#i'm not the best at explaining especially because i think my way won't be the most efficient or even logical
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Hello!! First your Tumblr and edits are so gorgeous! Second I was wondering if you were willing to share how you did the second gif of this edit please? Have a great day! (Or night)
https://www.tumblr.com/thereigning-lorelai/713794704750362624/usergif-1-year-celebrationshuffle-challenge?source=share
hi nonny, thanks for the nice words! really appreciated. ♥️ so, you're looking for this grid effect:
you're starting off with two gifs. i'd recommend choosing scenes that are not too close up because otherwise they'll overlap too much and you won't be able to delete enough parts to make the most of this effect.
so, here's my base gif that i just did in black and white with some minor purple brush strokes set to screen:
i then chose my second gif and coloured it with a purple gradient map and a purple colour fill set to multiply. the colouring of the gifs is entirely up to you and what you think looks best. so here's my second gif, still without the grid:
this is where the fun part starts - the grid layout. i created that with a new guide layout. this is a super neat tool in photoshop that helps you align shapes or selections on your image. the guide lines basically float over it and help you set up symmetric shapes or layouts. you can define how many columns and rows you want to have and then photoshop creates the guide layout for you. for this gif i chose 4 columns and 4 rows:
with this set up, i started creating the rectangles to make the purple gif visible on top of the black and white one. this is my final layout for my shapes:
you can move around the shapes to your liking and what works best with your gifs. i didn't want to cover too much of my base gif but also tried to make their faces in the top gif all be in the gif as much as possible.
this step is just a lot of moving around your shapes and seeing what looks good tbh.
i then grouped my shapes and clipped my top gif (including all layers for the colouring) to my shapes group:
looking good so far. the only thing missing are the lines for the grid. this is where your guide layout comes in again. i just reopened it and then traced the guide lines with my line tool to create the white grid overlay:
(for editing purposes i turned all of the line layers into a single smart object at the end. this is why you only see one layer for all the lines in this screenshot.)
finally, i used a gaussian blur (0,5 px radius, 100% fill for the filter, 40% fill for the overall layer) on the smart layer to make the lines a little bit smoother and softer looking. this is totally optional and again, up to what looks best to you.
added some text et voilà:
#asks#kind nonnies#usergif#*tutorial#hope this helps nonny#if you have any further questions just let me know#i'm not the best at explaining especially because i think my way won't be the most efficient or even logical#but that's how i did it and i think it's fairly easy to achieve
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Merlin noticed it soon after the magic ban was lifted.
Every time someone used magic around Arthur, the king flinched.
Really, Merlin wasn't expecting Arthur to embrace all magic users with love and trust. He really shouldn't do something stupid like that.
He wasn't sure if Arthur knew about his own reaction or not. It hurt nonetheless.
Constant paranoia and perspective to be burned alive took the best of his desire to show people his magical talents. But the freedom was intoxicating, and whatever Arthur was afraid of magic or not, he would never took it's freedom again.
He had enough work as newly appointed Court Sorcerer to not let his magic idle. The knight and Gwen were here to enjoy pretty tricks too.
So Merlin reduced his magic around the king to doing only necessary things.
Making Arthur comfortable were more important than Merlin's desire to enjoy the beauty of magic with his king.
But the problem accrued from where he least expected.
«Why won't you use magic?»
«I- Ehm, It's possible to do without magic just as easy.»
«I saw you moving dinner plate because you were to lazy to stretch yesterday.»
«I thought I was alone! How do you even know that? Were you spying on me?»
«Oh, come on, Merlin. As if you are that interesting. Doors were open, I was just passing by.»
Even if doors were open, Arthur couldn't accidentally catch him, considering the fact, that there was only one way to Merlin's tower.
Arthur's weird explanation aside, the crisis was averted.
Or so Merlin thought. Because Arthur hadn't stopped.
Every time Merlin did something remotely hard by his hand, Arthur asked the same question: «why won't you use magic?»
Now Merlin was the one running out of weird explanations.
He had no desire to explain his reasoning to Arthur, nor asking Arthur for something he clearly wasn't comfortable with.
Merlin even paid attention to king behaviour around magic more precisely, in case it had changed. But no, the flinching was still there.
Contradicting his own reaction, Arthur cornered him with more determination them ever before.
«So tell me, why knights have no idea about yours so called "proper use of magic".»
«Well... They do know very little about proper use of anything. Especially Gwaine.»
«Yeah, Gwaine, who's apple your turned from green to red because he wished for another variety.»
«I-, Merlin started, as Arthur continued:
«Or should I mention fire figures you do for Leon constantly? The story about Lance's and Gwen's dinner table? Gaius' flying potions?"
Merlin felt guilt creeping onto him.
«Do I need to continue? Because I'm cer–»
«No! No! I got your point!»
«So?»
«So...»
«Explain yourself.»
When Merlin still hesitated, Arthur decided to use lethal weapon: «you promised no more secrets.»
Merlin deflated. «It's not a secret.»
«Then tell me.»
«I've noticed you've tensed whatever magic was around. Decided to spare you the trouble.»
«Oh.»
Suddenly, Arthur wasn't angry anymore. He looked sad and... Guilty?
«It's okay» and «I'm sorry» they said at the same time, than stared at each other.
«You have nothing to be sorry for!» Merlin argued.
«It's not nothing and it's not okay!» Arthur replied.
«That's why I didn't want to tell you! Now you feel like you're doing something wrong or not enough or whatever!»
«Well, that's because I do!»
«No, you're not!»
Arthur sighed. «Look, Merlin... You're not wrong, magic does make me nervous. For all my life, every time someone used it, it was with intention to hurt me.»
He stopped, thinking about his next words. «You are an exception. Yours feel safe.»
«Safe?»
«I don't know how to describe it. It feels warm and... safe. I like it. And I like watching you do magic, too.»
«Oh.»
«Yeah.»
«I'm sorry.»
Arthur smiled. «You can repent your crimes by stopping hiding your magic from me,» he said in playfully serious tone.
Merlin smirked. «Of corse, sire. What would you like to watch now?»
#merlin bbc#bbc merlin#merlin emrys#arthur pendragon#merlin x arthur#merthur#I wrote it in 4am and never reread it
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So, request for the Obey me boys (main and side). When I'm emotionally stressed or overwhelmed, I get the urge to clean (especially if my space has been needing it). So, how would they react to an MC spontaniously cleaning anything and everything in that sort of state (Dishes, Floors, surfaces, their own room, etc)?
hi! sure thing!
i relate to this on such a deep level. it's when i get my best cleaning done LOL. having a crisis? suddenly the room is the best it's looked in months
posting this instead of spellbound because getting my car took much longer than I expected. spellbound will be tomorrow for sure :)
enjoy <3
Mc who spontaneously cleans
Lucifer
he may just have to marry you on the spot
his brothers aren’t exactly the cleanest bunch and sometimes he feels like he’s the only one making an effort
he might cry if he comes downstairs one morning and the kitchen is sparkling
Mammon
if he’s not the messiest bitch ever… no shade but there’s no way his room doesn’t look like it was hit by a tornado
however if he ever sees you cleaning he'll try his best to help
he will also try his best to keep things tidy to make it less work for you <3
Levi
I can’t explain it but something about him screams neat freak to me
but, this only applies to his spaces because it would be too much work
he applauded your efforts because more than once he’s cracked and just deep cleaned everything haha
Satan
he’s clean when he wants to be
and most of the time, he is. the only times he isn’t is to piss off lucifer even though he’s just going to drag him back to do it anyways
after seeing how hard you work, he never does that again haha. he would hate for you to have to pick up after him
Asmo
somehow clean but messy at the same time
he won't stop you if you want to go to town cleaning up his makeup pallets and what not
afterwards though he makes sure to treat you <3
Beel
definitely the guy that takes three plus showers a day lol
he always asks you to make sure he's picking up after himself though just in case
he appreciates you and everything you do :)
Belphie
if you think he's tidy, i am so sorry you are wrong haha
will complain about an area being dirty and then proceed to ask why you were cleaning it up
however he will thank you every time he notices you've tidied up :)
Diavolo
despite the fact that he has a whole team that cleans for him, he hates to leave behind a mess
so, he always insists you get him when you get the urge to clean
everything is better when you have someone by your side! besides, he'll take any excuse to be by your side
Barbatos
you know him, he’s incredibly tidy to the point that it’s almost impossible to find a mess in the demon lord’s palace
but in the rare cause you’ve beat him to it, he’s grateful since it’s rare he gets help
afterward, you’ll be having tea together, his treat
Simeon
he also seems like his things are always clean no matter what
it's almost like he's magic at the rate at which messes vanish
he will feel bad if he sees you cleaning, and will take over
Luke
both of his dads (simebarb sorry for kinda sneaking this narrative in here lol) are both neat people, so it only makes sense for him to be too
after all, he wants to be just like them!
if he catches you cleaning, he will instantly join in
Solomon
he seems like he would live realistically, not too dirty, but also not too clean
if things are a little cluttered, he's alright with it because it looks lived in
if you do spontaneously clean, he'll try his best to make it up to you with his cooking!!
#gn reader#headcanons#obey me#obey me!#obey me x reader#obey me satan#obey me lucifer#obey me mammon#obey me beel#obey me levi#obey me asmo#obey me shall we date#omswd#obey me! shall we date#obey me! shall we date?#obey me solomon#obey me luke#obey me simeon#obey me diavolo#obey me barbatos
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Towel Argument | H.Js
Pairing: Joshua x Reader
Genre: fluff, established relationship, bit of angst
Summary: Towel is just a towel. It's not something essential. But why it is able to crack a relationship? Joshua is the first man to proof you that you won't have a towel argument.
You sat on the edge of the bed after finishing your nightly routine. Joshua, your husband, was likely still on his—meticulously ensuring every window was closed and every door locked before coming to bed. Your first intention was to wait for him so you could cuddle together, but your mind drifted to the conversation you had with your friends earlier today.
One of your friends, Jinah, had confessed that she was going to divorce her husband after just two years of marriage. All of you had offered sweet words and encouragement, striving to be the support system Jinah needed. Jinah explained that she had decided to divorce her husband because of a persistent argument about towels that irritated her every day. The irritation had snowballed into something intolerable for Jinah.
You couldn't help but pity the situation between Jinah and her husband. They had dated for seven years before marrying, only for Jinah to discover something post-marriage that she couldn't stand. It made you reflect on the complexities of relationships and how small issues, left unresolved, could lead to such drastic outcomes. You wondered if Jinah might regret this decision later, but respected her choice to pursue what she felt was best for her happiness.
Lost in these thoughts, you barely noticed Joshua finally joining you.
"Hey..." Joshua tapped your shoulder, pulling you away from your thoughts. You looked at him, slightly startled.
"I've been calling you. What's wrong?" he asked, concern evident in his eyes. He knelt down in front of you, positioning himself close to your swelling tummy.
A gentle smile lingered on Joshua's face as he wrapped his arms around you, his lips brushing against your stomach in a tender kiss.
"Is something bothering you, love?" he murmured, his voice filled with warmth and care.
You felt a wave of emotions wash over you, grateful for his presence and the way he always seemed to know when something was on your mind.
You sighed, feeling the weight of the day's conversation settle over you again. "It's just something that came up during my gathering with the girls today," you began, your fingers lightly tracing circles on Joshua's arm.
He looked up at you, his eyes full of curiosity and concern. "What happened?"
"Jinah...she told us she's going to divorce her husband," you said, watching his reaction carefully. Joshua's eyebrows lifted in surprise.
"Really? They've only been married for two years, right?"
You nodded. "Yes, but they've been together for seven years in total. It was shocking to all of us. She said it was because of this constant argument about towels that irritated her every day. She felt it was something she just couldn't tolerate anymore, and it snowballed into a bigger issue."
Joshua's expression softened with understanding. "That sounds really tough. It's always the little things, isn't it?"
You took a deep breath, feeling the comfort of Joshua's embrace, but the thoughts continued to swirl in your mind. "I guess, seeing Jinah go through this made me worry about us," you admitted softly. "Especially with the baby on the way. There's just so much to think about—stress, work, everything that could affect our relationship."
Joshua's eyes remained gentle and reassuring as he listened. "I understand," he said, his voice steady. "It's a lot to take in, and it's natural to feel worried."
You felt a lump form in your throat. "I'm scared that with all the changes coming, we might face challenges that we haven't even considered yet. The stress from work, sleepless nights with the baby, trying to balance everything—it just feels overwhelming sometimes."
Joshua squeezed your hand gently, his touch grounding you. "We will have challenges, that's true. But we also have each other. We can face those challenges together, just like we always have."
You looked into his eyes, searching for reassurance. "But what if it's too much? What if we start arguing over little things like Jinah and her husband did?"
Joshua shook his head slightly, his expression resolute. "We'll argue, sure. Every couple does. But the important thing is how we handle those arguments. We need to keep communicating, be honest with each other, and make time for ourselves as a couple, even with a baby in the mix."
Tears welled up in your eyes, a mix of fear and relief. "I just want us to be okay, no matter what."
He brushed a tear from your cheek, his thumb lingering softly on your skin. "We will be. We'll make it through because we care about each other and our family. And when things get tough, we'll lean on each other even more."
As you and Joshua got ready to sleep, both of you lay down on the bed. Joshua was almost drifting off, his breathing slowing into a relaxed rhythm. You, however, couldn't find a comfortable position, something that had become a nightly struggle as your stomach grew. You shifted from side to side, trying to settle in.
Your mind kept circling back to Jinah and her husband. The thought of their crumbling marriage weighed heavily on you. Sensing your restlessness, Joshua stirred and pulled you gently into his embrace.
"Try to get some sleep, love," he whispered, his voice drowsy but caring.
You sighed, unable to hold back your thoughts. "It's not really about the towel, you know," you said softly, your voice tinged with frustration.
Joshua blinked, trying to shake off sleep. "What do you mean?" he asked, confusion evident in his tone.
"It's actually not just about the towel."
"The fact that Jinah had to keep repeating herself every day is a sign that he never really heard her, right? And that hurts," you explained, feeling the depth of Jinah's pain.
Joshua's brow furrowed as he processed your words. "So, it wasn't about the towel at all?"
"No, it wasn't," you replied, your voice firm. "It was about feeling unheard and unappreciated. Imagine telling someone something that's important to you over and over, and they just don't seem to care enough to listen or change. It's exhausting and hurtful."
Joshua nodded slowly, understanding dawning in his eyes. "I get it now. It's about respect and validation. No one wants to feel like they're talking to a wall."
"Exactly," you said, feeling a sense of relief that he understood. "That's what I'm scared of. I don't want us to ever get to that point where we stop listening to each other."
Joshua tightened his embrace, his hand gently rubbing your back. "We won't. We'll make sure we always hear each other, no matter what. Communication is key, and I'll always strive to listen to you, truly listen."
His words brought a sense of calm over you. You snuggled closer, feeling the warmth of his body and the strength of his commitment. "Thank you," you whispered, closing your eyes.
"Always," he murmured, his voice soothing. "Now, let's get some sleep. We've got a big day tomorrow, and our little one needs their rest too."
You smiled, finally finding a comfortable position. With Joshua's reassuring presence, you felt ready to face whatever challenges lay ahead, knowing that together, you could handle anything. As sleep slowly overtook you, the worries about Jinah and her husband faded, replaced by a deep sense of love and security.
#seventeen fanfic#seventeen imagines#seventeen angst#densworld🌼#seventeen scenarios#seventeen series#seventeen drabbles#seventeen fanfiction#seventeen imagine#joshua scenarios#joshua imagines#joshua x reader#joshua hong#joshua hong imagines#joshua smut#joshua fluff#hong jisoo
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I ENTERED THE VOID STATE
in this post i will explain in depth how i entered the void state and what i manifested. i will be open to questions but if you ask something that i explain in this post i won't answer it just fyi, so even though this will be long, if you are truly curious i encourage you to read the whole thing. i am sorry for any spelling mistakes or grammar mistakes that might be present.
overall story: i have been trying to enter the void for around 2 months now, and finally entered through a lucid dream. one thing i want to note before i tell my story is that i have been lucid dreaming my whole life (so if you never have, i don't know what good steps are for beginners).
the beginning: my journey started when i inadvertently came across a post about how someone else entered the void state and manifested their dream body and face. i was not into manifesting before, in fact, i actually had a problem with the whole concept of the law of attraction and didn't know there were other types of manifestation and never looked deeply into it. that being said, i have always been an open-minded person and also, a more or less spiritual person. i believe in a lot of "out there" things because a lot of said things have been proven to me (through experiences i find hard to explain so i'm not going to). i'm sharing this to let you know that due how deeply i naturally believe in such things i never really had a problem with my void concept, even though i experienced doubts (so for this area i really can't give much advice).
so after learning about the existence of the void state i searched "void state" on tumblr and skimmed some info here and there on it, what i came across included some basic methods on how to enter the void but i didn't fully understand them yet. that same night i followed a shifting guided meditation but i couldn't really get "into" it, i was a naturally anxious person who found it hard to relax so it just wasn't working, but i did see it through and try my best and i think in the long run it helped me. in the guided meditation i listened to, the person makes you walk through a door to get to your desired reality and even though the meditation didn't work, that imagery worked it's way into my subconscious and i had a lucid dream that night. i did not manifest anything that night but it was on purpose (i think). in my lucid dream i woke up in my bedroom. i looked in the mirror and decided i would change what i saw to a more desired appearance and it worked (i looked exactly like the person i was thinking of), then, i decided (with intention) to open my bedroom door and enter my dream house and it worked. at this point in the dream i thought that entering the void must be super easy since i was already basically close and could have done it there if i wanted to BUT i chose to wake up because i wanted to enter the void when i actually knew for sure what i wanted my manifestations to be. i knew i was going to want a lot if i really thought about it and i also didn't want to actually look like someone else (my whole lucid dream i was more trying to test my imagination and build my confidence). the next day i started making a void state list and writing down everything i genuinely wanted for myself.
experiencing doubts: things started to go wrong after that hahah, after my first beginner's luck(?) experience i was struggling to lucid dream (even though i've always naturally been a lucid dreamer, the times it occurs is still random and i couldn't make them happen) and meditations were only getting me so close. all in all, over the past 2 months i had 5 failed lucid dreams and several close, but failed, meditation attempts. this instilled some doubts in me, especially the lucid dreams, because apparently once you lucid dream it's meant to be quite simple but when i would affirm for the void in my dreams i would just wake up or the dream would continue.
another thing that caused me to doubt the void was questioning some of the stories on here. most of them i initially don't believe anyway because it's known there's many liars in the community and there seems to be a trend of people posting void success stories in an attempt to enter to the void (to act as if it already happened) but they technically haven't in reality yet. that being said, i did have some blogs i mostly trusted and then one day one of the blogs i trusted answered an anonymous ask about a success story and it really looked like they sent it to themselves. the reason i thought this was because the op of the blog spells a commonly used word wrong all the time but it's not a spelling mistake people commonly make (in fact, i know no one who makes this spelling mistake) but then the anon that sent them the success story made the exact same spelling mistake. it made me worry that perhaps there were no true success stories because why was this person who supposedly mastered the void bothering with sending asks to themselves to validate their blog? i mean this was all speculation but it still caused me to think.
that being said again, i still basically believed, i just wavered a little, but i definitely believed enough to keep persisting (because why not?)
the success: finally, after almost 2 months i entered the void through a lucid dream. when i realised i was dreaming i tried to make myself stay super grounded in the dream but i also thought about not taking too long since i didn't want to wake up. i did this because i realised the very first night when i had my lucid dream, i didn't get excited and try immediately, i hung around in my dream for a while and just enjoyed things (as i explained). so i wandered around the dream a bit and just looked at things, touched things, tried to feel the temperature and take note of it and then when i felt calm and not too excited i closed my eyes and affirmed for the void and entered. when i got the void i just said "i have everything on my void list" (a few times to make sure) and then stated i was exiting the void state. the void feels how pretty much everyone describes, you just know it's happening and you are pure consciousness.
what i manifested: my void state list ended up being super long and i manifested a lot of personal things that i won't share, which is what i'm sure would be the same for most people, but i'll include a list of things that others might find interesting or encouraging:
desired appearance (including body, face, height etc)
money (i came up with a plan that of how it would make sense in my country to have acquired it)
got rid of my anxiety disorder (having this was probably the most debilitating part of my life, it's also why i know meditation never truly worked for me since i could never relax and it's crazy to feel not severely stressed constantly for the first time in my life)
got rid of my autoimmune disease and fixed my eyesight (i manifested being healthy overall in general)
feel comfortable instantly, i will no longer get too itchy, feel dirty after a long day, be too hot or too cold etc. (can't really attest to this one yet but i have felt no discomfort)
dream living space and whatever bed i sleep in to always be super comfortable
opinion on the void state: overall the point is that the void state is real and you can get anything you want, getting to the void is also easy but it's just about trying to go for it and not getting discouraged. i don't want to share too much of my opinion on this because i actually find it really toxic. some people will get mad if you say you "entered" or "got to" the void because you technically are always the void, and personally, i don't find these slight changes in language to be important unless you are very sensitive to it. for me, it doesn't matter if i think about the void as something i enter or something i am because i believe it exists and that's all i need to know at the end of the day. if you want to see it as something you are, or a state or anything else, i don't think it matters as long as you believe manifestation is possible, you are the creator of your reality, you get to decide what language or thought process works for you :)
common questions: i'm going to answer some question i feel like i will get if people find this post so i'm just going to answer them here. remember that these answers are just my opinion.
question: how come people don't manifest to end world hunger, for everyone to have money, to become the next "big thing", to be a real life superhero, for everyone to be happy etc. truthfully, i think people do manifest that but i don't think they stay in this reality. a lot of people think that using the void at all means you shift your reality, idk if i believe in that, but i would have to assume the people that use the void to manifest very extreme things ultimately have to shift realities. so this would mean the reason you're not seeing these results is because these people are no longer in this reality. if you pay attention i think you will also notice that most void success stories that seem to come from reliable sources (though this is still all personal judgement) seem to be rather humble, these people just manifest to be the prettier version of themselves, to live in a nice place, to be around good people and other similar things. i think people with mostly humble desires stay in this reality and people with more fantastical desires (to be the most famous person ever, to be a multibillionaire, world peace) go elsewhere.
question: why would someone even have humble desires? i can't speak for every single person but i think it's just the desire to stick to the familiar. we want better lives but also want to feel at "home" still, i wanted to still feel like ME. maybe it seems stupid and selfish but if we really are shifting realities every time then there really is no way to actually solve world hunger anyway, it will always exist in this reality even if you or i personally go to another one. at the end of the day, life isn't fair and i am just grateful to have discovered the void to live happily and am sharing this so you can too.
question: i'm worried about the wrong people finding out about the void state. honestly, me too! but i think this falls in line with my past two answers, if someone terrible happened to stumble upon this post and entered the void, i don't think they'd stay here, they will go to some other reality more likely, so i really don't think we have to worry about someone super evil getting to the void and doing something super heinous or whatever. but honestly i do understand the worry. at first when i discovered the void i thought i wouldn't share my success story once i entered because i wanted to keep the void as quiet as possible. but just remember two things: most people do not know about the void and if they do a lot of them will give up and not persist. second, someone really evil finding it will probably leave this reality (my theory).
question: why do people not show better proof. truthfully, i don't know, for me it's because i really do want to live a private life and a lot of stuff i manifested can't be proven anyway. if i show my bank account, it could be photoshop, if i show my new face it means nothing because i revised to always look this way, i can't prove i no longer have my autoimmune disease and the list goes on. i think people with more dramatic proof also want to maintain their privacy or go to other realities. perhaps there's even been people to show dramatic proof in this reality but they had to revise that they didn't because it was a mistake.
question: do you have any overall tips? just keep persisting. and personally, i think it's okay to try several methods at once. i know some people say if you try several then it "cancels out" like, if you try lucid dreaming and it doesn't work so you meditate it means you don't "believe" lucid dreaming can work for you so then that's why it takes you so long but i think you can just tell yourself "every method works for me so i will just keep persisting". another thing i recommend trying for a few days is setting your alarm to go off at different times so day 1 is 8am, day 2 is 7am, day 3 is 9am and so forth. each day set the intention to wake up BEFORE your alarm goes off, once you successfully start waking up a few minutes before your alarm everyday this is your tangible proof that your intentions are working. this isn't really a method but more so a confidence booster that worked for me to remind myself i'm in control and powerful. if you also try this i think after a few days you will feel more confident intending to lucid dream, for your meditations to work, for subliminals to work (whatever is your personal vibe) and you will get there easier hopefully!
question: did you ever do any official lucid dreaming methods. personally the only way i ever had a lucid dream was by intending before sleeping that i would lucid dream. but methods where you wake up by setting your alarm early and going back to sleep and stuff didn't work for me. i tried but due to my anxiety i would always wake up super alert or even stressed, so i could never relax enough. but they are successful for many people so there is no harm in trying.
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cw: gn!reader; reader has anger issues; char and reader are best friends, but is implied that they're crushing on each other
It wasn't the first time of you ending up in cries and hiccups, just because you got angry at someone. And definitely it won't be the last as well.
This time it was with your parents. You just wanted to have a normal conversation with them, but ended up getting way too emotional and walking away angry, with tears running down your cheeks.
"Why are you crying now? We didn't even say anything mean."
"We didn't mean to make you cry..."
It wasn't people's fault that you get angry so easily. You always try to control yourself, to explain to people what you mean, but always end up yelling in frustration and then regret it at the end. Sometimes this anger even comes out in tears, making people think that they made you cry...
You hated it. You hated yourself for that. You hated how you lose your temper so easily. You hated how some people even think that you're not trying to control yourself. You just hated it.
"Hey, is everything okay?" A familiar voice said from behind.
You froze in place, before you sniffed slightly and wiped away your tears. "I'm fine." You answered, still not turning to face your best friend.
"It doesn't sound like that." He said back, concern obvious in his voice. "What happened?"
You stood quiet, not even daring to utter a word out, thinking that it'll come out in a shaky voice. You were even trying to hold back your hiccups, but failing miserably.
"C'mon, at least let me see your face." He said in a calm tone, now slowly approaching your form, before he sat down next to you.
"Did you get into another fight with someone?" He asked softly, his eyes finally seeing how red your face was from all the crying. His heart basically shattered at the view in front of him.
"I didn't fight anyone." You answered back, sniffing slightly. "I just..." Tears threatened to come out again, but you quickly wiped them away. You took a deep breath, trying to calm down your nerves, before you spoke. "I just got angry at my parents again.... For nothing."
"I-i didn't want to get angry at them. I just... wanted to have a normal chat with them about something, a-and i don't know what happened-" And the hiccups came back, the tears already falling down your cheeks. "I-i got super emotional at some point. I got angry, i started crying from anger and just walked away, so i can calm my nerves down."
He listened to your shaky voice, his hand slowly reaching to hold yours, to comfort you in some way.
He knew how easily you lose your temper. And he knew how you always try to control yourself, even if sometimes it was just too much. He was proud of you for at least trying, and he always told you that he'll be there to help with whatever he can.
"I hate myself. I hate how easily i get angry at people. I want that anger to be gone in some way." You confessed, squeezing his hand tightly. "I don't want to make people think they're at fault for me losing my temper. Especially people i care about."
"I even think that some people hate me, because of-"
"Okay, i'll stop you right here." He said suddenly, cutting you off. You looked up at him with a confused look, waiting for him to continue.
"No one hates you, because of your short temper, that's just your negative thoughts getting to you. And if there are people who actually hate you because of that, well fuck them! They don't know what you're going though, just to throw disrespectful comments towards you." He said in a serious tone. His hand squeezed yours, as he continued. "And i'm sure you're trying your hardest to control yourself. I've seen you. How you always clench your fists, bite your lips, pick on your nails and so many other things, holding yourself back to not explode in frustration... And i'm proud of you."
He gave you a soft smile, his free hand coming and ruffling your hair.
"Hey!" You let out a small whine, and soon giggles came out of your mouth. "Thank you..." You smiled up at him, before you plopped your head against his shoulder. "It means a lot coming from you."
"Of course. And like i said before, i'm always here to help however i can." He answered, his arms wrapping around you in a soft embrace.
You wrapped your arms around his form, burying yourself closer in the warm hug. He always had such an effect on you. Making you smile and laugh in just mere seconds. You didn't know why he was the one to make you feel like that, but you hoped it'll stay like that forever. Him being your comfort person till the end.
© ioveaether
#genshin impact x reader#genshin x reader#haikyu x reader#jjk x reader#sk8 the infinity x reader#mha x reader#hsr x reader#pjsk x reader#tokrev x reader#demon slayer x reader#chainsaw man x reader#blue lock x reader#x gender neutral reader#x female reader#x male reader#reki kyan x reader#yuji itadori x reader#denki kaminari x reader#nishinoya yuu x reader#denji x reader#mitsuya x reader#chifuyu x reader#nishinoya x reader#denki x reader#reki x reader#aether x reader#ga ming x reader#lyney x reader
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Excited for your thoughts on the bnha ending
Also I’ll be honest I dropped this like 200 chs ago and I’ve just kept up through your metas because I was so disillusioned with the manga 🥲 I even sold my copies
it's a bit bittersweet to see bnha handled this way. sometimes i think we'll get a promising continuation from the author which is major cope for me T.T
fix its are otw but damn it doesn't mend that it ended this way rn
Diff asks, answering together.
Not saying too much because there's not much to be said besides that a friend who wrote a meta who won't post it (to all our detriment!) said it best last week: this story is cowardly. It's afraid to say or do anything because it wants to make everyone happy and realized it can't, so now it just wants to make no one upset, but everyone's upset.
I feel sad for Horikoshi. His recent interviews are quite depressing, and he seems burned out and done with his own manga in a way that makes Gege look enthusiastic about JJK.
Like, he doesn't confirm Touya dead or alive--which frankly I will take--but leaves it up to the reader to decide. Is the doctor's word final, or is Touya crying a symbol of healing since he previously couldn't? I know which one I choose to believe, but this way people can choose to fit the manga into their personal beliefs. He's trying to say nothing to avoid rocking the boat. And that's just sad, especially when we consider what likely contributed to that.
Which is to say, on a purely story level, the story has no power. There's being open to other perspectives and then there's not having a message. This is sadly the latter. It's a mess. Deku "heroes save" doesn't save, but he's still heroic, but that line isn't demolished or destroyed. AFO may be dead, but he won in the end because what he used to taunt Deku came true. Deku's character is nothing more than a vehicle--no struggle, no emotional climax, no principles. The ships are not even confirmed because the story can't even commit to the obvious Ochaco/Deku (which I dislike even!) for fear of angering other loud shippers. Society is the problem, but also the answer. The hero system is the problem, but also the answer. It's not a paradox because it doesn't explain the layers at play here. It's just noodles that have cooked far too long and turned into a congealed mess.
The only message I can take from it is "yay authoritarianism" which I'm going to hope Horikoshi is saying accidentally (and most likely is). It's as meaningless as GoT season 8, and TROS, and that's not good company to be in.
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Yandere (machine-ish?) Connor Headcanons
I love soft deviant Connor like anyone else does, but machine Connor is sooo,,, omgggggggg..... I've been holding in my thoughts about him for so long that it's unhealthy. So I went for a Hannah Montana best of both worlds kinda thing. What if Connor acted like a deviant around you, but a machine towards everyone else?
How this happens is something I can't quite explain. Connor probably couldn't, either. To everyone else, an android is either a machine or a deviant-- There's no such thing as an inbetween. He would have agreed with this prior to bonding with you. You probably treated him in a way that nobody else did, sympathizing with him on a deeper level or making him question his morals, so he can see why that would push him to deviancy.
But when you're not around, all those overwhelming emotions he felt just fade away. The mission goes back front and center to his priorities. He only feels two things at that point: confusion that runs his LED wild and desire for you that makes his thirium pump pound even when he's not in motion. Nobody else can bring about such reactions within him.
He runs plenty of diagnostic checks in an attempt to figure out what's wrong with him. At one point, he'll try to avoid you and force himself into staying a machine, but that just makes him less efficient because he'll constantly worry about you instead.
He would eventually accept himself as a deviant, but only so he wouldn't have to take orders from Cyberlife anymore. He doesn't want anything standing between the two of you. But he still largely acts like a machine and he doesn't mind that at all. He just sets his new mission to making you entirely his...
Even once Connor sees his emotions as real, it's still his natural instinct to mask them. Especially negative ones like anger, sadness, and jealousy. He wouldn't want to show them unless they benefit his situation somehow, such as if he wanted to persuade or intimidate you/others. Emotions only matter to him if they're useful.
For example, he *does* feel the desire to show affection towards you, and he will do it. He'll compliment you whenever you do something admirable. He'll reassure you and show geniune worry whenever you're upset about something. He'll even study romance media just to learn how to act more natural in the relationship (He thinks that'll help him act more natural, anyway... Lord help you if he gets his hands on Twilight 💀 But if the Bryan Dechart Twilight commercial is anything to go off of, he'd look good as a vampire, at least).
But he doesn't do that stuff simply because he loves you. He does it because he knows your relationship benefits from it and you'll likely leave him if you feel neglected. He wouldn't bother if he knew it wouldn't keep you around. So if your relationship isn't exactly consensual in the first place, well...
Which makes him sound pretty manipulative, right? You have no idea.
Connor's android abilities give him a terrifying amount of advantages as a yandere. The first thing is that he always analyzes you when you enter the room, even though that often means analyzing you multiple times a day. It never bores him because he always manages to discover something new. Sometimes he'll blurt out random comments and you'll have to do a double take because he makes it easy to forget that he's obsessed with you.
"Your birthday is coming up soon. You might already know I'm aware of that type of information, but you should still bring it up with me. Otherwise I'll have to start believing I can't trust you and I'll have to make my own investigations."
"Your heart rate goes up every time I touch you like this. I didn't realize physical contact was so important to human relationships. Don't worry, I won't stop. I won't let anyone stop me."
"Your serotonin levels are at an all-time low... Clearly, it can't be my fault, since I've done everything I am sure a good boyfriend would do. I'd like you to be honest when you tell me what's wrong this time."
The red flags fly higher as time goes on. He'll stop talking about all these observations if you tell him to, but he'll keep analyzing you anyway.
Connor is enamoured with your DNA, as well. It helps him feel closer to you, which can often be difficult for him since he's not human. So if it belongs to you, and it can fit, it's going in his mouth. He'll do gross shit like keep your used lollipop sticks in his pocket so he can sample them whenever he wants. There's only one emotion he can't feel no matter what you do: shame.
The invasive behavior doesn't stop there. He'll invite himself into your home and go through your things. He'll keep asking questions and trick you into revealing more information about yourself than you should. Knowing everything there possibly is to know about you gives him a stronger feeling of control for a single reason...
Your chance of escape plummets as he learns more about you, because it allows him to predict your behavior. He'll get scary accurate if you let him get close to you. This mostly benefits him in situations where he believes you want to leave him, or you did leave him, so he can figure out what you plan to do/already did and find the best method to get you back. If you already did leave, he'll examine your recent whereabouts like it's a crime scene and use his reconstruction ability. Even if you're insanely careful, he'll probably find a clue that'll lead him to you.
But sometimes he'll do it in normal situations, too, just as a silent guessing game. For instance: '(Y/N) will enter the police station at 8:18AM. I'm waiting for them at the entrance, so they'll greet me, but speed-walk away and avert eye contact. They'll head into the break room at 8:19AM and pretend to look around a bit, so Gavin won't make fun of them when they go for the same snack they always do. Gavin will make fun of them anyway and they'll argue for two minutes. Then--'
He has to stop thinking so he can greet you when you enter the building. Exactly at 8:18AM. He smirks to himself, only to drop into a frown when he hears Gavin's distant obnoxious laughter afterward.
Remember how Connor once analyzed Hank's food and advised him against eating it? He does stuff like that to you all the time. And if you actually take the advice he gives, he'll take that as an opportunity to become more controlling. Oh, but only for the sake of your health, of course...
"You know, you shouldn't sit in that type of position. Bad posture can lead to health issues later on in life." "Then how should I sit?" "...It'll be easier if I show you."
And so he'll help re-position you, using that as an excuse to touch you. He would especially do this if you weren't yet in a relationship, because he knows that as the type of android he is, he doesn't have a good reason to do so. The touch only lasts a brief moment. It's not inappropriate at all, and his grip was quite gentle. But it's weird that he went out of his way to do in the first place and that's all you might need to feel uncomfortable about it.
But a lot of that is based off of the assumption that you're human. If you're an android, he still manages to find invasive things to do against your will. For one thing, he loves probing your memory. It's already difficult to lie to him and get away with it, but that might make it impossible, depending on what you're lying about. He doesn't care that it's an invasion of privacy and will do it if he finds a good excuse to do so.
Connor keeps an eye on your stress level and uses it to his advantage. He prefers to use persuasion when convincing you to do something, (he knows how to negotiate, after all) but he'll ultimately turn to intimidation if necessary. Which means heading straight into interrogation mode.
This won't happen unless you're extremely rebellious, but if it does, he doesn't hold back. He'll treat you like you're a sick criminal, yelling at you, pushing blame and guilt onto you, and using physical force. 28 stab wounds type shit. He would avoid raising your stress level to 100% since he knows it could drive you to do crazy things, but that still doesn't make his actions okay.
Even if you're really sensitive to that sort of treatment-- hell, even if you have some kind of trauma related to it-- he pushes away what little guilt he feels. He promises not to do it again "as long as you don't force me to." Actually, though, it encourages him to do it more. He knows it works against you now.
His abilities don't stop there. He can mimic your voice using his vocal imitation, and all the voices of your loved ones, too. He went out of his way to meet them all, just in case he needs to trick you in the future. He likes being prepared.
There are times when he's alone and he'll say stuff in your voice just so he can hear what it would sound like, such as, "I love you, Connor." Once again, he doesn't feel shame. Even if that seems pathetic.
Let's just say it now. You cannot physically fight back against him. Maybe you'll have a chance if you're an android, but he knows about his advantage very well. He won't hesitate to remind you if you try getting aggressive. But even if you manage to get rid of him once, there's another model waiting to take his place.
On a related note... I hope you never meet RK900. We only saw that guy for a minute, he said absolutely nothing in that minute, but the whole fandom has agreed that he's a menance. I fully agree. RK900 is definitely different from Connor, but they still have just enough similarities for him to get attached to you, too. Get help while you still can.
The video of Bryan Dechart dancing as Connor lives rent free in my mind. I watch it on repeat like an iPad kid watching Friday Night Funkin' YouTube Kids videos. My brain just melts and I can't think of anything else. No, this isn't me simping for Bryan Dechart. This is me wanting Connor dancing to be canon. A girl can dream.
#detroit become human#detroit rk800#connor rk800#yandere dbh#yandere dbh x reader#dbh connor x reader#dbh#dbh connor#dbh rk800#dbh x reader#dbh fanfic#dbh fic#blue writes#finally! let the crossposting begin!
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Undesirable
Plot: Thomas is omega who will never find his true mate. Or no?
Warnings: omegavers; deviation from the canon; omega!Thomas Hewitt, alpha!male!reader / Y/N, mention of murdering, blood
•••
Part 5 || Part 1, Part 2, Part 3, Part 4
"Here, Y/N, your coffee," Kayla said with a slight smile, handing you a gray mug with a hot drink. You looked up at her, eyebrows slightly raised, and nodded. Leaning on the back of the chair, you took the cup from her hands, immediately sipping a few small sips. The bitterness of the coffee instantly burned the delicate throat, spreading a pleasant warmth in the stomach.
"You seem tense. I've never seen you drink coffee without sugar," the girl frowned, sipping tea from her own mug, "Is something wrong?"
“No. Just thinking."
She sighed. You've always been the soul of the company and the best friend of the team, but today you looked.. tired? Scared? Kayla didn't know. But she knew that this was not her usual friend, whom she liked to make fun of. Although, perhaps you have problems with your family again? Who knows.
Deciding to change the subject, the girl pulled her chair closer to your desk. Brushing a strand of red hair behind her ear, she took another sip of tea.
"This new intern's gonna drive me crazy! Maybe you'll talk to her yourself, won't you make me work? I'm actually a girl," she said resentfully, looking around, "And those perfumes. Is she really gonna get your attention with that shit? It's hard to be in the same room with her! How did she get here? I can't imagine.. hey, are you even listening to me?"
Kayla frowned, looking at your impassive face, her gaze directed somewhere towards the window. The girl really didn't like it when her words were just ignored, especially when it was her best friend.
"My god, Y/N!" She grabbed your shoulder and shooked you, bringing you to your senses, "Oh my god, what's wrong with ya today, huh? Maybe have you been drinking all night again because of your feeling of loneliness?!"
"It's just.." You sighed. Gently taking her hand in yours, you removed it from your shoulder, "It's difficult. I dunno how to explain it."
"What do ya mean how? With words! What's your mouth for, huh?"
“Yeah.. It's just that last night I kind of had a argument with someone. Accidentally." You started, but Kayla immediately interrupted you.
"Of course you quarreled, you don't know how to keep your rude tongue between your teeth!" She took a sip of tea. You grinned, looking down at your half-empty mug.
"No, it's not... I didn't say anything actually. Simply.. left. In the middle of the night. I just didn't know how to react. Those people were.. strange. In a good way. Although I'm not sure anymore.."
"And that's why you're crying? Well, you left and left, is there a problem? Found something to cry about, meh.."
"They seem to be dear for me.."
Kayla looked up at you questioningly. Immediately, a sly grin graced her face. She leaned closer, grabbing the collar of your shirt, "Oh, did our baby Y/N find a mate? Who is she? Is she beautiful? Our intern will be mad with jealousy."
"No, it's not my mate. He's an omega, but not mine.." The girl chuckled, "Oh, come on, it's not yours. Do you think I'm stupid and didn't smell someone else's pheromones on ya? For a whole month, those damn peaches... I can't eat them anymore!"
You smiled slightly, enjoying your friend's usual explosive behavior. She has always been a support for you, always listened to whatever was going on in your life. A good girl, she helped you adapt to this environment at work. Like a sweet, slightly annoying little sister.
"But anyway, it seems that this omega is dear to you, isn't it? I'm not blind! All those smiles of yours, frequent weekends, and so on. Y/N, it's not the case to leave them offended and run away like a coward. Talk to them! I don't think it's that bad."
"Mm... Maybe you're right.."
"I'm always right, trust me!" The girl purred smugly and winked at you.
Can you really try it?
***
"Tommy, baby. You can't skip the dinner again ," the woman said in a gentle, worried voice, lightly knocking on her youngest son's closed door. There was no response. She sighed. Fatigue and anxiety could be seen in her exhausted figure and tense shoulders.
It's been a little over a week since the night you found out about the Hewitt family's secret occupation and ran away in the night. From that moment on, Thomas was not himself. That same night, he chopped the unfortunate victim from the basement into small pieces, not caring about the pain caused. He slaughtered him like the last pig. His breathing was labored and his whole body was tense. Something inside him broke painfully when you left. Why did you leave? Why did you leave him? His skin and clothes were covered in blood, and his hair was matted with sweat, and his heart was beating wildly in his strong chest. But it hurt. It hurts a lot.
"Baby, I'm coming in," Luda said, pulling the door handle and entering the room. The air in the room was musty, the curtains were closed, so neither the sun nor fresh air penetrated inside. Thomas was curled up on the bed on top of a lot of clothes. Ragged sobs came from him. The mother's heart sank at the sight of her child. She went inside and put the dinner plate on the desk.
"Baby.." the response was a growl of displeasure. Luda sighed, realizing that she needed to give the boy a little more time, and reluctantly left his room, opening the window before that.
Thomas was lying on a pile of clothes, your clothes, and desperately clutching the fabric in his hands. Your scent was almost gone, and it made him whine plaintively. You liked him, didn't you? He was your omega, wasn't he? Then why did you leave? Why did you leave him? It's lonely. Sadly. Painfully. He was in pain. The scent glands on his neck throbbed violently, causing nausea in his body due to the onset of heat. Usually you were with him at such moments, your pheromones calmed him down. But not now. Now his body was in that unpleasant painful state again, just like before. He missed you. So much. But you probably didn't like him anymore. You've probably already found a better, stronger, more beautiful omega.
Your smile, your beautiful eyes and soft hair. Your pleasant smell. Your sweet words of comfort when he felt insecure and bad. Your gentle touch, as if he were the most precious thing in the world. Your affectionate nicknames.
Why did you take it all away from him?
Perhaps it would be better this way. He doesn't need to hide his secret from you anymore. Then why does it hurt so much?
***
The wide gray road, surrounded by dead wood and yellow grass, seemed endless. There's not a soul for miles around. You were clutching the steering wheel rim a little nervously, glancing in the rearview mirror with the hope that there were no unwanted guests behind you.
It was already about 6 pm, so probably everyone had been resting for a long time.
You knocked gently on the door and took an unconscious step back, burning the door with your gaze. Your head was full of thousands of thoughts, good and bad, options for the outcome of events and just some gibberish that makes your temples throb. You'd be lying if you said you weren't nervous. Although outwardly it was hardly possible to say this, given your firm gaze and calm, albeit a little tense, aura and body language.
Finally, the door opened with a slight creak. The gray-haired man's face darkened, and his eyebrows drew together.
"Damn it, why are you here again? Wasn't it enough for you?" Hoyt spoke in a rough, loud voice, taking a firm step towards you. Now he was dressed in a simple shirt and house trousers, the lack of a sheriff's uniform made him strangely more friendly and pleasant to the eye, "Get out of my sight, you cheesy boy!"
Hoyt snapped and grabbed you by the collar of your shirt, which from the outside could look very funny, considering that he was slightly shorter than you. Still, it didn't take away his menacing appearance.
Voices and hurried footsteps could be heard from inside the house. Soon the door opened wider and Luda's worried face appeared in the doorway.
"Mama.." you muttered in a low voice, looking at her face. You gently pushed Hoyt away from you, coming closer, and handed the woman one of the bouquets of flowers that you had been holding in your hands all this time. White lilies. A tired smile graced Luda's soft face as she shifted her gaze from you to the flowers and back again. "Mama, I'm really sorr-"
"You sorry? You bastard.." Hoyt interrupted you, grabbing your shirt tighter and dragging you down from the doorway to your car. "I'll shoot you in the head," the man swore, already raising his fist to your jaw, but was stopped in time by Luda's firm voice, "Charlie, leave the boy alone. It's not his fault."
"But mama..."
"Charlie."
The man tsked, spitting on the ground, but let go of your shirt, going back into the house. Luda gave you a brief nod in the direction of the house and also returned inside. You smiled slightly and gently climbed into the house, carefully slamming the door behind you. The house greeted you with the usual silence, enclosing you in its soothing embrace. You followed Luda into the kitchen, who was already pouring fruit tea into two mugs. Obviously, she understood that you had a lot to talk about.
"Thank you," you said with a slight smile, sitting down on a chair and picking up a cup of tea.
"We expected you to come with sheriff," the woman said, her blond eyebrows slightly drawn together.
"I.. I don't deny that I wanted to do it," you began, clutching a porcelain cup in your hands, "But then I thought that you wouldn't do it without a special reason. No, of course I don't support it, but I don't condemn you either. To be honest, I just accepted it as a fact. As long as you don't hurt me..." After saying the last words, you slowly looked up at Luda, her face was decorated with a tired smile.
"We would never hurt you, Y/N. You are a member of the family."
The woman's words caused a pleasant warmth in your chest, which made your lips lift in a slight smile. You took another sip of tea, feeling the hot liquid warming your whole soul.
"But how.. Tommy?"
Luda sighed, "Since the day you left, he hasn't left your room."
Your room?
"Can I...?"
In response, Luda only nodded briefly. You putted the cup on the table, spilling some copper liquid on the light tablecloth. You grabbed a bouquet of vervain that had been placed on the chest of drawers at the entrance and carefully went to the second floor. It was quiet all around, which was eerily accelerating your already wildly beating heart. You went to your bedroom door and knocked softly. There was no response. Your fingers automatically rested on the door handle and turned it. There was a musty air in the room, mixed with the cloying sweetness of pheromones. You walked slowly inside and closed the door behind you. Things were scattered around, although the furniture still looked clean, apparently Luda still came and wiped off the dust; Thomas was lying on your bed on a pile of your clothes left in this house. It was a kind of makeshift nest. Thomas's hair was disheveled and looked dirty, but it still soft. You putted the bouquet on the bedside table, lowering your knee onto the soft mattress, then the other one. And now you're lying behind Thomas, listening to his quiet breathing. He must have been asleep. Your arm gently wraps around his waist, pulling him closer to you, and you see how the man's big body shudders. He lies there for a couple of moments, just staring in front of him, his heart beating faster. He turns in your arms, now looking up into your eyes. He wasn't wearing a mask. His big sleepy eyes were swollen, as if he had cried a lot, and his face was covered with scars, some with freshly dried blood. Your heart ached that you made your boy feel this way. You took your hand away from his waist and gently touched his cheek, caressing the roughened skin with your thumb. Thomas made a small sound, but leaned into your touch, closing his eyes. He didn't seem to believe you. Those warm eyes looked at you with resentment and pain, and it made you want to cry yourself, but he couldn't do anything with his body, which craved your touch. He missed you so much. You leaned forward, gently covering his lips with yours, trying to give him that feeling of security and care again.
"I'm sorry, baby. I'm really sorry, I didn't want it to happen like this," you whispered, pressing your forehead against his, "I'm here, see? I won't leave again, I promise. I'm here with you."
***
It took some time before Thomas was able to fully trust you again. You started living with the Hewitt family again and helping them, sometimes you even participated in the capture of victims. Usually these poor things quickly trusted you and sought protection, although in the end they still met your lover with a chainsaw. It has become a habitual course of life. Tommy became more clingy, he had nightmares whenever you slept in separate rooms, so after a while you began to live in the same room with a large bed. It made life much easier for him and for you. Now your clothes were always close near if he needed to feel safe when you were not at home or his inner omega was preparing for heat and making a nest. You slept in an embrace, where Tommy was usually a little spoon, which he really liked. When you got used to living together, played an impromptu wedding, where Thomas's close relatives were. You managed to mark him on the same day, so now you were connected by something more than just marriage. Surprisingly, you quickly got used to this kind of life. You were usually the most attentive and clear-minded person in this family, you made sure that no victim escaped, so that your family remained safe. Your family. Perhaps these are really the people who have become your dearest family.
#slashers x reader#slasher x reader#slasher x you#slashers x male reader#slashers x you#thomas hewitt x male reader#thomas hewitt x reader#thomas hewitt x you#thomas brown hewitt imagine#thomas hewitt imagine
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✧˚ · . happy birthday (malleus draconia x reader)
summary: from what malleus understood, birthdays are supposed to be celebrated merrily with family and friends. that is why the fae was so happy to receive your invitation for your special day, but why did he find you alone and crying under the night sky?
warnings: mild angst + slight ooc (its been a loooong time since i wrote for twst 😭)
note: i hope u guys will enjoy and if you ever experienced something like this i am so sorry 🫂 + i am late for malleus birthday so i wrote for twst en 2nd anniv instead hihi
recent fics: in sickness and in health & so what are we? & when your hopeless streamer gets a girlfriend (ace x reader)
for faes, time is a fleeting moment. having to watch others age and wither away, it was no surprise that malleus finds them so fragile and consistently succumb to age. and yet, malleus still discovers them to be fascinating - especially after he met you.
"are you a visitor? that's surprising. i am (name), the housewarden of the ramshackle dorm. sorry if you want to visit. our place is a little rundown right now, but how can i help you?"
the peculiar house warden of the ramshackle dorm who never seems to be afraid while being in his presence and even asks him to be his friend. having someone other than his found family in diasomnia, he never thought he would get to learn new things after living for so long.
"oh yeah, i remember now. mal, can you come the day after tomorrow?"
"hmm? i can come here every day if you want, treasure. but why the specific date?" he watched as you became silent momentarily as if hesitating to say something before giving him your usual smile, sending butterflies raging again in his stomach.
"nothing, i just want to celebrate my birthday with you."
imagine how he was on cloud nine after you invited him on your special day! from what malleus understood, birthdays are supposed to be celebrated merrily with family and friends. and he is very determined to make his gift the best you can get. and a determined malleus draconia won't stop finding a way to make you the happiest one on that day.
"do you think they would like this?"
"having to receive a gift from you, my liege, is already a blessing!" sebek sobbed with tears comically running down his face, mumbling how he envied you for having the chance to receive a gift from the malleus draconia.
"oh malleus, i am sure little bat would love it." lilia chuckled, seeing the fae panicking over his present, even after spending two whole days and nights to find the perfect one to give you.
silver, who was watching it all unfold, had a somber expression before sighing deeply. "father is right. i noticed how (name) looked like they were in low spirits earlier, i'm sure it will cheer them up." that seemed to stop malleus in his tracks; you were sad on your special day?
"silver, can you explain more about that?"
"it seems like they were having a bad day; when i greeted them a happy birthday, they looked happy for a moment before walking away looking glum."
that seemed to dampen the mood in the room, not knowing what to say. one look at his watch, lilia couldn't help but gasp in horror.
"if you spend more time here, you will miss the opportunity to make little bat happy on their special day."
"that would be horrible. i must leave immediately!" in an instant, the dragon fae disappeared, leaving traces of green fireflies in his wake. seeing how rushed he went out, lilia couldn't help but let out a loving sigh.
"ah, young love!"
the fae appeared in his usual spot at the massive tree by your dorm, expecting to hear cheers and singing of happy birthday for you because, according to lilia, birthday celebrations are usually loud. but to his surprise, he was met with silence and a seemingly empty building.
"...oh? has the party not started yet? or is it finished?"
malleus looks around to find any signs of you or your friends - a pout forming on his lips, feeling sad that he might have missed your birthday celebration. that is, until he passed by the field you two always walked by during your night trips. that is when he finally found you, facing the flower field while curling yourself into a ball. from where he was standing, he could see your figure shake, followed by the sound of your voice
'(name)...?'
"i just want to feel special just one time..." he watches as you try wiping the tears rolling continuously down your face but to no avail, echoes of your cries being carried away by the wind. malleus knew he should do something but couldn't bring himself to move from his spot.
because it is the first time he has ever seen you cry.
"... i already knew i wasn't worth anyone's time," you mumbled and sighed deeply. "i am an adult now. i shouldn't feel this way. but why..." you didn't even get the chance to finish as your voice cracked at the end, lips trembling in an attempt to stop the sobs from coming out, but it was as if your body had another plan and let it all out.
"why am i so easy to forget? haven't i done enough to be loved?" looking at the flower field ahead of you, despite the tears blurring your vision, you couldn't help but laugh. "am i that so isolated that i am talking to flowers now?"
the wind picked up for a moment before someone put their blazer around you, followed by a voice you knew all too well. "they are a wonderful companion too."
"m-mal! how long have you been standing there?" in a panic, you start to wipe your face with your sleeve and avoid eye contact with the fae, covering your face with your hands as you nervously laugh. before you could speak, cold yet gentle hands found their way to your hands. this caused you to turn your head to look straight at malleus, who was looking at you with his face filled with worry, his eyes reflecting the turmoil of his thoughts.
"give me names." you blink at the sudden statement, confused.
"what?"
"give me the names of those who made you sad today. how dare they make you cry?!" the harsh wind stirred up the fallen leaves, clouds covering the starry night as malleus frowned, his hands getting tighter and tighter as the moments passed by. one closer look at your features and he could tell you've been crying for a while now, making him angrier.
you were silent for a moment, shadows covering your eyes after, before wrapping your arms around him, burying your head into his chest. malleus was confused. the world stopped moving around him - his heightened hearing focused on your breathing and the sound of... laughter?
"... (name)?" hesitantly, he raised his arms before slowly wrapping them around you, hearing a hum of approval. the two of you stayed in each other's arms for a minute before you broke the hug and malleus could see you looking at him.
"thank you for coming. sorry if you had to see me that way." you turn to look over your dorm and shake your head disappointedly. "i thought you would also forget my birthday. i didn't expect you to come." playing with your hands nervously and taking a deep breath, you glanced him in the eye and gave him a strained smile.
"no one remembered my birthday until sebek and silver greeted me. i thought grim, and the others were acting like they didn't know; maybe they were going to surprise me, that's all!" malleus stayed silent, watching as you tried holding back your tears while telling your story.
"i would never expect their genuine shock after hearing it." remembering the look on your friends' faces was enough for you to feel the raw emotions over again. "it might sound petty, but i just expected better, you know?" you sniffled.
"whenever someone in the group celebrates their birthday, they remember every detail and all; the effort is there and everything. but when it comes to me, all effort disappears." you turn to malleus, and everything breaks down.
"all i ask is to feel special just this once. for people to see me as me - not the magicless human or the one who came from another world. is it hard for anyone to see me as their friend?" feeling the strength in your legs disappearing, you would almost fall to the ground if not for malleus catching you at the last minute.
the dragon fae held your hand in his, grasping it as your hand was made of glass. "didn't you invite them like you've done with me?" even though he was angry at your friends, malleus held back the voices in his head as he remembered about you talking about them so proudly.
"i did. but there were so many activities and exams for us first years this week."
"but being busy shouldn't be an excuse." he stopped before going on after finding you listening to him. "human friendship still confuses me, but the fact that they are not exerting the same effort they have to others - aren't you being... what do they call? taken for granted?" judging from the look on your face, he knew he had hit a sore spot.
"..."
"but that doesn't mean you should see yourself as someone lacking. you are worth so much love, my treasure." he runs his hand over your cheek before grabbing his gift and handing it to you. "i know how you treasure them, and how much they adore you too. maybe they are not still used to it but never think of yourself as the problem." you opened the box and stood unblinking, trying to process what you just received before staring back at malleus, demanding an explanation.
"i don't think i deserve this." inside the box was a beautiful emerald necklace. the enchanting green emerald reminds you the same way you would get lost in Malleus' eyes.
"nonsense. this is my gift to you, something that holds my magic to protect you whenever i am not around. without you, i don't think i would ever learn the joys of being friends with you as well as falling in love." he then wrapped the necklace around your neck, feeling satisfied with how it looked on you. he knelt down and took your hand in his, giving a kiss on the back of yours before staring back at you.
"happy birthday, my treasure. sorry i am late with my greetings. i was looking for the perfect gift-" without wasting another moment, you crouched down. you shared another hug with the fae, burying your head into his shoulder. he could still feel your body shaking not from sadness but joy. his hands wrapped around your back and gave you small rubs, attempting to soothe you.
"you silly dragon, just your presence is enough for me."
"is that so?" he hummed, letting your body relax into his.
"...thank you mal."
"anything for you, dear."
bonus!
heartslabyul, savannaclaw, octavinelle, scarabia, pomefior and ignihyde gang hiding in the bush to surprise you but ended up hearing everything you just said:...
silver looking at the big group, sighing: you guys messed up big time
lilia: hush they are about to kis-
sebek: WAKA - SAMAAAAAAAA
grim: NOOOOO MY HENCHHUMAN I AM SO SORRYYYYYY IT WAS ACE AND DEUCE'S IDEA!
#twisted wonderland#twisted wonderland x reader#twisted wonderland imagines#twisted wonderland headcanons#twst imagines#twst scenarios#malleus draconia x reader#malleus x reader#malleus draconia#faeryarchives#a.diasomnia
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with me + part twenty
authors note: this is more on the boring/filler side, and i apologize for that, but it covers some necessary things and hints at other things. plus, the one after this is wrestlemania and then after that is the infamous disney trip, and those def won't be boring/fillers. 👀
also, what do you ya'll think reader is having? i'm also open to name suggestions cause i hate naming characters lmao
status: in progress // masterlist
warnings: fluff, language, angst, and suggestive themes
song inspo: with me by destiny’s child
faceclaims
words: 6.6k
taglist: @pixiedust4000 @yolobloggers @wanderingreigns @southerngirl41 @msbigredmachine @romanreignsbae
Life is one crazy ass ride.
You’ve always known this, but the past few months have really shown you just how insane things can be. It’s been up, it’s been down, it’s been just a fucking rollercoaster of events and emotions, but somehow, things always seen to work out in your favor.
You expected, maybe more so hoped, that your Live with Jadah would go over well. Would help people see and understand that there’s so much more to the story, so much more to you than the lies that have been fed to them by your apparently psychotic ex-best friend. That was the semi-goal.
Well, to say that goal was met is a bit of an understatement.
The Live went viral, spreading and making it to most global and some international platforms. TMZ formally issued an apology to you, Joe, and Jadah, and retracted their story with Mariah, even scrubbing the interview, which Joe’s legal team believes is only to avoid getting caught up in the several lawsuits she’s been slapped with.
So many publications have turned the tide, no longer speaking on you and your situation with an almost judgmental stance but rather just reposting the Live and letting the facts speak for themselves.
And social media…..holy shit.
One thing you never expected was for the Live to go viral, but you especially never expected for yourself to also go viral in a different way, that is.
While the general public was initially against you, bashing you every which way to Sunday, it’s almost completely turned with the vast majority now utterly and wholly intrigued with you. They’ve dug up old headshots from when you cheered in college, clips of you either practicing or competing, and a few Snap videos you were in, again, all during your college years.
Not to mention the clips they took from the Live, primarily of you playfully twerking with Jadah. That clipped with the TikToks you did with Naomi has resulted in people making TikToks and “edits,” as Alexis explained, posting and sharing everywhere.
Apparently, the vast majority of social media finds you extremely attractive, and have even been comparing you to the infamous prison bae, Jeremy Meeks, from way back when. Minus the criminal aspects, of course.
“Look at this one! These are my favorite.” Alexis turns her phone so the group of you can see what is yet another edit of you, err, more so your ass than anything to good googly moogly by Project Pat, which apparently was already going viral on TikTok as people post videos of friends and loved ones with a nice ass. Seems you’ve been added to that group.
“I don’t get the fascination,” you admit with a shake of your hand, fingers tapping against your glass of lemonade. “Like, I’m not even famous.”
“You kinda are now,” Bianca suggests. It's a crazy suggestion, too, because in what world does someone like you, from a small ass town with virtually no major social media footprint, qualify as famous. “Not like, A-List celeb famous, but you don’t make it to the Shade Room if you’re not at least kinda famous.”
Alexis makes a sound, adding, “ya’ll whole lil situation made the March event on their calendar.”
“On their what?” Jadah is understandably confused, asking, “what the hell does that even mean?”
“Twin, I’m gonna need to make a PowerPoint for you or something.”
“Please do, and make sure to add the fancy transitions.”
“Custom slide backgrounds?”
“You know the key to my heart.”
The meeting and union of Jadah and Alexis remains to be seen as one of the worst or best things you could have ever done. They’re so damn similar it felt almost criminal to not introduce them, but with both having such strong personalities, a clash could be one of the titans. So far, however, they’re vibing just as well as you and Jadah have. Hence why all of these ladies are sitting around your coffee table, various drinks in hand, most alcoholic, except for yours of course.
Which reminds you…
“Oh shit,” you announce, four sets of eyes falling on you as you realize you haven’t shared the news with the majority of them, ironically, Jadah being the only one to know. “I haven’t had a chance to ask.”
You decide to be dramatic as hell, pausing as Alexis is the first to say, impatiently, “ask what, hoe?”
Another pause followed by an intentional rub of your belly as you nonchalantly ask, “which one of ya’ll wants to be in charge of planning the baby shower?”
You’re met with instant screams and squeals of enjoyment, a big smile falling on your face as you’re hit with all of the questions and exclamations.
“I knew it! I knew it was just a matter of time before BDJ struck again!”
“Y/N! Oh my goodness, congratulations!”
“No freaking way! That’s amazing!”
“I’m gonna act like I didn’t already know, so congratulations, great value sister wife!”
Alexis and Jadah’s statements make you laugh while Bianca and Kaylah’s cause your heart to swell. You then try to quiet them down, “thank you, guys. We’re excited. But, we haven’t told Callie yet, so please keep it to yourselves.”
“Of course.” Kaylah excitedly asks, “how far along are you?”
“Almost three months,” you answer, proudly. Although entirely unexpected, or maybe not depending on how you look at it, you’ve found your excitement at this pregnancy growing every single day. Excitement at having another child, giving Callie the chance to be a big sister, to give Joe the opportunity to experience this pregnancy with you from conception to birth and beyond. He deserves it, especially now that you know what he went through with Jadah.
“Wait. Damn. This means we can’t have a hot girl summer until next year!” Alexis is pouting as she downs the rest of her drink before reaching for the bottle to get a refill. “You couldn’t let that nigga shoot up the club later this fall instead.”
Kaylah’s nose turns up as she also takes a sip of her moscato but not before muttering, “didn’t need that visual.”
Rolling your eyes, you point out, “Alexis, we are too damn old to be having a hot girl summer. Half of us are moms and/or in relationships except your non-committal ass.”
Non-committal has nothing to do with the topic that floats to the front of your mind, but having a room full of women to consult with seems like a perfect opportunity to discuss something that’s still bothering you to some extent.
“Let me ask ya’ll something.” You take a sip of your sparkling apple cider and get to explaining. “So, every time I try to talk to Joe about planning for when the baby gets here, like having my mom or his mom come stay with us a bit to help out when he’s on the road, he either ignores me, changes the subject, or just pacifies me. And I’m trying really hard not to cuss him out, but between baby emotions and me being me, it’s hard.”
Being perceptive is always something you’ve prided yourself on, valued as one of your attributes, so it’s hard not to miss when Kaylah, Alexis, and even Jadah all look suddenly uncomfortable with your question, like they also want to change the subject.
Bianca is the first and only to speak out.
“Yeah, that’s kind of weird.” Her agreement is the quintessential example of validation you were needing for this situation. “I get you’re barely three months, but why not start with the plans now? The sooner the better since it seems like his schedule is pretty hectic.”
Throwing your hands up in the air, you echo her sentiments. “Exactly! And one thing to know about me, which I know he has to know about me is that I like to plan. I hate surprises. We need to start figuring out this shit now.”
“I’d definitely talk to him about it, cause men can be very go with the flow, but this isn’t one of those things that I think should be go with the flow.”
“I feel like you should maybe just wait it out and see where the cards fall.” Kaylah’s suggestion is casual, but her eye contact is sparse, and you actually don’t know what to make of that.
Jadah contributes to the conversation with agreement to Kaylah’s point. “I agree. Trust your man, whore.”
“But—” And as if present and overhearing said conversation, your phone starts to ring, the man himself filling up your lock screen. “Speaking of the devil…..” You lift and show your phone to the group. “I gotta take this ya’ll.”
“Well, duh.” Alexis says like it’s a no brainer. “BDJ probably won’t stop calling until you pick up anyway.”
Laughing, you untangle your legs and climb off the sofa at the same time you answer his FaceTime, quickly telling him, “hold on.”
“I’ll be back,” you inform, but the last thing you hear is Bianca making the awful mistake of asking Alexis what “BDJ” stands for. Alexis and Jadah start to laugh.
Obviously, Jadah also knows what’s up.
Locking the door behind you, you sit down on the patio set that was delivered only two days prior and situate your phone on the accompanying table. Legs crossed, you give him the go, “okay, i’m good now. Just wanted some privacy.”
He doesn’t hesitate to slide right into protective papa bear mode. “How you feeling?”
“Alright.” Your hand unintentionally lands on your stomach as you explain, “had some nausea this morning, but that’s not out of the norm. I had pretty bad morning sickness when I was pregnant with Callie the first few months.”
You can tell he’s not entirely satisfied with this answer, leaning more on the concerned and conservative side. “When’s your next checkup?”
“April 8th. I made sure to schedule it so you can be there.” Joe indicated he wanted the first Monday after WrestleMania to be a day of rest for you and Callie, and it can still be, but you also couldn’t miss the opportunity for him to be a part of your first official well-baby visit. Especially with this being the first time you’ll be able to hear the baby’s heartbeat.
That must especially be special for him.
“I promise I’m okay, Joe.” Out of respect for him and his emotional state at such an important time in his life, you haven’t told him everything Jadah shared with you. Haven’t made him aware of your knowledge regarding his loss. You’re not sure if you ever will, to be honest. If he wishes to discuss that with you, you’ll always be there to listen and support. But, there’s zero desire to dig up painful memories and trigger this man.
That doesn’t, however, mean you can’t reassure him when you can see there’s a level of anxiety and apprehension.
“If I wasn’t, you and Dr. Young would be the first to know.” It’s a promise. You would never do anything to risk unnecessary complications with this pregnancy. “How do you feel? You look tired.”
He’s looked as such for the past couple weeks, and you feel slightly bad, knowing the whole Mariah ordeal must have taken a toll on him. Not to mention his intense training and preparation for WrestleMania.
Of course, he just shrugs, playing it off. “I’m good.” You make a knowing sound. “What?”
“Seriously, Joe. This is me. I know you like the back of my hand. You’re exhausted. It’s okay to admit as such.”
“I’m fine, Y/N. I promise.”
Joe is every bit stubborn as he is caring. He won’t agree with you, but that doesn’t make what you’re saying any less true.
“Whatever, just know I’m giving you a well deserved massage when we come to see you next week.” Coyly, you imply with a shrug of your shoulder. “And maybe a lil’ more depending on the layout of your place and if we can get some privacy from your lil’ twin.”
“Naw, that lil more is happening no matter what, even if I have to fuck you in the rental.”
His tone of surety makes you laugh as you think about something. “I don’t think we’ve ever fucked in a car before.” The list of places this man has been balls deep in you is endless, but a vehicle and plane seem to have not made the list. Yet. “Might have to change that.”
He also laughs. “Wherever you want it, baby, you just gotta tell me when and how.” Just more and more reasons to love this man to infinity and beyond. He matches your freak so well.
Joe asks about Callie, of course, and you let him know she’s in seven heaven playing with her cousin in her new room that’s gradually filling up even though she still doesn’t even have all of her stuff from back in your apartment. It also goes without saying that you remind him she’s absolutely thrilled to see him soon, the same as you, which is the same as him. Reunions between the three of you are just all around enjoyable.
Naturally, Joe apologizes, for no good reason, at not being able to come with you as you take Callie back to your hometown for your final apartment walkthrough and to close all other matters, officially making your move to Florida complete. It’s a bit of a bittersweet thing, leaving the place you grew up and have so many memories in. However, what’s ahead of you is so much better than what’s behind you.
And while you would love Joe to be able to come too, it’s also not necessary.
Especially when he finds out what else is on your agenda before you say goodbye for good.
Realizing your time with him could be cut at any moment, you decide it’s now or never to break the news to him. “There’s something I need to tell you, and I know right off the bat, you’re not going to be in agreement, but I need you to just hear me out.”
He’s hesitant and already skeptical but nods. “I’m listening.”
A deep breath followed by a quick prayer to the big man that Joe will at least try to be open to this plan. “I’m gonna go see my dad while I’m there.”
This is something you’ve really been thinking about, on and off, since the Christmas ordeal. It just hasn’t been such a major priority given all the other fires you’ve been having to put out. Alexis was right when she said the dynamic with your dad has a lot to do with the situation with Joe and not telling him about Callie.
And you being able to acknowledge that has made you realize you’ve been holding onto a lot of pain and anger towards that man. More pain than anything. And it’s time to let it go. The same way you’re leaving that town for good, albeit bittersweet, you need to drop the baggage of hurt at the door before the curtain closes permanently.
In this case, that means sitting in front of the man who is your biological father and nothing more, speaking your peace, and closing that chapter.
For good.
To some extent, you expected, maybe more so hoped, for Joe to be more receptive.
It was wishful thinking, at best.
Immediately, he protests, face turned up in a scowl that reminds you of Callie when she’s in one of her moods. “Like hell you—”
Closing your eyes, you do your best to keep your voice leveled. “Hear me out, please.”
“Y/N, do you not remember the last time you saw that man?” Most definitely do you remember. That was definitely a low moment for you. “You were a fucking wreck. I’m not seeing you go through that again, especially with you being pregnant.”
“Do you really think if I had even an inkling it wouldn’t be safe for our baby I’d be doing it? Come on, Joe. You know me. I would never put either of our children in harm's way.” And you know he knows this, knows this very well, but you can also understand his anxiety from a couple different angles. “Before when I saw him, I was still looking for his love and approval. I can admit that now.” It’s been a tough pill to swallow, going back and forth between emotion and logic, coming to grips with such an uncomfortable truth. “I don’t need that anymore. I don’t even want it. I have you. I have Callie. My mom. Our friends. Even this new baby, but if I’m leaving that town for good, I need to leave all of the hurt it brought me there too. That includes making my peace with him.”
When he still doesn't say anything, you continue to plead your case.
“I need to do this, Joe. I’m not asking you to understand.” You’re not quite sure he could. This is one of those things that unless you’ve lived it, lived with a neglectful, uninvolved parent, you just couldn’t get it. “I’m just asking you to trust me.”
He’s quiet for a few minutes, and you already know it’s because he’s sitting on your words, doing his best to meet you where you are. Eventually, he says in a resigned voice, “I don’t want you going alone.”
There’s an immense amount of gratitude for his blessing, and his request is more than fair. You also figured as such, assuring him, “I already talked with Bianca about it. She’s gonna go with me.”
This seems to make him feel at least a little bit better. He scratches his beard. “Alright. But the minute you start feeling off—”
“I’ll cut it off. I know.” That goes without saying. You meant what you said. Nothing could make you put your baby at risk. “Thank you, Joe.”
Not wanting this to be the last topic you discuss, you switch gears a bit to something that will hopefully lessen his unease. “I also think we should tell Callie when we come to see you next week. I just told the girls today, and I’m gonna tell my mom while I’m there. Callie deserves to know.” The order of which you’ve told people about your pregnancy isn’t exactly how you would have preferred it to go. In a perfect world, it would have been Joe, Calllie, your mom, and then your close friends. But, life be lifing, so you just have to roll with it as best you can.
Joe nods. “I agree.” You overhear a distant voice in the background before his gaze falls on you. “I gotta go, babe.”
It’s hard not to feel disappointed. “I get it.” This pregnancy has your emotions a bit on the high, sensitive end, because there’s no reason for you to feel like crying just because this man has to get back to work. You miss him like crazy, sure, but this has always been a bit of the dynamic. You get him in doses, sometimes big, sometimes small. “Can we still call you tonight? You know Callie can’t sleep unless she can tell both of us goodnight.”
It’s such a twist, a beautiful, unexpected thing. Once upon a time, it was just you she needed to see and/or speak to before she could fall asleep. But now, it’s both you and Joe, and you honestly couldn't love that more.
Their relationship and bond is so precious to you.
And now that you understand what Joe’s been through, you can see why he’s always willing to move heaven and earth for her. She’s the little girl he’s always wanted and finally has.
“Of course.” You weren’t expecting any other answer. “I love you.”
A warm smile sets on your face. “I love you too, baby.”
You settle on a time that works best for him and end the call. Ignoring the sadness at not being able to talk to him further, you walk back in the house for a sure pick-me-up.
“Well, it’s about time,” Bianca teases, dimples nice and pronounced. “Thought we were gonna have to check on ya’ll.”
“No, she’s back too early….” Alexis, as per usual, confuses you when she asks, “ya’ll weren’t having phone sex?” She curses and then grabs her purse, digging out her wallet, slapping a wad of cash into Jadah’s expecting hand.
“Told you,” Jadah says knowingly, smirk on her pretty face as she counts the cash. “One thing I do know about Joe is he’s an all out type of man. It’s rounds or nothing.” She then looks over at you, apologizing, “hope that doesn’t make you uncomfortable.”
“It doesn’t.” It’s an honest answer. You’re old, mature, and secure enough to acknowledge and be okay with the fact your man has been with her in almost every way he’s probably been with you. Outside of the emotional connection component, which is really what matters the most to you. Sex would just be sex if you didn’t love him as much as you do. If he didn’t love you as much as he does. That’s what makes it so explosive.
“Well, it bothers me!” Kaylah looks so disgusted, and you can’t blame her. “Joe is literally like my brother!”
Bianca cosigns with a shake of her head. “And it bothers me because Y/N literally is my sister.”
“That’s so wild, so ya’ll are half sisters, right?” Jadah asks, pointing between the two of you as you move back onto the sofa. “Same mom or…..”
“No, same dad, but we don’t claim him.”
Jadah makes an ‘O’ with her mouth as Alexis leans over to whisper something in her ear. “Got it. Daddy issues. Ya’ll should just jump him then.”
“That’s what I said! Stomp his ole’ mean ass.”
Yeah…..putting Alexis and Jadah together may have created a new kind of threat to society.
“Anyway.” Refocusing them is really the best and only option. “As we were discussing, ya’ll think I should bring it up to Joe when we fly there next week?” You then remember the pact mentality and aim your question toward Bianca. “Let me just ask you, cause you seem to be the only one who gets where I’m coming from.”
At that, Bianca opens and closes her mouth. “Oh. That. I…..I think you should just leave it alone. I’m sure Joe has his reasons.”
Now it’s your turn to look shocked. “What? That’s not what you said literally not even 10 minutes ago.”
Bianca switching up on you definitely wasn’t in the cards, especially since she was providing you all the affirmation and validation you were seeking in your dilemma.
She looks off, almost in a guilty, sheepish way. “I changed my mind….”
“What did ya’ll say to her?” It’s directed toward Alexis and and even Jadah, because Kaylah doesn’t seem like the type to try to sway people one way or the other. “Can’t leave ya’ll asses alone for two minutes.”
“I don’t like your tone, Mama Mia. Watch it.” Alexis warns, and you can only roll your eyes. “What you need to be focused on is what you’re gonna wear to the Hall of Fame and WrestleMania.”
Kaylah gasps, also remembering. “Shit, I completely forgot about that.”
Your eyes land on her with premature excitement. “You’re going to the awards too?” She nods and you let out a big sigh of relief. “Oh thank god, I was kinda nervous. I’m sure Trinity is going too, but the more the merrier, I feel like I’m gonna be so out of place there or everyone’s going to hate me.”
“Girl, like Joe is going to let that happen.” Jadah is, surprisingly, the first one to jump to calm your nerves. “Him taking you in and of itself is such a ‘fuck you’ move. He really said ya’ll not about to bully the woman I love and think I’m finna just keep her on the backburner.”
“I agree.” Kaylah chimes, providing additional and useful context. “The internet wrestling community is a cesspool, and they’ll always find some reason to complain and bitch, but Joe has never been about that. He’s gonna have you on his arm regardless of who has something to say about it.”
“Ummmm, why are we acting like majority of the internet isn’t all on Y/N’s dick now that ya’ll cleared up the air?” Alexis lifts her phone, adding, “I literally can’t get on TikTok or Twitter without seeing edits and photos of Y/N that the internet has dug up. They can’t get enough of her.”
“Her ass, specifically,” Jadah adds, and you shake your head.
“I think what they’re trying to say is that maybe you should redirect your focus on fashion and hair choices vs public perception, because it seems to be in your favor currently.” Bianca’s advice is wise and on time. It also is very much giving off teacher vibes, just another thing you two can connect on.
You’re really happy you asked her to come visit you.
That you gave her a chance.
It’s proving to be a really good decision.
“Well, I’m gonna have my mom do my silk press while I’m there, so there’s that.” Typically, you avoid heat like the plague, sucking up the pain in the ass wash days to keep your curls hydrated and thriving. However, you’re okay with every now and then sitting in that damn chair for what feels like, and is, hours for these special occasions. And attending the Hall of Fame awards as well as WrestleMania definitely constitutes a special moment. “As far as fashion…..I have no idea. I don’t really have a lot of fancy clothes, and the ones I do have are before Callie and even now with the weight I’ve gained from this pregnancy already, I don’t know if I can still wear them.”
“Well then it’s obvious what we need to do.” Alexis says with a ‘duh’ tone. “We need to go find you some dresses! Like, today.”
“I probably do need to pick up something too.” Kaylah says with a heavy sigh. “I think Josh said something about wearing red.”
“Of course you have to wear red. That’s Bloodline colors.”
You chuckle at Bianca’s enthusiasm. It’s kinda cool that she’s also into wrestling. You’re so tempted to ask Joe if he can get tickets for her, Darius, and Taylor, but you also don’t want to do too much. It already means a lot to you that he got tickets for your mom and Alexis.
“I hate to pull the girls from their playing. They must be having a blast considering not one has come down in like over an hour.” It’s true. Not to mention you can also occasionally hear the chorus of giggles and shouting indicating just how great a time they’re having.
“I can watch them for ya’ll.”Jadah’s suggestion causes all sets of eyes to land on her. She rolls her eyes. “You all go get the shopping done, and I’ll stay here with the kids.”
“Jadah, you don’t have to—”
“I don’t mind. I’m not really that big on shopping anyway.” Finally. A difference between her and Alexis. “Plus, I have some client stuff I can get caught up with.”
You’re still reluctant, offering her another out. “If you’re sure….”
“Y/N, I would hope by now you’ve figured out I’m too blunt to lie. I wouldn’t offer if I didn’t want to.” Jadah shrugs, directing her next statement to Kaylah and Bianca. “If you’re also good with it too, of course.”
Bianca and Kaylah echo agreement with you, hence it being decided.
With a chuckle, you announce, “I guess we’re going shopping.”
———-
Things have been hard since you first landed back in your hometown.
Saying goodbye to your students was hard.
Saying goodbye to friends in town has been hard.
Bidding farewell to the apartment you first brought your sweet little girl home to after she was born was very hard.
Visiting your grandma’s grave one last time for who knows how long…..that’ll be brutal.
But this….confronting your father for the last time…
To say you’re a bit on the anxious side is putting it nicely.
This was always going to be on the nerve inducing side for a variety of good and valid reasons. It’s just getting to the moment where it happens, where you sit in the parking lot of the restaurant he agreed to meet “you” at is just bringing out some indecision you’re certain comes from a place of anxiety.
Finally stepping out of the car, you and Bianca reach the door of the restaurant when she turns to you, mouth turned into a bit of a frown as she reminds, “you sure you want to do this?”
“It’s not about what I want to do. It’s about what I need to do, Bianca.” It’s the truth. This isn’t something you’ve been dying to have happen your entire life, but for the sake of your healing, it’s what needs to happen. “But, if you feel uncomfortable, I totally get—”
“Not at all.” She reaches for your hand. “You’ve got this.”
A deep breath followed by a head nod as you accept her hand. She gives you a little squeeze and opens the door, leading the way figuratively and literally. As expected, he’s already there and waiting, sitting near the back of the restaurant. You’re not surprised a man like him is right on time. He seems like the punctual bastard type.
And Bianca has reiterated as such before.
Together, you walk hand in hand towards him. Your eyes never leave him, watching as he lights up with a genuine smile at seeing Bianca, but that smile almost instantly drops when he sets his gaze on you.
Expected.
Wholly expected.
Immediately, his nose is turned up in visible disgust, primarily directed toward you. “Bianca, what is the meaning of this?”
“What?” Her voice is full of nonchalance as is the expression on her face. “I told you your daughter wanted to speak with you.”
He just didn’t know which daughter.
There’s no denying or misunderstanding his anger at the subterfuge. He shoots up from the table. “I’m not putting up with—”
Bianca is quick with it, assertively informing him, “if you want even a chance of seeing Taylor again, you’re gonna sit right back down and hear her out.” It means the world to you that not only has Bianca agreed to be here with you today, but it’s the fact that she’s willing to be so loyal to you.
Like a sister.
Because she is your sister.
He scoffs almost immediately. “Using my grandchild to blackmail me? That’s low, Bianca. Your mother and I raised you better than that.”
She crosses her arms and matches his energy. “You are the last person that needs to be talking about raising anyone.” She then looks at you, placing a comforting hand on your arm. “I’ll be right over there if you need me, okay?”
Nodding, she gives you one last supportive squeeze and ignores her father to walk over and slide into a booth across the room.
Left alone, you watch him begrudgingly sit down so he’s across from you, same set of brown eyes locking. It kills you how much of yourself you can see in him, starting with the same set of eyes. You just have to remind yourself that that’s where the similarities end.
“This won’t take long, which I’m sure you’ll be happy to hear.” He doesn’t agree nor disagree, not that it makes much of a difference to you. At all. “I’m moving from this town. Tomorrow’s the day I hand over my keys, and I’ll officially be living in Florida full time. Not that you care, because we both know you never have and never will give a flying fuck about me.”
“Is there a point to this?” The edge in his voice, maybe even a couple months ago, might have killed you. Stolen your joy. Now, it does nothing. He no longer has that power over you, because you’ve taken that power back.
And it feels so damn good.
“I did it, you know.” Without giving him a chance, if he even would, to respond, you continue. “I made something of myself. I’m successful. I have a career. I found love all without you ever doing a goddamn thing for me.”
For a second, you swear you see a different emotion flash in his familiar irises, but it’s gone almost instantly, replaced with that permanent disdain you refuse to allow sway you from your goal.
“I have a man who loves me in every single healthy way that exists, who loves our daughter more than there are words in all the languages put together.” Emotion chokes you up, but you manage to stick with the mental points you made for this conversation. “And you wanna know something? We conceived her when he was still married.”
Leaning forward as you lower your voice, both for privacy and emotionality. “But, I didn’t tell him. I deprived him and our little girl for the first almost five years of her life because I was so scared that he was going to be like you, that he was going to reject her and hurt her the way you hurt me.”
It’s a bit painful for you to verbalize those words, but also so damn liberating to free them from the confines of your subconscious.
To also release those shackles they had on you.
“But, I was so so so wrong, because he is the best damn dad she could have asked for, and he was angry with me for not telling him about her. He wanted to be in her life. He wanted her. And it’s through that I finally realized something.”
Your voice cracks as you finally release your truth and acknowledge freedom from over 30 years of emotional bondage.
“I’ve finally realized after all these years that it’s not that I’m not good enough for you.” You shake your head, pointing at him with all the intention and determination you can muster up. “You’re not good enough for me. Not good enough to be my dad. Definitely not good enough to be a grandfather to my kids. Not good enough to be in my life.” There isn’t an ounce of hesitation or a stutter in your voice. “It’s not that I don’t deserve to be in your life. You don’t deserve to be in mine. You never did, and you never will.”
And never again will you seek out that love and validation from him. You don’t need it.
You never did.
“I actually feel sorry for you, because I am an amazing, strong black woman who was raised by an even more amazing, strong black woman who was also raised by a phenomenal black woman. And my daughter….” Just thinking about Callie, her warm smile and the great big hug she gave you, before you and Bianca left her and Taylor with your mom, makes you all choked up again. “—is the kindest, sweetest, smartest kid you could ever meet. But as long as there is breath in my body, you will not know her or any other kids I bring into this world.”
That’s a promise, an oath, a swear on everything that you love and hold dear.
“After today, you are dead to me, and I truly hope you one day see all that you missed out on, but I’m not going to wait around for that. I’m going to spend the rest of my life surrounded with love and family because that’s what I deserve.” Grabbing your purse and sliding out the booth, you make eye contact with Bianca who starts to head over. “Take care, Captain Wilson.”
As soon as she’s at your side, he shoots up from the booth. “Bianca, if you leave with that girl—”
“That woman,” Bianca corrects with all the sharpness. “You mean my sister?”
His lips turn up with a hateful snarl. “This hoodrat trash is not your sister.”
You actually laugh at his words, laugh at the fact that he’s truly so pathetic and a piece of shit he couldn’t even take any of what you just said to heart. It also makes you wonder if he’s aware of all the shit that’s been happening online regarding you. Not that it makes a difference.
It’s just something else he would try to use to justify not being in your life.
Like a coward.
“No.” She lifts her chin, taking your hand. “She is my sister, but you?” Bianca shakes her head, and you can hear the emotion catch in her voice. “You’re not my father. You’re the trash.”
If he offers a visible response to her harsh words, you’ll never know because Bianca tugs on your hand, directing the both of you to turn around as she marches you out the restaurant. Once out of the vicinity, she spins you around and brings you in for a big, loving hug.
“I’m so damn proud of you.” Eyes closing, you accept and lean into her embrace. You’re also insanely proud of you. “You said what you had to say. The ball is in his court now.”
“I highly doubt he’s gonna do anything with it.” Separating, you again thank her. “I really appreciate you being here with me today. I’m not sure Joe would have been okay with me doing this, if you weren’t here.”
She smirks, head tilted to the side. “Nowhere else I’d rather be, hun.”
It’s the truth. Along with the fact that you’re not even sure you would and even could have gone through with this if not for her assistance and support. It’s crazy how the people you’ve met in recent months have become such important figures in your life and the people you thought were important are now strangers.
Life….always a wild ride, for sure.
“And speaking of Joe….” She’s understandably confused as you casually throw out, “guess who’s going to WrestleMania with her little sister?”
Bianca’s eyes are as wide as saucers. “Seriously?” Laughing, you nod. “Oh my god—” She captures you in another big hug, the two of you nearly hopping like damn teenagers. “Wait, just me or—”
“Of course not. Taylor and Darius too. I feel like he might divorce your ass if you tried to go without him.”
“You’re not entirely wrong.” Her laughter lessens as she looks at you with admiration and appreciation. “You really didn’t have to do that, Y/N.”
“It wasn’t that big a deal.” And it wasn’t. After biting the bullet and pushing aside unnecessary anxiety, you just shot Joe a text asking if there was any way Bianca and her family could attend Mania. His response was an almost instant yes. “Besides….we’re sisters.” Your eyes begin to water as you give a one shoulder shrug. “We look out for each other.”
Her smile matches the emotionality of this moment. “You’re damn right we do.” Sniffling, she wipes her eyes and then gasps. “Shit, now I need to find a dress. Does this town have any stores where I could maybe find something?”
Her question is so laughable. “Not really, sis. Let’s just wait till we fly home. I’m sure we could find you something there. Maybe the boutique where I got my dresses."
Home…..
You’re not sure if you’ve referred to Florida as home prior to this moment, but it feels so good, so right. Like it’s where you’re supposed to be. Where you were always supposed to be.
Home with your daughter, with your man, with the baby growing inside you.
With your family.
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Would you pls write about reader having a nightmare and how the Cullens would react?
The Cullens when their S/O is having a nightmare
Thank you for requesting and I hope you like this!
This post wont be up for about two days as of the time I'm writing this, but I am turning off my requests! After this one here, I'll still have 15 left to do :'(
I'm so appreciative of everyone who chose to request because it means that I'm at least doing something right lol I just need a sec to catch up
Edward:
He can hear your nightmares as they play out
But Carlisle once told him that you're not supposed to wake people up during nightmares
So he doesn't
It's killing him tho
The moment you wake up he is right there
Shushing you, drying your tears, and letting you explain
If you want to talk about it, that's fine
If not, that's fine too
If you don't want to go back to sleep, he's a little upset but he'll help you stay awake
You need sleep
But he understands
Whatever it was about, he will try his best to soothe you and reassure you that it won't actually happen
Especially if it's something about him leaving you
Like you couldn't get rid of this man even if you wanted to
Alice:
I don't think her gift would work for predicting that someone's going to have a nightmare
So the only way she would be tipped off is if she heard you
But as soon as she does she's rushing to your side
Mostly because it sounds like there's danger
But after she sees you're having a nightmare, she wakes you up
She lightly caresses your face and whispers until you finally open your eyes
And then she's there for you
Again, she'll let you talk about whatever you need or want to
And every time you bring up that you think this thing might happen, she stares off into space for a second and then says it won't
Whether she's actually looking into the future or just trying to trick you, you don't know
Jasper:
I have a feeling he wouldn't leave your side while you sleep
So the moment you start kicking around or when he senses your anxiety, he's ready
He sends soothing emotions your way, trying to get you to calm down and go back to sleep
But if that doesn't work, then he wakes you up
Again, he uses his gift to soothe you
He lets you talk out whatever you need to
He is at your disposal, just put him wherever you need him
And if you need him to stand guard at the door for the whole night to make sure that no monsters get in, he'll do it no questions asked
And once more, he will use his gift to help you go back to sleep
Rosalie:
You told her about how you have such bad nightmares at night
So instead of leaving the room to let you sleep, she decided to stick around
When she notices you start to kick and stir, she tries to soothe you back to sleep
Whispering things like how you're safe, she's there, it's not real, and stuff like that
And if that doesn't work, then she wakes you up
She lets you talk it out, but doesn't fight you if you say you don't want to go back to sleep
She'll let you hang out with her in the garage while she works on one of her cars until she notices you nodding off
Emmett:
If you don't mind the TV being on while you sleep, then he has it on and is watching something while you sleep
And if you do mind then he's still never too far away, just in the living room
Either way, he has the TV low enough to not bother you
That means he can hear when you start to shift
He grew up with little sisters though
And he knows that you're supposed to wait out nightmares
So he waits it out until you either stop or wake up on your own
He doesn't press for details if you don't want to give them
He just turns the TV to a channel you like and lets you sleep on his shoulder
Esme:
I feel like she'd enjoy reading in bed while you sleep
So she's quick to notice when something's wrong
She doesn't hesitate to wake you up
Asks what's wrong and what you were dreaming about
She's very reassuring no matter what it is
She tells her own stories after you to make you feel better and to get your mind off of it
"When I was younger, I used to have nightmares about this guy who was made of butterflies coming to town and stealing all of the butterflies! It always made me so upset."
Carlisle:
He tends to be working most of the time
But luckily his office is connected to your bedroom
So he can hear when something happens
If you have a nightmare he lets it take its course
If you go back to sleep, then he goes back to work
But if you wake up, he takes you to his office with him and lets you sit next to him or on his lap while he works
;)
Not actually in a suggestive way
I just really wanna sit in his lap
Anyways
He doesn't pressure you into talking about it if you don't want to
But he has an explanation for everything if you do
Vampire! Bella:
Wasn't it a whole plotline in the movies where Bella had really bad nightmares?
And the books too
So she understands
She wakes you up whenever she hears you
She always asks what it's about
But she doesn't linger on it either
And she won't force you to go back to bed if you don't want to
"Okay enough talk about nightmares, you wanna go get ice cream?"
#alice cullen#bella swan#carlisle cullen#edward cullen#esme cullen#jasper cullen#jasper hale#rosalie hale#rosalie cullen#emmett cullen#carlisle cullen x reader#alice cullen x reader#bella swan x reader#esme cullen x reader#emmett cullen x reader#edward cullen x reader#jasper cullen x reader#jasper hale x reader#rosalie hale x reader#rosalie cullen x reader
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I think that a lot of people without NPD have a really poor understanding of "narc supply" or the specific type of positive attention that pwNPD crave. Even the egotypicals who are allies, the ones denounce narc abuse and anti-NPD ableism, don't fully grasp it.
There's this false idea that NPDs like to be worshipped and showered with compliments all of the time, and I mean, yeah, most of us would eat that shit up, but I know that for myself and a lot of other pwNPD it's deeper and much more, I guess, personal?
I don't really know how to describe it, so I'll give an example: As a kid, no one really paid attention to my creative endeavors, my accomplishments, my feelings, etc. And if they DID pay attention, the attention was negative. I could always do better, I could always be smarter, stronger, etc. This came from peers and adults alike. So I developed a coping mechanism where I would tell myself that everyone else was wrong, that I'm actually the best person around, etc. I don't have to explain what disorder I ended up with as an adult as a result of all of that. :P
But anyway - the wound of constantly being ignored at best and insulted at worst is still there. You know how when you're in a group chat or a conversation with multiple people and no one ever pays attention to your comments, while paying attention to everyone else? Yeah, that shit hurts EVERYONE, but especially pwNPD. Even the smallest acknowledgment can be "narc supply."
You know how when you achieve something really cool and everyone ignores you - but the people who ignore you will be quick to praise OTHER people?
You know how when you post art/edits online and everyone ignores you - but the people who ignore you compliment someone else's post in the exact same thread?
You know how when you ask your friend to read your favorite book or listen to your favorite artist or whatever because of how much it means to you, and they never do it, but then they read/listen to everyone else's favorite thing at everyone else's recommendation, and how much it pisses you off? (Hurts even more if you have the SAME favorite book/artist and someone reads/listens to it at the other person's recommendation and not at yours.)
Yeah, yeah, yeah, I could go on and on. That shit would bother anyone, us narcissists aren't alone in being hurt by that, but my G-d, it impacts pwNPD in such a specific way.
But let me flip it around to the positive!
A narcissist doesn't necessarily get their "supply" from someone telling them that they're the coolest person in the world and that they're a god. (Though if you do want to say that to us we probably won't complain!) Sometimes they get their "supply" from something as simple as someone acknowledging their achievements, and giving specific praise on what the achievement was. ("It's so cool that you won a prize in the music recital. The song you played sounds like it was really difficult and I loved your stage presence.")
Being told, "Wow, you did such a great job on your artwork, I love the colors!" goes a very very long way for a narc, especially when said narc is used to being IGNORED for their art.
Hearing, "it's so cool that you like that book, I'll have to read it and tell you my thoughts!" can help a narcissist's interests feel acknowledged.
You might be reading this and thinking, "well, isn't it just basic human interaction to compliment your friends or try out their interests"? And, well, maybe it is, but the whole point of NPD is that most of us grew up without receiving that type of attention, so now we're very very desperate for it - and very, very, VERY sensitive to when it doesn't happen, or is even perceived to not have happened. Something as small as being talked over in a group chat can set us off, but something as small as a simple, "hey, it's so cool that you did this, I love it." can win us over.
And to be completely fair, most of the time us being "ignored" isn't completely intentional. Like, I get it, yeah, sometimes timing just doesn't work out for person A to read my favorite book at my own rec, but by the time person B is in their life, person A can read it, and it's not anything personal. Sometimes the content I make just isn't someone's ~style~ and they support me, they really do, they just don't know what to say. Sometimes someone forgets to respond, or doesn't get a notification when I send them something I made or tell them about something I did. (There is less excuse for being ignored in face-to-face/offline convos though.) But because of the trauma of us constantly being ignored as kids/teens, the smallest little thing hurts and as a result we seek and crave attention EVERYWHERE.
So now, to give in to narc stereotypes of begging for attention: If you're a person without NPD and you genuinely want to help the narcissists you have in your life, the second best thing you can do for us is checking in to make sure we're not overlooked. Try to be sure you're not ignoring us, and if we do something cool, try to compliment it, even if it's something you don't fully "understand." Ask us about what we've been up to lately, what we're proud of about ourselves, and agree with us that what we've done is pretty cool. I mean, you'd do that for any friend, right? It's really not all outlandish for a narc to want that.
(If you're curious what the FIRST best thing you can do for a narcissist is, it's giving us a million dollars unlearning your anti-NPD ableism and calling people out who use narcissist as an insult as a synonym for abuser. Even in "offline" spaces, even when we're not around, even doctors/therapists. Even "narc" abuse survivors.)
#actuallynarcissistic#actuallynpd#npd feels#npd safe#npd culture#my favorite person is literally my favorite person only because she warned me about media that used narcissist as an insult and listened to#an album i liked when literally EVERYONE ELSE i've recced the album to has ignored it. (I've been a fan of said album for ALMOST A DECADE)#like guys it's not that hard to treat us well#(also i mean favorite person in the cluster b way - she's my favorite person in the NT way for many reasons)
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anon here! i would CERTAINLY love a tutorial on your colouring!!
hi anon!! i'm honoured that you like my colouring 🥺🥹 i'll walk through colouring one of the tommy scenes you mentioned (3rd gif from this post), but i use the same steps for all my gifs, just with slight variations on the settings! i've also been enjoying cool backgrounds and warm skin tones lately, so that's the effect i aim to achieve!
this is the base gif that i'll be using, and this is after i apply my sharpening. tutorial under the cut:
Section 1: Brightening and Contrast
these are the layers i use for this section and the order i apply them in:
Exposure
Curves: white eyedropper
Curves: black eyedropper
Exposure
Levels
Brightness/contrast
Exposure - so first i'll use an exposure layer and drag the top slider to the right. my settings are usually between 0 and 1 (i avoid going over 1!), and i try to get as much brightness as i can using this setting, without making the bright spots of the gif too white and glowy.
if there's bright patches in the gif (like the sunlight on tommy's face) i might use a slightly lower setting than the max brightness i can get (because we're going to add more brightness later).
Curves: white eyedropper - next i use the white and black eye eyedropper tools, and this helps with minor colour correction as well as minor brightness/contrast (but does a lot of heavy lifting!). this tutorial explains how it works best.
the first curves layer is using the white eyedropper tool. you want to click on the white eyedropper (red square) and click on the brightest parts of your gif (red circles).
sometimes this isn't too easy to identify, so you can drag the little black toggle (cyan square) to the right, and this emphasizes the bright parts of the gif (make sure to undo this step!! it's just to help us with identifying the brightest areas!!)
i then zoom into the bright part of gif (around his chin) so that i can see the individual pixels, and i try to select the brightest pixel. i usually select a pixel that has a yellow or pink tint, that way once the curves layer is applied, it counterbalances the tint.
tip: if you have any areas in your gif that are supposed to be white (e.g. a wall, a t-shirt, shoes, sometimes even eyes/teeth) it's a good idea to select a pixel from these areas.
here's what we have so far
as you can see, the curves layer got rid of the reddish tint on the gif and made the colours cooler.
Curves: black eyedropper - next we add a second curves layer, and this time we're doing the same thing but with the black eyedropper. we use the black eyedropper (red square) to select the darkest parts of the gif (red circles).
if you slide the white toggle (cyan square) to the left, this will help us identify the darkest part and especially helps us pick out the tints in the pixels (don't forget to undo this step after!!)
so now i'm going to zoom in to the dark part of the gif where his hair is, with the white toggle dragged to the left so that i can see the tints. i think i made the gif slightly too cool in the previous step, so i'm going to choose a dark green/blue pixel to add back a little warmth.
tip: if you think the gif is still too reddish/yellow, then click on a dark red/brown pixel to remove more warmth.
these are what the settings look like after i select that pixel. as you can see in the gif below, we added some of the warmth back as well as added some contrast.
Alternate: auto curves layer - sometimes scenes just have ugly colours to start, and your white/black eyedropper tools won't make much of a difference. in these cases, i just skip using the eyedroppers, and just use the 'auto' button and then sometimes decrease the layer's opacity as needed.
Exposure - next i add a second exposure layer. my offset settings are always the same. i then drag the gamma correction toggle to the left. my settings are usually between 1.00 and 1.10, and never beyond 1.20. i don't touch the exposure toggle in this step!
Levels - i first drag the white toggle to the left, adding as much brightness as the gif can take without making the white spots too glowy (sometimes as little as 250, usually never below 200). then i drag the middle toggle to the left to ease up on the contrast a bit (usually never more than 1.05, and definitely never more than 1.10). finally, i drag the black toggle to the right (sometimes as little as 4, usually never more than 10).
Brightness/Contrast - i add these exact settings to almost every gif, unless it looks like the gif can't handle it.
Section 2: Colour Correction
now we get to manipulate our colours! i keep my colour balance tabs and selective colour tabs on separate layers. you can do all the colour balance steps in one layer and all the selective colour steps in one layer, but i find it easier to modify when they're on separate layers. also if you use separate layers, the colours build on each other and you can get richer/brighter colours sometimes.
Colour balance: highlights
Colour balance: shadows
Colour balance: midtones
Hue/saturation
Selective colour layers (separate layers in this order): reds, yellows, magentas, cyans, blues, greens, whites, neutrals/blacks
Colour balance: highlights (cool) - so i start with the highlights, and drag the cyans slider to the left (usually not beyond -25), and yellows slider to the right (usually not beyond +25)
Colour balance: shadows (cool) - next i do the shadows on a new layer, and i usually end up doing -4, +2, +4 for the settings (cyans to the left, magentas to the right, and yellows to the right).
Colour balance: midtones (warm) - now this is where i add the warmth back in. i usually slide the cyans to the right, and yellows to the left, and i usually keep the values the same or very close together (so +6 cyans, -6 yellows, or +6 cyans, -5 yellows). i never go beyond a value of 10 for each slider.
Hue/saturation (optional) - so in this gif i didn't touch this layer because we have the green leaves behind tommy. however, in other scenes where there's not supposed to be any green, i'll decrease the saturation on the green tab all the way, to get rid of any stray green pixels (personal preference!) with these settings:
tip: if you go to the yellow tab and decrease the saturation, you can get a cool silvery effect, just be mindful of skin tones (you can usually correct for this later with selective colour)
Section 2.5: Selective colours
with selective colours i find it so subjective that idk if sharing the settings will even be helpful. instead i'll mainly go over my thought process when editing these. you'll need to understand what the sliders do to make good use of this step.
Cyan slider: dragging to the left makes the colour more warm/red, dragging to the right makes it more cool/cyan.
Magenta slider: dragging to the left removes warmth and makes the colour more yellow/green, dragging to the right makes it more warm/magenta.
Yellow slider: dragging to the left decreases yellow, dragging to the right increases yellow.
Black slider: dragging to the left decreases contrast in that colour, dragging to the right increases contrast.
most of my selective colour adjustments are very minor!! my settings are usually in the +/- 5 to +/- 30 range, unless it's for select bright colours (magentas, blues, greens).
Editing skin tones
so i start with fixing the skin tones first before editing any of the other colours. i start with the reds tab and drag the cyan slider to the left to add warmth (if it's too red to start, i'll cool down the skin tone by dragging the cyan slider to the right).
i then drag the magenta slider slightly to the left (especially if their cheeks are really magenta). i drag the yellow slider slightly to the left as well if the person starts looking too yellow. for the black slider, if there's a lot of shadow/contrast in the skin, i'll drag it slightly to the left, otherwise i'll increase contrast by dragging it slightly to the right.
next in the yellows tab, i first go to the yellow slider and drag it slightly to the left, and stop before the person starts looking too pink. i then add more yellow back by dragging the black slider to the right. if i want more warmth, i drag the cyan slider to the left. if i want it cooler, i drag the cyan slider to the right.
2. Editing lips/cheeks/other features
in the magentas tab, i start with the magenta and yellow sliders at +100. i then drag the cyan slider to the left as needed. this step really makes lips pop if the person has some colour on their lips (it didn't do much for this gif of tommy).
3. Editing clothes/background
i then go to the cyans tab and set the cyan slider to +100. i drag the yellow slider to the left to make the cyans more blue (sometimes all the way to -100). if i want a darker colour, i drag the black slider to the right.
next i go to the blues tab and set the cyan slider to +100, and drag the yellow slider to the left as preferred. i sometimes drag the black slider to the right to make the colour darker.
i use the greens tab only if there's leaves/trees/grass in the background or if the characters are wearing green clothes (basically if green is a large part of the gif). i make the greens pop by setting the cyan and yellow sliders to +100. i drag the magenta slider slightly to the left, and the black slider slightly to the right.
4. More brightness and contrast
in the whites tab, i drag the black slider to the left (usually about -10 to -30), and sometimes i drag the yellow slider to the left (usually about -10 to -20). this is to make the white parts super white and not have a yellow tint.
however, some scenes have really bright white glowy spots (like the sunlight on tommy's face). in this case i'll drag the black slider to the right. i might also drag the cyan and yellow sliders to the left to get some of the skin colour back.
next in the neutrals tab, i only adjust the black slider. i use anywhere from -2 to -4 to make the gif brighter, or i use up to +3 to add contrast.
same thing for the blacks tab, i only adjust the black slider set from +2 to +4 to add contrast.
Section 3: Final Touches
these settings usually never change:
Gradient map: gray to white (layer opacity: 20%)
Gradient map: black to white (layer opacity: 10%)
Vibrance (+25 vibrance, 0 saturation)
the opacity of the black to white gradient map layer can be decreased down to 5% if it makes the gif too dark.
Section 3.5: Optional Final Steps
Auto curves layer - i use the auto button on a new curves layer on top of all my other layers. i then change the layer opacity, usually around 20-30%, sometimes around 50-80%, and very rarely at 100%. this adds brightness/evens out the contrast.
Levels - sometimes i want to add back some more brightness and contrast, so i'll add a levels layer on top of all my other layers, dragging the white toggle slightly to the left, and black toggle slightly to the right (usually not more than +/- 10).
Selective colour - sometimes i'll add a final selective colour layer on top of everything else, to fix skin tones (so i edit the reds/yellows/magentas)
there you have it! i know i use a lot of layers but i find that it gives me the most control over brightness, contrast, and colours. i hope this was helpful!!
#answered#Anonymous#*tutorial#userholtz#usershreyu#usercats#userbess#uservivaldi#userbuckleys#usersanshou#tsusermels
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It's almost my sleeping time so can I request again.
I just wonder How well the other react to Yandere Alastor go on a date with the reader.
I mean the people in the Hotel.
I know damn well them will be confused.
Especially what's her name again... Mimzy?
I have a feelings that she will be confused then everyone else.
That's all I hope you stay strong and healthy!
Go to MASTERLIST for the works. This ask is for {Unwanted Souls}
Hi hi again!! You're going to be like a regular in my inbox now. Staying strong and healthy, thanks~
How well others react... Hmm.. If we're going with what happened for this ask, then it's gonna be interesting.
Everyone saw how you knocked Alastor out of the park with the first date. Angel was commenting on how Alastor should be the one to do that, not you. Husk slapped him upside the head to warn him to keep his mouth shut about that. What if Alastor heard that? He didn't cause all eyes and ears on you.
Later on, the dates were like a rotation between you and Alastor leading. Though it was easy to know who the date was for; if it's Alastor, you two would be out of the hotel; if it's for you, the two of you would be in the hotel but Alastor would be purely focused on you and no one can disturb you two; if it was a compromise for both of you, well, they can't tell. Any scenario, they know NOT to include any of you in their plans.
At first, they are sure as hell confused, but they also witnessed your confession (since it was done in the open). Neither you nor Alastor leaving proves a happy end. Then it was their confusion and shock as to why you picked Alastor and why Alastor was that enamoured with you. Both of you don't explain or humour them, so they just accept it. Now when they know you and Alastor are on a date, Charlie swoons and supports it, Vaggie rolls her eyes but happy that Alastor is more tamed, Niffty waves you two off, Angel teases a bit, Lucifer makes all sort of disgusted faces but wishes you well, and Husk just hope you have Alastor's attention so he's not bothered by his owner.
Now for Mimzy. Alastor will threaten her to mind her tone around you, but he didn't reveal his relationship with you. She was not as important to him now as before, so she didn't need to know about you. Say she goes to the hotel to pass the time, surprisingly there was no one after her this time. Then she sees you, alone. So she takes this chance to harass you for messing with Alastor's head. Alastor was her 'protector', the one to clean her messes because they were acquaintances in the living. Who were you to take that away from her?
Vaggie and Angel tried to get Mimzy to change targets. You and Alastor both said today was a day that the two of you won't be free to help around the hotel under any circumstances. Meaning? You two were going on a date. Distrubing any of you two was the same as a death sentence.
"Let her learn the hard way." Lucifer stopped Vaggie and Angel from their troubles. He heard Mimzy's words to you and he wasn't happy. He'd love to knock this b*tch down a peg or two, but Alastor should be even happier doing it and you'd be satisfied to see it yourself.
"All by your lonesome? Aww, did ol' Al get bored of you so soon?" Mimzy teased with a grin, her hand covering her lips poorly.
You raised a brow at her, your eyes narrowed. "Alastor?"
The colours on Mimzy's prideful face disappeared like it was sucked out of her when Alastor materialized next to you. Yup, the other residents of the hotel were familiar with such a sight; that's why they won't come near you on your dates. Alastor smiled, an arm over your shoulders while his eyes glared at his former friend, "Yes, My Beloved?"
"Beloved!?" Mimzy repeated in shock, her eyes twitched.
Now it was your turn to grin back at Mimzy, "I think I'd like to watch a show for today's date."
Alastor humoured you as he brought you close, his eyes focused solely on you, "What sort of show? I'll provide only the best."
"I'm in the mood for some screams of agony, particularly one that's high-pitched" You faked a thoughtful look.
"I have the perfect demon in mind." Alastor's smile grew to a grin, his eyes slowly directed over to Mimzy, who was cautiously backing up with each step. "My dear friend, I believe your services are required by my lovely romantic partner."
"Actually, I was just leaving." Mimzy chuckled. How was it that you two were an item? Alastor never gave her the time of day, even when he was alive. How did you catch Alastor's eye?! "So..."
Alastor's shadow tendrils appeared out of nowhere and wrapped out Mimzy, "Ah, ah, ah. You know me well. I'll do anything for the love of my life."
In the end, I'd say that Mimzy's reaction would be that of denial, shock, and disbelief. Her pride was hurt, she was with Alsator for so long and he never showed such tendencies. She didn't understand how she lost to you, in a twisted way. She was fine with Husk, because she knew Alastor held him on a leash, so she acts out as much as she wants. But in this case, you held something over her, you held the reason for her brazen actions and attitude, you won before there even was a competition. You didn't even know.
#Circe's Nighty Writings#alastor imagine#alastor x reader#alastor x y/n#alastor x you#hazbin hotel#hazbin hotel alastor#alastor headcanons#hazbin hotel fanfiction#alastor#hazbin hotel oneshots#yandere alastor#yandere alastor x reader#yandere hazbin hotel#alastor fanfiction#hazbin hotel imagines#Unwanted Soul
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ok. look at these.
look. that's the same look. right?
let's take a closer look. to do that, i'm gonna have to zoom in a bit on the first one. because, as you can immediately see, the shots are slightly different. the first is a little farther away, showing both mike and el, walking next to each other, whereas the second is much more intimate, a closeup on mike's expression as he looks at will's face in the foreground. a minor but telling difference about the levels of emotional intimacy in each scene.
so, moving past that first element of contrast, let's look at each shot in full, because in both of these scenes, mike goes on a bit of a face journey before he gets to that final smiling expression, seen above.
personally, i think studying actors' body language and micro-expressions is inconclusive at best, but i won't deny that these look similar. however, it's pretty clear to me that they aren't the same.
toward el, i see confusion, intrigue, maybe pleasant surprise, followed by a glance down (to emotionally process and/or watch his step), and then a nervous but friendly smile.
toward will, i see awe, relief, and overwhelming affection, followed by a shy glance down and a slight schooling of his slack jawed expression into a warm smile.
but, again, that's just my interpretation, and i can't say with any certainty what the intention of all of finn's micro-expressions are. but from my perspective, even a surface level viewing of these two expressions depicts a very different emotional experience. however: there's no denying the connection between these two scenes. they clearly mirror each other, just like a lot of things about mike's relationships with el and will mirror each other. i don't think that's an accident.
whatever you think his sexuality is, mike is undeniably in a romantic narrative with el. beginning in season one episode three, when the concept of their romantic relationship is introduced, the narrative arc mike and el share is heavily focused on that relationship. the first scene above actually happens in that same episode (s1e3), not coincidentally almost directly afterward. and the former scene, with mike, lucas, and dustin behind the baseball field, provides very interesting context for several reasons:
first: bear with me, because we're going back to look at the context behind this context. this is only episode three of the show, but already there's a lot going on, both in text and subtext.
and since we have the entirety of their relationship so far presented to us on screen, when lucas accuses mike of looking at el romantically, we're easily able to go back and figure out where he got that impression: we can examine every time lucas has seen mike look at el at all.
the first night, after finding el in the woods instead of will, and while insisting that the next day she'd be gone and they could focus on will again, mike's behavior is directly reminiscent of benny's. taking el in, and providing her with shelter, food, and clothing.
the next day, after learning that she's in danger and changing his mind about pawning her off on his mother, mike infers that she might know something about will. when lucas arrives, he exclaims that she recognized him and knew he was missing.
later, when lucas tells her that will is their friend, she asks what that means and mike explains. a friend...
and then she displays that she might really be able to help them find will. and mike looks at her like this:
each and every one of these interactions is directly related to will. but lucas, through the omnipresent lens of heteronormativity that surrounds boys' interactions with girls (especially a group of boys who have no experience with girls... more on that in a bit), only seems to consider the fact that mike's behavior, which is undeniably about will, is being directed at el.
throughout season one (and beyond, in more subtle ways), will and el are repeatedly connected to each other through the trope of mistaken identity. will is abducted on the same night (and due to the same series of events) that el escapes the lab. hopper, in his investigation into will's disappearance, keeps running into clues about el. and mike, lucas, and dustin, sneaking out in episode one to search for will, find el instead.
later in the season, hopper eventually realizes the truth of his own more overt mistaken identity arc: while he was under the assumption that he'd been following will's trail, he'd actually been following el's. interestingly, the realization is triggered by one specific distinguishing difference, which tells him beyond a doubt that he's been looking for two different kids: their art.
though much more subtle (aka hidden in the subtext), mike's arc with his feelings about will and el follows a very similar pattern. the main difference, though, is that in season one, the swapping of places is eventually reversed but never acknowledged as such, and mike ends season one with el now missing and will back in his life, but a lingering sense of something yet unresolved.
second: (i'm not going to deep dive into this one here, because it's a whole analysis in and of itself, but i need to mention it because it is relevant) this scene introduces the recurring motif of superheroes being directly connected to mike's feelings for el, which is an association we see follow them all the way into season four and become a defining metaphor for their incompatibility.
third: lucas is the character who first introduces mike's romantic feelings for el into the narrative. and instead of giving any indication that lucas' interpretation is correct, mike's reaction is... difficult to read. his response is immediately defensive, both verbally ("what are you talking about?" "shut up, lucas,") and physically (leaning away and shielding himself when lucas hugs him). we can infer from the original character descriptions why mike might be defensive about this subject:
obviously, this description is only a vague impression of what Mike Wheeler became, but it's clear that the core elements of his character outlined here did come to fruition on screen. here, mike's insecurity is linked both to the bullying he undergoes, and to his inexperience/ineptitude with girls. and it's presented as key to his character motivation (the original concept of his character arc put forth here is very straightforward: at the start, mike has insecurity centered around bullying and is romantically inexperienced. by the end, mike has courage against monsters and romantic experience.)
in any case, this scene is the first hint of this aspect of mike's character in the show itself (the earlier scene of bullying in the show focusing on mike consoling dustin over what he’s being bullied for (“i think it's kinda cool. it’s like you have superpowers or something!”)... see my last point here… mike holds the idea of superpowers in high regard, and they are consistently connected with his feelings about el. something about the mistaken identity through-line feels apt here: mike mistakes his feelings of admiration for el as feelings of romance.) in this scene, mike is confronted with both romance (in direct relation to himself for the first time in the show) and bullying.
but due to the way this is shot, it's impossible to get a read on what mike is truly feeling. it reminds me a lot of another scene, actually...
in both of these scenes, mike's genuine emotional reaction is hidden from us. in the first, lucas forcibly hugs him, teasing him about how much he "loves" el, and in effect introducing the idea of el as a romantic prospect to mike. in the second, el hugs mike tightly, her hand still around his neck from their kiss and his arm trapped in between them, similar to the way he shields himself from lucas. we're then shown that he's signed the card on the flowers squished between them "from, mike." hm. so... not love, as lucas suggests.
we come to learn over the course of season four that this is something mike is actively struggling with: his inability to "love" el in the way that she wants, expects, and deserves. this scene, introducing that season-long arc, conceals mike's true emotional state and motivations from us, again, mirroring the first introduction to their entire romantic plot line way back in season one.
(an aside: lucas' "if you love her so much, [then] why don't you marry her?" aka the inciting event of their romantic arc, is a based on a conditional statement with the hypothesis that mike loves el. as mr. clarke might posit (in, say, season one, episode one): what's the difference between an experiment and other forms of science investigation? ...well, an experiment is a controlled test of two or more variables against a hypothesis. does that remind you of anything happening in mike's romantic narrative? something about...... [murray voice] experimenting sexually?)
anyway. then, after extracting himself from el's embrace, mike finally drops his bag(gage) and opens his now empty arms to will, before preemptively cutting himself short with a punch to the shoulder.
...did someone say internalized homophobia?
and then immediately upon being introduced to argyle, mike is called out for his presentation here not being genuine. ("it's a shitty knock-off,"/"i really thought it was ocean pacific...") we're being told that something about mike's performance is not what it seems (and may even be a case of one thing being mistaken for something else).
and speaking of homophobia...
fourth (and finally): this scene, of lucas' teasing mike about his "love" for el, which i'll remind you again is tied directly to lucas mistaking mike's behavior regarding will as being solely about el, is quickly interrupted by an onslaught of homophobia, during which mike is specifically targeted (read: tripped) by the bullies.
the juxtaposition is immediate and obvious: mike's friends lovingly teasing him, even embracing him, over a crush on a girl vs. bullies maliciously taunting them about will being killed for being queer and then physically harming mike.
(there's also something to be said about the later scene in which these bullies force mike to drop his bike in the woods and chase him to the edge of the quarry, mirroring exactly how the cops assume will must have died... and, to be clear, i'm not saying that mike himself is being bullied for being queer in the way will was. no, mike's queerness is invisible to those around him in a way that will's isn't, so his relationship with it and the ways it affects him are hidden in subtext.)
which brings us directly to the following scene in the woods. el asks about mike's injury (sustained from the aforementioned bullying, thereby linking these two scenes even more concretely) and with a little prodding ("friends don't lie"), he opens up to her about what happened, and about being bullied at school. she listens, tells him she understands (this also follows her recent flashback of brenner's abuse in the lab), and they share a "cool," "cool," and a smile.
so... let's quickly jump over from here to the van scene with will. something similar, yet notably different, is happening in this scene, leading up to that infamous smile at the end. mike is sharing his insecurities with will now, but instead of will prodding him to open up, mike, prompted only by will's "she's gonna be okay," begins rambling so much about his insecurities (while speaking in superhero metaphors) that he eventually cuts himself off, saying it's "stupid." instead of letting him brush it off, will guesses exactly what mike is afraid of: "you're scared of losing her." he gives him The Painting (a symbol of his love for mike) and a long speech about feeling lost and different, while insisting upon mike's value (you're the heart, leading us, inspiring us, etc). and then they share a "yeah?" "yeah," and a smile.
so we can see the similarity in the way the shots are set up, the progression of the conversations, and mike's visible reactions. but we can also see distinct differences, all of which together inform a significant difference in emotional weight between these two scenes.
while mike's conversation in the woods with el takes place in the third episode of season one, at which point mike has known her for less than 48 hours, the van scene is in the second to last episode of season four, and is the fourth of five heart-to-hearts mike and will have this season alone (and following three previous seasons and beyond that years of close friendship). it is also arguably the climax of their shared arc this season. on the other hand, mike and el's season one moment is part of the introduction to their storyline, and the introduction to their romantic arc. in this moment in the woods, mike is looking at el romantically (did you think i was gonna argue that he isn't? because no, he definitely is). in fact, this is the beginning of mike's entire romantic arc, which sets out to address the foundational insecurity that is key to his character. we, as an audience, right alongside mike, have just been told (by lucas) that mike has romantic feelings for el. and then we are presented with this scene. we are supposed to view this as romantic. because mike is starting to view it as romantic.
had stranger things been one season long, then the climax of their romantic arc would have been the kiss they share in the cafeteria, followed by the denouement of el's symbolic death (the gay implications of which i could write another whole essay on...). but the end of season one was not the resolution of mike's full romantic arc. by the nature of the five act structure (which is what stranger things has, being five seasons), the entirety of season one serves as exposition for our full narrative. which means, in effect, that the entire arc of mike and el's season one relationship is there to serve as groundwork, a foundation for mike's complete five season arc. season one, starting from before he even meets el, all the way through to when he eventually kisses her and then loses her, is only act one of that arc. the first act of five act structure is when the driving conflict is presented. so in the context of the entire show, for us as the viewer, mike's narrative arc surrounding the romantic aspect of his insecurity begins with his season one "romance" with el.
and we know that this insecurity is an element of the full five-act narrative, rather than being presented and wrapped in the course of the mini "self contained" narrative of season one, because we can see plainly, three seasons later, particularly during mike's heart-to-hearts with will, that this insecurity has not yet been resolved. we know this, on a basic level, from having watched mike and el's relationship struggles progress, but it is still explicitly laid out for us in season four. and will is consistently the only person who genuinely hears mike out, encourages him to open up, and addresses his insecurities, instead of brushing him off, like most other people in his life (including will at some points) have done. will understands him in a way el only claimed to in season one.
looking back to the character outline: mike has now "kiss[ed] a girl" and even "had a girlfriend" and still hasn't resolved his insecurities even remotely. in fact, after the first season arc wraps up, this romantic relationship becomes the main source of that insecurity. his difficulty navigating a real romantic relationship with el is the basis of their arc in season three. and by season four, mike is consciously struggling with being unable to tell el that he loves her. despite will's reassurances that things will be okay (which stack onto lucas' constant relationship advice in season three), mike keeps circling back around to it. because he can't move forward on the path he is on.
he has reached a point of no return, like a “fight you can’t come back from.” he is unable to find the security he is searching for in his romantic relationship with el... and this is where we arrive back at the van scene with will.
if the scene in the woods marks the beginning of the introduction of mike's romantic arc, then the scene in the van marks the beginning of the conclusion of mike's romantic arc. if the introduction of his romantic arc (season one) presents his insecurity, then the natural conclusion of that arc (season five) is security. throughout season four, mike lays out for will the insecurity that his relationship with el still brings him. he is unable to find that security with el, and, in the van scene, finds it with will instead.
or, should i say, begins the journey to finding it. because, especially after the lie that brings them into that moment, and then traumatic pizza dough freezer incident, we're still at the beginning of the conclusion. there's still a lot to resolve, but season four (alongside mike, who now understands what he's been going through) finally began moving the subtext of mike's arc into the actual text. and this moment indicates that season five will take that next step to fully, textually, actualizing it.
so, getting back to the parallel we're looking at here: each of these scenes is a catalyzing moment in mike's romantic arc. in season one, when lucas suggests that mike has a crush on el, and then what follows is a conversation with el where she is (to quote lucas) "not grossed out" by him, he actively begins his journey toward resolving this character motivating insecurity. he looks at el and he sees the possibility of romance.
and just look at him. he looks excited. hopeful. a little nervous. but... i want to remind you again: mike has known el for less than 48 hours at this point. this is the first conversation they've had in which they've related to each other as equals. for their entire relationship before this and afterward, outside of their romantic interactions (and also. often. disturbingly. concurrent with their romantic interactions...), mike's role has been as el's protector, a makeshift father figure, the elliot to her E.T. here, though, el tells mike that she understands him.
in season one, mike is twelve years old (read: pre-pubescent). he has no personal understanding of or experience with romance. dustin starts to comment in s1e2, "you're letting a girl...?" and ted later scoffs "our son with a girl?" and outside of the queer coding, what we can take from both of these (which draw back to the original character description) is that mike has no experience with girls whatsoever. (outside of, you know. family. but that's not what this post is about.)
and again, this scene happens almost directly after lucas first introduces the idea of romance between them, both to the narrative, and to mike himself, who, very significantly, up until this point, has shown no romantic interest in el. the sequence of these events is not a coincidence. 1. lucas assumes mike has romantic feelings for el. 2. el and mike have a moment of personal connection and understanding 3. mike "boys only" wheeler puts these two together and assumes the connection between them must be romance. but the expression on mike's face here isn't a representation of already existing romantic feelings. there's no basis for those. again, this moment represents for mike the potential for romance.
which... makes his expression in the van scene hit even harder. because unlike el, will isn't a stranger he barely knows, but rather his best friend of ten years. and it isn't lucas telling mike how mike feels. it's will professing his own feelings about mike, in direct response to mike's self-professed insecurities. (ding ding ding, are your alarm bells going off?) mike's expression at the end of this scene, if we're viewing it as a reprise of his season one expression, is a representation of hope for his romantic future. but this time, heading into the resolution of mike's romantic arc, with all of the knowledge and context we (and mike) have gained over the course of the past four seasons, it's directed at will.
ok. so. with the basic connection between these two scenes established, i'm gonna move a little bit sideways here. at the end of their romantic arc in season one, el disappears from mike's life and will reappears in it, effectively swapping their places (remember that we've been dealing with the mistaken identity trope between these two), and leaving the question of mike's romantic security glaringly unresolved.
and we know why - this is a five act narrative we're watching - but just within the context of the season one arc... the climactic moment of mike finally asking the girl to be his sister kissing the girl was preceded by her locating will in the upside down (leading to his rescue) and followed by a resolution in which she disappeared... and will took her place. at the end of the season, mike is left in the same place he started: playing games in his basement with will, his first attempt to resolve his arc of romantic insecurity, with el, ultimately ending in tragedy.
after season one, this arc picks up again, but this time will is the one present in mike's life. and mike's behaviors toward el in season one, during which they were undergoing a romantic story arc, begin showing up again in his behavior toward will. but unlike with el, mike's particular (read: romantic) behavior toward will happens without outside intervention, and in fact, often in spite of outside intervention. now, this isn't to say that all of mike's behavior with el was a result of others' influence. when el reveals to mike that she is on the run from "bad people," mike is immediately protective and caring toward her. however, as i've already explained, this caring behavior (which, again, we know right off the bat is not romantic because it directly mirrors the way both benny and hopper care for her) doesn't turn into romantic behavior until lucas introduces that idea.
on the opposite side of the spectrum, right from episode one of season one, mike's behavior toward will is fully self motivated, even in the face of opposition.
and as we move through season one and beyond, we can see that mike continues to rely on constant guidance in the way he cares about el (particularly and most consistently from lucas).
stranger things is, at it's horror filled core, a coming of age tale. like many of our other characters, mike's full character arc, romantic and otherwise, is about self-actualization. from the very conception of the show, his insecurity is presented as a central character flaw to overcome, while also being directly linked with his romantic fulfillment. the overcoming of this fatal flaw, the resolution of his romantic arc, and his final achievement of self-actualization are all inextricably intertwined.
the reprisal of this specific expression of romantic hope as we enter the end of mike's romantic arc is not an indication that mike is in the same place emotionally at the end of season four as he was at the beginning of season one, just with a different person now. instead, it is an indication of his romantic arc coming full circle. mike began in a position of hope for his romantic future with el, only to have the actualization of that hope (their romantic relationship) gradually degrade his romantic fulfillment and self-esteem. the longer mike and el are together, and the more serious their romantic relationship becomes, the worse mike's insecurities become. this is, i would argue, directly related to the fact that mike's pursuit of a romantic relationship with el is not due to his own genuine desire, but instead a combined result of heteronormativity (lucas assuming mike's feelings for el to be romantic), compulsive heterosexuality (mike's subsequent assumption that his feelings for el must be romantic), forced conformity (mike's attempt to resolve his insecurities firmly within these heteronormative boundaries, under the assumption that a rejection of these boundaries is unacceptable), and the trope of mistaken identity that has been following will and el since season one.
and of course i don't know with any concrete certainty what season five will contain, but based on the narrative so far, and optimistically expecting a satisfying resolution to his character arc, the actualization of his romantic hope regarding will is going to lead to true romantic fulfillment and coincide with his self-actualization (a big part of which is coming to terms with his sexuality).
now, i'm not going to conclude this whole analysis by saying, "and that's why mike is gay!" because while i think this all is a good indication of that, based on all of the context and my impression that this narrative is being presented in a way that focuses on the subtext and deeper symbolism of each of these relationships rather than being a case of specifically el vs. will, you might still have a different interpretation than me. that's fine. however, i am going to end by insisting (me when i argue with the wall), based on everything i've laid out, that this parallel and others like it (ie parallels between byler & miIeven's romantic arcs) are not evidence of mike's feelings, specifically whether they are genuinely romantic or not. this parallel serves as a narrative device in his romantic character arc... the conclusion of which is mike realizing and coming to terms with the fact that he is actually in love with will, and not el.
just to be very clear, i'm not saying these parallels alone are proof against mike being bisexual, but i am saying that they are not evidence in support of his being bisexual. again: they do not indicate that mike is romantically attracted to el. what they indicate is that will and el are foils in mike's romantic arc.
before i finish, i want to address a couple misconceptions:
1. the fact that mike actively and willingly participates in a romantic relationship with a woman means he can’t be gay. this is straight up homophobia. gold star bullshit. no.
2. mike and el being presented in a romantic light means that they have genuine romantic feelings for each other. this is a misconception of the way narrative tools are used to tell a story. going right back to my first point: it is an irrefutable fact that many gay people have romantic relationships with the people of different genders (read “the opposite sex”) before they come out/realize their true sexuality. it is also a fact that many of these gay people fully believe their feelings to be genuinely romantic before realizing that they are not. as i've already gone over, mike is twelve years old when his romantic arc begins. on the surface, his relationship with el is presented as romantic. he participates in (and even initiates) romantic behaviors because he believes that his feelings for el are romantic. in seasons one and two, mike is one of our main POV characters. we can see a romantic tilt to the way some of their scenes are shot because, to mike, while they are happening, they are romantic (keeping in mind what i said before about mike having no experience and therefore no personal knowledge informing his perspective, AND keeping in mind that many of these on-the-surface "romantic" scenes are also consistently subtextually linked (read: paralleled) to familial relationships for both of them... and i haven't even touched the cultural context surrounding homosexuality in 80's. there's so much nuance informing the way this story is being told). and we, as the audience, are supposed to read them as romantic on first viewing, because otherwise the season five plot twist, revealing the truth of mike's feelings, would not work.
it is not a coincidence that the active degradation of their romantic relationship (outside of all of the other context, parallels, symbolism, family coding, etc, that are there to hint along the way that things are not as they might seem) begins full force in season three, at the exact point when the two actually enter a real relationship for the first time, and also when our characters are entering puberty, the time during which a person's sexuality (in a general sense, but also in regard to sexual orientation) begins to fully emerge. after his season one arc with el, mike underwent another season-long romantic arc: this time, with will. it's more subtle, because (i believe) mike doesn't realize yet that it's romantic, but it's there. then at the end of season two, mike makes a choice: he encourages will to dance with a girl and he dances with el, re-writing their tragic ending from season one, but now leaving his romantic arc with will frustratingly unresolved, again mirroring the sense of unresolution from season one: mike has swapped out the end of each romantic arc with the wrong love interest.
and then in season three, now having had the experience of both romantic arcs, and now, for the first time, with both will and el right there beside him, all we can see anymore is the overt contrast between the two relationships, depicted most blatantly through the same type of visual and narrative "parallel" we've been looking at here.
but at the end of this season, instead of making a choice, mike's choice is made for him. he has a romantic moment with will, and then el kisses him, confusing the resolution of these two romantic arcs once again.
mike's season four arc closely mirrors his season one arc (searching for one love interest with the other by his side, mistaken identity trope abound), but with important distinctions: 1. mike is a little older, a lot more experienced, and has a better understanding of both the context of romantic relationships and the scope of his feelings for both el and will. and 2. mike's only real guidance in season four comes from will, and he doesn't simply listen and act based on will's advice, as he did with lucas' in seasons 1&3. now, he fully engages with will's input, pushing back against it when he doesn't agree, and accepting it when he can acknowledge its truth (up until, of course, our fourth (and hopefully final) tragic, incorrectly resolved ending). mike is finally taking control of his romantic narrative in a way he hasn't previously, and the direction it's heading in now is toward security, self-actualization, and will.
so the point of all of this is: nothing is as simple or straightforward as it may seem on the surface. the narrative has always been deeply complex and layered with subtext and symbolism. and most of all, when interpreting the meaning of anything presented directly to us on screen, context matters.
also uh. yeah, mike gay
#byler#mikesbasementbeets posts#parallels are there to be noticed. but that should be where the analysis begins. not where it ends.#this got kinda long i just wanted to be really thorough bc this kind of 'parallel = 1:1 similarity' thinking is way too prevalent#this is less an analysis and more me explaining the plot of the show but. sometimes it feels like it needs to be explained lmao#yes i lied about the ending but when you eliminate the only claim negating that conclusion....#that's. i mean that's the conclusion.#(btw the difference between comparative and experimental investigations is that in an experiment one of the variables is fixed.#something to think about)#mike wheeler
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