#idk sometimes it still doesn't seem real to me!!!!

[sabertoothwalrus]

idk why but the results on that "favorite finn ship" poll is making me kinda emotional 🤪

[wereh0gz]

Started reading dungeon meshi and I genuinely have not been this invested in a manga in so long (or piece of media in general that wasn't related to Sonic in some way) I'm having the time of my life here

[ratinthevoid]

i wish i had different moods available than 1) too scared to breath too loud can't do anything out of fear 2) completely numb too 'i don't know how to care to do anything'

[chemicalarospec]

the worst part about being aro is how little visibility there is and so bringing positivity towards any small subgroup of aros frequently makes the opposite group feel hurt.

[appocalipse]

heyy if ur taking requests could u maybe do like bestfriends steve + reader where steve, eddie, nancy and robin have to pick up reader from a party and she’s like REAL drunk and just idk super clingy w steve and doesn’t wanna not be touching him. maybe eddie, nancy and robin all make fun of him for it but they acc find it rly cute.

thank you for your request! ♥♥♥ | 2.2k words

"Stevie!"

You collide into him suddenly, nearly knocking him back a step or two with the force of your momentum; there's a smile on Steve's face when you look up at him through eyes that are more than a little hazy with inebriation. You're drunk. Probably way past drunk, if the way the world won't seem to hold still is anything to go by, but you don't care. There are other things vying for your attention—like how warm he feels against you, how safe he makes you feel, how pretty he looks from up close...

"Whoa," Steve says as you lean even further into him and loop your arms around his waist in a tight hug. "How much did you have to drink, exactly?"

He doesn't mean it in a mean way, which is why you grin up at him from where you've got your cheek pressed firmly to his chest. You can feel his heart beating under the palm of your hand now, a steady and calming rhythm that soothes something inside of you.

"Dunno," you reply, grinning stupidly when you catch sight of maybe three copies of Eddie Munson standing off to Steve's left; all of them have identical amused looks on their faces. "Might've had, like, a couple..."

Steve sighs deeply, though there's no exasperation or disappointment to be found in his expression when he tilts your face upwards to look you over properly. You just beam dopily at him, because he's so pretty right now you don't know what else to do.

"Dude," Eddie speaks up, drawing Steve's gaze away from you while your own attention goes back to pressing yourself even more snugly into him, "she is totally sloshed."

You frown, shaking your head in fervent disagreement.

"Am not!"

"Sure you aren't, sweetheart," Eddie agrees placidly, but you get the impression he doesn't really mean it.

Before you can point this out, however, the blurry shape of Robin Buckley steps forward. The room is dark with flashing strobe lights and smoky with incense and cigarette smoke, but you'd recognize her voice anywhere.

"Who let you drink this much?" Robin asks as she lifts a hand up to brush some hair back from your forehead.

It's oddly soothing and so you lean into the contact with a happy hum. Robin and the others laugh — but then again, it sounds kinder than mean, the kind of laugh that bubbles up when you find something unexpectedly endearing, and so you don't mind as much as you maybe should.

"Nobody," you mumble as you press your face into the side of Steve's neck and take a deep breath in; his scent is the same as always, earthy and warm with an underlying hint of that stupid spray he likes to use sometimes. "I'm here alone. 'Cause Steve here blew me off for you guys, but that's okay," you say, even though, to be fair, it sort of isn't true — he didn't blow you off.

"Hey," Steve starts, sounding half-indignant and half-apologetic all at once. He's got an arm around your shoulder now, supporting you and keeping you upright, which makes you want to tangle yourself up in him completely. "You didn't tell me you wanted me to come hang out with you tonight!"

You sigh mournfully against his skin, feeling wistful all of a sudden. It's true. You hadn't told him. That was partially due to the fact that you had been trying to prove to yourself that you weren't so desperately and helplessly infatuated with him that you needed his presence constantly, but that plan had obviously backfired on you spectacularly.

"No," you mutter unhappily as Steve moves the two of you towards a nearby couch. "But I missed you. Don't wanna miss you."

Nancy, Robin, and Eddie, who are watching the two of you with expressions of varying degrees of amusement, exchange looks. Steve pretends not to notice, probably because he knows he won't like what they have to say if he hears it, and instead guides you down onto the cushions next to him. "You're drunk."

"You're pretty," you reply without hesitation, even though you're very clearly changing the subject. "It's unfair, y'know?"

You hear Robin snort, followed by a quiet thud like someone's just been slapped on the arm, and you know it's her who laughed, and that it must have been Nancy who'd shut her up. You don't know where Eddie is; you're not even sure when he wandered off, to be honest. You're too focused on Steve and the way his face looks under the colorful flashing lights.

"Oh yeah?" he asks, biting the inside of his cheek to keep from smiling too widely at your comment. His eyes are bright with laughter when you meet his gaze and nod confidently. "How do I get 'unfair', exactly?"

"'S all in the face," you say matter-of-factly, your own fingers trailing down his cheek in an almost absentminded gesture. "Kinda makes it hard to think about anything else sometimes, if I'm being real here. Like, it's not really fair, 'cause then what are we supposed to talk about? Oh, oh—and then there's your hair!"

"My hair?"

Robin wheezes somewhere behind you, which would have made you giggle if you were still paying attention to the people in the room besides Steve, but you're not.

"Mmhmm," you hum, your eyes running over the soft brown locks on top of his head. "Love it. Wanna touch it all the time. Y'see, Steve? You see? This is why it's not fair at all. And, and—" you trail off here for dramatic effect, squinting at him theatrically before leaning closer with your hand cupped to the side of your mouth, as if you're about to share something private. "—the way you make my insides feel? So, so unfair. Totally your fault, buddy."

"Wha-" Steve croaks out, looking alarmed and caught off guard by your drunken confession. "What's that supposed to mean?"

"Oh," you regain your serious tone, frowning at him in a somewhat bemused manner when he continues to gape at you. "Not 'sposed to tell you. S'not the rules."

Eddie barks out a laugh somewhere off to your left, but Steve ignores him. "Rules?"

"Yeah, 's against the rules, dummy," you say, like he should've already known that. "Gotta follow the rules! Duh. Steve."

"Yeah, Steve, duh," Robin pipes up, earning herself a glare from Steve as well as a smirk from Eddie. "Oops, sorry. Please, continue."

"Can I touch your hair? Like, please, 'cause I might die if I don't, 'kay? If that's okay. Gotta test the theory. Just a little bit, though." You can tell by his expression that he wants to laugh, and that he's also mildly worried that you've lost your mind. "Please?"

Robin, Eddie and Nancy have their hands clapped over their mouths to contain their laughter. You're too drunk to notice, but Steve narrows his eyes at them in warning. "Yes," he says. "Just—yeah, go ahead."

With a little noise of excitement, you reach out to card your fingers through his hair. He smells really good — like clean laundry and fresh pine trees — and the feel of his hair in your palm is exactly what you had imagined, though you're loathe to pull your hand away now that you've felt it.

Steve goes unnaturally still as you press your face into the juncture between his neck and shoulder, a move he should have expected but didn't, and you sigh happily when the scent of his cologne hits you full force. He's like a living, breathing, cuddly teddy bear, you think, a combination of warmth, softness, and comfort all rolled up in one gorgeous, handsome, unobtainable package.

"You're warm," you mumble, feeling like you could fall asleep right now. "So, so warm. 'S like you've got a space heater in your chest, 'n that's like, so awesome."

He blinks a few times, momentarily speechless as he tries to come to terms with the fact that you are, in fact, drunk enough to be saying whatever the hell comes to your mind. "Uh, thanks?"

"Smell nice too," you murmur, hugging him tighter to you. "Like, wow. Love your hair, like, love love."

His cheeks are burning hot now, his heart beating erratically in his chest when he notices Eddie staring at the two of you with a knowing gleam in his eye. "That's—thank you, but, hey, come on now," Steve says, his voice faltering a little. "Let's get you home, okay?"

"I don't wanna."

"Don't you wanna sleep in your bed?"

You pause, considering his words, and eventually concede that, yes, your bed does sound lovely right about now, so you give him a brief nod in response. "I guess, but can you come too?"

He chokes on air, but manages to play it off by clearing his throat. "What—to your bed? No!"

"Why not?"

Steve shifts a little under your intense, alcohol-addled scrutiny; he feels strangely guilty, as though he's letting you down by saying no. "Because you're drunk?" he says, feeling flustered and unreasonably nervous all of a sudden.

You scrunch up your face in a pout. "Oh, that's a dumb reason."

Steve chuckles and you sigh happily again, because you love his laugh and everything else about him, and he seems to realize this, given the way his expression softens. "Come on, you drunkard. Let's go home," he says gently, tugging on your arm in an attempt to get you to stand.

You resist at first, shaking your head stubbornly as you hold onto him. "Can't. My legs don't work anymore. They're all wobbly."

Steve closes his eyes for a moment, huffs out a soft laugh, and you can't help but grin up at him. He's so pretty that, like, how is that even allowed? How can you be around him and not spontaneously combust or something?

"Well, what if I carried you?"

"Like a princess?"

Steve looks at you with an expression you can't decipher — it's halfway between incredulous and endeared, and it makes your heart feel too big for your rib cage.

"How romantic," Nancy observes.

"So long as she doesn't throw up on him," Eddie adds, nodding sagely in agreement.

"Oh, I hope she does," Robin says, with a devious smile, "he'd deserve it for being such a coward."

"I'm...right here, guys, and I can still hear you." Steve finally says, throwing them a scathing look that only makes them laugh. "If you're not going to be helpful, you can wait in the car."

"As if," Eddie counters.

Steve opens his mouth to tell him where exactly he can stick his opinions, when you grab the front of his shirt and drag him closer.

"Steve," you say, the smile falling from your face as a sudden thought occurs to you. "Are you mad at me? Because I can go home by myself. That's okay."

"Hey, no," he replies softly, "I'm not mad at you, sweetheart. Not ever."

"'Sweetheart'? Really?" Eddie mutters to Nancy, who elbows him in the ribs when he doesn't lower his voice in time. "Ow, okay, okay—just saying. Don't want them to keep dancing around each other forever, is all."

"I'm not dancing," you tell him, completely unaware of Eddie's snickering, "I don't have any shoes on, Eddie. Wouldn't be able to dance without shoes on. Silly."

"My bad," Eddie says, his lips twitching with badly concealed laughter, "forgive me."

Steve scowls at him before turning his attention back to you, his face so close to yours that you can momentarily feel the tickle of his breath against your skin. "Okay, come on," he says, "up we go."

And then, in one swift movement, he slides his arm under your knees and scoops you up into his arms. You let out a squeak of surprise and automatically wrap your arms around his neck to steady yourself.

"Oh, oh, oh," you say excitedly, "you really are gonna carry me."

"Told you so." Steve adjusts his grip on you and makes his way towards the exit. "Are you good? Am I hurting you?"

You shake your head slowly, grinning as you stare at him from a whole new angle. "No," you tell him, feeling much more awake than you were moments before. "This is...this is like, actually kinda cool."

"Yeah?"

"Yeah," you repeat, smiling shyly back at him. "Feel like a real life Cinderella now. Whoa, you're, like, super strong."

"Yeah, Stevie, you're 'super strong.'" Eddie teases, waggling his eyebrows when Steve sends him a quick glare. "Aw, don't look at me like that. It's cute. The two of you."

Nancy doesn't tease like Robin and Eddie do. She walks behind Steve, making sure to stay a couple steps behind to give the two of you some privacy. Even so, when you look over your shoulder to make sure nobody's listening, she gives you a wink and a small thumbs-up that makes you smile.

The parking lot is filled with teenagers all wandering aimlessly in groups, so it takes Steve a while to navigate his way through the crowd. By the time he finds the spot where he parked his BMW, you've grown drowsy enough to rest your head on his shoulder.

Eddie immediately pops open the door to the backseat, slapping it a few times as he looks over at Steve and grins. "Hurry it up, lover boy," he drawls out, "she looks half-asleep already."

"She's fine," Steve shoots back, frowning in annoyance when Eddie and Robin both pretend to yawn exaggeratedly, "shut up. I hate you guys."

[ms-demeanor]

Okay THANK YOU for saying “your body craves what it needs” is bs because that felt like bs this whole time.

Like you don’t need more sugar if you crave sweets that is NOT what that means. Sugar is a food that people crave because it tastes good/sugar I think is an addictive food??

Idk it just felt like people making excuses when they’re supposed to be trying to eat a little healthier (healthier, not low cal, not low fat or keto or whatever. Diets are bs but craving sweets does not mean sugar is healthy thing for your body rn)

People crave sugar because it tastes good, which is not a bad thing, and there is an evolutionary reason that sugar and fat taste good to us. Carbs are your body's favorite thing because it is SUPER easy for your body to break them down into useful molecules.

I'm not a fan of the idea that any foods are addictive and I'm skeptical of models that suggest "refined food addiction" is a thing with a measurable, real-world impact; there's a lot of debate in that area of nutrition science and to me it kind of seems like the tools people use to track food addiction aren't really examining the addictiveness of specific foods, but are decent screening tools for people who have compulsive behaviors around food (for instance, one group of people who the Yale Food Addiction Scale has repeatedly been demonstrated to be REALLY good at identifying is people with anorexia).

But your body needs sugar all the time, whether that's in the form of complex carbohydrates that get broken down into simple sugars by your body, or simple sugars that you stir into your tea that then gets sent to your cells as energy. If your diet doesn't have enough sugar in it, your body has a processes to turn non-sugars into sugar so that it can use the sugar (gluconeogenesis!). Sugar is unambiguously good for you in the way that fat is unambiguously good for you. You need sugar to survive and it's not a bad thing if you want to have a cookie or a soda or some candy, and again - your craving probably isn't telling you that you're deficient in a specific micro or macronutrient, but I still think that you should listen to your craving.

Like, I don't know how much you know about psychotherapy but the attitude that a lot of diet-focused discussion takes toward cravings reminds me of cognitive behavioral therapy. "When you crave chocolate, no you don't! Don't think about the chocolate, you actually probably need starch or sugar or something, let's redirect that into having a banana, or some frozen berries, or some spinach. Point away from the unhealthy craving and into the healthy replacement, or, better yet, ignore the craving. Mind over matter. You choose how you act."

(I actually think "X craving means that I want Y food so I shall replace it with Z, which is similar" "craving salt means that I am dehydrated and need electrolytes so instead of potato chips I'll have some soup" is how this goes most of the time. I think this is a diet culture thing, not a food positivity thing.)

And you know what I think that's a garbage way to look at both food and emotions.

When I'm craving ice cream it's not because I've been mostly vegetarian for a week and am low on dietary cholesterol (AN IMPORTANT NUTRIENT. Don't be scared of consuming some cholesterol), I'm craving ice cream because sugar and fat taste good. So instead of trying to pretend that I'm getting "what I need" from a piece of salmon the size of a deck of cards with no salt and some lemon squeezed on top, I'm going to scoop out a moderate portion of ice cream and eat it while focusing on how much I enjoy it. And I'm going to do that instead of sitting down with a pint and a spoon while I'm stressed at work and eating something that tastes good to distract from the fact that work is stressful. (And sometimes it's fine to sit down with a pint and a spoon but I will say that's generally best not to do while you're in the middle of something stressful)

And if you want to relate that back to therapy I see this as more of the DBT approach. I've accepted that I want ice cream so I'm going to eat it in an intentional way and enjoy it instead of eating so much that I don't want dinner, or that it makes me feel sick, or that I eat it without noticing it because I'm using it as a distraction instead of a snack.

I'm not trying to shut down the negative emotion or shun the "bad" food, I'm accepting that I have that emotion and I'm working this neutral food into my day so that I'll feel good tomorrow and won't get heartburn overnight.

So I see that you're trying to be kind of anti diet culture here, but I don't think people need excuses to eat sugar, and I actually think that making excuses to eat it is significantly less healthy than just eating the sugar (which, again, is unambiguously healthy to eat as part of a varied, filling, nutritious diet). It seems like you may have internalized some ideas about sugar that are not great even if you are trying to separate from diet culture.

Nobody is ever going to eat a diet so healthy and nutritionally complete that they don't want candy or cake or cookies sometimes. Food is not only fuel, it is entertainment and culture and comfort and distraction and celebration and a million other things, but it is not bad. I don't think there's a single universally bad food out there, or any food that never belongs as part of someone's diet (unless it's something you're allergic to - I don't care if you're craving peanuts, do not eat peanuts if you have a peanut allergy).

So it's okay to make sugar, you don't need to make excuses. It's okay to eat sugar if you're craving sugar, even if that's not what your body "needs". But also sometimes a craving is your body saying "I'm hungry and this sounds good, please feed me" even if you're not a finely-tuned spectrometer that's craving blueberries pie because you actually need antioxidants from the blueberries (you're not a finely tuned spectrometer, you don't need the antioxidants from the blueberries, it's perfectly fine to just eat a slice of pie).

[cyberm4n]

HI I LOVED UR HYPERSEXUAL FEM READER HEADCANONS UR WRITING IS SO GOOD

Soo I'm here to request the vees (mainly vox but idc) x hypersexual Fem reader pleasee 😭🙏

if not that's okay and I hope you have a nice day/night!! feel free to delete this lol

-xoxo, Ari

THANK YOU <3333 i love the vees and ive been looking for an excuse to write them so this is perfect

vees with hypersexul reader

going with the same scenario as last time- you've just finished a round and (char) is spent but you're already ready to go again

《— vox —》

■ he seems like a 2 rounds kinda guy so after that second round and yall are just laying there he is SPENT

■ so when you roll over to lay on his chest like "one more time?" with a little smile on your face, as if yall did not just violently fuck it takes him a moment

■ he's spent, so spent. but he really wants to please you

■ he'd get used to it tbh. like he's mentally prepared everytime now but maybe sometimes he can do a round 3

■ he'd resort to toys i think, only the best for his girl <3

■ there's also something he loves about getting to hold you and watch you writhe in pleasure and he just gets to watch

■ he'd always take your preferences into mind with toys too. like if you want smth specific he's got it for you

■ i feel like he might prefer if yall are spent at the same time so the foreplay goes CRAZY

■ like it's not just foreplay it's actual rounds of getting you to cum before the main event yk

■ or sometimes he'll just ask if it'd be okay to be done for the night when he is

■ he doesn't mind either way but he'd definitely want to communicate about it

■ so yeah it might take him a little bit to adjust bit he'd be just fine!

《— valentino —》

■ okay let's be real this man fucks A LOT so he can probably do like. 3 or 4 lengthy rounds before he's tapped out

■ it's making me giggle about it but like okay val is a kinky guy, and like especially if the first time yall do anything it's a little bit rougher he is SHOCKED when you're down for more

■ he's prly into something like overstim where normally you kinda gotta reel from it after so when he's done and it takes you like. a minute or two to be like "do you wanna do it again?" he judt looks down at you so confused

■ he takes a moment, blinking. he'd definitely ask if you're kidding or smth and then finding out you're not he has to take a moment

■ like, he finds it fucking awesome but jesus christ he's finally met hsi match

■ he might use toys on you or go down on you, depends how he's feeling tbh

■ i think he'd lean towards going down on you, idk he just seems like he'd be a bit of a munch.

■ and if you're okay with it when yall fuck in the future he's constantly just seeing how far you can go before you're spent

■ long story short he's totally chill abt it when he gets used to it and thinks it's fucking great

《— velvette —》

■ okay im literally giggling and kicking my feet while typing this

■ she seems like a 2 or 3 round kind of gal

■ idk femxfem sex doesn't really go in rounds ime but like. yk.

■ so after she's spent, she's like so ready to cuddle up and sleep. but then you're caressing her cheek, nuzzling into her neck. "again?" you murmur and she has to take a moment

■ cause like, she's just super surprised you're still ready for another.

■ she'd ask the most questions abt it. like she'd want to just know more so she can support you better

■ she'd go down on you tho! anytime! she definitely has toys but she seems like the type to be more inclined to eat you out

■ if she gets tired of that she'd use a toy on you. but she stays engaged the whole time, super attentive.

■ she's a service switch so like getting to keep you pleased like this makes her feel good and she doesn't mind at all

■ once again, all of them would embrace it and they do not mind at all!

■ if you guys with the poly hc for the vees i think it just makes it so much better for them to know it's really hard to burn you out

■ i loved this request ty <3

taglist: @reaper-of-light-12 @mxxny-lupin @wisteria-songs @t3llas @concentratedconcrete @pansexual-opera-house @dionysusismypatrongod

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[phantomantz]

some changes i would have made to the characters storylines in tua s4

disclaimer: i am no writer, it's just fun to think about the possibilities. btw anyone feel free to use any of these ideas for fics idc

lila doesn't cheat for starters. instead she and diego have both been secretly doing vigilante missions and keeping it from the other because they think they'll be mad. on one of these missions the two run into each other and rekindle their spark. basically the five and lila story but with diego and lila instead thanks. maybe one or both of them almost die or their kids are put in danger, and they decide to find a much less dangerous hobby, because while its thrilling in the moment they realize they wouldn't sacrifice their family for it

luther is shown to be much more depressed about sloanes absence (if there really is no way for her to come back) but he's trying to hold it together to be there for his family. would be nice if he bonded with characters like klaus, viktor or allison who have also lost their lovers. diego and lila shenanigans means they need luther to babysit a lot and luther finds happiness caring for his nieces and nephew. maybe he also finds a fulfilling job where he can meet a lot of people and help others.

five still finds the time subway but without lila. we get more time exploring the alternate timelines and seeing different ways the apocalypse has happened including ways the other sibs have ended the world. his PTSD and reliving his trauma is also explored. he eventually ends up in the five diner where he's told that they end the world every time but instead of excepting defeat and making everyone sacrifice themselves he finds another way (what exactly that is im not so sure) and becomes the first and only five to successfully prevent the apocalypse forever

allisons relationship with claire and ray are explored more heavily as well as everything she did in s3. i like the idea that she takes care of klaus because 1: hes the only sibling that will still talk to her and 2: because of the guilt she feels after getting him killed. i just wish her arc focused on something OTHER than saving klaus because thats basically all she did this season. would be nice if she spent more time with viktor and luther the two people she wronged most heavily in s3.

i would keep viktors confrontation with reggie but alternatively i would make this reginald umbrella reginald so it has much more weight to it. either that or have viktor express that even though he said his piece toward this reggie he will never actually get closure with their real father and nothing will remove the pain from his childhood. the rest i would keep pretty similar. reginald wants to kill ben and viktor wants to stop him at any cost. viktor knows what its like to be "the bomb" and doesn't want the same thing that happened to him to happen to ben. instead of working together to find ben however they're more in a race against eachother. maybe allison joins him and they make up on the way. i would have liked for ben and viktor to have had a heart to heart in the beginning of the season, maybe about how ben felt like a monster sometimes because of his powers, and viktor relating. idk how this would work with sparrow ben because he doesn't seem to hate his powers the same way brelly ben did but it would have been nice to show another reason why viktor is going through so much trouble to save him. and the ending where he trys to talk him down would be more impactful i think.

for klaus i would keep everything pretty much the same up until he runs into that quinn guy. instead i would have him travel to the subway with five in lilas place. five and klaus' powers are the most mind boggling out of the bunch not to mention time and death are inherently intertwined and this needed to be explored. also, you're telling me klaus literally has the power to talk to GOD and this never has any plot relevance???? klaus should have been involved in finding the solution to the apocalypse imo. also we needed klaus and ben interactions. idk how or when but it NEEDED to happen

ben and jennifer being the catalyst for the apocalypse is making it very hard for me to figure what to do with him tbh. i just wish he had more time with the other sibs and didn't turn into a horrific blob monster at the end 😭he felt less like a character this season and more like a plot device and he deserved to have some scenes that actually fleshed him out. it would have been cool if the reason he causes the apocalypse was actually because of his powers and not just because he happened to be the one to make skin contact with jennifer. i really thought that the twist was gonna be that the squid that jennifer was stuck in was the one that ben summons and that was why they were connected. not the fact that they both just had reactive magic particles in them that anyone could have set off. like what if jennifer being cut out of the squid was what killed ben?

OH! what if jennifer was an eldritch horror from the same dimension that bens tentacles are from and for some reason she wants to kill the brellys/end the world and because bens powers are linked to her she can control his mind ???? c'mon i feel like i've got something here

a have a couple of other ideas but don't know where they would fit in rn so yeah.

[elllisaaa]

Hiiiiiiiiiii!! I love your work, and I get so excited whenever i see one of your posts pop up 💗💗

Idk if you'll be able to do anything with this, but this was just a random thought I had after a very real experience at the gym but

What about reader getting intimidated by a member bc of their muscles/height? Like maybe they're friends or in a relationship, and it's just like a cute sweet little moment (i can see this with anyone in svt tbh, but obv gym line would be best)

It's okay if you don't wanna do this! I just thought I'd throw it out there lol

Anyways, I hope you have a great day/night!!!!! 💖

you're so cute anonie !! thank you so much for reading my works, and i'm so glad to bring you joy with my silly posts ! but i totally get what you're saying, whenever i go to the gym without my friends, i'm so intimidated by the big guys so i get you ! plus i looove it whenever someone comes in my inbox to let out some random thoughts like that, keep doing that please !!

and to this screams MINGYU, who is so tall and big, but sometimes forgets how impressive it can be for other people. he sees you struggling to reach the bar of one of the machines because you're too short, and he runs to you to help you pull it down. you shyly thank him, and he goes back to his workout, but he cannot help stealing glances at you whenever you're at the gym at the same time as him. and sometimes, he catches you also looking at him but you always turn your eyes away and he doesn't understand why.

but mingyu doesn't want to annoy you during your workout, so he doesn't say anything. except that one day he sees you preparing to squat and he comes by quickly and asks you if you need someone to spot you. he's so cute with his cheeks all red that you cannot say no.

from this moment on, the two of you keep talking and you become his gym crush immediately. he already thought that you were insanely pretty, but now he's also aware that you're the sweetest human on earth and he's smitten by you. some weeks after you grew closer and started to workout together, he will start to wonder why you didn't approach him sooner.

"do i look like a bad guy ?" you giggled at his little joke, shaking your head. "not, that's not it. but you're… well, you're quite impressive." mingyu seemed so surprised you couldn't help but laugh again at how dumbfounded he was. "impressive ? me ?" - "don't play dumb gyu, you're so tall and big, it's a little intimidating at first."

mingyu tries to process the information for a moment, as he didn't think he could've impressed you just because of his size. but for some reasons, it fuels his ego and it feels good to know that he must also look dependable because he wants you to ask for his help everytime you need it.

"do you still find me impressive ?" he questioned, honestly curious about your answer, but he also had other thoughts in mind. "physically ? yes, don't think i didn't count how much you can bench press. but i also know that you're very sweet, and cute, and you take good care of me, so how could i be intimidated ?"

a soft smile takes over mingyu's face as he leans in, getting closer to you until your lips are only inches away. "does this intimidate you ?" - "no… not at all." this time, you take it upon yourself to make a move and kiss him softly. you can feel his lips stretching in a big, gummy smile against yours. and you can't help the giggle you let out when he looks you in the eyes, his forehead resting against yours, his eyes letting you know everything you needed to.

[jtl07]

[edit: now on ao3!]

okay here's a cafe au that we're just gonna noodle here ("we" lol - me, it's just me and my silly shenanigans) where basically Ava's going in for coffee and normally, idk, normally Mary is the one to get coffee when they're working together but Ava was being too annoying so Mary sent her out to get coffee and pastries.

when she steps into the cafe Mary had recommended, she immediately is grateful because at the register is one of the most beautiful women Ava's ever seen. sure, she has a strict looking bun and an unreadable expression, but Ava can work with that - especially when she notices how the woman's gaze flickers downward briefly. (Ava sends a thank you to Mary also for doing laundry yesterday)

as Ava steps up to the counter, she notices a nametag on the woman's chest - it's one of those "hi my name is" stickers and it's slightly askew, as if it had been haphazardly slapped on - which seems at odds with the rest of the woman's look (Ava notes that her shirt is actually tucked into her pants) but Ava's not one to judge. "hello, JC," Ava greets, giving the woman her best smile.

the woman frowns. "i'm not -" blinks, stutters, "um, yes, hello, welcome to Cat's Cradle," settles back into her unreadable expression by the end of the sentence. then, she gives Ava a soft smile. "what can i get started for you?"

Ava rattles off the order, throws in a couple extra pastries because why not, gives her name and her payment and stays close to the counter to watch JC make her drinks. she notices a couple other folks working too because wow, how the heck did this cafe employ the prettiest people: a taller guy with a rakish smile wearing a shirt that seems a size too small (let's be real: Ava's not complaining) and a nametag that says Camila; a shorter woman (omg, she's around Ava's height!) with a gleam in her eye and the bounciest curls and a nametag that says Beatrice. their voices are too low for Ava to make out what they're saying but whatever they're talking about prompts JC to shake her head, a bit of a blush on her cheeks, a smile lifting just at the edges of her mouth as she walks over to hand Ava her order.

"thank you," Ava says, hopes it doesn't sound as breathless as she's feeling but whatever, who can blame her when this murmurs so softly and genuinely to come again soon. 'oh i will,' Ava thinks, barely clothing her mouth from spewing the words (she does spew the whole story to Mary who rolls her eyes and chucks a piece of her pastry at Ava's head)

*

apparently, JC isn't the woman's name.

Ava figures it out the third time she visits (okay it's the same week, sue her - actually please don't, she doesn't get paid enough to afford a lawyer) because the real JC and Camila have been wearing those fancy carved nametag pins but Ms. Badass Barista (she's seen those guns, holy shit) is still using the "hi my name is" sticker.

today, the nametag sticker has Evelyn written in a fine cursive that distracts Ava enough that she fumbles her order. she at least manages a "thanks, Evelyn" as she steps back from the register and she gives herself a high five for not being a complete disaster.

watches 'Evelyn' pause, her hand frozen on the register for a moment before she blinks, a smile blooming small and shy. it makes Ava's breath catch and she's high off the feeling for the rest of the day. 

*

the name written on the nametag changes everyday. sometimes it's more masculine, sometimes it's more androgynous, sometimes written in heavy all-caps, sometimes with doodles of flowers and sparkles decorating the edges. Ava never knows what the expect, and though she doesn't know why the woman's name changes everyday, Ava loves a good game; can understand wanting to try something new - for the heck of it, for the life of it.

so she makes it a point to say the woman's given name at least once or twice whenever she visits, watches her reaction closely. some days she gets a smile, some days a laugh, some days no reaction at all. ('Archibald' had gotten a grimace from the woman, snorting cackles from JC and Camila).

then, one day, Ava steps up to the register and the woman doesn't have a nametag, the shirt bare save for the cafe's logo. Ava tilts her head curiously, notes also the way the woman has clasped her hands in front of her, something small turning between her fingers.

"so," Ava says slowly, spotting JC and Camila not-so-subtly eavesdropping from the back, "what should i call you today?"

the woman clears her throat. "well," she begins, bites momentarily at her bottom lip; it distracts Ava enough that she has to ask her to repeat the question: which one had fit her best?

Ava thinks back to the different names and the different reactions the woman had had to each of them. the way they sounded in her own mouth, rolling off her own tongue. and Ava may be all sorts of desperate for this woman but she also cannot lie. "none of them?" Ava winces, but the woman doesn't seem disappointed at Ava's answer - in fact, she almost looks relieved.

"i ... have a complicated relationship with my real name," the woman says softly, eyeing the item in her hand. "it was chosen appearances, for a legacy i have no intention to uphold. but it's the name i was born with. i thought maybe i just needed a new name. but now i'm not so sure."

Ava smiles as gently as she can. "a name can be something that grows with you. something you can make into your own."

the woman smiles, nods. breathes in deep, then takes the item in her hand - a nametag, Ava realizes - and affixes it onto her chest. stands up straight and waits.

Ava lets her eyes curl around the letters in time with her tongue, tracing the name before setting it free: "Beatrice." the difference is clear, between all the other names and this one. the way Beatrice simultaneously softens and straightens, acceptance - of what is, what will be; of who she is. and Ava thinks -

"it's beautiful." doesn't stop there: "just like you."

a blush rises high on Beatrice's cheeks and on Ava's own but she won't take it back, not now, not when it's true.

"ask her out for dinner!" comes a hissed command from the back and Beatrice sends a glare over her shoulder and Ava giggles, which turn louder when Beatrice finally starts to laugh as well.

'it fits,' Ava thinks as Beatrice makes her order - after hammering out details for their date - watching her move, watching her be herself. 'it's you.'

[juliasgoodusername]

Sometimes a girl has to go a little crazy. Sometimes a girl has to make a book-accurate floorplan for 300 Fox Way. These things just happen, sometimes.

Obsessive annotations under the cut �� but be warned, there's a LOT

Exterior

Okay first of all, I'm no architect, and my only knowledge comes from work experience in the real estate industry + a lot of Sims. The style is sort of neo-rural French colonial. I didn't set out to adhere to that standard so much as I made an amalgamation of homes in Blue Ridge Mountains-adjacent towns in Virginia. Specifically, my headcanon Henrietta template is Orange, VA (I'll save that explanation for another post) so I took inspiration from real estate listings from there.

Alright alright I know there is supposed to be one bathroom, but I simply can't tolerate that in a house with 6+ residents. I can't. There was a possible contradiction in the descriptions of "the single shared bathroom" that I used as an excuse to add a 3/4 bath, and I threw in a powder room for free. Because technically there is still only one full bathroom! But seriously with that many women over 30 most of them probably have IBS or chronic constipation and I'm not making them all share a toilet.

Officially we only have 4 bedrooms listed in text: Blue's, Persephone's, Maura's, and Calla and Jimi's shared one. Everyone else gets rooms that don't qualify as bedrooms via Virginia residential building codes (such as the attic, obviously, which falls below the combined ceiling height and square footage requirements). That really just leaves Orla unaccounted for but I'll get to that later. Other aunts and friends seem to visit during the day and live somewhere else, because in The Raven King only Jimi and Orla were described as needing to move out of the house during the demon stuff.

I designed the entire interior floorplan before I even touched the exterior, so there's a few issues, like how I'm totally missing shutters on the windows that functionally need them most. 🫶 I didn't feel like making the windows smaller to fit them, and I could have added faux-shutters but I think those are stupid. 😘

First floor

"This house is lovely. So many walls. So, so many walls," Malory said as Blue entered the living room a little later.

- Blue Lily, Lily Blue, Chapter 30

Right off the bat, we have an insane number of doors and walls. Old colonial houses are pretty much the opposite of open concept. Functionally I believe that's because it's easier to control heat with closed off rooms, but Virginia is not particularly cold so idk. As for the number of doors, I mean....😤😤😤 I prefer archways/doorless frames in small high-traffic spaces, but every time I thought I could get away with it Maggie would specifically describe doors opening and closing (For example BL,LB Ch 41 gives the reading room double doors, and even the living room gets one in Ch 11. What kind of living room needs a door???). I'm actually missing one of the doorways described in canon, but if you know which one I'm talking about I DARE you to find a place to put that thing!! But I digress.

“Mom," she said as she jumped down the crooked stairs.

- The Raven Boys, Chapter 3

I'm liberally using "crooked" to establish the corner turn stairs. Blue steadies herself on the stair railing when she identifies Gansey for the first time (TRB Ch 15), so I wanted the stairs to have good visual access to visitors. It also sort of has a feng shui-ish effect of separating the public and private energy zones in the house. If that statement made zero sense, I think one of us doesn't know enough about feng shui 👀 and it might be me.

I'm also using that quote to establish Maura's room downstairs, if Blue generally expects to find her mother there, but mostly because everything else was upstairs and it was getting hard to fit. Granted, at one point Blue leads the boys "up the stairs to Maura's bedroom" (TDT Epilogue) but since they were just arriving at 300 Fox Way those stairs could easily be the outdoor ones. There's a handful of little things to support me here, such as Adam grabbing a scrying bowl from Maura's room to use in the reading room (BL,LB Ch 41) implying that her room was the closest place to find one. And speaking of Maura's room-

Calla was overwhelmed by how much shit Maura had in her room at 300 Fox Way, and she told Blue this.

... The mess was taking years from her life. ... Maura liked chaos.

... The psychic hotline rang in the room next door. Calla's concentration fluttered away.

- Blue Lily, Lily Blue, Prologue

Maura is my favorite hypocrite. She claims to detest clutter (TRB Ch 34) and yet her room is literally described as chaos. She probably treats her room like a college student and moves the furniture every time she gets bored/stressed. Thus, I gave her the most insane furniture configuration I could think of while still matching all the contents described.

The phone ringing next door might imply that she neighbors the phone/sewing/cat room, but that area is pretty well described and Maura's room is never mentioned there in any other instance. That leaves us with the kitchen phone (TRB Ch 27) which I put in the hallway with kitchen access as a compromise so it would technically still be in a room next to Maura's.

In the reading room, the man looked around with clinical interest. His gaze passed over the candles, the potted plants, the incense burners, the elaborate dining room chandelier, the rustic table that dominated the room, the lace curtains, and finally landed on a framed photograph of Steve Martin.

- The Raven Boys, Chapter 13

There are so many quotes about the reading room that I just don't feel like citing them, but other details include the mismatched chairs, the shelves, doors etc. It's also described specifically as Maura's "front room" (TRB Prologue) so it's one of the cornerstones that I designed the rest of the layout around. Because of the plants, it makes sense that this room would be south-facing too. (Although idk how much light they get with the wraparound porch awning in the way. Oops lol!)

The outside suddenly seemed vivid in comparison to the dim kitchen. The April-bright trees pressed against the windows of the breakfast area, ...

- The Raven Boys, Chapter 3

Blue Stormed into 300 Fox Way's kitchen and began a one-sided interrogation with Artemus, who was still hidden behind the closed storage closet door.

- The Raven King, Chapter 9

Likewise, I'm using the particularly dim kitchen to place it on the north side, where we also know there's trees in the backyard.

I'll say the kitchen layout is weirder than it strictly needed to be because in the Virginia homes I referenced I adored all the strange kitchens, especially with old timey 'servants area' vibes where laundry kitchen and pantry are all connected. Instead of a kitchen island, they get one of those rolling kitchen carts which I doubled as a bar cart for the drinks they have in the living room.

The kitchen has a doorway to the hall (TRB Ch 13) and the living room is within view when Blue's on the kitchen phone (Ch 27).

Speaking of chapter 27, that's when we get the description "The morning light through the windows turned the drinks a brilliant, translucent yellow." So I put the living room on the east side of the house, where the rising sun would cast really strong light like that.

Second Floor

When she woke up, her normally morning-bright room had the breath-held dimness of afternoon. In the next room over, Orla was talking to either her boyfriend or to one of the psychic hotline callers.

- The Raven Boys, Chapter 3

Blue headed toward the red-painted door at the end of the hall. On her way, she had to pass the frenzy of activity in the Phone/Sewing/Cat Room and the furious battle for the bathroom. The room behind the red door belonged to Persephone, ...

- The Raven Boys, Chapter 11

Blue's room and the Phone/Sewing/Cat room are our cornerstones for this floor. In several examples we know that the Phone/Sewing/Cat room faces the street and has a window (TRB Ch 15, BL,LB Ch 4). While Blue's room is "morning-bright," we also get descriptions of guests at the front door "backlit by the evening sun," (TRB Ch 15) so once again we're probably talking about south windows if it's sunlit at both times of day.

Adam sat awkwardly on the edge of Blue's bed. It felt strange to have so easily gained access to a girl's bed- room. If you knew Blue at all, the room was unsurprising - canvas silhouettes of trees stuck to the walls, leaves hanging in chains from the ceiling fan, a bird with a talk bubble reading WORMS FOR ALL painted above a shelf cluttered with buttons and about nine different pairs of scissors. Against the wall, Blue self-consciously taped up the drooping branch on one of the trees.

- The Dream Thieves, Chapter 49

We get some great descriptions of Blue's room (especially TRB Ch 43), although the above one is my favorite (#wormsforall). Every piece of furniture is accounted for exactly as described except the desk which I added because it seemed practical, and Blue is nothing if not practical™.

Persephone's room is also very well-described, all the way down to the furniture and lighting placement (BL,LB Ch 4 and TRB Ch 11) and it's surprisingly similar to Blue's room, if not a bit smaller. Her room gets strong afternoon sunlight, so I put it on the south too (BL,LB Ch 43).

Calla and Jimi share a room that's also upstairs (TRK Ch 16). Because they are the only two who have to share a room, I have justified that it must be the "master bedroom" (sorry for using that term) and is far bigger than the other bedrooms. I managed to fit two queen beds in there, but some scholars [me] would argue that Jimi and Calla might also share a bed because they are in love. Can you prove me wrong? No, you can't.

As for the bathroom, remember when I mentioned a possible contradiction? Famously, Maura draws the ley line symbol in the steamed up shower door (TRB Ch 1). However, much later we get Maura, Orla, Calla and Jimi all sitting in the bathtub for some kind of ritual (TRK Ch 9). No matter how I picture it, I can't put 4 full grown women in a bathtub together without someone partially sitting on/spilling over the side. But that would be impossible in a combo bath/shower enclosed by glass doors!! Thus, I gave The Bathroom a nice tub and put a small shower in the en suite of Jimi and Calla's room. I know this is a stretch but I don't really care.

Attic

Blue had never been a big fan of the attic, even before Neeve moved in. Numerous slanting roof lines provided dozens of opportunities to hit your head on a sloping ceiling. Unfinished wood floorboards and areas patched with prickly plywood were unfriendly to bare feet. Summer turned the attic into an inferno.

... In one of the narrow dormers, two full-length, footed mirrors faced each other, reflecting mirrored images back and forth at each other in perpetuum.

- The Raven Boys, Chapter 34

Trying to fit the attic access in after everything in the second floor was my biggest challenge, because stairs normally take up a lot of space and you have to be careful about head room. I'm the end, I decided it was one of those fold out attic doors that you have to reach from the ceiling of the hallway. We might get a lot of instances of the attic door being opened (😤 seriously, Maggie... 😤) but technically a trap door in the ceiling is still a door!

Dormers pretty much cemented the French colonial style for me. And you know the drill by now: a hot room probably means a lot of sun, which means I give it a south facing window!

Mud Room/Cellar/Basement

This cellar has absolutely zero mention in the text, but my justification is based in the architecture. So far we've got a funky old colonial house, built without a garage, lots of walls etc. Especially in a low-income/semi-rural area, it's not crazy to assume that 300 Fox Way was built before most residents had refrigerators (1930s-40s). Besides iceboxes, a major way to keep food fresh was root cellars. Modern renovations for old homes convert these to concrete basements, but that's why the basement is so small and connects to the kitchen.

My headcanon is that Orla originally shared a room. Pick whoever you want: Maura, Blue or Persephone, any of them would easily be such a chaotic roommate that Orla snapped and in a fit of teen girl rage moved herself down to the crummy dark basement. Over time, she made efforts to glamorize it, such as a vintage dressing screen to hide the flood drainage pump. The privacy also allows her to bring boyfriends over, even sneaking them through the mud room.

This is really just my artistic license, but I swear it makes a surprising amount of sense in context. There's cases of Orla sneaking into the kitchen (easier if she has a back entrance) and she's almost always using the phone upstairs or in the kitchen (because a basement would get bad reception) even though her calls get kinda ~intimate.

Aaaaaand I think that's everything. Sorry it doesn't look like the photo from the wiki at all, but I couldn't find a source for it and Victorian style wasn't super common in the areas I researched. Let me know if I missed anything major! I'll probably cry myself to sleep if so.

[cryptic--writing]

ok i have such a good request for you ml

i’m thinking maybe teenage james and he’s not very popular at school so sorta gets made fun of and reader is like a really popular girl on cheer and stuff so obviously she’s dating a jock and he james secretly likes her or something. Anyway i thought maybe reader and her jerk bf breakup ON prom night and James sees when he’s standing near the snack table and he really wants to do something and nervously asks her to be his prom date (even though they’re already there, idk)

i have faith in you wowza (please ignore how disgustingly horrid i wrote that out)

hihi!

maya omg ily sm this is sooooooo good you're so getting it tonight

also this pic gives off a lot of teen vibes so I thought it was rly cute and fitiing

uhhh idk what to make the readers name so its just ___

word count: 5,446

warnings: extremely toxic/abusive relationship, people get slapped twice, swearing, fluff, fighting, angsty start, happy ending

OPPOSITES ATTRACT (1980)

It seemed like I had a picture-perfect high school life, I was popular, on the cheer team, I had straight A’s, and my boyfriend was a football jock, which was every girl's dream it seemed. People at school adored me, I had beauty and brains. Though, I couldn't shake the feeling of unfamiliar eyes on me sometimes, watching me, but not in a creepy way.

The last few days have been full of excitement, as tomorrow was finally prom night, everyone had their prom dates, dresses, or suits, all of us ready for the festivities tomorrow night would bring. I was walking down the hall with my best friend Tammy, we had known each other for years and did cheer together. We were giggling and chatting when I heard a familiar voice, mixed with others and cruel laughter. It was none other than my boyfriend Darren. Tammy gave me a glance of confusion, and I just told her to shoo and let me deal with this, and she did, walking away. I quickly looked to see who he and his asshole friends were laughing at, and I saw a boy sitting on the floor, his long, curly blonde hair draping over his back and shoulders, a hurt expression on his face, watching as Darren went on to laugh and ridicule him before kicking him. I was not pleased with the sight, and I quickly approached the situation.

The boy was familiar, a past player of the football team. I didn't know his name, but I had seen him around school a lot, we had some classes together. I walked over to Darren, pushing him away from the group and the other on the floor, “What the hell are you doing?!” I asked, worried about the state of the familiar yet unknown man, searching Darren's face for any signs of regret.

“I'm putting that loser in his place, don't tell me you think he's more than that, he quit the team!” Darren yelled back at me, trying to convince me to forget about this.

I shook my head, “That doesn't mean you have to be a jerk to him!” I responded back, going to help the blonde boy off the floor, offering my hand, and he took it as he stood up.

“Are you okay? Did he hurt you? If he did I'm-” I was quickly cut off by him.

“No, I'm fine, thank you..” He responded quickly, brushing off his well-worn jeans as I scanned over his face.

“Are you sure? I'm so sorry, Darren can be a real jerk sometimes.” I added, still watching him as his eyes finally met mine. This time, they felt familiar, though in an unfamiliar way. Could he have been the one watching me?

He nodded, “Yeah, I'm fine, I promise,” He smiled at me slightly, which made me feel a little bit better. “I'm James, by the way.” James introduced himself to me.

I nodded with a small smile, “I'm ___. It's nice to meet you, James.”

Of course, I couldn't get even a simple conversation in without Darren pulling me away, grabbing me by my arm, and dragging me away like a child. I looked back at James, giving him a small wave and he did as well.

Once Darren pulled us away from the crowd and around the corner, he quickly shoved me against a locker, holding me by my shoulders.

“You think you can just talk to other guys like that? Especially shitheads like him?” He scolded me through gritted teeth.

I always hated it when he got like this, it scared me so much. “No, no, I- I'm sorry, I won't do it again,” I barely mumbled in my shaky tone.

He slapped me across the face, causing me to wince in pain and cover the impacted area, the sting growing with each second, and I could feel tears pricking my eyes.

“You better keep that promise, or else you'll be bruised way worse next time.” He threatened, pushing me back against the locker again before storming off, leaving me there as I began to cry, my mascara starting to run as I quickly headed to the bathrooms so I could hide. No one could see me, not like this. I'm considered the queen of the school, and the queen doesn't cry, right?

I quickly scurried into a stall, locking the door as I heard other students enter the bathroom. I quickly grabbed toilet paper to wipe my eyes, trying to clean up the mess I had become, trying to stop the tears that just kept coming. I covered my mouth, hearing the mumbled words of the other girls in the bathroom, waiting for them to finally leave to clean myself up.

I didn't want to go to prom anymore, not with Darren. I thought back to James, he seemed so sweet, and he was cute too. But unless I wanted to be hurt again, I wouldn't be able to speak with him, which disappointed me slightly, as he seemed like a nice guy.

As I heard the girls leave the bathroom, I quickly came out of the stall, looking at my messy face in the mirror, using water to rinse off my eyes and remove the mascara stains. I could also notice the growing red mark on my cheek, making me frown that it would be obvious, and possibly even appear tomorrow night.

Luckily, I probably wouldn't have to see any more of Darren until cheer practice, since he leaves campus for lunch. He normally watches me at practice, or at least I think he's watching me. I finished cleaning myself up, walking out of the bathroom as I wiped the last of my tears away, and headed to the cafeteria to get my lunch, which was a plain, boring salad, a diet suggested by my coach, and one forced by Darren. I don't even know what he sees in me, or what I see in him, but love is a crazy thing I guess.

I grabbed my tray, heading towards the salad bar, grabbing a paper bowl, and scooping some lettuce and tomatoes into it, garnishing it with minimal sauce and other salad additions before looking for somewhere to sit. I normally sat with my friends, and the rest of the cheer squad, searching for Tammy, but I couldn't notice or see her, but I did notice a familiar face sitting at a table, alone in the corner.

It was James. Darren wasn't here, so maybe I could go sit with him and talk, he looked really lonely, though he was always shy anyway. I headed in the direction of his table, all the way in the back, pushed into a corner. 

I approached him, “Mind if I sit with you?” I asked James, who didn't notice me approaching, though he nodded.

“Uh, no, go ahead.” He responded, his voice soft and shy.

James watched as I sat in front of him, picking and mixing my salad before he spoke again.

“That guy, Darren, he didn't seem too happy about you talking to me,” He began, his voice still soft as he spoke.

I shrugged, “Oh, my boyfriend Darren, he's a bit.. Sensitive, I guess. But love works in odd ways, y’know?” I said to assure him, but it seemed it was more to assure myself instead.

James' face changed, maybe disappointment, “Darren is your boyfriend?”

I nodded as I continued to eat, “Yeah, we’ve been together for a couple of months. Do you know him?”

James shrugged with a nod, “Yeah, I was on the football team with him.”

I glanced up at James, “He said you quit the team, why was that?”

“Coach told me to cut my hair or quit the team. I didn't have much choice.” He answered with a small chuckle.

I smiled at his answer, finishing my small salad as James continued to eat his own lunch.

“Are you looking forward to prom tomorrow?” I asked James, expecting a ‘yes’ as it seemed everyone was, but with him, I don't think prom is his biggest dream at the moment.

James just shrugged, “I guess, I wasn't really planning on going, but my friend Ron is, so I'll just go to hang out with him.” He answered, though his voice did not convey a single bit of excitement.

I just nodded, “It'll be fun.” I added, getting up to put my lunch tray away, feeling James' eyes on me as I walked away. After a minute I returned, going back and sitting in front of him, looking to the side briefly, making the faint red handprint on my cheek obvious, and James watchful eyes definitely noticed.

“Hey, what's that on your cheek? Did someone hit you?” James asked, his voice worried.

I felt my stomach drop, quickly covering it up with my hand and shaking my head, “No, no, I just uh.. Fell, earlier.” I muttered quickly, my words obviously untruthful.

James clearly didn't buy it, sitting up straighter and reaching out to moe my hand, his touch gentle and caring.

“You don't get a handprint on your face from falling. Who hit you?” James carefully moved my hand away, gently caressing the slap mark, making me bite back a wince of pain.

“No one, James. I'm fine, it's nothing.” I kept denying the truth.

Even with my continued responses, James wouldn't let up. “___. No one just ends up with a red print on their face, someone hurt you. Who.” This time he demanded that I tell him, but if I did, things would be a lot worse for me, and I didn't want James to get hurt by Darren again.

I shook my head, “James, just drop it.” I sighed, and he slowly pulled his hand away, backing down to where he sat.

“Fine.” He mumbled, letting it go for now, but I could see him continue to think about it.

It was silent between us for a while, until the bell rang and we gave each other a look of goodbye, walking off to our separate classes.

LATER THAT DAY

School had finished for the day, and now I was at cheer practice. The whole day Darren was gone, a bit of a blessing for me, but I also noticed that Tammy was gone too. She probably just didn't feel well and left early, and Darren probably had a party with his friends.

I walked towards the gym where we normally practiced, expecting to see Darren in the bleachers and some of the other girls' boyfriends or siblings.

I entered the gym, hearing the squeak of sneakers on the wooden floor, noticing I was 4 minutes late. I sighed, setting my bag down as I joined the rest of the group, looking for Tammy, but I couldn't see her. Maybe she was just in the bathroom or something, so I walked up to Ashley.

“Ashley, have you seen Tammy?” I asked her, almost worried about my friend's absence.

She just shook her head, “No, not since our last class together. Why?”

I shrugged, “Nothing, thanks.”

I walked away, looking at the bleachers to also see that Darren wasn't there either. It had to be a coincidence, right?

Tammy wouldn't do that to me, we had been friends since middle school. I was probably just overthinking everything. The prom was tomorrow, and that should be what I'm focused on.

Until my coach snapped me out of my haze, grabbing my attention back to practice.

THE NEXT DAY

I awoke with a groan, stirring in my lonesome bed as my alarm clock rang. I slowly sat up, turning off the blaring machine. I sighed, the events of yesterday playing over in my mind, getting up and walking towards the full body mirror in my room, seeing that the mark Darren left had grown to a darker bruise, the faint and warped shape of his hand more obvious. I felt a sadness in my whole body, today was prom, and I'd be a mess all because of him. I looked to my prom dress I was so excited to wear, hanging on a rack, the slightly poofy, flowy baby blue dress, so beautiful, would now never be brought to its full prom night potential. I had spent months working up the money to finally get it, not to mention to heels I would be wearing with it.

I quickly got ready for school, wearing a denim skirt with a light pink sweater, quickly doing my hair, keeping it down, and working on my makeup before I could put on my shoes and head out for school.

As I drove to school, I couldn't help but wonder why Darren and Tammy were absent from cheer and lunch. Darren normally was gone during lunch, but Tammy was normally always there, sitting at the cheer table waiting for me.

And she had never missed one cheer practice, ever. This wasn't like her, but maybe she just felt sick and left early. Eventually, I shook the thoughts out of my head, my mind wandering somewhere more pleasant, James. He was so shy and sweet, though a complete opposite of me.

A guitar-playing metal head in a band, his beautiful long hair almost like a lion's mane, I couldn't help but feel a little attracted to him, even if I was in a relationship with Darren. I hadn't known James long, but he feels closer than that.

After a few more minutes of driving, I arrived at school, parking my car, and walking into the building, firstly headed to my locker, where I saw Darren hanging nearby, seeing him talk to a friend of his as I walked up to him.

“Hey, ‘you excited for prom? We're still going together, right?” I asked with a smile on my face as he broke away from his conversation, shooting me an annoyed glare.

“God, just leave me be, ____. I don't needa hear you bitch to me.” He replied coldly, ignoring my questions.

My smile quickly dropped, sighing and walking away with a frown, heading back towards my locker to grab my stuff, not paying much attention to my surroundings, my shoulder bumped into someone's arm snapping me out of my sad haze. 

“Sorry, I didn-” I glanced up at the person, realizing it was James.

He quickly noticed the bruise on my face, his face changing with worry, “What happened? I want an answer this time. You don't just get a bruise like that from nothing.” James more so demanded rather than asked.

I sighed, shaking my head, “I really shouldn't be talking with you right now,” I muttered, trying to walk away quickly, leaving him hurt and confused as he followed after me, grabbing my arm.

“Hey, where are you going? Why can't you talk to me?”

I grunted, trying to get out of his hold, Darren's threat replaying in my mind. I didn't want to get hurt further, and I really didn't want James to get dragged into this and hurt as well.

“James, I can't talk to you. Leave me alone!” I grumbled, and he let go of my arm, a look of hurt and sadness on his face as he watched me walk away from him. I felt horrible for treating him like that, but I couldn't put either of us at risk.

Even after I stormed off, I could still feel his eyes on my back, heading towards class. It was like he was glued to me, unable to remove himself until I got too far into the crowd where he could no longer see me.

School was slow that day, though the classes and students buzzed with excitement over prom, smiles, and laughs with last-minute prom-posals, though I couldn't get myself to feel excited over the eventful night.

Eventually, it had reached our lunch hour, everyone heading to the cafeteria, seeing the cheer table, where Tammy actually was, and I also saw James, alone again, in the corner.

I had to talk to Tammy for a minute, even though I would've almost preferred to be with James. He looked disappointed, sad in a way, and I knew I was part of it.

I sighed, grabbing my lunch and scurrying towards Tammy and the table of other cheer members, sitting down next to her.

“Where were you yesterday? You were gone all day basically and didn't make it to cheer.” I asked, slightly worried but confused.

She just shrugged it off, “Oh, I just didn't really feel like going. I had other things and people I wanted to do instead.”

Her voice had an undertone to it, I couldn't put my finger on what it was exactly, but it was not good. She sounded snarky, and when she said ‘people she wanted to do’ I could tell something was off. I gave her an odd look, eyeing her before something caught my eye.

Hickies, on her neck. It wasn't something usual, she didn't have a boyfriend or crush or something, or at least not one that was known. She gave me a small smirk, noticing my staring.

“What? Is something wrong?” She teased rather than asked, and now everything clicked.

Why Darren was gone all day, why she was gone all day, why Darren disregarded the prom thing, why she is acting so strange.

It seemed that my world crumbled around me, my once perfect social life, shattered in just a day.

I quickly got up, not thinking to grab my food, I had lost any appetite I once had, storming towards the back of the cafeteria. I needed someone to talk to, but there was no one I could air something like this out to. I wasn't thinking much, quickly leaving through the back, but I could feel familiar eyes on me as my own welled up with tears.

James.

I ignored the feeling, running out to the empty hall and outside the school, tears streaming down my face as I wandered towards the empty school courtyard, sitting in the grass as my emotions crashed down on me, everything coming loose in my head, though clicking.

Darren had always been an asshole to me, sure, there were the good moments, but I never felt truly happy with him because he never seemed that happy with me. I loved him, so much, but all that love was now thrown away for my own best friend. He doesn't even know that I know, but I doubt he could care.

I tried wiping my tears off of my face, staining my sleeves black with runny mascara as I heard footsteps approach, glancing up, my puffy eyes meeting James.

He slowed as he came closer, sighing. “I know you want me to leave you alone, but..” He trailed off, watching me as I sniffled, shaking my head.

“No, I don't want you to leave me alone,” I mumbled, and he came closer and sat next to me. 

I looked at him as I sighed, “I'm sorry, I shouldn't have said it, I didn't mean it.”

He shrugged, “Why would you not mean it? I'm a fuckin’ loser and you're, well, you.”

We sat in silence together for a moment, and I sniffled again as I tried to stop my tears.

“What's wrong? Or do you not wanna tell me.” He asked, and I had to tell someone, I had to tell him.

I began to cry more as I explained what happened, Darren hitting me for talking to James, the threats he made, getting cheated on with my best friends, all the toxicity of my relationship with him finally coming to light as I leaned against James, and he held me, gently wrapping his arms around me as I sobbed into his shoulder, hearing every word, cry, and sound I made, careful to listen to me in a time of hurt.

The story seemed to make James upset that that had happened to me, but it also seemed to fuel a fire in him. For the short time he'd known me personally, he seemed to care a lot already.

I eventually stopped mumbling the story as I kept crying, his worn band shirt soaked with my tears as he gently rubbed my side with his hand, his touch making me feel warm, something that Darren never could do.

“Shhhh, you'll be okay, I'm here, alright?” He said to me in a soft voice, trying to comfort me as I kept crying against him.

“You don't need that asshole, you can do so much better than him. And if she was really your friend, she wouldn't have done something so shitty like that.” He kept comforting me, the soothing motions of his hands helping me reach a calm after a good couple more minutes of crying into him, my sobs slowly stopping as I just sat there with him, in his arms.

After a few more minutes of silence, just us together, James spoke up again, “You alright?”

I just shrugged, “I don't know.. Everything just.. Crashing down around me.” I mumbled, snuggling in closer to him, my hand on his shoulder/neck area as I moved my face from his shoulder, laying the side of my face there as I looked up at him, my puffy red eyes, tear-stained and mascara-ruined face, his eyes meeting mine.

We stayed like this for a few moments, our eyes breaking contact for a moment before he spoke up again, “Class is gonna start in a few minutes. Let's go to my car and I can get you cleaned up, alright?”

I nodded, and we got up and walked together to his beat-up truck, grabbing some tissues and an old bottle of water. I sat on the edge of the truck bed, James coming up to me and dampening the tissues with water, wiping my face clean of the stains, his touch gentle and caring, my cheeks heating up slightly.

LATER THAT AFTERNOON

School was done for the day, and now I was at home, hastily getting ready for prom.

I curled my hair, making sure I looked as beautiful as possible. I did my makeup, nothing too over the top, though I was careful to night use mascara, feeling that I would probably end things with Darren tonight.

I slipped on my beautiful dress, one that hugged my features well, the poofy skirt of it flowing amazingly, and I had never felt more pretty as I slipped on my heels, admiring my glam self in the mirror with a small smile. I had never felt so gorgeous as I walked to my car, and drove back down to the school.

Darren was supposed to be my prom date, and I'm guessing he still is unless he's changing his mind and going with Tammy. I tried to ignore the thoughts, hoping that James would be there if anything went wrong.

Something about him made everything feel… right, in a way. He made me happy, even though we'd only been friends for two days.

Eventually, I arrived at the school, the parking lot packed, trying to secure a spot so I could get in without being too late.

Soon enough I found a parking space, getting out of the car and sighing, beginning to walk towards the school and into the gymnasium which had become a makeshift banquet hall, a messy, rushed dance floor in the center, loud music, balloons, streamers, lights, the full nine yards. Couples danced together, some getting too touchy, friends laughed and talked, and then it caught my eye.

Darren and Tammy. Together. Again. Except this time, they looked like they were practically making out, hands dragging across each other, lips locked as she squealed in excitement and pleasure. 

I felt something in me snap, anger. I stormed towards the two, pushing Darren off of her, making him look pissed, “The fuck is your problem?” He sneered at me, pushing me back. The interaction garnered some attention from other attendees as I was pushed back by Darren.

“My problem is you're making out with my best friend!” I yelled back at him, more people watching by the second.

Darren just rolled his eyes as Tammy stayed silent, “You're just a basic whore, there's nothing to you.”

That hurt, deeply, but it only fueled my rage as I let out an annoyed grunt, my anger showing as I slapped my past friend hard across the face. She winced in pain, touching the stinging mark.

He was now beyond pissed with me, and I was even more pissed with him.

“You're a loser! I'm done with you! You think that you're all this and that because you're some fucking dumb jock, but you are just a loser!” I nearly screamed at him, feeling someone tug on my arm and pull me away, saving the three of us from experiencing a rough beating from each other.

I turned back to see who was dragging me away, and it was James. I was annoyed at first, needing to get some final words in, though I couldn't stay frustrated with him for too long, he was just doing me a favor. After we walked toward the back of the gym, he let go of me.

“You should go fix yourself up quickly. Not that you look bad, you look really pretty, but-” He paused himself, taking a breath. I nodded, walking out and into a nearby bathroom, adjusting my slightly tussled dress and fixing my hair.

I didn't look too messy, even after the mini tussle with my now ex-boyfriend. I just had to fix a few things, and I'd look as good as new, and now I do.

I took another breath, walking back into the gym, slightly sad, now alone. I couldn't see James, and I could see Darren and Tammy in a corner. The last two people I wanna be around right now. All of my other friends were messed about with their boyfriends or crushes, flirting with them.

Then it began. The slow dancing. The notes of a slow, soft love song stung my ears, and the sight of all the lovey-dovey couples who couldn't get enough of each other made me sick. I was always a sucker for romance, but I guess when you have no one to share it with, it just seems yucky.

I sighed, watching them all dance slowly with each other, debating if I should just leave or not, I had nothing to do here other than just stand in the middle of the floor, feeling jealous of truly in love couples.

I evaded my eyes from the sight, looking down at the floor, until I felt a gentle tap on my shoulder, turning my head to see who it was.

A shy, nervous blonde boy stood beside me, his long curly hair hiding his face somewhat as he held the back of his neck with a hand, “Do you uh.. Wanna be my prom date..?” James asked me softly, his eyes not meeting mine out of embarrassment and nervousness.

I smiled lightly, nodding, “Mhm, yeah. That'd be nice.” I answered, my voice also soft as a small pink crept up on my cheeks.

He raised his head, a sheepish grin on his face as he placed his hands on my waist, and I placed mine on his shoulders as we began to slowly sway to the music, our eyes meeting with a sense of familiarity.

“I'm not much of a dancer, so… sorry,” He muttered with a small chuckle, and I just smiled in response.

“That's fine. You're doing great anyway,” I reassured him, and he smiled slightly wider.

I took him in with my eyes, admiring his fresh, orderly dark grey buttoned-up blazer with matching slacks, and his little blue tie the white undershirt, his whole suit was so fitting on him, he looked very handsome, very cute.

“You look, really, really pretty tonight, I know I kinda rambled it earlier, but-” He complimented me with a smile before I cut him off.

“Thank you, you look pretty handsome yourself,” I returned the compliment, smiling up at him still as we continued to dance slowly to the music, both of our cheeks having a hint of pink to them as we looked into each other's eyes, and for a second, everything felt right in the world. Even though I hadn't known James long, I felt closer to him than I do with some longtime friends.

After another minute of dancing with each other, the slow dance had ended, though we didn't leave each other. We stood with each other, sat with each other, and just talked about so many different things.

He told me about his band, how he played guitar and did some vocal work, and told me all about his favorite bands and musicians, and I just listened with a smile on my face. His voice was calming, and he was such a fun person. I admired him with my eyes, his beautiful features filling my senses. His icy blue eyes fit his features so well, accenting his angel-like hair, and I just wanted to stroke it, he was so beautiful and very caring.

We were in the middle of a conversation about one of his favorite bands, Motorhead.

“They're this like, super heavy rock band, and their front guy, Lemmy, is a total badass! I wanna reach his heights one day. Musics has always been there for me, y'know?” He explained to me, acting almost childlike with his excitement over the topic.

I nodded with a smile, “Mhm, they sound pretty cool. Maybe you can show me some of their music sometime.” I added, hoping he would say yes. I could care less about the music, but I'd love to spend more time with him.

He nodded with a wider grin, “Yeah! Sure, I'd love to show you some of their stuff,” he responded with excitement.

I smiled again, “Good, I like that.”

Another hour or so later, prom had ended, and people began to leave the gym, heading to their cars and leaving with their partners or friends. James walked away, looking for his friend Ron who was his ride to prom and supposed to be his ride home too.

James approached me again, slightly confused and nervous, “Uhm, my buddy, Ron, he was supposed to take me home but uh, I think he took his date home and forgot about me, you mind giving me a ride back to my place? It isn't that far,” James requested, and I couldn't say no.

I nodded, “Sure, I don't mind. You wanna go now?”

“Yeah, let's get out of here,” He responded, and we began to walk out together toward my car. I got in the driver's seat, James next to me in the passenger seat as we began to drive, James giving me directions to his home, the car ride was scattered with random conversations and rapidly switching topics. One minute were talking about class, then TV shows, movies, music, friends, stores, clothes, everything. 

After a good 10 minutes of random talking and directions given by James, we reach his home, my car slowing across the street from his home, giving him a glance, “The house across the street, right?” He nodded in response.

“Yeah, that's the one,” James answered, though he didn't leave the car yet. I watched him as he sat still for a second, his eyes looking down in thought before he glanced back up at me.

“I uh, I had a great time tonight, a lot better than I thought. Thank you for, well-” I cut him off, my wants giving in as I leaned in and gave him a quick, soft kiss on the lips, which surprised him, and also myself. I pulled back, staring at him to examine his reaction.

After he was silent for a couple of moments, I grew worried that maybe I did something wrong, “I'm sorry, I shouldn't-”

James just shook his head, “No, that was.. Good, I've wanted that for a while,” He answered with a small, loving smile on his face, I nodded.

“Good, I.. I liked that.” I admitted, glancing down as my cheeks heated up.

This time he leaned in, giving me another soft, gentle kiss. We pulled away after a few moments, both smiling softly and glancing at each other before James undid his seatbelt.

“Well, I should get going, I guess,” James informed with a small smile, getting up and out of the car.

“Bye, James,” I said with a smile, watching him walk away.

“Bye,” He answered with a smile as well, heading back to his home.

------------------------------------------------------------------------------

next fic will be a Dave mechanix fic!!!!

[pseudophan]

Hi! I am very very new to the Dan and Phil world. A friend of a friend had a spare ticket to their Oslo show and I went along. This was my very first Dan and Phil experience. I had heard their names, but went in completely blind after all who doesn't love a theatre trip to a foreign country. I had a wonderful time, even if I didn't really understand a lot of the backstory it was so much fun, and i thought i sort of had it worked out. I have come home and binged their content now, but the more I watch, the more confused I am. I watched the Anthony Padilla Dan interview tonight and that was the point where I thought I need help. I was advised head here, pick someone nice and avoid twitter so here I am. When I was watching the show in Oslo, it seemed to me that it was the most married unmarried couple ever, having fun together on stage, poking fun at all the crazy that they had faced together over the years, however the more I indulge in their content the more I am confused as to what is real or not. Is the whole stage couple thing just an act? Were they together but now not? Have I misunderstood the whole show? That Anthony interview Dan seemed to be saying he was very single and ready to find a man, so I am very very lost. Google was no help. I don't want to over step but after watching them perform on stage, they seemed completely infatuated and in love with each other and in recent videos i watched. It is all very confusing. Whatever they are, they know how to put on a show. They have a new fan in me, albeit a slightly confused one. Hope you don't think I am overstepping.

first of all, that's an insane introduction to dan and phil and i love it. i was also at the oslo show! it was a good one

as for your question, well you see the thing is dan howell is chronically full of shit. that time period was a bit weird and he was a bit annoying and he had this "single and ready to mingle" bit going, god knows why cause it wasn't very believable, but.. idk, i think perhaps it was a mix of just that fitting his brand of "comedian" better and him desperately wanting to get away from the Dan And Phil label, but because he couldn't ever fully commit to it it just fell flat imo. like you can't be on youtube and on stage claiming you're single and wanna fuck around while also appearing in your boyfriend's videos acting married as fuck, it just doesn't work. and please no one start up that godforsaken open relationship debate again cause it's just not relevant, he wasn't selling open relationship he was selling single lol, at least in that anthony interview

but like all that said i don't really think he was trying to sell it to the phannies or any of his most hardcore fans, and i think that's exactly why he was willing to appear in phil's videos still showing a completely different, much more real, side of himself. the whole Single Dan On The Prowl thing was for himself and for random people who happened to be watching, more casual members of the audience

there's a looot more to be said about dan and the way he wants to be viewed, he talks about it himself a bit in the new show but you probably don't remember it that well if you saw it as an outsider like it's hardly the most memorable part of.. all of that haha, but basically to answer your question: dan's just kinda like that sometimes. you get used to it. or maybe you won't have to since he seems ready to finally maybe potentially possibly drop some of the pretence and just.... be. or he'll change his mind again and be back to bullshitting in a few months you honestly never know with that guy

but yeah dan in that era... grain of salt is all. it's just a persona and a desperate plea to be viewed as something, anything other than Dan From Dan And Phil. it's just kind of hard to get away from that when the other half of your double act is also your life partner, you know?

[your-unfriendlyghost]

I have two things to ask:

1.-Can we be friends?

2.-Do you have any Outsiders headcanons (or any that you haven't submitted yet)?

I mean sure?? Idk who you are since you’re on anon, so not REALLY, but I’m always down to talk!

2. Yeah lol- tons. Too many. Here’s a few (okay like 25 oops) off the top of my head lol, some serious/angsty and some lighthearted/kinda stupid without any real order. (Lotta ‘em are about Steve tbh -there’s so little to him in canon that I have the freedom to hc pretty much whatever I want)

Steve Randle’s nearsighted and has no idea, which is why he’s literally always squinting. (I’ve had that one for like months but only recently mentioned it on here lol.) Steve thinks his vision is completely normal

Dally and Sylvia genuinely cared for each other, but they were both so horrible at having healthy emotions that they just made each other worse. In a bad way, not a fun way.

When Steve gets kicked out, sometimes he hangs with Johnny in the lot. They don’t really talk about anything important like their shared experiences of having lousy parents. Instead they talk about cars, girls, music, school…lighthearted stuff. Sometimes Johnny will find Steve crying, which he never mentions- he’ll just sit down as per usual, which Steve appreciates. Steve almost never finds Johnny crying though. Johnny doesn’t cry much.

Okay tangent- I love how Steve and Johnny are low-key foils. Like Steve always seems tough but then cries when pushed to his limit, while Johnny always seems skittish until he’s under a bunch of pressure- in which case he suddenly is confident. (Not necessarily thriving obviously, but confident yk? Like grinning while saving those kids in the fire.) I know SE Hinton probably didn’t intend that at all, but it’s just such an interesting detail to me. One of these days I’ll put it into words better

Johnny’s jeans-jacket is a hand-me-down from either Steve or Two-Bit. (I can’t decide which lol) (obviously Dally would make sense too, but honestly I think it’d add more depth to flesh out Johnny’s relationships with the other members of the gang)

After the events of the book, Two-Bit starts hanging around the Curtis’s place even more. At first the gang assumes he’s trying to lighten the mood. It’s only after he gets sent to the cooler for a month due to drunk driving that they realize he was actually hanging around so much because he was trying to keep his kid sister from seeing him so drunk…

Two-Bit likes to joke that he keeps failing junior year so that him and his sister can graduate together. Which is a very bad idea since his sister is a year younger than Ponyboy.

Sodapop often feels like he’s only good for looking pretty and not all that useful or interesting otherwise. He likes himself, but when he stops to think about it too much, he starts to wonder if he really has anything going for him at all

My H/C for Steve’s home life is that his Mom is sick w/ like cancer or something. Before she got sick, Steve’s life was pretty alright for an eastsider- he and his dad fought, but they always made up for the most part. They weren’t perfect, but they loved each other. But after she got sick, she wasn’t there to mediate between Steve and his Dad anymore, and the fighting got worse and worse. And then Steve’s dad started drinking more and it was pretty downhill from there. Steve’s Dad still loves him, but sometimes Steve wishes that he didn’t. If he didn’t, then he could hate him. But his dad does love him, so he can’t get himself to.

Steve and Dally taught Johnny to drive when they were all like fourteen-fifteen-ish. Johnny is a very reckless driver. He loves speeding.

Johnny also loves fast roller coasters and stuff.

Dally doesn't ‘cuz he’s low-key scared of heights- he likes riding broncos and rodeos, but put him at the top of a roller coaster and he’s convinced that it’s gonna break and he’s gonna die. He pretends he doesn’t mind. The only people who know he’s scared of them are Johnny, and before she died, Mrs. Curtis.

Steve has a napoleon complex. Johnny, who is shorter than him by a few inches, likes to bully him for it sometimes

Ponyboy and Cherry don’t interact much in the school year after the book, but in the summer after, they start to hang out. Eventually they become pretty close. They fangirl over Paul Newman together

Ponyboy still doesn’t let Cherry read his theme though until years later

Marcia and Two-Bit re-meet a few months after the book. (Two-Bit is really scared that she’s embarrassed to be dating him, and Marcia is really scared that he’s embarrassed to be dating her. Neither of them are embarrassed. They both adore each other.)

Two-Bit likes to watch Marcia barrel racing. One time while he’s there, he runs into Ponyboy watching Cherry barrel race and immediately tells everyone much to Pony’s chagrin

Evie knows a little bit about cars, and she sometimes helps out at the DX during summers. Steve is so whipped for her lol (and Soda too Steve has two hands)

Evie and Sylvia are besties, but Steve and Sylvia hate each other. They act civil in front of Evie, but as soon as her back is turned they’re growling at each other like dogs. (Well Steve is. Sylvia just acts condescending as hell. Sometimes it goes over his head, so Steve knows she’s insulting him but isn’t sure what the insult is/means. Which makes Steve kinda want to kill her.)

Steve and Soda are low-key co-dependent. (Steve more so- Soda has his family at least, while to Steve, Soda and Evie are his whole world pretty much) It’s probably not super healthy, and both of them are vaguely aware of that, but are trying not to think about it too hard rn

Ponyboy’s friend group in high school consists of Curly Shepard, Mark Jennings, Scout Jenkins (from the tv show), and eventually, in her senior year, Cherry Valance. (There’s others too but those are the main ones.)

Pony dates Cathy Carlson for a while too, idk if they’re good for each other or not- I kinda like the idea of them being a sweet couple tbh, but no one else on here seems to care about them so I haven’t really explored the idea much lol

In a Dally lives au, Mark Jennings and Dally end up spending a bit of time together through Pony, and at some point they realize that they’re half-brothers lol. Mark is a deeply obnoxious little brother to have, and he drives Dally nuts on purpose. Weirdly I think Dally’s a relatively good influence on him, as much as someone like Dally can be. And Dally does care for Mark, though not as much as he cares for Johnny- Mark is, in his head, not exactly his responsibility.

Well I have (so many) more, but I think that’s enough for now lol. Point is, even though I haven’t drawn in a minute, I love these characters and their romanticized version of 1960s Tulsa so much and I think about them way too often lol

(dw once i get more into the swing of school I’ll be doin more art!)

[r--kt]

Good boy Tobi. Why is he acting this way?

"oh yeah, it was just Zetsu" a-ha, not even close. here I'll talk specifically why Obito resorts to roleplay, and why he is comfortable with the images of Madara and Tobi. (obviously because it's not being himself but let's dig deeper)

contents | responsibility · regrets · a sense of control · conclusions

Vol. 31 CH. 280. Tobi's first appearance.

sure this looks like another defense mechanism that allows Obito to avoid reality, especially when interacting with people. full coverage, imitation of someone else's voice, name change, personality change etc. his clothes literally look like armor, and I'd like to think that hiding and protecting himself "just because it feels right" is exactly the point (no need in armor, he's intangible, so that's a psyche). the very way he completely depersonalizes himself shows that on a subconscious level he is not comfortable being in the conditions he finds himself. this alone may indicate that he is not very happy with his position of a faceless world saviour. and this is his first damn appearance.

Tobi is another manifestation of Obito's escapism, which is the central theme of his story. I have identified three advantages of using Tobi's image for Obito, and all of them will be described below. maybe you'll find some more, feel free to reblog and add your thoughts!

Responsibility

escapism is just stress-relieving. for him, the roleplay was a way to relieve tension from the responsibility that he had imposed on himself. "no one in the whole world can do it except me" must be really exhausting. so what if I just don't be myself for a while? what if I be the one who can make a mistake? it's important to be frivolous and let things go sometimes, otherwise the psyche will be disturbed even more. so, that's the first advantage, that allowed Obito not to go completely crazy.

Regrets

CH. 652

as I said, Obito is not very happy with his position. even though he believes that tsukuyomi plan is correct, this doesn't negate that he is unhappy to fulfill it and suffer the hardships because of it.

during the war, we can see that Obito really regrets that he hadn't live his life the way he could, with his friends and dear ones. he began to ask questions: "could I have a better life?" "who have I become?" "who does my friend see me as?" these feelings burst out only at the culmination, before that they were deeply suppressed, with the help of detachment from reality, which Obito achieved mostly thanks to the image of Tobi. a ridiculous stupid guy who talks nonsense and does not pretend to be any role other than a comic relief. another personality allows Obito to distract himself from the real problems, which he can't reconcile.

CH. 281 idk what an idiot. love him.

in order to avoid all these dangerous thoughts for as long as possible, he came to this escapist behavior. it is not only a convenient tool for manipulation (I'm not really touching on that in this post, though it's important too), but it also distracted him from all his regrets. though, it's funny that he still chose orange and purple colors that probably reminded him of the past.

A Sense of Control

it seems to me that this is the most important reason to pretend to be either an inept, complaisant fool or a legend of the Shinobi world. why these two extremes?

many events in Obito's life showed him that no matter how he acts, he will still be punished, which means he personally has no control over anything. during the exposition, he is late helping the old ladies, but Kakashi condemns him no matter what. during the first turning points, he commits morally correct actions in order to end up first being mutilated and isolated, and then lose the most precious (and only) thing he really had: friendship with Rin and Kakashi. in the end, he does not even have control over his own body until he learns to control the mokuton and gets used to the constantly breaking off or deforming limbs. Madara and Tobi appear as other personalities who are able to achieve control under certain conditions and give Obito the necessary mental stability.

CH. 460

Madara is the epitome of control. the ghost of the Uchiha clan, the fear of which is alive many years after his death. by taking on a character who has more control than Obito did in real life he might feel quite cathartic and empowering, and it offered him a sense of emotional security (the mask helps with it physically, the personality and famous name — mentally).

while Tobi, besides an attempt to make up for lost childhood, is a demonstration of "the lowest standards" so that for once in his life, he did feel that he always met expectations, that more was not required of him. he's incompetent, he messes up, he's irritating, and therefore others don't expect anything else from him. yes, Tobi is judged and punished, but Tobi is not trying to be praised, so his own expectations are not broken.

CH. 359

Madara's personality is convenient because it's dominant, it controls others, inspires them with a certain fear and submission. Tobi's personality is convenient because with its help Obito choose to show fear and submission himself whenever he wants, that is, it does not become an unexpected blow for him. I would add that similar mental mechanisms work in many types of traumatic experience (not talking about his sexual deviations like moderate sadomasochism yet, the man is clearly traumatized).

does it all work? obviously, yes. there's no point in explaining that this whole Madara thing worked perfectly. Tobi, although condemned by Deidara, is at the same time accepted and encouraged by him a bit, simply because it is pointless to expect anything from him. however, this works as long as the fictional personalities do not overlap, as long as others believe in the reality of both.

CH. 396

another interesting topic is that Obito himself began to mix these personalities and demonstrate the falsity of one, which deprived him of the very opportunity to avoid reality (Madara clearly reminds him more of the responsibility on his shoulders than Tobi) and relieve the constantly increasing stress. therefore, starting from the moment when "Madara" shows that "Tobi" was just a cover, Obito loses the advantages of Tobi's image, suppressed regrets gradually surface, stress accumulates, the sense of control disappears for lack of any new personality other than his own (which has problems with control). and all these consequences falls on him during the war.

Conclusions

the reasons for this defense strategy appeared in Obito due to his low self-esteem, which was facilitated by the following. the early death of Obito's parents was most likely at the age when he was too young, and therefore psychologically this loss was fixed as "I was left because something was wrong with me. I can't be loved naturally, I need to deserve it first". because of that there was a constant attempt to be better, to reach the level of a genius opponent, who not only shows with all his appearance that you are not enough, but also constantly pokes you in your own shit like a puppy. and that's not the only situation where you're not that good. there's a lot, actually.

such an environment forms an attitude "to get recognition, I need to try harder than anyone else, because something is wrong with me". subsequently, this attitude is transformed into a new one: "I cannot get recognition in any case, which means I will achieve recognition, respect, attention through pretending and forming other personalities". and that's how Tobi appeared.

I don't even know what to add at the end. it's just great that you can see the depth in Obito, even when he's acting like a moron. here's some admiration for this silly guy

[bambi-kinos]

Would you like to answer a few questions about you opinions about Paul. Peoples read him very different and of course as a human he too has good and bad sides. What are the things that stands out to you the most: pros and cons besides being icon and music genius. Not from beatle historians or anyone else's opinions just your personal views? In the Beatles, pre and post Beatles. How do you view him today vs from decades ago? (Don't know how long you've been a fan) do you think he's mostly happy or sad in private. I'm asking you this because to me you seem like the one on line blogger that seem to "get him". Also would you say that you are attracted to him? Have you seen him live? What are you favourite songs by him both as a Beatle and beyond. I'm a super-Paul-stan fan and proud of it and nothing you say can change my own opinions of Paul but because nobody is perfect. Ok I'll let you go now.

Had to think about this one for a couple of weeks.

My opinion about Paul is that most of positive and negative feelings towards him are earned. He deserves the reverence but sometimes people take it too far like when his stepsister Ruth called him a god with feet of clay or whatever lmao. That kind of behavior is incredibly cringe and its very embarrassing that people can talk that way about Paul. But I think that he's busted his ass for over 60 years so truthfully he's earned the accolades and praise that he gets. There are some people that get really pissy and mad that he's revered so much and the only thing that we can say to them is "get a fucking life." Paul McCartney has been working his shapely ass off for decades to get where he is and is still slamming out music at in his fucking 80s. When you accomplish half as much as he has than you can think about whining that he's too revered and too worshipped.

On the other hand Paul has done a good job of earning all the negative emotions directed at him. He's egotistical and isn't graceful about wearing that praise. He tries to pretend he doesn't care but it's so transparent and see through that it's actively irritating, I think it's this more than anything that can get people to bitch. There is a phony veneer to Paul where he's clearly doing a bit of some sort and it's aggravating because it's not entirely clear what the bit actually is. Like all the posts making fun of him for pretending to be """normal""" are not coming out of no where, it's real aggravation that he's worked his whole life to get where he is and he tries to go "heehee I don't actually want it I'm just a guy like you <3~" like cmon dude really. For fuck's sake.

When it comes to Paul himself, my take on him, idk. I identify with Paul heavily. I like to think I'm more aggressive than he is but who actually fucking knows. I went through a life changing trauma at a similar age. (I was diagnosed with type 1 diabetes when I was eleven years old which is the insulin dependent diabetes that you hear about a lot on social media. BTW if anyone else has diabetes type 1 or 2 I'm available to talk, my dad and my partner are both type 2 and I know a lot about both.) I can identify with how your life is heavily bifurcated between Before and After. I also identify with how Paul really struggles to come to grips with his family life, while it's clear Jim and Mary did love him a lot they also simply were not stellar parents and a lot of their success with Paul and Mike lies in the fact that they gave their sons a steady home life without chaotic disruptions more than that they navigated the trials of parenthood well. I identify with that as well because diabetes makes my life very chaotic, and my parents did work to smooth those things over; but on the other hand my folks also had nasty and ugly moments with me just like Jim did with Paul. So I know what its like to love your parent immensely and be loved by them and still have a deeply resentful and distrustful relationship with them. And I never had a John Lennon in the mix to disrupt things.

I think it left me and Paul in similar places though our birth order is reversed with him being the oldest and me being the youngest. I realized a long time ago that I was completely on my own in terms of my diabetes and the rest of my life (my mother made some treatment decisions about my diabetes that nearly killed me a few times before I took control of it completely.) A parent can love you immensely, try to do everything right, and still damage you profoundly. With Paul having to endure physical blows and attempted emotional manipulation from his father, I think he too realized that he was totally on his own and that Jim could not give Paul what he needed. That is why Paul has such a strong self preservation instinct and why he comes off as two faced and why MLH remarked that he did not want to be in a dark alley with Paul if Paul did not like him. I've had to do some nasty things for self preservation and I think Paul has had to do it too. Some of them we know about but the majority we never will.

I think that it's hard to be the first born or the last born kid. You get so much of your parents attention but they screw you up in so many ways. I know middle children tend to feel ignored but I'm going to tell you right now, you're being shielded from a lot because you're not getting the Eye of Morder trained on you. Maybe we should all be thankful for what we have, idk. I have a lot more in common with my oldest sister than any of my middle siblings.

Paul is ruthlessly out for himself. I think John dying actually changed that a bit, it made him somewhat less vindictive and he was more open to letting people in but he's never not going to protect himself first. Or else he wouldn't have married Nancy in the first place, Nancy's first cousin was Barbara Walters and through Nancy Paul has a direct line to the news media which means he has yet one more string of influence so that he can control his public image. Nancy and Paul like each other a lot and their relationship is sincere, but Paul also benefits greatly by it. Do you see how this goes with him lol, he can invest in sincere relationships (and to be clear he does love Nancy) while still benefitting from it materially and immaterially. Note that a lot of the negative stuff about Paul started fading out of the press after he married Nancy.

Other fans often think I'm being negative and hateful about Paul when I point out that he is a manipulator and that he has a ruthless streak in him but that can't be farther from the truth. I sincerely admire Paul's ability to arrange his life in such a way that he is safe from most tangible threats and that he has such a way of moving chess pieces so that his hand isn't visible. I find that a great deal more admirable and amazing than John's bluntforce "let me squawk like a chicken to a reporter and they'll shit on Paul for me because I took a photo with them" thing. John was very blunt and clumsy with his sledgehammer and that did get results but I think that Paul is a great deal more artistic and beautiful with his media manipulation. The fact that he can carefully line up his pieces, get the results he wants, and then his influence is never seen (unless you extrapolate your way backwards from the results) is, to me, a great deal more elegant and sophisticated than the Lennono approach to bloviating during interviews.

Paul learned this during the initial Beatlemania rush when he had scads of heterosexual men all on their hands and knees begging him to let them fuck him. He does things exclusively through dangling something people want in front of them and then lets them take a course of action that suits him. And despite the fact that he is the architect of these movements you can never trace anything back to him because he does everything through influence and suggestion, not by out and out coercion or bribery. It's actually kind of incredible. Last week my friend remarked "I think Paul could pull off a bank heist and never get caught" and she's right.

That's what I admire about Paul. That is what I think is beautiful about him. Not necessarily the music or the lyrics or the insane life. Just the fact that he is a very patient and careful human being that doesn't lose his cool easily. I want to know more about him because I want that, you know? Being able to control facets of my life with that much care and harmony.

But that wasn't always the case. Paul was very clumsy during the 1970s because he let his feelings rule him when he should have crushed John like a bug. It wasn't until after John died that Paul started building the fortress, that was when he finally realized "oh shit, I need to build a persona for PR. I can't just be me anymore." Wings Paul is in some ways the most honest Paul, he vomits his feelings everywhere and we get a lot of insights into his mind and home life. That was before he had formed his own network of influence and political chicanry. 1980s Paul is when he's investing in that network finally and then 1990s Paul is when he started putting it into motion culminating in the divorce with Heather Mills. All in all I find it fascinating that Paul was not able to pull these disparate parts of himself together until he was in his 40s and Linda died. What is to be done with such a man?

I think that Paul has always had disparate parts of himself that he hasn't been able to reconcile. This is of course not unusual, it is the work of our lifetimes that we must see, accept, and internalize our contradictory natures. It's Paul's bad luck that he has to do this all in the public eye. No one envies him that. It's hell on earth and my heart breaks for him sometimes.

When it comes to Paul's moods in private, I think he is more or less "happy." Paul himself has said that he doesn't overthink his actions, he just decides what he wants to do and does it and whether it pans out or not is a different matter. I think that he's the kind of person that doesn't ruminate and he doesn't overthink what he's doing. And if he does do that then he goes to his guitar and does the "tell it all my problems" thing which is actually music therapy. It clearly helps him a lot and it clears his head so that he can keep his problems in perspective. I do that with journaling and my common place book, and I should do it more. It clearly helps Paul which is a good habit to have. All in all during his day to day life, Paul is happy and accomplished and has a big family with lots of grandchildren. Clearly loves Beatrice to bits and would do anything for her. The fact that we never hear anything bad about Beatrice is proof that she inherited all the right things from Paul lmao, she knows better than to get in trouble. Interestingly I think Beatrice is Paul's mini-me and considering Heather Mills is the same kind of personality as John Lennon, it makes me think that John and Paul having children together would actually have worked out very well for them.

On the other hand we know that Paul carries his share of anger and bitterness and old grudges. "No one knows the real me, do they." We're lucky that we live in a time where we can be relatively open about our personalities as well as our wants and needs. Paul did not grow up with such privileges and is only just recently starting to feel his way to the place we have inhabited our entire lives. He's suffered greatly for it. He's a naturally reticent person but I think John Lennon is the only person in the world Paul could fully express himself with; even Linda did not get full access to Paul considering comments made by others about Paul's controlling nature which belies anxiety. Why was Paul anxious around Linda, his soul mate? Because there were still parts of himself he didn't want her to know. And so on.

I think that in some ways Paul's lack of rumination and cheeriness is a choice that he's made for himself. He's been "tired" of negativity and hurtfulness for pretty much his entire life, he's always wanted to bring light into the world. John once said that Yoko painting "yes" on the ceiling of her exhibit was what he liked about her because it was positive, unlike the self absorbed 'woe is me' bullshit exhibits other avante garde people put up. I think John was attracted to Paul for similar reasons. Paul tries to take the sad song and make it better. Paul transformed John's life and he saved John from a much harder and painful path like the common belief that John would have landed himself in prison if he hadn't met Paul. I don't think it would have happened precisely that way but it was certainly a distinct possibility that John was aware of and he knew that Paul saved him from it.

Paul does it for himself as much as anyone else. I think he's actively trying to avoid the traps that many of us fall into. Rumination, bitterness, regrets. These are things that poison a person's life and even without therapeutic language Paul realized that he didn't want his life to be consumed by it. That doesn't mean he doesn't have his well of pain to tap into but he wants to live and be happy. He said once that John wouldn't want him to be hurt and depressed and he was right. I think if we all approached our lives with that kind of attitude, "I deserve to be happy and I'm going to do what it takes to get there," we would all be much better off. Paul is a role model in more ways than one.

Paul is a sport, a one off. There is no one else like him and when he dies there will never be anyone like him ever again. Treasure him now while he is here.

I have never seen him perform. When he has his next US tour then I'll go, I don't care what it costs.

Am I attracted to him: yes and yes. I find it more like an aspirational attractiveness but I think he's intensely beautiful and he became more beautiful as he aged (though there is something very special and breedable about 22 year old Paul McCartney. It's deeply depressing that he never got pregnant.) That's different from being handsome, all of the Beatles were handsome but Paul is intensely beautiful. It's the kind of thing that gets memorialized in Sumarian poems. If we were told he was descended from swan maidens or something like that, it would not be a shock. There's a story in that somewhere lol, imagine Paul bathing in a lake and John steals his feathered coat so that Paul will marry him or something like that. IDK. Paul is very intense.

Beauty is sovereign. Beauty triumphs over all things. Paul is one of those rare people that handles (almost) all of his affairs adroitly. Every little thing he does is magic.

I'm a big fan of all of Paul's work, I genuinely enjoy London Town for instance and I don't get why some circles make fun of it. Synth owns what is the problem here. Some of my favorite Paul songs:

With a Little Luck

Probably my favorite "John, I love you, I'm sorry, please come home" song. It's just very Paul, the very carefully arranged harmony, the minor key in an upbeat tempo, with the almost mismatched lyrics before Paul brings it back to a major key resolution. It makes me want to find my partner and kiss them on their lower lip. (My partner has a very pouty lower lip, easily one of their best features.)

Let 'em In

I have an entire animated music video in my head about this song. I've actually been looking up how to teach myself art because I want to pursue it. First learning to draw, then learning to animate and all because I want to animate this sequence I have in my head. Oh Paul. I adore you.

Rock Show

This one actually made me stand up and dance around my house which never happens anymore. I just love the energy and Paul's silly voices. And Paul's platonic fascination with axe wielders rears its head again! I wonder if Paul ever fantasized about killing people with an axe.

Another Day

This is the anthem of my life lmao. At least I have a romantic partner but we're long distance until I can emigrate to the United Kingdom so again I identify very heavily with this Paul piece. Ahhh…

When it comes to Paul's Beatle work, I don't really want to reference anything there because Beatles music was such a community effort, even Paul's songs aren't fully his once the other three got their hands on it. That's not a bad thing but it does mean the Beatles were an engine unto themselves. Paul never had full control of his songs. My choices are not particularly enlightened but they are true which is all I can provide.

This was a really great ask to get, thank you for sending it in. Very flattered if I'm someone who "gets" Paul. I think it's more like he makes a lot of sense to me and it's very rare that he does something that does not make sense to me. I'm probably projecting a lot but we all do that so who cares?