#i'm new to writing for this ship

[moongothic]

Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.

At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little

You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)

Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right

So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?

Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)

Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)

Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass

Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)

My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?

Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO

So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.

Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.

Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))

But like, once they set sail to Alabasta...

Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.

But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.

But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)

Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.

The only question is, how would Robin take that?

Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good

So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.

Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.

And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.

What's she going to do?

EDIT: I wrote a sequel post, enjoy

[starcurtain]

More Phaidei Fics I Want to Read

1. Obligatory "fish out of water" fic (mostly AU because the timeline would probably not match canon, but we do what we want here!), taking place after Mydei and the Kremnoans first make it to Okhema. Okhema is already harsh on outsiders, let alone on a conquering "barbarian" tribe infamous for bringing strife to so many other city states. Mydei doesn't know the local customs at all, and while he doesn't care the slightest about how these pathetic Okhemans see him, the trouble he keeps getting into is affecting the reputations of innocent Kremnoans too. He's got to find a way to blend in, at least enough to stop costing his fellows any chance of finding paid work... Too bad the only person who is willing (and has time) to help is Phainon (who isn't native to Okhema either but done a much better job of learning to get along with the locals). The guy thinks he's the Titans' gift to Amphoreus just because he beat Mydei in a duel once. It was only once! And why does it matter whether we eat standing up or lying down? What are you laughing at, Savior Complex?! Or, tl;dr: The culture clash comedy one where Phainon and Mydei teach each other entirely opposing sets of manners, and come to learn a lot more about one another in the process.

2. Also obligatory omegaverse where Mydei is an omega born with a unique constitution: he's built like an alpha, snarls like an alpha, and dominates his opponents like an alpha. He even smells like an alpha, especially when he's in heat, so the only people who ever figured out his secondary gender were his doctor and his parents, all of whom are dead now. The whole world thinks Mydei is an alpha, and his reputation as an indomitable warrior prince pretty much hinges on people continuing to believe that. The problem is, Mydei wouldn't actually mind getting to live an omega's life, at least the part about finding a mate and starting a family. Only, who in the world would want him for a mate? Any alpha hunting for an actual omega would never think to look in Mydei's direction, betas would just be confused, and even those few alphas who are attracted to other alphas would only end up disappointed after discovering Mydei isn't one. He's nobody's ideal partner, and he'd mostly made peace with that--until Phainon. Until that upstart alpha from the middle of nowhere knocked Mydei down in a brutal spar and then pulled him up with the gentlest hand, and suddenly it mattered that no one would ever want Mydei. It mattered a lot. (Of course, the long and short of it is that Mydei is the man of Phainon's dreams, and after a series of setbacks and miscommunications and lots of silly angst, they'll find their way to a happy ending.)

3. After discovering Mydei's weakness for sweets and cute things like pink pomegranate juice, Phainon decides to engage in a bit of light-hearted teasing: He starts sending Mydei exceedingly adorable gifts and fancy candies under the guise of a "secret admirer." The joke is on Phainon, however, when it turns out Mydei finds the gifts quite charming and is determined to discover the identity of the mysterious gift giver. A reasonable person would quickly give up on the joke to avoid getting caught, but Phainon has always been weak to chasing thrills--and maybe this whole thing about being Mydei's "secret admirer" isn't too far off after all... (The real joke is that Mydei, realizing immediately who the gifts were from, invented an entire "hunting my admirer down" story just for the fun of watching Phainon squirm--and, well, because keeping the whole thing going, being showered with attention by his rival, doesn't feel too bad at all.)

4. The opposite fic: The one where Mydei's completely mismatched online personality accidentally catfishes Phainon and causes some very silly drama. Mydei's (anonymous) teletweet account is full of cutesy chimera kitten memes, aesthetic pictures of food, heart emojis, and overly punctuated (with exclamation points) recaps of shopping trips in Okhema's market... Can anyone blame Phainon for thinking this is the account of a cute girl who is refreshingly earnest about her love for chubby seals and pink milk tea? But as Phainon becomes closer and closer to "Fig Stew" online, things get more and more complicated--because he's also been getting closer and closer to his real world companion Mydeimos lately. Both Fig and Mydei are wonderful, and Phainon can barely bear the thought of losing either of them in his life. Trying to get closer to them both would be way too dishonest, but choosing one over the other... What should he do? Meanwhile, Mydei is in trouble. He wasn't planning to set up some secret identity or anything; it's not his fault Phainon mistook him for a girl online! There's nothing weird about dudes posting sparkling kitten gifs, godsdammit!! But now the charade's gone on way too long to come clean, especially since Phainon seems so invested, and... well, can you blame Mydei for not wanting to give up on the closest thing to a relationship he's ever managed to start? tl;dr: Online mistaken identity hijinks fic.

5. The required-in-every-fandom time travel fic (with bonus fake dating)! Through an outpouring of Oronyx's power, Mydei and Phainon end up in the bodies of their future selves, who, it turns out, have not only managed to end Amphoreus' war and revive Castrum Kremnos, but... appear to have also... gotten married?!! Now Mydei and Phainon have to not only find out exactly how their future selves managed to save the world (so they can accomplish the same task) then look for a way back to their own time--they've got to do all of that while also pretending to be a happily wedded pair of rulers to avoid raising everyone's suspicions. This would be a whole lot easier if either of them knew the first thing about being actual kings... or about relationships. The slightest slip up could create ripple effects that change the entire timeline permanently, but--no matter how nerve-wracking it might be to admit, after seeing the future in store for them together--there's nothing Phainon (and Mydei) won't do to make sure things go exactly as they should.

[a-pigeons-soliloquy]

been reading non-hannibal fanfic for the first time in like 2 years and have come to the tragic realisation that the hannibal fandom has ruined me when it comes to fic quality

like my standards are so ridiculously high now. the bar is on the moon

you've all ruined me. RUINED ME I SAY

[thevoidstaredback]

Hey! So, it's been a while, but I finally remembered to come back to this! But, it's not gonna go the way you'd think.

If Danny had it his way, he'd be at his Aunt Alicia's house for the summer instead of New Jersey. This place is gloomy, grimy, and soaked through with so much crime that it's a Problem(TM). Like, seriously? New Jersey hasn't allowed the death penalty since he was seven, but can't they make, like, one exception? Get rid of The Joker and half of Gotham's problems are solved.

Unfortunately, he's only here as a guest, so he can't really do anything. Which, for the record, is a shit rule. Call a goose and goose, and that's exactly what Gotham City, New Jersey is.

It isn't all that bad, he supposes. Sure, the pollution blocks out the entire sky at all times, the buildings that aren't condemned are only feeding the rich while stealing from the poor, an entire twenty-four block are has been given up on by mostly everyone, the local vigilantes won't kill the recurring problems like the cockroaches they are- There was a good point to all this.

Oh! He has family here. That's it. That's the only silver lining, and it's bronze.

But, hey, it can't be that bad. From what he understands, his half-brother and company don't actually live in Gotham. Bristol, according to Talia is technically outside of Gotham City Limits, but is still considered as part of the city. Makes sense, aside from the fact that there's no bridge between Bristol and Gotham. Weird design, but he's not rich so he's not really inclined to care or understand.

Half brother, right.

Danny doesn't like Damian much, but that's because he's a clone...of Damian. Danny's a clone of Damian, not the other way around. Ra's makes that very clear

The only reason Talia wants him with Damian is because she's upset with Bruce Wayne. What is it with divorced parents and putting their kids on the middle of their fights? Or maybe that's just Talia?

Anyway.

Gotham, New Jersey is a dismal place. Danny's not germophobic by any means, he can't really afford to be, but even he's having a hard time being in the city.

It was so much easier hiding out with the Fentons.

Well, 'hiding' is a subjective term. Ra's and Talia knew where he was, so did Deathstroke, probably, but that was it.

Essentially, everyone he should be hiding from knows where he's been hiding, which means he's just been on some kind of twisted, extended vacation.

As far as Danny knew, Bruce Wayne had no idea he was coming. Damian knew because Talia had wanted him to pick Danny up from the airport. Weird because while Damian is technically older, Danny is still legally two years older.

Well, 'legally' is a stretch. He doesn't technically exist, outside of the LoA and Amity Park.

The point is that Damian is waiting for him at the end of the terminal, looking as much like an excited puppy as he can, with an older gentleman. Talia had given him nothing to work with, but Danny didn't really care who this guy was as long as he didn't try to make him do anything he didn't want to.

...living in the Midwest was doing wonders for his mental stability, but Ancients was it making him soft!

"'Danny', I presume?" the old man asked, his accent heavy.

Good, so Talia did give Damian his actual name. "Yep. You are?" He may not want to be here, but he still knows his manners. Even if he's only going to use the bare minimum of them. Malicious Compliance and all that.

"Alfred Pennyworth, the family butler." He didn't extend his hand to shake. Danny didn't mind. In fact, he actually preferred that.

Okay, so maybe he's a little bit haphephobic. Leave him alone!

"Danny," Damian greeted, a smile of excitement in his voice but not his face, "It's good to have you here. How did Mother convince you to come?"

"Bribery." Mostly.

Damian seemed to deflate a bit. "Father and the others don't know you're here."

"Do they even know about me at all?"

"No."

"Perfect! Then I can stay at a hotel-"

"For the entire summer?" Alfred raised his eyebrow, "I must insist that you stay at Wayne Manor while in Gotham. Master Bruce will most pleased to meet you."

"Why?" Danny scoffed, "I'm not his kid, nor do I want to be."

Damian slouched a little bit more. "Come, we must get back before the others send out a search party for us."

"Dramatic much?" Danny scoffed.

"Not at all," Alfred took both of Danny's bags before leading the way out to the car, "It' happened before in less time."

"I don't doubt it for a second. I'm calling Bruce a dramatic bitch."

Alfred smirked ever so slightly. "Quite right, Master Danny."

"Don't call me that."

"Alright then, what should I call you?"

"'Danny'. No honorifics, no add ons, no trying to fullname me, nothing else."

"And when you go out with the rest of the family?"

He scoffed again. "You really think they'd let me go out with them? I'm an assassin. In fact, the first thing I'll do the second I'm let out of the house is kill the clown bastard."

Damian rested his hand on Danny's arm. "They let me out with them and I tried to kill Drake. As long as you uphold a promise not to kill anyone, you'll be allowed to patrol with us."

They reached the car, Damian sat behind the driver while Danny sat behind the passenger. Alfred put the bags in the trunk. "So? What will you be called on patrol?"

Danny rolled his eyes, popping his headphones in and not looking away from the window. "Respawn."

Storyboard

[pokimoko]

haunting the narrative -> haunted by the narrative -> haunting the narrative -> haunted by

[a2zillustration]

I've been waiting for an excuse to tell you why Croissant is called Croissant for SO LONG

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[[ All Croissant Adventures (chronological, desktop) ]]

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[zorosroronoas]

absolutely hate how hard gail simone is pandering to romy shippers. nothing to do with the ship in specific, it could be any other & i'd feel the same way, but it always makes me uncomfortable when creatives behave like that.

[a-jar-of-beetles]

I love how Gorgug's crushes are a satyr, a Crystal Construct, and a modron

Like go funky dude I hope you find happiness with whatever funky being suits your fancy

[nanakah]

hello hello, I took the alien stage pill. howdy fellow sufferers

Honestly, my first reaction to basically everything was "awww, they come in sets and are all without exception horribly doomed no matter their specs (loops cool music and vids)"

I'd seen some of VIVINOS' team works without realizing it was the same artist (my favorites being Beloved and Otomeroid) so it was rather shocking to learn of a "series" with a fandom as active/relatively large as Alien Stage without ever actually stumbling upon it before...

Anyways. I like the concept, and Hyuna+Luka in particular, a whole lot. In spite of all the jokes about only yuri and yaoi losing, my spider sense says they'll get their turn of crashing horribly soon and I wanna stay here to witness it burn beautifully, of course.

TL;DR OMG HYULUKA IS SO DELICIOUS

general yapping about all alien stage duos under the cut and some Hyuna/Luka considerations and theories

disclaimer: long, chaotic post ahead - i wrote most of it during revenge bedtime procrastination so I'm kinda just rambling/discussing my general impressions and vibes here instead of formatting it nicely or properly illustrating my points. good luck if you choose to stick around and make yourself comfy

alien stage impressions under read more - also SPOILERS SPOILERS SPOILERS

funny thing - I got into alien stage completely by chance after checking out some related vids to my Love and Deepspace twitter spree and avoiding my responsibilities. Ivan's Black Sorrow made a very strong impression and I loved his eyes, so I kept going deeper down the rabbit role and felt fascinated by the web of dynamics between the characters each time I took in a little more of the plot.

(His eyes are so cool and expressive.....I was already loving everything prior and was excited to continue, but Ivan was definitely the one to sell me on the concept more strongly and eat up the rest.)

It was interesting seeing "love" portrayed under such dire conditions and I kept wondering how come the aliens are so stupid they chose a 1vs1 PVP combat format with their beloved pets instead of the optimal formation of idol units and at least duos versus each other to utilize their feelings of love. Why would they do that?

That first innocent musing made me realize how clever the team behind ALNST is. The whole thing seems to be operating as a metaphor/commentary about how predatory the real idol industry is (the concept of anakt garden really sounds like the average idol trainee camp experience and the bonds they form with their group mates) and how heartless guardian (parental) figures can be in a society that is heavily utilitarian and barely gives agency to either their own children or sentient beings like animals that we keep as pets.

So in that world, the sacrifices of being an idol are literal and humans themselves are "pets" - with all the implications that come with "being dependent on a species that does not properly comprehend them". At times, the way they refer to the fandom of each character even seems to be tongue in cheek as to how "we" too are watching the story for entertainment and making fanbases for each character and reacting like some of the in-universe alien fans.

Therefore, it's no brainer that the answer to my initial question was: aliens/Segyein don't understand how to utilize human bonds and emotions to their maximum efficiency in the first place. They know interaction between humans seems to be important and produces more beautiful songs. However, they probably experience those feelings differently and most of them are likely unable to truly empathize with human pain, ethics or feelings. (And believe me, even some people have a hard time believing other species benifit from socialization, so aliens being that way is understandable). Perhaps the awful acts of the Segyein mutilating their pet human is no different from pulling a butterfly's wings to a human or injecting colored fluid into a flower. The glimpses of their buildings and tv show that they have the same sort of "do they have rights?" feelings and similar moral conflicts to what we have in the real world about species we don't understand fully.

I think it's really challenging to analyze a work attempting to guess future developments when you don't know the creator too well. In spite of looping OTOMEROID I wouldn't say I know VIVINOS and her team deeply as an admirer. But from the overall tone of the videos in her channel, I could pick up on a fascination with "extremes" of emotion and exploring the hypocrisy of society. Human/animal experimentation and materialism/religion/consumerism are topics that come up often. Love is also hardly ever portrayed as a simple or benevolent feeling alone - there's unrequited love, obsession, insanity, many facets of that feeling on the channel. Some works are more straightforward and focus on the visual presentation, others seem to have a deeper story behind it.

The technical quality of the Alien Stage MVs is extremely impressive, I had a blast looking at the patreon storyboards and feeling like "wow, a person actually made this". It seriously got me inspired to feel like drawing more to get out of my own artblock and to pick up on old OCs to show them some love. In the era of AI, this is a joy to get to feel. It all definitely feels like a well-put together labor of love. I'm super weak to things brimming with passion like this, it's contagious!!!!

Now that I've tried my best to make an eloquent opening and act like I'm not at all just a fangirl foaming at the mouth with this intense concept (I keep crying that I wanna see either Aka or Ohkawa try their hand at a death game scenario) and at the sight of a tragic toxic duo with a backstory of a deeply rooted mutual obsession/love and fall out (wiping drool out of the corner of my mouth as we speak), let's talk a little more about the story. In order to make sense out of my ramblings and projections, let me explain my thoughts on the other duos besides my bias first.

Mizi and Sua set the tone to their universe as well as serve as an explanation as to why "idols" work well to represent their conflict and struggle - I'm fresh out of Oshi no Ko here, so this feels equal parts like a comfort zone and everything but comfortable and hellish to go over again. But, to put it briefly, the adoration of someone as an entertainer that you want to support also overlaps with the word reserved for adoring "an image or representation of a god used as an object of worship" - idol.

Humans, stripped of their power and autonomy after arrogantly believing they were superior to everyone else and were the only beings in the vast universe, have been subjugated by other species. Because of the bleak, unforgiving circumstances they were faced with afterwards, the surviving ones were turned into luxury pets and stripped of their freedom. Free will made them children of God before, so people have forgotten all about the "God" who couldn't answer their prayers/save them. But, as Mizi says, the belief in God is innate to human nature. You are more likely live in this world successfuly if you have someone to look up to or a reason to survive.

When God seems so far away and so cruel...what they can do is look to each other as their "Gods". Because a belief in God is ultimately, a cry for salvation and acceptance...."The Bible makes it clear that “God is love” (1 John 4:8). He isn't just loving, but he is the very definition of love."Therefore, all characters are, in some way, looking for salvation and being constantly tested and brutally being forced to show off their humanity through the lens of how love affects them - and not at the privacy of their inner thoughts or anything. All of that in order to portray different aspects of "love", adoration and what it means to be human. To have a belief on the unseen - "what is essential is invisible to the eye".

IT'S ALIEN AMERICAN IDOL MEETS DANGANRONPA. WHOO.

(gOD I wish we could have gotten Luka vs Sua or vs Ivan in some way. That feels like it would be extremely close and entertaining to see. Am I losing my humanity? Why is my keyboard slimy? Am I becoming a Segyein ....?)

Of course, because I fell for all those deliciously doomed themes like the good CLAMP/Akasaka foolish nerd I am, I bought patreon access day one. Although some setting details were unexpected, I was pretty satisfied with my overall initial grasp on most of the characters. If you found me through the tags and didn't already follow me, my disclaimer here so you get to know me is that I easily gravitate to polarizing characters or doomed ships like a curse. There are also certain Themes that follow me like a plague and I could see some of my favorite characters' shadows on the doomed kids I liked right away. Like an itch to spot something more to what is being shown.

Therefore right away, Luka and Hyuna caught my eye big time. (literally, when I watched sweet dream I kept pausing and going - whOA WHO IS THE COOL GIRL WITH THE CIG. Wait wait wait show me more of the boy that looks dead inside overstimulated by the flashing lights!)

I don't really have any pretension to be quoted on anything here or say things verbatim (Patreon says it's fine to produce derivative content based on what's there, but as expected, it's enforced not to directly share it so I can't really go argument-evidence here by presenting it) and have only seen pictures of the artbook secondhand by a friend, so I'll have my fun here making commentary loosely based on extra content and sporadically showing off pretty MV captures.

Anyway.

We're introduced to this universe through the jarring cruelty of ROUND 1, contrasting a harmonic, beautiful, lullaby-like melody with a harsh outcome. Like Mizi, unless we got spoiled beforehand, we don't really know anything about what's about to horrifically transpire. And though she got education, it feels like the teachings about what death or the Alien Stage would be like were horribly sugar coated or distorted to her, as incentive to give their best performances - like sacrificing themselves was a good thing. The extra materials back this up with Mizi's first interview about "My Clematis" - it's like they're told they're simply going back to their "origins" entity (The Grand Ankt) and it's a pretty and peaceful thing. We're shown how bad humans have it in their society and simultaneously get a montage of a cute, healthy, heartwarming relationship between the two girls and a deep "pure" love, as well as feel the weight of Sua's sacrifice and how badly it hurts Mizi. You're told that Sua is her God, her Universe in a Godless world - only to have her ripped away and "God" basically slaughtered for cheap entertainment. Some of the extra materials put it as a certain "mutual love" between Sua and Mizi.

It's interesting how we're shown a stage and don't know what to expect at first - since the girls seem "calm" and happy to express their love, but there's an increasing sense of dread until the finality of Sua's death hits and the pretty, shining girl we see in the flashbacks becomes an empty husk. The MVs seem all to be roughly designed around creating a surprise at the end or recontextualizing something we have seen previously.

I won't discuss Till and Ivan at length at this time, because that would get too long and demands it's own post (I sure as hell rewatched Unknown, Black Sorrow and Cure many times though), but the key part for me here is - they similarly express "love", but through another facet - obsession of a one-sided love and the desire to reach salvation or a reason to endure the world because of that, too. To the point of choosing the chance of love over salvation, expressed by Till letting go of Ivan's hand when they had a chance to escape (not wanting to leave Mizi behind most likely) and Ivan's kiss and decision to strangle Till to give his own life in exchange for his/finally getting to express his "shallow emotions" he perceives as something that won't deeply scar Till (but it does, and it mattered, far more than he could ever have known). It's interesting that although Mizi calls Sua a God, they develop something closer to a balanced, mutual relationship, as much as their lack of understanding of "human relationship" allows - they connect deeply. Ivan, according to the comics, sees himself in Sua, but it's deeply frustrating how he couldn't build the same sort of connection with Till and felt like he could only maintain a bond through violence.

Mizi seems to be the only human who was raised in a "stable home" (her alien seems to actually love her closest to a mother), but that's not enough to protect her from pain - after all, the alien's reasoning was that if Mizi likes singing, she should join. Yolo! Your human baby's life is so short! Sounds like outdoor cat owners to me. Ugh. All other pet humans are going through some flavor of parental abuse, and it all reflects in how they express their emotions and what sort of decisions they tend to take.

Till, in contrast to all that, more closely resembles the definition of looking at Mizi like an oshi/idol as a comfort to run from the pains of his life - he always looks hurt or abused, but Mizi is like medicine that even watching from far away makes him feel "saved" due to nurturing that "first love" that is heavily idealized. It's interesting how his character that is first introduced as somewhat violent or wild because of the smashing guitar and "addict"/drug imagery turns out to be one of the most sensitive.

The cloaked figure of Mizi in Blink Gone seems to resemble a saint or Mary (mother) holding a child in her lap as he takes his last breaths. She rushed into the crowd in a desperate attempt to save or at least comfort him in his predicament. Till's final position even resembles that of being crucified.

All that, however, makes Till unable to see Ivan properly - who is constantly around him and yearning for his attention, protecting and loving him in desperate ways that he doesn't realize until the very last minute. He is also seemingly detaching himself from the "real" world as a very "pure" child (shown in the way he loves with full devotion and his artistic inclinations), which of course, makes Ivan painful to face - who is a grounding entity and a reminder of the real world. The one who touches his wounds, who is "there" and not unreachable like a flower at the top of a mountain. That love between Ivan and Till got expressed in a way that was painful to both, but a very human act of a clashing selfish and selfless-ness.

None of them are built for this. They're trying to survive.

So far, what I've got is...Mizi and Sua set a standard of what is closest to a mutual love that was growing together in a relatively equal and healthy way. Ivan and Till were reworked to avoid overlap with them and are chosen to portray the sense of an immature, obsessive love and clashing emotions. It's interesting to me how much the creators stress the "one-sided" and controlling nature of Ivan for behind the scenes, and I feel like this does not mean that Till couldn't possibly return his feelings - after all, the Actor AU does show great chemistry between them. It's more like, within their living conditions and because of the emotional immaturity of both of them, they literally could not see eye to eye - Till looking at an idol out of reach (Mizi), and Ivan choosing to seek out his attention through violent means that confused Till, thus he was unable to respond to the intensity of what he felt and grow into it.

NOW. TO THE MAIN COURSE THAT IS ROTTING MY BRAIN: HYULUKA.

If we've got all those bases covered so far...where does that leave Hyuna and Luka?

(This is the most Mello/Near-like I've ever seen another ship pull off. My inner 13 yo is screaming. They're both incredibly gorgeous. How is a hetero couple simultaneously so BL and yuri-like in DRAMA AND IMAGERY? CLAMP would be proud...)

You see, there's no official answer about the true nature of their bond yet.

But I have a lot of speculations. It clearly looks like a rotten, strangled-by-the-red-string-of-fate sort bond that is just up my alley. THE MOST FUN IS GETTING TO BABBLE BEFORE GETTING AN ASSERTIVE ANSWER. I'm all for making a fool of myself, so let's get down to it.

To put it simply - I believe Hyuna and Luka's role is expressing the extremes of the setting itself and what "to love" means within it, with a turn for the worse and the tragedy of "not understanding" even if there is love.

How do you conquer an oppressive world in which all odds are against you? Would you overtake it through rebellion or would you strike at it from within?

In a world in which God's teachings have become lost to time and difficult to believe, does love strengthen or weaken you? If it causes pain and destruction, can it still be called love?

I think Hyuna and Luka are standing at opposite sides of those beliefs, and cannot understand each other's mindset.

Seems simple enough to write Luka as a mere villain final boss since he seems to be enjoying himself at the evil death game and Hyuna as the nice rebel who wants to save everyone, right? But it's confirmed Hyuna wasn't really trying to rescue more people like she had an opportune moment to do for Mizi.

The artbook also says something incredibly interesting about what the "Luka Syndrome" mentioned in one of the MVs really means - Luka's prestige as a performer is raising the prestige of pet humans. He also believes "Hyuna would be safe with him" - Why is that?

I think they might actually have similar goals and a similar stubborness in which they believe themselves to be the correct one and the other to be pitiful and foolish. Hyuna is trying to overthrow a system that is well-established and has far more power or influence than them, therefore she needs to resort to drastic measures and flashy means to assert dominance over the alien society.

Luka on the other hand, feels like he is using the system against it and exercising his own humanity while at it. Rather than tackling the incredibly daunting task of being a rebel with guns blazing, Luka became a master of the stage in a way that makes humans gain influence and thus become more valuable.Even if I try to think of it as "he's just trying to survive", that doesn't feel enough - because whenever he is not on stage, Luka looks dead inside already.

Especially in the arts he looks like a younger child or teenager, except for the ones after he seems more consistently approached by Hyuna. It's hard for me to think what moves him is a survival instinct. He is also portrayed like the typical "golden kid" syndrome victim - someone so systematically beaten to satisfy their narcissist guardian figure and submitted to so much pain that they eventually absorb part of that mindset as a way to have agency and autonomy over themselves. It gives the illusion of being successful and thus that the abuse was "effective", but it's like a curse that is difficult to break from.

I think both of them are older for a thematic reason. It feels like it could represent what it feels like, as adults, to no longer be able to hold onto naive or idealistic things about the world or society due to ignorance and having to choose a path to express your ideas and reach your goals through your "work".

Hyuna is guns blazing and "adult pleasures" - singing to an underground stage, trying to scrub off the wounds of her past with alcohol, and it's interesting that her guardian alien is portrayed like an "absent" parent figure - they have an interest in humans, but doesn't care about watching Hyuna when she first was eligible for Alien Stage. I wonder if they even are the one looking for her at all - seems to me it's more of an alien police thing because of her "crimes". Under that seemingly "thick" skin though, it seems clear that Hyuna is deeply affected by Luka still, and the loss of her brother. She deals with her wounds by not really dealing with them at all and guess what - it's a weak point. Her song is uplifting and refreshing, but she clearly demonstrates that closing your eyes to trauma and purely moving forward doesn't make them go away. In that sense, Mizi is a way she is trying to "mentor" someone navigate through loss.

I love outcasts and mildly autistic-coded characters, so I gravitated to Sua, Ivan and Luka right away.

(Extroverted cutie and the doomest doomer of the bunch. As a side note, their character design alone and contrast is genius and gorgeous. I'd expect 90% of the time for Luka to be the designated BL character and hardly do I ever see his archetype paired with the sort of sharp, striking beauty that Hyuna has so I definitely got giddy with them right away. She reminds me a lot of Michiko Malando and Luka reminds me of Near, two characters I love a whole lot and funnily enough have the same mbti types the artbook describes them as - ESTP and INTJ. Ankt garden Luka looks somewhat closer to the AU versions of Luka, so gotta love both his origins and his twisted post-alnst/hyuun woo self)

I believe Hyuna bundles Luka with that trauma of grief and loss, and it's still unclear what their roles are in it and after the fact. While singing all in verses "We only get one life, so I'm living mine for me/'Cause I'm the one from your wildest dreams", Luka's face flashes through Hyuna's mind before even her brothers, like it's something that's always on the back of it and barely suppressed.

See...since VIVINOS loves the "more than meets the eye"/twist concept, something I'm expecting is for Hyuna's feelings not to be as black and white as blaming Luka and actually. It obviously was dysfunctional and isn't that....delicious???

I feel like a one-sided love or obsession wouldn't make sense to repeat as themes, and because of the heavy trauma associated in the backstory, it's not like a "healthy mutual love". To bridge the themes of MiziSua and IvanTill, I think Hyuna and Luka are being told in a way to express love as something that can also destroy instead of save, and their clashing ideologies come from a place of wanting to think "-I'M- right and want to be your god", instead of ever having been able to understand each other properly.

They have a similarly "corrupt" love that has a lot of guilt and regret built into it. Even with something awful as what happened to her brother, it's curious that Hyuna's mind first thinks of Luka in an "enamored" light - the scene looks pretty tender - but that's also attached to the weight of Hyun Woo's death.

I think It's likely that the twist is Hyuna having been the one who hurt her brother, even, considering the dynamic in these comics:

Luka and Hyun Woo compete for Hyuna's attention, and it's to be expected that none of them understand the boundaries and definitions of love too well. Hyuna and Hyun Woo seem to be naive and relatively raised in a decent way, submitted to superiority tests like the rest, but not directly abused. They seem to express their love for each other in a cheerful, healthy way, Hyuna probably because of her closeness to her brother (which is unusual for other pet humans to be able to do) is extremely physical in how she shows affection. She doesn't really reprimand Luka, and that creates an unhealthy dynamic in which Luka plays the victim - in spite of starting things - to enjoy Hyuna's attention. There is a cute comic that looks silly, but encapsulates it all:

Luka is a little shit that wants to be pampered. He knows he is physically weaker - if you come across a rabbit being hurt by a wolf, you wouldn't suspect the rabbit provoked it. So Hyuna constantly seems to take Luka's side regardless of what happened, wanting to have that protector role.

Luka on the other hand, has no reference of what it's like to be "loved". He is systematically abused and treated like an object - therefore, he perceives relationships in terms of "ownership". And I don't think Hyuna truly understands just what she is enabling when she encourages Luka to act the way he does or thinks his neediness is "cute".

Honestly, I think there's strong sexual abuse imagery in Luka's art and the presentation of his stage image as someone taking charge of their objectification. His clothing for stage always shows off his body one way or another and both Hyuna and him have this sensual imagery and approach to others, as if "reclaiming one's own body". The contrast of Luka's blank expression and the red collar indicating a mental breakdown in that artwork above featuring Heperu's shadow approaching him is truly chilling.

That boy has no reference of what a familial bond or love is like. And both his introspective nature and abuse seem to make it even worse for him to connect with his peers- in the artbook his only relationships listed are Hyuna and Mizi, in very negative ways. He is also said to have retreated deeper into his own world, because "no one can understand him". Again, checks out with the imagery of "gifted son" that is treated like a narcissistic parent's doll and that becomes desensitized to many things over time.

His alien guardian Heperu even looks vaguely phallic and Luka has body language of "trying to disappear" or soothing himself when not up the stage - hugging knees, looking smaller, sucking on sleeves, stimming with toys (rubik's cube). The scars on his chest seem related to the abuse of submitting him to pain to overcome fear and I theorize the scars on the side may have been for plastic surgery like abdominoplasty or even possibly removing ribs. Normally that would be done from the back, but hey - alien science, and he already had "tainted" scarred skin on the front, so it would make sense to try preserving his back. His waist is drawn really really thin. It's also mentioned that he had a strict diet even though he is a big eater - that is, Heperu is deeply violating his agency in accordance with Lookism.

Luka has all the makings of a really tragic character and reminds me of Kamiki Hikaru's construction in Oshi no Ko. A victim turned abuser in some ways, as a way to seek autonomy, self expression and living for their ideals and love, no matter how twisted it has become.

There's a comic that has a "flashback" of anakt garden and Hyuna being asked by Luka if she likes to sing. The POV of Hyuna's face looks as soft as Luka's does from hers. She tells him that they don't have freedom for anything else, but when she is up at the stage, it's like her life is "her own", so she likes it. The image of Luka singing as an adult suggests that even now, those are the words he pictures and that is the image of Hyuna that is alive in his mind.

In a way, both of them are deeply attached to the past, and while Hyuna wants to shut it down completely and regrets it having happened, Luka's feelings are twisted.

We don't know much about the kiss. Considering the "sucking on forehead" comics, I get the feeling Hyuna was startled by the sudden escalation from Luka acting as a passive, cute pet and jumping her with so much intensity, but may not necessarily have pushed him away. The following fight could either have happened because Hyuna became withdrawn as a result of suddenly becoming aware of the effect she was having on Luka and what their feelings for each other were (since previously, she might not have been able to tell the difference between being all over her brother and all over Luka) /or/ the scenario played out like the forehead sucking. She didn't dislike it, but Luka became insistent or they got caught in a way that Hyuun Woo had no context for, thus assuming Luka was forcing her.

And there is a third option too that now I think about it, seems the /most/ likely: the growing proximity to Hyuna made Luka's feelings of "wanting ownership and exclusivity" even deeper because of love and lust, as simply being assured he is "loved" doesn't seem to be enough for Luka. It could be that Hyuna in fact disliked his attempt of kissing her and became more distant to him. Thus, he orchestrated for Hyuna to take his side once again for validation in a reckless way - but the results were "better than he thought" when it resulted in Hyuun Woo's death. Because, that is a price so heavy that it feels like "wow, you actually chose me".

This scene is super interesting, I love Luka's expression. It's joyful in a "perverse" way. He was successful in trapping his beloved Hyuna. And it seems that the emotion is so intense, like he is finally free from the mask of pitiful wounded animal with no agency over himself that the sheer ecstasy might have caused a seizure or heart attack, hence his eyes looking glassy afterwards and his fingers finally turning the blue/purple hue we see on his older design.

Skimming through the patreon posts, I was pleasantly surprised to realize my gut feeling about Ivan and Luka having a similar core wasn't wrong. Sua in comparison is the scenario of someone who doesn't go off to the deep end as the two of them. It's often stressed that the team was worried about establishing Luka and Ivan as distinguishable - their personalities are similar, but their masks are different. Ivan presents himself as the "big bro", while actually being a boy struggling with properly expressing emotions that went as far as practicing smiles and expresions at the lake. Whereas Luka is like a porcelain doll and passive - austere, even...but what about his real self?

We're cleverly prevented from seeing an introductory MV for Luka, as round 4 doesn't happen. And for the subsequent videos, Luka shows himself partially by not disclosing his POV, but showing important sides of himself - the urge to control and the attempts to "become whatever is desired of him". A blank slate.

In a sense, that's implying to me Ivan and Luka's stage presence is an expression of their "inner selves", where their feelings and thoughts become bare. Ivan does so by casting aside his big bro warmth and stepping in as the image of a serious-faced, strongly devoted man that is coming apart at the seams with the weight of his immaturity, sadness, love and obsession.

Luka's stage presence is a distant cry from his image of passiveness and class behind the scenes. On stage, he is a seasoned performer and a calculating prince that enjoys pulling the strings to reach the ideal performance as seen in his inner world. He cunningly displays a different expression between the audience and his partners to achieve the ideal results. Luka acts like both a director and an actor while performing, in order to construct his vision - He's bold, confident and invades people's personal spaces.

(What a condescending little shit. I love him. His expression seems to be saying something like..."Done already? Hmph. I expected more of you. You need to do something for me to do my part and shine, too."

A point I theorize about Ruler of My Heart - Hyuna says in the artbook, I think, that Mizi reminds her of herself. Luka would be able to pick up on that also, especially since Mizi had just been broken by the loss of the one she loved most and formerly had that spark of "hope and dreaming high" in her eyes. Luka may have chosen the song specifically to have Mizi recreate the "role of Hyuna" envisioned for it - as in, he never expected her to be obedient at all. He was riling her up to feel what Hyuna might have responded like to this song. But the Hyuna in his idealization is probably "blazing, absolute and strong" - instead of shutting down and giving up singing. Mizi lets herself get intimidated by his provocation into silence, but when she loses it to punch him in the face with no regard for the consequences - like Hyuna surely would do - is when he finally smirks. It's also a mockery of letting emotions take her over, securing his win and further reinforcing he is "in the right". )

Another interesting tidbit is that Luka's personality isn't of the ethereal "pitiful-but-nice" character, but rather something that "fits VIVINOS taste". He is also compared frequently to Ivan in personality/mindset, who is described as a "bad boy" with a possessive/manipulative streak. If the sides of Ivan we get to see that related to Till are fairly tame and the team worries so much about contrast, that seems to imply that Luka embraces the more extreme parts left out of Ivan.

Even more interesting than that is the core of Luka's character inspiration - "the little prince", which I assume most people have read before. It's a children's book about an adult meeting a little prince from space and basically sharing life lessons.

If we look a little beyond the "cute blond kid"/moon motif...the most striking aspect about the Little Prince is probably the idea of the rose and the fox. The immature prince is taught the concept of love and responsibility by a wild fox - that to tame someone is to make them unique, and it's the time spent nurturing that love that makes it precious. The prince had been frustrated by a Rose he thought he loved, but grew annoyed by because he could not understand her. He also was confused upon realizing there were many roses in the universe, but his was too selfish and flawed. So is she not as unique as he thought? He starts missing the rose, and learns that there IS a difference - none of the roses are "his" or sound like "his" - because if they have tamed each other, going forward, he isn't just any little boy to his rose anymore - he is "the" boy, and she is "the" rose, unique in the universe.

This feels extremely relevant to a character presented as a "product" of gene editing and, basically, being created in a lab. The implication to me is that there may be many other "Luka"-like humans - the vast array of congenital diseases he manifests such as heart disease, Raynaud syndrome, asthma and chronic migraine all make him sound like their universe's equivalent of a white pug dog with dubious origins to boot.

What makes that test tube baby, raised by a ruthless alien that doesn't care about him as more than a way to vicariously live a life of success and luxury, unique in that case?

Love.

And my take is that, the fox and rose to his little prince are the siblings Hyun Woo and Hyuna.

(I'm suddenly reminded of the Vanitas no Carte Louis-Domi-Noé trio. Why do those never end well?)

IMO the rift created between Hyuna's brother and Luka wasn't necessarily there from the start. Before getting more strongly attached or opening up to Hyuna, Luka looks extremely detached. Hyuna's brother looked like the picture of excitement and youth, so it feels like he could have reached out to the quiet boy first and Hyuna tagged along. The settings mention something along the lines of Hyuna not quite being the origin of the "dreamer" outlook, but being inspired by her brother, and I can picture it.

Hyuna's MV All in and her relationship with Mizi painted to me the picture of a girl that is naturally attractive - her drive and sunny disposition are simply dazzling. But, underneath, there seems to be "something" doesn't it? I think Hyuna's charm comes from a mix of strength and vulnerability. She seems like the type of person to cope with humor and being flirty in order to lift people's moods and surprise them, but Hyuna herself can have quite heavy and serious feelings. The somber look suits her, and it's overall impressive that she didn't completely break because of her brother. It's like her innate talent for performing draws people to her, but at the same time she can sustain an illusion of "closeness", her true worries and wounds are kept deep inside and she doesn't let others truly see into her.

So.

What's shown in Blink Gone to me is that Luka's not merely surviving a death game, he is enjoying the show and trying to feel alive. To someone like him that probably already feels dead inside all the time and was "abandoned" by Hyuna, there is nothing much to look forward to. We don't know what happened between Hyuun Woo's death and their first alien stage run (quite a lot, since Hyuna even lost a leg) ot the timing of their relationship fall out. Given their memories and image of eachother, it does seem to be implied they were already going separate ways right after the incident.

It's likely that what connects Luka to Hyuna's memory the most is the feeling of performing itself - the one time he gets to be free. Luka acts like he is superior to the other pet humans for having "figured out" the system and feeding into it, and looks down on them for having no control over their emotions. But does he really have total control over his own?

In spite of all the abuse he embraced as his own will or believing he could truly get any power by playing the game according to its rules and "overcoming fear", someone as unpredictable and impulsive as Till is the natural enemy of someone like Luka. He had the upper hand as long as it stayed within his plan, but Till suddenly going as far as going back to the green light indicator was worrisome. Luka's Stamina is actually rather crappy, so if Till did decide to go all out, he might have been cooked.

I think, to Luka, it's probably about more than keeping himself alive. And Till flipping the game then would have made him waste his life on a performance that was supposed to be easy -and- it must be annoying that Till strayed off-script. My hypothesis is that he wants to reach out to Hyuna, still - either by increasing the influence of humans to shift the world closer to the one she envisioned, or by putting his life in the line at the stage as many times as possible to feel the "weight" of her presence as if she still were by his side or to grow so famous that she cannot ignore or escape him.

Deliciously hypocritical of him to look down on others so much, when Hyuna's unannounced presence shook him so badly he turned his back to the stage and stared at her with an expression we'd never seen before.

My take is that her walking in like this is seriously the worst scenario to him. Luka expresses in the artbook that he pities Hyuna and that her safety would have been guaranteed with him, so - because of his influence - I think he might actually have gone to the Alien Stage again to secure his power status AND request to keep Hyuna out of it. A condescending sort of domestication we know she would hate, but would keep her safe.

But see. Even if she wasn't under his care, being out there causing a ruckus is one thing - she's alive and kicking, not really in the slaughterhouse. He can live with that. So, he sings to his heart's content. And...

His sneering that people are suuuch rookies at controlling their emotions...

Sooo weak to let their emotions and regrets dominate them and make them lose sight of the stage, compared to his Super Competent self that can overcome fear and control his own heart rate...

All came back to bite him in the ass, like an idiot.

All other characters were pitted against their worst case nightmare scenario, and I doubt the Prince will be an exception. I really don't think his type of obsessive is wanting to be superior to or beat Hyuna at performing either, even if it's his guardian's mindset (it seems Heperu feels inferior to Hyuna's guardian and adopted Luka simply as a means of beating him - so seems very possible he will push for having the two face off and prove Luka's "superiority").

No matter what he does now, it's either Hyuna against Mizi at the risk of death or Hyuna against him. Hyuna's a wanted criminal - there is absolutely no talking a way out of that one. Not only that, Hyuna's bleeding from her wound already. Luka facing against Hyuna as the second time champion would mean being forced to choose - keep rulling the stage, or chose the one who was his guiding light in the first place?

The imagery from the sweet dream opening (as well as Luka having covered that song) is "release" - Luka dying at Hyuna's hand even if it's not something she can truly do with pleasure, no matter how much she copes with her past wounds by hating him. I wonder if it's a red herring or if it will play out, I particularly want whatever will allow to explore their character, feelings and motivation the deepest.

I don't think Hyuna wandered onto the stage for his sake - it seems like it's for Mizi, who is completely frozen. Hyuna probably has up until now coped with hating Luka because he represented everything she was rebelling against - the "system" itself. A nasty cog in the engine of the aliens who, even if not directly, ultimately were the cause of the entire context that stripped her away of her freedom and lead to her precious brother's death.

However...

My guess to what's happening here isn't "wow your outfit is so slutty" or "you've grown". It's more like...Luka suddenly looks too human.

He wasn't supposed to.

...Phew. That's all for now. The ADHD gets strong when I'm talking about something that tickles my brain, so I hope that wasn't too messy/unintelligible to follow with the back and forth jumping timelines or repeating points of interest I did.

Well! I really, really wish there was more for me to keep going, but for now I'll live with overthinking with what we have. I might do separate analysis/speculation for the MVs if I have a deadline I'm procrastinating on come up the time.

Bottom line is, I think all those characters are very interesting, but Hyuluka are the ones I'm rotating like a rotisserie chicken in my mind. Plz hurt me more VIVINOS team and thanks for the good fucking food

[necrotic-nephilim]

ok ok but jayroytim😏

this feels especially funny if brudick happens in the background and oliver hates the fact he's now in-laws with bruce

so i have to regretfully admit i'm not really a fan of JayRoy, or at least i'm not a fan of the popular version of JayRoy. i think JayRoy could work and would be a lot of fun! but i have *zero* interest in New-52!JayRoy (or New-52!Roy in general) or rlly any version of Jason and Roy on the Outlaws together. both bc i'm a pre-Flashpoint stan at heart. usually i can stand newer content for ship fodder but for these two oh man it grinds my gears how badly Roy got fucked over-

BUT BUT. that doesn't mean i think the ship has *no* merit. because Jason and Roy *do* have some fodder in pre-Flashpoint. they meet briefly when Jason is Robin, and then again when Jason is Red Hood during that Outsiders arc where Black Lightning is in prison. so! there's definitely material to work with. especially playing into the more fucked up nature of Roy knowing Jason when he was Robin. i think it's cute if Jason had a childhood crush on Roy. and maybe Roy even thought Jason was kind of cute, a spunky kid with a lot of energy and passion. then with Jason as Red Hood, Roy openly doesn't trust him and doesn't like that they're working with him. Jason is just a run-of-the-mill villain with a nasty kill count. and sure, Roy's got a record of tangling with people more on the villain side of things, but even going near the Red Hood feels like a step too far.

adding Tim to the mix is really fun. bc honestly it gives Roy some kind of a fetish for guys who have been Robin and i find that to be delightful. like, even if Roy just sees Jason as the Red Hood, he can't *quite* let go of the image of Jason as Robin. like it just won't get out of Roy's system ever since Jason came back. i think, if i were to write these three together, i'd have Roy and Tim get together first of all people, just because Roy is trying really hard to stop thinking about Jason as Robin, especially now that Jason is older and a little meaner. he's full of guilt about it, and he can't talk to Dick because he's still not sure where Dick's feelings fall about the whole Jason thing so. he goes to Tim instead, thinking if he fucks a different Robin, maybe he'll get it out of his system. Tim's pretty and he's just old enough that it's not *too* morally questionable for Roy to seek him out. it takes a while for Roy to work up the nerves because he and Tim aren't particularly close, so how do you even approach that conversation to make it look organic. it's awkward and Tim can definitely tell something is up but hey, who's going to say no to Roy Harper offering sex? one of Dick's best friends? especially if we put this right after Kon and Bart's death where Tim is just. sort of lonely and seeking companionship. in some ways,, Roy would remind him of Kon, just a little. that sort of cocky attitude and snarky smile.

i would add Jason in by having JayTim happen alongside RoyTim. it's not like Roy and Tim are serious enough to be exclusive and Tim knows Roy is sleeping around, so Tim ends up in a weird hatefucking situation with Jason, which definitely was not supposed to happen. Jason just has a damning way of getting under Tim's skin and won't stop bothering Tim until he gets some kind of attention from Tim. and somehow Jason is interesting enough for Tim to cave. and he doesn't even think about the two relationships he's balancing until he happens to sleep with Jason after being with Roy the night before and there are still marks all over him and Jason does *not* like sharing. so when he interrogates Tim and gets nothing, he does the reasonable thing of stalking Tim to figure out who it is. and it just happens to be the guy Jason had a crush on as a kid.

i think Roy finding out he tried so hard to avoid Jason that he accidentally ended up with the same fuck buddy as Jason would be the funniest thing in the world. like it's not something he can run from anymore and he has to accept that. he tries to awkwardly ask what Tim even sees in the guy bc well, Jason's a killer and not known for being mentally stable. but he's also the guy who exonerated Black Lightning with no real motive besides just helping out. he's complicated and Roy doesn't know how to react. Tim just sort of shrugs bc how do you even explain Jason Todd and well, one thing leads to another and Tim ends up in the middle of the most emotionally charged threesome he's ever been in. love the idea of Jason and Roy using Tim as a toy while they work out their feelings for each other. to me that's the peak dynamic. Jason and Roy are pissed about liking each other and somehow, Tim got roped into things. their relationship is not healthy or normal whatsoever, but somehow, they end up balancing each other out nicely.

background BruDick is also hilarious tho. bc there is no one who hates Bruce more than Oliver and he'd be so annoyed that not only did Roy get tangled up with the Bats, but now everything is so weird their families are pretty tangled together and Oliver has to deal with Bruce a lot more than he wants to. and he's glaring daggers about it the whole time.

[prince-liest]

I was outlining the next radiostatic fic when I got distracted by the fact that someone needs to put Lucifer into their lap and tell him he's a good boy, and now I'm 6.2k words deep into something that's turned out way more emotional than I thought it would.

[wren-kitchens]

paint me in trust

2193 words

there are endless problems that etho could have foreseen if he had been told that the new game would be to link two people's souls with each other. just the premise of that sounds terrifying—what if something broke, and suddenly your souls are just- untethered from your bodies. etho doesn't know a whole lot about how souls work, but that does not sound very enjoyable. he’s still not sure how they’re meant to unlink after this whole song and dance is over, and for his own sanity, he’s decided to assume that grian has it all handled. although- etho doesn’t actually know if grian's own soul has been mixed with mumbo's this whole time. maybe he shouldn't think too hard about that.

and it only took me 5 months to write a part 2! here's part 1 :]

it's not necessarily chapters that follow immediately after one another, but these are all in the same universe, in order. I liked the idea of a slow burn esque kind of friendship between them and chapters felt like the easiest way to do it!

the sillies ever

there are endless problems that etho could have foreseen if he had been told that the new game would be to link two people's souls with each other. just the premise of that sounds terrifying—what if something broke, and suddenly your souls are just- untethered from your bodies. etho doesn't know a whole lot about how souls work, but that does not sound very enjoyable. he’s still not sure how they’re meant to unlink after this whole song and dance is over, and for his own sanity, he’s decided to assume that grian has it all handled. although- etho doesn’t actually know if grian's own soul has been mixed with mumbo's this whole time. maybe he shouldn't think too hard about that.

on top all of this existential threat, etho is quickly learning that, when you hang out with someone who you don’t really know all too well for a little while, you run out of things to say alarmingly soon. there are only so many small talk social scripts that don't sound rude when repeated more than once. after all, if you asked someone where they were from three times, you’d either look like you weren't paying attention, or very desperate. etho thinks he’s probably reached the very desperate stage. 

it's not like he doesn’t want to talk to joel, it's just- how do you keep up conversations when neither of you have anything much to say? there's so much left unsaid in the awkward remarks about the weather and laughter at jokes that finishes too soon, but there's nothing else either of them have to contribute. which is- an enormously dull problem to have in the face of soulmates and unbreakable bonds: they've run out of things to say. etho thinks he'd rather have to worry about his soul exploding, or something.

joel, it seems, has also noticed the predicament they’re both in, because his contributions to their failing conversations are a lot more out of pocket than etho ever expects. which, to be entirely honest, ends up creating far more entertaining conversations than etho's failed attempts at civility ever have. 

"okay- well, I have to ask," 

etho looks down at joel, where he's sat against the bed, on the floor. for the past half hour, he’s been idly carving what might be a wolf into the floorboards of the ship with what might be a completely different chisel than the last four etho has seen him using since joel made the ship last week. 

"go on." etho says, a little amused.

something shifts in joel's expression, and etho wonders if he was nervous to bring this up. "where'd you get the scar?"

etho hesitates, and joel visibly considers whether he should have said it or not. "it's not- I kinda-" he tilts his head to the side, as if that could kick his brain into gear and come up with a better lie than his last one. quite frankly, he has no idea why he thought scott would believe that he fought technoblade. "it's a long story." he settles on. 

joel nods. "well, I just- I was thinking we could swap stories." he shrugs, and etho gets the impression that he’s trying to disguise how much he liked the idea. "I- y’know, I have a few scars of my own. but- I don’t wanna, like- encroach." 

"it's not- you’re not encroaching." etho can’t help but smile, against his own fruition. stupid joel. "what stories do you have?"

something lights up in joel's face, and etho feels a kind of softness in his chest. not that- it's unrelated. it's probably joel's actually- which might not be much better. whatever. it's not important. "you- I mean, they're not all that interesting, but-" he pulls up his sleeve to display what looks like a wolf bite. "that's from geraldine- y’know, my dog in 3rd life. I think she got confused, right at the end. it was just before I died."

etho leans forward to have a better look, and joel moves to sit next to etho on the bed, crossing his legs. the impulse to rest his head on joel's shoulder sticks itself in the back of etho's mind, and he very purposefully looks closer at the bite.

"it's nice." joel is saying, entirely unaware. "'s like I have a part of her with me still, y’know?"

"yeah." etho nods. "I never really thought about that- you’d lose your dogs each season."

still looking at the bite, joel hums. "I try not to think about it too hard." he grins up at etho with a lot more nonchalance than etho would expect after a sentence like that. "might go insane again." he snorts a laugh, and etho is suddenly reminded of his final moments in last life. "anyway, it's your turn."

"oh- right." etho pauses, trying to recall a scar he has that isn't followed by a very dull story. "I- well, I guess I have the one you gave me." he says, and joel cackles. 

"i’d forgotten about that." he says, watching with interest as etho pulls his clothes up enough to display the scar. "oh- wow, I did a number on you, huh? sorry about that." he adds, a little sheepish.

etho grins. "there's no hard feelings. honestly- i’m still pretty impressed." he says, dropping his clothes again. "you got cleo and me in- what, maybe thirty seconds?"

joel gives a huff of laughter, glancing at his lap, and it occurs to etho that he’s embarrassed. wow, he didn’t even know that was a thing joel could be. "yeah- well, I didn’t really- yeah." he clears his throat, and there's something familiar about it that etho can't quite place. "i didn’t expect to- to win that." he grins awkwardly.

and- alright, maybe it's a little mean, but- etho doesn’t really know joel all too well. he’s just getting to know how he works! .. by intentionally trying to embarrass him. okay- in his defence, etho was fairly certain joel was impossible to embarrass, so- he’s doing science. yeah- sure, that's what he’s gonna go with. science. 

"it was very cool." etho says, as nonchalant as he can. helpfully, he does actually mean what he's saying—even if it did end up with him dead, it was pretty impressive (if terrifying) to watch. "honestly, with you as my soulmate, we're absolutely gonna win."

much to etho's delight, joel is blushing, which- he's happy because is funny. it's funny and not- there's no other reason, okay. it's just funny. "I- you- thank you. I wouldn’t-" he meets etho's eyes, and immediately frowns. "you’re doing this on purpose, aren't you?" 

"I- no, I-" even before he’s started a full sentence, etho knows he’s not gonna convince anyone. joel raises an eyebrow at him, and he immediately caves. "it- okay, I- maybe a little, but-"

joel gives an exaggerated scoff, and etho almost laughs. "I can't believe you would do such a thing, etho." he says, far more dramatically than the situation would require, but he seems to be enjoying the drama. "actually though- why?"

it's etho's turn to blush now, and joel's eyes light up with mischievous laughter the second he sees it. "it- there's not- it's unimportant. very unimportant, actually- it's just boring."

"go on." joel grins, teeth sharp. it suits him. 

etho shoots joel a glare, but he can’t pretend to be upset in the face of joel's laughter for long. "okay, I just- you’ve never been embarrassed. that- that I could see, so I kinda- I was curious. about- y’know. how far I could push it."

there's a muted kind of warmth in the centre of etho's chest, which has to be coming from joel. the man in question just smirks. "okay, well- now you have to tell me about your eye. since you were so horrible to me."

etho hesitates. "I- okay, it's not-"

"i'll tell you about this." joel says suddenly. etho looks up, and joel pulls his shirt to the side, revealing burn scarring across all the visible skin on his shoulder. "y’know- it's a trade."

"okay- for that, you get the truth." etho pulls his mask down, not really thinking about it. joel looks a little taken aback, and it occurs to etho that joel has never seen his face before. maybe it should feel more uncomfortable, but it doesn’t. "so- I never tell anyone how I actually got it, except like- cleo and bdubs."

joel blinks, and the warm thing in etho's chest grows a little. "I- wow, i’m up there with cleo?" 

"you- well, you’re my soulmate, right?" etho says without thinking. before he or joel has time to dwell on whatever that means, he says hurriedly, "it- everyone always assumes it's some huge traumatic thing, or like- a cool fight, or whatever, but. I- yeah, I literally just tripped. I was- I managed to land directly on the corner of my furnace." he gives a huff of a laugh. 

"that- you're such a nerd, etho." joel smirks, still looking somewhat stunned. he looks pleased too though, so maybe it's a good thing. "you- and no one else knows?" 

"well," etho pulls his mask back up. "now one more person knows." he finds himself smiling at the thought.

"okay, well- hang on." joel pulls his shirt over his head, revealing far more scarring than etho expected to see. the long sleeves of joel's shirt were the only things hiding it. "i’ve got them on my legs too, but i’m not taking my trousers off." he grins. 

"I- how did you get all that?" etho leans closer, pushing his hair out of his eyes to see better. 

"you remember when cleo set my house on fire in 3rd life?" joel says, looking far happier about this story than etho thinks he ought to be. or- maybe he’s just happy to tell the story to someone. etho decides not to think too hard about it. "well, I also set on fire." he grins. "they're also from that game tango made for those diamond boots."

etho winces sympathetically. "does- does it still hurt?" he asks, surprising himself with how nervous he is. 

joel hums, running a hand over the puckered skin absentmindedly. "not really. I mean, you should know." he looks up, grinning. "soulmate and everything. it's just- it aches a little when I respawn, but.. not much." 

before etho has time to think about what he’s asking, he reaches out a hand on instinct and glances at joel. "I- can I?"

"oh- yeah. yeah, I don't- I don’t mind." joel blinks, apparently surprised. etho is hit with a wave of embarrassment, but- well, it'd be a bit awkward to back out now, wouldn’t it?

the skin is surprisingly soft underneath etho's fingers, despite how textured it is from the scarring. it's interesting- etho has accumulated several scars over the years, but he’s never seen something so large as joel's. it's kind of cool. 

joel gives a huff of a laugh, and etho looks up to see him grinning. "didn’t think it'd be that interesting." 

etho shrugs, suddenly embarrassed but not wanting to back down. "it's pretty interesting." he says, and he can’t help smiling a little as he sits back again. "like- battle scars, or something. it's a cooler story than mine." he gestures at his eye and joel cackles. 

"you said I got the 'truth'," joel says, pulling his shirt back on. "does that mean you’ve been lying to people about what happened?" 

"I- well. a little?" etho says, awkward all of a sudden, and joel grins at it. "it- I just- it's not a good story, and I kinda- it adds to the mystery if no one knows."

joel nudges him, apparently entertained—or something similar, at least. "what have you told people?"

etho glances at the wall. "I- well, I told scar I fought herobrine-" he’s very rudely interrupted by joel's laughter, apparently overjoyed to learn this about his soulmate. "it- he believed it! that's not- I can’t be blamed if he believed that."

"I did think you were mysterious at one point." joel grins, and there's a kind of comfortable amusement in his expression. it's nice. 

"what- you don’t anymore?" etho pouts, and joel cackles at it. he can’t help feeling proud of how good he is at making joel laugh. 

"not now- you told scar you fought herobrine." joel says, and etho huffs a laugh. "you’re just- you’re a dork, etho."

etho pretends to be offended, and joel cackles at all the right moments, and frankly, etho's mask is the only thing preventing him from looking even more like a dork (in joel's words- he’s not a dork, for the record) as he can’t stop himself grinning along. it's weird, but etho keeps ending up being thankful for joel's bluntness or his loudness or his ability to take up so much space in conversation when it comes to these sorts of moments- all of which he used to find annoying last season. maybe it's the soulbound being weird. 

maybe he just likes the way the ship fills with laughter whenever they talk. 

[quatregats]

I'm rereading Master and Commander and I'm deeply in danger of just posting every single passage from it ever but I did love the way that the capture of the prize in Chapter 6 was framed on either side by the logbook's entry, and also the way he transitions out of it to set the scene and tone:

Sunday, July 1 … Mustered the ship’s company by divisions read the Articles of War performed Divine Service and committed the body of Henry Gouges to the deep. At noon dº weather. Ditto weather: but the sun sank towards a livid, purple, tumescent cloud-bank piled deep on the western horizon, and it was clear to every seaman aboard that it was not going to remain ditto much longer. The seamen, sprawling abroad on the fo’c’sle and combing out their long hair or plaiting it up again for one another, kindly explained to the landmen that this long swell from the south and east, this strange sticky heat that came both from the sky and the glassy surface of the heaving sea, and this horribly threatening appearance of the sun, meant that there was to be a coming dissolution of all natural bonds, an apocalyptic upheaval, a right dirty night ahead. The sailormen had plenty of time to depress their hearers, already low in their spirits because of the unnatural death of Henry Gouges (had said, ‘Ha, ha, mates, I am fifty years old this day. Oh dear,’ and had died sitting there, still holding his untasted grog) – they had plenty of time, for this was Sunday afternoon, when in the course of nature the fo’c’sle was covered with sailors at their ease, their pigtails undone. Some of the more gifted had queues they could tuck into their belts; and now that these ornaments were loosened and combed out, lank when still wet, or bushy when dry and as yet ungreased, they gave their owners a strangely awful and foreboding look, like oracles; which added to the landmen’s uneasiness.

[...]

Jack leant back against the curved run of the stern-window and let Killick’s version of coffee down by gulps into his grateful stomach; and at the same time that its warmth spread through him, so there ran a lively tide of settled, pure, unfevered happiness – a happiness that another commander (remembering his own first prize) might have discerned from the log-entry, although it was not specifically mentioned there: 1/2 past 10 tacked, 11 in courses, reefed topsail. AM cloudy and rain. 1/2 past 4 chase observed E by S, distance 1/2 mile. Bore up and took possession of dº, which proved to be L’Aimable Louise, French polacre laden with corn and general merchandise for Cette, of about 200 tons, 6 guns and 19 men. Sent her with an officer and eight men to Mahon.

[thoughtfulchaos773]

The stare that started it all. I once studied acting, so analyzing actors and the cuts directors and editors used to convey a scene really hits with me.

Sidebar: Now that I'm back to shipping my Walking Dead pairing, I remember actively supporting Richonne. There was an interview with the actors of The Walking Dead in which Norman Reedus, who plays Daryl (Rick's friend), pointed out how Rick looked at Michonne in a flirty way during one episode, just through his eye movements. It's interesting to see how actors get obsessed with these things.

Back to the topic at hand. I can bring up anything about this ship, and someone will inevitably say, "Well, Carmy treats everyone like that," but I guarantee you he does not. You can see it in the cuts they use—the story being told shows that Carmy is constantly watching Syd, paying attention to her reactions, her words, and how she feels. He didn’t even realize Natalie was upset with him in Season 1 and wouldn’t have addressed it until she brought it up. He doesn’t really care if Richie gets upset; he bites back at him. Syd is a different story. While they do argue, before they get into those arguments, Carmy is always keeping an eye on her.

In Season 1, episode 6, there's a hint that Carmy doesn't want to dismiss Sydney, but at times, he might accept that outcome. He apologizes, holds her gaze for a moment, and even asks her once more if they're okay. The mistake he makes here is not mentioning that she’s practically holding in her words, but he chooses to accept it. He has already discussed things with his sister, and I’m sure that’s enough for the day.

But he definitely noticed.

In 2x 3, Sydney displays distress on her face. The scene then cuts to Carmy, who notices her expression because he has been watching her the entire time, gauging her reaction.

They cut to this moment when Sydney responds, "Yeah, totally," showing that Carmy has been staring at her for a while.

Sometimes, he keeps eye contact with Sydney until she looks at him. It’s the most endearing thing—he reassures her even more when she finally meets his eyes.

Season 3 is different cuts- we're really focused on Sydney and not focused on Carmy taking her in (except for one moment). I think with this perspective it's important that we're noticing Sydney and reading her this season- reading her like Carmy reads her- he apologizes in 3x01 and still keeps his eye on her- taking in her reaction to his apology.

In episode 3x04, this one is different: they shorten the scene where Carmy watches Sydney, focusing on her agitation.

Then they cut to Carmy, who's been keeping an eye on Sydney.

I'm curious why they include those subtle moments of Carmy watching Sydney. What is the purpose of these scenes? Should I interpret this as a recurring theme of Carmy observing Sydney as she goes about her tasks, whether she is aware of it or not?

I'm sure there's a reason for it.

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[yarrowleef]

dude nightheart and sunbeams entire relationship is so funny. if I felt like digging through other books id make a compilation of these moments. No, Nightheart will not be by Sunbeams side to help her through the invasion of ShadowClan. Nightheart will almost get violently executed in RiverClan, and Sunbeam will only show up after the problem resolved itself (off screen). Sunbeam doesn't even feel like grieving with him around.

this entire arc, every major problem required them to ~sadly~ separate, and then reconvene for some generic niceties after its all over. I really thought, at bare minimum, the reason that kept happening was going to accumulate in them doing SOMETHING major together in the climax of this final book, like, 'something something our relationship can survive all the plot inconveniences that kept us apart bc this event proves why we're stronger as a team blablabla'

but no girl, their asses are NOT stronger together, they are not supporting each other through anything, they are not working together to accomplish a single goal. right to the end, every one of their greatest physical/emotional trials must be done separate

like. like it's incredible. the most go girl give us nothing relationship development of all time. i cant even find it in me to be mad. they are so lame it loops around into comedy. is this a prank why did they write it like this help