#i'm funny. i can be funny. okay

[front-facing-pokemon]

[hinamie]

in spite of everything, I had fun <3

[poorly-drawn-mdzs]

Welcome to the Dungeons of Fear and Hunger.

[i-dont-talk-for-days-on-end]

I cannot stop thinking about the fact that Holmes was ca. 27 when they met. 27. That's so young. Aaaaaaaaaahhh. They had a whole life together ahead of them!!!

[risariba]

this is very important

[deoidesign]

Can you tell who my favorite character is right now...

[missmisnomer]

When you're recommending something you really, REALLY like to someone and being IncrediblyNormal™ doesn't work out, so you have to resort to being ALittleUnhinged™ to get the point across.

🍋💥👍 @turtleinsoup

[mercifullymad]

i feel passionately about the need to enfold people experiencing (or diagnosed) with "just" depression or anxiety into the mad pride project. the more people who view themselves as mad, the better. much as the rhetorical move from "neurotypical" to "neuroconforming" emphasizes the artifice & social construction of "neurotypicality," so too will expanding identification as "mad" expose the sane/mad dichotomy as a false one.

it's true that (some) people with "just" depression and/or anxiety have an easier time navigating the psych system than people who have more stigmatized diagnoses. but this is not to say that they necessarily have an easy time — the carceral psych system is hostile to everyone subsumed by it, even the most "privileged" patients. we should of course critique & examine how our experiences are shaped by various intersections of privilege, but we cannot forget or ignore how someone with "just" a depression/anxiety diagnosis can still experience the full force of the carceral psych system brought down upon them (including but not limited to involuntary institutionalization, police intervention, & forced medication or other forced treatment).

we must encourage, if not insist, that those with the least-stigmatized diagnoses view their difficult experiences navigating the psych system as bound up with the liberation of people who have more stigmatized diagnoses &, often, a more violent experience of the psych system. we need more people to drop the "i have anxiety/depression but i'm not crazy" line and say loudly, "i have anxiety/depression & i am crazy. my access to just treatment is linked to the conditions of all other crazy people, who are my allies, peers, & friends. we are united in our cause & we all deserve a more liberating system of care."

[raticalshoez]

Solace for the Lonely

This was an AU idea I had just aptly named "Life Series Therapy Session" where it stemmed from a stupid headcanon that after a while, Grian started to feel bad for how the games were taking a toll on his friends so instead of being an eldritch horror he uses Watcher like abilities to like.....make therapy for his friends???

Joel was his guinea pig.

Basically the premise for Joel's session was he had to find closure in his past as one of the lonelier members by helping other members who were cursed with loneliness in other life series' and help them come to terms with things.

With LL!Scar, Joel is a bit awkward because it's the first person he's conversing with so there's this sorta of whiplash and this season was the one where him going red left them both alone.

Scar is also shocked at the sight of a Joel who isn't mental, and given Scar's track record in later seasons of unfaithful soulmates and forced villainy, Joel finds him the hardest to comfort.

He opts for telling him that one day he'll meet people he can call family, hinting towards the Clockers, but never outright saying it. He thinks back on his time with the Bad Boys, and his unwavering loyalty to them. He thinks the season might've been a step towards a less solitary life for them both.

When he sees DL!Pearl is his next "client," he's much more confident. He's teamed with Pearl at this point, and he knows that she will not have to suffer her Double Life fate again.

He has to tiptoe around specifically mentioning the Mounders and the fact that they are a group that forms because he doesn't want the Butterfly Effect to take place. Being as vague as possible, he assures Pearl that one day she will find people to be devoted to again (even if he does leave out the part about them all dying before her...for her own wellbeing).

Pearl is naturally skeptical. She's been isolated on this server that's meant to be about love and in this world where DL!Joel is purposefully antagonistic, here he is uncharacteristically telling her everything will turn out okay in the vaguest nature possible. And she's just expected to believe that?

Even so, as he walks away, she can't help but feel a little more hopeful.

The last person Joel encounters is SL!Lizzie, and this one stings a bit more. Joel knows Lizzie's fate in this world, and it's not pretty for her. Lizzie didn't particularly have a happy story in Last Life either, so something about this is extra unfortunate.

Joel just goes straight in and tells her that he will always be there for her because that is the full truth and he knows Lizzie needs to hear it. Maybe not at this point; maybe at this point SL!Lizzie is completely content and nothing particularly bad has happened to her, and she's wondering why her husband is at her doorstep looking so sympathetic.

But when Joel remembers a certain party, and the way he was still attacked even after being her sole supporter, he feels he has to comfort her, and tell her that he loves her, and somehow make it so her cold and lonely death in the end doesn't feel so bitter after this is all done.

[bizzyboyfriends]

ngl if you don't respect non-sharers. Please don't interact with me. If you wanna be a bitch about people putting their own mental health first then BLOCK MEEEE YOU AREN'T WELCOME HEREEEE!!!!! <3 <3 <3 <3 /gen /srs

[scificrows]

Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.

Some Thoughts™ I had while putting this together (under the cut):

In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.

It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]

The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]

Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]

In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]

In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]

Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.

[benevolenterrancy]

*squeaky sound effects*

bro, please don't treat your pet fish like a stress ball (っ °Д °;)っ

[heybiji]

dande's dying btw

[vynnyal]

Finally finishing totk

[achildsfirstsorrow]

if ur going to draw erik then actually give him a nose not just that gross shit lol nobody needs to see that

How could you say this when Erik without his massive nose cavity is like an angel without its wings

Cowards

[dootznbootz]

Menelaus rambles a lot about not only Helen, but also Hermione. About how she used to say Olive like "Olifs". How she lost her first tooth running too fast and running into a low branch while out with Helen. How he'd sometimes wake up to Hermione leaning over him and poking his face to say, "Dad, can we go see the horses?" even though it was barely daylight. How she was much nicer waking Helen and how he thinks Hermione did that on purpose because she found "dad's face funny". How her favorite color was every color.

And Odysseus listens.

And he thinks about how his son only had a few teeth coming in when he left, teething on everything. How he could only say one syllable with his babbles. How his son needed balance to stand but Odysseus was so proud that Telemachus was very good at rolling over. How his son loved pulling at his and Penelope's hair.

How his son would be talking, walking, maybe even lost his first tooth by now. And he doesn't even know if he'll ever know his son's favorite color.