#idk if this makes sense but i wanted to write it down

[grimmsbride]

▒ ❀ ̭͡⠀ ❛ SOME ENCOURAGEMENT. NAM-GYU / PLAYER 124

nam-gyu attempts to recruit beloved, timid reader into thanos’s world. all it takes is a little encouragement.

𖥔 ࣪˖ TAGS, nam-gyu is a little pushy (but everything is consensual between him and reader) | unconsensual voyuerism (again everyone is asleep but i don’t wanna make anyone uncomfortable) | ooc characters (first time writing for nam-gyu) | minor degradation & praise (+humiliation(?)) | use of the words slut, good girl, etc. | fingering | minor dacryphilia | just a silly little imagine | nam-gyu is lowkey manipulative | reader is a freak with a thing for fingers/hands | etc.

𖥔 ࣪˖ NOTES, writing smut on company time is actually hilarious, idk why i got this idea during work. but anywho — i hope you enjoy, i tried my hand at his character. as always please ignore any grammar mistakes or typos.

Imagine Nam-Gyu attempting to recruit someone without the advice of his beloved purple-haired leader. Surprising, right? Despite his own issues with inferiority; the ex-club worker just seems to follow behind Thanos like a hungry puppy desperate for a bone— or drugs, for that matter. But no, just this once, Nam-Gyu takes the lead. The numbers are growing closer and even more scarce, fear lacing people’s minds and causing them to hit that dreaded X button. Thanos’s World’s dream is to continue the games to pay off their debts, right?— so it only made sense for Nam-Gyu to turn an X over to the O side.

He couldn’t just pick anyone. Someone far too strong-willed would definitely tell him no, and someone far too weak would just be a curse rather than a blessing.

Who to choose.. Who to choose..

Soon enough the man’s eyes are locking on to you— a contestant he has seen around, yet hasn’t heard much from. Not only were you easy on the eyes but you just seemed like the perfect person to shape into a worthy teammate.

Within minutes he’s approaching you, an easy-going smile in place as your name falls from his lips. Nam-Gyu had heard it said before by someone close to you, another random that he hadn’t bother to think about.

“Yes..?” Your words are slow, lips pursing as you take in the man before you. You were beyond nervous; this was the lackey of that purple-haired lunatic after all. Watching the two fight on the very first day was enough to tell you to avoid them at all costs. Yet here you were, a few feet away from one of them, under his gaze that trailed over you like a pretty piece of jewelry behind a display case.

You couldn’t help but bring your hands closer to yourself, teeth dragging across your cheek nervously.

From your head to your toes, Nam-Gyu’s eyes soon landed on that big red patch residing just under your bosom. With a breathy chuckle he reached over, allowing a single finger to press and trace the X.

“You wanna get out of the games that bad, huh? You voted X twice already.”

Your eyes flicked down to his hand, before traveling back to his face. “Yeah well..” You dragged slowly, watching that harsh gaze return to your features.

“I—I want to get rid of my debts.. but putting my life on the line for it just seems..” You hoped you got your words across perfectly, even without continuing your sentence. Sure, it was hard being hounded for your debts, but death looming over your head just didn’t seem worth it.

Still, Nam-Gyu only shook his head at you, a sigh full of pity escaping his lips.

“Well, that’s where you’re messing up.” Nam-Gyu hummed, stepping just a bit closer, finger still tracing that damned patch. Your attention kept flicking between his face and finger, wondering why exactly warmth was pooling throughout your entire body.

“Worrying too much about dying is what’s gonna get you killed, not anything else.”

Your eyebrows knitted close, a look of confusion plastered across your face. Worrying seemed like the right way to keep yourself alive.. right? Not worrying just seemed, well— stupid. Not that you would say that to his face, obviously.

“I have to disagree..”

Just barely did you hear the sound of the man sucking his teeth, watching the way his face turned to the side, clearly searching for his next few words. You debated on walking away from this conversation, it was clear what his objective was. And whether ordered by Thanos or not, you didn’t really want to know— nor figure out.

Yet for some reason you were practically glued to the spot, blinking up at him and waiting oh, so patiently for his next spiel. And as you watched his face turn back to you, your breath got caught in your throat.

“Okay then.. worry all you want, but you wouldn’t you want someone to look out for you?” Nam-Gyu’s other hand was reaching to your patch at this point, using both thumbs to trace it. “Being on this side, there’s no unity.. it’s every person for themself.”

The two of you locked eyes, a sickeningly sweet smile crossing his face.

“Come with us, and we’ll look after you. I’ll personally see to it too.”

Slowly did your teeth sink into your bottom lip, struggling to maintain the eye contact that he seemed so keen on keeping. The only thing you could hear was your racing heart and the gentle sounds of his thumbs sliding across that red patch. His words were.. tempting. You wondered if he rehearsed what to say, like a video game with multiple endings; did he have it all figured out before he even walked over? Was he so prepared to convert you, using every rejection you had as some silly obstacles the man easily hobbled over?

So caught up in your thoughts, you hardly realized Nam-Gyu had gotten even closer until his breath fanned across your ear in a simple;

I’ll let you think it over, let’s talk again later..

When you thought of later, you initially believed in thirty mins or so. Maybe this time he would bring over his beloved leader to really get the point across. But no, later seemed to be during lights out; when you all should be sleeping, tucked away in the rare bliss these murderous games brought.

And the only talking that was happening was the soft words Nam-Gyu continued to whisper into your ear and the even softer moans of passion that slipped from your swollen lips.

See, Nam-Gyu wasn’t an idiot despite what Thanos seems to think. Quickly he caught on to two things whilst speaking to you.

The first being, you were quite cute when nervous. And two, you just loved looking at his hands.

So what better way to really stretch his point across but using his beloved fingers to stretch you open just how he liked?

“Should have done this from the start, look how cooperative you’re being..” The smile on Nam-Gyu’s face was permanent at this point, the corner of his mouth twitching with each pitiful moan you released. His rings were tossed lazily to the side, his bare fingers now pushing into your sloppy cunt so perfectly. Longer then your own, they pushed and prodded; opening you up and rubbing against your soaked walls. With each breath you were clenching, causing the smile on his face to only grow deeper.

“Scared of dying but not of some stranger finger-fucking you, huh? What a joke.”

You wanted to tell him off, how he was so mean and so wrong. But you couldn’t, not with how your mind was getting complete lost from his movements. Your teeth were grinding into your bottom lip, a metallic taste filling your mouth as time progressed. Deep moans thundered from your throat, muffled by your harsh biting. You couldn’t imagine having your little recruitment interrupted by some poor contestant just trying to get some rest.

But with the way Nam-Gyu was practically ruining you, it didn’t seem he cared much either way. He was so hellbent on coaxing you, his lips right against your ear as that damned thumb came and circled your swollen bud.

“I told you I’d look after you right, where’s my thank you?”

Your eyes widened the moment his free hand rose, pushing at your cheeks and basically forcing your lips to part. The sound you let out was a strangled mix of a moan and gasp, quickly clasping your own hand against your mouth.

Nam-Gyu chuckled on his breath, thrusting a third finger into your wet cunt as he spoke; “What? You scared of the other contestants realizing how much of a slut you are? Shouldn’t worry too much; this messy cunt is making enough noise for you.”

Your eyes were meeting the back of your skull, so fucking mean he was— yet you couldn’t help but enjoy the attention. His digits were curling inside, brushing across that special spot that caused you to shake. Your thighs were clenching harshly around his arm, rushed breaths escaping as your chest rose and fell.

“Th—thank you.. fuck— please…!” You whimpered as softly as you possibly could, glossy eyes staring up at the man. You felt accomplished the moment he drew closer, feeling the cold metal of his chain brush against your heated skin before a gentle kiss was pressed right against your cheek.

“What a good girl.. You wanna come, hm?” The hand was lowering to your throat, fingers simply wrapping around it yet not squeezing. Nam-Gyu watched in pure enjoyment at the way your head tossed back and forth in a rushed nod; how needy you were for him. What a palpable little thing, is what he thought.

“I can make that happen, you just gotta do something for me.”

More words, whispered, tempting; drifting right into your ear and hitting the same pleasurable spots right between your legs. Speaking of, you felt your peak drawing closer; a tight band resting deep in your tummy— ready to burst.

You knew what he wanted, you weren’t an idiot nor were you too fucked out to forget. Your mind was screaming at you, telling you an orgasm wasn’t worth pressing that cursed button.

Yet, for now, you weren’t thinking with your brain, but with your pussy instead.

“P—please let me join! I’ll press the button— I promise!” Another whisper-yell escaped you, desperation clinging to every word as they fled those pretty lips.

With that final confirmation Nam-Gyu was quickening the pace of his fingers, eating up the way your body convulsed, a lost look invading your eyes as you came undone. Your essence trickled down his fingers all the way to his wrist, a sticky residue that he would make sure you clean up later.

For now.. his hand rose from your throat to instead cup your cheek, rubbing his thumb right under your eye so tenderly— so sweetly.

“I knew you could do it.. just needed some encouragement, right?”

[mysunshinetemptress]

Insight 4

Smarter universe

A/n: I feel like this one I might edit a bit more so a rerelease might cone idk I don’t really like my writing in this. it’s 1am and I wanted to give you guys another insight as promised. Also thank you to @womenwoso for helping with the logistics of this insight.

Leah hasn’t known what it’s like to not wake up and feel nauseous for the past few days, not since you left, but today it’s worse, today she goes to training and although she hopes you’ll be there in the back of her mind she knows you won’t.

Leah’s slow to get ready, slow to leave and slow to arrive to Sobha Reality training ground, she’s late and her teammates don’t understand why. Leah’s never late, you’re never late.

Leah checks in and trudges her way to the changing room where the rest of the arsenal girls are, slowly Leah pushes the door and walks making a b line for her locker before throwing her bag down and quietly getting ready.

Leah doesn’t miss the way the girls look for you coming in behind her like you usually do, and she definitely doesn’t miss the questioning glances between Steph and Alessia.

“Le where’s Y/n.” Leah shrugs continuing to get ready, her eyes glued to the floor. Steph steps forward “hey mate, where’s Y/n? She didn’t answer the phone to Less or I this morning.” Leah mumbles into her chest “I don’t know.” This only causes more confusion between the pair as Leah continues to put on her training gear.

“What do you mean you don’t know Leah you live together, you’re married to her for godsake” Leah feels her stomach flip “she’s gone-she left.” Alessia steps forward her own stomach dropping, gone, left. Where, why and why didn’t you text them or call it doesn’t make sense. “ She would have said something, why did she leave arsenal.” Leah shakes her head as she feels her emotions start to rise again “not Arsenal, not yet anyway.” Leah pauses tying her shoe “she left me.”

Leah hates that for a slight moment you’re the bad guy and that her friends support her, but it’s all a lie. Steph puts her hand on Leah’s shoulder comforting her “what happened.” Leah shakes her head the tears forming in her eyes as the feeling of getting sick intensifies “I cheated.” She lets out quietly so quietly that Steph is the only one to hear.

Alessia looks confused “what.” As Steph recoils her hand as though she’s just been burned “you did what.” Leah shakes her head “please Steph.” Steph doesn’t take pity on her instead she shouts “you cheated on your wife, on Y/n.”

The rest of the girls all seem to freeze as they turn to look at their Vice captain “you better be taken the piss.” Katie shouts from across the room.” But Leah’s silence is deafening “Leah.” Kim tries but the defender stays silent.

“She won’t answer our texts, our calls, how-is she safe.” Leah doesn’t answer she can’t answer she doesn’t know where you are, she doesn’t know you’re wrapped up in her bed in her childhood home holding on to her jumper as you sob.

“I don’t know….we…she talked and then she left.” Leah lets out, “who was it Leah.” Leah’s head turns to Lia and the knot in her stomach tightens “I-Lia.” Lia already knows, she wish she didn’t but she does “Leah.” Leah shakes her head “I didn’t-please- it-I don’t know it just-we just…please.” Lia feels sick and the room spins slightly at the thought that she had been introduced to HER months ago when Leah and her met up for coffee and SHE came bouncing over.

Steph has her phone out as she tries you again and again Alessia’s frozen “but what about everything-you guys were supposed to be having a family.” They don’t know Leah thinks of course they don’t know she didn’t know “we are.” The room seems to drop like a led balloon.

Leah’s up against a wall next Katie holding her shirt in her fists “please tell me your wife…who wants nothing more than a family with you…who we have all seen cry day in and day out over not being able to have a baby with you isn’t pregnant because if she is so help me god Leah.”

Again Leah’s silence is all it takes to confirm the team’s worst fears. “I don’t know who else to call.” Steph lets out painfully “everyone else is in this room” Leah gulps, your gone, you’re not answering your phone and Steph right everyone you love…you think of as your friends, family are in this room and once again the knot gets bigger.

Katie drops Leah back to her feet “Kim.” Kim looks at the Irish girl “you’re suspended”. Kim turns to Leah as the vice captain tries to protest “I don’t want to see you near this place until I say otherwise.” Leah nods packing up and heading out the door.

“Leah.”

Lia chases after her stopping just at the car park “please tell me that it’s not HER.” Leah shakes her head “I…” Leah’s interrupted by a car honking HER car as SHE pulls up beside the duo “Hey baby ready.” Leah turns and looks to Lia “I-i can explain.” Lia shakes her head “don’t bother, you’ve made your bed and clearly you still enjoy sleeping in it.”

[kisakunt]

THE RICH MAN’S GUIDE TO CORRUPTION

GIVE IT UP FOR LOVE

warnings… i mean some absolute swine talk, gojo and geto are evil men, you’re a sweet and pure virgin. swearing, mentions of fucking, really just vile pig shit.

synopsis… suguru and satoru have a lovely chat over a warm summers breeze. oh! and sweet, un-expecting, vulnerable you is the topic of discussion.

a word from the creator… idk if i mentioned this but this fic is based loosely off the movie cruel intentions! banger film, check it out. i wrote a lot of this chapter awhile ago so if the writing style switches up next chapter don’t sue me. i’m excited!!!! here’s to the next eleven chapters of hell

series masterlist

Gojo hates the heat. He thinks he's tolerated it before on his father’s yacht or when he did an unnecessary shirtless carwash for extra money he didn't need; but right now with the breeze through the window— that Suguru demanded be open— overbearing the air conditioner, he's absolutely positive that summer is the worst.

“Start of the year’s comin’, yknow.” He typically broke the silence— as if he could ever shut up to begin with— and he was almost always met with a:

“No shit.” strident response. Those seemed to be Suguru’s speciality, and provoking them seemed to be Satoru’s.

It’s too hot. His white hair presses into the drywall, feeling much cooler than the air outside. “I’m not stupid, Suguru. Neither are you, you know what I mean.” It’s an overdramatic sigh— a call for attention— as he turns his head over to look at him.

“They’re gonna ask us about it soon.” And, in some way Suguru can’t really comprehend, Gojo sounds excited.

His manner isn’t necessarily wrong, not so much as it is unexpected. The ‘new year, new fuck’ competition of Azabu was practically famous among the young men certain to attend— the sons of the sons who started it, and all their nephews or cousins or any synonym for a pig of a relative that they could come up with. And, luckily enough, they had the privilege to be top candidates.

The competition was started by the current dean’s uncle, a horny fuck-all type who would take any and all excuse to boost his ego while tearing down a girls— or maybe he really did just want a good lay. But, it grew and grew and grew, and now it was almost ritualistic, a second identity of worthiness in the form of fucking a virgin before anyone else did.

Sure, they were nothing but thrilled for it as high school reached an end, or even the first or second year of university. But now it just seemed dull.

But, traditions are custom, and customs are a necessity. It’s almost become lore throughout their little clique of affluence; whispered stories from childhood turned into real competition after a long wait, especially from a group of people who so rarely have to wait for anything. It’s inspiring, they think, means to associate themselves with a lower class; normalize themselves just a little more.

Alumni share stories at functions, putting the frat in fraternizing, nonchalance on the tips of their tongues. Sometimes the tone almost feels dark, and Suguru thinks if he were a better person he’d feel some type of sympathy for the girls. Any fragment of empathy he had wiped away when he won for the first time, though, wide smirk as his year mates glared at him; memories of the tight, albeit idiotic, girl engrained behind the lids of his eyes.

Even so, it gets old quick. And it’s not like they don’t fuck dumb, stupid, silly girls with nothing to say for the rest of the year anyway. So, he can’t quite figure out what Gojo is all too excited about.

“Well try to make sure your dick doesn’t get hard from the thought, you fucking freak.” There’s a giggle from the other man, a scoff too, and he pushes his hand out at him.

This is crucial. This is who they are together. A pair— whether it’s a pair of awful men or not.

There’s also a sense of trepidation that comes with it, of course. It’s exclusive, more so than they already are, and if you do one thing wrong- speak a little too loud, come off too brash, give a lackluster lie after actually getting caught— you’re out. And whose pride would want that?

“It’s stupid we always gotta wait for them to sit us down, it’s not like we don’t know what’s coming up.” He scoffs, arms crossing over his chest. “Plus, what a fucking weird thing to say to your kid.”

“I mean the whole thing’s odd if you think about it.” Gojo shrugs, hands stuffed in his pockets, forearms bare against the linen of his trousers.

He’s right, of course. Even if neither of them feel guilt for their actions, they can’t ignore the sinking feeling in their stomach when their own fathers sit them down and incite such a twisted view on them.

Be that as it may, it’s not too bad when that’s all they know, and it’s not like either of them are going to complain at a quick orgasm, a nice pair of tits, and that goddamn feeling of triumph.

“Do you think they’ll cry again?” Satoru mocks, brimming with glee as he leans in the direction of his friend. “It’s always funny, dontcha think?”

“As if you’d know,” There’s a smirk despite the aggression in his tone. “Dunno why it matters so much to you, you already got bitches babbling about you all the time.”

Gojo sighs, expression bored and childish and fucking greedy. “Yeah, I know but…” His voice peters out, lost in the room. Elation bubbles back into his features, warming his cheeks and animating his eyes as he looks at Suguru.

“Yknow, I heard the dean has a daughter starting, actually. Real sweet gal, even wrote a whole fucking magazine article about the importance of ‘saving your innocence’” his voice wobbles, eyes rolling as he sneers. “for someone you really love.”

“Sounds like she’s ugly.”

“Thought so, too, but..” He trails off, hand fishing in his back pocket for his phone, pupils dilating at the light on his screen. It doesn’t take him long to find the photo; clearly he’s been sitting on his discovery for awhile, anticipating when he could tell him. “Look.”

Suguru doesn’t like to be wrong, much less will he ever admit it. “Holy shit.” You aren’t necessarily the prettiest girl he’s ever seen, probably not even the prettiest he’s seen in the last month, but you were definitely something.

Maybe it was the curve of your jaw or the tint in your lips, but the photo set something off in him. On the surface he thinks it’s the just barely explicit face you’re making in your mirror, phone in hand as you look into your lens, but really, honestly, if he’s searching deep down— it’s the fact he knows you’re the one girl who wouldn’t just throw herself on him if he so kindly asked.

“Sugu, are you ever bored of this? It feels too easy, right?” Suddenly Gojo’s previous excitement feels misplaced, voice itching for more. “Hardest part about it is finding out who’s actually a virgin or not, and that’s pretty simple with how awkward they get.”

“What are you saying?” Maybe he already knows, maybe he’s hoping for the obvious, but he asks like he doesn’t care. The former moves fast, hand steady on the desk as he leans far too close for comfort. In any other situation, he’d probably be met with a harsh jab to the face, but this feels different— secret.

“Let’s do something, on our own, just you and me.” He almost seems too impatient, pressure digging into the ground from the toes of his shoes and gaze begging. It was the kind of thing that made you want to agree, if nothing else to just feel a fraction of the way he seemed to be. Before Suguru could even consider the idea, test the waters and make Gojo beg a little bit, said boy opened his mouth again.

“I mean, unless you’re not up for it. You don’t really seem like the type to make a girl give it up for love.” He snickers, raising the back of his hand to his forehead as he feigns swooning.

“Geto, I— I love you.” His voice is high, wheezy in his imitation and a little rude. “I think.. I think I’m ready- I want it to be you.” He cuts himself off with his own laugh, hand circling over his mouth to try to stifle himself. “Could you imagine?”

“The fuck does that mean?!”

“Cmon, Suguru, you’re not really the endearing type.” He’s edging him now, tone manipulative and pressing and snarky and Suguru knows— of course he knows, but it can’t help but irk him.

“What are you thinking?” And now Gojo’s beaming again, feet guiding him back across the room to his bag, books stacked neatly inside, lying even against each other. He pulls out a magazine and tosses it to him haphazardly before he reaches back for a notebook and a pen.

“Page 36, read it.” The article is cheesy. It’s too long and feels like something right off a self care Facebook page. Suguru is sure he physically recoiled a couple times reading it; especially when you wrote ‘Virginity is a miracle— the ability to show someone how much you love them in such an intimate way should be saved for someone special.’.

It’s shocking that you’re the daughter of the man who oversees their little sex game.

Suguru thinks you’re vile— embarrassing and pathetic and a huge fucking waste of what seems like a really good pair of blowjob eyes. It makes his skin crawl and he verbally scoffs when he reads your finishing sentence about cherishing your virtues, so focused on the arrogance in your punctuation that he doesn’t even hear Gojo’s laugh.

“Pretentious as shit, right?” He snorts, eyes flickered as he recites the passage in his head. “It’s gonna feel so good to fuck the words right out of her mouth.” Suguru didn’t know what he expected from his friend, but it wasn’t that. It’s clear through, through and through, that he’s dedicated to the idea.

“I mean sure, I guess you’ll have your turn. Maybe she’ll fuck just about anyone after I win.”

“Wait, so you’re in?”

“Whatever.”

“Fuck yeah!” He’s joyful, fist pumping into his chest in a quick celebration before he’s holding up his notebook, standing directly across the floor from the desk.

The wood is dark, deep and marbled, glazed over the top and lined with little symbols of power in the form of trophies. It’s clearly something too nice to serve as a welcome mat, but nonetheless Suguru rests his heels on the surface, ankles crossed over each other as he leans back in his chair. His eyes point to the ceiling to look at anything other than the annoyance in front of him.

“Well clearly we need to set up some rules.” He sneers in his seat when he remembers not looking at him won’t make him shut up.

“Okay well we have the obvious: whoever fucks first wins. And I mean fucks, none of that sloppy anal shit. Doesn’t count.” It’s almost funny, but neither of them acknowledge it. If they do, that’ll come hand in hand with the fact they’re acting just like their fathers.

“She has to be sober.” He didn’t really expect himself to say that, but he did expect Satoru to whine.

Gojo lets it sit in the air for a second before he nods curtly and jots something done.

“Would it be too cocky to say she has to cum?” The journal’s away from his face now and someone could, and probably would, argue that the walls are lucky to see the boyish grin he’s got. His smirk pulls up at the corners of his lips, but Suguru just finds it vexing. Gojo is far too full of himself, he thinks, and he hates to admit there’s good reason.

Nonetheless, he has to give him a little shit. “Do they normally not with you?”

“Hey! That’s not what I meant, asshole.” There’s something sweet to Satoru, under all the sickening that is his personality. It makes people understand just why girls fall for him, and definitely helps him keep a good image to the public.

And there’s something smart to him that makes you feel like he could really pull whatever he wanted off. It makes the idea of competing with just him much more appealing.

“Are we gonna have like a— fuck I don’t know— like a time limit?”

“Fuck is this? A video game?”

“I mean no, but competition wise if it takes us like half a year isn’t that kind of stupid? Because who’s to say she won’t ‘really love you’ by then, and then you’re not making her go against anything, yknow?” And there's also something meticulous about him that makes him aggravating as all hell.

“Fine. A month.”

“Just a month?”

“Yeah, you’re right. Plus, anything longer than that and we’d just be a couple of fucking losers chasing after a bitch.” Suguru knows Gojo is giving him a look without even seeing it, the slightly judgmental and almost kind one he does. “What? You’re the one who said it to begin with.”

“Yeah, okay, whatever. A month.” It’s silent for a second, comfortable with all their years of each other, before he clears his throat.

“That it then?” Maybe they’re the same kind of evil. Maybe they deserve each other.

“One more, actually.” There’s that feeling from him again, the tone that makes Suguru want to agree aimlessly for no fucking reason other than the possible rush. And before he can fester; before his skin can start to crawl and his hands can get clammy just from that sheer desire in his voice, Gojo grins.

“You need proof. And I don’t mean her saying it, because you can bribe anyone into saying anything. Gotta show it, photo or video or something, balls deep or whatever the fuck.” That almost makes Suguru laugh.

“I don’t think she’s gonna go for that one, no matter how good the dick is.”

“She doesn’t have to know.” Now he’s really thrilled. He doesn’t know what it is, but that lights something in him, stirs in his stomach and causes a little quiver in his brow.

“Fuck yeah, man,” he’s really laughing now, pointing at the journal harshly. “write that shit down.”

There’s something unspoken over them now, a deeper bond than they thought they could have. Neither of them would ever admit it, but it feels like they’re those two high schoolers again, counting down til they can become something fucking great. This is the feeling they’re supposed to get from their fathers’ stupid fucking contest. This is actual competition, a chance to actually win.

A new air falls on them, mixed back in with that warm, rich breeze.

“Okay, that settles that then.” Gojo offers, fingers tapping the binding of his book. “She has to be attending the start of the year banquet so that’ll be an excuse to meet her. Everything from then on is up to us.” Suguru always dreaded that shitty event, but now he finds himself doing mental math to count how far away it is.

Even if the whole thing is trivial, and even if you seem like the most uptight thing ever, Suguru is a man of pride. And prideful he’ll be.

“We still gotta do the ‘new year’ thing, you know. They’ll burst a fucking artery if we say we’re not interested.” His voice is gravelly and calm and so not anything he’s feeling, but he thinks Gojo buys it when he chuckles.

“Can you be excommunicated from being a womanizer? Because I think we would be.” They’re almost joking like everything is normal. It’s different, so much different, but they’re acting the same.

“I’m gonna go grab some water and maybe call one of your maids to make lunch, you want anything?” Suguru shakes his head, shifting in his seat as he tries his hardest not to look at the journal Satoru set on the side table.

“Suit yourself, I’ll be back.”

“Whatever,” He waits after Gojo walks out. Waits a good forty five seconds before he stands up, and he crosses the room in about three.

He glances over at the thrown aside notebook, eyes quick as he scans it. The handwriting is adjacent to messy, scattered and the page is littered with semi vulgar doodles and side bars. It’s coherent, though, and even though they both know Gojo had no intention of giving it to him, it’s got his signature at the bottom.

1. Full fucking!! Penis in vagina

2. No signs of being inebriated. Absolutely stone cold sober

3. If it takes longer than a month after everyone is introduced we’re both “a couple of fucking losers” (< Sugu’s words)

4. Orgasms are important ! Or at least near orgasms (she is a virgin)

5. Photo / video proof. If you can’t get it, you aren’t in it (haha! get it?)

He snickers at four, the uneasy tone in the second sentence almost self deprecating. Despite that, he can’t help but feel a smidge of respect that he ended up adding it to begin with.

He grabs the pen from the table, pressing into the paper too hard as he leaves his chicken scratch of a John Hancock. Okay, maybe this will be fun.

taglist… @moonlight-pearls @sharkerino @echerie

[mono-dot-jpeg]

three hot professors - jayce, viktor

summary; a story about the three hot professors who work at piltover university

genre/extra tags; oneshot, comedy, fluff, modern au, piltover zaun kind of exists, but it's more like good side of town and bad side of town kind of, started this idea at 3am, some sexual themes, i say some but i literally write moments of the sex, jayce viktor and reader are in fact the hot professors, everyone wants you three but they cant have yall ‼️, viktor FUCKS and im tired of pretending he leans sub, I SWEAR I LOVE JAYCE BUT IM SO ASS AT WRITING HIM, SORRY JAYCE ENJOYERS </3 HIS PART IS SO SHORT, reader is implied to wear some type of makeup but during sex mostly

[nsfw] [gender neutral! reader]

[warnings and mentions: oral, everyone is a switch, dom leaning! viktor, sub leaning! jayce, vers! reader, sex toy, viktor grabs ass in public /hj, mean viktor (i say mean viktor but im so bad at writing mean), hickeys, lipstick... kink??? marking kink?? idk how to warn this correctly, degradation??? , praise, pet nicknames (puppy, good boy, etc.), somehow no p in v involved or p in ass. can you tell i dont write smut]

word count; 1.01k

a/n; i got a little horny seeing some fine fan art of them as professors. like what else do i have to say. i can't stop minors from reading this, but i cant say i didn't warn them. also this is kind of not my first time writing nsfw, but as a neutral feeling towards sex asexual, it's always a little awkward for me to write for stuff like this. so if it's like kind of odd, im blaming it on that and not my questionable writing skills. HAPPY 2K FOLLOWERS LMAOAOAO this is my celebration post /j

everyone in piltover knows about the staff of their prestigious university. it's kind of common sense as the university is the pinnacle of everything.

but the interest of the professors was usually the highest. whether it was because of how good they were in terms of teaching.. or how hot they were.

some liked mr. talis. jayce talis. a man who had an affinity to connect with his students and guide them forward. he was lovely as a professor or a person. he was definitely the golden man that people looked up to as he was an alumni.

the man of progress, the teacher for the people. that was jayce talis.

he was strong, sweet, compassionate. he was built strong but he was humble. he had so much love in his heart. he was a little gullible at times but he was loved by you and viktor all the same. you both teased him everyday and he never got mad. he was truly a golden retriever at heart.

he was always excited every time either of you entered his office, even if it was to make him so needy and scrambled until the day ended. most students don't exactly know where those new lipstick marks on his neck come from but some can see the leftover lipstick on your face as you wipe it off with a satisfied grin.

"isn't he so pretty like this?" viktor hums, his bad leg rests over the shoulder of the larger male. "he's- ngh.. so eager. so desperate. ah.."

"he's so good for us, vik." your hand gently guides jayce to keep going down on viktor, soon trailing up on viktor's inner thigh with a sensitive touch that has the male shivering at your nails. "he's making you shake, love. you see that, jayce? you're such a good boy." you praise. viktor loved and hated when you both ganged up on him like this.

his pale hand wraps to hold the back of your neck before he dives right to littering your neck with hickeys and wet kisses. his free hand cups your waist, tugging you closer to let him comfortably attack your neck like a hungry vampire. you give viktor your fair share of kisses, your lipstick stains viktor's face and neck. it would definitely take more than a few makeup wipes to take it off of him. or maybe he would leave some stains behind. it must be known that he clearly belongs to you.

jayce pauses when he realizes he's not getting the attention he wants. he whines into viktor's thigh, looking up at the man with pleading puppy eyes. viktor looks down with a mischievous glint in his eye. "our dear puppy wants attention.. perhaps we shall give him what he so desires..?"

you look down at jayce with a much softer look, hand cupping his face so gently as he leans into your touch. his face was wet from taking viktor's cock in his mouth.

"please," he begs as he moves to crowd your lap, tugging at your delicate lingerie. his heated breath hits your thighs as you let out a breathy sigh. "i want you and viktor..."

"look at him, love. how can you deny such a look?"

it was no secret that you, viktor, and jayce were the faces of piltover university. viktor, being sharp faced and sculpted with love, you really could trace over his body for hours and admire every part of him. it totally wasn't the innate artist in you, drooling over how he was just so utterly paintable. he could've been in a renaissance painting and no one would bat an eye.

viktor was a beautiful man. he was intelligent, passionate, caring, mischievous.. oh, he was just something unreal. he never let his body stop him from helping others when he could or teasing you and jayce when he felt like it.

he'd never say it outloud but you and jayce know that he just loves to play around. play doesn't seem like the right word when he subtly brushes his hand to grip at your ass in the middle of a university wide event where all the students and teachers were gathered around.

or when he uses his cane to hook jayce around the waist and nearly tug him to sit onto his good leg and be the sweet lapdog jayce always was for viktor. sometimes he also grabs at jayce's ass because you don't give him the cute yelp that jayce does whenever he gets teased by either of you.

he was as beautiful as he was domineering when it came to you and jayce.

"vik- viktor- please.." your voice is weak and breathless as you squirm against jayce's hold. his body pressed around your back as he gives you the soft affection while viktor ruins your body. his skinny hands tease and trace at your wet body, one hand holds a small vibrator before pressing it against the edges of your hole. he teases your body relentlessly with a sly grin on his face.

"viktor? i don't think we agreed on calling me that this time around, sweetheart. you don't want to be a bad sweetheart, yes?" as he continues to tease you, the vibrator almost slides right into your needy hole with how wet it was. it makes viktor chuckle lowly, "sweetheart.. answer me properly.."

"s-sir.. please let me cum.."

"i don't know.. should we let them?" viktor asked jayce as if pushing him to be a little mean to you as well. "they're all ready to cum without us even entering them." viktor tugs the vibrator wire away, leaving you to whine and crumble in jayce's arms as you beg incoherently.

jayce looks at your tear stained face and he can't help the need to tease you and ruin you the way viktor does. "i think we should teach them how to cum with only our cocks." you can feel a heavy familiar warmth that rests on your lower body and upper thigh. you're about to be taught a real lesson.

[lesbianherald]

hiii I’m curious : what’s your process for creating your stories? like character development, plotting, creating arcs, etc?

thank you for asking !!! i'm going to get way longer and more thorough about this than necessary I feel it in my bones so I'm going to read more this now (I included a few tidbits from my miro board for carry the blade :) )

it's such a mixed bag ! part of this is my adhd lmao, and part of it is because, genuinely, I think each story needs something different.

almost ALWAYS (with one rare exception of a sci/fi fantasy world I've been building for years) I start with character, especially in original work. Because character is everything it's who we're following it's what the audience/readership will grab onto. Usually I have a basic premise and setting already there, but I don't build on it until I get to know who we're dealing with in the story. And then after building up the premise, setting, and plot I do even more character work after.

sometimes.... sometimes I get really impatient to start and start writing half way through the planning process. But anyways.

so I come up with character. do the basics. think about what their deal is. What is the journey they need to have, the lesson they need to learn, what themes and emotions do I want to explore with this character? Why is she important to me? Why will she be important to others?

I also think a lot about relationships

i just wrote a coming of age dramatic comedy for instance, and for that one, I broke up the story into my protagonists relationships. Wrote out the arc/story of each relationship and then combined each of these arcs into the key points that made up the film. Each relationship I wanted to be relevant to her grieving process, as she had just lost her mother. IDK if that makes sense. I wish I could show you but unfortunately I cannot.

for fic its honestly similar, but we already know character, so I usually ask what about this character/these characters am I most excited to explore.

that being said, coming home came to me in the idea for what they'd be like in modern day, and then a single idea for a single scene - their first kiss in the lab. I wrote that first, then asked myself what the context I wanted to give it was. Of course, I changed it a little once I actually got to writing and fleshing out chapter eight.

but this fantasy fic i'm writing is a fun example. I'm building out a lot. I'm building out characters, the world, the themes. - using visuals to help me kind of guide myself.

but because I have adhd and get impatient. I am outlining throughout this process to keep myself entertained. perhaps ideally you'd figure out everything first then outline then write but my brain just doesn't work that way.

in fics, especially, the relationship is so important that I really like to see how the obstacles they face, both due to their own psychology and internal pressures, can reflect the themes, create tension, etc.

but i also like to reflect on side characters too - their motivations and desires. So they don't just become like - flat little reflections of the central love story.

Finally, and this i learned from acting theory mostly - but I love it - is in each scene I like to think of what each character wants, what they are going to do to try and get that, and why they want it. In this fic, wants are something I also look at from a chapter by chapter basis.

side note - and i'm only saying this this far down so hopefully not too may people will see it - but I do have a secret subplot going on throughout the first half of this story that the audience doesn't know about.

in order to make this work I've been mapping out everything going on behind the scenes, and making sure they pair up well with events that people reading will see. it helps me plant little hints and seeds while hopefully not giving too much away (secret subplot in blue, actual story in red)

sorry i know this is such a ramble I just took my meds and had a double shot of expresso so I am buzzing right now lmao! Obviously I'm not the expert and there's not only one way. And also it really is so different for me every time. It's important to think about what the story actually calls for !

[swiftfootedachilles]

honestly i was so mad when i watched that orgy scene in s11 and at the whole monogamy situation bc wdym they're not already monogamous without having to talk about it? as if they're not borderline obsessed with each other and also jealous asf and they constantly was being pulled apart from each other through the whole show, how can ian or mickey want somebody else after all shit they went through? i just hope that they didn't actually fuck anyone and just banged in the bathroom or smth😭also when i see fics with gallavich/omc? 💀 saw this from a popular writer and i was like hell nah im not reading ts

no for fucking real those 2 are the most jealous men to ever walk the planet

on one hand i get it. they both had insecurities that made them feel like the other wouldnt want to only sleep with them for the rest of their lives. ian is the only guy mickey canonically dates and has sex with multiple times. mickey felt like ian would eventually leave him like he had in the past also multiple times.

so in the first episode the monagamy conversation seemed normal to me. they literally both specifically say "i dont want you to fuck anyone else" and mickey was obviously just waiting to see ians answer because he wanted to do whatever ian wanted. if he did write down "open relationship," it wouldve been because he thought thats what ian wanted. personally i think he didnt write anything down because he was still trying to grasp the concept of him and ian being a "normal" married couple that communicated heathily and didnt run away and flirt with/fuck other people when they got scared.... plus he actually cant spell monogamy hes a dyslexic with an 8th grade education

so that episode was fine on its own. if they wouldve left it at that, it wouldve been a silly cute moment in their bumpy marriage. but then the writers had to make that stupid ass orgy episode. first of all why the shit would they NEED to be friends with other gay men, and WHY ARE THE ONLY OPTIONS TO EITHER BE THEIR FRIENDS OR FUCK THEM??? IT LITERALLY MAKES NO SENSE. DID THEY NOT JUST DECIDE IN EPISODE ONE THAT THEY WERE GONNA BE MONOGAMOUS?

i actually cannot stand how the writers (and the fandom by extension) cant let gay characters have their boundaries and be left alone. why the fuck do they have to be open to straight sex and orgies and nonmonogamy and being verse WHY CANT GAY PEOPLE HAVE BOUNDARIES. CAN YOU IMAGINE IF THERE WAS RANDOMLY A SCENE IN SEASON 11 WHERE TAMI ASKED LIP 'HOW DO YOU KNOW YOURE STRAIGHT IF YOUVE NEVER GOT FUCKED IN THE ASS BY A GUY?' AND THEN HE ACTUALLY WENT OUT AND DID IT??? YOU CANT IMAGINE IT BECAUSE IT WOULD NEVER HAPPEN THEY ONLY DO THIS SHIT WITH GAY CHARACTERS!!!!

the inability to understand that gay people can also have preferences and hard limits actually blows my mind. and if you dont like it youre somehow a prude or dont understand the characters. actually i fear i understand the characters more than the writers do.

and im okay with showing characters experiment! but its very telling that in Shameless, it only happens with queer characters who are pretty fucking firm in their sexual identity and boundaries. why did debbie have to fuck a gay guy in season 11. why do ian and mickey have to be verse why do ian and mickey have to be polyamorous. why did ian have to fuck a woman to "truly know" hes gay. why did svetlana have to all but announce shes a lesbian but still date kev instead of just date vee. why does this only happen to gay characters!!!

the trope of queer men specifically being easy and dtf is why the AIDS crisis was so deadly. because queer men are so open to sharing sex fantasies and sharing partners and sharing needles, right? its just a gay problem, and its better for all of us if theyre dead anyway, so lets ignore it until it goes away

maybe not every queer man needs to be written as a polyamorous verse switch bisexual-under-the-right-circumstances only-married-for-tax-reasons-not-because-they-love-their-life-partner idk! this is a haters only area so if you dont like me hating why are you here⁉️

[frenchkanna1808]

Why chapter 3 was a enormous let down and the possible negative impact it might have on the rest of the game

I remember after finishing chapter three one how exicted I was, how deeply impressed I was with the banquet and the qtaro development. And I mean I wasn't the only one, again and again I had seen so much praise about chapter three and how awesome it was. How great midori was as a villain (my like idk how many words analysis about him is very much explicit of that), How amazing qtaro development was, and mainly how great the banquet was, and I had seen the claim around that 3-1 was as great or even better than 2-2. And so I had decided after the hype fell down a little to play yttd again with friends, and that when I realized, god , wait, chapter three is like, extremely mid. I played the entire chapter 1a and it only got to the heights of 1b. I at first couldn’t tell what was wrong with the game, why did it feel so disappointing? And after a while I have finally looked back at the chapter, and yes this chapter is not only extremely lackluster but also a very bad prediction for the future of yttd if 3-2 is written the same. So here in this long french analysis I will discuss the main problem of chapter three the absolute shit characterization of almost all the characters. But also the destruction of emotion route and the crazy pacing

Hi like always, I’m frenchgremlim, I’m the french kanna fan I write stupid essays on yttd from time to time, this one will be compared to some of my others quite negative. But I will try as hard as possible to be an objective critic. This isnt meant to attack any fan of any character no any fan of yttd 3-2, I just want to discuss a possible problem in yttd writing that personally scares me for the future, this topic was one I brought up a lot in many post, if you have seen any of them then well you will already know some of my grievances with chapter 3. So with all my love thank you for reading this, lets start!

THE GOOD STUFF

Chapter Three 1 definitely has many great points. First off, the plot progression is pretty great, we get ton of infos on asunaro, on ways to escape and clues about the hades incident. Midori was a blast and bullying him became my favorite pastime. The dummies were an amazing concept (remember the word concept it will be important for the rest). Despite me disliking ranmaru deepy his development was interresting. THE QTARO DEVELOPMENT WAS CRAZY GOOD, for the first time I got to be justified for being a qtaro fan since chapter 2. Keiji had ton of development in this chapter??? that is very rare considering how much of a stable character he is troughout the game, his relationship with sara is really highlighted and I think thats great. Gin stays the most consistent character in yttd and despite normally being something I dislike in a game I think it makes sense considering gin is pretty much sara anchor in reality in both routes. The obstructors were an amazing idea and I think, adding new mechanics like that truly freshen up the game. Also shin ai is litteraly one of the best idea ever and maple too. And of course the banquet was a thrilling nerve wrecking experience with so many twist and turns that truly got your blood pumping……. Thats my praise for chapter three, the thing that doesn’t make it outright bad but correct. See how I mentioned a few characters by name, but not all, you can pretty much count any of the other either barely present or useless to the narrative. Which will lead me to my first point, the absolute character waste that genuinely every single yttd character going from the least worst to the worst (if you know me you know who will be last).

AN ENSEMBLE CAST IS AN ENSEMBLE NOT SARA AND HER MINIONS NANKIDAI

MAI AND KURUMADA

okay so I will start with them because funny enough new characters have better characterization, than actual character we knew since chapter 1. If I had a word to describe both ami and kurumada it would be good but lacking. Let’s start with mai, I think mai concept of her starting has a sort of traitor and then becoming a true ally is very good, same for kurumada startinga s a heartless asshole only caring about himself to him literally on the ground crying that keiji doesn’t cause the doom of the other dummies. Overall Mai and Kurumada have the strongest character out of all the dumies and are truly multi layered characters. Mai is depicted as a fake idol like girl who hides herself behing the pop like smilling persona (inverse of shin) to hide the fact that she is terrified but can also be a cunning manipulative person too. She truly wants the best for others but is terrified that she might die and would do anything to survive. Kurumada is a brute, he acts like a bully toward the others, act heartless and values himself over others, he has a sort of superiority complex and rejects affection. But trough the power of the bucket, kurumada starts to warm up, and he starts truly caring about the others. He starts devaluing his life after getting destroyed by maple. But in the end he was the only one of the surviving dummies wishing not to be brought back but avenged. Both have interesting dynamic with their pairs and overall importance on the narrative, something that can’t be said about all dummies. Why lacking then. I think kurumada and mai still suffer from what I will call the dummies problem, they feel like there is so much like missed potential its crazy. Seriously we had like one scene where kurumada learns to warm up to kanna, thats it, it feels like we had the basics but it was very rushed. Which is a shame considering THIS IS THE THING THAT MAKES KURUMADA CHANGE AS A PERSON. Mai has less of this problem I think, but still she has no relationship with like anyone in the group except qtaro ( I still think in logic route we should have had the obvious parralele between her actions and like keiji/shin actions it feels like wasted potential) But again this is a flaw that is ommitable since reminder the characters are well written despite being rushed. What isnt forgivable is that kurumada has no relationship at all with shin in logic route, its clear that nankidai envisioned emotion route kurumada before logic route kurumada. Overall I think the pairing system was terribly done for some characters, which is apart of the overrall dummies syndrome.

But lets take a look at the other dummies where my praise will quickly end.

ANZU AND HAYASAKA:

I am deeply sorry for anyone who is a fan of those characters, but I need to be objective, anzu and hayasaka are the most nonexistent characters in yttd. I complain about the lack of kanna content, but the absolute uselessness of those two is crazy disappointing. Remember how I described mai and kurumada, full rich descriptions, what is anzu character. She is a dumb clown girl, thats it there is nothing more. And the problem isnt that she is a simple character on paper, because for example mishima is quite a simple character, its how nankidai decided to utilize them. Lets start with anzu because I think she shows off well the problem, what does anzu do during the narrative, when is she useful, not even like talking about like puzzles or stuff like that kanna also doesn’t help that much, I mean overrall, what is the goal of this character. A character can be a bit flater personaility wise but he has to HAVE A REASON TO EXIST EXCEPT FILLING IN THE BLANKS.

Why was she paired with the yabusames, because reminder all the dummies were paired with a human for a reason, sara with ranmaru because of joe, keiji and hinako because they are edgy emo dyed hair dodgy person, kurumada with greenbling because he has one of the highest percentages while they have some of the lowest, hayasaka because he is similar to mishima with gin. Anzu was paired up with the yabusame, because she had to be paired up with someone, she has NO relationship with them, isnt a contrast isnt anything. My problem with anzu is that she is a a boring character because they did NOTHING WITH HER, she feels like an C rated anime girl in the fucking cast of death note. And no I’m not saying a nice person is boring not at all kanna is my favourite character of fiction, what I’m saying Is that creating just a nice girl is a problem. If we go to hayasaka its the same, which is even worse because hayasaka IS TIED TO THE NARRATIVE. I would say haysaka is more plot interresting but his personality is so boring that it doesn’t help at all. He is just clone non chad mishima. They can die and it will genuinely almost affect nothing at all(which is also a problem the death problem). You get surprised when they actually talk because you had forgotten they existed. Thats how I will define the dummies problem, it feels like the characters were added but had very limited impact in the end, because while it makes sense for asunaro it doesn’t make sense for the cast, why add characters if they have no meaning, thats just bad writing.And why does that piss me off, because you could have done so much more. Remember the mishima comparaison? Mishima is the most good guy ever made but how does he shine, by his interractions, he is a light of joy and good and shines from how kind he is towards others. He’s a bit silly but his unwaring kindness and undertsanding is what makes him a compelling character. Especially I contrast with brooding characters in the cast. ANZU COULD HAVE BEEN THAT. I think especially in logic route, anzu isnt the brightest light bulb, but she can shine in her unwaring compassion, her passion is making others laugh as a clown. While she isnt the best and can sound awkard she tries her best for others, because thats whats right to do, despite how much she is scared. After keiji gets coffined, anzu goes to see keiji in the coffin and tries to cheer him up with the worst joke ever and it makes him truly laughs from how bad it is. Reko see nao painting and gets depressed about it,feeling like she was able to save nobody whether her brother or lover, anzu decides to show her some epic clown skills and absolutely fails, reko laughs finding the kiddo endearing. After alice discovers that midori had hanged out with reko, he wants to destroy him and get filled with rage but anzu tells him to do the breathing exercises she used to do before any performance. Anzu could be used as this idea of childlike kindness a little light in the dark of the group especially in logic route. She can still be a fail girl clown make her bicker with kurumada more, make her be so impressed by how calm mai is, make her despize ranmaru in logic route, make her a dumb kid with tehir cool aunt/uncle with the yabusames. MAKE HER EXIST. SAME FOR HAYASAKA, hayasaka is supposed to be a straight man type character make him even more of a loser, make him silently judge the crazy ass people he is with, do his development litteraly not Five minutes before his death. A character being simple isnt a problem, what is a problem is not using them to their fullest, and for me in the state that they are in currently anzu and hayasaka are bad characters in term of the narrative.

SHIN

Okay so shin isnt a character in chapter three, he’s just there, I’m putting that low because he is a main character. The problem with shin being a bot, is that we just left one of the craziest chapters for him to do nothing, I understand him being stunned by midori and stuff. But I still think this is quite a letdown, especially for the obvious parralels between him and maple almost never being utilized. You can tell nankidai didn’t have the time or want to do much with the guy, which is bonkers considering THIS IS THE CHAPTER WE MEET HIS ABUSER. Then why isnt shin lower? Because shin is the type of character to have development throughout the story, who has a continuous storyline etc, which means that even though he didn’t get anything special this chapter next chapter he will get it. Its not a case of actual waste of character ,its more so, putting the character in the drawer for now. I am not scared for shin writing because he will always get something and always had something. Which makes is non importance in chapter 3-1 not that bad

KANNA

OKAY SO I WILL TRY TO NOT BE BIASED. Kanna characterization disappointing me In 3-1. As the biggest kanna fan, I think nankidai doesn’t care that much about her character as an actual protagonist. This one will be a bit longer but to explain why it was bad I need to do some sidenotes.

Sara is the protagonist of yttd, and keiji and gin are deutarogonist (idk how its written forgive me I’m french, please tell me if its badly written). Sara throughout the story goes trough many changes and developments, while characters like gin and keiji stay pretty much the same the whole story before 3-1. Sara main development is her living with the grief of losing joe and her importance in the group. While keiji is this morally grey, in the end bad person because of his actions guy, that still deeply cares and wants the best for sara, but what he does for her like putting so much responsibility isnt good for her in the end, it creates this codependent dynamic where keiji wishes to protect sara but in the teaches her how to be like him despite him wishing the inverse. Is keiji a good influence? A bad one ? I would say a bad one, but does he care for her? He sures do, and would do anything to protect her. Why am I going a tangent you might say, because shin and kanna are the mirror to keiji and sara. They are in the end the same. Kanna is a direct parralel to sara story wise, which is why I think if the story was twisted the point of view would be either shin or kanna. Kanna is the emotional core of the game, the soul I would say even, her development has a character is the deepest and most complex. Going trough hell, wishing to die to then deciding to live not herself yet but for the people that loved her, Kanna went trough some of the worst events out of the cast, litteraly everyone she even remotely liked or was friends with dies. And yet she decided to stand, for them, for their wishes, that makes kanna the most emotionally strong character in all of yttd. Because compared to sara she had almost no help and was left to her suicidal tendencies. Kanna represents hope and bravery in its purest sense. Thats why kanna is the soul of yttd, she litteraly made shin realised that he could care about others again. But despite all of that kanna was always in the shadow of someone, lacking self worth and self confidence feeling the need to be protected by others, hiding behind shin schemes despite how dodgy they were. Shin was her shield, and now he is gone, and kanna has never been more alone than now. Two people died for her, she hates herself and wishes to go seem them deeply, but she has to stand up for them. And what do we get for chapter three!!!! One scene. Thats fucking it. Okay maybe a little bit more but like god its bad. Kanna is implied in one scene that she doesn’t understand why shin would sacrifice himself for her, which implies that she doesn’t understand that people could love her, which could imply that in general she doesn’t get why either kugie or shin did this for her. COOL ONE IMPLICATION. And like if you read the scene where she says that she will like be epic for them, its implied that kanna doesn’t feel better and is still very much suicidal she still hates herself, kanna doesn’t think she can live, but she has to survive for them. Kanna is implied to be in survival mode more than having hope to be outside. OKAY COOL.

Now I have a question, why does for kanna we have to acively search for her to have any actual development and like relevance, while for other character its more laid out. Why does sara get a scene where we see her change mentality after seeing the joe ai, while kanna GETS OFF SCREEN DEVELOPMENT. IF THERE IS ANYTHING I HATE ITS OFF SCREEN DEVELOPMENT. WE SHOULDN'T HAVE TO GUESS A REASON A CHARACTER CHANGED. Plus kanna is a victim of this almost all the time, which is why people call her flat or not as interesting as shin (I heavily disagree I could write so many pages about her). Kanna is a character which is made in subtlety, which isnt a problem, what is a problem is that she is perhaps the only one. Kanna like I said is a very important character for both routes and yet she is barely treaten has a main protagonist, she is a sidekick, and thats a problem. Because of that her individuality and complexities are not explored. For example I think kanna has many many actual flaws that are barely treated in the narrative, she is far from a perfect kind person, but never tackled on. Kanna is a character that not only never gets a W but also get no breathing room. THIS IS THE FIRST CHAPTER KANNA IS MORE PROACTIVE AND YET WE DONT SEE HOW HER. Yes there is some things that show that, but again its not protagonist level of development, it feels like non important side character development for a character that shouldn’t be that. Kanna SHOULD be a protagonist of yttd, and should get finally her chance to shine instead of always being in someone shadow. I not making pessimistic claims right now since the last chapter isnt out, but I’m very much not hopeful about how nankidai will handle her #challengewriteafemalecharacterwiththesamerespecthasamaleone.

ALICE AND REKO

I Have already written many post about this, but post chapter 2-1, Nankidai had no idea what to do with yabusames, they havent had any actual interresting impact except from lore in any chapter. They become background character especially after nao death. Despite being actual game changing choice, alice and reko are useless to the narrative. WHY? Because nankidai had decided to get them killed by sheep boy, and since nankidai clearly wrote emotion route before logic route, in emotion route he had no idea what to do with them so the became npc’s. Alice relaionship with cast has not evolved from chapter 1, and reko became just one of sara goons. I think this ties into another problem, the emotion route problem, what should make emotion route compelling the character which is supposed to represent it, kanna and the emotion route based choices, but since kanna and the other yabusame gets zero content, emotion route seems like the least interesting route. Because nankidai was more lazy doing it which is a clear problem. That affects the yabusame heavily, sicne he had no plans with them past death. Thats why they are static. Its also linked to another problem which I will mention later. But yes nankidai simply doesn’t know what to do with them, which is especially worst for alice a character that is LINKED TO THE ENTIRE CHAPTER. I think its not only a waste of alice and reko, but also a sign of favoritism. I think nankidai simply cares less about complex ideas for emotion route, I will perhaps write in another post all he could have written interesting for emotion route. Now lets get into THE REAL STINKER OF THE CHAPTER.

NAO EGOKORO: HOW TO MESS UP THE MESSAGE OF CHARACTER

What. The. Actual.shit. I have no words except from that. This out of every charcater bothers me probably the most and actively pisses me off. Imagine writing a character, a female character who was shown as capable and strong despite being an emotional person, imagine creating a character which showed the defiance of asunaro, the fact that yes despite their overwhelming sense of control and power, that there was in fact a way to beat them at their games, imagine writing a character that fought against adversity and had the only canonical route where despite all their wishes that character won, imagine creating a character with a doomed fate which is in direct parallel to another character and shows why he somewhat has the right to be scarred, imagine writing a tragic story about a girl who was only brought here to suffer and be a tool for the progression of A MAN in the canonical narrative, imagine writing a character who entire existence was a tool for asunaro and died because of them, imagine writing that the floormasters consider her useless and non important because she isnt some holy participants, imagine writing that. Okay so imagine that after this poignant ending you decide to do another chapter where you mention her 1 time in a non essential dialogue. THIS IS INSULTING. Because what this honestly says is that, yes nao life truly was unimportant, we get references to greenbling death in the chapter, NAO DIED LIKE THREE HOURS AGO. THIS MESSES UP THE ENTIRE MESSAGE.

This feels like nao was some kind of rug, that when not needed could be trhown out, was her death just shock value, was that the goal of her character. I wanna remind that yes nao was only brought to boost mishima percentages, which mean she was only a tool for another man progression. THERE IS SO MUCH META POSSIBLE COMMENTARY ON THIS. Asunaro who uses children and women as toys for their own goals, that they will throw out when not needed. But instead the fact that nao was completely forgotten just deepens this idea that yes in fact they were right, she was unimportant, and thst deeply isulting I think. Why does every chapter mishima comes back while we get no mention of nao. Why is there a clear focus in this game about more stereo typically strong stoic figures, isn't this entire game about the conflict between emotion and logic. Why does characters like kanna and nao representations of the conflict get zero content. Characters like kanna and nao MATTER, they are perhaps some of the only representation of empowerment that people like me can relate. Because I will be truthful, logic route is in fact not the good choice, not in narrative standpoint (logic route is awesome for the narrative for sure), in a moral standpoint, its an extremely good idea of course. But the message of the game is that in the end its wrong, it’s a wrong choice to act or pretend to be an emotionless logic based robot, keiji is in the wrong, shin is in the wrong, midori is in the wrong. Whats the point of a moral dilemma if you don’t talk about it from one side. THEN WHY DOES THE CHARACTERS THAT REPRESENT THE INVERSE GET ZERO CONTENT. I think nao disappearance is not only one of the most disappointing things in all of yttd but genuinely gets me scared for the future of yttd themes.

Now that we finished every character, you may wonder, why, why is this chapter characterization so bad? What even happened? Ill tell you what happened, there is two reason everything went to shit and let me list it here:

THE SARA PROBLEM OR WHY THIS CHAPTER PLOT FOCUS IS ASS .

YTTD chapter three was way more plot focused than any of the chapters I would say, and honestly thats great for the narrative, if only it was done well. Remember my speeches about the characters about how like 60% of the cast is useless to the narrative, characters we know since a while, why do characters have no development, why does the dummies gets jack shit to do etc. Thats because of one thing, this chapter prioritized PLOT over CHARACTERS. And how can I claim this, because most scenes are sara and her doing everything. This chapter wasn't really about her, at all even, yet we have focused more on her reactions to the events that literally any characters. Chapter three at least half of it shouldn't have been sara focused. You might say what are you on about french? I’m gonna explain. I wanna state some example to show my point clearer, the reveal of why non candidates were brought here, why, in the flipping heck is sara the charcter in particular they choose to only know that, to have the big emotional scene, why especially in logic route, why?????? Yes she knew nao, sure thing, yeah she knew kai, but she wasn't the only person that knew them, sara didn’t even like mention nao almost the whole chapter, you want me to buy some emotional ass scene, for a charcter you barely even cared about showing in the narrative. I could think of a million characters who knwing this would flip out and have ACTUAL CHARACTER MOMENTS (kanna, reko, shin when he would learn that they brought kugie only to die which in the end CAUSED KANNA TO BECOME SUICIDAL AND DECIDE TO KILL HERSELF, GIN).

Another example the final scene where sara presses the button to get rid of midori that scene feels so empty, it doesn’t feel like a revenge or anything, midori has no emotional connection or link to sara, it doesn’t feel deserved, why out of everyone of the cast, why is midori getting killed by the person who he hurted the least. It feels like yeah sara the protag so she has to do it, it doesn’t feel cathartic because the characters that deserved the most to get this final bow didn’t get to get it. IM PRETTY SURE ANYONE IN THE ROOM COULD HAVE PRESSED THE BUTTON AND IT WOULD HAVE BEEN MORE EMOTIONALLY DRIVEN. I wanna discuss emotion route sara in particular, sara isnt as interresting as before in emotion route, since now she is healing and is closing her arc, which means that compared to logic route you don’t really have this want to see her arc which make scenes that should have been about other characters feel even more flat. I am not saying we should stop having sara as a protag no no of course, my problem is that we have seen that sara can work as the protag while focusing on other characters drama.

Example chapter 2-1, in 2-1 the focus is on reko and alice, and yet sara still has conflicts for herself, but they don’t seem to overpower the narrative. This intense sara focus destroyed the other characters screen time, and caused a lot of scenes that should hav been more impact to be less impact. Sara story in emotion route should have been the keiji stuff an ranmaru stuff mainly(and the whole logic route sara becoming crazy stuff too), the whole conflict with midori just felt like it was created only for the narrative. NOW I CAN FINNALY COME TO MY POINT. The sara focus was because yttd decided to focus more on the plot progression that character driven story, thats why sara does everything, thats why the characters have overall less to do. And imma be honest I did not come for yttd for the plot, people love yttd because of THE CHARACTERS, why do people play logic route, because they want to see shin evolve and sara too, why do people save kanna to fullfill shin wishes and save a kid they care for, what most people play yttd for is not the plot. YTTD IS A CHARACTERS DRIVEN STORY, characters not character. I genuinely don’t give a flying fuck about the plot if the characters are non existant, a bad plot can be carried by good characters, but a good plot will never carry bad characters. I know we are getting closer to the end, but yttd always had that balance between action and character moments. But I don’t think its only the direction of the story that is faulty. ITS the:

PACING

YTTD CHAPTER THREE PACING, wow we met this new guy midori, WTF REKO DEAD, anyway who cares lets move on. Thats it thats the pacing. THE CHAPTER IS WA TOO FAST. We go trough plot points so quiclky, we randmoly see reko/alice die then nothing, they don’t exist anymore, characters the cast know since the beginning, again for the dummies its logical, in a way, they don’t really know them, plus they are robots. RANDOM AHH REVEAL KANNA AND SHIN ARE ACTUAL SIBLINGS THEN NOTHING, NO MENTION, NO ACTUAL IMPORTANCE TO THE ROUTE, this only felt like this was added in for plot for logic route so that we know in advance that shin and kanna are siblings. The dummies just die at the end of the chapter in five minutes, qtaro dies in five minutes then the chapter ends. How do you want us to feel emotional weight for a character dying if you give us no time, joe death is one of the most viceral death because its slow and painful to watch, while if he died in chpater three he would have just exploed for shock value. Shock value thats how reko and alice death felt like, just that. Sara figuring out the whole participant thing, shock value thats it. The pacing is just horrible in this chapter so much so that I had actually forgotten kanna and shin were revealed to be siblings at the end of my first playtrough

CONCLUSION

I don’t think chapter three was bad per say, half of it was amazing truly, but the other half was incredibly disappointing, the whack characterization, the horrible plot focus and the pacing are terrible. Emotion route suffered the most because of this and I think on an objective standpoint is the worst written route (i’m the biggest emotion route glazer but like I can’t lie on how bad nankidai fumbled). I still love yttd and am full of hope that chapter three two will be the most amazing thing ever made, but I am scared of dissapointement now, I hope nankidai comes back to his roots wirting like chapter 2. If you like loved chapter 3-1 then honestly I wish I was you, I don’t like being dissapointed, I don’t like being let down, I am not critiquing from a place of hatred but from a very passionate fan, I know my opinion is pehaps not one of the most shared but as a fan of yttd for so many years I think we need to open our eyes to flaws. Perhap chapter 3-2 will fix everything I say and I hope so, I hope this post becomes outdated, but if it doesn’t then it would in my eyes truly ruin yttd. It won’t change chapter 2-2 changed my life and that kanna kizuchi saved me from a lot of dark times.I love yttd and i belive in nankidai and that why as a fan we shoudl critic his work

[lenievi]

Jean Valjean had only two thoughts: to hide his name and sanctify his life & escape from men and return to God

but he would sacrifice the first for the second, his safety for his virtue

he could not fire Javert because he would sacrifice his virtue if he fired Javert in that moment. Because Javert was actually right (despite being completely fooled at that time), and Javert was dangerous, and Valjean could make him go, but he couldn't because it wouldn't be right.

and that's literally it imho. Valjean as Madeleine acts with and around Javert (or anyone, really, Javert isn't special, Madeleine doesn't treat him any different than others) in a way that doesn't sacrifice his virtue. He will sacrifice his safety (i.e. Fauchelevent) but not his virtue

You can also see it in this imho:

“Javert, you are a man of honor, and I esteem you. You exaggerate your fault. Moreover, this is [another] offence which concerns me. Javert, you deserve promotion instead of degradation. I wish you to retain your post.” [Hapgood, but I added "another" since it's missing]

He can't punish Javert for being right. He alludes back to Fantine spitting on him. "Madeleine", not anyone or anything else, was wronged and he chose not to punish in both cases.

He might not like Javert; Javert has been troubling him, following him, he's been a danger to him (for almost 5 years), but he wouldn't sacrifice his virtue for Javert, and firing Javert would do that imho (and at that time, it would "soil Madeleine")

Javert, you deserve promotion instead of degradation. = is such a good irony, but it probably went over Javert's head completely. But moreover, that line literally makes no sense in context unless you consider "you are actually right" (and you don't know it; ironic, isn't it?)

---

That's why I like Javert's line from LM 2000 (which might just be taken from somewhere from the book anyway) that goes: [Valjean] goes against order, against law, and against his own interests.

[marimeeko]

*slams door back open and comes back into the room*

Ok you know what, no

You know what also doesn't make sense?? People are translating or clarifying the offer katsuki made and saying he was asking Izuku to be a SIDEKICK, and not open/partner at an agency.

But you know what, that doesn't really make sense either!

Bc they're also saying that in the MHA universe, sidekicks do not get hero ranked. And in the case of being katsukis sidekick, Izuku would be working under Katsuki.

So hold up!

You mean to tell me that Katsuki, who wanted to compete with Izuku, and race him to the top, who has long, LONG since gotten over his desire to put Izuku in his place/lord over him/boss him around,

You mean to tell me he wanted Izuku to be his SIDEKICK?

How can they compete like that?

Why would he want Izuku in a position where he couldn't compete on an equal ground? That was what he always wanted and worked for.

I'm just saying it's fucking weird that thats what katsuki asked for, because that's not what Katsuki has been trying to work for.

Isn't Katsuki wanting him to be a sidekick under him kind of defeating the purpose of his development, of the whole 8 hear process he went through to get Izuku back out into the field? Is this not inconsistent?

[soupmanspeaks]

the topic of Helpy makes me go insane /pos like I have this headcanon that William/Springtrap just, DESPISED Helpy because William took heaps of pride from the Funtime line of Animatronics, he saw it as his son's crude mocking of HIS creations, when in reality its just Michaelangelo S Afton trying to use humor to once again cope with the horrors™️ Like I've probably said this here before but I headcanon that Helpy found his way into the PizzaPlex's marketing is because after the FNAF6 fire he just was under the rubble remarkably preserved or something and instead of going into the RockStarRow Museum, the FazExecs had dollar signs in their eyes and were like "yeah, that one will make us bank, ong" Ive also probably said this (bad memory sozzz) but a headcanon to go in tandem with that headcanon, is that Glamfreddy sighs in resignation whenever he passes by one of those Helpy monitors (he wasn't paid royaltys <//3 ) AND LIKE I GOTTA KNOW WHAT (glam)MIKE WOULD THINK OF THE ENTITY THAT IS SATAN DISGUISING HIMSELF AS AN AGENT OF LIGHT (Helpi) WOULD HE FEEL SAD? ANGRY? AT THE MIMIC? THE COMPANY?! please the topic of helpy is so interesting PLEAs-

[datkat08]

My brain was attacked with a Zosan AU idea so. Let me know what ya’ll think.

Zoro’s body is wrecked in battle to the point where it has to be rebuilt. Vegapunk’s research team takes this opportunity to create a monstrously powerful human, a human weapon. Only one person can be trusted to monitor this creation, to make him believe he isn’t being watched at every turn. That’s how Sanji goes from Zoro’s main rival to his closest friend, at the order of Vegapunk, ready to respond should any malfunctions show themselves. However, his feelings begin to change. What else could you have expected to happen, asking him to watch the man’s every move, every word, every breath? Zoro, more clever than he seems, catches onto their surveillance and concludes that Sanji only got close to him to watch him. That may have been true at first, but Sanji knows in his heart that couldn’t be further from the truth now. Will Sanji’s feelings be able to reach the human weapon Zoro, or will he be forced to watch as their relationship goes up in flames?

[shannonsketches]

He said "Fuck this shit, I'm out" I'm crying. Toriyama's Vegeta was so top shelf 🤌

(From Neko Majin Z Chapter 5!)

[romionarry]

the rituals are intricate and very comical

[dykesevika]

can’t stop thinking about all the possibilities for her in S2

Men DNI

[akkivee]

Intensely Spicy Curry Training: Hypmic Curry Drama Track TL

Kuukou: Y’all sure took your sweet time getting here! I’ve already got everything prepared!

Jyushi: But didn’t you tell us to meet you at the temple?

Hitoya: If we’re making curry, why the hell are we way out in the mountains to do it?

Kuukou: Because I just had a great idea. Check this out!

Jyushi: Ooooh, look at all this meat! So, we’re going to be using all of this in our curry?

Hitoya: Beef and chicken, huh? I guess it would make sense not cook these while inside your temple.

Kuukou: You’re half right, and half wrong.

Jyushi: What do you mean?

Kuukou: I don’t plan to make just any ol’ curry. Now it’s time for the both of y’all to mince the hell out of this meat!!

Hitoya: I didn’t know whether to expect if a corrupt little monk such as yourself knew how to cook, but I’m surprised. Instead of using something pre-made, if we pound and mince the meat ourselves, we’d get a far more superior product. Is that what you were thinking?

Jyushi: Oh, I see! That’s amazing, Kuukou-san!

Hitoya: So, where’d you put the food processor?

Kuukou: Ah?? The hell are you on? You’re grinding this meat with your bare hands.

Jyushi: …Eh?

Kuukou: Jyushi, you’re on beef! Hitoya, you’re taking the chicken! Punch it with everything you’ve got and make minced meat out of it!! This is a new training session I thought up!

Hitoya: What the hell is this fool saying??

Jyushi: B-But there’s so much meat!! Grinding it by hand is impossible!!

Kuukou: I don’t want to hear any complaints!! You don’t know that unless you try!

Jyushi & Hitoya: *reluctantly pounds the meat by hand*

Jyushi: *tearfully* …My body’s going to become minced meat before the actual beef!

Hitoya: Damn it, I can’t believe I let my guard down like this…! I shouldn’t have expected we’d simply make curry…!

Kuukou: You can’t expect to get anywhere with a weak spirit behind weak fists like that!! Lemme show you how it’s done!

Kuukou: *starts punching*

Hitoya: You bastard, those are vegetables!!

Jyushi: E-Even I could mince a tomato by hand!

Kuukou: It doesn’t matter either way!! Whether it’s vegetables or meat, all that matters is the heart you’re putting behind it!!

Jyushi: T-That doesn’t make any sense…!!

Kuukou: “Enlightenment can be attained through one thousand fists!” Don’t just keep yapping and put some energy into your hips and legs too!

Hitoya: Tch, I don’t see any way out of this… Then, I might as well get it over with…!! UWOOOOOOOOOAAAARRRRGHHHH!!!!!!!! *maximum effort punching*

Jyushi: H-Hitoya-san??

Kuukou: Hyahaha! There’s the effort I wanna see!

Jyushi: Guh… Because My God has unshackled the chains binding his true power, I, too, must unlock mine to continue alongside him…! HAAAAAAAAAAAAAAAAAAAAAAH!!!!!!!!!!! *maximum effort punching*

-------------------------

Jyushi: I-I can’t move another inch…

Hitoya: Ugh… I can’t even take the cap off my water bottle…

Kuukou: *sighs* It’s pretty pathetic to be that exhausted just from cooking.

Hitoya: You…!!!

Jyushi: But, I think it would be really nice if our training efforts could be felt by those eating our curry…!

Hitoya: …Well, I don’t think I’d say it like that, but I agree with the sentiment.

*the trees rustle and the birds chirp and there is peace*

Kuukou: The fuck are y’all talking about? There’s no point to this if the people who eating aren’t going through training too.

Jyushi: Eh?

Kuukou: Training can only be felt when you grow from the trials you’ve experienced yourself. Hopping off from other people’s efforts won’t mean shit.

Jyushi: B-but I mean, we’ll still be serving the curry to others once it’s finished cooking, right?

Kuukou: Yup. Which is why I’ve got…!

Hitoya: UWAH!! MY EYES!! IT’S IN MY EYES!!

Jyushi: That powder…!!

Hitoya: It’s red chili pepper!! Jyushi, run!! Move upwind so it doesn’t blow and stick to your mucous membrane!!

Jyushi: Eeek!!! *runs away sobbing*

Kuukou: HYAHAHAHAHAHA!!

Hitoya: Kuukou, you bastard, what are you doing? Are you trying to ruin everything we worked on??

Kuukou: I’m not ruining a damn thing! This curry will be spicy so I can provide a remote kind of training!

Hitoya: Stop fucking around!! There’s gotta be a limit!!

Jyushi: *runs back over* I think there’s more chili pepper powder than ingredients now…!!

Kuukou: Then it’s just right! Now try it.

Jyushi: NO!! I will not be eating!! I absolutely refuse!! Don’t even try me!!

Kuukou: Hey stupid, watch it, that’s dangerous!! Stop fighting me and just—Ahh??

Jyushi: T-The inside of the pot is pitch black……!!

Hitoya: Obviously. Chili peppers burn easily. Haah… Let’s just remake the curry.

Jyushi: But doesn’t that mean we’ll have to mince more meat??

Kuukou: Whatever, I was thinking our “Intensely Spicy Curry Training” was made too halfheartedly anyway!! Time to give it all I got and win this championship!!

[skunkes]

unsure how to word this but there is something about having ocs with unsavory events happening in their past where it's like. talking about it, even when asked, seems almost gratuitous and inappropriate. and i'd much rather describe it through the oc themself and/or draw Them saying it. which is like. fitting for the subject matter? like of course its weird to talk about somebody else's business...!

and falls back into humanizing em/exploratory writing and development where u consider the impact of words said/words unsaid/HOW those words are said etc etc