#idk thought about this concept for a while

[chaosstuffsstuff]

Idk about the season two stuff, but I have thoughts about season three:

I HATE hate hate hate when people say Cat King should be used as a way for Edwin to become comfortable enough with himself to date Charles. It almost makes Payneland a notp for me. If it's that situation, that's just crap writing. No one should be used like that, even in a story. I hate it.

Aside from that, Charles already basically said no to Edwin. In my mind, that means it should be final. I don't care if he suddenly realizes he loves Edwin in a romantic way- that's just a sucky thing to do to someone. Let Edwin realize his first real crush doesn't have to be who he ends up with- that's NORMAL. That's HEALTHY.

I don't really have a problem with Charles and Edwin as a concept- I originally said I'd be okay with either outcome- but sticking Edwin with his first crush forever (literally) would damage his character. Him and Charles started as essentially mentor/mentee, then they became friends/mates, then brothers. They shouldn't become a romance after one of them already indicated rejection to the other.

Edwin should be allowed to move on and place his romantic love elsewhere. Even if Charles suddenly realizes he was wrong, that's not fair to Edwin. Even if Edwin doesn't end up with CK, he shouldn't end up with Charles. It's fun to ruminate on what that could be, the fanfics are amazing and definitely worth reading, but it shouldn't become canon.

Saying "there's no one more important to Edwin" is locking him in a box. Sure, Charles will always be his first love and his most important, but that doesn't mean he can't date someone else.

As an example from another fandom, this situation reminds me of Steve and Robin from Stranger Things. While they're portrayed (in fandom especially, for this example I'm focusing on that) as being each other's Person and most important, they're never going to date. Even though Steve confessed, Robin wasn't interested. She's a lesbian. With Dead Boy Detectives, it's flipped. Even though Edwin confessed, Charles wasn't interested. He's straight, as far as we/he knows and he hasn't indicated any feelings for Edwin that couldn't be just brotherly. Like Stobin, they're each other's Most Important, but it isn't romantic.

Sorry to go off, but this is just so frustrating to me. I hope this all made sense.

Also, as a general to everyone who's gotten this far, please stop posting how much you don't think Catwin (or any other ship) is going to happen under those ship tags- you can put it under any other ship tag for the fandom or even the characters, but if you're tagging a post about how a ship is impossible as that ship, that tag is filled with just that and it's very frustrating.

(I'm tagging this Payneland because I'm sleep deprived (it's WAY too late (early?) for this) and petty, do as I say not as I do lol)

season 1 ended with both Crystal and Edwin being interested in Charles.

for me season 2 would have ended with him "losing" both. Charles choosing to let Crystal go and live her human life, and Edwin having his "adult experiences" with the cat king.

of course in a hypotetical season 3 we could have got payneland togheter. Because as much as i love catwin, i really feel no other person can be more important to Edwin that Charles. Its just how it is...

[acemapleeh]

So I think a fairly well accepted take on nations is that their animal companion gains the same immortality that the nation has for being in constant close proximity of them.

I propose that this also applies to clothing, furniture, paintings, homes, etc. Anything that fills their homes, their daily routines, and the same space as each other.

The degradation process is extremely slowed.

They're not indestructible but natural aging won't completely deteriorate these items held so close.

Museums are grateful for their touch of presence helps the items keep just a little longer and catch an extra gleam of youth.

In times of hardship, the items begin to show glimpses of the years that have really past.

[crystallizsch]

i had a vision last night

grim and jamil body swap what shenanigans will ensue i wonder

[ohno-the-sun]

Hmmm thinking about writing and how hard it is

I feel like for how long it takes me to write one chapter I can use that same energy to make like 10 art pieces

I’m wondering if it’s even worth it

Like I enjoy writing but it just takes so much of my time

Should I just stop and only do art?

[ganondoodle]

more .....

you cannot tell me they planned the whole timeloop bullshit from the start .... old viktor looks nothing like the mage in season 1 (aside from ... cloak and staff?? no tattoos, the way the mage does magic doesnt seem like viktor does anythign every etc) and its so?? granted i havent rewatched .. bc i dont want to see that again, but how even ... does old viktor turn 'normal' again?? they seem to break the loop by breaking viktor out of god mode so the loop is if he stayed in god mode ... right? what made him turn back .. complete with normal hands and everything? and tiem hopping powers?? is that the kind of "special" mentioned in that interview now? somehow?? is he gonna fuck with all the other region with his new special time hopping powers???

RIP og viktor btw, the VGU being the arcance god complex one is so .... thats not the same character man, like even his title 'maschine herald' (that was his og title right?) doesnt fit bc he does fuck all with maschines, its honestly one of the saddest parts of all this, he was a maschine guy and now hes a ... corrupted magic guy? (they even showed concepts for updating him maschine style .......) however outdated og viktor is, you cant fault people for feeling rather strongly about him being essentially deleted and replaced with someone of the same name (me with skarner ...)

did anyone else feel like the "big" fight at the end was really .. weird? like idk it felt like there was a total of 10 guys fighting at both sides and only around the hexgates, like they make it out ot be a big ol war and then its a handful of guys clobbering each other ... and all characters that got more than 5 seconds of screentime dying horribly ... ... the whole ending fight stuff, as pretty as fortiche makes things look, it felt so ... weird and floaty when most of the show before that ... ESPECIALLY season 1 felt so grounded

(ALSO i thought isha taking the crystals out of vis gauntlets would matter more? like ... she just doesnt have them from then on until at the end for some really underwhelming scenes but thats it?)

with the reveal of the new 'seasons' in league (which in itself is a cool concept and took them way too long to do anything with the darn map) ... i feel even mroe bitter bc ... yeah that ending going like that sure feels like it was done JUST to lead into that stuff, i liked mel, but her turn from political figure to just golden something magic blaster and then her turn for noxus feels so???? for her who wants to bet mel is gonna be the main character in the next show and shes gonna fight mordekaiser all holy golden magic style bc shes the chosen holy magic baby and having her fight him is the whole reason the black rose wanted her (bonus jinx annoying sidekick bc shes popular and has to be everywhere now no matter how little sense it makes) and of course shes a champion with a legendary skin to launch with (bonus points for putting her in skin tight bodysuit number 341)

(them making a big ass figurine out of jinxs last design in the show also feels slimy ... like its a neat design but really she does fuck all there and is .. barely a footnote in the whole universe and time bending stuff :/ )

while i do think alot of it is due to the extreme time constraints they had to work with ............... its not the only thing that messed with it

okay i do have to do a mini (i call it mini now.. this is just letting my feelings about it out, so its spelled agressively bc im just so .. frustrated ... also not hate to the studio or the people working on it .. obviously >_>) rant about arcane-

SPOILERS AHEAD FOR ARCANE SEASON 2

its the most beautiful show ever produced, i mean it, its style, fortiche's (the studio) style, is just .... impossibly pretty, 3d and 2d, the animation is just so GOOD, the designs largely (like 95%) are too, the acting and sound design, the voice acting (at least the english one) is so emotional and good, the show in general is just good ... until the last episode

i have my own problems with riot declaring arcane the new canon out of nowhere and for no good reason since it was, im very sure, never conceived to be that, its a reinterpreation and works best as such, now literally everything is once again completely messed up, no one knows whats real and what isnt, no champion or story is safe, especially with the weird hexcore bullshit potentially erasing the VOID (whish is like ... half on which the canon was built on tbh) AND hextech- multiple champions being impossible to exist now .... but thats not what i wanted to talk about

i was pretty on board with everything the show did, though i wasnt a big fan of the whole hexcore stuff, but it all spiraled so far out of control, it just kept making everything worse, also with bringing in the black rose and leblanc, it kept piling stuff onto the plate despite them already compressing everything so drastically; espeically regarding viktor, but i kept my hope up even after season 2s act 2 bc it still seemed 'fixable', though not easily so

what i liked about it (in its writing) despite its pacing issues was that it was rather .. self contained for the longest time, focused on the characters and the class struggle of piltover and zaun, and doing so rather well imo, like it did and said things i did not expect riot to let through

i was worried with the alternate universe stuff that came with the escalating hexcore bullshit but held onto hope even until episode 8 and then ...man .. the last episode ... the fuck was that- like i hate timetravel and multiverses and whatever but the thing with ekko was done rather neatly ... they made all those chaarcter models and sets just for that short stuff and really .. was of little use other than getting heimerdinger out of the picture as well lmao maybe he will get his own series to advertise for 200 dollar skins in league hahaaaa but i guess the main point was to give ekko the z-drive ... which feels alot like what i feared about them forcing it to comply with the characters in game ,,,, even though that wasnt for everyone like warwick was done SO dirty after giving me hope in act two

everythings focused on the hexcore/arcane shit, theres the black rose shit (honestly i think it was a mistake bringing them in too bc .. noxus is its entire own region with so many champs and story itself that got connected via ambessa .. which was a new character the show made up until they made her a champ now .. its just too much to put into this one show already going at a breakneck pace), mel doing her bit with them then bam she mage now which felt like a champion teaser more than an organic part of the story, especialyl with how hard it got pushed later (poor little riots gotta sell more game cosmetics uwu), jayce just taking over control again and everyone going with it, singed reviving stupid version victor via using vander/warwick WHO WAS STILL ALIVE AFTER ISHA BLEW HERSELF UP TO STOP HIM FROM KILLING EVERYONE (which was ALREADY pretty cheap, but i guess jinx had to be even more suicidal than she already was heehoo), dont even ask me HOW, viktor was just whoops from corpse to im a cocoon now, ambessa being so obsessed with it, the entire class struggle being """"solved"""" by piltover and zaun fighting stupid viktors weird ass robot shitheads together and then acting like giving sevika a seat at the council is the solution to it, half the cast just dying horribly for honestly no reason?? ORIANNA being now i guess some weird viktor robot but without the mindcontrol part and singed just kinda ... winning i guess by giving her cocoon some goo of stupid viktors cocoon

it just all ... turning from this so drama, character and class struggle thing into weird ass dimension hopping magical world war that all gets solved bc we fought together once uwu AND it being a fucking timeloop WITHIN what ONE episode? and that being the ENDING (i know i know the hexcore bs was building up throughout the show but it still felt so .. unearned and sudden ... )

also i got personal gripes with the 'ending' bc .. was it REALLY an ending like they kept saying?? was it?? viktor, jayce, heimerdinger, jinx are just disappeared i guess, mel going back to noxus- the fucking 'our story isnt over' tease???? the last minute appearance of swains fucking raven???? pecking at something blue and shining like idk a hex crystal??? SHUT UP i dont want more to come, this story should have had its self containing ending, not this open ended bullshit that just reeks of corporate meddling bc they want their game to connect to their popular show as much as possible now so we gotta bring in as many teases and connections to other champions YIPPIEEEEE (yelling)

also if jinx is dead, wow, what a way to end her story, the traumatized suicidal character being tortured and tortured especially after seemingly having something good for once (i liked act 2 except for its ending the most bc ... man jinx was so enjoyable there, i loved her dynamic with vi and isha and half wolf vander warwick with the beast and man struggle i love alot, that part was genuinely beautiful, i wasnt a fan of the idea of idk ekko doing time stuff and them having a happy ending bc i just dont like going back in time to fix everything kinda stuff, but i would have much much prefered that, not changing the existing story into the perfect world where everythings happy (though i liked that part ... vander silco being gay husbands like that is just so goood) but to fix what is fixable in the present- them still having gone through alot but being able to live with it, so act 2 setup was honestly my favorite way to not invalidate everything and still have something happy .... but no we gotta kill the kid to make jinx even worse and vander/warwick too while we are at it

if shes not dead (given you see a blimp(?) flying away and her scribbles showing up and caitlyn looking at the blueprints of the hexgates) then ... ??? oh yeah lets make her leave zaun and just idk go be the main character in noxus or soemthing for the next show they are gonna do bc jinx is popular so putting her everywhere is a good idea!!!1!!11

ALSO since vander/warwick is my favorite .. i thought maybe after isha doing that, if they dont reverse it, hed get taken by singed again or ran away and turned fully werewolf like he is in the game (though i would have liked if they were able to be a weird family like in act2)- but no he just gets used as fuel for stupid viktor cocoon and then mind erased and made into the ugliest weird robot thing that looks more like galio than him JUST and i feel like it really is JUST to have Vi at the end do the scene that gets jinx 'killed' .. to lead into the 'more to come' teaser.. idk about you but that scene felt so .. forced, the typical oh no platform is slowly falling down but Vi suddendly gets emotional about weird ugly robot warwick (who conveniently comes back to life as ugly robot beast since his human mind got erased but not the beast??? i guess???) and completely ignores jinx yelling at her to get to safety, it felt so WEIRD to me (if you gotta do him like that at least let Vi listen to jinx, them embracing and then watchign emotionally as robo vanderwick falls into the hexgate thing .. that was still active somehow i guess??)

(poor viktor got done so dirty too .. i liked him .. until it all went weird wit hthe hexcore stuff ....... ..... also jayce weird speech to him .. why the FUCK did you not do that back in the cult camp instead of blasting him to bits, i get it he was fucked up from seeing the future, but then later hes just ... okay???? pretty fine all things considered??? and pretty aware of everything?? also his weird speech being all like vitkor actually you were perfect in your imperfection BITCH HE WAS SLOWLY DYING AN AGONIZING DEATH???? idk ??? it all feels so weird to me, like there episodes literally missing- ambessa dying also felt so unnecessary .. just so mel can take her place and go to noxus and have more shows maybe- )

i just .... and just like how i cant enjoy botw anymore after them fucking it all up with totk ... i dont know if i will rewatch arcane knowing it ends like that, what was that for, the most beautiful show ever made just to do a game of thrones ending in a single episode?

im so tired of it all ..... im so tired of being disappointed and feeling let down over and over no matter with how little expectations i go in with

this willl be the only arcane rant unless theres some .. big stupid reveal that gets me more frustrated than i am now, which i hope there isnt .. im tired of being and feeling like this .. i just want to enjoy things, everythings going to shit IRL and i cant even find something enjoyable to watch

[mufos-photo-album]

(Transcript at bottom of post.)

Every now and then when Orbit sheds a piece of its light, that light falls upon the earth. Sometimes, this light, yearning for an identity, takes "inspiration" from the environment to take on a different form. In the case of light creatures, their forms were inspired by the creatures of flesh before them — creatures like crabs and fish. From them, they inherited the ability to sexually reproduce, allowing them to evolve more quickly over time as opposed to waiting every few years for a new light creature to be born to introduce genetic variance. This is how the Ancestors came to be, primarily evolving themselves into existence.

In the case of sky kids, who currently only come into being by falling from the sky, their forms take after the Ancestors/Spirits. The two share many similarities, though one notable exception is that sky kids' "inner" light is on the outside of their body, similar to other light creatures, as opposed to being on the inside like the Ancestors. Compared to other kinds of creatures, sky kids are rarely born, as the form and intelligence of the Ancestors/Spirits is difficult to replicate compared to other creatures.

When a sky kid is successfully born, they are also born clothed, mimicking the Ancestors who also mostly had clothes on. The specifics of their appearance is influenced by the realm they were born in.

[ID: A diagram showing the possible things that can happen when light from orbit, lacking an identity, falls to the earth. The light could not take a different form, eventually dissipating and becoming a part of the earth's ambient light (and potentially becoming a roaming light). The light could become a light creature, being able to sexually reproduce once reaching maturity. Lastly, the light could become a sky child, unable to reproduce even when mature since they take after the Spirits (who also can't reproduce by virtue of being Dead).]

More on individual appearance: While the bodies of sky kids [each] have the similar features, what clothes they are born with depends on what the Spirits wore in the realm they were born in. Being a child of the Wasteland, Mufo's initial appearance was influenced by military-type Spirits.

[ID: A drawing of the Fainting Warrior and the Lookout Scout, "rather typical Wasteland denizens". Between them is a block of text reading: "Triangular chest pieces separate members of the military from citizens. The Warrior's chest piece is made of metal, while the Scout's chest piece is made of a rigid cloth. Metal face crests are also common, but only required for combative personnel like warriors."]

[ID: A drawing of Mufotsuki after falling from the sky and fully forming, being born with the physical appearance and maturity of a 9 year old. Some parts of her appearance resemble that of a typical 'moth', however she has a rudimentary face crest and triangular chest piece, mimicking Spirits like the Fainting Warrior and Lookout Scout.]

[ID: A drawing of young Mufotsuki and the Lookout Scout standing next to each other, demonstrating how fledgling light creatures' abilities to replicate other creature is good, but not perfect. They are physically similar, though Mufo's clothes are missing details compared to the Scout's.]

[lode-builds]

glass cathedral - an experiment in concepts and shapes and textures or whatever and refusing to ever ever finish the back of the build EVER

[whiskeyswifty]

One of my favorite things about TTPD is definitely the thread of what makes an artistic genius a genius that runs through it. Specifically, the very concept of genius as it pertains to Taylor swift and how she herself has evolved that definition within her own field, how she mocks it and interrogates it on this album. But also the way it conflates with how we dub her a genius these days; artistically, strategically, philosophically (depending on your mileage). The crux of the issue ultimately is that historically, geniuses are often characterized as men who are lonely and flawed to the point of unsociable. It is in fact their genius that tortures them and isolates them and subsumes them and makes them flawed. And then in turn, the only men who can create great works of genius must also possess those traits because they are decided markers of genius, and so on and so forth. Women geniuses, the few that earn that moniker, in turn are often marked by caveats tacked onto any praise or recognition of their genius work. (It’s all non-cis-men “geniuses” really but for the sake of this discussion, we’re talking specifically about women v. Men because Taylor is a cis woman in a predominantly cis male controlled space) In Taylor’s case, it’s fearless deserved AOTY because it’s impressive….. for a teenage girl writing about teenage girl things, instead of simply saying the album itself being a great work of genius deserving of the award regardless of her age and it’s subject matter. Another being instead of simply saying she is skilled at distilling the human experience, she is deemed adept at distilling the girl experience, the girlhood of her weepy, exuberant little girl audiences. Always a qualifier, always a subset and an othering of female genius. It’s genius…. Within the confines of the handicap of being a woman. 

If you trace back her relationship to this confine, at first, she did try to fit into this genius mold sculpted by men. Young and girlish as she was, she still peddled the idea that she too was churning out these genius songs from a sort of tortured and lonely isolation, albeit scribbled in gel pen ink with kicking feet and yearning sighs, but in isolation all the same. I say peddled not because she isn’t a fabulous solo songwriter but she wasn’t often in total isolation as per the (male) genius handbook, and there in lies the very thing her genius begins to push back on, and the genius presentation of women that often clashes with the defined genius mold of men. She’s incredibly social. Vivacious and thrives being around friends and family, and her line of work traffics in that vivaciousness as a pop star, smiling and dancing and giggling on stage for thousands. She enjoys collaboration and throwing parties and meeting new people professionally and personally. She seeks out interactions with her own fans, to varying degrees over the years but still her hand is always reaching out across the barricade. How much of this is purely a product of a public persona and how much is her innate personal qualities is a moot argument, because the fact remains the same that this is the persona we are presented with, who is the antithesis of the male genius. And it’s not to say that she isn’t lonely or flawed or tortured about it. 

TTPD specifically interrogates that idea both through the lens of observing a guy who fancies himself a genius in that very male way, but also her own representation of genius in the world and how she repudiates the male genius mold foisted upon her. Mocking the stereotypical misanthropic traits of this male “genius” she encountered on songs like the title track, but also mocking the way he (and us by extension) try to classify her as a genius with all the trappings of one. Going as far as to refer to herself as an idiot in contrast, not intellectually perhaps but in terms of her comprehension of the world and her place in it, she doesn’t feel like a genius, not the way the man she’s speaking to seems to cartoonishly categorize them anyway. She doesn’t want to hole up in the Chelsea hotel with a typewriter wallowing in the burden of her genius because she doesn’t feel burdened by it that way, but rather her genius makes her curious and compelled to continue living boldly and blindly. If his (and the world’s) idea of genius is that willfully lonely tortured poet, then she’s much happier to cast herself as a modern idiot. She continues to push back as the album progresses, wherein she doesn’t claim she doesn’t get lonely or she isn’t flawed, but simply that she doesn’t define herself that way or even let those feelings steer her. Broken Heart is a quite literal example where she endures one of the biggest heartbreaks known to humankind and touts her ability to continue to perform her job due to the fortitude of her compartmentalization, not letting it decide how she will live her life. The Prophecy, where she bangs her fists against the forces that insist that she must remain in the lonely tortured poet mold in exchange for this genius, be they arcane or the small mindedness of modern world around her. She becomes animalistic, feral as she howls at the moon even, refusing to be shackled. Which brings us to Who’s Afraid, the most violent push back against the male genius you could say. She does not retreat to the folklore cabin in the woods as she once did when she is lonely and flawed and tortured, but instead lashes out and monstrously displays her emotion in the faces of those who scorned her, promises to never retreat and to instead haunt them, and perhaps all of us, forever. A Frankenstein’s monster of herself, where she is both doctor and creation. A story whose comparison is apt for its subject matter, but also in its creation that gets to the core of how she redefined genius. 

Mary Shelley, a woman, wrote Frankenstein, a seminal work of literary genius, and while the book is about a genius tortured in isolation by his genius creations, she didn’t write it in lonely tortured isolation herself. She came up with it in a house full of friends where they played a game to see who could come up with the best ghost story, for fun. The impetus of its creation was to share it with others and emotionally connect with them. The manuscript closes out TTPD with a harrowing but frank recounting of a transformationally damaging relationship in her life where the song itself confronts how she hid the scope of the damage from others, and even to a degree herself, behind the genius works she created about that relationship. Ironically, some of which are the single works that had the big wigs and critics and greek chorus of the music world finally cement her genius. The lemonade out of lemons she could have said and been done with it. But it wasn’t the declaration of genius that those works afforded her that brought her closure and peace on the matter, as the Manuscript dictates. It was the way the work of artistic genius was received and emotionally resonated and connected with people that allowed her to emotionally connect to it herself over the years and create more art from it until she finally understood the experience fully. Understood what the agony of it all had been for back in her early twenties, and thereby understood what the genius is all for now. If being a woman is seen as a handicap by her genius peers or by those who decide genius in others, merely a hysterical woman or a weepy little girl, perhaps it also could be a huge reason for why she’s able to redefine it, due to her access and ability to embrace those hysterical weepy emotions as only women are allowed to do in modern society writ large.

And so Taylor reshapes the identifying image of our genius as a bitter, tortured, stoic man in his cabin into a smiling face of a woman overwhelmed by a thousand emotions, clasped hands reaching out over barricades. Or one of eyes searching and recognizing herself in the faces of 80,000 people in an audience. Even seeking artistic collaboration with her friends that often results in sharing ghost stories of their own kind out of a desire to connect with each other. As sad and heartbroken and lonely she may feel, she will never be alone and the great mistake of the tortured and isolated male genius is thinking that he must be. If you believe that there is some divine purpose that bestows artistic genius upon a person, what Taylor Swift discovered and redefines and insists upon is that it is not a lifelong curse of loneliness but a gift of boundless and eternal human connection. 

[red-velvet-0w0]

okay guys ive talked about this a bit before but hear me out:

The Lucas Institute

basicaly just a concept i had for how a Lonely-version of the Magnus institute would work

so the magnus institute works by taking peoples fear encounters and stealing that fear away to be used by the eye. but theres no reason that its the only power that would be able to do that.

So say you just had a terrible experience with some strange supernatural entity, but get approached by an offer from the Lucas Institute, who offer to help keep you safe and moniter your condition from whatever just happened to you. they hear out your story, though they dont really seem to care much about you, and if they deem that you are telling the truth, they usher you off to a room and say that you will just have to stay a night or two in here, they will moniter your condition and make sure you stay safe, and once they are certain that the threat has past, they will let you out. then they close the door.

there are no windows in this room. there is only a light that never turns off. there is a bed and a few empty shelves and all the walls are painted an all to bright white. The walls are padded so heavily that you cant hear a single noise, everything in the room is so safe that you couldnt possibly hurt yourself even if you tried, couldnt feel a single thing exept the slight discomfort from the air conditioning which never turns off and always makes sure your cell is just a BIT too cold.

By the time they release you, they say you were only in there for a few hours. so does everybody else you meet. your calendar says that it is still the same day. But it felt like an eternity in there.

[hellaverse-critical-confessions]

(from this video)

[thevegetablewhichnoonedaresname]

I'm starting Mission to Zyxx Season 5 now, and I have feelings about that.

First, it generally scares me when people hype anything up at all because there is no guarantee that anyone values the exact same thing I do to the same degree. Even if I trust the creators of a thing to value something and try to do right by it, that doesn't always necessarily mean it will be successful, especially if that involves doing something wildly different than what made it good in the first place (I have been burned this way before). I guess I'm just hoping they continue the format of goofy improv shenanigans for the majority of it with something more planned and emotional in the finale if they want, like they've been doing all along. I'd think they would, and I've heard nothing bad about the ending, but I guess it still makes me nervous because I'm so close to the end and I want it so badly to stick the landing. I'm setting my expectations on the floor so I can be surprised instead of disappointed, but honestly, I don't need it to be better, I just need it to be on par with the rest.

Second, and more briefly, I'm happy it's (hopefully) ending before it has a chance to decline. I am so on board with that philosophy. But on the other hand, finishing a thing that I really, really like and knowing there's not another one out there gives me a special kind of heartache. Like, I know there will be other good media, and stuff that's good and unique in other ways, but I know for a fact that there are no other podcasts out there that have the same mix of a balance of off-the-wall improv and structured narrative, quality comedy, fantastical sci-fi setting and loveable characters, and high quality production. There are other things out there with many of those qualities, but nothing that checks every one of those boxes. It's a lightning-in-a-bottle thing that very much feels like the right people had to be in the right place at the right time to do it. Attempts to do it again would feel hollow because it had to be born out of necessity and passion and the talents of the people involved, so if you switch out the people it loses the reasons it's great, and if the same people tried to do it again it'd feel tired. That makes me so, so grateful it exists, but also so, so sad that it doesn't, and I'm 80% of the way done. When it's over, it's over.

Anyway. Now that that's all out there, I'm just gonna finish listening and have fun. Wish me luck.

[thatonesmartkidfromschool]

shakes him aggresively

Oh yeah this cooked so hard. It's so freaking silly... like I always imagined this huge falling out between Guz and Kukui but now it's cuz of a band and not like the "grrrr you're stronger than me I hate you" drama it's amazing.

Kukui just seems like the type of guy to have been in a band in his young adulthood too, he just gives off popular vibes lolz. But like you can't introduce me to a silly au and not expect me to be begging for specifics like... what genre music do they make?? What instrument does everyone play?? Grgrhehe I must know.

Also it'd be really fcken funny if Burnet liked the band but hadn't realized Kukui was part of it, so she ends up fangirling over TWO of Kukui's stage personas

[trans-leek-cookie]

the ending of i saw the tv glow fucked me up because in a meatphor sense she's going to spend the rest of her life in misery because she was too afraid to embrace her true self. her happy self. and in a literal sense she's LITERALLY being buried alive which is like top 100 fears of mine and the fact her inhaler stopped working which is like. the sign that she's losing oxygen kept me up at night. aaaaaaaaaaaaaaAAAA

Ourgh yeah the burying alive is. Fucked up if real! But personally I've said before but I do see the ending as not Great but at least hopeful, I think even if she doesn't accept herself right away she's going to at least try to like, find people who can help her, because she is screaming for help at the end, even if no one responds. And that's much better than suffering in silence. At least, that's if you assume her life outside the Pink Opaque is real in some way, which tbh I do. I think even if she were to bury herself like Tara, it wouldn't perfectly put her in Isabel's body, and she wouldn't be young again. Idk I'll say that I think the world of ISTTVG is supernatural and sitting within unreality rather than full fantasy, and neither The Pink Opaque or "Real Life" is fully true. I think they blur together one way or another

[elisedonut]

One thing I like about Marcus is that he's kind of

Schrodinger's Death Eater

Like yeah he's a Slytherin

He's an asshole

But

He is never mentioned again after the third book.

Not once.

Not even a different Flint is ever mentioned

you don't even hear about like his parent being a death eater which means

You can make him one if you want

if you need him to be for the story you want to tell

Or you can choose not to if that fits better

and immediately neither of these actually go against canon

Which is really fun to me

Because you can make him and his family just literally leave the country if you want

Or maybe he is just a death eater

Or if you like me like him being close to the others that we know around his age and are also allergic to making OCs you can make him a spy with Percy

maybe they both work in the ministry and he uses the fact most people won't watch him as closely as they do Percy to get things done that need to be done. Very Percy is the brains of the operation and Marcus is the actual body of it because they both know Percy really can't step out of line too much.

But similar to how Hogwarts was during that last year of the war people just assume that as a pureblooded Slytherin Marcus is just on their side by default so don't even look twice at him

Or you know just a Quidditch boy

[triglycercule]

who made the mtt. and no i dont mean like who made the CONCEPT of the murder time trio (because i know who that is. touken kamui i thank you for the fangame every day :3) but like,,,, who decided to just randomly pair these 3 together?? like whaaaat.......

part of me wants to believe it was rahafwabas with the whole bad sanses group thingy being made with those 3 in there and then like. the fangame just gave them specifically a seperate group name. but STILL,,,,, where did this trio come from

[toytulini]

I think making sweeping generalizations of specific traits being considered "ugly" is not great the same way i think its rude and unnecessary to call others ugly, i also think its worthwhile to acknowledge that certain traits ARE considered "Ugly" due to societal beauty standards, that doesn't make them ACTUALLY ugly, bc beauty is subjective anyway, and can be found Anywhere, and even someone who seems to tick every single box of societal beauty Ideals will almost certainly have at least one trait or feature about their appearance that they are insecure about or feel is "ugly", bc even within the constraints of conventional attractiveness theres subjectivity

also this fish was so fucking Ugly and i adored it so much. i miss him.

he was also gorgeous.