#idk if that’s the tag I want but I feel like it has that vibe

[naomistares]

since your art style has changed (and i love how expressive and mischievous? it feels now, idk if that makes sense but i admire the heck out of your growth) what does your process look like now? do you use the same brushes as before? do you want to talk about what you love about your work now? i saw your tag about tlt redraws now that you like your art and it made me curious. anyway love your art so much, nori!

hi!! thank you so much for this very cool question!! i guess before i just drew without much putting any thought to like... anything at all haha, only when i started doing comics was when i actively tried to make myself enjoy the process more.

i just thought about what I hated and tried to change it and just do a lot more art studies in my own time and try to really think about everything... like composition ! and like with colors, i didn't like how i only used to use desaturated tones, when i enjoyed more colors in other art i see.

or with poses, i didn't like how everything i drew felt very static to me, it still does but i'm getting better!! so i've studied dynamic-ness and whatnot.

i didn't like how "realistic" i would naturally go with proportions while drawing when my personal taste enjoyed more cartoon-ish and whimsical proportions, so i tried to be a little bit more loose with that but i'm not all there yet. for example, when i do some reference studies in my own time i find myself copying it 1:1 as it is, so now i try to incorporate it into a specific style without just copying it, it doesn't feel like i benefited otherwise!

i'm also trying to currently improve my lineart, i'm finding it much more enjoyable to draw with a thin brush! my lines were often thick and bulky and not super clean.

and yes!! i used to be loyal to like one or two brushes but i'm just trying new things constantly and it definitely affects the general vibe of the drawing, i've been obsessed with pencil brushes but i'm retiring it for a bit for a more jagged brush that i'm obsessed with now lol (still haven't posted anything with that, (working on it) but it totally changed the vibe.)

i feel like i often know when something looks right but i struggle on how to get there at times, but lately i've been seeing more right than wrong and just generally enjoying drawing.... drawing is my favorite thing.... i clocked in 9 hours yesterday on procreate.

[burninblood]

Thank you to @booksandabeer for tagging me! Tumblr really didn't want me to post this tag uuugh, idk why since this has to be the best tagging meme ever made 😆!

I love books, like really love them, so picking only 5 was really hard! Hope you appreciate my effort!😌

Tagging:

@missmorwen @certifiedstray @remysrogue @nimitrix and @burningfudge

No pressure ofc, only if you feel like doing it!🩷

[recovering-vamp]

[torchickentacos]

i will always shout praises of bi4bi but given recent discourse I feel the need to say that I love bi4het too! I just love bisexuality in general in its many forms, and anyone who only likes it when it's 'queer enough' for them is biphobic. Bisexuals should be able to bring their LaMe CiShEt BoYfRiEnD to pride without being made to feel like spectators and outsiders to their own event.

[welcometogrouchland]

Batman #149 by chip zdarsky is mostly unremarkable, but I'm really fascinated by how it makes a great case for 'good' endings not saving 'bad' stories*. Because there's a lot of interesting concepts in this issue (bruce having to deal with his rapidly aging and decaying clone making him think about his own life, re-establishing a 'nest' so to speak for his family after pushing them away, etc) but bc of the OOC slog that came before it, almost every moment w/ the batfamily comes off as unearned and disingenuous imo.

Like, everything with Damian is the perfect example in this. Because in isolation it's...fine. admittedly it's a missed opportunity to not go deeper into how Damian would feel about a clone of his dad who tried to kill considering Damian's relationships with clones of himself (the heretic rejects and respawn) or with former enemies who wanted him dead but who were manipulated and/or brainwashed (like suren and maya).

Zdarsky doesn't go into any of this but you could maybe excuse it as the issue not being about Damian. However, coupled with the previous bizarre characterizations of Damian in 147 and 148, it ends up not being fine- instead it starts to feel...icky how Damian (who, despite often being drawn and written as white, will never have his connection to the non-white al ghuls forgotten and will always be effected by racism even when not portrayed as a poc) is constantly written as overly violent, uncaring and narrow minded in this run. Coupled w/ trying to recanonize the morrison origin for Damian it's like. OH this is badly written and laden with subtle bigotry, sick**

That's me going into detail on it with Damian but it's applicable to other things in this issue- the way Cass, Steph and Duke have all been ignored or turned into jobbers makes their inclusion in the 'family' here feel hollow instead of satisfying. Bruce proclaiming that Zur was still a part of him and he needs to accept responsibility for his actions (when it means taking in clone son) wrings hollow when just last issue zdarsky was bending over backwards to separate Bruce and Zur bc otherwise the Jason thing would get really awkward. Ends are achieved through means that feel hollow or strange. I'm at my destination but damn why'd the bus have to do all that???

I only really have opinions on this latest arc of zdarskys Batman bc it's the one I've read the closest (bc I'm a hater, masochist and avid follower of even the bad damian storylines) but it's not saying great things.

Bc zdarsky can do one thing good in this book, and it's write Bruce and Tim. And yet this entire story, whether of his own volition or editorial mandate, includes other characters who aren't Bruce and Tim, the fabric starts to unravel in very telling ways.

(p.s, I think pennyworth manor is an interesting idea but I feel like in execution it's just gonna be 'bruce living in a house haunted by the memory of the people he couldn't save' but with a different dead guy this time. Illusion of change and whatnot)

*whether or not the ending is good is up to you ofc, as is your opinion on the proceeding arc! I saw some ppl complain that the ending was too "WFA" for them, which I get even if I dont think it'll literally be the same premise. If anything it's probably a lead into the new tec run. Likewise many ppl who aren't in the weeds of Damian and Jason characterization liked the previous arc! But I have my opinions and rest my case before the bench

**disclaimer, I'm white and portrayals of bigotry in comics are complicated and subjective, but I am basing my point here off what other poc comic fans on socmed have been saying about 149. Also the "sick" is sarcasm incase that wasn't obvious

[moeblob]

OC again gomen ... (her name is Yuma)

[milfygerard]

but fr outside of my contracted madness i absolutely refuse to give joe alwyn gold rush like how is that song at all related to their relationship the lyrics clearly spell out a relationship that either never existed or only existed in implication and fantasies and maybe-maybe nots and its so bitter and yet desperately soft in the bridge where it almost projects a sense of envy, of wanting to be them as much as you want them. It continues an interesting oft ignored lyrical trend of taylor wanting just as much to be her lover as to have them, envying their easy charisma (you were flush with the currency of cool/i was always turning out my pockets) or quiet dignity (your integrity makes me seem small) dating back to her earliest songs (the kind of flawless i wish i could be). Theres a projected self hatred and yearning to be better that twists itself into both romantic and sexual lust for her partners thats so fascinating and speaks to how all of her songs regardless of who theyre about are also an act of self reflection on who she is and who she wishes to be.

[svtskneecaps]

also in terms of the bolas playlist it's fascinating to me that the songs added by each person have a slight tendency to represent a consistent aspect of bolas

like

the songs added by slime are their chaos

the songs added by philza are their rebellion

the songs added by cellbit are their rage

the songs added by baghera are their anguish

it's so fucking FASCINATING TO ME but i don't know enough music theory to elaborate lmfao this is Vibes Only

(mouse's songs i can't boil down to an easy noun which is why they aren't mentioned lmao anyway they go hard asf)

(also i went on the longest fucking unhinged elaboration in the tags lmfao i almost didn't have enough tags left to tag "long tags" at the end

(i could have even gone on longer in terms of where their characters were at entering purgatory [philza: cage for a cage; cellbit: fed worker murders; baghera: her past as a federation experiment; slime: turning into a code because of the code pretending to be his daughter] but i ran out of space and also time it's 4AM AAAAA)

[angeart]

I always want to hear abiut the ghost Hunter Grian & ghost scar au. Hello

Hi hello! Right. So, consider this.

Scar is a ghost. He lives in an abandoned, decrepit house. (It used to be nice once. He built it himself.) The house is famous for being haunted. This attracts two types of people:

One is ghost hunters. They're either amateur ones who fool around, or professional ones that are jaded and know what they came for. In and out, always. They come, they pretend like they care, get their content, pack up and go.

The second one is young people who come in because they've been dared to by their friends. Thrill seekers, cowards pretending to be brave, etc. You know the lot. They don't care about the ghost that's there. They care about spookiness and fear spikes and proving a point.

Now, Scar is as jumpy as we know him to be. Half the time he scares people, it's because he got scared first. But sometimes, he does it on purpose. Sometimes he likes to scare others. For a laugh. Just to cause mischief. To amuse himself.

But underneath it all? He's watching his house crumble around him, people who know nothing about him keep telling him (or more like, telling each other; very little of the conversation is usually aimed at Scar) that he's scary, that he's evil.

Scar can't do anything about any of it. He can just be.

It's the only thing he has left.

And he's so, so lonely.

Let's throw Grian into the mix. In a way, he does fall into one of the categories - he is a ghost hunter. But it's not as much for content, as it it for the sake of his own curiosity.

So when he's in the house and he tries to talk to Scar? It... feels different. Something about it is shifted. Maybe it's the questions he asks. The way he looks around. The way he speaks into the silence of the house, without knowing if there's anyone to listen.

Scar is there, and he listens.

And he tries to talk to him. It's hard. It's not easy to communicate when you're a ghost, starved and lonely and sad. But he tries. For once, he makes a proper effort.

Grian picks up on it, and maybe they have a halting, broken conversation through various tools. Staticky radios and flickering flashlights and taps on the wooden walls.

Once Scar finds out that Grian's trying to really listen and understand, instead of jumping to conclusions and putting words into Scar's mouth that he never intended to say, Scar tries to say so, so much. Words tumble out, but words are no longer his language, and they refuse to come across the way he shapes them.

He grows scared, then.

Because here's this one person who is trying to understand him, but just like everyone else, he's bound to leave, too. Right? So Scar panics, and he uses his powers to lock the house. He traps Grian inside, if only until the dawn.

At first, Grian freaks out.

This makes Scar panic too, and he strings up apologies and tries to somehow show him that he's not going to hurt him (it's hard. it doesn't work.) - but he's too desperate for company, for understanding, for someone to be there. For someone to act like maybe deep underneath all of this, Scar is still a person.

And maybe Grian catches on, after a while. And maybe they try communicating again.

And maybe it goes better this time.

And Grian comes to understand that this ghost is just lonely and sad.

He makes a deal. He promises to come back to visit again. And Scar... lets him go. He lets him go and he hopes.

It's all he can do.

(Here are supplemental thoughts of how the rest of it could go:)

(Grian does come back. Each time, the communication is easier. Scar tells him how upset he is with the way people come in and treat him. And the way his house is falling apart at the seams. And how everyone acts like he's this evil, demonic thing. How they scare him sometimes. How he doesn't want to deal with it anymore.)

(He doesn't beg Grian to stay again. But he wants to.)

(Now consider: what if Grian ends up buying the house. What if he ends up renovating it with Mumbo. What if they move in. What if they bring in potted plants that Scar offhandedly mentions liking. What if they bring in a stray cat (Jellie). What if down the line, when they're all settled and know each other fairly well, they just start messing with each other like the menaces they are. For entertainment. Always making sure to know where the boundaries are and what lines to not cross. Always making sure to check up on each other if something goes too far or wrong.)

[kuromi-hoemie]

i got to spend the whole day with my manager!!! we got to carpool to one of our other offices in another city and had such a good fun day together!! counting the time in transit we worked like an 11 hour shift today but it didn't feel like it bc we had each other!!! i love her!!

i may have skipped a few steps between that last sentence and the rest of the post but too tired 2 fully articulate + just peruse the #mm (My Manager 🫶🏾 (⁠っ⁠˘⁠з⁠(⁠˘⁠⌣⁠˘⁠ ⁠)) tag.... also there's more in the op tags if this gets rb for some reason

[egberts]

girls wake up there's a new worm bike playlist in progress

alana said the new one is way more funky, I've noticed a lot of punk bands are piggy dippin in a funk/punk sound more than a pop/punk sound and honestly? I'm so obsessed.

[isan0rt]

See, here's the thing that kills me about the popularity of the nonbinary Xion headcanon, is that Xion was not assigned male at birth before she transed her gender.

She was assigned agender at birth.

Xion is constantly getting misgendered throughout all of Days, and it visibly upsets her every time, but crucially she is not being misgendered by being called 'he'! She is being misgendered in a dysphoria-causing way by being referred to as not having any gender, let alone the gender she knows she has (which is girl). She has a full-blown crisis when she finds out she was not born a girl. The narrative also positions everyone who refers to her with non-gendered pronouns as doing active harm to her or as being villainous in that moment; Saix constantly calling her 'it,' DiZ scoffing at Namine using "she" to refer to Xion. The narrative is clear that what is upsetting and dysphoric to Xion is being referred to as having no binary gender, even moreso than being forced to become masculine, which only becomes an added layer of dysphoria at the very end of the game.

That being the case... WHAT is the deal with why it is so popular to misgender her in the exact same way? She's a girl. She transed her gender so hard she forced other people to literally see her as a girl even though her physical body was a doll's.

- Is it that this fandom doesn't think she 'passes' well enough, so she can't really be a girl like she says she is?

- Is it that this fandom thinks that even if she says she's a girl, her body doesn't have female sex characteristics so she can't really be a girl, she must be what her body dictates she is?

- Is it that she's not demure and soft like the other two girls with her face, so she can't really be a girl like them? That girls don't have open and assertive body language?

- is it that she was born from Sora, so she can't really be a girl because her origin was a boy and she must be somewhere in the middle?

- is it just an empathy gap, where people can't identify with a trans girl and need to make her less trans somehow? An inability to square the idea of choosing a binary gender on purpose? An inability to see why she would choose to be a girl specifically? Is it the thing where so many people in fandom right now can't get invested in characters unless they're "just like me frfr" and so she can't be a trans girl?

What is it?? Why is the ONE canon trans girl not allowed to be a trans girl? When there is an entire cast of characters to otherwise choose from whose narratives are not SPECIFICALLY ABOUT being trans and a girl? I simply do not get it.

[puckpocketed]

being afab+genderqueer and trying to interact with mens ice hockey (and other things that are made for men) is like when sylvia plath said “I want to be able to sleep in an open field, to travel west, to walk freely at night” like i don’t fucking want to be a man not really i just… wanna have the things they have sometimes

[lesbianwallacewells]

ok fellas i think im transmasc

[deadrlngers]

feeling silly, might merge all my bee gees 3 ocs into one single big lore

[jefferythejelly]

having opinions in this fandom but not saying any of them