#idk I'm having thoughts again

[lilacella]

I think that the appeal Remus has to Sirius is that he is calm. That he is unlikely to yell, unlikely to lash out. Timid, kind. Gentle.

I imagine teenage Sirius being pretty disregulated by the volatility of his family, causing his own, and Remus calmness just soothes it so well.

When Sirius would be in a fit of rage about something, James would rant with him and rile him up further, entertaining his mood. Peter would cower, worried to say the wrong thing. But Remus would be the one to step up, trying to make him take deep breaths and think it through and tell him that "just setting it all on fire" actually won't fix the issue at hand at all.

He would say the things Sirius would know very well himself, but would be unable to reach through his anger, without ever judging him for his outbursts. Sirius liked that Remus was steady. That he didn't have to worry about him.

Remus would allow Sirius to become as kind as he actually is. Not having to hide behind an aloof, snarky facade (let's be real, he can be a mean bitch and he's good at it, but he cares). Remus would allow Sirius to be himself in a way (maybe) not even James could.

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[ricky-mortis]

They're the best of each other!

[b4kuch1n]

same teacher, different lessons

transcript

[crowdeerdire]

Kel is off to art college and she misses her bf, Cove ╥﹏╥

[alexandraisyes]

The cutest reminder ever that the way family works in TSAMS canon is that two parties have to be in mutual agreement that they are family. If one party doesn't agree then they aren't family. Parties can revoke familial ties whenever they want and that means they are no longer family.

"Code Relation" theory is stupid because you're then implying that Eclipse is Sun and Moon's child. Which he isn't. Or that Killcode is somehow Moon's child and his brother at the same time that he's Eclipse, Lunar and Bloodmoon's "father" at the same time that they're Sun and Moon's grand children. Like, we're seeing the issue here, right?

Don't make things more complicated than it has to be. Just accept the fact that family is literally determined by a verbal agreement between two animatronics and nothing else because none of them were born from wombs. That means respecting canon when characters in canon decide that they aren't comfortable being family (like Eclipse) or just straight-up disown everyone (like Bloodmoon). It's okay to have headcanons, but don't try to push them onto canon.

[deoidesign]

Please for the Love of God let me tell you about my gay time traveling vampires

[iwritenarrativesandstuff]

Suddenly remembered something I wanted to say re:Akechi, because I think it's really core to his character (at least the way I interpreted him?) and I feel like it explains a lot of his contradictions. Essentially, he is incapable of seeing himself as just a person - he's either the greatest hero/detective ever, or he's some violent monster, and it's like there's no in-between. It's very in keeping with his obvious superiority-inferiority complex, but it goes deeper than that too; when he's in a role, it seems like his self-perception kind of changes too depending on how he is perceived by others. He really does get a confidence boost from being the Detective Prince. He really does shut down emotionally as the Black Mask.

They're masks that he's made, and it's not that aspects of them aren't based in truth to some extent, but I think it goes to show why he's not actually that fantastic a liar (imo, I found the outright lies pretty obvious), but he is a very good actor. He's either an angel or a demon, and never a person, but there are conditions to that. He is an angel when he is perfect - to society. He is a demon when he is vengeful - again, to society. He is never a person, because he never was seen as one - to society. He was disregarded. To be anything of value or notoriety, whether that's hero or villain, he has to be wildly more or less than who he actually is, and he's been building these masks up for so long that I really think he lost sight of the actual person behind it all. And I don't think he wanted to see that person anyways, because that person "wasn't good enough" and I do think he'd rather be anything other than himself. That trickery, that deflection from the person within, in itself brings him pride and satisfaction. He wants to be loved and needed instead of being cast aside, but I also think that if he can't have that then he'd much rather be hated than never have mattered at all. He weaponizes his own loneliness - if he can't ever be accepted then he'll build his own pedestal apart from everyone else.

It's so fascinating too, because I just wonder how much of this he was consciously aware of pre, during, and post engine room. There's this recurring thing with him where he goes "I can only be myself" etc but I just want to shake him because, well, who is that, Akechi??? Or, who do you think that is? Do you actually have an answer? Is it predicated on your actual feelings or solely on your success at fooling everyone around you? Is there any part of you that you actually like that isn't based on a painstakingly constructed mask? Isn't it all mostly lies to deflect from the truth? Isn't it all founded mostly on truth, nonetheless?

It drives me insane. And I think this is a big reason why he breaks so hard in the engine room, because so much of his mask requires his "audience" to perform in a particular way. And here he is, and the Thieves have beaten him, so there goes the first mask, because he's no longer "perfect". He swings wildly into the ugliest sides of him, but this mask is broken too, amidst him vehemently and desperately denying that he has any other emotions than hatred and rage, or any other needs or desires than vengeance. And after that, it's just him. And they should reject him, right? That's what happens. He's not useful, he's not needed or perfect, his hands are stained with blood. But the Thieves, again, don't play the role he expects them to. They, despite everything, relate to him - because he is in fact very similar in a lot of ways and they acknowledge him as a person - not a hero, or idol, or villain, or tool, or unwanted child - but as a damaged teen like the rest of them. And he does not know what to do with that. His identity is intrinsically dependent on getting the right reactions from other people as a form of ingratiating himself - if he does not get that reciprocal reaction he's looking for, his act falters, and, I really do believe that so does his self-perception. That's why you see different aspects of him seep out when he's spending time with Joker, because Joker does not react the way he expects, and Akechi both does and does not like this, because it leaves him feeling both intrigued and vulnerable.

I do think this particular aspect of his character is something a lot of the Thieves don't fully grasp - certainly, I think Joker "I need the mask" Persona 5 understands to a degree, but the sheer degree of reliance and the level of pride attached to it is something that confuses him a little, I think, especially in Mementos Mission. I think the thief that comes closest is actually Morgana, who has a similar superiority-inferiority complex and a desperate need to be seen as competent and useful lest he be discarded. (This is a big part of why the rather lackluster writing with Morgana's arc frustrates me so much because I really do feel it was meant to be contrasted with Akechi's, but I digress.) Morgana is the one to make that emotional appeal to Akechi, which makes a degree of sense - Morgana struggled all along with finding a place in the world. His form leads others to underestimate him; he visually doesn't fit in. He's acting out the role of a chivalrous and cool phantom thief but is more pragmatic with how he views relationships, at least at first. He wants a place to belong where he is appreciated more than anything but his pride won't let him spit it out. Accepting that he belongs and that he is loved even if he really did have nothing of value to provide is a big part of the resolution of his arc. He tries to offer that learned lesson to Akechi in turn ("Follow your true feelings. Even if you think people hate you, or don't want you around-"), but Akechi just wasn't in the right space to listen. There's also an important distinction between the two - Morgana envies humans and looks up to them. Akechi envies humans and looks down on them. Morgana is perfectly happy once he is assured a place amongst the group, but Akechi see-saws wildly between wanting to belong and wanting to be a step above the rest and separating himself further. So while Morgana actually really did cut to the core of the issue, his appeal would never have worked at this point because a) Akechi's pride is dependent on him maintaining his solo act, and b) he just got outed as not actually hating Joker in front of seven other people including Joker himself lmao.

So, uh, sorry, Morgana. Points for trying.

[kathonyy]

KATE SHARMA & ANTHONY BRIDGERTON BRIDGERTON 2x06 THE CHOICE

[cattewife]

thinking about,,, drunk sneezes

not only the possibility of sensitivity to wine/etc itself but just. the alcohol fuzziness meaning maybe they let a sneeze creep up on them without noticing, and the lack of inhibitions meaning they let it out without any shame they may usually have..... maybe even being more dramatic than usual, louder, bending at the waist, dazed after.... accepting care they may usually deny because they are drunk and happy and vulnerable

[ldpdluvr]

louis loves lestat, a part of the tragedy was/is that he loved/loves lestat so much and can't STOP loving him, that's why he couldn't fully kill him, why he lets him come back home after the drop, why dreamstat is even a thing during paris and stayed with him for 77 years, even when he tried to let him go he couldn't move on or forget about him because he LOVES him

[michaeljoncarter]

sorry, i'm still hung up on how bad the writing for sarevok was in bg3. it's not even just "he's so out of character!!" bad. that is just straight up not him. literally who is this man, what the hell is he talking about, and what has he done with the actual sarevok because nothing he says makes ANY sense like....

just as one example of how wild the contradictions/retcons are, this is how bg3 has him recount his resurrection in bg2 -

and this is (parts of) how it actually happened -

like??? it's so bad and weird and dumb and for WHAT???

[mulders-too-large-shirt]

i think a major thing that is overlooked in the x files is that when they do their little cutscene of them driving from washington dc to the bumfuck middle of nowhere at the start of each episode, their roadtrips must be SO long. so what are they doing in that time? are they fighting over which radio station to listen to? filling the silence with conversation? is that how they become inseparable, over mind-numbing hours on the road where stories slip off of the tongue with ease?

[artichow]

🌍 I'm not an oddball or anything ✨🐏

[fisheito]

collab #2 with @xenole i was given a chibi yakumo and i.. i...... turned it into thiS

[swinging-stars-from-satellites]

guys please pray for me