#i'm afraid they didn't get it

[easternkid]

"Henry Winter would've loved the notes app" No. Henry Winter didn't and will never love anything modern. He uses a fountain pen and isn't bothered by the ink, he even reads under candle light - for christ's sake, he uses and is obsessed with Latin, which is by the way, a dead language.

[mydearchoso]

sukuna who's about to go insane after a long day, needing to feel you.

sukuna who start's taking off your lounge wear. shirt first, before leaning in to kiss you as his hands go to the hem on your waist.

sukuna who starts pulling your shorts down before they get stuck over your hips, groaning in frustration.

sukuna who is fighting every urge to rip them off as he asks, "how'd you get these damned things on, brat?"

sukuna who is about at his wits end as they finally slide down, underwear in tow.

sukuna who all but moans in relief as they do, relishing in the sight before him. of course only after he victoriously flings his now most hated pair of shorts across the house. never wishing to see them again.

[hualianschild]

xie lian : guys I'm innoce-

shi qingxuan : YEAH MY BRO IS B1TCHLESS

xie lian : that's righ-

xie lian's mind : *shalalala music* *gay thoughts abt a certain ghost king* *rose tinted bg*

xie lian : AHEM SO *nervous laughter*

[forcedhesitation]

astarion origin playthrough worth it just for all the extra moments where he does the "sad wet cat" face

[xoxoemynn]

I came up with the idea for today's love fest over the weekend when I saw a lot of comments from people expressing sadness about the cancellation, and then also some embarrassment for feeling that way, or feeling alone in their emotions. I wanted to do something positive that felt personal and that would remind people that fandom isn't going anywhere.

Originally I thought to do it a few days after the WJW with DJenks, figuring we'd need another boost after that high wore off. Obviously the WJW didn't end up happening, but then I realized it was Rhys' birthday today, so that also felt like a great reason to spread a bit of love (not that you ever need a reason for that!).

And honestly, while the whole point was to make other people smile, the whole experience really boosted my own spirits tremendously. While stalking perusing everyone's blogs for inspo, I was reminded quite powerfully just how many extremely kind, talented, smart, funny, insightful, beautiful people there are in this fandom.

So I just want to say thank you. All of you who create gifs, make art, write fic, analyze the show, share shit posts, or reblog all of the above so we can see it again and again and again, you have made a difference in my fandom experience. With every post, you made me fall in love with Ed and Stede and the whole crew just a little bit more. Whether you're someone who's always in the tags or someone who prefers to quietly reblog, you have made my time here very special and I'm so grateful. 💕

[manderleyfire]

I will do all this, I will get all this blood on my hands, and you are able to plead naivety.

[karleksmumskladdkaka]

Diabolik Lovers Dark Fate Vol. 3 Chapter of the Last Quarter — Short Story Translation

A short, sweet, and comedic tale about the Mukami brothers being supportive siblings… and nearly committing accidental fratricide in the process. Meanwhile, Yui watches with increasing concern as the disaster unfolds.

Please refrain from using or reposting the translation anywhere without my permission.

[Note: The story is written in Yui's POV.]

─── ⋆⋅☆⋅⋆ ───── ⋆⋅✮⋆⋅

"Uh...something's wrong..."

Kou-kun groaned as he stared down at the pot.

"Should I help after all?"

"Eve, you mustn't get involved...okay? Just quietly watch over us."

Even though he said that, an increasingly terrible smell was spreading throughout the kitchen. Despite being told not to interfere, I was starting to get a bit worried.

"Maybe it needs some sugar-chan!?"

"Ah!!"

Before I could stop him, Yuma-kun dumped several sugar cubes into the pot, filling the room with a foul stench. I felt a sense of despair.

The whole mess had started when Ruki-kun injured his hand.

"Ruki-kun always cooks for us, so let's all pitch in today!"

And so, Kou-kun's plan of making dinner ended up as disastrously as I had feared.

"...This is...?"

"Well... It's supposed to be curry..."

Kou-kun glanced at me as if pleading for help. When I looked at Yuma-kun and Azusa-kun, they averted their eyes. In short, something horrible had been created. Its color was... to put it nicely, pitch black. After tasting it, Yuma-kun commented nonsensically that it was "bittersweetsalty". Dubbed "Mukami Brothers' Style Curry" it had transformed into a mysterious substance resembling anything but curry. Just by looking at it, anyone would instantly recognize it as inedible.

Yet, Ruki-kun was peering at the plates lined up on the table with a happy look on his face.

"Maybe it's better if we don't eat this..."

In spite of Kou-kun's uneasiness, Ruki-kun scooped up the substance with a spoon and brought it to his mouth.

". . ."

"It's disgusting."

We all shared the same fear. That even though he's immortal, Ruki-kun might die from this.

Despite his words, Ruki-kun's expression suddenly relaxed. We stared at him in amazement.

"R-Ruki-kun...!!"

"Ruki..."

"Ruki...! Damn it! Yer such a...!"

The three brothers, seemingly drained, collapsed to their knees on the spot. Ruki-kun simply watched them in silence as he continued to eat.

And then, afterwards—Ruki-kun was bedridden for three days and nights. Even though Vampires aren't supposed to get sick...

Seeing this, his brothers made a firm vow to themselves. They would never try to cook again.

─── ⋆⋅☆⋅⋆ ───── ⋆⋅✮⋆⋅

[clowndensation]

cannibalism

[shannonsketches]

The way I will simply never recover from this page:

Vegeta's Panic and then IMMEDIATE affection for his new baby

Vegeta being excited to have a daughter

Goku assuming his wife Magic'd their children out of herself

Supreme Kai being embarrassed for Goku

Beerus getting wasted

Bulma saying she will raw dog her husband frequently and expeditiously with her whole chest, in front of god and everybody

Whis being like 'i gotchu babe 💅 but i gotta borrow ur man first or there'll be no more boning for anybody lol'

[felixvanhuss]

Positivity post for people who actually got less hot after transitioning. I can't be the only one out there who went from being attractive to being unattractive. It was, in fact, something I was terrified of happening, and it happened. And guess what? I'm still fucking happier now, unattractive and true to myself, than I was when I was hot and suppressing my true self. Like, so much happier. It's not even close

Do I miss being hot? Sure. But not enough to have even an ounce of regret for transitioning. If you're worried about becoming unattractive if you transition, know that I, for one, think that even if that happens, it's still fucking worth it

(Also I'm like way more charismatic now that I don't wanna die, so that's pretty cool)

[idoodlestuffsometimes]

DRAWING BACKGROUNDS: TIPS AND TRICKS

So many people are afraid of drawing backgrounds and I think it's a shame, so here's some tips and tricks, because I'm not perfect at it myself but I think the hardest part is really just knowing where to start.

First off: Perspective

Yeah, yeah, that's the scary word. But I promise you, once you're familiar with the basics, backgrounds are a LOT less intimidating. Don't get discouraged if WHEN you have trouble with it. Even professional artists struggle with it. I promise you, screwing it up is good and normal. That's how you learn after all!

Now I'm not going to go into detail on how to do it here, because honestly there are a thousand and one free resources online and in libraries that can explain it far better than I ever could in a singular broad-strokes tumblr post. But I AM at least telling you you should familiarize yourself with these basics:

Important Terms: Horizon Line: A horizontal line across your canvas, showing your viewer's eye level and providing a location for most of your vanishing points. Vanishing Point: Integral to drawing in perspective. The sides of a 3D object get smaller as they become farther away from the viewer in space. This point is where the parallel lines of a side eventually meet.

The Basic Types of Perspective: One Point Perspective: Good for drawing things that you're looking at straight on. Two Point Perspective: Good for drawing things at an angle. Three Point Perspective: Good for drawing things the viewer is looking up or down at, especially at an extreme angle.

[Click images for ALT descriptions]

And if you're comfortable with these and serious about improving your skills for use in storytelling, I also might suggest looking up:

4 Point Perspective: Great for extra wide or tall shots and for camera tilts if you're doing an animation or animatic. I think some other names for this in animation include "banana pan" and "warp pan."

5 Point Perspective: Fish-eye lens. Good for all your angsty anime boy slipping into madness needs!

Some perspective tips I wish someone had told me earlier:

Objects' relation to the horizon line is constant. A super helpful tip to remember when placing a character or object in space is that they will always (assuming they aren't changing in size or moving up or down) have the same relation to the horizon line no matter how far or close they are. If your horizon line is at shoulder height for your focus character in the foreground, any character of the same height in the background will still line up with the horizon line at the shoulders.

How to pick the distance between your vanishing points: 2 pt perspective uses 2 vanishing points, 3 pt uses 3, etc, etc, but how close should they be? Well, first of all, for anything that isn't one point perspective, one or more points will usually be off the canvas. Super annoying, I know, but the closer your vanishing points are, the more warped your drawing will become. Second, a helpful thing to know is that choosing the distance between your points is basically the illustration equivalent of picking your camera lens! Photography buffs will know that wider (shorter focal length) lenses show more space and make the distance between foreground and background more dramatic, while longer focal length/telephoto lenses are flatter, and more focused and intimate. The same is true of vanishing points that are closer (shorter focal length) or farther apart (longer focal length).

2 point/3 point/etc doesn't actually mean you're limited to that many points total on your page. this one confused me a lot when I was getting started, lol. A lot of examples will show you drawings of nice, neat cities or something, in which all the buildings are facing the same way in order to demonstrate perspective drawing. But in real life, buildings don't all face the same direction. They're at all sorts of different angles. So how do I do that??? Answer: Just because you're drawing in 2 point perspective or whatever doesn't mean you... have to actually keep your 2 points in the same spot. You can move them around, just keep them the same distance apart, so you're not screwing up your camera lens.

Other Tips:

Use reference! The instant you try to draw a house, you're going to forget every house you've ever seen. That's just how it goes. Buildings are complicated. Do yourself a favor and collect a few reference images first, buddy!

Consider details (like architectural style, amenities, and materials) Your building will look more like a building when you keep in mind that buildings have gutters and door knobs and light switches and paneling and stuff, and aren't just boxes with roofs on them. Again: reference! You will forget electrical sockets and baseboards exist immediately. Art brains are dumb.

Use details and texture to fill in negative space Giant stretches of blank space tend to be boring and distracting. Put a few suggestions of wood grain or something on that wall back there, bud, just don't overdo it.

Line weight Darker, thicker lines draw more attention, look heavier, and look closer to the viewer than lighter, thinner lines do. Take advantage of this to draw the viewer's attention to your focal points, de-emphasize less important details, and imply depth. It's up to you to decide how you want to use this and what your style is, especially once you start getting into combining or replacing it with shading, values, and color, but a helpful rule of thumb is to try reserving your thickest lines for focal foreground characters and use thinner lines on backgrounds, especially details in the far distance.

Perspective guides If you're drawing digitally, take full advantage of any perspective tools you have access to! A lot of art programs lately have begun adding perspective guide features that let you set up vanishing points and then literally guide your hand as you draw so you stay in perspective. Some of these include Procreate, Clip Studio Paint, and Adobe Fresco. (still sadly none in Photoshop as far as I'm aware, what the heck, Adobe!). Check through the settings of yours to see if it gives you any perspective guides or other similarly useful tools. They're 100% worth it! And for god's sake, if you've got any skew or perspective warp tools, draw your complicated shapes flat and then warp them instead of spending an hour on it! Don't make my mistakes!

[flying-cat]

Can I get uhhhhhhhhhhhhh doomed or unfortunate yaoi

[beloved-child-of-the-house]

i stand with you in the face of a defensive misunderstanding of what critique is.

i think understanding what a critique actually is is a skill that increasingly is not taught. i remember going through freshman art courses feeling the frustration that all negative, nasty, unhelpful, and missed-the-point-entirely feedback is so commonly conflated with critique, and then critique gets a bad name because everyone remembers the time someone said their painting looked like an asshole (true story, altho now i think i would take it as a compliment) instead of the time a teacher or friend or classmate helped them uncover a hurtful bias or think of new ways to explore the same idea or how to connect it to related ideas or how to look up and understand other people's ideas on the same topic.

anyway i think you're great.

ahhh you're so kind to me!! i appreciate your support, and i think you are great also.

i have experience with giving and receiving critique as a student myself, and i think it was the best part of my degree! i majored in creative writing in college, and critique was just a generally accepted part of learning to become a writer. i don't even remember people being especially worried about receiving critique on their work. we had guidance on what kind of feedback was useful, but we were still at liberty to give it as we saw fit as like messy 19 year olds. the standard was that we gave it both written on printed copies of the work AND aloud in front of the whole class, and the writer receiving it was not permitted to speak during the critique. understanding how people are perceiving your work is important!

i don't have any particularly negative recollections of the critique process, although once in a high school writing class, the boys in the class told me that my male characters touched each other too gently and real boys are more rough with each other. in particular, they took issue with me writing that one boy nudged another. nudging is too soft. nudging is for girls. that was more than 20 years ago, and i still think about it sometimes because it was such an interesting perspective! i did not take their advice, though.

i should dig up that piece and see if it reads queer in any other ways. i think that's what they were getting at. (actually i once had a non-fiction class tell me i was in love with my roommate after reading an essay i wrote about her)(i did not listen to that advice either, but having 12 acquaintances tell you that you're gay in 2006 before you realize it yourself is Truly Something!)

i think people have conflated criticism and critique and think that being more openly analytical is the same thing as being negative. but analysis is so fun to me! analysis is why i joined fandom in the first place, and it's why i write fic! can we trust each other to be respectful and to speak in good faith even when we're not singing each other's praises? for me fandom would be better if we could.

oh i also want to clarify that i don't think it's impossible to demonstrate that you've thought deeply about a piece of fanwork while remaining completely positive. people do it all the time and do it very well!

i know i sometimes have tunnel vision wrt my own perspective. in a lot of situations, i wish it were more acceptable to be more direct, and i know people sometimes find the way i express myself to be kind of shocking. i know a lot of people like to be spoken to more indirectly than comes natural to me, and i don't mean to imply that my perspective is the only correct one or that there's no good reason to err on the side of gentleness/politeness in our responses to amateur art and writing. i just think that at a certain level of circumspection, it feels like we're all holding each other at arm's length.

i think for people who can't bear to feel exposed, making and sharing art is always going to be painful and difficult, and maybe too painful and difficult to enjoy the process unless they're sure of a soft landing. but like. the rewards of being loved only come after the mortifying ordeal of being known, right?

[sapphic-luthor]

spent all morning rereading all of my own fics from the past several years and sometimes its like . .. dang i'm kind of good at this

[hislittleraincloud]

[blatantprinterpropaganda]

... way #1: have your rich brat future soulmate who you haven't met yet do a hit and run on you with his car and briefly die from it