#i'm actually very interested in these results

[eldest-moonlit]

I've never found that place at all in my life, and I'm no longer looking outside of my already existing circle of close friends and acquaintances. As a neurodivergent woman on the autism spectrum, I've taken so many blows from neurotypical society and neurotypical people that I've lost track. I've been ghosted and blocked by a lot of people, the majority of them men, when they seemed to be the ones interested in me, only to abandon me without warning the moment I started to become myself or if I ever brought up my own needs. One of those instances left me sobbing into my blankets as I was sitting in my bed, trying to be quiet so that my parents wouldn't notice that I was in emotional pain. I've faced a lack of understanding, and/or a lack of effort to understand me, from most neurotypical people in my life, with the only exceptions being my parents and one of my three close friends. I've had far too many neurotypical people accuse me constantly of making excuses for myself when in reality I'm trying to explain my neurodivergence and how it affects the way I perceive the world in the best way that I can. There is a high possibility that I was gaslit for years, by my own peers in middle and high school, into invalidating my concerns and fears over living with epilepsy, when I purposely don't drive because I've missed taking my medication before and had a seizure 24 hours later because of that. If I have a seizure while driving, then I would be at a much higher risk of being either seriously injured or outright killed in a resulting car accident. Unfortunately, the only neurotypical people I've met in life who actually understand that, or at least try to, are one of my closest friends, my parents, my neurologist, and my therapist. Anyone else I've met who understands, or at least tries to, are also on the autism spectrum or neurodivergent in a different way, which includes my other two closest friends.

As a result of all the blows, my trust in neurotypical people is, to an extent, permanently damaged and will remain so. I may be in therapy now, but I feel that even if I go through years of it, I will always be very suspicious and wary of any neurotypical person I come across, of their true intentions and colors. I've learned to avoid hope as well. For me, the pain of crushed hopes is far worse than pain that comes from avoiding hope. I have my request that people not immediately follow me for good reason: in the words of TV Tropes, I'm a Broken Bird who finds stronger bonds and kinships with others on the spectrum, who Does Not Like Men because of just how many times I've been hurt by men in the past, and has the coping mechanisms I do to Never Be Hurt Again. But I'm not getting my hopes up. I already struggle to survive in a neurotypical society that loves to hurt and disadvantage neurodivergent people, so I don't expect it to adjust to my needs while I will have to constantly adjust my needs to fit in. And even if there is someone for me out there, I don't bother to hope. I've been lied to far too many times by men already, and during a time in my life where survival in neurotypical society has only gotten more difficult for me. I have a feeling that for the rest of my life, I will be struggling to survive in society with only my needs, my interests, my methods of survival, and autistic traits keeping my head above water.

[essektheylyss]

idk I kind of feel like I'm an idiot bc I actually enjoyed cr 3 from the jump to the end but like the blogs who follow bc I feel they are definitely more articulate and insightful than me are like "the whole thing was meaningless and pointless! matt fumbled everything!" so maybe I'm wrong to have liked it all? I'm not really sure where I'm going with this sorry

I think one thing to keep in mind is that many (and in fact, I would argue, most!) people who are critiquing the story and construction have also generally enjoyed the campaign as a whole! Certainly I don't know anyone who stuck it out through the end who did not overall enjoy watching it, for various reasons; I know there are people who hate watch, which I think is an absurd and honestly really stupid waste of time, but from my experience they are normally making snide and vicious tweet-length posts rather than long considerations of what isn't working for them.

There are also a lot of levels of critique—I've greatly enjoyed a lot of moments in isolation that I simultaneously felt weakened, contradicted, or even actively undermined the structure of the story as a whole, but those moments were still really fun and interesting beats. The Arch Heart's cameo comes to mind, as does, in hindsight, some of the construction of the post-Solstice split, but there are plenty of others of higher or lower impact on the story. In the finale the Raise Dead falls into this place very strongly, so I'm going to talk about it at length for a moment, since it was an absolutely stellar moment for me personally and as such I do think it serves as very illustrative of an example where I simultaneously fucking love a moment while finding it worth significant critique. I think it also touches on the critiques you're referring to, which I would summarize overall as the idea that many of the outcomes feel influenced negatively by pulled punches on the part of the DM rather than a flaw of one player or another. (Also, I want to talk about it cuz I love it. :3) This got very long but I think that to your point, it is worth examining in this amount of depth.

First, the good: it is an absolutely phenomenal culminating point of an arc that was only really concluded in summary; I have, as noted earlier this week, written at length about how Essek is never situated as a protagonist, which is functionally fine and even good. He ends up tied very strongly to Caleb's arc, and moves in the narrative in such a way after 2x97 that allows Caleb to reach a concluding note, and strengthens that narrative. So we only really hear about the outcome of Essek's choices, his inevitable leave from the Dynasty, in the summarization of the campaign 2 epilogue. This is not inherently a problem, because he is not a protagonist. But this moment does functionally create a material representation of that denouement, and in particular the tension between the outcomes of his poor choices and the better—potentially even good!—person he is trying to be as a result of the Nein's influence, which does strengthen his arc in its own right.

This moment also, hilariously, bears out my argument from this post. That the resurrection should only work with this intervention, particularly while the Nein are involved, does follow through on the Nein's general positioning within Exandria. Essek's leave happening without a fight (and, frankly, with only one attempted Counterspell) both makes for a very well-paced moment and also maintains the overall sense of story that the Nein impart when they are on screen; I'm thinking again of how their Ruidus episodes feel, much like their campaign and their post-campaign one-shots, like an intrigue action thriller series, and this fits well in that framing.

So overall, it is a fantastic moment... for the Nein. The Nein are not the protagonists of this story. They exist in the world, and are such active agents that they do continue to develop and exert motion on the narrative into this campaign, and frankly, I think this would have been fine if the party given ownership of this story and campaign did not abdicate their responsibility for it with unfortunate frequency. They do not exert a strong control over their story, which is at odds with the fact that the Nein do, and are present and also involved by the nature of their ending. It completely overshadows Ashton's heroic moment, in that the culminating action beat of this sequence is Essek getting away, which kind of takes the wind out of the sails of the Hells' involvement in the gods' outcome. It doesn't negate it, certainly, but it does refocus the story from them to, for some reason, Essek. So in this sense, it occurs at the expense of the Hells.

I find that while the handwaving of using dunamantic intervention to push Raise Dead beyond its limits (if indeed the reason it didn't originally work was because Ashton's brain was essentially gone) fits fine and even well within the framework of the Nein's story, and an NPC being able to do so without a roll is fine, since NPCs are vehicles the DM uses to guide the story, this is a significant divergence from the overall mechanics of the world at large; even the Nein had to do a full ritual for the resurrection of their tiefling. Matt put those mechanics in place specifically to create narrative meaning behind resurrections, which can feel very unmotivated and like a get out of jail free card in D&D, and while it's been noted that this would've really strained the runtime beyond its existing length, prioritizing it at the cost of, for instance, more truncated end notes for the Nein and Vox would've bolstered the Hells' presence in an ending to their own story that even many of their fans felt was ultimately lacking.

Giving the resurrection full weight would've also given Ashton's sacrifice and the Hells' involvement more narrative weight; the reason the other parties are involved at all is because the Hells were truly running on fumes by that point, but any lack of involvement this created could've been alleviated by having them directly involved through pre-established ritual elements that are not contingent on them having any mechanical offerings. So this moment sits within the context of critique that I agree with: that it felt like a pulled punch that ultimately also served to decenter the Hells within their own narrative, when it could've been used with more deliberate narrative force.

At the same time, I fucking love it, and watched it four times in a row yesterday, because it is so good—and it is, as I described, narratively and thematically coherent in one sense! And I think that is one issue of the campaign: many, many great moments are excellent and coherent in a certain framework but are weaker to varying degrees when considered as one piece of a larger whole. There are so many frameworks at play in this narrative, and not enough direct intervention to manage those as frameworks rather than as a single story, but at the same time, I think those frameworks are far more apparent if you're really looking for them, and that's much more difficult, if not impossible, when you're in the midst of them and telling the story.

I also don't think this means one cannot critique this; in fact, I would say this is more an issue of being a serialized narrative than an improvised one, which is often how critique of it has been pushed back against within the fandom. I was thinking about this as I'm currently in a course on, quite literally, how to critique comics, and we discussed this week how Marjane Satrapi said in an interview after making the film adaptation of Persepolis, which was first a serialized comic, that she ended up preferring the film, and I speculated that was because with a film, one has the ability to make a more cohesive narrative purely by virtue of the fact that with a serialized form, you cannot go back and make retroactive edits when new developments come to light. This is something that long-running comics must constantly navigate (as do many long TV shows), and in extreme circumstances such as decades-old comic franchises, ends up resulting in infinite timelines and hand-waving, which becomes so ridiculous that at this point it's a meme. In that scenario, though, it is not presented as a non-contradictory story, let alone a cohesive one.

Many of the critiques of campaign 3 are operating within the idea that this is presented as one overarching narrative. (And honestly, comics and other narratives that don't utilize that presentation are also still critiqued on that merit by people who greatly enjoy the texts they're critiquing anyway.) Within that context, I feel that the framing of the Raise Dead, as well as much of what would be my critique of the other pieces I referenced (the Arch Heart's cameo and some of the party-split sections) if I was to do the same kind of rundown of those, actively undermine this presentation by introducing and forefronting too many conflicting frameworks that are not interwoven well enough to create a single, cohesive overarching narrative.

This is a very long-winded way to illustrate my point, which is that I would really encourage reading critique not as a lack of enjoyment of the campaign, let alone a suggestion that no one should've enjoyed it (and if you did, then you're not smart enough to know better), but as a way to engage with the text(s) as presented within one framework or another. I think this is sometimes obscured in online fandom spaces, where we're not engaging in critique in as formal of a sense as one would in, say, an academic setting, where the norms generally dictate the framework one is using is explicitly stated if not fully delineated within the critique, but it is, more often than not, still implicitly present within the critique.

And as a final note, I would also really urge everyone reading others' opinions on something they enjoy to resist the urge to elide their own opinions from the conversation, even if you don't feel as articulate or as well-versed in critique. Critique is a trained skill, so it is certainly something one can pick up if they are inclined, and at the same time, someone doing it does not mean they are inherently right—and in fact, with all argumentative writing, it is up to the reader to consider the argument and decide whether or not they agree with it. (You can decide that you disagree with me about the Raise Dead! Just because I wrote a thousand words on it does not inherently make my interpretation truth; it's just an interpretation. You get to say whether or not you think my interpretation makes sense based on the evidence presented.) Even here I'm using the framework of some critique that others have made, but I don't delineate in full myself. In doing do I'm not presuming that you agree, but I am presuming that you've read it and know what I'm referring to. Strictly speaking it's also not even saying that I take that critique as true; it's saying that I feel the conclusions drawn are applicable as a basis for my argument. If you wanted, you could even say that you feel that my argument is irrelevant to you because you don't feel those critiques are true! But you ultimately do have to be the one to decide any of that, which does involve a balance between a confidence in the formation of your own opinions on the text and an openness to entertaining others'.

[kraangdroidz]

I really enjoy looking at Donatello's characterisation - especially the 2012 version of Donnie.

I don't know why, but something specifically about the 2012 iteration of our favourite brothers draws me to them. Maybe it's because I think they have the most interesting and unhealthy brother dynamic to explore out of any version of the Turtles. But just to say right off the bat, I don't agree with the statement that Raphael is abusive toward Mikey in this version. I don't think this to be true at all.

But in the 2012 version of Donnie, I think it's the obsessional aspect of his character that I find interesting. People flame him hard for it - which is very valid - the way he treated April was very creepy, and some of the things he did April had no knowledge of, (Like Donnie taking a photo of her and having it as his laptop wallpaper). But I like doing a little more when it comes to characters' less-than-ideal traits. Yeah, what they're doing is bad, creepy, etc. But why exactly might they be acting that way?

For Donnie, I think his problem is how he looks.

In the 2012 iteration, we never really see the turtles have a strong desire to be human. Mikey sometimes doesn't understand that humans will be scared of him, but he never lashes out and has a big moment like, 'I want to be a human so I can make more friends!' We see Mikey wonder what he'd look like as a human in an episode after Donnie creates retromutagen - with Mikey assuming if he used retromutagen on himself he'd turn human and not back into a regular turtle.

It is played as a joke, though, and he doesn't seem genuinely upset by the fact he's stuck as a turtle, as he is seen smiling after saying he wondered what he'd look like.

Interestingly enough, Donnie is the one to be portrayed as having a negative view attached to being a mutant more than any of his brothers.

Outside of being a mutant, it is implied that Donnie already has a fragile self-image anyway.

Remember the episode Turtle Temper? I think it's the third episode of the first season. But at one point, the other turtles are instructed to shoot arrows at Raph, while Raph has to try and avoid the arrows. Splinter makes it clear, however, that Mikey, Leo, and Donnie are allowed to insult Raphael during the exercise.

I've seen another content creator say that the insults they throw at Raphael could be more them self-projecting views they have on themselves rather than them actually thinking these things about their brother. Leo says, 'And you're always whining, poor me, nobody understands me.'

While this is easily applicable to Raph as an insult from Leo - Leo does have his own fair share of moments where he has gone to Splinter complaining that the others aren't listening to him or respecting him, that they don't understand the burden he has to hold as leader.

Mikey tells Raph he moves like a bloated buffalo - which, although never hinted at in the show, could imply that maybe Mikey is insecure about how much he eats. Maybe his brothers have made comments about his greediness.

Donnie says, 'Oh! You can't keep your back straight during Omote kote Gyaku! And you're ugly!'

I think the first part is interesting as Donnie is the tallest out of his brothers - gangly limbs could mean Donnie has more difficulty knowing how to stand, how to sit, so on so forth. A lot of tall people can feel really awkward as a result of their height.

Donnie most likely is sat over a desk all day, and again, being tall, Donnie has more of a slouched posture out of his brothers. I think it was Karai that also insults Donnie in an episode by calling him scrawny, in which he responds, 'And I'm not scrawny! I'm svelte!' Svelte meaning slender and elegant.

Raph has also insulted Donnie's looks before in an episode, and again, it is unclear if this is a common occurrence, but knowing 2012 Raph's character, it's probably happened on more than one occasion.

Donnie : And why do you keep grabbing me by the face? What is wrong with my face?!

Raph: Do you want me to list the reasons alphabetically or in descending order of grossness?

So regardless of being mutated or not, it seems Donnie just has a generalised lack of confidence and some issues surrounding how tall he is.

But to his issues regarding being mutated.

Donnie might've previously not had any issues with being a mutant. Before, it might've been just a general lack of confidence, as I have already said. But in society, looks are always seen as a good trait to possess if you want to have any shot at a love life. You need to fit into the beauty standards and be attractive if you want a partner.

Before April, his brothers would've been the only thing to compare himself to. He lived in a home with only mutants for fifteen years of his life - so had normal teenager issues of going through puberty and insecurities. A lot of people can feel odd/uncomfortable and dislike their growth spurts, which is why Donnie's issues at first might seem like normal things for a teenager to worry about. Donnie's biggest issue would've been how scrawny and lanky he saw himself.

But when they meet April, there is a glaring difference.

Suddenly, there is somebody in his life who isn't a mutant like him. It becomes abundantly clear to Donnie that from somebody else's standpoint, their biggest issue with him wouldn't be his tooth gap or his height, but just the plain fact that he's so different. Inhuman. Out of the ordinary. A mutant.

When he's rambling to Timothy (Mutagen Man at this point) about why April might be on a date with some punk kid (Casey) the conclusion he resorts to is, 'Because he's human, that's why.'

At the end of the episode A Foot Too Big, when Donnie apologises to April, he says, 'I'm just... a mutant.' Again, this shows Donnie jumps to the conclusion that this is why April doesn't want to be with him, not his overbearing nature or the fact that she just genuinely might not be interested. The problem in Donnie's mind is that he's mutated.

The fact that Donnie used the word 'just' implies that being a mutant is all that Donnie has boiled himself down to. He thinks that his other traits aren't worthwhile or good - like him being funny, smart, inventive - because he thinks that nobody would pay attention to those aspects of his personality. At the end of the day, he thinks nobody will be able to see him outside of being a monster.

In Fungus Humungous, the hallucination of April that Donnie experiences calls him an 'ugly mutant freak'. It is unlikely April actually thinks this of Donnie, but it's what Donnie thinks she does because it's his biggest fear. I'd like to split Donnie's hallucination into two parts. April insulting Donnie about being a mutant, and Donnie's hallucination of April kissing Casey.

We see April kissing Casey. I think the fact that this part of the hallucination comes second is meant to represent this fear of rejection and insecurity surrounding being a mutant are two sides of the same coin. His fear of April choosing Casey is a by-product of his main insecurity. We are shown April calling Donnie an 'ugly mutant freak' first. Donnie isn't afraid to lose April as a person to Casey. He's afraid of losing his only hope at feeling confident to Casey.

In the first half of the hallucination, it shows that April uses a sharp tongue like a whip.

This tongue is shown to go through Donnie's heart and subsequently breaks it.

"To have a sharp tongue" means to be quick to criticize, speak harshly, or make cutting remarks; essentially, someone who is often unkind or sarcastic with their words.

I think this represents that, over anything, it is April's words that break his heart more than her actions. It is her disgust at him being a mutant that shatters him. It's what makes him crack in the episode. He starts screaming, runs away, and shouts that he, 'doesn't want to hear anymore.' This is Donnie's breaking point. Her sharp tongue and words, over her actions like kissing Casey, that is Donnie's true biggest fear.

Donnie doesn't want to be with April purely because he loves her. To Donnie, it would be more than April simply making a choice on who to partner up with. It would be confirmation for Donnie that the issue all along was because he's a mutant.

The point I'm trying to make is that Donnie is more obsessed with trying to improve his own self-image than he is obsessed with April as a person.

He wants to use April as a means to prove someone could love him despite appearances because, as I said earlier, looks are important to a lot of people. Gaining a romantic partner would most likely grant Donnie the confidence, the consolidation that he 'isn't ugly after all' because someone managed to fall in love with him. That is why he so desperately chases after April.

He chases after the feeling of confidence.

His character kills me.

[entities-of-posts]

you know those AUs where Jon/Martin are cats and its sort of explained away by Leightners? I'm going to expand on that. the specific Leightner that turns people into cats is of the flesh. the process of turning into a cat is excruciating and slow, you can hear and feel your bones shifting and snapping, your tailbone growing, the pop of vertebrae splitting into 2 to account for cats having more bones, your knuckles snapping backwards and your nails growing at an alarming rate into claws. the splitting headache as your skull elongates and shrinks, your eyes changing in very shape. the hair on your arms and legs rapidly growing, and in the end you do not recognize yourself. I believe that would result in a cat looking similar to the person they were before, surrounded by viscera (all that extra flesh has to go somewhere!), and the Leightner would be called something like "Lycanthropy: a study of feline" and the actual contents itself is a veterinary medical textbook about cats. idk, maybe its fanfiction based on fanfiction.

That sounds much more interesting and plausible than a Fear artifact harmlessly turning its victims into a little kitty Just Because.

[lola-theshowgrl]

"Star-Crossed Blades" - Writing Update #2

Month: January Stage: First draft Word Count: 7785 Currently Listening To: Ep 3 of "Monty Don's British Gardens" Beverage: Chai latte Mood: Anxious

It's going well! In the past week I've written the prologue, chapter one, and about half of chapter two. I've got almost the whole novel plotted out, which is very strange for me (I'm usually much more of a "pantser" than this!) and I even have the two main characters' voices very strongly in my mind. I've been bombarding close friends with all my little thoughts and ideas, and, at the risk of sounding immodest, I really think I have something here. I really do.

There are two problems I'm facing right now. The first is that with such a clear story in my head, practically screaming in my ear to get out into the world, I simply can't write quickly enough. I'm not a very fast writer in general, truth be told. I enjoy writing - I'm not one of these people who complains about the act unless I'm burnt out or dealing with an awkward scene. Generally speaking, I love doing this and actually writing is just as much fun as sharing the finished result. Still, I wish I could be quicker this time around, or at least I wish I didn't need a day job so I could spend the bulk of my energy on SCB instead of data entry and wearing a bra.

The second problem I'm dealing with, is that I'm coming fresh from the fandom space. I'm used to posting chapters as I finish them, and having people to talk to about characters and plot developments. That sense of community is very difficult to do without, especially when I'm practically boiling over to talk about what I'm doing.

I'm part of a few servers on Discord, and I'm trying to spread my excitement across them so I'm not being a huge bore by talking constantly about my WIP. It's difficult, though! I'm so torn between wanting to sit on it, to keep it all secret so I can get people's reactions when the whole thing is finished, or to just blurt it all out like a fog horn to anyone who will listen.

I've been going backwards and forwards about finding a platform I can post it chapter by chapter, as I have no plans to traditionally publish or go via KDP, but with the rise of plagiarism and pirating and AI scraping, I just don't think that's the best idea right now. There's Patreon, but I don't know how I feel about that, either.

It's a shame, really. If nothing else, all I ever want for my writing is for it to be read. At the moment I have a lovely, small but dedicated little group of people who are interested in my scribbles, and I worry that they'll have lost interest before I'm ready to share the whole, finished thing.

I'm in the unusual position of having a good idea how long this story will be, and it's going to take me a while to finish, I imagine. I can't see it'll be ready this year, and right now I'm aiming for September 2026 - that's a very long way off!

For now, I suppose I can only keep chugging along, and reminding myself how much I love this part of the journey. The rest I'll figure out as it comes!

[tribow]

So I watched Natsume Yuujinchou

or "Natsume's Book of Friends" for the English title.

I was pleasantly surprised by this one. It's a real nice slice of life anime. I'm writing this as of watching season 1 and I'm absolutely going to continue watching this one.

Anyway what's it about? Youkai! Easy way to hook me in immediately. If you involve youkai (or similar folklore creatures) in a story I'm immediately interested. Even so, despite my strong bias on the subject matter, I promise it's done very well.

The titular character, Natsume, is a highschooler born with the ability to see and interact with youkai. Growing up while being able to see supernatural phenomena while everyone else can't was rough for him. (If you don't know what youkai are, think of Natsume's situation like being able to see ghosts.) His parent's weren't even sure how to deal with him and sent him off to their relatives instead of raising the child themselves.

Natsume's character is defined by his isolation, but also by the few people he has met that has shown him real kindness. His current family earnestly cares about him, but he hides the fact that he can see youkai from them, as he does with everyone. He has learned that doing so will lead to isolation, but ironically hiding what he can see isolates him from other people as well.

However, Natsume's ability isn't unique to himself. His grandmother could also see youkai, and she's infamous for creating the "Book of Friends." This book contains the names of tons of youkai, and with that book, you can essentially control any youkai whose name is written in it. For a long time Natsume would have to deal with some youkai targeting him, and this was why. Having now learned that he has his grandmother's book, Natsume resolves to return the names of youkai.

Why?

Well watch the show. I could sit here and summarize it, but that doesn't make for a good review. The story....or at least season one of the story....focuses on that theme: isolation. It's not just Natsume, but many of the youkai he encounters that deal with it in their own ways. As a result, each episode ends on a pretty bittersweet note.

Isolation comes in many forms; loss, rejection, protection, selfishness, resentment, and much more. People, and in this case, youkai experience it in many ways, but instead of wallowing in its own despair, this anime focuses heavily dealing with it positively.

I appreciate this anime's willingness to show very sad situations and the characters involved are pretty mature about it. I can imagine this anime helping actual people deal with their own struggles with isolation.

Now, that's not this anime's only theme. It would be fairly shallow if that's all it had to say. You got some action, comedy, and drama here or there. There's some nice character development going on as well. I really like how the show is written overall.

I wouldn't say its at a "masterpiece" quality since there are definitely some jumps in logic that happens sometimes. It definitely makes some poor excuses to set up certain scenes, but I can't complain too much. These issues only show up for a few episodes.

Speaking of the episodes, they're all self-contained. There's a linear narrative of course, but every episodes concludes itself and does not inform what happens in the next episode. This made it strangely hard to binge for me since there isn't a hook to keep you watching. I loved the show, but each episodes ends on such a satisfying note I want to do something else and come back to it later. Weird.

Anyway, Brain's Base was animating this one! Y'know these guys really take on a wide variety of stuff huh? Natsume is an interesting one since it's both very laid back and has some action. I wouldn't say Brain's Base went particularly crazy here, but you can see the effort put into a lot of shots. The animation looks good, but it's humble. Nothin real fancy going on, but the visual direction does a great job at conveying this story.

I have a feeling this is one of the shows Brain's Base is proud of, and it's successful too! This anime goes on for several more seasons and I'm pretty excited to keep going with it.

What's real crazy is that I've never heard anyone talk about this anime before. This is good! Real good! I highly recommend this to anybody, even if you have never seen anime before. It's rare that I get to say that because there's usually some caveat to an anime that makes it hard to recommend to anybody, but there's nothing to worry about here! It's good, great even.

Maybe it just couldn't reach a large western audience. It is dealing with youkai after all. That's a shame, but hey, it doesn't mean you can't watch it now! Give it a try!

[revna-writes]

Results of Writing Trade #2!

Trade with: @obstinatejules (actual living angel I think)

Results from the trade!

"To Build a Home" obstinatejules - Chapter 1 - Original Version revna-writes - Chapter 1 - Rewritten Version

"Le Academiae Artes Notoria" revna-writes - Chapter 1 - Original Version obstinatejules - Chapter 1 - Rewritten Version (wow)

overall thoughts

For one, wow, that was super fun. I'm honestly amazed by how well this entire experience lived up to my expectations lol. Part of that is definitely due to obstinatejules being so cool, she was super fun to write with and bounce ideas off of. Plus, I got great material to work with :)

But also, fun aside, it was so helpful??

Writing skills I grew doing this:

Literary analysis and reflection: I spent a long time reading the original and taking notes on a lot of stuff: the characters, their characterization, the plot points, what the piece means, what its themes are, what emotions it is exploring and how, unique aspects of the way it is written, and, 'what unique aspects can I introduce to accentuate and build on this foundation?'

Slice of life / fluff / fanfic genres: I don't have a lot of experience in these worlds, and It was really cool learning about specific phrases, tropes, ways of description, etc., and how to combine them to really make the piece live up to its genre

2nd Person Perspective: very new for me. It has its own considerations- for example, it's much more intimate for the reader, which is both its greatest strength and weakness.

Present tense: as a limited 3rd person past tense girlie, swapping to present tense was hard!! But also really interesting. There really are tense-specific ways to express things that do not work in past tense, and it was fun playing around with those & learning how to make present tense work for me. There is absolutely a different feel to the writing, and as steeped in past tense as I am, I didn't really realize it could make a big difference. I'm excited for the day when I choose to make a story present tense as an artistic choice because of the things unique to it.

Communication skills: Throughout this process with the chapter trades, you know, I'm talking to a bunch of different people with a bunch of different backgrounds, across multiple different generations. So, I'm having to figure out ways for each person to best connect with them, assess our expectations for what's going down, and then also our timeframe, what chapters we want to trade, and then any questions we may have about each other's piece. It's been really good to get me out of my shell, and also, it's helped me relax a little bit and communicate 'more effectively'.

There's also some more nebulous things, like, being intimately introduced to the way someone else writes fundamentally shifts the way I write ever so slightly. I am introduced to brand new ideas, new narrative techniques, new word choices for the same ideas and emotions, and I'm introduced to these in a way that is so much different than how I would see them as a reader.

Anyway, that's enough rambling from me lol.

Writing Trade!!

Hear ye, hear ye, it's time for a writing trade!

How It Works

You DM me, "I'd like to trade!" (or anything else that indicates you want to participate!)

We exchange chapters. I send you a link to mine, you send me a link to yours, we read each other's chapter.

We each re-write the other's chapter! In our own style, with our own approach, but hitting all the same plot points with the same characters.

We exchange the re-written chapters!

Okay but what's the point?

It's a great way to develop your skills!

You get to see how someone else would handle the same story!

You get to share and talk about your story (critically!!) with another author!!

We get to have fun together!! with writing!! (:o?!?!)

I want to do this with someone so BAD, hfdgkjfngkfd!!!! Seriously y'all i am FIENDING to do some cute writing trades.

If you are interested, please DM me!

[kathairoette]

Hey! I love the yandere-ish puzzleshipping au, and the comic about Yugi giving Atem a collar made me love it more.

If it's okay to ask, would Yugi's other friends be aware of Atem coming back or that Yugi's acting strange? Would it result in Atem being isolated or something?

Super excited to see where the au goes (if you choose to continue it ^^)!

hehehe thank you very muchhh~ Yes! yandere-esque puzzleship with Yuugi being the yandere for once? Ugh I Love 😩 😩 I'm so happy this comic's gotten more of us who enjoy this flavor of Yuugi and Yami to come out of the woodwork (Dances with joy)

Hmm you mentioning about Yuugi's friendos gave me some ideas... If I get the time later, I'd love to draw em haha. So for now, I'll just mention what I'm not going to be drawing instead, cause I think the friendship gang feat. gramps can add an interesting dynamic to this AU!

I'd say that since this AU's big main point is Yuugi being terrible at dealing with grief, he's probably a bit more distant from his friends than he was in canon. Ofc he's still friends with them, but he's likely built up a bit of a wall that makes him seem standoffish. It's different from his "I'm being bullied" S0 quiet tho, it's clearly something tinged with grief, and since his friends want to be understanding, they back off for the first couple of weeks and just focus on making him happy.

Only... Yuugi seemingly isn't happy. At least, not in the way he used to. He can still laugh, cry, and get angry like anyone else, but there's a pervading sense of tiredness in him that worries everyone. Grandpa tries to get him help, but Yuugi rebuffs him, and since they no longer live together (Yuugi works in some game dev company and thus had to live somewhere else for commune reasons He also can't stand the idea of living in the same place where Atem once was) it's hard to make him go.

Jou and Honda are a bit more tough love about it, staging interventions and everything, but no attempt, therapy or otherwise ever seems to stick. Even Anzu, who had moved to America, tried to do some reverse-shovel talk thru their video chats to essentially guilt-trip Yuugi to take care of himself. Though that blows up in both their faces when Yuugi takes offense, and they get into a big fight about it. It takes them months to patch things up, and an actual in-person meeting later on for them to hash it out properly. Yuugi does feel guilty about being as harsh as he's been to his friends, but the void Atem left behind in his heart can't ever seem to close, no matter what he does. Jou and everyone else in turn, decide to do the "I can't tell you not to do it but I prefer to be next to you when shit hits the fan" approach, and instead just try to be there for him and support him when the tides are rough. Eventually, Yuugi just decides to accept that he probably can't ever be whole again, and sorta just coasts through life trying to enjoy it as much as he can with his friends by his side.

And then Kaiba comes to visit, with a short Egyptian man trailing behind him. And when the gang hear the news, they laugh and cry tears of joy, all while hoping to everything they know that Atem's return won't spell further hurt for their dear friend.

[cuntyarmand]

i'm talking about in relation to your own posts!

[chiropteracupola]

the 'smattering' of blood poll option for Teresa?

Kill, girl, kill!

[summergoodwife]

Gonna say it again, "Just stop consuming the genre" is THE WORST POSSIBLE RESPONSE to someone complaining about the lack of representation in their preferred genre!! And "Consume other stuff too" is not much better!!! I don't care how much you think varying media consumption is a Good and Holy lifestyle, not everyone wants to do that! There is no obligation to do that and there should not be! Because it's fucking entertainment. It's not a college major.

And! And and and. I would be remiss to not point out that when you tell someone, "If you want well written (minority) just get out of (genre fandom)" you are, regardless of your motivations, rhetorically aligning yourself with the exact same bigots who just want the pro-representation crowd to shut up and go away.

[metamatar]

friend from work offered me a dead bird to taxidermy today bc it died in his apartment complex stairwell

[moe-broey]

Forever thinking about this panel

He will NOT be accepting hugs for any mundane reason and if you try he will react like he's being hunted for sport

But I am ALSO thinking about

He will give a little sympathetic pat on the back........ if you're feeling down ......

Alfonse physical affection seems to vary and is situational 👍

[kishimotomasashi]

I've been wondering about this, lately

And by "the whole package", I mean not only their whole story within an original series run, but also sequels, extras, etc., regardless of canonicity.

[araneitela]

WHICH SYMBOLIC FRUIT ARE YOU?

Cherry. (Man, this is going to need some tag rambling; because while it's what I suspected and it's very fitting in many ways, I need to address one element).

In popular culture, cherries have come to represent sensuality, sex, and seduction. In the cult classic, Twin Peaks, Audrey Horne expresses her sexual expertise by tying a cherry stem with her tongue. "Cherry" is also used to refer to the concept of virginity: why? I don't know to be honest, but here we are. Much like the cherry, you're a sensual person who enjoys all the creature comforts the world offers. You enjoy delicious food, dynamic relationships, passionate lovemaking and stimulating conversation; however, you may also come across a touch vapid or shallow, due to your quickly fading attention when something has served its usefulness to you. To quote some man on tinder: "you're here for a good time, not a long time". You can come across, at times, slightly tart, carrying a bit of a bite to you that not everyone can handle. That’s okay: you’re an acquired taste!

Tagged: @basbousah (Thank you 🩷) Tagging: I don't tend to tag for quizzes easily but this one was actually fun, so let's harass. @immobiliter (how about Furina?) @kushtibokt @genus83 @genius81 @spiderwarden @delusionaid (Wriothesley, or Zhongli— porque no los dos? 🤭) @apocryphis (Topaz) @aventvrina @resolutepath (Elio) @daybreakrising (Blade) @astrxlfinale @kahakera @cygnor @chasersglow @scrtilegii (Jing Yuan)... and anyone else who'd like to do it, say I tagged you because I'd love to see the results!

[silverselfshippingchaos]

don't think I've mentioned here, but there actually is a S.ugiura fankid! She's very lovely!