#i'm hell arc no.1 fan just saying

[procuder]

let's not forget that when lloyd asked ghost lloyd if he was still the one inside would he have done the same thing and ghost lloyd just remained silent because he wouldn't! he cares for his family but he himself doing anything for them? never! heck that's the reason why he wants to be a whale and not a human because he couldn't be bothered!

please do one for the whole railroad arc? i also wished for lloyd and hellkaros conversation (and hellkaros desiring suho 😭)

right??? RIGHT???? Like god there are so many character development happening there 😭😭

You are so right that I don't have to do anything but nod in agreement. The more I reread this arc, the more disappointed I became when I found out I was so excited to read this adaptation back then. It's something I loved to do in every Thursday night. But now that arc is over quickly in 7 chapters and nothing more than a lot of ooc and the already fun, heartwarming and funny scenes are gone.

And Lloyd and suho's conversation :( Their conversation had everything we wanted. Tension, fun, and many other things that webcomic chooses to omit. Maybe it drags on for them and they want to speed up the story (which even if they don't, the webcomic will end in 200 chapters anyway) and it's... ;(

Especially with how suho be like, “hey don't expect a comfortable ride from this.” And at the same time, he was like, “Hey do you have motion sickness I will remove the trap for you and that way you can vomit.” God, them 😭😭😭😭😭 them 😭😭😭😭 same for og lloyd tbh even though he keeps being a scumbag (he always does that) and a whining bastard (he always does that.2) but when he accidentally yet intentionally mentioned to suho's parents and find out that this fake's parents are already passed away he was like, he was silent for a sec before giving suho some encouragement (?) in his own way. please kill me.

and yeah. Those precious mements were...😩

haha i don't know! I'm hypocrite! I keep saying that I'm more and more disappointed with every update, but I still choose to support them in every way. Okay, I just hope things will get better one day. That's all. TGED is the only comfort of The me that I have now I love this work so much and I would like to leave my possessions to my beloved Lloyd. It's too late to quit this fandom *laughs bitterly ewuuuuehhahhshahh*

I'm still considering redrawing this chapter! To be honest, I was worried that it would violate the rules regarding reproduction and adaptation of works. So I'm thinking about whether I should choose to draw just a few scene as workbait for gaining more novel readers. That would be a pretty good thing,

and god, yes, Hellkaros and Suho!! So many details were cut out that I couldn't stand it. It's really painful. Maybe I should try drawing their conversation the way it should be after my exams are over! (Help I have a lot of exams next week)

[paigebuckets6]

Yearning Allegations

Part: 1

Pairing: Paige Bueckers x reader

Genre: Friends to lovers slowburn (Series)

Synopsis: You've liked Paige for the longest time. Is there any chance she likes you too?

Paige Bueckers was your best friend.

She was also one of the most popular players on the Uconn Huskies.

Although many loved her, none of them knew her like you did. Most certainly, none of them loved her like you did.

You had known her since the first year of high school, where you two hit it off in English class, teasing her about how slowly she read. She had just shot some stupid comment back at you, and from then on, you two were inseparable - which is why you were sitting courtside at this very moment, happily watching her play.

"And that's time, another win for Uconn!!"

The announcer shouted loud as Paige threw the basketball at the last second, arcing perfectly into the net. She beamed wide as she turned around, her cheeks pink with pride, scanning the crowd for you. Her eyes seemed to shine a little brighter, or so you thought, upon landing on you.

She grinned in your direction, nodding slightly at you, as she ran past you to congratulate her teammates. They tackled her, nearly knocking her over. The crowd's roar was racious in your ears, their shouts nearly as loud as yours. Uconn had won again. You smiled to yourself, Paige was gonna be absolutely insufferable after this. She always was after games like these.

You waited patiently outside the change rooms, scrolling mindlessly on tiktok, waiting for Paige to finish up. Usually, she stayed a few extra minutes afterward, yapping with the team about whatever, and then would come out with KK, jokingly bickering about some nonsense. You hadn't been waiting more than 5 minutes when Paige came bounding out alone, grinning proudly. You grinned back, amused. She was like a 6 ft tall puppy.

"Yooo y/n, did you see me out there??!" Paige threw her arm around you as you guys started the familiar walk to her dorm. After wins, she'd refuse to let you get any work done so you didn't even bother going back to your dorm at this point.

"Yeah, I saw!!" You say, unable to stop yourself from smiling back. Paige's smile was genuinely infectious.

"Dude, I'm the best hooper at Uconn for reallll hahah." Her laughter echos around the hallway.

You roll your eyes and pat the hand she has draped over your shoulder.

"Ehhhh, I think you're alright"

Paige scoffs at you, eyebrows raised.

"Come on, just alright?? You love me, don't lie. " Her eyes are alight with happiness and you fight the corners of your mouth, looking away.

"That play at the end was eh, I've seen better"

Paige rolls her eyes, scoffing yet again before holding the door open for you, leaning against it.

"You're a terrible liar y/n"

Before you can reply, Paige ruffles your hair, and you bat her hand away, complaining. She grabs your hand, and you bodycheck her, but to no avail, cause she takes off running to her dorm just to annoy you on purpose. But you laugh anyway, cause it's so typical Paige.

---

It's only a few days later when you find yourself at an infamous Uconn house party, and the alcohol in your system is making your cheeks feel warm. Your red solo cup of vodka is half empty, and you peer at it, wondering if you should leave your comfy spot on the kitchen counter.

You're admiring Paige from across the room, watching her talk to some fans.

She looks hot as hell tonight, dressed in a black cropped tank top and low waisted baggy black cargo pants. Her middriff is on display, and a tiny bit of her boxers peak out. For a second you wonder about what'd it feel like to put your hands there but you force yourself to stop thinking about her, nails digging into your palms as you take another sip of your drink.

Your feelings for Paige had only intensified over the years, becoming harder and harder to ignore as you two got older. In high school, you could just explain it all away because she was your best friend, but now? You guys had only become closer since starting at Uconn, and these days resisting the urge to make a move was becoming nearly unbearable, especially with the looming fact that everyone and their mother wanted Paige.

Normally, you'd just go over to her and yap her ear off, but the amount of alcohol you've had tonight makes you feel like being around her might be a bit dangerous.

So instead, you just stare from afar, watching her put her arm around the girl who's exclaiming she's "her biggest fan." You roll your eyes, inner monologue already snarkly thinking that Paige gets told that at least once a day.

You're so engrossed in watching Paige take pictures- she's now laughing with the fan over some stupid joke- that you don't notice KK's slid over to you.

"Damn girl, you really ain't beating the yearning allegations huh"

Her voice shocks you out of your reverie, and you glance over at her.

"Huh!?? What do you mean-"

KK's eyes are knowing, and she just raises one brow as she pours herself a new drink.

"Boo, we all see the way you look at her"

You roll your eyes, trying to play it cool. Although you're pretty sure the whole team already knows how you feel, you still refuse to admit it cause what if that got back to Paige? You want her, but not more than your friendship. You could never forgive yourself if something happened to you two. You resist the urge to do anything about how you feel solely to protect your friendship.. but also because you're scared. What if she doesn't like you like that? It'd probably just make everything awkward anyway.

"I don't know what you're talking about- Paige's just my friend." You keep your voice steady, but your expression darkens as you see the girl is STILL talking to Paige, her hand lingering on Paige's waist as she draws back from a hug.

"Uh huh.. whatever you say, " KK says, leaving the kitchen with her refill.

A few minutes later, you're busy answering some texts when Paige comes over.

"Hey, KK told me you're being all edgy and hiding out in the kitchen instead of having fun at the party. You're scaring off the hoes, dude. "

Paige is always more affectionate than normal when she's drunk, and tonight is no different. She places her hand on your thigh, grinning as she peers at your face, and you look at her for a few seconds before you move off the counter to stand.

"I'm not hiding, I was dancing a bit ago I just got tired-" This is technically not a lie, considering you did dance for a few minutes before deciding to become the next Joe Goldberg.

"Rightttt..." Paige towers over you, an annoying fact that hasn't changed since high school.

You're about to reply with some smart ass answer when some girl walks into the kitchen, cup in hand, her jaw dropping open as she spots Paige.

"Oh my God, Paige Bueckers?!?" The girl's voice raises practically 3 octaves, and you feel so annoyed you resist the urge to just sigh at the sight.

"I love you so much! I was watching you the other day - that final score was so good you really clutched the game-" The girl gushes, her hand resting on Paige's arm. Paige is, of course, grinning broadly. She loves the attention - and you can practically feel a headache coming on from the sound of the girl's voice.

"My head hurts real bad, gonna go back to my dorm-" You murmur as you pass Paige to leave.

"Oh, are you okay?" Her attention is momentarily distracted by your leave, and you try to inject some pep into your voice.

"Yeah, I'm fine."

---

Authors Note: Hope yall don't mind a slowburn! Thought it'd be cute to make a short series <3

Trilogy: Part 2 here / Part 3 here

[thenationofzaun]

Thoughts on Act 1 of Arcane Season 2

The positives:

- The animation is fucking incredible.

- Jinx and Sevika teaming up watered my crops and cleansed my skin.

- Underwater goodbye with Jinx and Silco. That scene was made specifically for me.

- Jinx's voice actress continues to be excellent.

- Loved the designs of all the Chembarons. The glimpse we got of the gang wars was also interesting. Unfortunately, too tiny a glimpse. Which brings me to...

The negatives:

- Too many plotlines. They stuffed the season with too much shit which is why each individual plot gets a much shorter screentime than it should. Smeech is introduced and killed in the same episode. Chembarons' gang wars, a huge issue which has repercussions on the entire Undercity, gets only one musical montage before moving on. And this is coming from someone who loved that montage, as well as the song. My favourite on the soundtrack so far. But musical montages shouldn't come at the expense of the story and definitely shouldn't replace the story. There are just way too many music video scenes in general that feel like a way to condense a storyline into the sparknotes version because they don't have the screentime to flesh it out. And they would have the screentime if they cut out all the extra stuffing. Look I'm happy for the League fans who are excited for the Black Rose and all that, but what the hell is it doing in a Piltover/Zaun show. And with zero foreshadowing in Season 1 too. It would definitely be easier to swallow if they had at least hinted at it in the first season. They could have kept Ambessa's beef with this magic cult for a Noxus show. The P/Z narrative has enough to deal with, enough characters to handle already.

- The new side characters are uninteresting and generic. Maddie and the two other enforcers (we don't even know their names after three episodes LMAO) are bland. We know nothing about their characters or personalities. Maddie looks like a rookie, and one of the dudes is an alcoholic, yet they get chosen for an elite strikeforce to capture Jinx? Isha is pretty generic too - the token cute kid that needs protecting. I get the role she will play in Jinx's arc. But that's the problem - she should be a character in her own right, not just a vehicle for someone else's character development. A good example is Mylo. He died for Jinx's arc, but when he was alive he was a distinct character with his own personality. We had a sense of his insecurities, his goals, who he was as a person. Name a single personality trait of Isha and Maddie other than "generically nice person". That's right. You can't.

- Whatever the hell is going on with Viktor. He wakes up from his coma and immediately rejects Jayce so quickly that it was funny. Apparently disapproves of Jayce using the Hexcore to save his life, but then immediately goes to use the Hexcore to save random Undercity people. Bruh. I also don't really like the way the fridged woman from last season seems to be his motivation so far. Nor the way he seems to have no agency in his Machine Herald arc. Instead of Viktor himself believing in transhumanism and mechanizing himself, Jayce does it for him. Instead of Viktor having an ideological drive and wanting a "Glorious Evolution", he is driven by guilt over Sky. Meh. Also he's not even mechanized, instead he's weirdly fleshy?? In a magical way?? More like The Magic Herald :(

- Vi. Her whole character is a mess. Insanely rushed arc which I find unacceptable for one of THE main characters and one of the faces of the show. She and Jinx are supposed to be the leads, their relationship the heart of the story, but so far only Jinx is a well-written fleshed out chaacter with a believable arc. I have too much to say about Vi so I'll expand more on this on another post.

- So much nuance and detail is missing. How does Heimerdinger feel about his ex-colleagues being killed? Does he care? Does he feel guilt? Relieved that he wasn't in the chamber when the bombing happened? No clue! Let's have comedy Mission Impossible instead! How does Ekko feel about the Council attack? Does he approve of it? Think Jinx went too far? How does he feel that she even survived their fight to begin with? No clue! Here, have him joking around with a Councilor for a bit (someone whom Ekko logically should despise), then he can talk Science with Jayce and all three get sent to another dimension together. Yay. What does Vi think happened to Ekko? The last time she saw him, he was fighting Jinx to the death to give Vi and Cait time to escape. He could be dead for all she knows and she doesn't give a fuck. Doesn't even think about him nor mention him once. It's like the writers forgot they're childhood friends. What does the entirety of Zaun make of Silco's death? I assume they heard about it from Piltover (who heard about it from Caitlyn), but how do they think it happened? His body is gone and to Zaun it seems he just mysteriously disappeared. Are there conspiracy theories? Conflicting accounts and rumours? So much nuance that would give the world and characters more depth, sacrificed so we can pack in more rushed subplots and music videos.

- Caitlyn "Wifebeater" Kiramman. And Caitvi in general. So far Caitlyn has guilt-tripped Vi, manipulated her into joining the enforcers, insulted her and then physically abused her. After Vi sacrificed everything for Cait, wore a badge she hates for Cait, even let Cait kill her own fucking sister (and only intervened when the random kid got involved). Why should I give a shit about such a one-sided relationship lmao. "B-but Cait's mom is dead so she's sad about it", every other fucking character in this show has dead parents. Half the cast has faced unfathomable amounts of trauma and pain that make Cait's pale in comparison. Nothing justifies her hitting Vi. "B-b-but it's a parallel to when Vi hit Powder", a shit parallel then. Because the circumstances are not even remotely comparable. "God forbid lesbians do anything🤪", give me a break with this corny bullshit. Be serious for a second. I'm not even a Vi fan and I think she deserves better than this mess of a relationship. The power dynamic between them makes it worse. The way Caitlyn is one of the richest people in the city and Vi is broke. The way Caitlyn is highly educated and Vi never went to school and spent her entire teen years locked in a box. Did the writers think about all this when writing their relationship? Keep in mind, Vi met Caitlyn like a week ago. She barely knows this chick. She's been out of prison FOR A WEEK. Where she was physically abused every fucking day. Putting her in a relationship with a cop who hits her would certainly be a choice! Do I have faith this show will handle it with care? Not really, no. They already ignore Vi's prison trauma. Most likely they will make Vi forgive Cait way too easily because "muh mummy muh grief".

[philosophiums]

Megumi Rant bc I'm So Tired

I was gonna talk about 271 and the ending chapters of JJK in general, specifically focusing on how Shonen Jump puts a hard end date on each series it publishes (which are based on conversations with the mangakas, sure, but with no leeway once it’s determined because SJ wants to keep cycling through new publications in order to keep making money - and those hard line end dates cannot possibly account for, say, sudden illness that would prevent a mangaka from releasing a chapter) and how it’s the best end to the series that many fans could have asked for given that info, but I’m tired and I don’t feel like yelling at a wall, so here’s a rebuttal aimed at a lot of Megumi hot takes™ I’ve seen since, really, 269 dropped.

Obligatory thing up front bc I know the JJK fandom hates reading and critical thought more than anything in the world, and that it operates on a very "but what about me" mentality: It's totally fine if you are dissatisfied with JJK in general or even just the ending. It's totally fine if you have mixed feelings about the way the story was wrapped up. It's totally fine if you think it could have been handled better even given the above information in the link above on how SJ operates. I'm not telling you to feel a certain way, but I'm walking you through the end of the story (read: Megumi's character specifically) bc I am so fucking tired of reading bad takes about "Gege hating Megumi" or whatever.

Holding everyone's hands as I go through these. Let's take these steps in shedding directionless rage together.

(Forewarning that this is long as hell. Gomen.)

Common Argument Number 1: Megumi didn’t have a character arc/didn't grow as a character

The first thing that needs to be understood to realize why this is wrong is that all of the characters in JJK have arcs based around power - gaining it, losing it, being overwhelmed by it, and so on. This is not new information as of the last few chapters; we've known for years now that JJK isn't a story that's focused on deep introspection nor prolonged emotional development. Power. Cursed Techniques. That's where Gege kept his focus. However, it's impossible to write a story with heavy themes of loss and fear and love without touching into a character's emotions at all, some of which become central enough to turn into arcs. (We'll circle back to this in just a moment.) The second thing that needs to be understood here is that, in the general sense of All Media (and not just JJK), not all character arcs have to span the entire length of a story. A full and complete character arc (which is to say, the movement that happens while a character is actively changing) can happen in half of a story or less, and it is no less satisfying for having done so. Now, what does all of that have to do with Megumi? Very explicitly, it means that Megumi not only experiences growth as a character, but that he also goes through not one, but two character arcs. ((He's not the only character with two arcs, but he's the reason for this post, so you guys can track down the others on your own.)) Both of his arcs are complete, in my opinion, even if they're not 100% satisfying. But satisfaction isn't the argument here, so we can touch on that later. Maybe. Megumi's first arc (his power arc) starts right out of the gate, but it doesn't begin to take shape until the chapters at the detention center (I would argue it specifically starts to become an "arc" [which is to say, experiences movement] right at the point where Yuuji dies - this is the inciting incident in Megumi's story), and it concludes during the Culling Games (the exact place of it's conclusion is a little waffle-y for me but it's between either the moment he is able to use his technique to beat someone solo within the depths of his shadows OR the exact moment that Sukuna looks at him and thinks that he's strong enough now to be Sukuna's vessel). This arc follows Megumi coming to terms with the reality that if he wants to save people, he needs to get stronger and he needs to get more in touch with the side of himself that is/creates his CT. And he accomplishes that. Is there more growth in this department that he could have had? Yes, absolutely. Taming Mahoraga, a fully realized domain expansion, etc. All of that could have happened, but none of that needs to happen in order for this arc to be complete. He sought power, he got power, and he used it to save people. That's a fully realized and completed arc. Megumi's second arc (his emotional arc) happens during the time Sukuna is wearing him like a suit. This arc has nothing at all to do with anything that happens before this point in time (it has nothing to do with power, nothing to do with fighting, nothing to do with saving people). Before this, Megumi's emotional state is fairly stagnant; any goals and/or momentum that he has outside of wanting to become stronger are usually skipped over or not acknowledged at all. Once his bodily autonomy is stripped from him, all that's left is emotion. And we get to see a complete emotional arc here - starting in stagnation, inciting incident of being possessed, and then the slow chipping away of his resolve as Sukuna kills his sister and performs a ritual to suppress Megumi's soul completely. Megumi is at his lowest point here, but he overcomes it and chooses to live. That's a complete arc. That's a conclusion. No amount of wanting him to mourn Gojo or of wishing for This, That, or The Other things change the fact that his arcs do in fact reach natural conclusions within the story.

Common Argument Number 2: Megumi didn't have a satisfying conclusion

I think this argument is a bit of a pull from a misunderstanding that revolves around argument number one. People are looking for an arc that is wrapping up in the final chapters, and they're upset that they're not finding it. And the reason they're not finding it is because, as mentioned above, Megumi's arcs concluded before he regained consciousness post-Shinjuku. Also, this may come as a shock to some people, but "satisfying" is relative. Which also means that I can't exactly argue against what people are feeling, because in this specific instance, it's all feelings based. But that doesn't mean I'm not going to try!! I already covered that Megumi fully concluded both of his arcs, so it's not that he's lacking in power or emotional development. I think what people get stuck on is what Megumi says before he begins to fight back against Sukuna: that he wants to try to live for someone else. A lot of readers seem to take this as a step backwards for him, a return to who he was before everything in the story, but I disagree. I think it's actually a large step forward for him and, beyond that, I think it's realistic beyond simply satisfying the narrative. At the beginning of the story, Megumi is living for nothing. It's common for the fandom to think he's living for Tsumiki, but she's fully comatose and cursed; I doubt that he's living for her. At most he's living just in case a miracle happens and she wakes up, but that's not living for her. He's in what I think of as a transitional space, and he's stuck there. He's the only one in his year at Jujutsu Tech, he's not trying to develop his CT, he's just existing - going on missions and rolling his eyes at Gojo and doing school work. At the end of the story, Megumi actively chooses life. He had a way out, he felt that in many ways he was already dead - or at the very least, that he was irredeemable and better off dead. But he chooses to live. He chooses to fight back. And, more than that, he chooses to become an active participant in life. Yes, for him that means living for Yuuji, but even that still requires wanting to keep going, wanting to keep putting one foot in front of the other. He wants to face the world and all it has to offer - despite all the bad, and maybe in spite everything he went through. That's a satisfying character conclusion in my eyes. Everyone wants realistic representation of the struggle surrounding mental illness and how victories with them are not as "grand" as for neurotypical people until they're actually presented with realistic representation. Then all of a sudden it's "bad writing" and "unsatisfying" because the character didn't end the story without any gaps or holes and with a perfect little bow wrapped around their neck. God forbid there be an implication that a character gets to continue to live and grow beyond the last page. Anyway, just because he didn't have the conclusion you wanted for him that you built up in your head after years of living with the fanon version of Megumi you created doesn't mean his conclusion was bad or unsatisfying.

Common Argument Number 3: Megumi's characterization went right back to how it was during the Culling Game arc

...Duh??? I mean... where else was his personality and his behavior supposed to go? He spent a month completely suppressed by Sukuna. The only thing he was going to do without intervention is regress, not progress. What happened to Megumi when Yuuji reached out to him was him coming back to himself - and the only "himself" he had in recent memory was who he was immediately before Sukuna took over. Character progression cannot happen in stagnation, and stagnation is all Megumi had while he was suppressed in the bath™. Expecting any of that to change him for the better or to push him in any "forward" momentum is, quite honestly, ridiculous. The only direction Megumi could have gone is backwards, and he is (which means also we are) just lucky that he was able to be dragged into the version of himself that had already grown and that was waiting for his return.

Common Argument Number 4: Megumi didn't do anything during the fight against Sukuna

What gets me about this stance is that it seems to be the only one shared between the "shonen bros" who only read manga for the fight scenes and the hardcore Megumi stans who wish so desperately that he was the main character of the series. But like... what do you want him to do, here, exactly? Somehow find within himself the urge to get up and fight what seems to be a losing battle after watching his own hands kill not only his sister but the most prominent adult figure in his life? Resist all on his own (with no prior arc moments to support it) whatever mystical magical bs makes the bath™ work in keeping his soul suppressed? Do you want a good and well-structured character arc with logical emotional weight, or do you just want your favorite character to defeat a villain that is not "his" villain? I'll wait. Megumi's struggles during this story arc are internal, and his inability to fight is reflective of that. If he were to be resisting against Sukuna the whole time - trying to wrest control of his CT back or attempting to attack Sukuna's soul himself - then we would still be sitting in his power arc during this time. Megumi's inaction is physical representation of the inner turmoil and struggle that he was in during the fight, and I don't think that's very hard to understand. He is fighting; it's just that he's fighting himself. And he wins that fight. And he does do something in the fight against Sukuna. I firmly believe that Megumi choosing to live sealed the deal on Sukuna's death. Why else would Sukuna have been panicking so hard and doing everything he could to keep Megumi depressed and stuck in the ruts of his mind? If Megumi hadn't chosen life, hadn't decided he wanted to keep fighting in that moment, Sukuna would still be kicking. I don't think it's a stretch, actually, to say that Megumi delivered the blow that weakened Sukuna to Yuuji's kill shot. Megumi was integral to the fight - he just needed to go through his emotional arc first.

I'm sure I'm missing things, I'm sure I forgot things. But this isn't college and I'm not writing for a grade. What I am is tired of both Megumi hate and Gege hate. Megumi is a well-written character who is good representation of depression (at minimum), and who is also not the fucking main character. Like, I'm sorry that the character you project your mental illness onto acts mentally ill, and I'm sorry your favorite character is a side character who is written like a side character. These things tend to happen.

Yes, obviously, more could have been done with him and the wrapping of his character (and all of the characters) if the ending wasn't rushed, but that's not Gege's fault. Blame capitalism if you want to point fingers. JJK isn't the first manga with a rushed ending for exactly that reason, and it won't be the last.

Okay, I have to force myself to stop talking or we'll be here forever but:

The ending of JJK is not "bad writing," it's the best outcome that could have happened given the time constraints and publication constraints.

I agree that it would have been nice to see acknowledgements from the characters of the trauma they went through, but also I think that those things realistically take time. I don't think it's unreasonable that their first instinct would be to pretend that everything is normal for as long as they can. However, Megumi was not handled poorly, and he was not abandoned by Gege, and Gege does not hate him. He was well-written start to finish, and he was given a lovely ending that leaves his future wide open for possibilities.

Take a deep breath and stop trying to be the loudest voice in the room. Look at the text and supplement it with reality and the hard truths of a really shitty work culture, and understand that being upset is valid, but it's not valid enough to justify seething hatred for a mangaka whose entire work you probably read for free <3

[dr-spectre]

I saw this really great thread on twitter by Grungygrim and it definitely highlights my thoughts and frustrations with the story of these games and the Splatoon fandom as a whole. (be forewarned, i get really tilted in this blog post fyi.)

I made a blog post about 2 weeks ago where i said that i was happy that the narrative online that "Callie is an idiot who got kidnapped and then brainwashed/mind controlled against her consent" is going away. (Here's the link: https://www.tumblr.com/dr-spectre/749710338672525312/im-so-happy-that-the-narrative-online-that?source=share)

Unfortunately I'm gonna have to retract a lot of the stuff i said. I'm still seeing, TILL THIS DAY THAT NARRATIVE ONLINE! IM STILL SEEING SO MUCH MISINFORMATION AND IT MAKES ME REALLYYYY ANGRYYYY!!! As a big fan of Callie, people completely outright ignoring her character arc THAT WAS SET UP SINCE SPLATOON 1 BY THE WAY!!! and not even bothering to look at outside sources for more information and lore genuinely pisses me the fuck off to no end.

No, hypnosis is NOT MIND CONTROL/BRAINWASHING! I DONT WANNA KEEP REPEATING IT! YOU CAN LOOK IT UP! if a person is genuinely uncomfortable and doesn't wish to take the suggestions to heart while hypnotized, THEY WONT DO SO! THEY STILL HAVE CONTROL! Yes, Marie did say "kidnapped" in some of her dialogue, but from her perspective, OF COURSE SHE'S GONNA THINK CALLIE GOT KIDNAPPED! She's known to worry about Callie all the time and ruminate about her, of course she's gonna think of the worst case scenario, doesn't mean she's right though. Was Octavio still in the wrong for hypnotizing Callie in the first place and allowing her to bring out her darker traits more easily? YEAH! NO SHIT! HE'S A BAD DUDE! Not a totally evil person but he has made some awful decisions out of desperation for his people. Why do you think he was so quick to help out the New Squidbeak Splatoon in the finale of Splatoon 3? His people got turned into fluffy monsters by a giant bear, he's all about helping his people.

Hell look at how Callie acts while under the Hypnoshades, she decorates Octo Canyon and her peppy and energetic self is still in tact even during the final boss, she's just more mean and violent. Callie was in an emotional and mentally unwell situation due to her overworking herself and being incredibly lonely as her relationship with Marie was damaged overtime. Callie accepted the suggestions of DJ Octavio and heard him out, AS SAID BY HER FROM THE RELATIONSHIP CHART! She wasn't forced into anything. She didn't suffer "sexual abuse" from Octavio by being forced into skippy clothing as some psychos say online, if she didn't want to wear that outfit she wouldn't cause hypnosis is NOT MIND CONTROL!! I hate having to repeat this over and over again, i hate how the developers basically rushed and ruined this interesting villain arc with stupid shades, only to try and hastily fix it later with an obscure post about A GOD DAMN RELATIONSHIP CHART THAT PEOPLE EITHER DONT KNOW ABOUT OR DONT CARE TO LOOK AT BECAUSE THEY SEE SPLATOON AS SOMETHING FOR KIDS AND TO NOT GIVE ANY CARE TOWARDS!!!!!!!!

I made a god damn giant blog explaining Callie in Splatoon 2 because i felt so frustrated about how my favorite character in the series was being treated and i tried to salvage the story that the writers tried to make. The way that people made her situation worse by saying she got kidnapped and forcibly ""mind controlled/brainwashed"" actually gave me chest pain, thinking about that kind of scenario for Callie actually hurts me... Heck i cant even listen to the Splatoon 2 stage music or final boss music because hearing her reversed vocals makes me feel uncomfortable due to the misinformation online. I hated all the misinformation and i wanted it to stop. HELL EVEN IN GIANT TIMELINE VIDEOS WHERE PEOPLE DO TONS OF RESEARCH THEY STILL GET IT WRONG!! UGHHH!!!!!!!!!!!!! i guess it'll still be the common and popular notion that Callie is an idiot that got kidnapped and then ""mind controlled"" by some shades... oh well... ugh...

I'm sorry if I'm coming off as really angry, i am. It's just, my brain is really hyperfixated on this squid and she means a lot to me. Seeing the way the fandom as well as the writers treat her makes me really mad. I hope i can find some peeps who feel the same way as i do. Misinformation is so frustrating man... i dont even wanna get into the Octarians because that's a whole other can of worms... anyways im done ranting. have a good night or good morning wherever you live y'all.

[india422]

Babygirl, nothing and no one in the world can make me hate you.

With dealing with this misogynistic-ass, biased-ass, lowkey racist-ass fandom, this (unfortunately) will not be my last time saying this: leave Vaggie the fuck alone. The hatred and vitriol towards her is unwarranted, disgusting, and forced. You don't have to like her - hell, you can hate her if your heart so desires - but don't make up things/reasons to hate her. Don't character bash her because of petty hatred. Don't be hypocrites and hate her for doing one thing, then turn around and praise/hype up another character for doing the same thing. Shit, just say you hate/dislike her one (1) time and then move on, because anything after that is just showing that you're an undercover fan.

And as for her relationship with Charlie...these two women are in no way toxic to each other. Yes, they are flawed; yes, there are things they can fix within themselves individually; yes, they're not all over each other like a lot of you want, but so what? Listen, I know that a lot of your feelings are still hurt because Charlie isn't with Alastor, but get. Over. It. That is in no way, shape, or form a reason to constantly hate on Vaggie...unless you're just THAT immature. And honestly, I'm glad Vaggie's presence makes a lot of you (shippers and haters alike) bitter to the core - all it means is that Vaggie really is THAT GIRL™️. Her existence really has you all that angry? I'm impressed.

All this to say, Vaggie isn't a perfect character, but no one in this show is - and that's the point. Also, we only have the first season, so stop being so impatient with Vaggie's arc/development. It's coming. We have three more (and maybe more) seasons to get through. Just trust Viv and the writers to do right by Vaggie; besides, Chaggie's getting a sexy number and a peek into their bedroom life, so...chill out.

And let me say this before I post: I firmly believe in ship and let ship, so I apologize if it seems like I don’t. As long as no one is being abused, it’s not incest, p#do stuff, or anything like that, then ship what- and whomever you want. It is entirely possible to like a character/ship without bashing and assassinating another character or ship to do so (and don’t be hypocritical either). You don’t have to like what I like, I don’t have to like what you like. I am so tired of ship wars in this fandom - I am. Being rude and trying to tell people what they can and can’t like solves nothing at all. Just block/scroll and move on.

[miraculouslbcnreactions]

While "the network wants an episodic kids show, the authors want an epic dark complicated narrative" would explain A LOT about ML's problems, I'd still like to note that there are kids' shows that can do both, going full range from "mostly episodic with a sprinkle of narrative" (Kim Possible, MLP), to "heavily narrative but with episodic breather/filler episodes" (Gravity Falls, WITCH, the Owl House), with many variants in-between.

Even the transition from "fully episodic" to "more narratively-connected" that ML attempted to do can be done successfully - the aforementioned Gravity Falls and WITCH were more episodic in season 1 and more narratively driven in season 2.

However, I'd say there are a few other key problems that can be inferred from what we have:

The show tries too many things at once - as you have pointed out repeatedly. Magical girl and rom-com, single-hero, duo and team stories, wacky comedy and serious trauma, even trying to give several characters a redemption and a damnation arc at the same time (and failing with either). Apparently, it's not just TF vs writers: it's writers severely disagreeing with each other (see Thomas and Vincent's opinions on Chloe), and also trying to one-up the fans. Also, simply thinking too much of the work, which leads us to...

ML's total lack of self-awareness. Another famous case of a show that was almost entirely episodic is Phineas and Ferb. They use the same formula (the brothers build, Candace busts, Doof makes an Inator and is thwarted by Perry) over and over for four seasons. And by mid-season 1, the authors have been making fun of the structure, lampshading it, spoofing and twisting it, playing with "What if" episodes and never taking itself too seriously. When ML tries to be self-aware, it becomes either insulting to the fans (Animaestro), horrifically dark (Chat Blanc) or plain cringe (Simpleman). This is exacerbated by Astruc's arrogance and inability to ignore critics.

Is it possible to make a highly complex, genre-busting, yet kid-friendly story and succeed? Yes. But it needs to be better thought-out - if not from the start, then at the moment the network allows one to deviate from the formula.

And if all else fails and the story becomes too complicated and too repetitive at the same time... Well, self-awareness and the ability to make fun of one's own work can turn a sad mess into a hilariously fun disaster.

P. S. Love your posts as always, you are the main reason I'm still in the fandom!

Thank you for the kind words! I'm so glad that you're enjoying my stuff and I agree with all the things you brought up.

A big part of the reason that Miraculous is so fascinating to me is that there ISN'T a single cause of the issues. There are so many valid ways to discuss the show's problems. It's a masterclass in bad writing and what not to do!

It's why I'm able to run this blog. If it was as simple as, "here's the single reason why it's bad and here's how you fix that" or if the show never had any potential, then there wouldn't be much to talk about. But it did have potential and there is no single reason why it's bad. The causes are multitudinous as are the potential fixes! It feels like investigating some complex wreckage or an elaborate murder mystery in order to understand what the hell happened, which is really fun if you like talking about writing.

I find it much harder to discuss writing in an informative way if you only have good examples to draw from because that path risks stifling creativity. Just because a popular story did a thing well doesn't mean that story showed us the only way to do the things or even the best way to do the thing, but that's often the lesson people seem to learn. They see a thing that they like or even just a thing that audiences liked and want to copy it without understanding the full nuance of why they liked it.

A great example of this is Zuko from Avatar the Last Airbender. He was such a well-written and popular character that all these properties started copying him even though the properties in question did NOT have a setup that worked for a Zuko. Praising Zuko won't really tell you all the ways that Zuko could have failed. Meanwhile, a case study of Chloe vs Zuko or even just a general discussion of Chloe lets you actually talk about the various styles of redemption arc and what you have to do to make them feel real. It's also far more interesting than talking how Zuko could have failed because Zuko didn't fail so why are we even talking about this? It's also far more interesting than talking about a bunch of properties that did redemption arcs well because that would require you to have seen all of those properties. But Chloe is from a single property and she did fail and people understandably have wildly different feelings about what the failure was because the writing was so bad, which means that digging into her writing is way more likely to hold your interest and teach you something.

This gif really does sum it up perfectly:

[Image description: scene from the movie Knives Out where the detective Benoit Blanc exclaims "It makes no damn sense! It compels me though" to explain his feelings on an ongoing murder mystery that he's trying to solve]

As does the old adage, "failure is the greatest teacher." Of course, no one ever said that it had to be your failure!

[diientedegato]

I'm curious if you have any thoughts on what Ben Paul would look like if he was alive years after S1 of TWDG :> I honestly prefer to imagine both him & Kenny going off on their own adventures after S1, because Idk if I'd've had Kenny as part of S2, it felt like when he returned it became less Clem's story & more his. That might be controversial among fans but it's how I feel :s I like to imagine Ben, Kenny & Sarita forming their own little family in fact <3 I'd expect Ben would end up with shaggier hair after a while but I wouldn't mind knowing what he'd look like with short, spiked up hair ;>

IM SORRY BOTH THE ASK AND DRAWING ARE OLD- but I came across the sketch I had eugeugeh. I do not have many headcanons but behind the cut is just a rant about. Kenny mostly. Too much should I warn? But yah I'm sorry it took me like 5 months lol

The only headcanon (regarding Ben's appearance) is that he'd keep his school jacket for as long as possible. Until it thorns apart. Or until he dies.

I'm big fan of Ben lives possibility btw I've gotta draw sum about that sometime (I say, about every twdg character i like,)

And dude, do I agree about Kenny. Man doesn't belong in season 2. The character they made him to be in the second season is not Kenny, it's just a nostalgia element. Don't get me wrong, I love the guy, I'm biased as hell, I break that hug choice every time. But it made the character development in the first season just.... pointless. "For some reason, I saved that piece of shit Ben", man, that quote just disappoints me. Kenny lost everything. Father and husband of none no more, which was pretty much the arc of Kenny on the first season?? I think? . Everything he loved and he had he lost, and he killed the person responsible for it. But not as revenge, he killed a kid out of mercy. He saved the boy from suffering a painful death, and that was forgiveness, to the reason he hadn't any. He took a decision he would be fully responsible of, when it was time for him to go. And he was perfect.

Hell, if he had appeared during season 2, I do prefer the Kenny as Carver idea. Clementine wasn't even that close to Kenny in the past, the player was, so even then it feels... off, off to be forced to care about a man that says so much he wants to protect you. (They're not really family, but is as if Kenny tries to protect and have Clem on his side, to have Clem's loyalty through and through. Though he does let her go and is proud of her on her individuality... hm.) But still, I mean, second season Kenny is not first season Kenny, and it isn't even a change that made sense. If he had been antagonist (which pretty much feels like it in the Canon story already), he should have had some other background story, no Sarita or company. Maybe then the cynical view he has would have mattered. The violence and anger and whatever else. For him to change that way was a consequence of him losing what he represented, protection of family? Wasn't failure and grief and acceptance meant to be important after all?

But otherwise yea I think it would've been pretty cool if Ben survived :3 I am a sucker for tales of redemption, forgiveness, and found family. And I hadn't thought about Kenny, Ben, and Sarita, but hell yeah. Man, even if they appeared in the second season, it would've been interesting if the choice wasn't between two individuals, but between two families. Ben already had a relationship with Clem! He appreciated her and calls her his only friend during season 1, he did leave her behind during that scene, -but the point of Ben was that- He was a coward all the season, until when he wasn't. He wanted to help Lee help Clem. They would've had an interesting sibling relationship-? also Ben had a young sister before the apocalypse so ooooh projection and parallels and shi. And if Ben had lived, he would've completed his development to something close to bravery-?

Well, I don't know, at least I think that'd be one interesting way to bring back old characters. Otherwise, Kenny should only be mentioned on dialogue maximum. The way I see it.

(I repeat the same thing over and over when I talk about something I'm sorry

(I've developed no language skills whatsoever in my life

(Yippee

[tenebraevesper]

Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 1)

Welcome to the first part of my personal elaboration on the topic of why ''Prime!Shadow is peak Shadow!'', or in other words, why Prime!Shadow is one of the best written iterations of Shadow's character.

Will I try to make proper arguments for his character writing? Of course. Will I also be biased as hell just because he's my favorite character? Absolutely!

So, if you can handle both of that, we should dive in!

Before I start, I suppose I should give a brief overview of Shadow's character and how he had been handled through the years. The general consensus seems to be that Shadow was at his peak as a character from Sonic Adventure 2 to Sonic the Hedgehog (2006) (as well as Pre-Reboot!Archie Comics during Ian Flynn's run), being someone who was deeply traumatized by the death of his sister Maria Robotnik, had his memories manipulated to get revenge on humanity, only to sacrifice his own life to save the world Maria cherished, losing his memories in the process and trying to carve out his own path, only to finally solidify his role as a protector of the world, even if his methods aren't always the most peaceful ones.

So, where does the idea of edgelord Shadow come from?

Yeaaahh... let's just say that Shadow's own game, Shadow the Hedgehog (2005), didn't do him any good in the character department, because it seems that all that people remember was that one time SEGA decided to give Shadow a gun and let him deal with an alien invasion. The confusing story routes didn't help either.

In time, Shadow's character went from a complex and layered character to something akin to Vegeta (no offense Dragon Ball fans!), much to the disappointment of everyone who understood character before he underwent this transformation. Also, I'm not counting Boom!Shadow in this because Sonic Boom is a different universe and its own thing, but I won't argue against the fact that Boom!Shadow's characterization as a complete jerkass didn't do Game!Shadow any favor either. That's not even mentioning the Sonic IDW Comics, where Shadow had many mandates tied to him that even the writers found it annoying to write him (although with the most recent arc where Shadow was shown, it seems that the mandates have loosened a little).

Of course, I might be missing out on some information, but this is the general gist of the history of his character. So, when Sonic Prime revealed that Shadow would be one of the major characters, you can bet that I was nervous about how he would be written and I decided to keep a close eye on his characterization; and honestly, I went from genuinely pleased to excited when I realized that Shadow was being written as a very compelling character. Not only that, but he also appeared to have gone through subtle character development over the course of the show.

Starting from the very beginning, I'm certain that you remember how Shadow's first appearance was basically him punching Sonic at the end of Episode 01: Shattered, a very impactful first impression that left us with more questions and headaches. The following episode, Episode 02: The Yoke's On You, gives us more details in regards to why he punched Sonic, seemingly out of the blue.

Shadow's proper introduction kicks off with him searching for the Chaos Emerald... and I have to ask, when was the last time we even saw Shadow genuinely smile? Was in the Mario & Sonic at The Olympic Games franchise? I don't really remember.

In any case, being clearly happy about finding the Chaos Emerald, he speeds off, only to suddenly sense that something is wrong and is met with a giant blue pulse of energy (released during Sonic's fight with Dr. Eggman) and a vision of Sonic using the Paradox Prism energy.

''Sonic!''

This expression just screams ''Something bad is going to happen and it's Sonic's fault! I'm going to kick his ass before he does anything stupid!''

We then follow Shadow as he searches for Sonic, clocking him square in the face for something he hasn't done yet. Eh, I'd say that this one wasn't really deserved.

Even before Sonic starts explaining his relationship with Shadow, we immediately get an understanding of Shadow's character. He is serious, works alone, quite fast and powerful, prefers to fight over talking things out, is willing to do anything to protect his home and clearly has a history with Sonic. Sonic proceeds to add how Shadow is his biggest rival, a buzzkill and that he totally roller-skates.

''They're air shoes!''

Did... Did Shadow just break the 4th wall? Did he just make a joke? Dude, not even Boom!Shadow got to do that and Sonic Boom was the epitome of wall breaking!

Yeah, let's just say that my jaw dropped when I heard this, realizing that Shadow's character in Sonic Prime will be different than what we got used to see.

So, after knocking the Rings out of Sonic (I mean that literally), Shadow questions him about what he has done, with Sonic pointing out how Eggman is the bad guy, clearly confused about why Shadow is attacking him.

''You literally shook the world!'' ''That's because I'm good! And powerful apparently! Jealous?''

After a bit of teasing from Sonic, he and Shadow get into a race, during which I had noticed something. While Sonic keeps teasing Shadow (and also having fun fighting him), Shadow tells him to stop and listen for once.

''Clearly you're angry, which is normal,... but I'm supposed to be on a bit of a mission here, Shadow!'' ''What mission?'' ''None of your business.''

Sooooo, have you noticed it too? Because there is something very telling in this interaction. If you haven't, I'll let it play out until the end. Anyways, to continue, Shadow knocks Sonic into a rock, with Sonic confirming another aspect of their relationship.

''Ughh, I know, we're fighting again. Don't worry guys, I'll calm him down.''

We now know that this certainly wasn't the first time they had a fight and it won't be the last time. Sonic points out that, whatever beef they have, they aren't going to settle it this way. While Sonic is right, I will admit, I had to gush over the excellent animation and fight choreography. X3

Sonic then hears an explosion from the cave where the Paradox Prism is and tells Shadow that he needs to get to his friends, only to get punched for his troubles.

''Learn to focus!''

Now that the flashback is over, what exactly is going on between the two?

First of all, the main thing I have noticed is that both Shadow and Sonic seriously have a problem with communication. Shadow knows Sonic is about to do something stupid, and from his actions (aka choosing violence over talking) he is trying to prevent Sonic from doing whatever he was about to do. It does paint Shadow as a bit of a jerk, but Sonic isn't completely innocent here either.

An observation I had made was that Shadow probably knows that if he tried to just talk to Sonic, Sonic would either blow him off and run away or just tease him back, which was confirmed when Shadow asks him on what kind of mission he is with Sonic responding that it's none of his business. I imagine that there were previous events where Sonic was doing something stupid and Shadow tried to stop him from making things worse, and that violence was indeed the answer to Sonic's antics.

If Sonic had explained to Shadow what the deal is, I'm certain that Shadow would help him out. Perhaps Shadow could've told him about his vision, but going by Sonic's behavior, Sonic would probably not listen to him.

This brings me to my second point - this moment establishes that, if there will be character development for Shadow, it will be mainly through his interactions with Sonic and them learning to work together and listen to each other, something I'm really excited to talk about in later episodes.

The flashback continues in Episode 03: Escape From New Yoke, where Sonic does the old ''Hey, look behind you!'' trick and Shadow falls for it, hook, line and sinker. Sonic knocks him into a wall and speeds off to where his friends are fighting Eggman, leaving Shadow to recover and follow him.

I do like how Shadow just shakes his head here. Even if he doesn't say much, you can clearly see what it is going through his mind. He's angry at Sonic, but acknowledges that this is just typical for his blue rival.

in Episode 07: It Takes One to No Place, we see that Shadow manages to reach the Paradox Prism cave, just as Sonic is about to shatter it.

''Chaos Control!''

Unlike Sonic's friends and Dr. Eggman, Shadow manages to use Chaos Control, preventing him from being shattered just like the others.

''Sonic!''

Instead, he finds himself floating in The Void. I'll leave what happened to him in The Void for the next part, but what is important to note is that he cannot enter the individual Shatterspaces, but he can communicate with Sonic every time the latter gains enough speed to use the Paradox Prism Energy.

''Sonic, it's broken! It's all broken!''

Sonic is at first freaked out, thinking he's just hallucinating. I suppose that explains why Sonic keeps ignoring him in any subsequent appearances, despite Shadow trying his best to contact him and trying to explain him what to do, like telling him how he's lost in The Void and for Sonic to keep moving and to not stop (which also leads Sonic to find out how he can travel between Shatterspaces).

I suppose this can also be interpreted as ''Sonic leaves Shadow on read''. X3

Once Sonic accidentally gets out of No Place in Episode 08: There Is No Arrgh In Team, he is confronted by Shadow, who is absolutely furious. Not that Sonic notices, given how he had a really rough day himself.

''Shadow? Ugh, I don't have time to deal with whoever you are. I just wanna go home.''

''Home? Home doesn't exist anymore BECAUSE OF YOU!''

Considering what Sonic had done, yeah, this punch was definitely deserved.

As I said above, the first eight episodes are here to establish Shadow's character, his relationship/rivalry with Sonic and his own flaws (mainly the lack of communication on his part, choosing to fight Sonic instead) and it is clear that in order to overcome those flaws, he will have to work with Sonic (calm down Sonadow shippers, we didn't get there yet), something I'm excited to explore in the second part of this analysis.

#Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 2)

#Sonic the Hedgehog Analyzer (Masterlist)

[sapphic-agent]

I'm mainly upset about the whole Endeavor arc thing because:

1. Endeavor doesn't deserve the time of day, let alone an entire arc. This arc would've been better suited for someone like Mount Lady, who grows into her role as a pro hero and learns not to be vain and in it for the fame.

2. With all that Horikoshi put into his backstory, Endeavor could've been an example of a corrupt hero being brought to justice and his actions having actual consequences.

3. Endeavor, who seemed so determined to become a better person, never once properly addressed how he screwed up. Not once when he talks to All Might about being the new Symbol of Peace, not once after he saved Natsuo from that nomu, and not once even after Dabi exposed him to the public.

In fact, #3 is very upsetting when you think about it. Endeavor is going on and on about changing, but he never really aired out his dirty laundry first. Be honest. If All Might knew the extent of Endeavor's abuse towards his family, would he really have encouraged Endeavor like that? And what happened with Natsuo is really manipulative. Telling your son that you don't expect forgiveness while people are watching after saving his life? Ew! And those people don't know the context of that sorry, so Natsuo saying that he'll never forgive Endeavor may have made him look like a spoiled, entitled brat in the witnesses' eyes.

It really grinds my gears.

Right, so the problem with Endeavor's arc is that he never had to face the full consequences of his actions. Similarly to Bakugou, plot convenience spared him the entire brunt of what he did.

Someone tried to tell me that people losing faith in heroes because of Dabi's reveal was him facing consequences. And?? No. Not really because a) all the heroes faced backlash, not just him and b) the people's reactions towards what he did specifically were really tame.

And similarly to Bakugou, he has other characters making him look better. We see him and Fuyumi having a nice (almost sweet, even) relationship with no buildup or effort. The plot went out of its way to have Rei praise him for remembering her favorite flower despite the absolute hell he put her through. Even Izuku was conveniently placed to tell Shoto he's ready to forgive Endeavor.

And that's not even mentioning how sympathetic Touya's backstory makes him look. No small part due to the actual retcons in that backstory.

There's also the fact that what he did was never really talked about again until the Endeavor Agency Arc. It was brushed aside until it was barely relevant anymore. That makes it a lot easier for the audience to push aside the severity of it.

Endeavor fan boys, for whatever reason, can't seem to realize this. If Endeavor didn't have all these narrative advantages, his "redemption" wouldn't come off as good as it does. It's the same thing with Bakugou, if it wasn't for plot manipulation neither one of them would be as revered as they are

[peachyfnaf]

haven't exactly watched the show in over a month but hearing what's going on. It's like everyone in it wants to ignore moon's health, plus fans just acting like he should die because of this.

he needs help first and foremost. not like a second death

FOR REAL- THAT'S PRETTY MUCH WHAT'S HAPPENING. EVERYTHING IS GOING WRONG AND NOT IN A FUN WAY, NOT ANYMORE. Not to mention that ever since his hallucination of Solar, Moon has been acting so incredibly out of character it's legit frustrating me. Hell, everyone's been out of character. He would not fucking say that. She would not fucking say that. None of them would fucking say that.

Imma use this ask as an excuse to rant about things that are making me Peeved now lmao.

First off, HERE'S THE THING, some people want this version of Moon to die rn? That, I get. I understand. Because this Moon fucking sucks. This Moon is so out of character compared to the one from like a month ago. He's acting like a villain about to twirl his damn oily mustache all like "I need to kill Ruin and Bloodmoon muahaha!1!". WHICH I COULD JUSTIFY IF HE WAS DOING IT FOR THE SAKE OF HIS FAMILY/DUE TO SHITTY MENTAL HEALTH. BUT NO. HE'S DOING IT OUT OF PRIDE AND THE SELFISH WANT FOR DEATH. HE'S NOT EVEN DOING IT FOR SOLAR ANYMORE.

And that just makes NO FUCKING SENSE because not only was New Moon's whole thing that he was going to be better, literally THE ONLY THING OLD MOON WANTED HIM TO DO WAS TO KEEP THE FAMILY SAFE AND HAPPY. AND NEW MOON IS DOING THE EXACT OPPOSITE OF THAT. I'm so upset rn jdkfhdsf

And then not to mention the way the other's are treating him- Sun is off my shitlist as of today due to the crisis he's having because, for some reason, the choice to whether or not we're killing New Moon is solely in his hands??? Wack. But. Earth and Lunar. Earth and Lunar. I'm not favorable to them right now at all. Earth, according to her, is supposed to be good at reading/understanding people, if not a "therapist". She should understand that Moon said what he said out of a place of fear, anger, ect. Not from his heart. She has every right for it to have hurt her, but for her to basically disown him? Also wack. The only thing I like about her rn is how she seemingly crushed Bm like a bug lmao. And Lunar? God, Lunar was just so unnecessarily bitchy to Moon in that one ""heart to heart"" episode. That "Fuck him!" pissed me off so very much. Dude, that is your brother who is going into a mental spiral over the death of someone he loved. That is your brother. Wack as hell.

AND not to MENTION everything going on w/ Monty- I literally love them 90% of the time but them deciding to NOT LISTEN TO PUPPET when she told them to NOT RESCUE EARTH ALONE literally made me sigh in frustration/disappointment. That is the one thing, the ONE THING she told them not to do. And Monty did it anyways. And Puppet is a MULTIDIMENSIONAL BEING WITH POWERS/ABILITIES/MAGIC FAR BEYOND ANYTHING MONTY COULD UNDERSTAND, AND THE ONLY THING SHE ASKED FOR MONTY TO DO, WAS FOR MONTY TO TRUST HER. And they Didn't. They didn't trust her, and they went alone, and now they're paying the price. Sighs.

No one is talking to each other. There's too much happening at once, aka the story is so bloated. This arc simultaneously feels too rushed and too slow. I'm so fucking salty. And now I'm gonna go eat food and draw sdkfjhds

[oddp1ant]

A handful of loose reflections I wanna put down before time moves on, things change etc

One, Viktor. The biggest thing I'm feeling right now is grief. We knew he was doomed from the start, to lose parts or all of himself, but seeing it happen still hurts. I was unsettled during act 1, feeling so much of him was already lost with little fanfare - would the narrative just move on? I'm actually mollified by this second death, seeing it delivered with narrative and emotional weight, even if we haven't gotten the (Jayce's) reasoning for it yet. Plus, I'm fairly confident we've yet to see his final evolution. So again, he was already (mostly) gone, but now it's like the narrative has acknowledged it, too. Even less will be left off him in his final form, but by god, I hope it's his wrath. If he's truly left an empty shell for the arcane I think I'll cry.

Second, Jayce. What the hell man. Explain yourself. Ngl I love him so much, seeing him get cut up with a chainsaw and apparently run through the arcane autoclave was oddly satisfying. Both him and Mel felt a bit, idk, like they'd gotten a PR treatment in arc 1? Like I love the "my place is here in the lab with you" and "Viktor will return to us" as much as the next guy but both of these characters have been very shitty to Viktor very recently and erasing that feels too cheap. I'm glad to see Jayce return to making Big Swings in the worst possible direction. I only wish he'd said something to Viktor before. Well. Y'know.

Speaking of Mel, I absolutely love the arc she's getting. Even just the fact that she's getting an independent arc, tbh. Most beautiful woman in the world is also magic? Gays stay winning.

And it feels almost redundant to mention but. The sister arc. Suffice to say I'm chewing drywall. The scene in the glow mushroom tunnel. Vander. Possible Vi Jinx Cait teamup in act 3. Love me some natural character/relationship development!!!!!!

Side note: love the ambiguity whether Vander is actually at least Vi's bio dad. Get it, you dog.

I'm not ready to talk about Isha.

Finally, I'm feeling a peculiar kind of melancholy for the diverse but largely congruent Divorce Era fanon that sprung up in between seasons - the visions of Machine Herald and Defender of Tomorrow built from an amalgamation of League and Arcane, making a shared space for creators to play in that has birthed some of my very favorite stories. It's been so, so much fun and I'm floored by how much of it was really founded in shared fandom interpretation and imagination. Now that Arcane canon has set out its own, unique direction, I wonder if this nebulous genre and its characters - a Machine Herald that is neither of League nor Arcane but all our own, the meeting and friction points between Jayces Giopara and Talis - will fade into the past, a weird limbo between the solid pillars of canon, or if its grounding in league lore will keep it alive.

- Honorable mention to the fics where arcane-adjacent and league-ish versions of jayvik meet and fuck absolutely nasty about it. You're the real ones. I could (and have, thank you to my very patient, non-fic reading friend) talk for hours about the complexity and depth of character explored in robotfucking timetravel porn. And none of it, not just the stories but the shared framework and subtext they're based upon, would exist without the beautiful minds of fans! Thank you ily.

[hestzhyen]

Chapter 52 Hype Posting

Hi void. I am going to vibrate out of my seat. Oh I'm going feral, absolutely feral. Another WSJ cover and lead colour page next week already! Promotion on TV during prime-time in Japan! The insanely good volume 4 PV! Hokazono-sensei judging for a manga award! Kagurabachi's getting the push to be the Next Big Thing at last- you love to see it.

Kind of.

I want Hokazono-sensei to get all the recognition he deserves, but I also don't want the fandom to explode and become yet another annoying dudebro space. The success of the series is more important though, so I'm happy to see Kagurabachi get so much support. Everyone needs to know about this manga! ANYWAY.

LOOK AT THIS TROLL.

It's Chihiro's turn to have a creepy parasocial admirer now.

Hiruhiko's not doing this just for kicks, however- he deliberately (and successfully) triggered Chihiro to orchestrate his dramatic fall. Given what happened at the end of this chapter, I would not be surprised if Chihiro's literal descent is foreshadowing a metaphorical one of some kind down the line.

And this just breaks my heart:

Triggers Chihiro's rage then fucks off only to do this? I will not be mourning Hiruhiko's death.

Chihiro's not built for being a murder bot and it pains him so much to be seen as equivalent to someone like Hiruhiko. But he was taught to see things through and uses his hatred for the Hishaku to keep going. Revenge is probably the only thing he wakes up every day for- he wasn't kidding about that "fresh hatred" line in chapter 1. And neither was Shiba when he said living like this would break him. This kid needs a hug and a safe place to cry out the pain so badly, man...

More than that, though... more than anything...

HIRUHIKO'S THE FUCKIN' ANTI-HAKURI.

"We're equals", he says. "I killed my family", he mentions. "Let's be friends," he asks as he forces his way into Chihiro's life. "I'm the only one who can understand you." The hell you aren't you rat bastard. Hakuri's the one whose soul resonates with Chihiro's. He's the one Chihiro acknowledged as an equal and a friend. BEGONE, FOUL DEMON.

God damn it. Hokazono, I love you for making my most hated villain archetype into a character I want to see more of. I've never understood why playful psychopaths are so beloved but I get it with this guy. Smooth move making him the evil version of my favourite character in all of fiction, Mr. Author. Now I need Hiruhiko and Hakuri to face off over their ideals about who Chihiro really is. It would be the perfect reprise to the Sojo arc! PLEEEEEEASE. There's so much HakuHiro potential in this setup... Hakuri being the one to pull Chihiro forward again would be amazing. But not for his own goals this time- just to help Chihiro as a true friend and partner. Not gonna get too attached to this since it's just one potential development out of many... I won't let myself... (too late).

(Psst... 昼チ or 昼チヒ will probably be the JP ship tag/name for Hiruhiko/Chihiro. Ain't no way Chihiro is the top in this pair for most Japanese fujin lol.)

The Show

The main character of the play's name is Sasuke and Hokazono-sensei is a huge Naruto fan. So much so that he's taken his own spin on Naruto and Sasuke three times now (Enten, Roku no Meiyaku, Kagurabachi). Chihiro is, in fact, his OC donut steel character inspired by the most annoying emo ninja boy ever. I see you, Hokazono-sensei.

The Battle of Soshima might be a made-up title to reference the real historical event The Battle of Tsushima, which fellow Golden Kamuy fans will recognize. At any rate, there aren't any famous Japanese stage plays with the same name, so there's no direct narrative parallels to draw insight from (sad trombone noises). Fortunately for us Hiruhiko is a yapper like I hoped and tells us the plan pretty plainly anyway:

I relate so hard right now, random audience guy.

Hiruhiko says the plan to kill Chihiro's not a bluff. But he's not acting like he's intends to make good on that statement. So that means...

Perception vs Intent

Chihiro looking his best: stressed and menacing

This is gonna be huge I think. Remember what Azami said back in the Sojo arc in ch. 9:

Azami, please come back soon. I need you carnally.

Then consider likes like this...

Local violent gang member still pretty tough after becoming human shishkebab through a moving train.

Chihiro could be set up to tarnish his father's legacy.

The public doesn't know the true strength or capabilities of the weapons that won the war- they just know that Rokuhira Kunishige made them and they were the key to winning. So Chihiro dropping in on a stage play to splatter the audience with a headless corpse's blood is not a great first impression. He looks downright villainous in this scene. Awesome, but villainous.

The Hishaku are going to metaphorically "kill" Chihiro somehow. For some reason, tormenting this poor guy is absolutely vital to John's plans... it's probably more along the lines of Chihiro being a useful pawn to move around to create conflict they can exploit, but still. They're going to try to break his spirit this arc for sure. Leave Chihiro alone! He's been through enough!

I've got a hell of a lot to say about this but I need some key details from the next few chapters before going off on lunatic tangents. Fuckin' hell though, this is great. This is exactly the type of development I was hoping we'd see after Samura's chapter. Chihiro's committed to the cause of killing the Hishaku, who so far have been wholly unsympathetic villains. But killing is a wrongful act. And this chapter sets up that Chihiro might not be the sympathetic avenging swordsman we love him as in the eyes of the public- he appears to be more of a menace like some of the members of the Kamunabi accused him of. He might be challenged on his murderous modus operandi via a Hishaku-backed smear campaign. Seriously, using Chihiro's brutality against them to ruin his father's legacy would be so evil and cruel. I love it.

We'll be able to count on Shiba and Hakuri to make sure Chihiro doesn't go off the deep end at least. I wouldn't be surprised if Hiyuki played a pivotal role in helping Chihiro out this arc too, but I don't want to commit when we've hardly seen anything of her so far (my spaghetti sovereign... please come back to the main story full-time soon).

Whether or not I'm right (I'm not, I never am), Chihiro's murder sprees fueled by Fresh Hatred are going to get looked at in a critical way. High time and I am definitely here for it. Tell me what you've got to say about violent revenge motivated by grief, Hokazono-sensei. You have more space to examine the topic now compared to Farewell! Cherry Boy.

Shorter than usual but that's not a bad thing. I can always come back and edit this (came back to do so twice now already) or make another addendum post, but...

... Just choose kindness, people. For yourself and others. See you later.

[purplink8]

Hate hate HATE what the anime did to the way Sayu's kidnapping was handled (specifically by Light). The anime just wants to show how utterly devoid of love anime!Light (coz no manga!Light would never seriously consider killing Sayu oh my god) is even towards his family at the face of his Kira goals.

Contrary to the manga (which i prefer who would've guessed) in which Light is shown very genuinely caring for his family! And you know just who wanted to save Sayu more? Or who was more active in saving her between Light & Soichiro?

It was Light (at least manga!Light coz idk what the hell was going on in anime!Light's mind during that episode). Yeah, I know. It might be surprising to those who haven't read the manga but this protective brother of Sayu's? Cares for her deeply.

And the anime just had to fuck that up, hadn't it? 🤦🏻‍♀️

I hate episode 28 (titled 'Impatience') of the anime with a burning passion. So much so that I'll compare it with how the plot ACTUALLY transpires in the Manga.

This post is...long: I've tried my hardest to not go overboard with my negative(?) rant against the anime but it was an impossible task imo /o\

If any of the points mentioned in this post are good, they are due to tumblr user casuistor's post which I read on a regular basis. (Go check it out!! It's much much better than anything I could've written in my whole life. Yes, I'm a fan :)

If there are any mistakes, it would be entirely correct to attribute them to me.

I admit I hadn't paid much attention to the manga the first time I had read it but holy shit even then I had picked up on how close the Yagami siblings were!

I couldn't make much sense of the plot of the 2nd arc (I wasn't completely over L's death so forgive me for being in a daze) and yet I was absolutely sure of the fact that Light had done everything in his power to save Sayu. Even if you were not following the plot closely, you'd still understand that fact (which the anime did much worse than deliberately ignoring it). Why?

Because Ryuk kindly summarizes the plot/points this out:

Honestly, I don't even need to go on at this point now, do I? Ryuk, who never fails to call out Light (for example, saying that Light will be the only bad guy left if he kills every 'bad' guy out there in chapter 1), has just confirmed what thoughtful manga readers already knew: Light has a soft spot for his sister.

I'm still petty at the anime so I won't stop at this point. I'll first explain how it goes in the manga, then how the anime butchered it. Let's gooo!

To understand the circumstances surrounding Sayu's kidnapping, we need to note that the NPA director Takimura is kidnapped by Mello first for the exchange of the notebook. Soichiro notifies every bureau of the NPA. And Light, of course, doesn't hesitate for a minute to kill Takimura (obviously, the priority of Death Note >>> the life of Takimura, to Light).

This is supposed to happen behind the scenes in the manga compared to the anime which makes Light killing Takimura much more obvious:

-episode 27: Abduction

Anyways, it's part of Light's plan to let the kidnappers take the fall for Takimura's death (so that Kira won't be blamed for his murder. And since only the kidnappers and the NPA know about the kidnapping: it won't be assumed that Kira has any link to the NPA).

Light seriously doubts that the kidnappers would just drop the issue due to Takimura's death and he's right. Sayu is kidnapped.

Mello is taking full responsibility for Takimura's death just like Light intended him to. However, this time, rather than any person whom Light could've easily disposed of (like Takimura) to avoid letting the notebook fall into the kidnappers' hands, Sayu- the sister for whom Light cares deeply- is kidnapped instead.

Not only that, Mello expects Soichiro to keep this a secret from the rest of the NPA personnel otherwise as he threatens, he'll kill Sayu. Now, we know that during Takimura's kidnapping, rest of the NPA were notified of the fact (Yes, the circumstances are quite different- there wasn't a threat to Takimura's life for letting the others know of his kidnapping), Ide points this out:

Ide is apparently okay with Sayu's death and appeals to (read: pressures) 'duty/justice above my family' side of Soichiro Yagami to send word to every NPA department even if that means Sayu will be killed. And you know what? Soichiro actually agrees to do so!

I would like you to see Light's reaction here, these panels come directly after the above one:

Light wastes no time to completely change his plan to have everyone assume that it was the kidnappers who killed Takimura to -> Kira did it. This was Light's previous plan before Sayu got involved:

"It's part of Light's plan to let the kidnappers take the fall for Takimura's death (so that Kira won't be blamed for his murder. And since only the kidnappers and the NPA know about the kidnapping: it won't be assumed that Kira has any link to the NPA)."

This changing of plans that Light does immediately is actively detrimental to Light's Kira's cause (in other words, disadvantageous to Kira's goals). Look at Light digging a hole for himself just to save his sister:

Light argues to not notify the other NPA departments otherwise Kira would know about the kidnapping and kill Sayu (and they wouldn't get a chance to investigate the kidnappers if Kira kills Sayu before they can negotiate with them). So their best bet is to keep quiet about it so that Kira doesn't know; meanwhile they can, as Ide says, try and catch the culprit while negotiating the exchange.

Back to how this is in no way an advantage to Light (as Kira):

Telling the task force that Kira was behind Takimura's murder whose kidnapping was known only to the NPA personnel suggests that Kira has a link to NPA info and may lead to doubt against those in NPA being Kira (the NPA that Light is now the part of) so obviously not a win for Kira/Light.

Light is in now a very bad position if he needs to kill Sayu in the future to avoid the Note falling to the kidnappers' hands. Because now he can't blame Kira for her death, can he? He is the one who stopped them from sending word to rest of the NPA so Kira has (according to Light) theoretically no way of knowing about the exchange with Sayu situation (unless if Kira were in the task force itself thus narrowing down the list of Kira suspects); ergo Kira won't kill her.

So why the hell is Light okay with these disadvantages instead of his previous, practically/pragmatically (for Kira's cause) better plan? Better yet, why not did he kill Sayu himself without a moment of hesitation like he did with Takimura when he had the chance to do so before suggesting that it was Kira who killed Takimura, the kidnappers could've been framed for Sayu's death? Or just allow notifying the NPA personnel so that they made a move and let the kidnappers do the dirty work?

Because, as Ryuk says, Light has a soft spot for his sister:

Note that: Light doesn't even try to deny it in his thoughts ("...that's not all" anyone?). We're talking about the guy who rationalizes his way out of his feelings, who views emotions as the reason 'why most idiots screw up' and he does NOT DENY THAT HE CARES FOR HIS SISTER.

Also worthy of note is how quickly he decides to tell the task force that Kira killed Takimura. Usually, we get a long wall of text of Light planning his every move. Not in this case. I believe it's because this decision was fueled by emotion rather than reason- the emotion being brotherly love ofc.

["A totally emotional decision is typically very fast. This is because it takes time (at least 0.1 seconds) for the rational cortex to get going. This is the reactive (and largely subconscious) decision-making that you encounter in heated arguments or when faced with immediate danger.

Common emotional decisions may use some logic, but the main driving force is emotion, which either overrides logic or uses a pseudo-logic to support emotional choices (this is extremely common)." (as a bonus have this research by Damasio)]

Once, Light has time to think, he goes 'well even if in the worst case scenario (the kidnappers get the note) I have Misa's eyes so I'm still at an advantage eh...?'

He is, instead of contemplating a way to kill Sayu so that the note is safe, thinking (however briefly) of how it won't be muuuuuuuch of a problem if Mello does gets his hands on the note. Idk about you guys but man that rlly gives us an idea of Light's priorities (Sayu>>>>>>Death Note).

Here's instance #2 demonstrating Light's priorities (when Soichiro asks Light to just save Sayu as the former doesn't care if he loses his life. And Light responds by saying don't be a fool etc etc):

#Sayu matters more than the Death Note

Now we come to the scene which the anime seems to have taken to heart to entirely without the context. When Soichiro goes underground for the exchange, we have Near taunting Light (as L number 2)

This is not Light seriously deciding to kill Sayu (remember when he had the time to think over his decision, killing Sayu was not even an option but handing over the note to Mello was, in the worst case (even if he has Misa's eyes, it doesn't mean the idea is any less ridiculous)).

This is him, so stressed that he's coming up with so rubbish ideas that even he goes 'wtf am i thinking??' Because at this point, killing Sayu would be announcing that Kira is among the task force as only they know of Sayu's kidnapping + her name & face, which is again bad for Kira's cause. And the one responsible for this predicament is Light himself as he was the one who told the task force not to alert the NPA personnel.

If Light really had been meaning to kill Sayu, he had plenty of time & opportunity to do so (without the suspicion falling on him) before suggesting that Kira killed Takimura. Light essentially ran in the opposite direction when he was faced with the perfect chance of killing Sayu (just let the others notify the departments of NPA -> kill Sayu -> Blame Kira for it, foolproof. but he did Not take this route as he Loves his sister) and now when it is absolutely NOT AN OPTION (for obvious reasons) he's thinking it since he's stressed to the point of irrationality.

Yes, he's seen thinking this:

...aaaand he can't bring himself to finish the thought because he knows that he did the opposite since he loves Sayu & Soichiro dearly and couldn't bring himself to kill them.

Also look how concerned Light is over the well-being of Sayu & Soichiro that he calls his dad to ask if they're okay:

I hope at this point you believe me when I say that manga!Light never seriously considers killing Sayu. He loves his sister too much for that.

______________________________________________________________

Now we move on to how the anime (fucked it all up) adapted this. I'm not particularly happy with it (understatement of the year) so I'm gonna rant about how inferior it is compared to the manga. Let's gooo!

The plot goes pretty similarly: Takimura is kidnapped ->Light kills him -> Sayu is kidnapped -> Mello demands them not to notify the NPA personnel lest they kill Sayu.

But the change in episode 27 is that they remove the discussion (mainly Ide pressuring Soichiro) around whether to notify the NPA personnel. Soichiro deciding to send word to all departments of NPA is cut so we don't get to see Light swooping in to protect Sayu.

Still, anime!Light does reveal that it was Kira who killed Takimura. And advises the task force to keep Sayu's kidnapping a secret. However, anime!Ryuk doesn't call anime!Light out on him having a soft spot for his sister (coz as far as the anime is concerned, they really REALLY wanna sell the idea that Light doesn't care for Sayu).

It's a lot harder, therefore, to make sense of anime!Light's motivations in changing his plan from having the kidnappers framed for Takimura's murder to admitting that Kira did it. It appears that it happens just because ???

Like there is no reason in manga!Light doing this apart from saving his sister but anime!Light cannot have any redeeming qualities like loving his family, he needs to be a 100% evil villain!! ...So we have zero explanation for anime!Light's actions.

The exchange between Light & Soichiro re: the whole 'I don't care if I die but please save Sayu' + 'You can't die in front of Sayu no matter what...You must make the right decisions so that both you and Sayu live.' occurs without change. But due to the succeeding added anime-only scenes (which I'll talk about later), this conversation sounds fake from Light's side while it is completely genuine in the manga.

Then the infamous scene (which I hate to death) of anime!Light SERIOUSLY considering to kill Sayu comes:

And Misa overhears him saying that in the bathroom coz why not?? make it worse??? :) :) :)

And anime!Light comes as close as to killing Sayu that he even has his watch opened with the piece of the notebook

...wow such an awful brother being a piece of shit >:(

Wait! Can brotherly affection save the day? Has anime!Light finally realized the error of his ways?

Nope. Anime!Light chooses not to kill Sayu not because he loves her but because it would be self-incriminating to do so. Yeah...what. an. asshole.

Light calling his dad to check up on how him & Sayu are doing is cut from the anime. Instead, take a look at how displeased anime!Light is after Sayu is rescued by sacrificing the notebook.

Damn.

...yeah, this is Not the face of someone who's happy with the way things happened (namely losing the Death Note to Mello in exchange for Sayu's life). It's clear where anime!Light's priorities actually lie (Death Note>>>>Family) He's so angry that he takes out his anger on Misa by slapping the drink she offers, out of her hands:

Oh and these scenes are nowhere in the manga, they're just in the anime to emphasize just how big of a jerk brother anime!Light is.

In conclusion! Manga!Light (who's the only Light that matters really imo) loves his sister, would never seriously consider killing her in contrast to anime!Light who is very ready to say 'Sayonara Sayu Yagami' via murder and would've done so if it wasn't self-incriminating.

As you can see manga!Light is far superior to anime!Light. If you've stuck around to read this post to the end (a) I love you & (b) I hope you have a fantabulous day!! <333

[the-lark-ascending69]

I'm sorry but I have a very real problem with Vickie as a character. A fan-favorite character is revealed to be queer in the previous season and gets a love interest shaped appendix with no plot relevance or personality, created only to be Robin's trophy girlfriend, in a way that is so painfully and obviously different from how they did it when they tried to make a new character entirely to give her a love story with an already existing main character.

I'm talking about Robin herself, and how, despite not having the deepest character arc in S3, she still had some meat on her bones. She still had some stuff to work with. She was actually important and involved with the plot and had real chemistry with her would-be love interest, Steve. Making her a lesbian at last second pretty much saved both her and Steve's characters and made the Scoops subplot, the only redeemable subplot of S3, actually salvageable. By recontextualizing Stobin with that revelation, you go from a forced, heteronormative/amatonormative "love story" with mysoginistic undertones (because what are frmale characters if not trophy wives for male characters!) and 1) you give Robin actual stuff in her life that has nothing to do with Steve, turning her into a real character on her own, yet also shows why their friendship is so valuable to her, giving her a mini-arc in the process about overcoming isolation, alienation and loneliness, and 2) you wrap up Steve's arc the way his character clearly needs to be wrapped up - by moving on from his immature pursuits of women as romantic/sexual fulfillment and his highschool persona constructed on that, and embracing maturity by working on himself with the help of the people who challenge him the most, his platonic bonds (Dustin and Robin). Like I'm being 100% serious when I say making Robin a lesbian somewhat saved season 3.

But you can tell the brilliance of that move did NOT come from the Duffers' mastermind because they couldn't even attempt to replicate their unexpected success with Robin and Vickie. Because even before Robin was made into a lesbian, she still had SOMETHING. Vickie has nothing. She's a non-character. And it's interesting to note the difference in treatment when it comes to straight male characters vs. queer female characters. You can make the case that Max's introduction in S2 followed a similar pattern to beta!Stobin - new character paired up with pre-existing character. But you wouldn't say Max was added just to give Lucas a girlfriend, because even if her plot relevance in S2 was rather lackluster, she still had... so much more than even Robin in S3, and she's simply uncomparable to Vickie. She feels like her own person right from the start. We know the Duffers like to add wayy to many characters, making the show feel crowded and inevitably leaving a few characters behind, but when they add new characters in a given season, they're actually pretty good at making us fall in love with them quickly. Max, Robin, Eddie, hell even Billy if you're into that - like I said before, there's always some work that goes into them that makes you care about them.

Sure, there are less important characters that don't get half the effort put into them - Heather, Benny, idk, Barb's parents? And many others I can't remember right now. Not every character needs to be a fan-favorite.

But none of these guys were a main character's love interest. Not even for like, a second-row main character like Robin. Lucas gets a girl and she gets proper character development. Steve was originally intended to get a girl and she gets plot relevance, screentime and charisma (and a bit of character development pre-coming out too). Robin gets a girl and... it seems like Robin and her girl don't matter that much.

Which makes me question, why give Robin a love interest at all if they weren't going to do anything about it. My guess is that, well, she's a lesbian, so of course she gets to kiss girls. Character arc? What is that? Just watch her gush over a girl without last name and not care about anything else for most of the season. The writers just didn't know what to do with her now that she's no longer gonna be Steve's trophy girlfriend. Just throw in a poorly put together gay subplot, because everyone knows gay people only get to kiss other gay people and there's nothing else about the lesbian experience worth talking about (like, idk, the loneliness? The alienation?). I'm of the belief that, if you're gonna half-ass it, don't write a romantic subplot at all, regardless of the characters' genders and sexuality. But what bothers me isn't a shitty romantic subplot. It's the difference in treatment that the queer characters get vs. their straight counterparts.

And it bothers me because it could have been fixed SO easily! You get three options:

Give Robin a character arc that's not a romantic subplot. That doesn't mean she doesn't get to have a crush, but it should be in the background. My idea would be to make it about her, Nancy and Barb, and their old friendship + Robin's sense of alienation. Robin learning the truth about Barb's death, and her and Nancy helping each other heal. Robin and Nancy becoming friends through long conversations about their feelings, through which Nancy gets a sort of "second chance" at having a friend again and Robin gets to connect with someone who initially hated her in her own special way. The point is to not make r0vickie obviously endgame, EVEN if it turns out to be that way next season, because if it's obviously endgame it suddenly begs for a deeper development and the lack of it becomes a problem. An easy solution would be to give Robin multiple crushes, to signal at how unserious they all are at the moment.

Give Robin a love story with a newly introduced main character. And the obvious option is *rolls drums" genderbent Eddie! Or Vickie in Eddie's place. Best and easiest solution imo. It may sound weird but if you think about it, it all makes sense - plot relevance, character development... only problem would be killing your gays if you squint, though Robin would be alive and ready for a new character arc next season, as a changed person. Sad, angry, possibly seeking revenge and seeking to assert herself as a threat after hiding and running her entire life. Robin's feelings are suddenly plot relevant now. I'm picking Eddie here (or rather, his role) because he's the most important one out if all the new S4 characters, and the one that spends time with the group the most. It's clean, minimalistic and practical.

Give Robin a love story with a pre-existing main character, i.e Nancy. As a ronance shipper, I maintain that pairing up Nancy and Robin would have been original and unexpected in the best way. I feel like I don't even need to explain why this would have been a good idea - tons of people already have. Mostly, I want to lament the impossibility of this option, which links directly to the point I'm trying to make.

Robin was never going to be paired with a main-main character, old or new, because queer relationships on-screen need to be pushed to the sides as to not interfere with or threaten the straight main characters. Nancy, as the main girl, was never going to get a romance with a girl. Vickie was never going to get the centrality that Eddie got. Straight relationships get to be taken seriously, even if they're writen stupidly, like whatever the fuck happened with stancy and jancy in S4. Queer relationships don't get to be more than silly forgettable subplots. Queer characters like Robin need to be inobtrusive. She could never fall in love with Nancy, even if one-sided-ly, because that would create a conflict straight audiences don't want to see.

And if a queer character DOES fall in love with a main straight character, like Will, it's all meant for pointless suffering. Not the kind of suffering that's vital for a character arc, or the kind that gives depth to a character. It's not a kind of suffering that leads them to change, to take any given decisions that they wouldn't otherwise have taken. It's not a suffering that could possibly interfere with the straight main couple's happiness. It's not a pain that causes conflict. Queer love and pain doesn't get to be part of the conflict in straight-dominated stories. So Robin can never fall in love with someone from the front-row sphere and Will suffers pointlessly, even though that pain has no real effect on him.

[low-budget-korra]

Comments on Netflix's Avatar The Last Airbender

*spoiler alert*

First of all I'm gonna start by saying it is one of the best adaptations I've seen so far. And that's the key word, adaptation. I've seen a lot of fans and others complain about some things that honestly, doesn't make sense because some things only work in a cartoon(just as much as some things only work in a book or a video game)

And before I start to talk about some topics that I judge important, I also wanna say that the production is fantastic, from the costumes to the CGI. It all looks amazing. (A part from Yue's wig)

1. The Script

It's not easy to pick 20+ episodes and make it fit in only 8 but damn they did a hell of a good job, especially when judging what was important to show and what they could let it go. Some fans commented that since there's no fillers, the Gaang and others miss some development but I think that for the universe of the live action what we got here it worked.

I can express how much I like to see Ozai and Azula's relationship and how it is now clear that he uses the siblings against each other, manipulating them to get what he wants. But I will admit I miss the fear Azula had, since it's implied in the show and some extras that she does fear Ozai, and fears becoming like Zuko.

I hope the 41. Is just fine after the battle in the north. See all of them bowing to Zuko after discovering that Zuko was the one that saved their asses and was heavily punished by that...it was beautiful. I loved the writers did that, give names and faces to Zuko's crew and a beautiful yet sad arc when Ozai banished his son and the men who he saved.

I also loved that they put weight into things that was treated as a joke, like Katara talking about her mother. She was a little kid who saw her mom get murdered in front of her and the live action made sure to let us know that it is not okay to make jokes about something so traumatic. All of the deaths here have tons of weight in it, it's not some random person, is someone we met, someone we liked, someone who helped. The costs of the war, something the cartoon manages to show us but know in live action, with real people, the massage gets stronger.

And they didn't forget Iroh's past like the fandom does, which is great. That actor, the earthbending soldier really let it all out, that's how you use the few screentime you have.

Sokka's isn't sexist and y'all were making a storm outta a cup of water, is not like Sokka sexist didn't go away after like the 4 or 5 episode in the original show. I think the live action was able to bring more depth to him in comparison to the first season of the cartoon. We see how he feels about his father's, the absence of him and his duty as warrior who kinda doesn't want to be a warrior.

I need a Gyatso in my life, I didn't know I needed to see more of him until the live action gave us more of him. Kyoshi was the Thor coming to Wakanda from this season, WHY THE FUCK BRYKE DONT WANNA GIVE US A KYOSHI SERIES? She is absolutely a jewel of a character. Roku and Kuruk, damn poor Kuruk man, so much pain in his words but again that's what it means to be the Avatar, it's not fun and games. Zhao saying to Aang what Korra villains said to Korra😭 that the world doesn't need the Avatar anymore, it hurt.

Guys I'm gonna say it, there's no way in hell for anyone to ship Kataang here. I'm saying this because some shippers complain that the secret tunnel part was different but c'mon, look at Kiawentiio and look at Gordon, it would be so s awkward and weird and just wrong. I know they don't have a big age difference, is only like 3 years but when they filmed Gordon looked so much younger than her, maybe in the next seasons the difference won't be that big.

The pace is good, once you start you don't wanna stop.

2. The Acting

Everyone is really good at capturing the essence of it's characters and somewhat making them their own. The highlights for me were Dallas and Ian, Its like they came straight from the show. Ken Leung's Zhao was also amazing as he was way more threatening here than he was in the show.

Kiawentiio was the Katara we were looking for, she is kind yet strong, brave and caring. And Gordon was Aang, sure, he has to learn a few things since he slipped a few times in his acting but nothing that could ruin the experience, that kid is good and just needs some experience.

Elizabeth Yu was Azula. It was different but yet the same character, is like learning something new of her and I like how cleared she show emotions with her eyes. Maria Zhang had great chemistry with Ian and I can't wait to see more of Suki. Arden Cho and Yvonne Chapman as June and Avatar Kyoshi look like they came out straight from the cartoon. Daniel Dae Kim...man is Ozai, so cold, so sharp, so scary, already way better than the cartoon version. I wanna see more of Paul Sun-Hyung Lee as Iroh since the character he really starts to shine in book 2.

3. The live action doesn't have the spirit of the OG?

Yes, it does have. The thing is now that we are seeing real people, things get dark one way or another but I don't think it ruined the spirit of the show. Aang is still a kid, Sokka still making sarcastic jokes, Zuko still annoying as hell, Katara still hopeful and strong... There's everything there really.

The thing is stuff like genocide, murder, war, death and suffering are, for some people, better to watch as pixels in a cartoon than real people.

I think it's a great adaptation and I would recommend it to every fan.