in his hair and soaked into his clothes ever became normal, if it was ever something truly able to be numbed and ignored. If seeing his shadow with pointed ears and elongated claws and shredded shirts gave him day terrors like the Nogitsune never went away; a paranoia that everyone could see how fucking messed up (how scary) he was. If Scott ever truly moved on from feeling afraid of being a monster, of becoming a Monster. Not all monsters do monstrous things, but all Scott has ever seen is monsters who choose to act like their namesake.
If he continues to be cautious and aware of his teeth, of his eyes, of how blood is overwhelming and what it's like to be afraid --- because if he looses his humanity, his tie to slow healing and faulty lungs and what it feels like to be prey to somebody else, how will he be any different from the monsters that plague him?
Scott is the outlier, and he does not let his monstrous features define how he chooses to behave and who is chooses to be.
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