#idk am i making any kind of sense

[queenhawke]

feeling real ? about the newest dw ep

[moonsnqil]

aftg au where neil/nathaniel died in baltimore and andrew knows he's dead, he didnt stop fighting until he had autopsy reports and a closed casket in front of him. andrew knows he died that night but a week later, a week spent rotting and shoving everyone away, he sees neil. blue eyes clear as water, his hair still glows in the sun, when andrew reaches out he knows none of this is real. neil josten is dead, matt has an empty dorm and someone is already adding nathaniel wesninski to a true crime podcast. he knows none of this is real but it's easier to accept a hallucination than it is to accept that he failed, that another person has been snatched away from him. so andrew goes to practice and sometimes he misses balls because neil is on the court aiming left but aaron shot right. he goes to edens and can feel neil's weight behind him as he carries the drink tray back to their table. he watches nicky play games on the xbox and he hears all of neil's commentary. when he's alone, he talks to neil. andrew had always been great at being silent but never with neil. and he knows none of this is real but it's easier to confide in neil now that he's so intimately familiar with his absence. they trade truths and secrets and neil tells him about oklahoma and andrew knows they never talked about oklahoma and he's just remembering a conversation he heard on disney channel when he was eleven. he lights two cigarettes and sees neil smoke it but doesn't dwell on how quickly the flame dies out. he only mentions it once, to bee. when he says "i keep seeing neil" and bee says she understands, people leave traces of themselves all around us, he never brings it up again. it's not like she's wrong on that front either. neil's locker still has an unwashed jersey inside, the phone charger he never used is still shoved somewhere underneath the passenger seat of the maserati, all the clothes andrew bought him are still in a drawer. matt doesn't spend a lot of time in his room anymore. when andrew says "i hate you" and he truly means it, neil says "i know" and his cheeks dimple. andrew knows this isn't normal, nothing about this is okay, his mental stability is a far cry from being good but he thinks maybe having neil beside him, haunting him like this, is better than a reality where andrew is alone. so they follow each other around like ducklings and wymack looks at him like he's a ticking time bomb because in no world does neil josten die and andrew simply moves on. andrew's nightmares have shifted from being seven and begging to watching neil fight for life on a grimy basement floor but it's okay because when he wakes up he gets to hold neils hand and it's a little cold but the divots between his knuckles feel the same as before so he can blame it on the weather. andrew watches neil's banner go up next to seth's on the court and andrew almost wants to laugh because seth is dead but neil is right here, neil is talking about being court, but no that's not right either. neil is dead, andrew knows this. but then how could neil be dead when he's still buying andrew ice cream and pushing all his buttons? they sit a little too close to the edge of the roof nowadays and neil tells him that they could fall but they might not die because it's only four stories so really it's no guarantee. neil tells andrew he has to be careful because what about aaron, what about kevin, his deals and his promises. he keeps his promises, it's what he's good at. he's pretty sure kevin knows something is wrong but is trying to pretend like it's not. they're the same in that regard, really. andrew knows neil is dead, abby's files label him as deceased, but he thinks he likes being haunted. if it means neil is still there, still planning a future and running his mouth, andrew thinks he could convince himself baltimore never happened. maybe neil was never something tangible to begin with.

[boycaca]

I think the reason people believe chuuya would be the more open and affectionate in soukoku (as like. A romantic relationship) is because they believe him to be the mentally stable one and i think the reason people seem to believe he’s one of the few “mentally stable” characters in bsd is because he does not let himself be seen as vulnerable, and the few times we do see him go through something genuinely horrible and having a moment of vulnerability he does not really have the time to truly process it and ends up “moving on” pretty quickly (for example when he was at the flags’ funeral and adam interrupted him, or how when the sheep betrayed him dazai was immediately at his side trying to convince him to join the pm). And even if he does process it and thinks “man that was pretty fucked up wasnt it” it is never shown on screen so i feel like a lot of viewers end up seeing it as him not being bothered by these events and just a pretty chill dude that doesnt wallow in grief or self pity. But i think him never wallowing in grief or self pity is kind of a problem because in the end all he is doing is suppressing all that trauma and not really trying to acknowledge it, but at the same time when he does he ends up pinning the blame on himself (how the sheeps betrayal was his fault, the flags dying because of him). I feel like this impacts how affectionate he is too because he has built up so many walls that at the point when the flags make a party to celebrate the one year anniversary of him joining the pm he gets suspicious, then surprised and then flustered and tries acting like he doesnt care about it. All this is to say that i think him believing he cant show weakness and has to maintain the facade of being “the strongest” makes him seem like some regular degular guy (if he’s not fighting dragons) ends up him getting viewed as some mentally stable, communicative guy with maaaybe just a bit of anger issues when in reality he got so embarrassed by dazai’s corny speech in mersault that he shot him in the head with a gun

[lesbianherald]

I was thinking... It seems to me that you mostly like the post-canon character states of Jayce and Viktor? I think you like the more confident and self-aware post-trauma Jayce (when he is present) and the more insecure Viktor, or... As if he has an enormous guilt to overcome.

Will there ever be something more naive from you with their more naive, hopeful and yearning versions?

Coming home (but not to you)

(also, i do have something planned for after my medieval au if the hyperfixation is strong enough and the fandom doesn't tire me out)

update im adding to this because i cant stop thinking about it do people find my coming home jayce... confident? i was very much going for an 'i'm sorry for my migraines' and 'when I'm in the airport in the security I think I magically have a gun' kind of vibe KDLFJHSDkl

also said this in the tags but season 2 didn't even start coming out until chapter 11 the full thing wasn't out until chapter 12 so if they came off post canon inspired that is very unintentional DKJFHSLDFj

[non-un-topo]

More cishet observations from the past month at work:

- They really fucking buzz off of the TERF wizard book series

- Their favourite place on Earth is Florida (why???)

- If you tell them you're an artist, they will ask you if you've ever "tried out AI"

- They will joke about OCD a lot

- They absolutely hate their bodies and will take any opportunity to talk about food in a toxic way (bonus points if they compare their body/food to yours)

- They hate their spouses and think that this is funny

- They. Do not. Have interests. (Besides the TERF wizard book series)

- They don't watch movies or TV??

- If they have kids, the way they talk about them makes it sound like it was genuinely the worst decision they ever made

- If they don't have kids, they will still fucking talk about having them

- They don't like cats??

In other weird news, I'm gendered correctly at work and I pass to the point that cishets actually talk to me like I'm a cishet guy.

[aroaceleovaldez]

i would like to say my ideal PJO adaptation (if i was being physically forced against my will to have to pick a live action adaptation over an animated one for some reason) would be a combo like writing of the musical + casting of the show + visuals of the movies

BUT the show actually does have the playwright for the musical as one of the major writers for like three episodes and that did nothing for it. so...

[celestiachan]

got curious is not being able to feel jealousy is just a me thing so

reblog if you vote pretty please

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[phinjeet]

* i started 2 make a compilation of baljeet getting hurt and stuff hashtag baljeet abuse compilation bc idk . my dark twisted mind but ig mostly i just want 2 abzorb the “canon” baljeet “angst” so my made up shit iz also more accurate n stuff . tho i keep getting distracted grabbing other sillier clipz lol

[six-improbable-things]

I had to open the ship combat rules doc I made for Rook's campaign the other day, and man, that thing was (and still is tbh) my fucking magnum opus. I put so much effort into creating rules for a type of combat that dnd doesn't naturally support, and it was SUCH a fun challenge. I'll admit it's not perfect, but it works for our campaign, and everyone seemed to like it during our one test so far, so that's good enough for me.

I think between the stat blocks, the rules themselves, and the maps of the ships, I spent easily 48 hours total on making this sailing arc happen. (No, I'm not the DM, I just like homebrewing shit, and also happen to be the one who decided to play a pirate and make that involved in the story.)

[frenchy-and-the-sea]

There is a very exquisite agony in playing a game you love so so so so so much, and realizing that one of the other players is trying to play a totally different game than you.

[musical-chick-13]

I hate when something looks like it would be RIGHT up your alley and the cast is pretty stacked, but there's one person in said cast who is just. Genuinely a horrible human being.

[hobbithoes]

Gonna start posting again soon fr , it’s just hard to manage my time , venting in the tags incomingggg ✈️

[bluegarners]

bruce and dick got some emotional incest going on

hmmm not sure i quite agree anon! i can see where that might be the case, as even i tend to harp on those co-dependency these two display sometimes, but i don't think emotional incest is what is going on there. for those that do not know what this term means, emotional incest is when a parent or primary caregiver begins to rely on their child like they would a partner for their emotional needs. it does not involve any sexual or physical intimacy, as that would be sexual abuse. while i do think what bruce and dick shared was something close to toxic, it was also how they in general functioned? idk that doesn't make sense. i'll put it like this- bruce never thought to rely on dick for emotional needs. in fact, i would argue he tried not to rely on anyone for his emotional well being, and this is what causes most of the divides and troubles in his life. however, dick being a naturally perceptive person, recognized how closed off bruce is/was, and took it upon himself to try and get bruce to open up more and be emotionally present instead of constantly shutting down and shoving people away. the whole "child of an alcoholic" sums it up neatly, imo, bc bruce never intentionally relied on or even asked for dick to help solve his problems. a lot of the bumps in their relationship came from the fact that he felt dick was getting too close or wanted to help bruce too much, which not only frightened bruce but i think also made him aware of how much he couldn't do without the help of dick pointing things out to him

emotional incest isn't quite the right term to describe them, imo, and i think when you get into a space where ppl are constantly talking about it and implying that sort of thing, it's easy to be convinced that that is what they have. it's important, however, to also look at how bruce and dick are doing currently/in the past current canon/past the batman and robin dynamic. one of the long-term affects of being in an emotionally incestuous relationship is being unable to set boundaries or even recognize what a normal relationship with others is like, and with the added context of this being a superhero/vigilante world, i would argue that they are both doing just fine without each other. obviously we have to account for the sheer number of times they've been in life or death situations and whatnot, but i think dick functions quite well on his own and with the others in his life, and bruce does, too. both are mentally ill, i think, but they are also coping pretty well imo

[incesthemes]

hey girlie it’s me, sam winchesters gay lover, your mootie 🥰🥰🥰 i just wanted to let you know, that your tags on the post about that wincest video are based and i agree with every word, hashtag slay couldn’t agree more i loved reading your essay in those tags heart ❤️

omg thank you!!! i'm basically only capable of talking in essays whether people want me to or not, unfortunately

i just have a lot of feelings on this topic and the whole "canon or not canon" argument is weird to me; the themes are pretty darn clear in supernatural (it is NOT known for its subtlety) so idk man. they don't have to kiss to be canon. and they don't have to have a romantic relationship to be canon either. how many times do they get into relationships with other people only for it to be treated as cheating/betrayal/abandonment, only for them have to give up that relationship in order to reaffirm their devotion to their brother

that's just what the text says. i'm not under any kind of delusion that they have some secret sexual or romantic relationship, but that doesn't change that sam and dean are each other's most important person regardless of that. which is really awesome imo, that romance isn't treated as more important than whatever horrible thing they have with each other, and that they don't have to consummate their relationship with romance/sex in order for it to be the most important one they have

(and of course there's romantic/sexual subtext, like parallels and metaphors and misunderstandings and jokes, but to me that just provides a solid foundation for presenting this relationship between them as the most important even though it's not romantic or sexual—because this language of romance is the only one we know, really, when it comes to writing important relationships between characters. it's the only one we know in our own personal lives, to a large extent. so you use the romance/sexuality to symbolize the actual bond they have. which is so much worse lmao)

anyway i think spn is fairly unique in this way because of how no other relationships can really ever stand parallel to the one they share; even in other shows that center male friendship, romance is allowed to coexist with brotherhood. for sam and dean, it's not, and that becomes a point of tension and conflict and resolution many, many times over the course of the show. so like yeah!!! just because it's not romantic or sexual doesn't mean it's not canon, in the sense that their relationship is the point of the show, and it is the most important relationship they have. they chose each other above all else, every single time. yknow, it's "the epic love story of sam and dean" and all that