#i'm interested in all of them and want to know what happens to them
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God, I'm so happy with what they did with Maddie Nolen.
I'm sure there will be plenty of people mad because obviously there was a weird backlash over a character who has sex with one half a ship, so I'm sure some people worry this will lead those people to feel justified in their initial response.
But ignoring people who can't emotionally regulate for a second, because those childish impulses aren't worth dictating the fun things a narrative can do: Maddie is SO INTERESTING as a character and she fills in a lot of the questions people seemed to have about the rest of the season.
Consider for a moment that it wasn't Caitlyn who convinced Vi to be an Enforcer. It was Maddie.
I know that some people took this line to be about Zaunites, a sort of obvious connection to the very racist idea of "one of the good ones," but since Maddie is talking about Marcus and his betrayal of the Enforcers just before this, I'm pretty sure her framing here is something else. The point she's making is specifically targeted at Vi's own beliefs and weaknesses, her desire to protect. That seems clear to me now with all we know about Maddie's capacity for manipulation.
She's not saying, "You're good, for a poor."
She's saying, "Wow, I agree with you, the Enforcers are really bad; it's so upsetting. I think you might be the only one who can change it, but only if you join us." This is what convinces Vi to do something she never thought she would.
Well, this and the fact that Caitlyn believes in her so much which, again, is information she gets fed to her directly from Maddie. It even seems like Maddie seeks her out just to say this, which on first viewing felt oddly convenient. Wow, Vi just happens to meet this naive girl who just happens to say exactly what she needs to hear to do something so out of character.
Except obviously none of it was coincidence. Everyone already knew how much Vi meant to Caitlyn and getting Caitlyn under control would require either controlling Vi or removing her from the equation. This was a push in that direction.
Then there's her more obvious role as the spy in Caitlyn's bed, there to reassure her that the Noxians are only trying to keep all of them safe. Then when Caitlyn expresses larger doubts, she's immediately ready to lay out an alternative. You could just give up, Maddie seems to whisper gently in her ear. Just reestablish things as they were before.
But she knows Caitlyn isn't going to go for that. She's not going to go back to the council as it was, because it's only going to remind her of the empty place her mother left behind. Maddie knows that Caitlyn isn't going to take this offer, which is precisely why she suggests it. She frames quitting as the only clear alternative to going along with everything Ambessa wants because she knows that Caitlyn will refuse, which leads her right back into alignment with Ambessa. She makes continued obedience into an active choice that Caitlyn affirms she's making.
Even Maddie's comments that suggest direct opposition to Ambessa — "you're our leader... I follow you" — are designed to frame herself and her true leader in direct opposition, just as Ambessa's own warning about entanglements is there to further that point. They both make a point of reminding Caitlyn that they are her true ally, isolating her further from anyone who isn't the devil and (other) devil on her shoulders.
This way Maddie and Ambessa can both tug at Caitlyn, pulling in what feels to her like opposite directions, all so that she lands precisely where they wanted her all along but with the illusion of active agency.
And look, I'm not saying my read on her is gospel, because I think they intentionally gave us enough room to really speculate and wonder about her, someone who could have been just a background nothing character but ends up being such a huge part of the second season. That's so interesting!
I especially love that she comes across as really naive and innocent, just some poor little thing swept up in the fervor, when in reality she's a true believer who has been manipulating things to go her way from the start.
#maddie nolen#arcane#arcane s2 spoilers#arcane spoilers#when maddie first showed up my immediate feeling was ''oh noooo they made a sweet and innocent cop''#BUT NOPE.#they did NOT and that's so fucking funny
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I get a new phone when my old one stops working; is either glitching up so bad it's non-functional, the onboard battery stops holding a charge, or the screen stops working, (that's absolutely hysterical with a touch screen phone). So what is that these days, somewhere between every three and eight years depending on the quality of the phone? I'm an Android user, I don't need the newest greatest flagship phone, fairly basic. I'm not upgrading every time a new model comes out.
So with that said, a couple phones ago, I hadn't been in the AT&T store for quite a while. And I don't know what the hell they were thinking, but I walk in and all the counters are gone. There are these tall uncomfortable tables with tall uncomfortable stools that look like something out of Men in Black, and a couple random fabric boxes that I presume were supposed to be some sort of couch. And some dude coming up to me with a tablet like a fucking concierge or something.
Right out the gate, I'm not comfortable. I am here to conduct business. I want to walk up to a counter, wait patiently in line, talk to a person, and get a new phone. Instead this person takes my name and tells me to sit somewhere uncomfortable as if I'm being seated at Chez le Ritz. Eventually I am summoned to one of the tall uncomfortable tables, successfully clambering my bad leg up onto a tall uncomfortable stool on only the second or third attempt.
I need a new phone. Doesn't need to be too fancy, here's what I got, what can you do for me?
Well can I interest you in an upgrade to the latest iphone? No, I'm not interested in that.
Well we can bundle your new phone with a DirecTV package that comes with Home Security and a free tablet, well yes, that tablet would require a separate data plan, but it's only $30 extra a month... No, I'm not interested in that.
Well I see you only have a 1 GB data plan, that really is just woefully inadequate for this day and age. Now for only an extra $60 a month, we can raise that to an unlimited, blah blah blah streaming, blah blah blah social media, so on so on. No, I'm not interested in that!
And the problem is, to the exact point of OP's post, we are generally raised to be polite. Like this other person is talking, I am the customer, but they hold the position of power because this is their territory. I'm not going to stop them mid sales pitch to tell them look, I just need a damn phone, nothing else. Even though I would be well within my rights to do so. Like hey, I'm going to stop you right there, save us both a lot of time, this is what I need, and if you keep going off tangent, I am going to leave. That's probably not going to happen. Instead I'm just going to sit here and suffer in silence, hoping that you have some magic threshold of me saying no that breaks you out of your feedback loop and you can actually tend to my request.
Incidentally, and I have no way of proving that it was company policy, but I feel like that number was three. Because after the third no, we just completely shifted gears, and I was walking out of there with a new phone not terribly long thereafter. And since then, and it's been quite a number of years since I was last in the AT&T store, they had kind of put things a little bit closer to back to normal.
Assertive is definitely not one of my strongest characteristics, and it would save me a hell of a lot of frustration and suffering in silence. 🥔
Ive said this before but swear the biggest skill to learn as an adult is how to resist high-pressure sales tactics. You do NOT have to answer questions with anything other than "Sorry I'm not interested." No matter how nice they are or no matter how many follow up questions they ask or even how agitated they get when you stand your ground. Just keep saying I'm not interested. Don't answer their questions. Don't give them an opening to try to push back on your reasons. Be a fucking brick wall of I'm not interested.
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amore , mio stray kids series
AMORE MIO : otherwise known as "my love" is a collective bunch short love stories about our favorite boys based on songs to celebrate the upcoming love season, winter !
HE'S A GENTLEMAN , c.b - in progress / highschool au / sunshine / grumpy trope ! you've always been one who is oppressive to love, rightfully so, you've been through many heartbreaks. yet, what happens when the one guy you've never shown much of an interest in, shows you what love truly is?
MILLION DOLLAR MAN , l.m - in progress / fake dating trope / holidate au "they say money can't buy happiness, but money bought you, didn't it?" in which the million-dollar man chooses you to be his fake date for each holiday with his nagging family.
ARE YOU LONELY? , s.c - in progress / enemies (?) to lovers / popular prson, loser boy trope being popular doesn't mean having friends, at least friends who are real, so what happens when the only person there for you, is the one person that you hate?
KISS ME , h.h - in progress / she's all that au / popular boy , nerdy other trope popular boy, hwang hyunjin gets peer pressured into a bet to date the nerdy, pretentious, loser of the school and to make them popular in 6 weeks yet, what happens when you become more than just a bet?
LOVE , h.j - finished / starcrossed lovers / rich and poor au / lovesick! jisung " It doesn't matter if I'm not enough for the future or the things to come cause I'm young and in love " you're in different worlds yet individuals who love each other, you've accepted it. you know you can't be together but he just can't get enough.
LOVE STORY , l.f - in progress / starcrossed lovers / prince and painter au months, weeks, days are coming very close til prince felix is crowned king and before he does that, he needs to pick someone to rule with him but, why can't it be you?
I WANNA BE YOURS , k.sm - in progress / fake enemies to lovers / sunshine and grumpy trope in the eyes of seungmin, you're annoying, you're too bright, and definitely too happy so when you take notice of that and decide to hang with someone else, why does it make him... jealous?
THE NIGHT WE MET, y.j - in progress / strangers to lovers / starstruck(?) au you, getting away from a crowd of your family's bodyguards ran into him yang jeongin, the man you'll spend a night of fun, scares and more with
AUTHORS NOTE: happy (almost) holidays everyone, i had so much fun preparing these plots for everyone, i kinda feel like we need more sfw fluff in the skz or even more writing communities so i decided to muster up my very first series lmk what ygs think maybe i'll do more series i also wanted to do something new for some members than expected soooo
#stray kids x reader#skz imagines#stray kids headcanons#skz x reader#stray kids imagine#stray kids#bang chan#bangchan x reader#seo changbin#changbin x reader#lee know x reader#lee know#hwang hyunjin#hyunjin x reader#han jisung#han jisung x reader#han x reader#lee felix#felix#felix x reader#lee felix x reader#seungmin x reader#kim seungmin x reader#seungmin imagines#seungmin#jeongin#jeongin x reader#yang jeongin
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So, I was thinking after the newest Bhaalist DU Drow art (and his hand dangerously close to Astarions throat): what would happen if Astarion runs away? Did he ever try?
And, what's also pretty sad, how does affection look like for them in this AU? Does Astarion just push through and dissociate? Can he ever say no? Or does he hope the love of his life (or unlife) changes at some point?
Thankies 💕
CW: Non-explicit description of a coercive sexual relationship.
You know, I'm not sure he would try to run away. I haven't thought about this AU in quite as much depth as I have their canonical story, but I do know that DU drow has turned Baldur's Gate and the area around it into quite the scary place. The "immediate and absolute control over the brain" outcome that we get in the game is a bit too easy for me, but he DOES retain the stones and therefore ownership over it, not to mention a huge bargaining chip in political control of the vicinity.
The church of Bhaal is reinstated, and while it will never be in the interest of Bhaalists to be blatant about their activities, it would become common knowledge that they have eyes everywhere. Killing is still ritualistic rather than mindless massacre, and indoctrination is prioritized - they can't expand and fulfill Bhaal's will if all potential followers are dead. People who don't yet follow the gospel have reason to cooperate with them since that lessens their chances of being killed.
So, if the darling of the cult's head were to suddenly disappear, everyone infected would be immediately zapped with the knowledge of exactly what he looks like and where he was last seen, and what the repercussions are for anyone who fails to report his whereabouts. Astarion knows this, DU drow would make sure that he does.
Also, it would probably be far too easy for Astarion to justify his own compliance and try to make peace with the situation. This IS the man he fell in love with, he DID encourage his pursuit for power at every step, he may not be the grand vampire ascendant, but he is the Murder Prince's beloved. He doesn't beat him, he doesn't torture him, he spoils Astarion with riches, comfort, and all the fresh blood he could dream of; all he asks for in return is his eternal devotion, constant affection, adoration, control over where he is, wears, does, and total surveillance.
When the alternative is braving the cold, ruthless world as a meager little vampire spawn while being hunted down by your ex's minions (hm, sounds familiar) being the equivalent to your partner's boutique pet starts to look pretty desirable. Astarion falling to old habits and resigning to his circumstance seems pretty likely to me. If he did run away successfully, life would be a whole lot harder for him. If he runs away unsuccessfully, he loses the trust of his murderous, power-hungry partner and the few liberties he is afforded at all.
Speaking of liberties, saying no to intimacy is one he still has, however the consequences for being frigid and nonreciprocating would come in other forms, over time, and Astarion would probably rather spare himself the trouble and just play along as the highly affectionate and fiery lover that this DU Drow wants him to be. The happier he is, the easier things are.
Not to mention that, occasionally, he can pretend that everything is back to how it used to be when they are being intimate.
I think there are vulnerable moments where he hopes he will snap out of it, but most of the time Astarion is convincing himself that he hit the jackpot, that he has DU drow wrapped around his finger and he will be able to turn this more in his favor eventually.
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(Okay, for some reason, the repost where I was talking about this just...disapeard?? So here I go. Again. I'm just going to post it as a separate thing.)
(Also, Warning, talking about child hood cancer, experimentation and torture, and the other general dark Logan or Wade things.)
Okay! So- obviously, with the timeline, it wouldn't work- but I can just change that because why not?
Imagine Wade being diagnosed with cancer at 8. He has chemo and some surgeries, then for a good 2 years he is cancer free. Of course, though, it comes back at around 11. There isn't anything they can do this time, though. The surgeries won't work, and chemo will only prolong the inevitable, so Wade has to accept his fate. His parents get approached by someone who promises to cure Wade, though. All they need to do is sign over their legal rights in regards to him, so that's what they do. Sure, they cured him, but only after years of being tortured and experimented on. Wade thinks his parents didn't know at the beginning, but after the first few months, he started to question if they knew what this place was. His parents had never been kind people, and Wade quickly decided his parents probably didn't care what happened when they signed that waver. He survives, though. He gets his mutation, and eventually, the X-Men manages to find the facility that has been doing this. He's glad all of the other kids have been saved and most of them reunited with their parents- he had looked after half of them in that hell hole so he feels responsible for making sure they are all save wherever they go- and he goes back to the school with the other kids who don't have a home to go back to or just don't want to go back home. It's weird to be a whole 17 years of age and not knowing how to function in the world. He knows how to survive, but that's about it. So, it's a struggle to settle into the mansion at first, but he quickly takes on the role of bigger brother to the younger kids. And yeah, he finds it hard to interact with the people his own age, too terrified to deal with the possible riddicule of how he looks.
Logan's been there awhile. He was found by the Professor after a few news articles popped up about some 'strange deaths' and he had investigated. No one at the school knows much about him- they know he lived in the woods for a year when he was 13, and that the Professor found him- but that's about it. Practically all the students avoid him like the plague in the halls and at meal times. It's not that Logan tries to talk to the others anyway, and he doesn't really want too. He's used to being a lone wolf. He keeps to himself, doesn't want to deal with others shit, and he plans to keep it that way. He's gonna leave this place as soon as he is 18 next year. He isn't even sure where he would go, but he refuses to join the X-Men. He can't bring himself too- to many accidents with the claws and panic attacks to be able to help people.
Naturally, Wade decides that Logan is the person he is going to befriend. Even if the idea of being judged terrifies him, he can't help but be interested in the quiet brooding bad boy.
#deadpool and wolverine#poolverine#wade wilson#deadpool 3#deadclaws#deadpool#logan howlett#wade x logan#logan#wade winston wilson
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no one's really asked, and i don't really like telling people about the different parts, but i do tend default to basics like these circles bc idk really how else to explain. and also i'm almost always on the fence with if i even have DID or not, even with all the symptoms and conversations with therapist and evaluators and 'proofs' after social events and stuff where hearing what happened, the reaction of 'i would not do that' and stuff.
approximate age and gender is the 'easiest' to pinpoint, since my overall concept of gender is just -shrug-, and gender presentation i don't really think about but there are things like 'oh this one likes when the hair is in a ponytail' or 'this one prefers short shorts to basketball shorts' (and someone else is the opposite in that regard), which might be easier to explain as gender for the sake of simplicity. age is more like a 'grade' level than an age, or a 'group' like anywhere under 5, or somewhere between 5 and 7/early schooling. 12ish to early/middle teenager, or vague age between 14 and 18. a couple of 'adults' with nothing more to go on except as a kid, they're whatever i guess i though an adult was like, and they're anywhere between always 5ish years above me or just 'adult'.
temperament and likes/dislikes, or interests/disinterests is a bit trickier, but this blog does help. i scroll through the dash and random blogs and sometimes things just stand out as someone's, so they get tagged and drafted, and then i use the drafts as a dash and if i feel like whoever and see something at the time, it usually gets posted then. the thing is though, idk even if i am them at the time or what the deal is but sometimes interests just 'speak' to me or not-me and i want it archived/ timestamped for that time. and also led to a bit of a panic attack a while ago where the ocean/waves sometimes feels more like a part than an interest, like there's more of a person attached to it kinda in the [ws] way and not in ways like with toys or tv.
the blue circle with the layers is a really helpful diagram bc i also am not usually thinking or feeling distinct. i mean i can recognize some distinctions like right now i'm able to use personal pronouns and complete sentences and not worry about how grammatically incorrect they are, which sorta points to a certain part/feeling/mode but idk. idk if this is more conscious or subconscious but i am aware of it right now and how these things aren't 'universal' / collective / communal things, but idk really what to do with that. i don't think it matters much, as long as i'm this 'awake' or whatever and know where i am and what's happening. the problem is more when there's awareness of distinctions but mostly confusion, like the times when i almost literally can't speak, like it feels physically impossible, and can't really move either and sorta wait it out or until i guess the other subconscious parts push forward more and break out of that mode?
life usually is kinda rainbow-y and blurry. although i have my circle kinda the opposite of this diagram i think, where the conscious layer is the outermost circle and the innermost one is unconscious, bc i feel like most of the time things move from the inside out than outside in? or like, there's a lot of unconscious stuff all the time, but maybe it sorta blurs with the subconscious, which then moves closer to consciousness/what presents to me and others/what i guess i look like on the outside. idk. i just know that language like 'fronting' confuses me bc i don't think i ever know who is the one entirely 'facing' the world.
and now i'm running out of steam and getting brain foggy so gonna call it a day with this one
I made a thing that’s entirely based off personal experience.
For all the people who struggle to figure out “who’s fronting” or even “who’s around”…I’m right there with you.
[DID/OSDD Casually Explained Masterpost]
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Aziraphale's Jubilant Smile (NOT the crazy elevator grin)
Part 8 of 8 in The Chess Moves Theory Set by @wistfulnightingale
The rare times we see Aziraphale smile like this, it makes me want to smile too! The happiness is contagious. It's a genuine smile, the special smile our angel usually reserves for Crowley.
Remember seeing it? Just before Aziraphale gets on the elevator?
Neither did I.
No, it's not a special edit or cut scene. It goes by in a millisecond, just after the Metatron announces The Second Coming, and steps out of our sightline. This is the expression on Aziraphale's face, for the tiniest instant, before he registers what the Metatron just said. Our Angel is looking in the direction of Crowley and the Bentley. He was safe for a moment, literally behind the Metatron's back, unseen and unsupervised for a few moments, as that wonderful smile was happening.
As the Metatron steps aside, the camara cuts and moves in closer. The Angel's happy grin immediately disappears, and Aziraphale's remaining small smile slowly fades and changes to alarm as he turns his head to look after the Metatron.
Then, he slowly and cautiously turns his head back towards Crowley. It has to be a guarded and cautious look because now the Metatron is in the elevator facing Aziraphale, frowning expectantly...
But the Jubilant, Happy Smile that was first there suggests to us a new understanding of what might have been happening in that cautious look across the street, and why Crowley was still waiting.
If nothing else from the other 7 parts of my 8-Part Chess Moves Theory made you reconsider the Final 15, this singular photo might.
We see so much anxiety and stiff smiles and mixed messages from Aziraphale in his contact with the Metatron, from the time the so-called Voice of God walks into the bookshop uninvited and seemingly without permission (See Nothing Lasts Forever), to the time Aziraphale gets on the elevator. We know he is not Happily trotting away, excited about his new promotion. And it appears that he just broke up with Crowley and is leaving him behind...
Until we see this exuberant smile -- aimed in Crowley's direction.
It's not an anxious smile or a fake smile or one of the hundred variations of Aziaphale putting on an act for someone. It's a pure, happy, genuine smile.
Folks, something happened.
Something we didn't get to easily see.
Something hidden in Misdirection, and in chaotic confusion, and in loss and grief and frantic scrambling to figure out how to cope and what to do...
I think it happened during the Kiss (See The Circle Kiss Theory), but, even if I'm mistaken.... some Good thing must have happened to make Azi smile at Crowley like that!
..........
Tumblr is fun and Tumblr is wonderful weird chaos. You might be seeing this final post of mine before seeing any of the rest of my 8-part Chess Moves Theory Set. If you're interested or curious about the rest of the interconnected ideas I have about all this, you might enjoy checking out the rest of them at @wistfulnightingale!
Thanks for coming along on this crazy ride!!!
The 8 Chess Moves MetaTheory Set:
1 - The Metatron Misdirection
2 - The Metatron's Second Coming
3 - Ineffables in Check
4 - A Hefty Jigger of Death
5 - Nothing Lasts Forever
6 - The Circle Kiss Theory
7 - The Nightingale DID Sing
8 - Aziraphale's Jubilant Smile (Not the crazy elevator grin)
Also: The Chess Moves Theory Set, Why Chess & Magic?
#good omens#good omens theories#chess moves theory#good omens meta#final fifteen#the metatron#good omens 2#ineffable husbands#aziraphale loves crowley#always and always and forever#aziracrow#wistfulnightingale#to our world#thank you rob and rhianna#rescued 90
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okay disjointed thoughts about the wicked movie 1 day after watching it lets go
-first of all, my movie theater put speakers outside and was just blasting the entire soundtrack on repeat. we could hear it down the street as we were driving up. that's just simply insane
-the opening establishing shots of the land were great but honestly. the very clearly animated dorothy and gang really annoyed me lmfao like I'm sorry it cannot have possibly been too hard to get a few extras to stand in front of a screen for point 5 seconds lol. it was so fast that I Know I'm being dramatic about it but they looked more cartoon than the flying monkey's did
-baby elphie and baby nessa are the cutest things I've ever seen in my life...
-I kinda...like the more human/animal hybrids that the stage show and the original movie had. sorry. like I Get they were only like that bc you can't make a real life goat sing and dance but they're just more interesting to look at than normal-looking animals who happen to talk!
-jeff goldblum's face being hidden every time he had a dance number...I have a sneaking suspicion that he wasn't really dancing lmfao
-whoever decided to bleach ariana's eyebrows deserves jail time
-when jonathan bailey first showed up on screen my mother leaned over to me and whispered 'he's HANDSOME...'
-when cynthia finished the 'wizard and I' I had to actually stop myself from applauding. it felt so weird and rude for there to be dead silence after that performance my GOD.
-also omg the part where she's singing about the wizard de-green-ifying her and the colors in the suncatchers were canceling out the green so she looked normal....inspired!
-madame morrible had these HUGE crystal ball looking rings and I just want them so much lmao
-glinda's friends were really funny the bit were she was like 'I need to lie down' and they immediately picked her up like a plank of wood and carried her off while the one was screaming 'WE NEED A PASTRY!!! IT'S AN EMERGENCY WE NEED A PASTRY!!!' had me cackling
-I wish there was more time between them moving in and 'what is this feeling' starting? like I wanted more time to see them bickering and then also more time seeing them getting along after the ball??
-'dancing through life' was BEAUTIFUL however two complaints 1) why would they cut the line 'what's the most swankified place around?' I Quote That Often and 2) at the end when glinda and elphie dance together like...it's beautiful and everything but from what I remember after their solo moment fieryo joins them?? and they have a cute three way dance moment??? and I'm very pro "they're all in love with each other" so I missed that lol
-also just in general would of liked to see more of fieryo with the girls! like it felt like ball->lion cub->emerald city, in the course of a couple days, and idk I just feel like they could have slowed it down a bit?? especially since they broke it into two movies?? like I don't think that Actually all happened in the span of a week, but they didn't do a good enough job establishing how much time was passing so it Felt like it. which is dumb bc then it just doesn't seem realistic that elphie and glinda are THAT attached to each other by defying gravity like it feels like not enough time has passed for them to really know each other
-boq felt very mild tbh I know ethan can be more unhinged than that
-would've liked to see glinda in magic class!!
-I was a little underwhelmed by elphaba's costumes? like there were clearly patterns on the material but it was all the same shade of black so you couldn't make anything out. it felt a bit flat. and I love the idea behind the freckles I agree with freckles I am pro freckles HOWEVER her's looked very obviously drawn on. like, I have seen way more realistic fake freckles before. so that was a bit annoying
-other than the lunchmeat dress glinda's costumes were good! especially loved the flower shaped one she wore to the ball
-the whole trying to escape in the hot air ballon scene was cool as hell but as the flaming remains of it fell to the ground I couldn't help but be like wow...she really just killed all those guards huh!
-also lmfao the bit in the woods with the lion club and fieryo has like a scratch on his temple. genuinely thought to myself 'is that his lobotomy scar' lmfao
-still trying to get over the part in dancing through life where people were dancing on the spinning gears in the clock tower...bitch
-the flying monkeys were correctly horrifying
-when I saw the broomstick I was like 'won't that be really uncomfortable between your legs' but then she just held it next to her like they do in the stage show and I was like....okay I guess you win that one? lmfao like I don't mind it for when she's hovering but when they had her like supersonic zooming on the broom it was weird that she wasn't actually riding it
-overall I just don't understand how it's an adaptation of act 1 but it's the length of the entire stage show?? lmao like I wish they took advantage of the split and added so much more but really really it was still just such a solid great movie. 5 stars. I can't keep talking about it right now I'm gonna start screaming.
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And unfortunately, this ties heavily into politics.
"How can they vote for That Asshole?"
"Because they get all their news from a single tv channel and a tiny, alt-right-controlled set of text sources."
"Why don't they look for The Real Truth? Why don't they move outside of that tiny siloed bubble?"
"Because they are FUCKING EXHAUSTED, which is exactly what the capitalist hellscape system intended." They were raised in a siloed bubble where they didn't get enough sleep or free social time as teenagers and then pushed into full-time-plus jobs (...plus kid-care, for the women) as soon as they reached legal adulthood, and they were never given time to rest or the resources to know they needed it.
(And there are plenty of exhausted people who did not vote for That Asshole, but they were not raised in a silo they are still stuck in. Something has to happen to push people out of that.)
(And yes, there are plenty of alt-right voters who are not exhausted. But if you were wondering about the ones who seem to be voting directly against their own interests... they are. so. damn. tired.)
Tired Gen-Xers have gotten cynical and believe there's no point in voting for anything; anything you gain will be ripped away in the future so why bother trying?
Tired Millennials are certain it's all incomprehensible propaganda. You can't tell what's real from what's fake so better to just vote for what the people you love and trust are voting for.
Tired Gen-Z are trying desperately to enjoy their youth and resent the constant message of "it's up to YOU to fix the world WE broke."
(And tired Boomers are resentful that their promised Sweet Retirement In Prosperity has not come to happen and they are often not interested in "vote for a better future for tomorrow's kids"; they want the better future they were promised at 18 and they are voting for whoever says they still deserve it and can have it.)
...Not all of them. But enough to tank any progressive plan for "let's make Real Fucking Changes even though it'll be hard for a while."
They're too exhausted to support "hard for a while" messages. They want "you deserve better and I'm going to make sure you have it." And they're too tired to realize it's all lies and hot air.
as a child I wondered why adults were so stupid (doing things out of habit/routine/heuristics rather than reasoning explicitly about what to do based on their goals) and the answer is that adults are unimaginably fucking tired all the time
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EVERYTHING WAS A MISTAKE — i. cheater.
⤷ summary: Leaving home isn't hard, coming back to home is, you're determined to find your sister, but Gojo has many things to say to you.
⤷ pairing: yandere!satoru gojo x fem!vampire!reader.
⤷ warnings: angst, abuse (physical assault), a bit of gore, blood, abusive behavior, it's implied that Gojo has assaulted reader other times in the past, gaslighting, mentions of cheating, mentions of death, psychological violence (Gojo is manipulating the reader into thinking that everything is her fault), spoilers (JJK0).
⤷ more information about story: here.
⤷ notes: this chapter is a bit hard to read (it was hard to write too), if you are in an abusive relationship or have just come out of one reading it may cause triggers, so please stay safe. 🤍 (I forgot to post the chapter yesterday, sorry. 😭)
⤷ word count: 2867.
Human lives are bubbles floating on the surface of the water, fleeting, but the life of a vampire is perennial, like the Pinus longaeva, which will last for millennia if it is not uprooted. You let go of Satoru's clothes, to whom you were clinging tightly until recently. The words he said to you seem like a bad joke, but the part of you that knows him knows that he wouldn't lie about such a serious matter. A million possibilities run through your head and none of them seem right. Your older sister is the current head of the clan, she succeeded your mother after her death, she is also married to Satoru's older brother and is therefore part of the Gojo clan by marriage, no one in their right mind would harm her, unless they wanted to provoke a war that they would never win.
In the past, after you broke one of the clan's three taboos, your sister came to understand your side of the story, and although you confessed your sins out of your own mouth without showing remorse, she knew you well enough to know that you would never commit a crime of this proportion unless it was truly necessary, you were hot-headed, not a serial killer. However, there was a limit to her influence, your sister had to withdraw from the investigation not long after, the other investigators claimed there was a conflict of interest and personal motivations on her part because you belong to the same lineage, although you knew very well why they wouldn't allow her to investigate, you comforted her by saying it was all a mistake.
You accepted the death sentence so that her and her family's reputation wouldn't be tarnished by her crimes, but when you found out what they would do with your corpse after your death, you had no choice but to run away. You escaped from prison and left everything behind, so you would never see your family again and would forever be an outcast, but you knew that Gabi, your beloved sister, still had hope.
You fall to the ground on your knees, your heart breaks into a million pieces that you may never be able to put back together, the tears flow endlessly, but you don't make a sound. Your sister once told you: "One day, I will die, and you will be the last member of our family. And when that day comes, you'll miss me so bad when I'm gone, Y/N!" She said it laughing, you didn't care because she was the head of the clan, and just like your mother, she would die of old age with three children or more, but now those words blowing in the wind have taken on a new meaning, as if she knew deep down that it would happen. You put your hand on your chest and lean forward until your face touches the carpet, you open your mouth to scream, there's no strength left in you to do so, only a bitter taste of defeat in your mouth.
Satoru gets down on his knees in front of you and hugs you, you don't pull back because it's the only comfort you can have right now, you cling to him like you're clinging to your last thread of hope, you allow yourself to cry because it's the only thing you can do right now. He's never seen you react like this, you never cry, you didn't shed a single tear at your own mother's funeral, you were like a beacon in the middle of a stormy night, strong and resilient, no one has ever been able to shake you, so seeing you so vulnerable makes him feel he needs to protect you. He lifts your face with both hands and wipes the snot off with the sleeve of his shirt, you're a wreck, but you muster the strength to get up. Now with a clear head, you know you have to solve this problem, no matter what.
"I'm going to kill them all." You mutter, the glow you're carrying fades and gives way to a gloomy aura, you turn away from Satoru, you're planning how to kill these people, there are too many of them and only one of you, but you've been in a similar situation before, so you think it won't be a big problem. "Thanks for warning me, but I don't want you to meddle this time, it's a matter of fa-"
Satoru suddenly interrupts you. You don't have time to associate what happened right away, it was so fast, only then do you realize that he's hit you, you touch your cheek and it's hot and tingling, your ear is ringing as if a bell is inside your head, and it feels like one of your eyes has popped out of your skull because you're not seeing well. You're so bewildered that he has to hold you so that you don't fall to the ground again.
"I don't know what the hell you're thinking, but stop. Now." He gently grabs your face and presses down on your right eye with his thumb in order to put it back in place, and you stand there as if you were a doll being carefully repaired. "You're a hothead, aren't you? God! Are you thinking of killing someone else? I hope not, I don't want to have to do it again." He scolds you, he doesn't like the idea of having to hit you, but you always cross the line, it's so annoying. "If you make a single slip-up, everyone's efforts will be for nothing, your sister's life is at stake and we still don't know the intentions behind the kidnapping, so. Stop. Acting. Impulsively." He spoke slowly and nodded, waiting for you to agree. "Answer me."
"But-"
"Answer." Somehow his aura seemed to pressure you, it's always like this, he says he doesn't want to hit you, but if you keep doing things the way you want, he'll hit you again and again until you stop, you shrug and he sighs. "Y/N... answer me, I won't do it again, so be a good girl and say you won't do anything."
"I won't act on impulse, I promise."
"Yes, yes. I knew you were still a good girl." His tone of voice has changed, the pressure on his shoulders is also gone, he pushes back a lock of hair and kisses your forehead, it's almost as if he's someone else. "I'd love to spend some time with you here, but we have to go now."
"Now?" You hear a pop, Gloria and the children are still waiting for you, you can't leave without saying goodbye, you look around the room for the bread basket and find it completely ruined, you let out a breath of air through your nose. "I couldn't go and see any of you anyway."
"Who are you talking about?" Satoru grabs you from behind and buries his face in your neck, you're tense and stiff, it would be bad if he found out about Gloria, he's not the kind of person who tolerates jealousy. But fortunately he doesn't seem to know, he sees the basket of bread on the floor and remembers the children you greeted earlier. "I didn't know you liked children so much."
"Oh, yes, of course?! So you were stalking me at that time too?" He replies with a 'mhmm', you roll your eyes. "You're awful." You let out a dry, mirthless laugh. "Oh, I never had a chance, did I?"
"I'm glad you know your place." He's so overbearing and arrogant, yet if you had only half the power he has, you'd act like it too. "I'll help the children later if you behave yourself on the journey back."
"Really?" Your shoulders relax, you lean in to look at him, he nods in agreement and you're relieved, but everything has a price...
"But you'll owe me one." He whispers unassumingly. "Two, actually." He holds up two fingers, you choke. "Or have you forgotten that I'm going to have to take you in secret?"
"I thought you were going to give me up! I even thought I would need Suguru's help."
"Of course not!" He shouts, irritated, an icy chill shakes your body, you lower your head and he continues shouting. "What kind of monster do you think I am? I would never hurt you, Y/N. I... I... forget it." He pushes you away and massages his temples, then stops abruptly and runs his hand over his face as if he's just remembered something. "Oh, one more thing, Suguru is dead."
"WHAT?"
"I killed Suguru, he committed some crimes, but nothing compares to the fact that he hid you from me." Satoru lets out an infamous chuckle, you can't believe what he's just told you, but given the circumstances, you know he's not lying, the only person who knew your whereabouts was Suguru. "You remember when you abandoned me, don't you? Didn't you think about me? How I might feel?"
"You weren't the only one I left behind, and-" You start to speak, but he signals you to shut up and stop making excuses he doesn't want to hear.
"But as far as I know you haven't abandoned Suguru, have you?" You feel the air get heavy and Satoru's shadow covers you, he seems much bigger than you or you're feeling too small, you don't know, you go back and grope the tree, there's nowhere to run, you close your eyes and wait, maybe for the next slap or something worse. "He told me everything before he died... so we have a lot to talk about, Y/N."
Mistrust is like a deadly poison that eats away at you from the inside, it makes love grow cold, but it also gives birth to a weed called resentment. There's no fixing something that's been broken, when you put the pieces back together, the cracks and scars of the breakage will be there forever, it will break again if you fill it with water. There is no way to mend the heart of someone who has already been betrayed or abandoned.
Satoru look at you with a fake smile, the corners of his mouth are twitching, a bad sign, there's no escape for a change, there's only the two of you on this deserted house, even if there was someone here no one would come to save you, there's no place you can use to hide, but there's no way and no reason to hide when the Six Eyes are looking for you. You open your mouth, but give and accept that there is no other option but to stay quiet, he seems satisfied with your decision, the smile on his face widens.
"Satoru..."
"You cheated on me." He repeats with tears in his eyes.
"WAIT, WHAT? I never cheated on you." You choke, you don't know if he's making it up or Suguru said something that made him get it all wrong. "I don't think this is the time or the moment to talk about it."
"But I do." He retorts. "You disappeared for ten years, Y/N. DAMNED. TEN. YEARS!" He puts a lot of emphasis on that. "You didn't try to contact me during that time, you didn't even make an effort to make me try to understand your side, but..." He paused dramatically. "There was enough space for Suguru to continue in your life. Do you know how painful it was to find out from him that you'd been in contact and seeing each other for all those years?" He frowns and laughs like a maniac. "What about me, Y/N? I was alone in the dark for ten years. I had no news of you, I didn't know where you were, how you were or if you were even alive, but he knew because he told me before he died." He scratches the back of his neck and bites his lower lip. "You didn't even bother to break up with me."
"You turned your back on me first! You spent weeks ignoring me before everything happened and-"
"Because YOU were hiding things from ME!" He shouts and points at you accusingly. "I never knew your side because you didn't trust me enough to open up to me, your own boyfriend." He uses both hands to point at himself, the veins in his neck and forehead bulging, he's furious. "But Suguru knew, because you told him everything, didn't you? You even asked for help to escape."
You choke, you don't know if Suguru revealed all the details to him, but your mind goes blank like a blank canvas for lack of arguments, you can't retort, because what he's saying is the truth, at no point did you consider the possibility of trying to contact him, you didn't explain why you killed all those people in the first place, you just accepted the fact that he hated you and decided to walk away without saying a word. Who told you he hated you? Did he really think you were a monster? The fine line between what was true and what wasn't was so thin that you couldn't tell the difference anymore.
"I forgave you for killing those people and for running away, but this..." He points at you and for a portrait of you and Suguru on the bedside table, then makes a cutting sign with his hands, shaking his head frantically. "I'll never forgive that. Never."
"I'm sorry."
"It's too late to say you're sorry." Satoru reaches into his pocket and pulls out a black blindfold. "You never really loved me, did you? You loved him, I was just... an idiot. That's the truth. I was just a substitute for him."
You see the tears streaming down his face, he brushes them away with the back of his hand as if he doesn't want you to see him cry, you feel your stomach lurch, you don't have the courage to approach him, it's bad enough to know that everything that happened in the past was a big misunderstanding, to be abandoned and in a way betrayed, you can't measure his pain. And although you have your share of the blame for his suffering, he has to understand that you were on the run, many came after you to kill you, familiar faces, you have a lot of traumas to carry, and you don't want or need to carry the weight of this ill-fated relationship, but you can't help it.
"I expected a little loyalty from you. But you're one of them." Satoru refers to the fame of vampires and their multiple partners, but you're not like the others, you really only loved him, but he's so blinded by hatred that he can't see. You love him so much that you trusted him with your life. "You... you cheating bitch, I did everything for you, I... I even tried to forgive you for it, but then you started thinking about going after him? HAHAHA, I'm really stupid."
"I'm not a cheater. I've NEVER cheated on you." A lump forms in your throat, you can barely defend yourself against these unfounded accusations, based on jealousy and paranoia, you sniffle and wipe away tears that wanted to escape from your eyes. "I swear, I never did that, I-" 'love you' You continue the sentence mentally.
You endured everything in silence for fear of sharing the burden with someone else, because you are afraid to lose everyone, but you also believe that if you had been honest from the beginning, he would have understood you, and maybe your sister wouldn't have had to go through what you're going through now, but now it's too late to be honest.
"You just used me and are still using me for your own gain, you just want to ensure your sister's safety and leave. Like everyone else... I'm just a tool for you."
"That's not true, stop it."
The truth hurts, and he's telling the truth, from the beginning you thought of him as a tool to find your sister, but not everything is true, you also want to spend time with him, since finding him again has ignited something inside you, but you don't have the strength to go against him. You take a step forward and he moves away, you reach out to touch him and he rejects you, it's so painful that you'd rather he hit you, you grab his hand and he's so cold, so distant, as if an abyss were separating you. You open your mouth to beg for forgiveness once again, but you feel a stinging pain in your head and heart, a buzzing in your ears makes you dizzy and makes you scream hysterically, your nose and ears began to bleed non-stop.
"Y/N?" Satoru's voice becomes distant and his image blurs. "Y/N?! Are you all right?"
"I... I... I feel... so... sorry... I... will... tell you... everything..." Your vision suddenly darkens.
The last thing you hear is Satoru's voice shouting your name.
#jjk x reader#jjk x you#yandere jjk#jjk gojo#yandere gojo x reader#satoru x you#yandere jujutsu kaisen#yandere x reader#yandere satoru x reader#yandere satoru gojo#yandere satoru gojo x reader#gojou satoru x reader#satoru gojo#satoru gojo x reader#gojo x reader
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dai love interests' letters to the inquisitor in veilguard, if anyone was curious to see them. transcriptions in alt text & under cut
Amatus,
I'm writing. Again. Yes, the sending crystals still work and yes, you'll be in Minrathous in a few short weeks. But a letter, written in blind longing, is real. It can be touched, and it can be held, when ink and paper must substitute for your skin on mine and my breath in your ear.
I used to scoff at frequent declarations of affection. Trite, I thought. Save them for rare and precious moments. But time and love are no longer things I care to squander, especially not as we race again toward calamity. And so, in each of these fleeting, ephemeral seconds, I will tell you that I love you. Whether penned or spoken, or conveyed by glance or action, I love you. In this moment, and in all the moments to come, for as long as they do, I love you.
I will find you soon.
Yours, Dorian
---
My love,
You have summoned me to Minrathous, and I will answer your call, as soon as responsibilities here in the South allow. I have missed being by your side.
Will these troubles be the last we face? The world seems always to conspire, through duty or disaster, to pull you away from me. I do not resent it. You are dedicated to purposes far larger and more significant than myself. I hope you do not think me a fool for hoping that one day, your only concern will be the color you wish our walls to be painted, or the flowers we will plant beside our gate. I'm partial to carnations.
Yours always, Thom
---
My love,
We are no strangers to duty, or the separation it demands of us. You head for Tevinter, and though I want to go with you, there is work we both must do. I will not falter in the tasks that wait before me and I pray my actions, in whatever measure they can, will keep you safe.
The others see only confidence in my resolve, but you have always known more than mere appearance. I confess to you, and you alone, that I am afraid. I'm afraid of what may happen, that Thedas will face such turmoil as it did before. I know not what awaits us. Yet even in the face of uncertainty, there are two things I cannot doubt and never will. The first is that our paths are never separated long. That I will find you at my side when I need you, as you will find me at yours. I will play my part in this and follow as soon as I can.
The second thing I never doubt is you. Whatever lies before you, trust yourself. Trust your heart as I trust it. It will not lead you astray.
Yours, Cassandra
---
Hey, Kadan,
Not the first time we've marched toward different battles. I know you're keeping the crap from catching fire up in Tevinter. Wish I could be there, but I'll make sure there's a world for you to come back to when you're done dealing with crazy vints and stupid Antaam and whatever other crap Solas kicked up. (Shit, the Antaam. Remember when I was worried what would happen if I went tal-vashoth? That right there!)
I know you're gonna be careful, and you've got Morrigan there. Just take care of yourself. If anything happens to you, I'm going to have to take Krem and the Chargers and stomp across all of Tevinter to come get you. It'll be a whole thing, and you know it'll upset Dorian.
Being apart from you made me realize something else. I spent so long being whatever the Ben-Hassrath wanted me to be. An investigator. An agent. A mercenary sending reports. These past years, since the Inquisition ended, I've been able to be just what I want to be.
And what I really want to be is yours. I like the person I am when I'm with you.
So come back safe.
Love, The signature appears to be a stylized rendering of the Iron Bull's head.
---
(An artistically doodled journal page presumably from the Inquisitor's partner, Sera.)
Keep this as close as I need you. (A drawing of a pile of flowers, with lines like it's moving, an arrow pointing to it labeled "us.")
North again, Mini-wrathus still stuck up its own pucker.
Magiturds are scared of us. They don't even know.
We work with Maevaris, right? She's wow.
So many Friends! Jennies in all the walls!
We kill him this time. He took from us twice! (A drawing of a cracked egg scribbled out, with "can't even joke" in letters that tore the page.)
Still thinking of you sideways.
Never mind the Dalish, here's the Veil Jumpers! Tempest-kin! (A drawing of a tall, shorthaired elf (Sera?) and Irelin brandishing two fingers, backflipping as a tree explodes in runes.)
The memory thing makes my head spin. If that Rook doesn't take it, throw it out.
Tell Morrigan ppbbth! for me.
I'll also tell her ppbbth! She knows why.
Tell them to Stripe. Him. Up. I wanted more books. (More heavy scribbles that tear.)
You meet; I'll keep you safe. Then I'm your time off, and you're my time on.
(The last section has different colored inks, like Sera has returned to it several times.)
New naked names: -Sweet-tits (scribbled out) -Bestest (scribbled out) -Loverly (scribbled out) -Lovey (scribbled out) -My-for-always-and-ever - name's not too long, time's too short. -But "Sweet-tits," though (scribbled out)
---
The top of the letter has been punctured by small, sharp teeth, leaving most of a beloved name and a few sentences too chewed to read.
I fear the puppy started on this letter shortly after I did. I'd start over, but I must send this tonight if it's to reach you. Matters are settled here and I make for Tevinter as soon as possible.
I almost believed chaos might spare us this time. I can't say I wished to see Minrathous before now, but I am eager to see you. I long to see your face and know that you're all right. You are— I've— There's— I wish that I was better at putting into writing all that's in my mind. For now, simply know that I love you. It is the most cherished constant of my life.
The days ahead will not be easy. I know there's much you carry, more than many realize. But whatever you must face, you will not meet it alone. You have my sword, my counsel, my—I could write this list forever when all I mean to say is this—
Whatever you need of me, I am yours.
Cullen
---
My Dearest Lady, / My Dearest Lord,
I have spoken to friends in Minrathous. They offer us their hospitality, not to mention shelter from the worst intrigues of the Archon's Palace. While you're well acquainted with the roving eyes of grand courts, please take care. Tevinter's regard can be the oldest and cruelest of them all.
The family writes the weather back home is beautiful. I do miss our quiet times together.
There is a question I've wanted to ask you for so long. I would like to pretend I have been busy, or it was not the proper time. But, if I am being honest, I only waited because I have been afraid of choosing a poor moment. Please, let me make a promise to you here.
When we return to Antiva, I will ask you, on the steps of the estate, if you will do me a great honor. And I dream you will say yes.
Always yours, Josephine
Postscript: I cannot believe it nearly slipped my mind. Yvette and Lord Otranto send their best wishes, and hope to see us back home in time to welcome their third child.
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Q: (Ben Hunt – Autosport) Max, you mentioned the messy times earlier, the difficult bits where, you know, there's lots of interest from Mercedes and Toto kept talking about you. And I just want to get your opinion on that now. And was there any moment where you thought that you may be leaving Red Bull for Mercedes or another team or indeed quitting altogether?
MV: To be honest, I think in your life, every year there are always thoughts going through your head from, how long do I still want to do this? Where do I want to do this? How do I want to do this? There are things in your private life that happen, of course, in your racing life. There are always things that you have to deal with and think about. But that's fine. I mean, I think in general quite relaxed about these things because it's very important to split your private life and racing life. But it's fine to have these thoughts in your head about what you want to do. But at the same time, I'm also not someone that makes very drastic decisions at the same time. And I'm just very happy where I'm at at the moment. I'm very loyal to the team. I appreciate, of course, what they have done for me from picking me up out of F3 and giving me an F1 seat and then going through all these emotions over all the years with these key people in the team. So, when there are tough times, it's very easy to say goodbye or forget about it or ignore it. But I think it's actually way more important to actually face them and go through it together and deal with it and just try to just move on from there and focus back, of course, on the performance side of things and have fun out there. That's at the end of the most important. If you're not having fun, then there's no point to continue.
- post-race press conference
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Thread with information about what really happened behind the scenes of Outer Banks!
Ok... I don't know how to start this post. Those who follow me here know that I post MY OPINIONS on various subjects and my last posts were about Outer Banks and the drama between Rudy Pankow and Madison Bailey.
It turns out that I ended up receiving a blind item in my direct messages here on Tumblr on November 9th, about what really happened behind the scenes of the show and I'm kind of shocked that things really seem true after Madelyn Cline unfollowed Rudy (and his girlfriend).
I'll try to summarize what this person said in topics, without exposing their name or anything like that because that wouldn't be fair to them.
🚫 Topic 1: Rudy P and Madison B were really involved during the filming of the first season of Outer Banks. They didn't make their relationship official, but they did have an affair, something more than friendship, but in the end it didn't go beyond that. The two decided it was best to remain friends and everything was fine.
🚫 Topic 2: Madison introduces a personal friend (Teo) to the OBX cast, and she and Rudy also start having an affair. Madison was totally okay with it, no problem. She was happy for Teo and Rudy, no bad blood, no bad feelings about it.
🚫 Topic 3: Rudy leaves Teo for Elaine. That's right, Rudy breaks up with Teo to be with Elaine, who was always chasing after him and the rest of the cast. Elaine worked behind the scenes on the first season of Outer Banks and felt like she was part of the main cast because she was similar in age to the actors. Little by little, she got closer to the girls first (Madison, Madelyn) and then focused her attention entirely on the guys, especially Drew and Rudy.
👉🏼 At this point, the person was unable to say whether Rudy had in fact cheated on Teo, but now we have confirmation from Teo that Rudy did indeed cheat on her and the relationship ended because he left her for Elaine.
🚫 Topic 4: Rudy officially starts dating Elaine and the rest of the Outer Banks cast was cool with it, although Madison did not agree with Rudy's betrayal, after all, it was Maddie who introduced the two and this created a slightly bad atmosphere because Madison sided with Teo, but continued to treat Elaine well.
Madison also starts a relationship and Mariah frequents the OBX filming set, soon becoming friends with the rest of the cast, except for Rudy.
👉🏼 The reason for the supposed “fight” between Mariah and Rudy was simply the fact that Rudy had no interest in getting close to Mariah, much less being her friend. Madison was a little upset about this, as she supported Rudy and Elaine's relationship despite what they did, and didn't feel that reciprocity from Rudy.
🚫 Topic 5: Rudy's behavior changes completely. He distances himself from everyone in the cast, especially Madison. He no longer wants to go to parties with his colleagues or participate in the cast's fun backstage.
Madison allegedly confronted Rudy and his response was the reason for their complete separation: Rudy says that Elaine doesn't want him and Madison to be friends anymore, because she's jealous of the affair they had in the past, and that Elaine asks him to spend more time with her than with his friends from Outer Banks.
Madison was reportedly VERY angry with this response and argued with Elaine in the backstage. Madison feels bad that Rudy threw away their friendship for such a stupid reason.
🚫 Topic 6: The rest of the Outer Banks cast supports Madison and condemns Rudy's change in behavior. The cast doesn't understand what's going on, why Rudy is no longer part of their personal lives. Everything gets worse when Rudy finds out that JJ and Kiara are getting together. He starts asking for changes to the script, pressuring the writers not to do this, and makes the cast, especially Madison, feel completely uncomfortable.
Elaine's victim-like behavior irritates everyone. She acts as if she were the victim of a situation that doesn't exist. She claims that the cast excluded her after she started dating Rudy, but she was the one who made Rudy distance himself from everyone. In addition, Elaine starts spreading gossip within the cast's circle of friends, even ending Madison's friendship with Hunter.
🚫 Topic 7: The final straw. The coexistence on set is unbearable. Little by little, Rudy has turned the recordings into a living hell. What used to be just pressure on the writers and directors to change the direction of his character, now Rudy refuses to record certain scenes, forcing last-minute changes and even delaying the recordings.
Rudy can't even look at Madison and the act of filming romantic scenes with her is unbearable for him and his girlfriend Elaine, who ends up having to be REMOVED from the set after a jealous fit behind the scenes. Rudy was reportedly very angry with Elaine's departure from the set and this was the deciding factor in him NOT RENEWING his contract.
🚫 Topic 8: The actors are angry. When filming for the fourth season begins, they don't know that Rudy has asked to leave the series. The news explodes like a bomb during the cast's trip to Morocco, where they find out about the change in the script and JJ's death. All the actors (ALL) feel betrayed by Rudy, because he is throwing years of work in the trash. The actors know that this would harm the series and how negative this news would be for the fans.
If the mood on the set was bad before, it got even worse after this. Rudy doesn't explain himself to his coworkers and this makes everyone exclude him.
They no longer try to talk to Rudy, much less get close to him and his girlfriend. Rudy uses stunt doubles to film scenes with Madison, which makes Maddie and the cast even angrier. They condemn Rudy's lack of professionalism.
After absorbing the impact of the news, everyone on the cast and crew of Outer Banks understands that this was the best thing for them.
Rudy (and his girlfriend) turned the set into a toxic and horrible environment to work in, and now they understand that his departure is a huge relief for everyone, especially Madison, who even had severe anxiety attacks after the fights that happened behind the scenes.
Rudy is NOT friends with the rest of the cast anymore. He stopped being friends a long time ago. It was only a matter of time before they all told the fans this, so Madelyn unfollowing Rudy is no surprise. Everyone is angry with his and his girlfriend's actions.
I received this information on November 9th, a long time before Teo exposed Rudy on TikTok and much less before Madelyn unfollowed Rudy.
👉🏼 I don't know if this is true information, but everything described above fits with what happened in the last few days, so you can draw your own conclusions.
#chase stokes#madelyn cline#madison bailey#rudy pankow#netflix#netflix series#outer banks#jiara#jj x kiara#jj maybank#kiara carrera#sarah cameron#drew starkey#blind items
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What Is Up With Terry :: the Thread of Necessity
Intro
Terry is an interesting character in a lot of ways. He's unflappably kind and optimistic, accepting even to a fault, and he's an elf with no issue with dark magic yet doesn't seek out its use for himself. He's a non-traditional antagonist for starters, he's trans without being overly sanitized, and he most notably provides a sounding board for more overtly 'evil' characters like Viren in season four and Claudia in seasons five and six. Most of this is in service of Claudia's goals, with Terry not having many of his own goals outside of his support of Claudia and Viren; this is, mind you, not too dissimilar from Soren with Ezran in arc 2 as well, or even Amaya with Janai.
I also think he's a very important in a character in a lot of ways, for the ease with which he explores and exemplifies
You can love / support Viren and Claudia and that doesn't make you a 'bad person' in the show
You can be okay with dark magic without changing your mind and that doesn't make you a bad person either
You can kill someone in TDP and that doesn't automatically make you a bad person either
We know all of this is true (and will likely continue to be true) as we know in S7 there is an episode about Terry related to him still having a "true and pure heart," which is about as classical "good guy protagonist" speak as you can get. In those lenses, I think Terry was a fantastic choice in introducing a new character to not only contrast against Claudia and Viren, but also in terms of getting us to be more sympathetic towards them (particularly Viren) than we might've been inclined towards in arc 1.
That said, I think the most important thread that Terry carries is that he is a character who truly and wholly does whatever is necessary for his cause, nothing more, nothing less.
But what does that mean, tangibly, within TDP's narrative? Well, let's talk about it:
Necessity
The concept of necessity—I needed to do this, or I have to do this (even though I don't want to)—is one that has been central to TDP for a while. We see this characters who cite a lack of agency ("He was going to take Claudia's life, I had no choice" / "Every step I took, I took because I had to" / "I'm sorry. I have to do this") throughout the show, both dark mages and not, particularly Rayla, Soren, and Callum.
And in return for perceived necessity, as Harrow states, "I have done terrible things. I thought they were necessary. Now I don't know." We increasingly see people justify, or struggle to justify, worse and worse actions. Claudia's mindset has become very transactional, for example ("He saved you, and now we have to save Aaravos" / "It's a mistake! I saved you! You owe me your life!"). Generally speaking, the show treats these things labelled as necessary as unnecessary (hence the regret they experience, and even Terry disagreeing more adamantly than he ever has before).
This is, of course, because 4x09 and 6x09 together very clearly spells out what is important for Terry to believe something is necessary: it must be done entirely out of love, no more and no less.
I've seen you do a lot of awful things, dark magic things, but I always believed in you because you had a reason [saving your dad]. But what you just did, the way you tricked that Moonshadow elf? It was just cruel.
Maybe it started out as a story of love, but along the way it got twisted. [...] He isn't doing anything for love. He's doing it out of revenge.
To Terry, you do what you have to do but go no further; you don't give into anger, you don't give into revenge. You act entirely out of love, and keep acting out of love and let it temper you. This is why Terry resonates, I think, and seeks guidance from Viren after the mage's initial assessment of what's been happening, emotionally:
This is similar in practice to why Viren (and Claudia to a lesser extent) are characters with such fraught paths. Not only because of their dark magic use, but because of their denial. Viren violates Lissa's safety and trust to save Soren, but then blames Soren for it; Claudia heals Soren and brings back Viren, and doesn't understand why fixing things physically wasn't enough. "I had no choice" for them means "I have no accountability," and that's why they kept spiralling deeper till Viren broke out of it. He atones then not by swearing off dark magic (although it helps) but by taking full agency in the choice to do dark magic and in what manner (not sacrificing his family again) and without a desire for ego, which was his biggest character flaw in a lot of ways.
The reason I bring this up is to provide a contrast for Terry in a few ways, such as
Terry always being very emotionally open, rather than repressing or offloading blame onto other people
Mandates that he had no choice (4x03, 4x04) but to kill Ibis verbally, but is also aware that it very much was
Is able to accept that this was a choice and move on
Terry does what he believes is necessary. He feels things about it. He doesn't go further into outright self destruction, and he doesn't escalate to what harm is deemed unnecessary. That doesn't mean Terry's levelheadedness can't be a flaw (he absolutely should have told Claudia to give up magic in 6x04) or that what he believes is necessary always is / that his choices are perfect (they're not), but that in his contrast to Claudia and Viren, he continually provides that contrast. He can be held at sword point by Rayla, a total aggressive stranger, and still recognize that withholding her family from her is what he deems as unnecessary cruelty (but more on that later).
For now I want to talk about patterns, specifically two that he engages in with Claudia.
Patterns
The first pattern is unsurprising, perhaps, given that Claudia-Rayla have continually had parallels, given that:
1) Claudia keeps leaving him
This is, of course, most obvious in 6x01 when Claudia states her intention to do so, or even in 6x09 wherein Aaravos literally lifts her away from Terry:
But we also see it earlier on with even the choices Claudia makes in her mission. Terry is a passive person, much like how Claudia at her core is ("Tell me what to do" + 90% of interactions with Viren that aren't about saving him), and therefore Claudia leads the way, and Terry is happy to let her.
He never really considers that he might be a core part of her truth, and that she wants more active advice (see the way Rayla counsels Callum about his dark magic use, comparatively, in 6x03, or nudges him forwards elsewhere throughout the seasons). While Terry isn't wrong to encourage Claudia to think staunchly for herself, and in fact she very much should, it does leave her more vulnerable to the next first person willing to tell her what to do: Aaravos.
We also see Terry's passivity go even further back to one of his first episodes, as well as in the S5 finale.
Each entry in the pattern is a little different.
4x03: Claudia leaves / goes in alone and fails at her mission. Terry follows and saves her by killing Ibis at great cost to his personal emotional state.
5x09: Claudia leaves / goes in alone and fails at her mission. She goes further into Aaravos' clutches (the ocean here metaphorically) and returns of her own accord.
6x01: Claudia succeeds at bringing back her father but cannot make him stay. She leaves on her own in an attempt to break her family's cycle of abandonment without realizing how she's continually perpetuating it, but returns in a devastated and dejected state.
6x09: Claudia succeeds at her mission of freeing Aaravos, and the Startouch elf takes her literally into his clutches and away from Terry.
Each time it is her choice to leave, with only 4x03 firmly having Terry following without her returning by her own merit. Whereas Claudia plays out her family's cycle of abandonment with all its members—her mother, her brother, and finally her father—Terry plays it out with just Claudia, over and over again. This doesn't mean their relationship is bad or that some of these times are unreasonable—Terry is willing and supportive to let her go in 4x03 and 5x09 much the way Callum is supportive of Rayla in 4x09, 6x05, and 6x09—but it is a pattern that has then taken on a negative slant in S6 and will likely to continue to worsen in S7 before it gets better either in the season or beyond.
Then, we have the pattern of how
2) Claudia gradually stops listening to him.
This is probably more interwoven with the thread of necessity than the previous pattern, since as stated before, sometimes when Terry is letting Claudia go off on her own while it's imperfect in the narrative, it makes sense within their dynamic / resources. Like as previously mentioned, too, Terry is more often correct than he is wrong about the next moves people should make. He's right that Claudia will need help in 4x03, he's right that they should go look for her in 4x07, he's right that she needs rest in 5x02, and right to be wary and against Aaravos in 6x09.
In the beginning, Claudia listens to him.
But as the seasons go on, this gradually changes with twice back to back in 5x06.
T: It won't chase us anymore, you won. It's trapped. Please. C: You're right. It won't follow us. But not because it's trapped.
Season six is arguably the season where Claudia listens to him the least despite Terry reaffirming her agency most directly (6x04) as she ignores or doesn't listen to every reservation he has.
T: It's him. It's your Dad. C: Then I have to... T: No! Please! Please don't... I don't think you should see him like this. C: I have to! I came all this way to see him one last time. I need him to show me the right path. T: This won't give you answers. Only anger. Only pain. I'm so sorry. He's gone. He is gone.
And Terry, who does things only that are necessary, only out of love, would know the difference: unlike Rayla, or Claudia, or numerous other characters arguably in the show, he always has, particularly when given broader context the way he is in 6x09 (which hasn't always been true in his relationship with Claudia, either).
None of this is to say that Claudia is a Bad Partner or that your partner should always listen to you, either, because neither of those things are true in life or in TDP. Healthy couples in TDP disagree all the time in both healthy and unhealthy ways. Rayla left Callum when he explicitly made her promise not to, and Callum did dark magic to save her twice despite 100% knowing it's not what she wold've wanted.
But the first thing I want to address is the difference between Claudia leaving out of grief and trying to feel in control after losing everyone but her boyfriend, and Rayla leaving out of grief and trying to feel in control after losing everyone but her boyfriend because they are wildly different for one main reason.
Rayla left in the middle of the night while Callum was sleeping because "you’ll wake up and try to stop me… from doing what I know I have to do. Leaving. But I can’t let you stop me, Callum. No matter how much I want to. [...] And if you said even one word to me, I wouldn’t be—couldn’t be. If I stay even until your eyes open and you yawn your silly morning yawn, I’ll break" (TDP reflections, Dear Callum).
Terry, meanwhile, is actively begging and pleading with Claudia, and he is still abandoned. Granted, Claudia seemingly comes back within a day or two, not two years, so that does mitigate things, but the fact remains that Rayla thought she wouldn't be able to leave to protect Callum if she even heard him speak a word or yawn, and Claudia was able to leave to protect herself while having a full on conversation. Ouch.
Nor does this completely absolve Terry of the one time Claudia straight up asks him to tell her what to do, or what he thinks she should do, Terry doesn't (6x04). He's not wrong that she needs to choose the way and figure out what she needs, but him emphasizing that he can't tell her what to do and then immediately accepting her premises that Viren can and should tell her what to do is something that's already bitten both of them in the ass.
Terry also only asks Claudia to listen to him, really listen, and to tell her what she should do when he thinks it's absolutely necessary.
This is also one of the reasons why she and Terry are suited to each other. Both value and respond to necessity, scaffolding everything else on top of what needs to be done or doesn't need to be done. What's risky about this mutual understanding is the potential for it to stop being so mutual if they start to have different views on what's necessary. And as we see in 6x09, that's happening more and more. What is going to continue happen when Claudia keeps viewing Aaravos' actions as necessary, and Terry doesn't?
Questioning
So Terry is, presumably, going to increasingly be wary and against Aaravos. What is that going to look like?
We have a decent idea, honestly. As stated / noted before, Terry actually pushes back against Claudia fairly often. He's just rather gentle about it, and usually is trying to prioritize her wellbeing (or someone else's) when she isn't. Examples include:
4x09 over the coins / being cruel
5x01 ("You'd think if dark magic does this to a person they might not do it")
5x02 over resting
5x06 over attacking the dragon
5x06 over killing the dragon
6x01 over her leaving
6x04 with telling her what to do
6x08 over seeing Viren's corpse
6x09 in helping / freeing Aaravos
However, we're also yet to see him be angry in his questioning or when pushing back, which is what I think would be most interesting to see change (think the moment where Iroh finally yells at Zuko beneath Lake Laogai). His pushback with Claudia has gotten more and more consistent as well as more dire throughout the seasons, and just like how Viren and Claudia eventually disagreed and split up, I think Terry and Claudia will too. How permanent that split will be, I think, is up to her (I could see parallels happening between Soren and Terry teaming up to try and bring her home, with Ezran and Rayla doing the same for a brother-partner tag team Callum duo), but I do think that Terry's testament of "I love you, I will never leave you" is apt foreshadowing to see what it would take for him to break his promise, and do just that.
To what he knows needs to be done, even if that means walking away.
Misc. Season Thoughts
Terry also has some interesting things that don't fall under the necessity umbrella that I wanted to talk about as well. One of those things is
TERRY AND IDENTITY
This isn't to say I think Terry actively has an identity arc in seasons 4 through 6 the way other characters (Callum, Rayla, Viren) are, but that Terry like most of the main cast is linked to arc 2's continual increased emphasis on identity and choosing your own identity. This is true particularly in 4x01, which opens after the intro with Callum running through / clarifying his titles (or identity roles) and concludes with Viren and Terry being introduced to one another. Terry gives details on his name ("[Terrestrius] is a bit traditional, but my friends call me Terry") and then asks for clarification on what he can call Viren.
Later on in S5 and S6, we see Soren and Rayla respectively see through the 'monstrous' / threat of others by reaffirming their similarities ("I know what this is like. I know how you feel" / "This storm isn't your rage, it's your grief. I know how you feel") and bestowing agency through naming conventions. Rayla identifies the monster isn't a monster but a pet, and more than that, gives Esmeray back her name. Elmer does the same when he overthrows Finnegrin and Soren likewise affirms it: "We literally didn't [defeat him]. Elmer did."
Why is this relevant? Well, in an arc that's all about emphasizing over and over again to see other people's personhood by using their name(s), recognizing that you have a choice, and choosing who you want to be...
So often queer characters in media are regulated to their queerness being happenstance (i.e. they fulfil a certain story role regardless and just happen to also be queer) or it's all their character gets to be (a "figuring out queerness and/or a coming out" arc). One of the reasons I myself (as a queer and trans person) has always deeply appreciated Terry as a queer character, specifically as a trans character, is precisely the way that his transness is interwoven with TDP's broader themes of chosen identity, self-actualization, and knowing / name motifs. In having these themes and ideas for multiple cis characters, Terry's interplay gets to be enhanced by his trans identity and simultaneously let him enhance the thematic explorations the series has going on, and I think that's pretty cool. Identity is one of the main themes of s4, and for Terry as well, so it's nice to see the ways that's reflected.
I expect season 7 to challenge his identity further ("I'm going to be strong enough to do whatever I need to do and still have feelings") if forcing him to confront who he wants to be, who Claudia is becoming, and who he thinks they can still be together. In a lot of ways I'm expecting S7 to be a sister season to S4 thematically even as S7 builds on S5/S6 in terms of plot and character arcs, since S7 seems geared to be about identity directly even more than S4 was (and much more than S5 or S6 were).
TERRY AND COMMUNICATION
If season four is about identity, season five has a strong emphasis on communication. This is, again, likewise true for Terry, as he encourages Claudia to communicate in various ways across the course of the season.
The situation is urgent, and you're worried I'm not treating it that way.
Terry consistently having clear communication is also something that puts him in direct contrast to Aaravos, who is a master manipulator and very careful liar-not-liar in his own way. Terry is always open and while thoughtful does not really bottle things up; he communicates clearly with other people and is comfortable doing so, and is very good at validating others as well. Whenever he does push against Claudia, he always clearly explains why he's doing so or why he disagrees but leaves the choice of what to do next in making amends or carrying on up to her. Aaravos, meanwhile, continually withholds or omits information, and presents things in certain ways in order to get, well, his way.
I don't have as much to say for season six, given that Terry is only in about half the season (6x01, 6x03, 6x04, 6x08, 6x09) and one of those is entirely silent. I'd say his main idea in s6, like s4 with identity and s5 with communication, would be the theme of Questioning (scaffolded under 'supportive'). He's supportive of Viren and Claudia's searches for meaning alongside his own increase questioning of what they and Aaravos are doing and why. I'll be curious to see what his main character beat may be in s7 going forward.
Conclusion
There's more I could talk about with Terry (Viren dreaming in 5x03 of chasing after Claudia only for her not to listen, only for Terry to live out that worst fear in 6x01 directly, for example) but I think for now these are the main things I wanted to discuss without going further into speculation than I already have. I hope this maybe brought a new perspective or appreciation for Terry as a character and for his arc in the show so far! As always, thank you for reading and I hope you enjoy.
#tdp#tdp terry#tdp meta#the dragon prince#terry#analysis series#analysis#parallels#clauderry#arc 2#multi
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Jayvik and time paradoxes
I can't stop thinking about Jayce/Viktor. They're driving me insane, absolutely INSANE. Because everything about them is a time paradox??
This is pretty rambly, I'm just trying to get my thoughts down in my attempt to stop going crazy over them and also just figure out what the heck happened because I'm still kind of confused about some stuff, also I am not very familiar with game lore, mainly just the show.
They circle each other and are so intrinsically linked in so many ways, being both cause and effect to each other's fates. Starting at a random point that ends up circling all the way back:
Jayce and Viktor invent Hextech
Jayce gets drawn into politics as a result, away from Viktor
Viktor gets desperate, experiments with hextech on himself, with Consequences (Sky)
Viktor asks Jayce to destroy hextech
Jayce, unable to let Viktor die after Jinx's attack, fuses him with it instead
This leads to Machine Herald viktor, but not quite; like Pre-herald I guess? Where Viktor still retains some humanity
Jayce gets told by alternate Viktor to stop him from becoming the Herald
In his attempt to do so, he kind of causes/hastens it instead?! (more thoughts on this below*)
alternate Herald Viktor regrets everything and saves baby Jayce/gives him the runestone**
Jayce grows up wanting to research magic thanks to mage Viktor, and cue s1 events that end up circling back to the first point**
*I can't stop thinking about how kind and gentle Viktor seemed when he was trying to help Vander. It really seemed like he was on a path to using his new powers for good, without any sinister effects (though maybe I missed some hints, need to rewatch). It wasn't until after Jayce blew his heart to smithereens that he seemed to start on that path of deeming emotions and humanity unnecessary, solidified when Jayce rejected him to join him as partners again.
**Still trying to wrap my brain around these last two. The existence of alternate Herald Viktor that brings our Jayce to his destroyed world in order to ask him to stop our Viktor - does this imply that Viktor would have still become Machine Herald even if Jayce hadn't tried to kill him? Was it an inevitable thing? Or is this still more time paradox shenanigans, where Viktor asking Jayce to stop/kill his younger self, is both the cause and effect of Herald Viktor? And yet another paradox, Viktor inspired baby Jayce to research magic and ultimately invent Hextech, which is what was needed for Machine Herald Viktor to come to pass. So it seems like there are actually 2 paradoxes related to the creation of Herald Viktor/apocalypse post Viktor's revolution.
These time paradoxes defining their existences makes me think they weren't supposed to exist. Or at least, the ways they so significantly affected the world, weren't supposed to come to pass; Hextech, Viktor's Revolution, apocalypse. So while their ending breaks my heart into a million pieces, it makes a lot of sense. In order to cancel out what they'd do to the world (or just Piltover? this is another point I'm curious about, did viktor's revolution affect ALL of humanity?), they had to erase themselves from existence. It's so. romantic and tragic, but not really on both those counts? Like somehow deeper, too deep, to put such simple labels on. Honestly I don't even really know how to describe what their story makes me feel.
Bit of a tangent, but one interesting anomaly is the alt timeline Ekko was in. So Jinx would always be an important factor in Jayvik's fates since her attack almost killing Victor is the catalyst for a lot of things. Mage Victor says Jayce is the one thing across all timelines that could stop him, implying there are MANY timelines where Herald Viktor comes to be. Which thus means in all those timelines, Jinx is the unstable mess we know and love, the one who would attack the council. So that makes it interesting (and kinda gutting because its like Jinx is destined to suffer in most timelines) that Ekko's alt timeline was most likely rare in its stability, where despite Vi being gone, Powder is relatively happy and the world (Piltover/Zaun) is quite peaceful.
This is a seemingly random segueway, but Jayvik very strongly reminded me of the german show Dark. (WARNING FOLLOWING IS MAJOR SPOILER FOR THAT SHOW)
A completely different genre and story, but both are about two people whose destinies are so linked together throughout time and alternate universes, but weren't supposed to exist. And they could only save the world, allow it to go on untouched from the devastating effects they would have on it, by taking themselves out of the equation.
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This seems like a series of perplexing opinions.
Sure, trains were built by capitalists for the needs of capital. Unsurprisingly, that's their historical context and intended purpose.
And yes, trains imply long-distance travel. Trains imply transporting goods across vast distances. Trains imply an interconnected society, a society whose needs and ambitions are geographically quite far-ranging. In a world with train networks, someone or something is traveling far beyond a local village.
And I agree with girl-debord's first post in this thread and don't see anything particularly weird about it. But that's because I give people the benefit of the doubt when I can. To me, saying "tech is not neutral" is a fine statement to make, because tech is embedded in social processes and can often cause harm through them. We can use mass surveillance tools to monitor the health of animal populations, for example, but that is not their main use -- and in cases like that, the wonderful use case is only relevant because of problems caused by capitalism to begin with. Would we worry about rhinoceros or dolphin population decline without a capitalist society, where "free markets" have generated mass production processes for fishing industries and generated market pressures on black-market ivory trade or the cutting down of forests?
"what are you even trying to say here? mass movement of things and people is bad?" Not every Tumblr post drawing a connection between capitalist interests and the creation of something is morally condemning that thing. That said, it's possible to assume that the Debord quote "it should be understood that this apparatus is in no way neutral" is being used as moral condemnation here, so it's a fair question, I guess.
"moving objects for significant distances along the ground" is a priority to a particular global system under which trains were invented.
It's also a priority for a lot of people who find parts of that particular global system appealing for reasons that are entirely understandable. People all over the world do in fact want access to resources not found in their neck of the woods.
And I will be careful here. I agree, for example, that the mass transportation of medicine, for example, is often only necessary because big medical conglomerates are legally prohibiting and violently enforcing their patents.
But it's kind of odd to argue that it's a bad thing that large numbers of people can flee a large natural disaster (say a volcanic outbreak) with the help of fast transportation.
trains are "efficient" within the parameters of that system--that disrupting ecosystems and exploiting immigrant workers are acceptable trade-offs for the value generated by global trade
Trains are not global trade.
Global trade does not, intrinsically, involve exploiting immigrant workers.
"those bad consequences you bring up aren't an inevitable consequence of a connected world."
Are we going to argue that train tracks don't disrupt ecosystems?
"technologies are neutral. politically they don't actually cause people to act."
Depends. If you have a train, you might go looking for work far further away from home than if you didn't have a train. Your family might not see each other much because the availability of the technology (paired with market pressure to get a job) has conditioned you to behave a certain way.
"i don't want borders. you know what makes for a great border? the inability to just fucking physically go somewhere else."
I don't think that's a good way of framing your opponent's ideas, transfemsriseup. Plenty of immigrants cross borders without trains.
Actually, come to think of it, how can technologies not actually cause people to act if without them, people supposedly act differently?
"but what I'm suggesting is that the consideration of whether or not trains are "worth it" has happened within a framework that I don't ascribe to as a communist, a framework of value."
You don't ascribe to value as a communist? Not even use value?
"railway workers don't build railroads because they believe that the railroad will be a good thing for everyone, they build them because they are paid to and without that pay they can't eat or afford a home. and these technologies were invented for similar reasons."
We could apply the same argumentation to paleolithic technology still in use today. Under capitalism, workers don't (generally, unless they happen to be enthusiastic) do anything at work except to get paid so they can eat or afford a home. We can't argue that trains mustn't exist because their construction and operation has some environmental impacts that are imperfect and because the workers who built them weren't free. Might as well argue that people should live without homes, because workers don't freely build homes but do so in order to eat.
Okay, maybe that's not what you're saying. Another thing you might be saying is "just as workers are restricted to certain choices, so too are profit-seeking capitalists restricted and under these restrictions they invented the train".
But I think a similar rebuttal applies. An abandoned military barracks can serve as a makeshift shelter and will not turn people into servants of the military-industrial complex if they take shelter there. Similarly, a train can serve more purposes than the one for which it was built.
"i think if you can understand the idea that maybe car-centric suburbs are terrible & wouldn't exist without the pseudo-needs created by a capitalist society, this shouldn't be much of a jump."
Understanding the argument isn't much of a jump, no. It's just odd to argue against the least intrusive form of adaptive long-distance travel. Trains are less environmentally intrusive than highways, shipping lanes and air travel routes. Yes, people could walk, but if people walk, they can't escape unforeseen disasters or physically connect with family members on the other side of the continent. Then there is no way to supply people with emergency aid or help out with a resource shortage.
"wow, an ML, the supposedly scientific and materialist ideology, saying that material conditions dont affect how people act? and in the defense of consumerism, no less?"
The ML you are mocking mentioned 3 benefits:
Medicine (an essential supply)
Immigrants (freedom to travel)
Food (potentially a consumer good, but also a vital necessity)
How do we conclude that this is a defense of consumerism?
on the topic of trains and the role of technology in ongoing atrocities, i think something to consider if this is shocking to you is that the development of all technology since the start of the industrial revolution (and a lot of it before that tbh) has been dictated by the needs of capital. trains wouldn't exist without the reign of an economic system that demands mass circulation of commodities. the world has not been shaped by what's best for everyone but what's best for perpetuating that economic system. as Debord says about media technology, "it should be understood that this apparatus is in no way neutral and that it has been developed in accordance with the spectacle’s internal dynamics" (The Society of the Spectacle, thesis 24).
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