its crazy that people think having multiple personality disorders makes you more dangerous or fucked up bc like, the more abuse and trauma you suffer as a child, the more symptoms of PDs you will check off bc your behavior becomes so disordered in order to survive. having more than one PD (having several PDs) is common among childhood abuse survivors. PD comorbidity is crazy high and, ultimately, PDs are a way of categorizing symptoms for diagnostics and treatment.
it has nothing to do with your character, your worth as a human being, and your ability to heal. you adapted to survive your abuse. you can adapt to survive life after it.
I think i finally understand how the Distortion works. I mean, i don’t think it’s possible to ever fully understand it, and i don’t know the whole picture yet because i don’t know what Helen will be like, but i feel like i’ve just been granted a glimpse at the lovecraftian (as in ineffable) thing that is this being.
It’s not a person and a creature fighting inside one mind. There’s no Michael clawing himself to the surface to express his emotions and get his revenge.
Michael Shelley is dead. The Distortion became Michael. It sounds so simple, yet a least in my opinion it’s hard to fully understand.
I think what provides the best metaphor is a small thing the Distortion says after becoming Helen: "without a proper mind." The Distortion does not have its own mind. It’s only a what, but in order to really exist in this reality, it needs a who. It needs a body, but also a mind.
So if i understand this right, it’s like this: Michael Shelley is dead. His conciousness is not there anymore. And the Distortion got forced into that mind, an empty mind of a dead person. This doesn’t make it human, it’s still able to understand the impossible, it’s still the thing that was created to scare and kill. But in the mind it’s living in… the previous owner’s furniture is still there. It gets the dead person’s memories. It becomes Michael, in the sense that it has to be someone. Its existence got tied to being Michael, although Michael Shelley is dead.
When Michael got "emotional", that wasn’t Michael Shelley coming through. It was the Distortion grappling with the side effects of being someone - of living in a mind with all the memories and the human emotions that a human mind can’t fully turn off, even when the thing inhabiting it isn’t human at all.
The Distortion was Michael in the sense that it was thinking with Michael Shelley’s mind. When it became Helen, its consciousness, its being stayed the same, but it needed to adapt to this new mind. It could see clearer now, realizing that the windows of the previous house had been dirty, realizing that the wirings of the previous mind had driven it to do something that it actually didn’t want to do. The throat of the Spiral itself getting caught in the spiralling of its own, borrowed mind.
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saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.
HOWDY FOLKS I've not drawn very much as of late since. uhhhh. SEVERAL things happened. but one of them is because i went to a miniature painting convention this past weekend!
it was super fun! here's a couple minis i painted-- first one was just for fun and i want to make her into a character now, second one i did in a class on painting with limited palettes! i did that with only three different colors of paint!
Have some OC doodles I started yesterday before tragedy struck and are like the bare minimum effort for today to finish. Since the two princes were originally not /in canon/ for another plot but rather made for a mafia AU as cousins to one of the main characters for the base plot. I was like. Huh let's give them a happier life. So here they're just princes and instead of the police department/detectives that most of the main cast is in base plot, those are the royal guards around the twins' castle.
when i'm on a plane (enclosed space) and they're playing that repetitive pre-flight plane muzak i find that annoying as well and i put on some headphones about it instead of throttling the flight attendants.
and yes sometimes people are more aggressive/defensive about the purity of their sound bubbles than about visual stimuli because of the pervasiveness, like, literal pervading-the-air quality of sound; i can't find it rn but there are articles &c about how it's this property of music & other sound that's harnessed politically in all sorts of ways that would be ineffective for other art forms. in a "defensive" sense wrt noise ordinance laws. in an "offensive" sense wrt high-pitched noises meant to keep young people from gathering in particular public spaces or, at the extreme end, torture. so it's not far-fetched to say there are people who think they will accept just whatever in public spaces but are actually willing to draw a line in the sand wrt sound stimuli because It Is Known that sound is pervasive and that the "wrong kind" of sound can cross a boundary as it is definitionally not enclosed/contained in a way that lets you just look the other way.
the catch is, what does that make it morally acceptable to Do about the unwanted sound in a given situation? who decides whether a sound is unwanted enough, for enough ppl, to act on it? what constitutes sonic harm, as opposed to sonic annoyance (or sonic difference)? is it cool of me to yell at the flight attendants to turn that shit off because i'm trying to take a nap on the plane? are we going to hold a majority-rules vote on kicking the baby out the window who's crying through a bumpy descent? those would be some possible Noise In Enclosed Space solutions. would never in my life follow through on them though because uh something about *checks notes* decency and respect for your fellow passengers
an interesting (unpopular? i think?) soukoku opinion i have is i don't think dazai was oblivious to his feelings towards chuuya, like ever. i understand WHY people interpret dazai as having trouble identifying and reckoning with his emotions; i'm not knocking it! there's plenty of evidence to suggest that and also i think it fits with his actions. HOWEVER. for me dazai is the most fun when he's deliberately suppressing and neglecting his own feelings.
dazai realizes at the tender age of like 15 that he's at least infatuated with chuuya, and his first instinct is "well how do i compartmentalize that. how do i make sure this doesn't interfere with my plans and our job at the mafia." and then he compromises with his emotions by keeping chuuya close but not allowing himself to seem too affectionate or "trick" chuuya into liking him back. i think this version of dazai is most compelling to me because then the struggle isn't "get blockhead dazai to realize he's in/can love" its "get blockhead dazai to realize he's allowed to indulge in love" which is much more fun, especially when you have seven (or even more, i don't think this mindset would be limited to chuuya) years worth of distancing himself from his own emotions to contend with.
Does any one know like very good platforms to post their art? Or any tips on how to grow more that doesn't involve changing your art style or what you draw?