#i'm going the fuck to sleep

[willowcrowned]

if you're feeling powerless right now—and god knows I am—here's a reminder you can donate to the National Network of Abortion Funds, the Trans Law Center, Gaza Soup Kitchen, the Palestine Children's Relief Fund, and hundreds of other charities that will work to mitigate the damage that has been and will continue to be inflicted

life continues. we still have the capacity to do good, important work. that matters

[anthony-crowleys-left-nut]

can i still say i wanna off myself on this website without people freaking out

cause i wanna off myself right now

[iwasbored777]

The guy at the bar: Are you two gonna fuck or fight?

Wade and Logan, few hours later:

[mashmouths]

does anyone know how to stop the body from keeping score? i have shit to do

[radiance1]

Another link to this post. Meet the parents style.

So, Danny and Jason have been fake dating for a while now, and ended up marrying each other solely for tax benefits. Also, they got cool ass fucking friendship rings that they just couldn't not wear everywhere and being married is convenient so...

Anywho, so Jason has met Danny's parents but Danny hasn't met Jason's parents. Danny knows that he has some ties with the vigilantee scene due to being a Crime Lord-he still doesn't know what to think of his parents connecting the dots immediately when they only met him once while it took him more than that while living with the guy.

He thinks Jason may have been an ex-vigilantee at some point before turning to crime.

Then Danny gets blinded by rich people aura when he finds out that his bestfriend is the long thought dead child of Bruce Wayne. Frankly, he's insulted.

You mean to tell him that his could've been buying ice cream from that high class place all this time!? He shook (literally he grabbed and shook him) that point into Jason, he doesn't care that Jason never told him he was rich but he could've at least bought some high class ice cream once in a while.

Jason who was busy solidifying his power as a crime lord, avoiding his family and making sure not to leak his identity at all: I'm a literal crime lord, and the only thing you care about is me not buying you ice cream?

Danny: YES!!!!

Jason: Dork.

Right anyways, so Jason takes Danny along to meet Bruce and his fam but did say as soon as he started being uncomfortable they're leaving. The batfam is a bit blindsided by Danny, because they thought Jason was bringing his partner but its good to also get a feel for Danny's personality.

Danny and Jason did what's normal for them when Danny starts getting comfortable around the manor full of things that cost waaay more than his rent. Like half-heartedly insulting each other, being snarky, leaning on each other and other such things.

The batfam start thinking that there's more there than they know of. So they start watching a bit closer and ask a few round about questions that fly over Danny and Jason's heads. They just forget they're married often, unless it's regarding taxes.

All of this sends the wrong message when they walk into the same room and, being nosy, one of the batfam comes up to the door and uh. They hear the bed moving quite a lot.

So.

Meanwhile, Jason is trying to wrestle with Danny because this man does not pick a lane. He'll either be the human octopus (who is cold as hell) Jason has ever seen, he'll try to kick him off the bed in his sleep as if Jason personally offended him in some way, or he'll sleep in some wacky position that interrupts Jason's sleep. The last one is tied to the other two, however.

So, Jason has to frequently wrestle this man into a proper position where they both manage to get some sleep and it wouldn't have been so bad if Danny wasn't a goddamn sleep fighter. He would know, he had to nurse a bruised jaw for a few weeks.

Why do they sleep together? Listen, when you're in an apartment with not a lot of money, you gotta cut costs where you can alright?

[hiding-under-the-willow]

It took me a week to finish this and I never came up with a good caption and I refuse to come up with one now it's over I'm done lmao

[heartorbit]

jiangshi emu!! 👻🩸

[ellouchi]

Yet again I see people mischaracterizing Jimmy as some jerk who lashes out on people for no reason and berates them for anything minor like where did you get this from did you actually read any dialogues in the game????????

Jimmy really only threw one shade at Daisuke, he didn't think he was spoilt rich kid he just said he was covered by his parents because he had support system unlike all of them grown up adults. Most of times Jimmy just awkwardly slid off silly things Daisuke said, like the ladies comment or when they were mixing the drink. Daisuke actually trusted and listened to Jimmy throughout the game (to his own detriment unfortunately). Jimmy sent him to the vent because he was the captain and he wasn't going to do the dirty job obviously and if the Swansea somehow woke up Jimmy could shift the blame like he had already got away with. Even when eventually things went to shits we don't see him blaming Daisuke because Jimmy recognised that it was his decision to send him there. Jimmy didn't want to fatally injure him, he tried to "fix it later" which didn't help at all and Jimmy felt guilty about it.

Jimmy treated Anya dog shit half the time it's true but not to the extent some people make it to be. He loves control, he has said so to Curly's face, to ours and that's why he made sure to put her down and belittle her. That's why he (potentially repeatedly) sexually assaulted Anya — because rape is form of power play, he didn't even want her sexually. Initially, Jimmy didn't hate Anya, he just didn't like her and the feeling was mutual. He continued to do bare minimum for her, like when checking up on the crew. If I had to guess how Jim viewed her by the end, then he most likely found her inferior, incompetent, always putting work on his shoulders (or responsibilities he didn't want (pregnancy)), together with being paranoid of her having the potential to ruin his life. That's why he got so pissed off when he saw her crying to Swansea, very likely having already told another person of what he has done. (I'm 100% sure he holds the grudge for telling Curly, who then rushed to "fix things", making Curly seem like a responsible captain which Jim hated.)

Jimmy never made any attempts at understanding or sympathising with Swansea. He knew him longer than Daisuke yet the latter understood him better. Jimmy probably thought that Swansea was an old grumpy man who hated everyone and everything. As the game went on Jimmy just considered Swansea to be nothing but a selfish drunkard (due to immediately assuming he was hoarding cryopod to himself). After the vent incident who Jim blames for the absence of medicine? If Swansea wasn't so stubborn (for like, few times) Jimmy wouldn't have need to spend prescious recourses on him. He could have saved Daisuke instead and fix his fuck up but Swansea ruined it twice. Swan doing arguably the right thing by putting out Daisuke out of his misery only solidified his role as a villain and a threat in Jimmy's eyes, that's why probably as a revenge (for not giving him enough time to think) he went for the gun instead of cryopod like Swansea allowed him to.

And finally Curly. Honestly this deserves a separate book on it's own at this point. It's almost 3 a.m. here so I'll only mention some stuff. Jim aggressively lashes out twice on-screen, first time because he literally lost his dream job, listened to Curly "bitching about having said dream job" and couldn't come face to the fact that Curly was "abandoning him while also looking unscratched from the fall of the ladder" while Jimmy will return to his struggle of life (he didn't even know about the pregnancy yet...). Second time was when Anya endangered Jim's new status as a captain and like I mentioned reminded him that she could fuck up his life even more. Feeling like he was losing control, Jimmy beat up poor Curly who was stripped out of said control by non other than Jimmy. Finally, he was violent off screen by destroying Polle, out of frustration, irritation from the thing, and/or hatred and resentment for the company (que "Pony express is dead" line). In one instance he says "He's mocking us" which confirms that it's about Jimmy's ego.

In conclusion STOP MAKING MY SHITTY CHARACTER SHITTY IN THE WRONG WAYS. This isn't even a full blown analysis of Jimmy's character but accumulation of posts I read and conclusions I came with.

Focus on his already preexisting shitty qualities stop making up new ones ffs signing out.

[zillychu]

there is a heinous lack of Venti + Mondstadt character content and I'm one category 7 autism event away from filing the void myself

[martyryo]

I was abt to give up on this until I remembered who she is

[hotshotsxyz]

this method acting (might pay our bills)

(1.1k) (gen) 8x02 coda with spoilers from the 8x03 teaser. it's still thursday on the west coast, so i'm counting this as a same day coda. anyway brad torrence is a menace and i'm setting up camp in his brain

Let it be known to all, Brad Torrence takes his craft very seriously. So seriously, in fact, that when he’s called to a real emergency, he answers that call without hesitation. After all, what better to inform his performance than real experience? Tonight, Brad is a firefighter; he doesn’t just play one on TV.

His fellow firefighter, Buck, doesn’t seem terribly enthused about his presence. He generally seems to have a worried air about him, though, so maybe it doesn’t have anything to do with him at all. There’s a certain degree of vanity required in his profession, but he isn’t entirely self-centered. Honestly, he’s just glad that Buck doesn’t seem to be starstruck. That would make this entire situation far more difficult.

“Try Athena,” Bobby commands, but before Brad can ask for her number, Buck’s already dialing. That’s fine, he supposes. There’s no time to waste.

Brad’s not actually completely sure who Athena is. Someone important, obviously, perhaps his lieutenant? His character on Hotshots is a bit of a lone wolf, but maybe there’s something else there to explore. He makes a mental note to ask the writers room about adding a new character in the back half of the season, a lieutenant for him to butt heads and then bond with. They could even make it a bit of a will-they-won’t-they. He’s sure they won’t mind a few rewrites.

The phone rings twice, then, to Brad’s surprise, the call connects.

“Buck? Where’s—”

“I’m right here, Athena,” Bobby interrupts. His tone is magnificent. Calm but firm, no doubt inspiring nothing but faith in the woman on the other end of the line, whoever she is to him.

“Oh, thank god, Bobby,” Athena says.

Her voice is a bit garbled. It wouldn’t make for good television, but some concessions must be made for reality, Brad supposes.

“I’m on a plane,” Athena continues. “It’s—it’s not looking great.”

“Athena, if there’s anyone who can land a plane it’s you,” Bobby says. There isn’t a modicum of doubt in his voice.

“If there’s anyone who can land a plane, it’s a pilot!” Athena protests. Brad wishes he brought a pen and paper. Her comedic timing is excellent.

“She’s got you there,” Brad says, leaning forward until his head is between Bobby and Buck.

The look Buck shoots him is just shy of murderous. He’d be a terrible actor, Brad thinks. It’s all about focus and purposeful expression, neither of which seem to be at the top of Buck’s priority list.

“Who the hell was that?” Athena asks.

“Brad Torrence,” he says smoothly, “but you can call me Brad.”

Buck’s expression shifts from murderous to incredulous. Again, terrible actor.

“Don’t worry about him,” Bobby says.

He inflects his words with the tiniest hint of irritation. It’s brilliant – how better to redirect the anxiety Athena must be feeling into something more manageable. Brad only hopes he’ll be able to meet her in person once this nasty business is over.

“I’ve got plenty to worry about. He doesn’t even make the top ten.”

Buck snorts. Rude.

“Tell me what’s going on,” Bobby says.

“Air traffic control is directing us to LAX, but—Bobby, I’m not sure we can make it that far. The hole in the fuselage is getting bigger and our airspeed is dropping fast.” Athena sounds scared, desperate. Caroline could learn a thing or two from her about emotional resonance.

“Did—did you say there’s a hole in the plane?” Buck asks. His voice has a certain gravely, intense timber that Brad supposes would do well in some genres. Action movies, maybe, but not the high budget kind.

“What do you need from me?” Bobby asks before she can answer the question.

“Do you got a runway in your back pocket?” Again, brilliant comedic timing. She has that perfectly acerbic wit that any good heroine needs to have.

Bobby thinks for a moment. “Can you make it to the 110?” he asks finally.

“That, I think I can do,” Athena replies.

“Buck,” Bobby says, only it sounds less like his name and more like a command.

“On it,” Buck says. He twists around in his seat and looks at Brad. “Give me your phone.”

“My—why do you need my phone?” Brad asks. “You’ve got one right there.”

“Come on, man, now,” Buck says, all bite with no room for argument.

“Fine, fine,” Brad says. He slides his phone from the pocket of his turnout pants and hands it to Buck, who doesn’t even thank him for it.

Instead, he turns back to the front and types out a quick text before dialing a number. The call connects almost instantly.

“Maddie,” he says, “I don’t have time to explain. I need you to shut down the 110, get as much traffic off it as possible. We need it completely clear from Sepulveda to Torrance.”

The woman on the other end of the line doesn’t reply directly. “All available units, we’re shutting down the 110. Create roadblocks south of Sepulveda and north of Torrance. All traffic must be cleared between those exits.”

“Thank you, Maddie, you’re the best,” Buck says when she’s done. So, some people do, in fact, get thanked when they do something helpful. It’s fine.

“Is it Athena?” Maddie asks.

“Yeah,” Buck says. “They can’t stay in the air much longer.”

“Alright,” Maddie says. “I’ll coordinate with the IC over there, get triage moved as fast as possible.”

“I’ll keep you in the loop,” Buck says.

The line goes dead, and Brad’s expecting to get his phone back, but Buck sends another text and dials another number. This time, it rings thrice before the call is answered.

“Buck,” a man says on the other end of the line. His voice is warm and honey smooth. Brad should ask his dialect coach about that.

“They’re not—Eddie, they’re not making it to LAX,” Buck says, rushed and a little less polished than he was for Maddie.

There’s a short pause, then the quality of the sound changes. “Where?” the man—Eddie—asks.

“The 110,” Buck says. “South of Torrance. We need you over here, fast as possible.”

It’s odd, hearing his name this many times when he’s not the subject of the conversation. If this was meant to be a TV scene, it’d be far too repetitive.  

“Pack it up, let’s go!” another voice calls. She must be a captain, if the authority she speaks with is anything to go off.

“We’re coming,” Eddie says.

Some of the tension in Buck’s shoulders seems to bleed away. Interesting. “See you soon,” he says.

He ends the call, and Brad turns his attention back to Bobby. After listening for a moment, he realizes that they’re now on a conference call, and Athena is speaking to someone who knows a great deal more about planes than he does.

Brad closes his eyes and leans back. They’ll be at the scene soon. It’s time to visualize. As long as he stays in character, nothing can go wrong.

[cometblaster2070]

so i'm going to go fucking insane because for a while this aspect of malenia's character design has been bothering me and making me think I'm seeing things and going fucking crazy.

the aspect in question is malenia's left arm:

when i first saw malenia's arm my first thought was oh okay they're probably just bandages or some sort of wraps.

but then you look a bit closer and like

idk about you (because i might be losing it) but it seems like the mesh of whatever the fuck that is very clearly melded with her skin in a way/it looks like it's going into and then emerging out of her skin (which is HORRIFYING to think of I won't lie).

and once again i thought i was going crazy and seeing things because surely these were just meant to be wraps or bandages like the ones we see in the scene of her fighting radahn right?

and then the thought of the needle came to my mind. along with something malenia says in her cutscene before we fight her.

"my flesh was dull gold"

huh. now isn't that interesting.

this would imply that in order to stall the rot from consuming his sister, miquella made a plan to sew unalloyed gold into malenia's skin using his needle in a last-ditch attempt to save her arm.

(granted it's funnier to imagine he just sticks it in her arm and goes okay great all done! and that's probably the canon way it went but)

the thought of the sheer pain malenia must've gone through during this process, to be honest, and the thought of the guilt miquella must've felt at having to force his sister to endure even more agony just to help her is just sad.

and all of it is done just in an attempt to salvage what they can of her and hope that more can't be taken.

edit: btw when looking at malenia pre-bloom and pre-losing her needle it looks like there's a proper layer/cover/whatever it is around her arm up till her knuckles making it seem like an actual covering or layer on top of her skin and what not, but when we fight her post-bloom and post-losing needle it appears like some of the layers have either flaked or fallen away and that reveals that it's actually meshed with/into her skin.

[apnourry]

midweek crisis😍🥰😍

[sylvrndoodles]

[ruelin024]

You are not defined by your grades. You cannot uphold every expectation or goal. You are capable of so much that you have no idea. You have gotten this far despite everything. You are not what they assume you are. You are enough. You are not a failure.

I made this for me and thought about others in my situation. I'm not that bright nor mentally sound to be honest... I wanna give someone hope.

Cause:

Life. *sigh*

You can look at this one too.

[iam-lnt]

we all need a good sleep