#id like to write it all out when im doing better

[carnivalcarriondiscarded]

I know a lot of people are really into your human au (belong me I'm to, I'm catching up into the crazy ride that's it is) (ﾟ⁠οﾟ⁠人⁠)⁠)

but personally I keep coming back to the mini telenovela that is Howdy and Barnaby rejected confession (I keep calling it limpieza en pasillo 6) I don't know I all in for the drama; just like Sally, I hope they get a happy ending (no after howdy get a hell of a fail attempts to charm his goof love back) (⁠ ⁠/⁠^⁠ω⁠^⁠)⁠/⁠♪⁠♪

Also I'm eating up the tiny but where Wally juts unlock a protective mood, I keep wondering if he just stare Howdy super hard telling him how unneighborly he's been or just stay close to Barn to be there for him (also trying to crack the jokes he remember from him)

Anyway sorry for the rambling, I just get so excited!! ಠ⁠◡⁠ಠ

Hope you have a lovely day bye!

mini telenovela 😭 LIMPIEZA EN PASILLO 6 PLEASSEEEE that's so good... i cant even write the post im too busy giggling like a madman over that

tbh the whole things is like.... Plotted Out in my brain. before i bed i just press play on the mindplayer & watch it like a movie. w/ Wally i like to imagine that he has no idea what to do with this new emotion. it's more like he just sticks to Barnaby like glue & puts himself between Barnaby and Howdy in a sense. i have a specific scene in mind where Howdy goes to Barnaby's as soon as he Realizes to apologize, but Wally answers the door instead and basically it goes:

Howdy: i need to speak with Barnaby

Wally: he's napping

Howdy: oh! well i can just come in and wait for-

Wally: he's napping.

Howdy: ...oh

Wally: thank you. goodbye *closes door*

(Barnaby was not taking a nap)

[ch1zzie]

Forgot to post this here butttt

Working on a welcome home animation and mighttttt take me a while

[puppyeared]

Jitterbug

[orcelito]

Wild that anytime I post an update a lot of people read it and are even excited about it and have their own thoughts and reactions to it that I'll never know.

Comments are only the very tip of the iceberg with it. And I am Very grateful to commenters for letting me in on it. But in the same way that I'll be excited with my friends when a fic we love updates, it's likely that Other people enthuse with Their friends when my fic updates. And it's just so strange. An experience I'll never have access to.

Everyone's relationship with my fic is unique. So many different people with so many different circumstances and preferences... and the number of people that have told me that my fic is one of their favorites, some even saying it's their Favorite favorite... every single one of them have their own relationship with my writing.

It's just interesting to me. I think and think and think on my writing. I have my plans for basically the entire fic, the way I want it to end already thought out, all the major plot beats and the relationship progressions, All of that thought out. I love my writing so very much, but I'm on the inside looking out. This is my mechanical horse, and I'm in here laying out the groundwork and pulling levers and constructing limbs, puttering away making the horse move. Forever and always, my relationship with it will be more intimate than anyone's, and yet more clinical. Because I know it better than the back of my own hand, but I'll never have the experience of reading it fresh. Of reading it without knowing everything that's going to happen from now to the end and beyond. I won't have the thrill of the plot twists I have planned, the delight at seeing things progress, the horror at seeing things go wrong...

This is my mechanical horse, and I'm making it move.

I just always wonder what it must be like to see it from the outside. I hope to others that it's a pretty horse.

[snepdragon]

"thought about Hypnos from the hit game Hades (2018) for a second too long" incident 58 dead 367 injured

[chiistarri]

what if instead of messaging me in the middle of the night about your stupid fucking girlfriend and your stupid fucking problems with her you actually act like my fucking friend and message me like how you message everyone else in our group

[toytulini]

god that "morning people are an oppressive class" post annoys me in some way i cant. quite. ugh

[opens-up-4-nobody]

Listen. Probably my favorite thing about The Terror is that because the story is one planned out season, the arcs and parallel scenes are set up so cleanly and nicely that it echos.

[raksh-writes]

Damn, Im so conflicted rn. I've left a few quite lengthy, rambling comments on this fic and received very, Very lovely replies from the author, who seems to have loved my comments, so I wanna leave one on the new chapter too, but... There's been a very strong hinting -- well, more than just hinting, really -- for something that squicks me out within the dynamic of this ship and I'm--

I dunno, Im kinda invested in the story and I think I'd read more, maybe just skipping those parts if/when they come, but at the same time, Im not sure if it won’t squick me out too much in the future and Im also not sure if it’s something I should mention in the comment... I tend to enthusiastically ramble about everything that comes to mind and always make sure to praise all the parts I liked, but leaving that part out -- which seems pretty important overall -- would feel dishonest...

So, would it be better if I just didn’t comment? Kinda disappeared from the radar so if I do end up not being able to read in the future, at least I haven't left anything that might've been potentially upsetting in the comment? Im honestly unsure what I would prefer myself as an author and I also have no idea what's the general consensus on these things 😪 Any thoughts, y'all?

[seiwas]

i maxxed the tags (what did i expect) but!!

what a soft piece ari 🥺 thank you for sharing this hurt/comfort piece w us!! i think satoru will always be a figure of strength—but i think it’s in part because that’s how he brands himself to be around the people he cares about. he’ll never truly share how he thinks and feels about things, will almost always downplay it really. but he’s always worrying, always aware and cautious, overthinking 🥺 and i felt that loads here!!

there’s a shipwreck stuck between your ribs ; satoru gojo

synopsis; three times satoru sees you cry, and the understanding you gain of each other from it.

word count; 4.6k

contents; satoru gojo/reader, gn!reader, the synopsis speaks for itself i think, copious amounts of hurt/comfort, i just think he’d be so good at comforting u :ccc, also fluff!!, he’s addicted to calling u ”baby,” satoru gojo vs human emotion (he loses)

a/n; pls ignore the fact that 90% of my gojo fics are hurt/comfort ok we dont need to get into that <33 the writing in this one might be a lil rusty but im pretty fond of this gojo :’3

dim lights, buttery popcorn, and boredom.

the senses invading his mind are mellow, coaxing, a little tedious. all he can see are the buzzing lights before him, all he can hear is the insistent chewing of the people around him, and all he can feel is just that:

boredom.

satoru stifles a yawn, resting his cheek on the heel of his palm. he’s trying to pay attention — really, he is. trying to pay attention to the movie he picked out himself, after thoughtful consideration, one he’s been looking forward to watching with you all week. he’s trying his best. but, gosh, it’s just so boring.

or maybe he just doesn’t have it in him today — with all these too-dim lights, too-loud popcorn-chewers, and the too-convoluted plot playing on the big screen in front of him. he has no idea what’s happening, anymore, what scene this is supposed to be. some sob-story? he clocked out a while ago.

so, with nothing better to do — satoru decides to savour another view.

that’s how it always goes. no matter the movie, no matter the snacks, whether you’re watching at home on the couch or a nearby movie theatre — eventually, when his eyelids begin to grow heavy, or when his attention span begins to falter, that blue-soaked gaze of his shifts. a moth to a flame, following his instincts. constantly looking over to see what kind of face you're making. 

after all, your reactions are far more entertaining than any movie could ever hope to be. little sighs of exasperation, jolts and shivers down your spine, or a laughter so bubbly he can’t resist leaning in for a kiss or ten — he loves it. adores it. lives and dies by it. 

so satoru turns his head, and looks at you, knowing you’ll save him from the boredom clutching at his subconscious. 

and something in his chest constricts.

at first, he doesn’t notice it. hungrily lapping over the expanse of your jaw, to your cheekbones, his gaze drinking in everything he can see. scanning your eyes for a hint of emotion; and he finds it. he finds it in something that glimmers in the dim lighting of the theatre, something that has his breath drawing back to the depths of his throat.

tears.

crystalline, dew-drawn, a fresh set of tears clinging to the edge of your lash line. they’ve yet to fall, but satoru sees them — he sees them and he doesn’t know what to do. 

tears. 

tears?

you’re crying.

in the depths of your glassy eyes, he sees a fractured scene — playing against the scope of your iris, as the movie reflects off your pupils. there’s a turmoil there, a sadness, one that has you covering your mouth with the front of your knuckle. and you’re crying.

satoru wants to tease you. he wants to lean over and purr against the shell of your ear, poke fun at you for being so emotional. such a little baby. what else is he supposed to do?

the tricky part is that he can’t. he can’t move, can’t shape his voice into a purr, can’t even speak. he’s frozen in place like a bug trapped in amber, stuck to his seat, unable to do anything but blink at you in what he thinks might be bewilderment.

his breath hitches — and that’s all. 

something about the sight of you makes him falter, makes him stop in his tracks. catches him off guard. he doesn’t know what to do, doesn’t recognize the feeling stirred deep within his chest, something discomforting and foreign. doesn’t understand why his heart feels so itchy, all of a sudden.

then your eyes meet.

and you blink. once, then twice. eyes just a little wide, an embarrassed kind of surprise. he thinks you must be flustered, and he’s proven right when your gaze flees from his.

a mingle of words clog up at the base of his throat. say something, say something, say something. but he doesn’t know what. 

he wets his lips, preparing to part them, but before he can get the first syllable out you're leaning in. close. close enough that he feels your breath ghost against the shell of his ear, close enough that his heart starts skipping the way it always does when you press yourself against him like that’s where you belong.

a whisper. it’s small, hushed, a little frail. but there’s something else, too, laced together with the vowels — amusement. 

”you didn’t tell me this was a sad movie.”

a pout plays at your lips, as you murmur your grievances. but then there’s that amusement; it’s there when you pull back, in the crinkle of your sparkling eyes, the curve of your smile. 

and satoru’s shoulders relax. stiffened bones melting. he exhales a breath he had no idea he was holding, and his heart feels at ease. a grin finds it’s way to his lips, wide, teasing, cheshire and sweet. 

he leans a little closer, bumping his head against yours. gently. ”i think you’re just sensitive, baby.”

his teasing is rewarded with a little huff, as your elbow meets his side. soft. everything you do is soft. 

”oh, shut up,” you scoff. smiling. he’s so relieved that you’re smiling. 

a moth to a flame, following his instincts, satoru brings you closer. an arm around your waist, pulling you into his orbit, until you’re practically sharing seats. searching for your hand — and he finds it, intertwining his long fingers with yours, just to give it a little squeeze.

(for some reason, he feels more protective than usual.)

he feels your gaze. questioning, maybe. but you melt into him quickly, with your head slumped against his shoulder, and his heart settles back into a sleepy rhythm. just watching the movie pass you by.

the dim lighting of the theatre casts a hazy shadow over your face, a tender desaturation, and his eyes stay glued to it when you aren’t looking. the smell of popcorn hangs heavy in the air, salty and buttery, warm and sweet, and he’s almost grateful to feel that familiar boredom tug at his veins.

anything is fine. anything is better than that discomfort, that irritating itch. 

satoru watches the movie flicker by, scene by scene, whispering commentary into your ear and stealing your popcorn with a satisfied hum. chuckling when you whisper-shout at him to cut it out!

he tries not to think of the glittering tears at your lash line, and almost succeeds.

rain clouds, cups of chamomile, and frustration.

it seeps out into the open air, engulfing your living room in a feverish haze. thick and suffocating; the scent of heavy rain, lukewarm tea, and that ugly, ugly feeling underneath his skin.

it pulses. it itches. and oh, how it aches.

satoru hates it. he hates feeling angry, feeling upset — hates when either of those emotions are in connection to you. hates it, hates it, hates it more than anything.

he does everything he possibly can to avoid it; his eyes are keen, always have been, and he can see when that thin line he shouldn’t cross crawls a little too close for comfort. when the rubber band of your patience just snaps. he sees all your buttons, knows which ones not to push. he knows you.

and, more importantly, more than anything — nothing you do could ever make him angry at you. 

(well, at least that’s what he thought.) 

satoru’s anger is a fickle thing, controlled, kept under wraps. it’s a slow process; it simmers, boils, a cup of chamomile brewed too long. and then it all but invades his senses. it never gets the best of him, never, but right now he can feel it — little pinpricks against his skin, a frustration that stirs his guts and has his eyes going cold.

satoru towers over you, like this. full height on display. not slouching or draping himself over furniture, but standing tall, and proud, and menacing. he isn’t smiling, and that’s all you need to know that he’s upset with you. his eyes are layered over with discontentment. 

a sigh spills from his lips, a little gruff, unmistakably annoyed. it slices the silence of the room in half, and a shiver travels down your spine. he doesn’t notice it. his voice has a rough edge to it, something firm. something that doesn’t sound like it could come out of his mouth at all.

���don’t act like such a child.”

a flinch. or maybe more like a jolt; this time, he notices, but it’s too late. he’s in too deep, boiled water licking at his ankles, pulling him down. frustration nips at his skin, and he can’t quite seem to push it away.

and you’re just so, so unaccustomed to it. unaccustomed to seeing him wear anything but a smile, unaccustomed to that cold gaze, usually nothing but warm and fond when it meets your own. this isn’t like him.

it’s not like him at all.

swallowing thickly, you do your best to calm down. but before you can make any attempt to contain it, wetness begins to gather in the corners of your eyes. pooling, little droplets yearning to fall.

satoru notices them instantly. he sees that sad glimmer, framed by the murky darkness seeping in from beyond the curtains, accompanied by the symphony of pitter patter against the windowpane. tears, much like the rain beating down outside.

and his chest goes cold.

a tiny sniffle pushes past your lips, and the dam inside you begins to break — tears tripping over your lash line, rolling down your cheeks. cascading across your pretty face. the air fills with a sense of dread, and both of you seem to be thinking the exact same thing.

(oh, fuck.)

satoru notices, belatedly, that his throat has gone dry. that his heart feels itchy, again. it itches and itches but he can’t do anything to soothe it, and your tears continue to fall. 

his heart begins to crack. right down the middle, like a gash in the reflection of a puddle, right across his chest. it hurts.

an inhale, then an exhale. you’re still trying to keep it all together, grasping for control over your emotions, but it’s not going too well. the little breaths that escape your throat are shaky at best, hands trembling as you wipe the tears away with the front of your wrists. and your voice sounds a little like it’s about to crumble away. 

”sorry,” you squeak, taking a step back. there’s a silent panic in the gesture, one that makes satoru want to get down on his knees. ”i’ll just — i’ll leave —”

he wants to stop you. he needs to stop you. but he does nothing, nothing at all, even as you stumble out. leaving the haunting echo of tiny sniffles and tear-stained cheeks behind you. 

satoru just stands there. once again, the sight of your tears seems to render him completely helpless. useless.

and he's frustrated, honestly. frustrated by the argument, by your tears, by his own guilt. he’s so frustrated he wants to claw his eyes out. he scratches at his forearm, but it does no good. all he can think of is your frightened little expression.

(he scared you.)

satoru slumps down on the couch, head in his hands, running rough fingers through his soft hair. it’s unruly by the time he’s done, and his bottom lip is bruised with teeth marks, and everything in the world feels so meaningless. so out of tune.

(he made you cry.)

a sigh. drawn out, tinged with exhaustion, bitter and battered like the swing of a baseball bat. he feels a little like he could throw up. it’s foreign, this emotion, suffocating. how long has it been since he genuinely felt this kind of shame?

the crack in his heart grows deeper, while you’re gone. more severe. every moment you spend outside of his vision makes him falter more and more, makes his desperation grow. desperate to plead for your forgiveness, to convince you not to leave. to wipe the tears away from your cheeks, delicately, the way you deserve. but he can do nothing but sit there, useless, repeating the same old phrase inside his mind.

he’ll make it up to you.

and when you finally come back, having calmed down a bit, he does just that. you’re embarrassed, he can tell, a little meek. it makes him feel that discomforting emotion, again, that ache. the crack that only ever seems to deepen.

but he covers it all up with a smile. a little sheepish, more than a little forced, but he hopes you understand. hopes you can see his remorse, see a man who loves you, because he does. 

so satoru takes you into his arms, softly, hands finding the small of your back. delicate, protective. a little whisper spilling from his lips. 

”’m sorry, baby. i didn’t mean it.”

and it’s not enough. he knows it isn’t. but he does what he can — even when it just ends up clumsy, teasing, bordering on something that most would interpret as insincere. all he can do is coddle you. shower you in hugs and kisses, gifts and praises. he hands it out like candy, eager hands finding yours, everything spilling out of his chest all at once. 

there’s a desperation to it that isn’t lost on you.

but it works. he’ll make it up to you; he swears. and he dotes on you until you’re too embarrassed to be sad anymore, apologizes until his throat runs dry. until he’s sure you believe him. 

he brews you another cup of chamomile, stirred to perfection, warm enough to make up for the shiver he sent down your spine. the rain beating down on your windows serves as a constant reminder of his failure, and satoru does his best to ignore it. swallowing what’s left of his frustration, focusing on you.

anything to see you smile again. anything to wash away the red tint to your eyes, the puffy skin beneath them. anything to hear you laugh, to get you to feel safe around him again. 

(anything to make him forget the sight of those tears rolling down your cheeks.)

panic, panic, panic.

it’s all he can feel, all he can think, the only emotion his muddled mind can cling to. he’s in pure, sincere, genuine panic, and you aren’t saying a thing. can’t bring yourself to.

arms wrapped around his waist, tightly, you hide away in the crook of his neck. clutching the fabric of his shirt, burrowing your face deeper into his warmth — and you’re not just crying.

you’re downright sobbing.

satoru knew something was off the moment you fell into his embrace, suddenly, tackling him into a hug so desperate it left him reeling. a kind of desperation he isn’t used to, from you.

he knew something was wrong. 

he knew even before he heard it; your choking sobs, those shaky, heaving breaths. muffled into the cotton of his shirt, his uncertain arms around you.

they break his heart.

”hey, hey…” there’s a soothing lilt to his voice, awfully delicate. sweet like molten honey, almost enough to hide the panic. ”what’s wrong?”

satoru holds you to his chest, safe and secure, cradling you protectively. as if shielding you from the world — from whatever or whoever got you like this. as if you’d crumble into dust, otherwise.

he tries to calm down, but his mind is spinning like a broken clock, and your silence doesn’t help. you’re trying to respond; he knows you are, but you just can’t get the words out. any attempts only make you cry harder.

a shake of your head is all he gets — and it’s not much, but satoru’s learned to make a lot out of a little. 

so he continues to hold you, hiding his worry, tucking his anxiety away somewhere you won’t be able to see. he curses, inwardly, grasping blindly for conclusions — for some divine guidance. how is he supposed to deal with this?

(how long has it been since he felt so very useless?)

gentle. that’s the approach he takes, finally, hiding his nervosity. he rocks you back and forth, just a little, like he’s lulling you to sleep; his warm hands finding the small of your back, the back of your head. cradling you so close you hear his rapid heartbeat by your ear.

soothing whispers. murmured into your hair, so soft they seem to melt once they slip from his tongue, all honey and devotion. affection so palpable you taste it in the air, from the breaths he exhales. 

”it’s fine. i’m here, i’m here… i’ve got you.”

he doesn’t know what he’s doing, not really, but it seems to work. because you calm down, after a while, just sniffling into his neck and letting him soothe you. sobs and unstable heaves, turning into whimpers and shaky breaths. clinging to him all the while; so desperate for comfort, for him.

it makes him feel so, so desperate to protect you, to wash every single one of your worries away.

it’s unbearable, this aching desire. like a great, insatiable, unnamed something deep within the caverns of his chest, clawing at his ribcage, snarling and hissing, itching to break out so it can open its maw and devour you both.

(it’s ugly. it’s grotesque. it wants to keep you safe so badly it might kill him for it.)

a coo. sad, dripping with care, a comforting tone that he hopes you’ll find soothing. he smooths his palm down the back of your head, heavy, doting. it hurts so much to see you hurt.

”my baby….” satoru exhales, a little shaky. but he smiles, and he hopes you can hear it, hopes it’ll help mend the pain in your chest. ”what’s got you this upset, hm? you're worrying me, here…”

a broken sniffle. the guilt eats at you, gnaws at your bones, and all you can do is hide away in the crook of his neck. apologizing, your voice no more than a tremor of a breath.

”’m sorry…”

and satoru thinks his heart shatters. he can practically hear the crash, feel the broken, useless little pieces dig into his skin.

his arms travel down to your hips, steady, and he lifts you up. just for a second, just so he can plop down on the floor with you in tow — keeping you snuggled into his neck. seated on his lap with your legs around his waist, like you’re his baby koala.

”shh, it's okay,” he soothes, a grounding rumble of his chest right by your ear. he’s got you enveloped, wrapped up in his buzzing warmth, and all you can feel is him. ”you’re okay. no matter what it is, i'll take care of it, alright? you can rely on me.”

a moment passes. 

satoru clears his throat. nervous, suddenly. ”you know that, right?”

all you can give him is a shaky nod, but it’s enough. he sighs, in palpable relief, still rubbing circles into your back. ”okay,” he sneaks a hand underneath your shirt, tracing little shapes into your bare skin. ”good.”

he isn’t sure how long you spend there, on the floor, entirely focused on comforting you. washing away all your sadness, with every gentle caress, every soothing murmur of there, there… every little stutter of his heartbeat next to yours.

and when you’ve finally calmed down, melting under his touch and into his skin, arms going lax around his neck — satoru takes a breath. collecting himself, so you don’t have to. acting like his heart isn’t still a mess of crushed glass.

”you okay now?” he coos, drawing absentminded hearts into the skin of your back. his voice is teasing, but warm, spilling from his tongue and into your ear. deep and smooth. ”almost gave me a heart attack, baby.”

he feels the way your grip around him tightens, just a smidge, and he hears the weak little breath you draw in. your voice is still shaky, and it makes him want to rearrange the world, stitch those broken vowels back together. 

(he doesn’t like how irrational it is, this insatiable something. how it makes him want to bend the rules of the universe, just to see you smile. a dangerous temptation.)

”i’m sorry,” you croak, clinging to him like a shipwreck to a shore. ”it’s not — not a big deal, ’m just…” 

satoru pulls back. just a little bit, making sure your arms and legs stay in their rightful place, curled around his neck and waist. making sure the two of you stay connected.

then he pinches your cheek.

”don’t apologize,” he quips, a playful frown on his face. soft, a vague furrow of his brows. like he’s scolding you. 

it makes you wince, your eyes downcast. you look so meek. a little like a kicked puppy, glassy eyes glancing up at him in search of comfort.

satoru clicks his tongue. ”and don’t look at me like that, either.” 

he boops your nose, playful, doting, and you exhale weakly. it’s small, more breath than a real laugh, but you’re almost smiling, and —

it’s a start. it’s something.

satoru coos, voice dripping with warmth, sickeningly sweet. it seeps from his fingertips when he cradles your cheek in his palm, rubbing circles into the puffy skin beneath your eyes. there’s a mirth in his own, crinkled at the edges, tucked into that blue shade, something glazed over with pure adoration.

”there’s that smile.” 

he leans forward, closer, to press a kiss against the bridge of your nose, eyelashes fluttering. tickling your skin. you fall further into his embrace and he makes no move to resist, wouldn’t do it even if he physically could. even if he had the strength to let you go.

then he broaches the subject. hesitant. tactful, careful, delicate — he tries to remember how it works. how to handle something fragile. he thinks of those boxes you carried last week, little porcelain cups. heavy in his arms. he thinks of the way you jab his side with your elbow; gentle, always gentle, even though there’s never any need.

he thinks of you, and it all comes easy. that’s how it always goes.

”wanna talk about it?” he asks, softly. fingers treading through your hair, scratching softly at your scalp. it makes you melt, a little. clearing your throat.

”it’s nothing, really,” you mumble, tiny, seeking respite in the warmth that seeps from his body. speaking with a raspy voice, a hoarse throat, all tired out after crying. ”nothing big, anyway…” 

a moment passes, before you continue. ”i guess it's just been a rough week,” you admit, a sigh slipping from your lips, tinged with pure exhaustion. ”just little things piling up. ’m okay now.” 

a hum. satoru clears his throat.

”anything i can do?”

(please let me help.)

but you only shake your head. ”you’ve already done enough,” you assure him, leaning into his touch. ”think i just needed to get it all out, y’know?”

a beat. an itch. satoru holds you tight, a little tighter than he should. gentle, he reminds himself. but he needs you close enough to feel the flutter of your heartbeat, close enough to delude himself that you’ve merged together. closer isn’t close enough.

he gnaws at his bottom lip, teeth sinking into the flesh. pulling words out from the back of his throat, uncertain. ”i’m always here,” he settles on. ”if there’s anything you need, come straight to me. okay?”

a frown plays at your lips. you’re silent, for a while, until he hears you mumble beneath your breath.

”i don’t want to bother you so much, though…”

”— it’s not a bother.”

the words spill into the air, a little more firm than he meant to sound. but he means them.

”i’m serious. if you ever need help, with anything, come find me. i’m yours,” satoru inhales, deep, his chest moving in tune with the breath. you’re carried along with it, as if being lulled to sleep, following the steady pattern of his lungs. 

then he exhales. in, and out, and with it comes a promise. ”if anyone makes you cry, i’ll get rid of them.”

he says it casually, so casually that you assume it’s a joke, a bout of breathless giggles pushing past your lips. the sound has his own curling up, and he doesn’t have the heart to correct you. has enough tact to know that this might not be the best moment to let you know that he’s honestly a little terrified of how far he’d be willing to go to keep you safe and happy. 

but you’re smiling, finally, laughing. and that matters more than anything. when he closes his eyes, he thinks he can even feel the telltale signs that his heart is picking itself back up, gluing jagged shards into a shape that resembles you.

"that's scary!” you gasp, amusement bubbling up inside your throat. ”you’d go to jail for me?”

satoru huffs. ”bold of you to assume i’d get caught,” he tuts, a smug smile on his face. it makes you giggle, again, and he feels like a god.

”okay, okay,”  you nose at his neck, breathing him in, strawberry lotion and laundry detergent filling your senses. ”please don’t kill anyone on my behalf, though.”

”no promises.”

”satoru…”

slowly, steadily, his heart begins to stitch itself together. it helps that you’re there, he thinks. helps that you’re pressed up against him, that you’re holding him, like he’s the safest thing in the world. like you trust him.

(the word tastes like molten honey and luscious berries, sickly-sweet on his tongue. he gulps it down hungrily.)

it’s healing. the weight of your arms around him, the breaths that brush against his neck. he holds you to keep you together, intact, to keep himself together. a shipwreck and a shore — he just isn’t sure which one of you is which. but your jagged edges fit just right with his own.

”i don’t like seeing you cry.”

you blink. gazing up at him, with a contemplative look in your eyes. it melts into something a little too close to guilt for his liking. shame.

”— but i still want you to let me see you like that.” satoru smiles, with a tilt of his head. snowy tufts of hair falling across his face. ”is that weird?”

a moment passes. then you hum.

”no,” you exhale, a little breathless. smiling, somewhat weak, but still enough to have his heart skipping a beat. ”i love that about you, satoru.”

”huh?” he gapes at you — blinking dumbly. ”love what? that i want to see you sob into my chest?”

”that you try,” you stifle a yawn, sleepily nuzzling into him, all tuckered out from crying. ”even when it makes you a little uncomfortable.”

satoru stills. 

silence fills the space between you. there’s nothing more to say. his tongue isn’t really cooperating with him, anyhow — all tied up. so he leaves a kiss on the top of your head, and doesn’t say a word about the tremor running through his chest. 

he hates seeing you cry. hates how powerless it makes him feel, how useless. hates the fact that he can’t always protect you from the world, from himself.

but you let him see you like that.

he thinks of your tears, crystalline and glassy, like translucent marbles on a summer shore — and sees the trust instead of the sorrow. he thinks of your tearstained face, meek and feeble, and knows it’ll always be enough to break his heart to pieces. 

he thinks of you, and tells himself that it’s worth it; just as long as he gets to bring that pretty little smile back to life. 

[puppyeared]

i feel shy talking here when i dont have anything worth sharing but i cant help feeling like ive said things in the tags that could be brought up in court

[nartml]

My little brother

When I meet people without siblings I can't help but wonder whether they're lonely. And when they tell me that they aren’t, I'm always a bit surprised. I suppose I can understand it, but I can't say I truly get it. When I try to imagine myself in their shoes, I find that it's not exactly impossible, but it’s a very close thing.

My little brother is the most annoying person in this universe; but he really isn't. My little brother is the silliest person in this universe; but he really isn't. My little brother is the smartest person in this universe; but he really isn't. My little brother is the center of this universe.

But he really isn't.

He's only the center of mine.

He's so sensitive, and his eyes well up with tears when he's irritated, and he can be so whiney and picky, and he normally refuses to sit still, but as he climbs down the ladder of our bunk bed when he's freshly awake and groggy, he becomes adorably pliant.

My little brother thinks he's funny, but really, he only repeated something cool that I just said minutes or seconds ago. I swear his eyes sparkle when they see me, but he greets me with an insult that reminds me he's nine years old.

I almost said eight, but he hasn't been eight for a little while now and I find there's something terribly sad about that. He'll be ten years old next year, and I'll be pushing seventeen. I hate that as much as I look forward to it.

My little brother isn't old enough to want to listen to music during car rides, but he's old enough to discuss his current concerns about the state of the world with me, meticulously listening when I tell him that nothing is black and white, fixing the economy isn't as simple as becoming president and investing in new industries, and that he shouldn't be calling ancient Greek a useless subject just because everyone else is doing it.

I hate ancient Greek, but that’s because I find it tedious, not useless.

There's a difference, and it's important to me that he can think critically about these things.

My little brother is a uniquely clever person, and my conversations with him are routinely more stimulating than the ones I have with people my age.

My little brother is a curious thing, and he loves helping our grandpa in the dingy workshop situated directly underneath our grandparents’ house at our village. He spends most of his summer there, exhaustingly sweltering days stretching out endlessly, while he helps repair trucks and sucks in every scrap of information on farming with that brilliant sponge-like brain of his.

My little brother and I share a room. A room that has been ours for way longer than it ever was just my own. There's a desk next to mine, and it's hopelessly messy. The Ikea metal drawers I put together fit snugly under it. The closet doesn't have enough room for two people's clothes, so I have to put mine in boxes under my bed.

He's young, so we both have to go to bed early. He's always restless, so the bunk shakes as he tosses and turns, and I often snap at him to quit it. It's never completely dark, because I like it when light slips in from the small gap created by blinds not thoroughly closed, so I can see it clearly when he pokes his head out just enough to stick his tongue out at me.

And even though he prefers spending his day in the living room, he always gets smug when we argue about my leaving stuff on the desk that he rarely uses.

"This is my side of the room, Sia."

"And why should I care? You haven't used your side of the room in two months, you moron."

Honestly.

My little brother gets on my nerves, and sometimes I think about another me, in a universe where I haven't she hasn't met him, if only to picture the life of someone who doesn't have a built-in buddy to smack upright the head.

I hate my room in that universe.

I don't think the other me would really get it.

[orcelito]

I spent 3.5 hours laying in bed and Not Sleeping simply because it was not foretold. Still tried my best tho, and it was still rest even if it wasn't as good as actual sleep.

I'm up now to focus good and hard on my essay exam for the next...hmmm. well I have 12 pages to write. 3 pages per 4 sections. I did start on one section tho. And these have the benefit of being less heavy of topics as the ones in the first exam. Aka the "explain the differences between sex, gender, and sexuality in depth" and the "talk about how religion has impacted gender presentations" and the "discuss the impact of gender on psychology" etc etc. First one was unexpectedly tricky bc of how Hard it is to describe smth that feels like common knowledge. Like how do you describe the male sex without getting weirdly detailed on it Or just saying "male sex organs" or whatever??? Idk I made do. Religion was the chunkiest one and the hardest to do, by virtue of how much damn research I had to do. The psychology one was the one I rushed lol but the saving grace for it was that it just said "discuss" instead of like. Explain In Depth (like it did for the first two.) Which. The 2nd one was actually pretty easy, aka it was about explaining each term under the LGBTQIA+ acronym. I wrote that one the fastest (for obvious reasons lol) but it was still tedious to write it all out. Still not as hard as the religion question tho.

THIS EXAM....!!! The first question is asking about how sexual language has evolved over time. The second is about gender's effect on nonverbal communication. The third is about gender in TV and film. And the fourth is about sexism in the music industry.

So, certainly topics there are a lot to say about, but also not getting quite so deep in the historical or scientific sides of things. Mostly about modern sociology, I guess 🤔. And they all basically have the "discuss" prompt, so I just need to say some shit that's on-topic and answers the central question and I'll be golden!!!

So I'm Hoping it won't take me too too long. Best case scenario, I finish by... 4 am...? With the last one, it took me maybe 2 hours ish per prompt, except for the last one which I finished in a bit over an hour. Give or take a little. So if I stay on task and focus hard, maybe I can finish it in like 4 or 5 hours. Maybe 6. I'm hoping for not 8 lol. For it is 11:30 pm right now, and I will need to be up by 9 am. I'd like to get at least some sleep tonight!!!! So I will do my best.

[waywardsalt]

finally got around to putting together elden ring builds for the post-ph crew, and tested them out briefly, so here are the builds i came up with and all that! (absolutely a very long post, i had fun explaining a lot of my reasoning)

i'm not going to give them exact stats, just some vague idea of what they'd likely lean towards, and i can't say much to what equip load they have. when i tested these builds out i had 72 endurance. this uses exclusively base-game equipment since i don’t have the dlc and wanted to test these out for myself.

i also don’t use many spells or any incantations so the spell and incantation choices are mostly based on wiki descriptions and whether or not i felt it would fit the character.

some context is that this is with the idea that somehow these four get zapped into the lands between as tarnished, and this is the equipment i think they’d use, disregarding what is needed to access most of this stuff.

i also didn't change my tarnished's appearance for these, not that i think i could accurately replicate these four in elden ring's character creator, anyways, so you get to see my tarnished's face with all of these :)

Link:

His armor is: the highwayman hood, the blue cloth vest, exile gauntlets, and Carian knight greaves.

There's practically no green armor in this game, and what is there isn't really armor and isn’t exactly good protection. I wanted a bit of a balance between just cloth, but also some armor, as well as a headpiece somewhat like the usual hero's cap. The highwayman's hood works well enough, honestly, and I think it fits in well with the blue cloth vest; plus, I can see it being helpful in keeping dust and whatnot out of his eyes. Blue works well enough with Link nowadays, and I do think the blue cloth vest actually fits Link well enough- I doubt he'd want to wear something like a plate breastplate, so a vest like this is good.

The exile gauntlets I feel work well, they're simple and slim with some decent coverage, and the Carian knight graves not only look great with the blue cloth vest, but are also something that I believe fits Link, and the tall boots are likely decently practical in the same vein as the hood.

His weapons I chose are: The Carian knight's sword, with the pulley bow as a secondary weapon, and the Carian knight's shield in his offhand, with the academy glintstone staff as a secondary.

He obviously had to be the good standard sword-and-shield combo fighter, but I went ahead and gave him with Carian sword and shield partially because they look decently similar to what weapons he normally uses, but also because I enjoy the idea of him dabbling in magic along with typical damage types. The Carian sword does a good bit of magic damage along with standard, and the shield guards again both of those types, and the sword's unique ash of war (Carian Grandeur) is a good mix between swordfighting and magic, and actually really good to use in-game. I feel like they suit him well.

For his secondaries, I had to give him a bow, and I feel like the pulley bow is just right, especially with it's special feature of having increased range. I could see him being the one tasked with deactivating faraway traps and hunting the animals of the Lands Between for materials, and even just luring enemies with some normal arrows.

The academy glintstone staff is a solid staff (and the one I personally use), and him using magic is a good way to translate his usual versatility, though I only limited him to five spells, those being:

Loretta's greatbow, giving him what is technically now a second bow, and a pretty good spell for luring and doing some decent magic damage,

Magma shot, a good, simple fire damage spell,

Glintstone Icecrag, a good ice spell, especially for causing frostbite buildup,

Great glintstone shard, a very basic but reliable spell, and is good when cast a few times in succession,

and Thops' barrier, for deflecting magic attacks, and though I've heard it's a mediocre spell, I could see Link getting the timing down and getting some good usage out of it. I tried giving him a decent range of spells, which is a little bit easier said then done considering the actual spell variety and wanting to pick spell that I think suit Link, but I think this is a good lineup.

For talismans, assuming that all four of them have all four talisman slots open, Link gets the silver scarab, the graven-mass talisman, the erdtree's favor +2, and the companion jar.

The silver scarab, raising item discovery is... perfect for Link. It only feels right that he gets a talisman that makes him more likely to get items off enemies. It definitely works, too, while testing, I got way more items out of the gatefront ruins group than I'd ever seen before.

The graven-mass talisman boosts sorcery power, which is certainly perfect for boosting Link's versatility and magic power, simple and useful.

The erdtree’s favor +2 is just an all-around great talisman to use for the hp, mp, and stamina boost, and it feels perfect as something for Link to use, especially to increase his effectiveness and endurance in battle.

And then the companion jar, which goes hand-in-hand with him also being a pot user to further his versatility, and it’s very easy to see him doing the Jar-Bairn side quest. My choices here disregard how the items are obtained, but I could absolutely see Link going out of his way to interact with Jarburg.

Link’s standard fighter, with a balance between offense and defense and physical and magical damage with a slight leaning towards magical, and the main archer who aims to do more damage with archery, and uses pots when needed. He’s probably the one ‘leading the charge’ in that he’s suited for most situations, but isn’t necessarily the most effective in all-out combat- he is the most defensively oriented, however. He’s likely in the mid-to-light equip range, and likely mostly levels Strength and Intelligence to keep his damage up, and focuses a lot on keeping his Vigor up for a good chunk of health.

Linebeck:

His armor is: the black knife armor, the gauntlets, and bandit boots.

The black knife armor is the most important part of the set, not just for it being a nice blue, but because it has the unique effect of completely silencing your movement sounds- perfect for steal and getting in a good number of sneak attacks. It’s light, too, and so are the generally standard gauntlets and bandit boots, all put together for a general… blue rogue kind of look? It’s practicality and some looks and all put around the idea that he’s going to be sneaking around and panic-rolling out of the enemy’s way- so his defenses are a bit lacking in favor of mobility. I do think it’s a good look overall.

His weapons are: A bloody antspur rapier with the poison mist ash of war, the redbranch shortbow as a secondary weapon, and the frozen needle in the offhand.

For Linebeck's build, it was either daggers or rapiers, and the extra damage, range, and great designs for the rapier won out- and I think rapiers suit him well. This specific pair of rapiers are oriented around inflicting ailments, with the frozen needle inflicting frostbite, and the antspur rapier- specifically with the poison mist ash of war and blood upgrade- can inflict scarlet rot, bloodloss, and poison with poison mist active. With the blood upgrade, the scarlet rot buildup suffers, but with the speed of rapiers and just how effective scarlet rot can be, it's a decent trade-off for the ability to do four ailments at once. His role in the Radahn fight is to inflict scarlet rot and then run off to snipe him with the redbranch shortbow, which is a simple ranged option, and helps with further ailment inflicting with ailment arrows.

His damage would probably be pretty decent, especially considering inflicting frostbite and his equipped talismans, but he's mostly going to be heading in with everyone and sticking around until proccing an ailment, and then backing off, especially if poison, rot, or frostbite are inflicted. Plus I think dual rapiers look great and it's very easy to see Linebeck using rapiers.

For talismans, he gets the gold scarab, the assassin's crimson dagger, the dagger talisman, and the blessed dew talisman.

The gold scarab boost rune acquisition by 20%. It's perfect. It's one of my favorite talismans. I can't make an Elden Ring build for Linebeck and NOT give him the money-boosting talisman.

The assassin's crimson dagger restores hp upon successful critical hits, and paired with the silencing effect of the black knife armor, is perfect for someone who's more used to sneaking around and taking down enemies from behind- and it's good for topping off your hp.

The dagger talisman boosts critical damage- so then making sneak attacks all the more effective, and even making any critical hits he manages in fights do much more damage.

And then the blessed dew talisman gives you a very minuscule constant hp regen, about 2 hp per second iirc. It’s incredibly slow, but it's hp regen all the same, good for saving flask uses and good for some health regeneration if you back out of the main fight.

Linebeck's got a big focus on stealth and ailments, with just a bit of health regen tossed in with the talismans to help with survivability. his weapons and offhand options are mainly based around ailments, and besides the bow, he tends to use darts and other throwable items, and is often the one to pick off enemies at the edge of a group while the others go in to the handle the main group. With bosses, he's in the front lines until an ailment is inflicted, and will jump back in either if he's really needed, or if ailments are needed again. For longer bosses, or bosses immune to a few ailments, he would probably find moments to jump in and get a bunch of quick hits in, then back out and wait for another opening. Rapiers are pretty good for quick hits considering that I believe you actually get three attacks from a dual-rapier sprint attack. He’d likely have a focus on Dexterity and Arcane, with some Endurance mixed in for that good running and rolling stamina.

Damien:

His armor is; the sacred crown helm, exile armor, crucible gauntlets, and drake knight greaves.

Picking armor for Damien was a bit of a challenge since he’s still a bit of a work in progress and I usually picture him in generally casual clothes, but I knew I wanted to stick with some red clothing and put together a bit more of a practical sort of outfit. Plus this end result kind of helps me further figure out Damien’s actual design and outfit variations.

I knew I wanted to give him one of the simple footsoldier helmets, and the sacred crown helm won out with the additional detail of the little vine-looking wreath, plus the minor faith boost. It’s a nice little helmet and I think it suits him. The exile armor was considered due to the red cloth around the shoulders, and was properly decided on when I found that the helmet got rid of the cloth covering the bottom half of the face. So it’s a good solid chest piece.

The crucible gauntlets and drake knight greaves work both with color and giving him some more armored extremities, the crucible gauntlets are pretty good heavy armor gauntlets, if the crucible knights themselves are anything to go by, and the drake knight graves seem to have a good bit of practicality with the high boots and armor. It’s all meant to end up somewhere in the medium equip load area, for a balance between defense and speed, and the lighter helmet and chest piece were primarily to even out with the heavier weapons.

The weapons he gets are: the axe of Godrick, the highland axe as a secondary, and the clawmark seal.

The axe of Godrick is a pretty good greataxe with what selection there is, some good damage and a really good ash of war skill with a really good area of effect. It’s fantastic for crowd control when two-handed, and worked pretty well for me when I tested it out without having upgraded it. It’s all in all a great standard axe. The highland axe as a secondary is used partially as a faster one-hand option, and partially for the boost given by its war cry ash of war. The axe of Godrick is almost always what he’d use, but the highland axe is probably better for some specific situations. Damien was always going to end up using axes, and I think these two are pretty good and fitting.

In his other hand is the clawmark seal- scaling with faith and strength and so working well with him relying on strength, and boosting bestial incantations, of which he has one- and he mostly uses support incantations with some minor attack incantations- but he is primarily support, usually backing out of the fight to switch to casting due to usually two-handing the axe of Godrick. He gets six incantations, those being:

Heal, as a very standard heal, mostly just for himself,

Erdtree heal, a heal more intended for group healing,

Golden vow, a group offense and defense buff for a time,

Protection of the erdtree, for increased non-physical defense, which is likely useful for many bosses,

Bestial sling, which is a pretty basic but effective attack incantation, and boosted by the seal he uses, and is probably great in tandem with his axes to break an enemy's poise,

and then Dragonclaw as his final spell, a stronger and closer-up attack spell, likely for individual bosses that are lower on hp.

His offenses are standard and meant to be pretty decent for crowd control and poise-breaking, so his attack spells follow suite, while his support options are based around healing and some basic buffs. I personally do not use buffs or incantations when I play, so I do not know the nuances of a lot of this stuff, but Damien's got a good set of incantations to use.

Damien's set of talismans are the green turtle talisman, the mottled necklace +1, the axe talisman, and the bull-goat's talisman.

The green turtle talisman is a great talisman, simply increasing the speed of stamina regeneration, and it's a fantastic talisman. Very useful with the stamina drained by axe attacks and backing off to cast spells.

The mottled necklace boosts immunity, robustness, and focus, an across-the-board status boost, and I imagine it's useful for being up close with enemies and then staying alive to help with support- even if he doesn't have much in the way of ailment-based support.

The axe talisman is a damage booster, and considering his decent poise, charged attacks are pretty viable for him to be using.

The bull-goat's talisman is standard but very effective in practice (or maybe that's me being used to low poise), as it raises poise, therefore making it harder for you to flinch or be knocked out of an attack. Very helpful with a slower main weapon like the axe of Godrick.

Damien's standard all around, with pretty good damage and likely very helpful with crowd control, usually two-handing the axe for maximum damage and will back off when using incantations. He primarily uses incantations for support, and the offensive incantations are usually saved for bosses or rougher encounters- or sometimes just if he wants to switch things up for fun. He's likely going to focus on Strength and Faith, with some Mind thrown in for most casts.

Bellum:

His armor is: the altered tree sentinel armor, and the malformed dragon gauntlets and greaves.

Chosen partially for the color and because they're all heavy plate armor; meant to emulate a lot of the phantom designs, and for that yellow color, and I wasn't even aware that the malformed dragon gauntlets had a darker color until I was initially putting this together. Heavy armor fits with a desire to survive in battle, plus I think decent mobility in heavy armor suits Bellum; when I tested this out, I was firmly in medium equip load territory, plus it made for a good bit of poise to go with slower weapons. It wasn't too hard to pick out armor for him.

The weapons I felt suit him are: the blasphemous blade, the Marais executioner's sword, with the gravel stone seal as a secondary.

The blasphemous blade was practically necessary, a greatsword with the bonus effect of hp restoration on enemy death, plus the Taker's Flames skill, which also heals hp when it hits an enemy. This is was made me decide on greatswords over colossal weapons, trying to stick a bit with some ideas from the phantoms, plus the hp-leeching effects, plus it’s a pretty good weapon and I think it originally belonging to Rykard also fits pretty well; it’s Bellum’s main weapon unless he switches to the Marais Executioner’s sword for it’s specific skill. That sword is mostly chosen for it’s skill, as well as it’s origins- those bell-bearing hunters are absolute nightmares to deal with- so the two swords are kind of also picked for a sort of intimidation effect. At least the wriggling flesh on the blasphemous blade does the job well enough if someone doesn’t know the origins (which don’t practically matter). He would likely switch to the executioner’s sword for some boss fights, and its skill can be highly damaging to lone enemies- the focus with these two is on heavy damage and hp regen.

The secondary left hand weapon he has is the gravel stone seal, which boost dragon incantations, and so he only uses offense incantations, with a lot of incantations that cover a wide area and some that inflict ailment buildup. Bellum gets five incantations, all attacks (and all maybe emulating the idea that he’s a monster forced to be human in the lands between lol);

Beast claw, a pretty standard but pretty effective ground-level attack,

Unendurable frenzy, a wide range, fiery madness-inflicting incantation that, while only inflicting madness on a select few enemies (and himself) is likely more than useful for crowds and large enemies,

Rotten breath, a dragon communion incantation that is about what it says on the tin, a dragon’s breath attack that inflicts scarlet rot,

Fortissax’s lightning spear, another dragon incantation that summons a pair of lightning spears, with the damage at it’s best up close,

and Aspects of the crucible: tail, a wide-range crucible incantation, and the most fitting of the crucible incantations, I feel.

He has no issue getting up close to bosses, since he can fall back on the honestly insane hp regen he’s afforded by both his main weapon and some of his talismans.

The talismans Bellum gets are; the taker’s cameo, the dragoncrest greatshield talisman, the pearldrake talisman +2, and the godskin swaddling cloth.

The taker’s token has the same passive effect as the blasphemous blade; hp restoration upon enemy death. The fun part is that the taker’s token and the blasphemous blade’s hp regen effects stack with each other.

The dragoncrest greatshield talisman reduces physical damage by 20%, and the pearldrake talisman +2 reduces non-physical damage by about 11%. Covering just about all defenses with these two talismans.

The godskin swaddling cloth allows for additional minor hp restoration upon landing a certain number of melee hits within a short timeframe. This could be harder with greatswords, but with dual greatswords and jumping right into the action, I don’t imagine it’s at all impossible for the talisman’s effect to never trigger. As always, it’s extra effective with a larger number of enemies.

Bellum’s the main damage-dealer with a focus on staying power and lots of hp regen, using the blasphemous blade for regular battles while switching to the executioner’s sword for bosses due to the more aggressive ash of war. His incantations are more often used for crowd control, but are absolutely effect for boss battles, especially when given time to charge them up. He’s all about staying power and straightforward damage-dealing, with some decent poise to back things up despite his checking piece being altered and his lack of a helmet, and all of his incantations are a bit more bestially-inclined. He'd probably focus on Vigor and Strength, with some Faith or Dexterity thrown in for damage-dealing.

Overall, the idea is that the four of them are in the lands between like this, working and running around together, probably fighting over what bosses to go after next and whether or not to head into the catacombs that one of them just spotted. I could see them taking the time to scour the lands between for every little trinket and discussing whether or not to bother with some character's quest. Not too different from actual post-ph stuff, but it's fun to put them in Elden Ring and think on what kinds of equipment to give them and what would suit them.

[hyperexplosion]

.

[the-ark-awaits]

.