#idk its a lot of text. i have a lot of thoughts.

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[chimerahyperfix]

This loop has to be the one. Nevermind that you said it last loop, and the one before, and the one before that, and most of the ones before that. THIS was the one you'd stop the King in his tracks. You push a few of your many potions to the side to make room on your desk. None of them worked to stop him, so they were useless. He's still about twelve, fourteen? hours away, so you have enough time to make the bomb, eat and take a fat nap before you go pick a fight. Maybe this time, it'll work! It has to!

You've gotten better at making the Craft Bomb. It hasn't blown up on you before you intended to use it in... a long time. You can make it fast enough, now, for it to still be light outside! You've become silent while you work, which Mirabelle has told you is ''worrying'', but you don't see why it is. Are you really that loud? (Yes. You are.)

It's hard work. Soft light bathes your desk, your work, you. You reach out, past your potions, and grab your water bottle. Take a big swig, and

Hmm. That's not water.

How. HOW do you keep making this mistake. You look at the bottle in your hand, and sure enough, it’s one of the potions; your water bottle is shoved in the back of the collection of other containers. The taste is caustic, your throat begins to burn. You shouldn’t be this calm for having just drank something that’ll kill you in a handful of minutes, but it’s happened before. Despite the pain you don't bother trying anything. Just push the finished bomb to the side and lay your face against the wood of the table. Feel the blood start to pool in your mouth and dribbling out, staining the wood. Mirabelle, or Euphie or whoever comes in next, they can use it this loop. It's not the first time you've drank one of the many, many dangerous potions on your desk, and it's probably not the last. Maybe you'll actually clean the crabbing thing off before you work.

Whatever. You have next time. You have all the time.

Perhaps a bit too much, actually.

[mcrunchybones]

something something photography being the art of memory and recording and basil being the photographer something something the way hes always the witness and never the subject and maybe he doesnt think he deserves to be the subject something something taking a photograph being the act of freezing a moment in time forever and basil (and sunny by extension) never being able to grow up and move on from what they witnessed the day mari died

[gobstoppr]

hey guys am i allowed to say on main that i dont like metadad . am i gonna get beaten up for saying this.

guys i think we all took the term found family too literally and now everythings flattened into a boring nuclear family. guys can we stop. hello . is anybody there

[britneyshakespeare]

I think everyone wants to own a complete works of Shakespeare and I want to get everyone a complete works of Shakespeare that is right for them

[pekoeboo]

ugh. some thoughts.

really been trying to find the joy in drawing/writing again and honestly it's been such a challenge. friends have told me it's most likely depression that's making it hard to feel motivated and tbh they're probably right.

hoping to get back into being creative in the way I Want to be at some point tho. I miss it. there's still so much with my stories and characters that I haven't been able to share or explain and I wish I knew how without it feeling like this daunting, impossible task.

I don't know when I'll get around to actually sharing art again (or writing, if ever). was hoping that I'd manage to get some of my mental and physical issues in check recently for just long enough to get back into the swing of being creative, but that hasn't seemed to work. everything feels bad, both artistically and physically. I'm struggling to keep up with the frantic pace at which my brain comes up with story concepts and intriguing character interactions, even tho everything in me wishes I could turn it into tangible artistic expression so I can get it out of my head and share it. it used to be easy. I don't know why it's not now.

I'm just . tired, I guess.

[xxplastic-cubexx]

Honestly your tags are so fun to read every time, i'm almost more excited for them than the actual post (but not entirely because your art is SO GOOD!!!! i adore it). If you don't mind me asking, what are you studying?

i am studying psychology because i refuse to see a therapist so ill figure out whats wrong with me myself !!!!!!!

[elibean]

also we are at the halfway point and like, nothing substantial has happened

[james-spooky]

this is a test

[faaun]

i feel rly sad and conflicted abt one of my best friends on earth but idk who to ask for advice bc i usually would have consulted her in this situation lmao

[abirddogmoment]

In the same vein as my Dog Thoughts post about performance foundations last night, the more I watch Sports People, the more motivated I am to distance myself from them and be done with dog sports completely.

[scionshtola]

thinking too hard about cori lore this morning and it’s falling apart ahdjdkks

[howoffcentre]

girl WHAT is going on!!

[justsquibby]

Got my ass handed to me in ranked zero builds so

I think it’s time to finally write my Madoka magica movie four theory thoughts

MxSquibby's Walpurgisnacht Rising theory thoughts

(Thoughts are based off my knowledge of the franchise so I could be missing vital info)

I think the big premise for this movie is showing off Walpurgisnacht’s lore or some info about her. and like usual she is going to disrupt Homura’s wish. Or In this case her world and probably force homura to make a choice.

by the logic of Homura’s wish.

Three peoples karmic destiny should have been cranked up to a billion since the timelines always converged the most around 3 people.

Madoka(who the wish was for) and her amount karmic destiny is why she was able to make the ultimate wish and become the law of cycles for magical girl kind.

Homura (who made the wish) increased her own amount of karmic destiny which is why she was able to split apart Madoka (and take her memories?) and rewrite the universe to her liking which essentially just what she did in her labyrinth, but with more production value and can change the entire universe and not limited within the confines of her labyrinth and witch magic.

I’m guessing Homura’s got Madoka in what I like to call “The Good Place Season 2”

Which light spoilers for that show ahead but

One of the main characters, Michael, traps Eleanor and the other humans within a time loop. Erasing their memories every time Eleanor figures out what Michael is doing to them. Repeating this over and over. Over 800(0?) times, with each time him slightly tweaking and changing things to try and get a different outcome of her not figuring it out.

I think this what Homura’s doing to an extent. We saw at the end of rebellion, how fragile Homura’s hold on Madoka’s memories was. However all homura really has to do is ground Madoka back down to homura’s rewritten reality and since a part of Madoka does want to stay on earth and live a normal life this helps her forget easily of her god hood. However this very fact is what will always make her remember in the end. If madoka truly starts to enjoy her life on earth, She knows deep in her SOUL that she sacrificed her normal human life for a cosmic duty of Saving magical girls so anytime she thinks to hard about it or just kind of realizes she should only being viewing the lives of normal people not interacting with them she will start to remember and become magical girl god again but homura will just grab her again and reset her memories and then rewrite the timeline. Starting once again… essentially... ANOTHER TIME LOOP. Homura’s favorite thing 😂😭

And I’m guessing Homura’s got to do this a lot. Like hundreds of times. And if sayakas around during one these moments she sure as hell is also going to remember homura being a “devil” so homura will have no choice but to rewrite the timeline again and again. With each time she’s most likely going to make slight changes to the world in attempt to make Madoka not remember. I think it’s why she remembers so easily at first. It was waaaay to similar to the thousands of timelines her and homura lived through (ultimate Madoka is aware of all the timeloops homura and her went through so following that similar time loop structure will probably make her remember faster so Homura is going to start changing things. Which is whyyy we see the girls in different costumes at one point in the trailer. (I think this is why in that old ass concept trailer we saw Madoka being a ballerina, one to resemble Madoka just being part of Homura’s elaborate play now but to show her trying normal human things. Homura's going to help her find her human dreams. Maybe madoka wanted to be a dancer. Then after that fails Homura probaby thinks if she can find a perfect scenario where Madoka find some sense of self on earth maybe she will stop remembering her godhood. Maybe Homura can finally live a full human life with her and watch her grow. Maybe Madoka being a dancer, a painter, a musician, a celebrity. Something right? Will stop Madoka from reaching her magical girl potential. Homura’s so obsessed with giving Madoka the life she shouldn’t have had to sacrifice. So she will try over and over to make her happy. To find the one scenario...timeline if you will, where Madoka will be truly happy within her rewritten world.

Which will be a fun way to show the girls in different scenarios that we usually wouldn’t see them in. So like cool new costumes!!! Like cool bandage sayaka is just one of Homura’s AU’s or a by product of one of the new timelines she has rewritten. And sayaka is probably going to have a bigger part. Idk why I just feeeel it. She has special secretary powers. I believe in her. We saw all that special treatment they gave her in S2E1 of the anime timeline of magia record. Bitches love Sayaka. And like Bebe also has secretary powers I guess lol. But she just wants to hangout with mami and eat cheeeeeeese (yoooo plagg and bebe would be besties)

but This movie is just explaining the 3rd girl who’s karmic destiny was increased by this wish and then background info cause we know like nothing about her…

Walpurgisnacht (the reason homura HAD to repeat timelines)

Walpy (for short) is going to put an end to this loop homura and Madoka are trapped in. Or at least change or add to it.

what is concerning is that Walpy’s karmic destiny was already extremely high to begin with for her to end up looking like that. So logically she should be stronger than devil homura, and the only reason she isn’t stronger than ultimate Madoka is because of the wish of Ultimate Madoka made to erase witches. But since madoka’s slightly nerfed at the moment trapped in Homura’s rewritten reality, no one’s actively checking on the law of cycles. Sure girls don’t turn into witches but without Madoka actively monitoring the cycle this might have given some version of Walpy enough time or power to form or to come back and interfere. So I’m guessing homura might have to choose between keeping her time loop safe (and live her fantasy life with madoka) or let Madoka out so she can defeat Walpurgisnacht from destroying the universe homura has tried gone so far to get control of…. Cause homura, at least historically can not beat Walpy lol. So i'm guessing Walpy will always come back to cause universal destruction unless madoka is back. So will Homura be able to let go of her love for sake of the universe? a choice between keeping her love down on earth with her or letting her go and accepting that she’s nothing more than a universal concept. But like Homura’s crafty. She could weasel her way out of this

I will say a crack in this theory is from my own understanding that Walpy is made up of many magical girls? So either we are dealing with many girls coming in or some fusion magical girl perhaps? Or I guess just one of the girls from Walpy would do right? Perhaps the first girl? Though we don’t know if this was an individual wish, and then she absorbed other magical girls/witches or like a group wish? Kind of like the hospital trio. Like you can do a group wishes I suppose.

ALSO another addition to my thoughts. Homura isn’t the Antagonist. Should state that. Kyubey is. And like i haven’t even talked about this fucker yet. (Well in terms of the franchise as a whole, guessing for movie 4 Walpy is our more traditinal antagonist (She also probably takes the form of homura at first to fuck with her, Why we see two homura's in the Movie Poster but thats just a theory lol) but He? little rat noy. Within Homura’s new world order. He’s Most likely just collecting all despair and probably just collecting and suffering with the weight of all negative human emotions and curses within a labyrinth. Like. She probably just making him and the hive mind know what it’s life to feel emotions, specifically all those negative ones you’ve been putting magical girls through for hundreds of years. But like he could be up to some fuck shit. He technically is like a robot made by an alien race, right? So like they could finally pull up on us or something and be like “what have you done to my robo rat sons, you fucks”

But anyway I’m rambling a bit now but homura isn't the antagonist because she pulls Madoka from the law of cycles for a multitude of reasons, she states it’s for her love for Madoka. Which yes that is true but homura also understands Madoka should have never had to make this wish. The flower field scene conversation in rebellion is what makes homura realize this. Madoka is a normal girl, she just never got the time to figure herself out or to figure out normal human dreams. She was a young naive girl, where in many timelines used her wish to save a cat or make a cake. Because at first glance being a magical girl is a once in a lifetime opportunity, you don’t pass up. So she never got a shot at a real life when she should have. Madoka never wanted to leave behind her friends and family. She loves them. Like the girl don’t got much That’s like one of her core traits, she loves her friends, is a great daughter, and a great big sister, love cute things, is pink like 😭😭 But Madoka was just another cog in the magical girl machine but because of Homura’s wish it gave a Madoka a chance to look at the whole machine and see what the fuck has been going on. So Madoka, with no real dreams or goals, but is given the opportunity and explicitly told by the evil rat himself that she could make literally ANY wish. So when she sees everything and realizes she has the unique opportunity to save all magical girl kind from their souls being tortured for all eternity until murdered by another magical girl well no shit she HAS to make this wish. She doesn’t have any other choice in her eyes. To badly paraphrase Kyoko. "Something something if you have a loving family and good food on the table why on earth would you sacrifice that to be a magical girl? but who knows maybe one day you’ll be backed into a corner and you’ll HAVE to make a wish. If that day comes something something I guess i can approve of you being a magical lass"

So like. Is it fair? Ya know. All this is Kyubey and some alien race’s fault. Why should these girls have to suffer because of him. Who cares about the heat death of the universe. Let it burn, because if torturing magical girls is the only way of keeping it alive then fuck the universe. Like Madoka shouldn’t have to sacrifice her human life to save all these girls from suffering because they shouldn’t be suffering. They shouldn’t be turning into witches. Like 😭 and homura doesn’t think it’s fair that Madoka should be the one to make this sacrifice to save magical girls because Madoka wouldn’t have even been able to make the ultimate wish if not for homura’s wish but like also homura shouldn’t have been turned into a magical girl herself like it’s all fucked and idk what the end would even look like?

So Like a happy ending would be getting revenge on the RAT kyubey… and like idk. I don’t think that’s happening. Like if you want a happy ending for these girls I believe it falls within our little anomaly timeline. Which I like to believe the magia record game timeline is held within a phone. (Cause get it, it’s like a gacha game we play on our phones lol.) and when Madoka touched the anomaly timeline at the end of arc 1? Now the record phone screen is cracked 🫨🫨

I don’t think we’ll get a horrific or completely tragic ending but it will probably be bittersweet or mixed emotions. (Would LOVE TO BE WRONG, GIMMIE HAPPY) But also we won’t see the end end to this franchise for a hot minute lol. Like I’m pretty sure this is technically be advertised as the 4th movie. Though more like the second movie but I guess the movie versions of the anime do count I guess. Idk. The first two movies are fine, best part is just some updated animation and new yuki Kajiura tracks… but yeah i don’t think it’s the final movie.

Now what like actually happens? Fuck if I know. I’m still half expecting mayabu to find infinite iroha and make her pop in to save everyone cause idk. Is homura realllllly gonna let Madoka go. Ya know? Like she’ll probably try to control Walpy or fight her for a hot minute before even considering of letting Madoka go again.

And ALSO.

Okay I feel like I covered all my brain theories about the movie... for now… Idk if I explored or finished every thought. I know I be yapping. And I have adhd so And I can YAP about Madoka and then immediately forget where exactly I was at in my Madoka thoughts.

Imagine how more I could yap if I read the wraith arc. (It’s truly laughable how I’ve read all of arc 1 and the other story with it, most of arc 2 (I skimmed early bits so I could catch up faster, then end of arc 2 was happening and I wanted to be a cool kid and read it asap) quite a few events, and the early chapters of scene 0 (now behind lol) BUT NOT the wraith arc. And I know I could pull it up so easily lol. Hell I read the event where ui went back in time to see fart but not the wraith arc I- I read Christmas strings but i wont take my lazy butt to read manga of my fave series within like kind of main timeline. Like i know i dont need to read but I need to read it. cause having a better understanding of Ultimate Madoka's universe and how wraiths work would be cool. and maybe one of these days ill read another story but idk... Think id rather read tart or Oriko first lol

but yeah i've got to stop myself of this post will never end. I'll prpbably re-read it tomorrow and add edits lol

ALSO one last thought this is a theory I could be Super fucking wrong about everything. Like maybe sayaka looking like that cause of her secretary powers and not homura's universe rewriting at play? like there's so much i don't know haha

and again my theory could fall apart with like new info i didn't know about. there's a lot of content madoka content out there ya know

[thewizardprincessau]

been in n out of sleep and cant go back so i finally laid the groundwork for a bestie trio centric arc... peace and love

[hassianlovebot]

i've seen some people talk about einar's romance dialogue and how it feels offputting and rude to him but i'm gonna be honest,,, i never really saw it that way?

like i do agree that the player's dialogue options Suck compared to the other romances. something about it just feels really childish and definitely not as,,, "serious" or even committed as the other romance dialogue options. that being said, it never felt patronizing toward him.

to me, it feels like the player is just. being human. while einar is being galdur. the player doesn't get mad at him for not understanding certain jokes or not showing affection in the same way. and einar doesn't get uncomfortable with the player being human, making human jokes, or showing human affection. they're just Being Human and sharing their humanness with einar. which einar, while not always understanding of it, is completely used to and Does understand and enjoy it later on in the 3-4 levels. not that he didn't enjoy it before, but once you get closer to him, he Does understand more of the jokes and even joins in on certain ones (like the catch one!).

idk man it just always felt like the player and einar are just sharing their perspectives, personalities, and culture with each other. and of course there is the chocolate thing where he says he doesn't need it and the player has to learn what he actually wants from the relationship (ie spending time together). and there are still jokes that he ends up taking seriously, which yknow, that's kind of what i meant when i said the player's options often feel very childish compared to other ones. but it just never came off as patronizing to me, especially since einar repeatedly says that he enjoys spending time with the player and engaging in their "togetherness".

like to me it always felt like he enjoys learning about new things, even if he doesn't want to participate. like at the maji market when he says that while he doesn't understand the hotpot game, watching it fills him with "oneness". he enjoys learning about human and majiri culture and seeing them just be themselves! none of his dialogue implies that he's uncomfortable with the way the player shows affection (there Is something to be said about the dialogue options only ever showing one form of it,,, but tbf they can't put in 50+ options to cover the minutia of human brains lol)

idk i want to be clear im not shitting on anyone else's opinion on this!!! there's room for all perspectives here. i just wanted to share! i've seen SO many people say that romancing einar feels patronizing and like. i've just never seen it that way ! and it always confuses me when i see it akjhgd tbf i think some people are also neurodivergent (same lol) and don't appreciate the dialogue options that einar doesn't understand because in real life it Does feel patronizing when someone does it on purpose even knowing you won't get it. but for me, einar being galdur and not a neurodivergent human/majiri is an important distinction. he shows multiple times that he enjoys learning about human cultures and perspectives, that he enjoys talking to the player even when they don't understand each other, and that he's capable of understanding the player's jokes and sarcasm once explained to him. he Likes that they're different !

einar seems to enjoy the player acting "human" with him because he gets to learn about them! and he wouldn't want them stifle their true personality just to please him! einar is alllll about being true to yourself, your beliefs, your oneness, etc. he wants the player to understand him and his affection, but he also wants to understand the player's personality and affection. he wants them to share each other's "quirks". and don't get me wrong, i do wish there was more we could do to share in his way of affection (especially if his way is our way,,, like i'm Not flirty or jokey like that irl at all and i'd love to have more options where it really is just "hi i enjoy parallel playing with you :)))" lol) and that the dialogue options were less jokey or at least more affectionate/serious but idk,,, i think for me, i've just always seen einar as someone who wants to know and appreciate everything about the player, even the things he doesn't Immediately understand. he wants the player to explain things and share their culture with him SO bad