#i'll probably still have them as separate versions - one which takes the coming canon into hand and another which. ignores it

[wheucto]

no.1 fan au > test tube two about to be absolutely silly

[scftizuku]

Anti-Endhawks takes to debunk

"Endeavor is 46, and Hawks is 23; why do you ship them?"

That's all on personal preference, tbh. It's cool if you find the age gap to be uncomfortable. It's important to point out that both characters met when Hawks was a pro-hero (meaning he was already an adult when they first started working together as a duo). Endeavor himself did not know of Hawks when he was younger. If Endeavor knew Hawks as a child and the relationship was formed due to that, then I would also have an issue with the ship itself and understand this saying for argument purposes.

There is already a canon age gap between Gentle and La Brava, and no one talks about how the age gap is bothersome for them, with Gentle being in his early 30s and La Brava in her early 20s. I think from what I've been seeing that people just don't like Endeavor as a character (which is fair if that's the case. You don't have to love his character or anything). Still, it would be good if some antis were honest about using this take as a reason to shun the ship in general.

"Endeavor is still married to Rei; therefore, he is still connected to his family that they had."

Yes, Endeavor is a part of the Todoroki storyline since his perspective alongside Touya and Shoto's is very important for readers to pay attention to. His relationship with Rei Horikoshi has shown that it quickly changed despite their relationship starting out as wholesome and healthy in the early stages. We see very fast that the love that Rei and Endeavor once had turned sour once they began having children, and Endeavor tried to push his goal of having that perfect child with the ideal quirk. Now, whether the two reconcile and come back together is anyone's guess; I'm assuming that Horikoshi won't have Rei and Endeavor get back together, and they will most likely separate due to everything that has happened in their relationship and family in general.

This reasoning, out of all the anti-endhawk ones, is probably the most reasonable if I'm being honest, since the Todorokis are shown still having some connection back to each other. We are still determining how the aftermath of it all will play out.

For story purposes, he is very much connected to Rei since they both are responsible for saving Touya. But it's good to note that when it comes to Endhawk's relationship, they don't display the typical power imbalance that most people would expect from out-of-age gap ships. In fact, when it comes to their overall dynamic, both characters respect each other as equals and have this bickering/bantering dynamic, especially during their early interactions; they both care for one another, as seen in the panels below.

"Hawks would hate Endeavor if he knew his past."

This take has been a common argument circling around the fandom before Dabi broadcasts his reveal to the world. I have to say, I was curious what Hawk's thoughts would have been if he found out Endeavor's past, but after he explained that despite the wrongs Endeavor has done in his life, he still would support him and do his best to help him out whenever he needed him. To me, it showed how much he trusted him; he views Endeavor as the person who is trying to atone for everything he has done to those around him rather than the person he once was; and this trust that the two of them have extends into the final arc as well.

If there are other takes I should probably tackle; I'll make a separate thread for those. But I am also working on a Bakudeku version of this as well (so look forward to that one 😊❤️)

[annabtg]

You portray Sirius as this stud muffin that everyone was tripping over. It’s kinda vain as a women. Sirius not being able to recognize that his best friend/brother was in love with Lily Evans? Bruh, please. The whole fucken school knew. Sirius doesn’t have tattoos and he’s pretty much asexual in canon from what we know. Not in your fics because he’s fanon and not canon.

I shouldn't even publish this ask, because people will laugh at your lack of reading comprehension, but you started it and I love talking Sirius so here's a breakdown of your seven deadly sins:

1. You completely failed to understand the assignment. Fanon doesn't mean "written by a fan". Fanon means a prevalent version of a character or event which is not supported by canon. Fanon Sirius is a very specific phenomenon, ranted about by @artemisia-black here and summarized by me here. You have failed to provide any examples from my writing that allude to such a portrayal of Sirius.

2. Instead, you complained about my portrayal of Sirius and called it fanon, providing (a pathetic excuse of) examples that aren't anywhere in the fanon version of Sirius and are in fact much closer to canon Sirius. You might have been trying to call my Sirius OOC, but you're probably like twelve and have yet to learn your fandom terminology.

3. "You portray Sirius as this stud muffin that everyone was tripping over" that's canon actually. JKR goes out of her way to tell us how handsome and attractive he was pre-Azkaban every time it comes up:

His face wasn't sunken and waxy, but handsome, full of laughter. (Prisoner of Azkaban)

Sirius was lounging in his chair at his ease, tilting it back on two legs. He was very good-looking, his dark hair fell into his eyes with a sort of casual elegance neither James's nor Harry's could ever have achieved, and a girl sitting behind him was eyeing him hopefully, though he didn't seem to have noticed. (Order of the Phoenix)

Sirius stared around at the students milling over the grass, looking rather haughty and bored, but very handsomely so. (Order of the Phoenix)

(I'll stop here because I don't have my books with me and digging up the quotes is proving difficult.)

4. "It's kinda vain as a women" Can You Even English, Bro. Are you saying that I describe Sirius as a person who is as vain as a woman? If so you're not only incorrect, but also sexist.

5. "Sirius not being able to recognize that his best friend/brother was in love with Lily Evans?"

We're talking about My Best Friend's Girl, right? Here's the quote you've been searching for:

Sirius had sometimes thought that James might fancy Lily. He had caught him staring at her, he had noticed something particular in his tone of voice when he spoke to her; and yet, every time he had asked him, James had vehemently denied it.

And because I can't shut up about this story, here's another quote from that same scene:

“D’you think she likes you?”

“We’ll find out.” He grabbed another handful of beans out of the packet in his backpack and stuffed them in his mouth, watching James intently. He had returned to his studying, but he looked vexed. “D’you think I shouldn’t?” he asked.

“Who am I to stop you?” James muttered, his eyes still on his book.

Sirius shrugged to himself. If James insisted on taking it all in stride, he wasn’t going to miss his chance with a beautiful girl on a hunch.

Sirius is not stupid. He knows James has a thing for Lily. But it's not his place or his responsibility to do anything about that for a James that won't so much as acknowledge it to his best friend. And he definitely doesn't think that, just because James likes Lily, Lily shouldn't go out with anyone. She's a free girl and she can like a boy if she wants to, including one whose best friend has a crush on her. Bad luck, Prongs.

(I could talk at length about everyone's behaviour in this fic but I'd rather do that in a separate post and not in one addressing a rude anon.)

6. "Sirius doesn't have tattoos" Still waiting for any quote from any of my stories where he has a tattoo.

7. "he's pretty much asexual in canon from what we know" lack of a sexual relationship ≠ asexual. Your interpretation is not the only valid one.

Final grade: L for LURK MOAR.

[schmirius]

okay but what if... a different ofmd s2

I tried several times to make a less tl;dr version of this post, but it's not happening. BEHOLD: a season I just like better. It fixes things that I personally didn't like (and I have a strong Ed and Izzy bias). I wanted to do a few major things:

Keep 2x01-2x03, because I love them so damn much. this unfortunately sets the stakes *really high* for the rest of the season, so...

Rework the characters that canon s2 introduced, to be able to focus more tightly on the Revenge's response to the 2x01-2x03 atom bomb.

Give Ed and Stede more focused arcs (individually and as a couple). Ed and Stede were, emotionally, at completely opposite poles in 2x01-2x03, and in canon I think they didn't connect much after that. So in my version, they'll do basic work to understand why their s1 meet-cute failed and how they can move on to having a real relationship.

Address Ed's very vividly depicted violence from 2x01-2x02. I found the amends depicted in canon somewhere between "unsatisfying" and "horrifying." Jesus did I need to fuck around with that!

the three major acts in the season:

ACT 1 (2x01-2x03) – Trauma! These episodes remain largely the same as in canon.

ACT 2 (2x04-2x06) – Recovery I've edited these episodes so Ed + Stede are entirely separated from Izzy + the Crew. This gives the OTP space to work on themselves and their relationship. Likewise, Izzy has space away from Ed to go through his arc of self-discovery and consider if he wants to reconcile with Ed. Izzy and the Crew all get a chance to recover from The Trauma on their own, together as a community. ACT 3 (2x07-2x08) – Reconciliation Act 2 has given everybody time to process Act 1 and how they might come out of it as better versions of themselves and a stronger community. Now the OTP and the Crew reintegrate and, in the 2x08 climax, prove all their work has been worth it by fighting together against an external menace. (It's Hornigold. It's got to be Hornigold. This is so obvious to me.)

* * * THE CHARACTERS:

Each crew member is talented brilliant incredible showstopping spectacular, but in the interest of brevity, the characters in the imaginary episodes are going to be:

Ed and Stede → The OTP – Ed and Stede as a couple. Color-coded red so you can follow their arc.

Izzy

The Crew, who begin in Act 1 as three separate crews:  → the Castaways (everybody Ed marooned/tossed overboard at the end of s1) → the Breakup Boat (everybody from canon s2 on the Revenge with Truly Insane Ed → the Girls (introduced below)

THE BOATS:

Most episodes are going to have two plots running, taking place on two ships:

The Revenge

The Pearl Diver (again, below)

Last terminology note: I'm going to be comparing "canon episodes" vs. "imaginary episodes" or "new episodes" a bunch.

Ready? Alright, let's kick it.

* * *

ACT 1 – 2x01-2x03 – TRAUMAAA

Ed + the Breakup Boat: The action on the Revenge remains basically the same, with the torture and the murder-suicides and all the crimes. Stede + the Castaways: I'd cut the Republic of Pirates in 2x01. Instead, I'd start with everyone at sea on the ship that rescued them (which also creates an atmosphere of everyone still being trapped by the awful shit that happened in 1x10). What ship? I think introducing Zheng the historical pirate is a really cool idea, but I also think it's one idea too many. Zheng's objectively cooler and more successful ship is always, implausibly, overshadowed by the lovable misfits on the Revenge, since the Revenge is the workplace that the show is about. This is annoying to me (and probably Zheng). Instead I'd make the rescue ship one of equal goofiness: Mary and Anne's ship. I'll call it the Pearl Diver, just because I can. We can lift the formula from Ed's ship in s1:

s1: gay men // s2: lesbians!

s1 power couple on the ship is Ed+Izzy // s2 is Mary/Anne

s1 crew members who later join Revenge are The Boys, Fang+Ivan // s2 will have the Girls, a surgeon and her competent sailor girlfriend. one of them is a trans woman, I said so

the set is just the Revenge with different props on, lol

Okay, that's our lesbian ship set up. It'll last five episodes and be a very easy foil for the Revenge. Stede: His 2x01-2x02 bit seemed to be "I love Ed, I'll get back to him no matter." I'd push that harder. New s2 will open with Stede as a brave romantic adventurer sallying forth into true love (the same way he was a brave romantic adventurer sallying forth into piracy in s1). So: "I love Ed, I'll get back to him no matter, and the force of our newfound love will be what straightens this all out." The OTP:  Ed and Stede are both hopeless romantics, of course, but they're coming at it from opposing genres. Ed thinks he's the doomed villain in a big-R Romantic novel. Stede thinks he's the little-r romantic hero in a bodice-ripper. Their job in new s2 is to shift ideas of self & genre to meet somewhere in the middle.

ACT 2 – 2x04-2x06 – RECOVERY

I think a lot of what s2 tried in mid-season succeeded, but it didn't really add up to anything. In order to advance Ed and Stede's arc(s), I'd isolate them from the Crew. This gives everyone space to start clearing up the Act 1 wreckage.

(quick 2x03 note:) The major change I'd make here here would be moving the Breakup Boat crew off of the Revenge sometime mid-episode so they can recuperate on the Pearl Diver instead. They get to leave the trauma boat, which gives them and us the audience some breathing room as we transition out of the murder-suicide portion of the season. In the Pearl's infirmary they meet the Girls – surgeon and girlfriend – and reunite with the Castaways. There's a palpable sense of each group feeling isolated from the others.

2x04 – really intense cleanup

Time skip: The Breakup Boat crew have been declared physically recovered enough to start repairing the Revenge (and therefore prepared to grit their teeth and return to the scene of their trauma). The Castaways offer to help; the Girls come along in solidarity with their new friends. The Revenge: (this is also 2x04 in canon) Izzy never left the wrecked ship, is doing Bad. The three separate crews do ship repairs, but then come together as one Crew to declare Izzy their unicorn.

The Pearl Diver: (this story has no equivalent in canon)

Ed: never leaves the Pearl's infirmary, is doing Bad. He's trying to come to grips with the fact that he did all that shit, the kind that his dad and Hornigold used to. Stede: is focused on telling Ed about their true love rather than trying to understand how awful Ed feels, to the point that he's telling his newfound love~ story super loudly to avoid talking about Ed's pain.

The OTP: They have a moment where they stop talking past each other.

Ed hears Stede when he says that he really does love Ed. (Ed doesn't necessarily believe it, but he's willing to listen.)

Stede hears Ed when Ed says he feels trapped worse than ever (though he's weirded out Ed thinks he's a doomed villain). (Stede, our favorite Ed stan, literally doesn't care what Ed did except as far as how Ed feels about it.)

2x05 – letting loose

Time skip! Again, everyone looks slightly less haggard. The Revenge: (this is 2x06 in canon; I've moved it to 2x05) The Crew: have Calypso's birthday, paid for with the treasure they wouldn't throw overboard in 2x01 because it's their treasure and not Ed's, ffs. Joyful, queer, "we're surviving, we're getting through this together." Izzy+Ed: I'm aiming to untangle the shitty parts of their codependency and eliminate Ed's outright domestic abuse. I read canon s2 as Izzy fully untangling himself from Ed and then presenting Ed as a gift to Stede, and I did not like that for anyone. I'm aiming to conclude new s2 with Izzy+Ed acknowledging how bad it was at the end (with a little more emotional insight than they might have been able to do in s1 – maybe this huge event in their lives leads to self-reflection and growth!) and how they could move forward maybe as very complicated friends. Izzy's going to be taking the lead on this one, because the codependency very much ended in Ed doing violence to him. He gets to decide what the fuck happens. So: Izzy: is finally somewhere without Ed, first time in 30 years. Now that he's been unicorn'd (feels supported), he has room to unwind and start discovering what he might like to do. So he does drag. And also sings about his complicated feelings for Ed, come on, Izzy has love for him. In new s2, Izzy still gets to bloom, but he remains closer in personality to his grumpy cunty s1 self, not quite consciously understanding how he's changing. The Pearl Diver: (this is 2x04 in canon; I've moved it to 2x05) The OTP: have the bonkers Mary/Anne dinner party (their f/f co-captain counterparts). They do their awkward exes bit. In canon s2, they see Mary/Anne as "these guys are so weird, wtf"; in new s2, they're more like "these guys are so weird, omg. remember how weird we were last year? that was so fucking great." Conclusions:

Ed and Stede have more in common than they'd feared (since, like, 1x10)

They see they can be dramatic assholes in love like these bitches and that's great.

But also: maybe they need to be less self-centered than "burn down your ship which is your entire livelihood without considering that this might kill your crew." Maybe Mary/Anne rowing off cackling in a boat together (to, say, China) isn't the W they thought it was.

also also: caught up in the adrenaline of understanding they're mad lads, Ed/Stede do the impulsive "taking it too fast" (canon: 2x06) and BONE.

Lastly: The OTP ask to reboard the Revenge now that there's no Pearl Diver, mentioning hopefully that they've learned a lesson. The Crew are not convinced. They maroon Ed/Stede on land at close of ep.

2x06 – restucturing

The Revenge: (this plot is similar to Izzy+Stede's story in canon's 2x05)

Haven't thought of a frame story I like here, honestly. But the point of the episode is that Izzy helps Crew to be better pirates. This does two things:

Izzy's getting a chance to choose to manage people for himself, rather than as Ed's minder or Ed's goon.

Crew are getting competent advice from someone who genuinely gives a shit (Stede or Ed do not fit the bill). This allows them to keep running things in a fairly democratic structure where they do make decisions based on actually, for real, Talking Things Through.

Crew: consider what they're going to do about Ed and Stede – who maybe have had time to sort themselves out a bit? – replete with silly company restructuring metaphors.

Izzy: probably does shirtless swordplay considers how he wants to deal with Ed. Talking to Crew he decides that he, too, can try airing grievances with Ed in workplace metaphors. (It doesn't take much to convince him. Izzy will always love being a professional.)

On Land: (this episode has no equivalent in canon)

The OTP: in true OFMD style, they attend a modern couples retreat that has 18th c trappings. It is run by the straightest dude ever (Steve Carell levels of Kinsey 1 in 18th c khakis).

This dude is obnoxious, but he does remind them to strike a balance between demonstrating their love by talking through their needs (e.g. 2x04 infirmary, 2x05 dinner party) and by taking action (which will always be bonkers for them, like 1x09 act of grace, 2x05 impulsive boning). I'm thinking of it like: Ed/Stede realize they're whim-prone (as in canon 2x04), and also there's this tool nearby.

They're like, hey, actually I really love you, and make out sappily for a while then wonder, bemusedly, why they didn't do that before fucking a bunch. ("but the fucking was still good?" "oh yeah mate, we should definitely always be fucking")

Unfortunately: The retreat ends abruptly when they spot pirate hunters closing in on the B&B and have to make a run for it.

ACT 3 – 2x07-2x08 – RECONCILIATION

I really couldn't tell what canon was going for at season's end, starting from about "Stede kills Lowe" at the end of 2x06. I found a lot of it contradictory and kind of ass-pull-y. Major divergences to follow.

2x07 – reintegration

(this episode is similar to canon episode 2x05)

The Revenge: Having spent 2x06 thinking about what they want to do next, the Crew decide they can take on Stede + Ed on their flight from pirate hunters. Everyone's back on the boat. I'd probably make the frame story here something silly and light-hearted like the Cursed Red Suit. Everyone can mingle in groups that are different from the ones they started out in during Act 1 – permutations of people from the three distinct crews, Stede and Izzy and Ed thrown together with people they haven't seen in a while. These different groups can brainstorm deeply stupid solutions to this probably fake problem. I'd probably make the frame story here something silly and light-hearted like The Cursed Red Suit. Everybody can mingle in different groups and brainstorm deeply stupid solutions to this probably fake problem. Ed/Stede: Crucially, Stede and Ed aren't together in any of these groups. They separate and see everyone and understand that they're not, actually, in charge of Crew anymore. It's weird but okay. They both have to legitimately listen like they've been practicing all season. Ed doesn't apologize but he at least doesn't fuck with anyone, so that's... fine. Izzy+Ed: They haven't seen each other since the murder-suicide farrago in 2x02.

Izzy: "You can do the big gestures but you're a shit captain, Ed. You can't be there on the everyday stuff." (with subtext: you need to give a shit about me all the time, not just when I can be convenient to you.) It's not any kind of forgiveness, and Ed can't offer an apology because he still doesn't understand them. But this is Izzy saying he'll talk to Ed (with more pushback than canon's 2x06 "oh look it's scowly face").

Lastly: This has been a monster of the week ep where the first five minutes were like, there's a problem which will affect us in the future! and then the middle of the episode is, but it's not affecting us right now so let's do interpersonal stuff! Sadly, whoever they dump the Suit on at the end of the episode reminds them the problem still exists: the pirate hunters are worse than they thought. Hornigold is on their trail.

2x08 – IT'S REAL PERSONAL

(this episode has no equivalent in canon.) And here we reach the locus of all my frustrations!

Nose Guy doesn't exist in new s2, so we don't need to blow up the Republic with no foreshadowing as in canon 2x08

Zheng's awesome fleet doesn't exist in new s2. The foreshadowing that she was planning something incredible doesn't have to come to nothing like it did in canon 2x08, when her fleet also blew up with no foreshadowing. (what was that badass montage from canon 2x02 of her crew portaging ships thru the jungle even for ;_;)

Canon s2's sudden decision to make the stakes of the entire season "oh, uh, everyone wants to destroy piracy?" and completely ignore all the interpersonal problems set up in Act 1 – that doesn't happen!

Probably nothing in imaginary s2 will be as intense as 2x01-2x03 were. But new 2x08 will be a claustrophobic, high-pressure situation where everyone will have the resolutions they made in Act 2 tested, in a situation as dangerous as the worst of Act 1.

HERE WE GOOOOO Cold open on the Revenge:

A scene that looks about as bad as Ed's storm in 2x02: Izzy is dead from a headshot, Crew are panicking, Stede is alone and can only shout to Ed that he loves him from far away.

Ed is kitted out as Blackbeard at his worst – makeup and all – and seems ready to, again, blow the whole ship up. Viewer is perhaps worried that Ed has, again, lost it. We balance on the precipice!!

TITLE CARD!

Chronological start of ep:

Wind back the action!

Time skip from 2x07: The Revenge has been running from Hornigold for weeks, hiding themselves in ever smaller spaces as they get jumpier and jumpier about the pursuit. (Think on deck → main cabin → galley → the secret fucking deathbed under the galley.)

Ed, off by himself, is beside himself at the thought of meeting Hornigold for real once more. He failed to kill him all those years ago – what must he do now to solve the problem for good?

Intercut with Hornigold's ship:

Hornigold is chasing them, being a dick in his sumptious cabin. It's light on the action, heavy on letting us know who he is.

He's cruel and violent, like Act 1 Ed, except (a) he's less concerned about covering up his awfulness with charm and (b) he's perfectly open about "I hate this guy I used to own and I want to kill him" (about Ed) in contrast to Act 1 Ed not being able to say anything of the sort about Stede or Izzy.

We already know what kind of evil shit Hornigold used to pull because mostly-dead Ed told us in 2x03, so, you know, good enough.

Ed has to kill himself and also his dad again, lol, we get it

Climactic stuff on the Revenge!

Hornigold catches up to them; there's some fighting or whatever; it leads us up to the cold open. But then it pushes through to: it was all a fuckery!!

(do not ASK me what kind of fuckery. they are hard to write, they are both deeply psychological and incredibly goofy. This is just an outline of a fake season LEAVE ME ALONE)

Ed was a distraction, acting how Hornigold expected him to act! It works: Stede kills Hornigold!

The OTP: The murder addresses how each wants to deal with violence in their respective genres:

Ed, when he did patricide on behalf of someone he loved (mum) got caught up the cycle of dreadful murder and trauma he wanted to escape. And now he sees that he can – he's not the doomed Romantic villain!

Stede, in doing step-patricide on behalf of someone he loves (Ed), commits in a real way to ruthlessly murdering bullies. He's a swashbuckler! He definitely likes it! Finally, he's found a way to express romantic love in a grounded* way. (*by OFMD standards.)

It's a deranged pirate sitcom way of turning their tentative courtship into a healthy adult relationship.

Ed + Izzy:

During the fuckery: Izzy is playing murdered-by-Ed, so he's "dead" on deck (vulnerable) amidst the chaos.

Ed throws himself over Izzy to save him from getting shot.

This doesn't erase all the shitty things Ed did! It's a big gesture instead of an everyday thing, just like Izzy was complaining about! But it's definitely an indicator that Ed would prefer not to drive Izzy to suicide and Ed does, even, ask if Izzy's okay afterwards, checking him over, before someone else points out that Ed got shot.

Lastly:

With final approval from Izzy – after a lengthy pause where Izzy looks at Edward panting and bleeding on the deck – the Crew decide to journey forth to find Super Good Medicine to save Ed.

THERE ARE HINTS THAT s3 MIGHT SHOW US:

Blackbeard's historic raid on Charleston (who is playing Blackbeard at that point? who knows!)

Ed and Izzy working on being weird-ass friends again, but without so much murder-suicide

Stede and Ed finally talking about how they want to spend their life together: what's between retirement and piracy?

This is all pretty okay because new s2 ends in a hopeful place where nobody FUCKING DIED jfc where everyone's grown a bit but, as always, still has room to grow more.

the end!

[axewchao]

Dal is such a a cool character! There's so much to know about him tho, so I want to ask to have a better understanding:

How many alternate universe Dal's are there?

By koopasona does that mean Dal IS you or like a part of you?

How long has he been around for?

Is there like, one main storyline his Mario verse self abides by, or can he like shift through realities? Or is there a Dal for every interest you have

Last one how did Dal and Luds get together? (I'm an OC x canon shipper myself so like a dork I had to ask 💀)

Sorry that's a lot I'm just really interested in knowing all the details 😭

Hoo boy, this could take a hot minute... Okay, let's just go from top to bottom!

1.) How many alt Dals are there? There's uh... a lot of them. Not including the Dallies, there's... sixteen of them??? I haven't stopped to count them all recently so this number comes as a bit of a shock. This number might not even be correct... :'D

2. Is Dalex my sona/part of me? Not anymore. Dal did start as a sona of mine, but evolved into his own character later on. I still use the 'koopasona' tag for him mostly out of laziness; by the time he became his own thing, there were already hundreds upon hundreds of posts involving him and I didn't have it in me to change his tag, even with the help of the mass post editor. Though considering that this lack of change can still make people believe otherwise, I should probably get off my ass and just do it already =w="

3. How long has Dalex been around for? According to dA, my very first post of him was back on my birthday in 2016. Dude's been running around for more than half a decade. They grow up so fast... ;w;

4. Is there a main storyline, or does he shift realities? In the Marioverse specifically, there's three different Dals: The Koopa one, the Human or "Real Worlder" one, and finally the "Hooman" one; aka the 'Nintendask-style' one that I haven't used in a very long time. The Human and Koopa versions both have their own separate stories, the former siding with the Mushroom Kingdom and the latter siding with the Koopas. No shifting realities here, or in any other 'verse for that matter, but there is something called the Dallyverse where Dals and Dallies from other realities can meet up and hang out. These multiverse meetups have absolutely no effect on the stories they live through; it's just for funsies.

5. Is there a Dal for every interest I have? Not every interest, but I can get the urge to toss a Dal in there very quickly. Even if I never go through with it, the idea will sit there in my head for a while.

6. How did Dalex and Ludwig get together? I've seen your ask blog; Suzuka's pretty cool too! ;3 But to actually answer your question, that depends on which Dal you're asking about. I'll assume it's the Koopa version for now. This answer's a bit long, so get a snack ready =w="

It takes both of them a while to realize how they feel about each other. As much as Dal enjoys romance as a genre and can see it between other people in real life, he doesn't notice when romantic attention is directed at him. He's never had a crush before either, but knows for a fact that he'd never fall for someone he barely knows (bro's demiromantic). It isn't until someone points out how his soul sphere (the blue thing in his hair) kept turning pink around Lud that he got on the right track; thinking about how much he enjoys spending time with Lud beyond Koopa heritage/magic lessons/general Koopaling shenanigans is what helps him realize that something... more might be there, at least on his end.

Does he confess? Oh hell no. Despite what his normal demeanor may imply, Dal doesn't always have a high opinion of himself and the effect he can have on others. What's so special about him anyway? What could he give Lud that more than a dozen other Koopas out there couldn't? What if he just bores Ludwig in the end? It's... probably better if he doesn't do anything...

On Ludwig's end, he doesn't notice it either, but the signs are more obvious. He starts seeking Dal out even when they aren't scheduled for a heritage/magic lesson. He finds it easier to talk to Dal with each passing day, even when they aren't alone. Dal's presence has a calming effect on the normally stand-offish Prince, with the latter's title having practically no effect on how Dal treats him making it even better. He actually leaves the castle to visit Dal's place, even spending the night every now and again.

It's... comfortable. Peaceful. More than Ludwig thought it would be. He knows that people like Dalex are hard to come by when you're of such high status, and knows how lucky he is to call Dal a friend.

The Chain Chomp incident happens, and Dal's injured. Lud refuses to let anyone else touch him; the thought of Dal getting hurt frightened him more than it should've. Dal was able to handle himself against two loose Chomps, Lud knew he wasn't hurt that badly, but still...

He starts getting handsy; first checking on Dal's wounds and later leaning on Dal and staying close to him without realizing it. Nearly nuzzling him at times. He doesn't think about it, he just does it like it's instinct. It's as easy as drifting off to dreamland.

Then his siblings spell it out, and suddenly he feels like he's having a nightmare.

Thing is, Lud's already been in two relationships before meeting Dal, and they both ended badly. He was a bit more open about his first boyfriend, but said BF was effectively scared away by jealous "fans." The second left him because Lud tried too hard to keep the relationship under wraps, leaving said relationship feeling more like a dirty little secret. They parted peacefully, but the breakup left Lud crying himself to sleep every night for over a month.

He'd already messed up twice, and he did NOT want to mess up a third time. Not with Rathmore.

Despite this, Lud's pining soon becomes unbearable. He can take a rejection, really, and he'd thank all the stars in the sky if Dal actually said yes. It's just the public's reaction that Lud's afraid of since they already scared one guy off. They might scare Dally too.

He confides in Lemmy about all of it. His cousin encourages him to go through with confessing; third time's the charm, right? Dal's got a good head on his shoulders; if he can take two Chomps, he can take crazy fans. Plus, with everything Lud's taught him, he can protect himself even better!

It takes a while for Lemmy's words to sink in, but eventually they do. Maybe... maybe things will work out this time. Maybe he doesn't have to be too cagey, and won't be forced to pay a price if he's more open. Maybe he can just... be, and that will be enough. It certainly feels like it's been enough so far; Dal's always understood whenever Lud wanted to stay inside or had work to do and therefore couldn't hang out...

He... really was perfect, wasn't he? Exactly what Ludwig had always wanted. He'd be a fool to let Dal slip away.

Ludwig Von Koopa was many things, but a fool was not one of them.

[aveline-amelia]

Jim Moriarty and bi erasure in The Sherlock Fandom

So I saw someone making fun of Moriarty/Eurus by claiming Moriarty is the gayest character in the show and that Jim even asked Mycroft how he wanted him in TFP, all, of course, in obligatory OUTRAGE CAPS LOCK.

Which is why I feel the need to make the distinction between saying "he's gay" in a "he's so into men" vs "he's so not into women" way. That requires acknowledging both asexual and bisexual erasure. No matter how flamboyant Moriarty is and how many sex references to men he makes, none of that is proof of homosexuality until:

Moriarty makes a definitive statement on his sexuality we are supposed to believe. (I'm gay)

Someone else makes a definitive statement on Moriarty's sexuality that we are supposed to take at face value and believe. (He's gay)

The Powers That Be make a definitive statement on Moriarty's sexuality and the way he was written and portrayed (Moriarty is gay and was written and portrayed as such).

Not all statements on sexuality are clear and definitive, such as Irene saying she's gay but admitting to attraction to a man in the exact same statement and having bisexual coding (both parties separately, male and female clients).

Or John saying that he's not gay but then never clarifying he's straight or not attracted to men.

And we all bring our assumptions when observing potential clues or statements regarding someone's sexual identity.

For example, Harry Watson could be bi but we assume she is a lesbian and we are mostly likely meant to assume that and at that she is probably a butch lesbian or somewhat GNC due to a usage of a masculine version of a name (Harriet -> Harry).

This could be wrong. She could be a feminine bisexual woman who prefers to be called Harry and just happened to fall for and marry a woman.

We don't know the sexuality of the innkeepers in THoB but we assume they are gay men. We assume Raul and Kenny Prince are gay men.

Moriarty refers to his role as Jim from IT as "playing gay" yet he gets flirty with Sherlock in the next sentence. This could all be part of an act, but I do believe reading Moriarty as a straight guy who just likes to mess with people is inherently heteronormative.

Some see Moriarty as a queercoded villain, and some see him as a genuine example of LGBT representation. Maybe not necessarily good representation, but that is subjective. But I do wish people would consider all options before they claim such regressive and potentially harmful opinions as fact.

Headcanons are fine! Claiming something is canon when it is not is different. I am still not over the "confirmed heterosexuality" comments regarding Mycroft and the whole bunch of "straight/het Mycroft" jokes.

And that is coming from someone who believes the Lady Smallwood scene was indeed heteronormative, albeit for different reasons than most people, I believe. But that's a topic for another day. No, seriously, I'll get there.

It's one thing to claim you do not believe a character is bisexual if you don't. It's another to deny bisexuality as an option when it is oftentimes the only option that takes all the evidence into account and does not require stretching the truth or ignoring tells.

Also Moriarty could have had Mycroft on that desk right there until he begged for mercy twice and that still wouldn't have been proof of either of them being homosexual men.

[averageartistamber]

My Thoughts on the FNAF Movie (Will Contain Spoilers)

Managed to watch the movie last night, and I gotta say, despite being someone who's not a fan of horror movies, I really enjoyed it. Though a massive part of that enjoyment is of course being a huge FNAF fan and that I have a huge soft spot for practical effects.

Okay, so the first thing I wanna say is that I appreciate how the movies seems to be it's own separate continuity from the games and books (although it does heavily reference both), and if we get the sequels, it'll probably be the most coherent version of the story.

Honestly, I think the movie's probably a decent place for a newcomer to start (albeit if they are made aware of there being differences between it and the games). I do feel like modern FNAF is starting to get a bit overwhelming for non-fans, since there seems to be this expectation withing the fandom that everyone is up-to-date with the "lore" as it drops in real time. This is already a lot for someone coming in, and with the ever-growing reliance on the spin off books to give contextual information, things feel like they're complicated...kinda for the sake of being complicated?

So, yeah, I really appreciate that they made the movie's plot followable, while still throwing in a lot of background details for long time fans and lore nuts.

Now, I could make a whole comment on the people saying it's not "scary enough", but honestly, I think they pretty much got the right level of "scary", considering the source material. Like, people are talking about the scare factor and lack of gore as if their aren't several pretty violent deaths that are at least partially onscreen (and in my opinion, the "censorship" makes some of them more effective. The dude who gets locked in the room with Bonnie comes to mind).

I think the "scare/gore dissonance" is coming from a lot of the fan-made content that's been hanging around the internet, and people wanting the canon material to be "like that", then being disappointed when they're reminded that it isn't.

The third thing I really appreciate is how the animatronics are portrayed. Despite common criticism, I think that seeing them alternate between violent and childlike actually makes them more unnerving. Like, in all the scenes where they hang out with Abby, first, it reminds you that they're children, and probably just wanna do, like, kid stuff, and the Fort scene was great for that.

At the same time, I was kinda waiting the whole time for them to turn malicious again any second. This very much applies in hindsight when Mike realises that the kids want to kill Abby so she'll stay with them forever, which casts a lot of their "nice" scenes in a much darker light (though still a very tragic one).

Wonder what'll happen to them now they're (probably) free from Williams control. (Unless Goldie Kid usurps the leader position. Unlike the others, I feel like he's more genuinely malevolent).

Also, Vanessa was done so dirty in the games, so I'm really happy that she has a major role in the story, and I think making her subservient to William via "mundane" means rather then supernatural brainwashing is a better take on both Vanessa and Williams characterisations. Makes him way scarier in my opinion.

Also having Mr. Cupcake be an absolute menace AND the one that finishes off Willy is freaking hilarious (ironically so if you follow the theory from the games that Chica was one of his earlier victims.)

Uh, yeah, I've said quite a lot. I might come back with maybe a theory or two on what the sequels could entail. So, I'll see you all again soon, thanks for reading. :)

[icedteaandoldlace]

pretty sure ive already sent some of these ships as bingo for u before, but i'll fucking do it again: SNOWWEST, E-1 KILLERSNOW, KILLERSNOW OF THE E-1 AND E-2 VARIETY, WESTHALLEN (eddie, not eobard) AND FINALLY...... olivarry :3

Snowwest

This is pretty much my only Caitlin ship besides Snowstorm, and also one of my only consistent fanon ships (in other words, one that I always like and don't just need the right set of circumstances to get on board with). I love the crumbs of their friendship that we got in canon, and I wish we'd gotten more of them!! 😭

E-1 Killersnow

I'm mostly neutral on them, and that's probably because I have such mixed feelings about them due to their canon development. Before Frost showed up, the foreshadowing of her emergence indicated that Caitlin had a tendency to repress her emotions, and that she had an edgier side that she didn't always let show. So when Frost did show up, I was prepared for her to be an extension of Caitlin that Caitlin had to learn to come to terms with, and eventually she'd become a balanced version of both sides. Then I saw a gifset someone made with the caption that they were girlfriends, and I thought that was an interesting take, because that would make Frost a whole separate individual who just happens to share Caitlin's body, and the idea of them navigating dating under those circumstances would be very interesting. And then, of course, canon decided to turn them into sisters, which I can also see the appeal of, but the whiplash that retcon gave me makes me reluctant to refer to them as such. Tbh I still see season 3 Killer Frost as Caitlin, and I see later-seasons Frost as a completely different character, and seasons 4-5 Frost goes back and forth, so it makes for very inconsistent feelings about them. And of course, I headcanon Frost as aroace and Very Much Not Into Anyone, so I'm not super invested in any ships involving her.

E-2 Killersnow

Earth-2 Killer Frost is much more clearly depicted as Caitlin Gone Evil, and season 2 had a fuzzier, less developed concept of doppelgängers than season 3 and onward, so to me it just kind of seems like shipping Caitlin with herself, just with a different life?? Idk if that makes sense. I do enjoy the one-sided aspect of them, though. Killer Frost was definitely feeling some type of way about Caitlin.

Westhallen

BINGO! These guys are mixed feelings city. I can't really see them working out, but there are aspects of it that have potential. Like, I feel like any couple combination of them could work out (in an alternate timeline) with the other as their bestie third wheel, but given the love triangle in canon, I feel like they'd just be constantly at each other's throats if they tried to all be a thing together. It may be the Dan, Vanessa, and Olivia threesome storyline in Gossip Girl shaping my view of this, since they had a very similar trio dynamic. Also the fact that I've never read any fic for them, so all I have is their canon dynamic to base my feelings on. That said, props to the Westhallen fandom for their use of that "there's three people in this relationship" line. My hat's off to ya. 🎩

Olivarry

I may be alone in this, but I've just never seen Barry and Oliver as being that close. They have some good moments here and there, but it seems like the majority of their relationship is just clashing over crime-fighting styles. I just don't really get it. Of course, the erasure of Cisco as Barry's best friend among the Olivarry fandom doesn't help my enthusiasm level any. On that note, I actually enjoy Olivibe's interactions more than Olivarry's, and I'm waiting for the day someone decides to do something with that.

[ooops-i-arted]

I'm relieved to see that at least some other Star Wars fans are as sick of Ahsoka Tano as I am. Do you think there'll ever be a point where Dave Filoni will ever get rid of the annoying orange for good? With him literally breaking the space contiuum to save her from what would have been a fitting end for her character, I think it's doubtful.

No, not as long as he's in charge of Star Wars and as long as the majority keeps eating up his version of Star Wars. Everything he touches has to be part of his Ahsoka & TCW Extended Universe. (I'll spare you an essay on how much anxiety I have over Mandalorian season 3 just being another season of Din being pingponged between Filoni's favorite plot arcs instead of the story being about him and Grogu. I miss the freshness of season 1 so much, with all its new planets and characters I fell in love with, just being consumed by TCW plots/characters. Bo-Katan & the potential of the Mandalore storyline excite me but I am just so worried it'll be about what Filoni cares about rather than what's best for the story and Din's arc.)

Ahsoka won't die unless Filoni comes up with what, to him, is an epic and worthy death (probably where she saves the galaxy, stops Order 66, and can live happily ever after in an alternate universe with Anakin forever; Padme and her importance to Anakin are completely ignored, of course) and even then he'll just go back and write EVEN MORE fanfic about her life like more Tales of the Jedi stuff about her past, or a whole What If series focused on her, or something else equally ridiculous. Imo he's basically a fanfic writer promoted to canon and he's gonna make all of us look at his sooper speshul awesome OC until the end of time.

Not intended as a diss on fanfic writers or anything, just that his attitude is the same I had when working on my super amazing powerful perfect Jedi OC when I was eleven. Which was great! I loved it! I had so much fun! But I was eleven. I have higher quality writing now. Like, No Prison Can Hold was just the adult version of me playing with my action figures, but I still wanted to tell a story with a beginning/middle/end, have a character arc for Din, and keep all characters aligned with canon once I decided it was a story that should be that way (and in fanfic you don't have to do that! in canon you do!). If I wrote like Filoni, Din would be rescued by my super amazing Jedi OC from childhood, she would hold his hand and lead him through the whole rescue and always be right, and the climax would be how SHE felt about Din and Grogu's reunion. It would be a much less satisfying and well-written story if I sacrificed the story itself at the altar of my favorite OC.

Tl;dr I have Concerns about the writing quality and I see Ahsoka as the canary in the coal mine for it. Especially after Book of Boba Fett, where Din was the Super Special OC taking over the show (Din is just a more balanced character, he has flaws and doubts and a more realistic skill level; 14 year old Din wasn't beating General Grievous for example), but of course we had to shove Ahsoka in there too, and Cad Bane to finish an arc THAT WAS NEVER EVEN IN TCW AND I NEVER WOULD HAVE KNOWN ABOUT WITHOUT TUMBLR, so I'm guessing the average audience member didn't know about it, and DIN AND GROGU ARE REUNITED IN NOT EVEN THEIR OWN SHOW, a HUGE moment and like ten minutes after being separated which was a big deal so it doesn't even feel earned, like this was a travesty of writing. Ahsoka is just one of the more obvious symptoms of writing whatever you want instead of planning a coherent arc and caring more about connecting your show to another show instead of focusing on your main character and making the story actually about them.

....I guess you got an essay after all. Oops. Like I said I have strong feelings on this. If I, a fanfic writer with a full time job on my hands (being paid WAY less than Filoni, I assume), can make the time to write with consistency and character arcs and focusing on the main character and all that, surely Filoni should be able to when it is literally his job.

[the-force-awakens]

Oh it frustrates me too. I think when it comes to the visual dictionaries, it's safe to say they're not the best examples for Poe - and imo nothing by Pablo Hildago is going to be. He seems to not like Poe and doesn't seem to have a problem skewering facts to suit that (see: the tlj visual dictionary pretty much entirely rewriting Poe's arc and claiming he 'seeks out' Finn and Rose's help to mutiny as soon as he meets Holdo which we see plainly in the film is not what happened. There also seems to be the preferred method of the tros dictionary to refuse to acknowledge Poe blew up Starkiller and saved countless lives, instead wanting to pin him as an arrogant mutineer who just causes trouble instead of a hero who has saved lives.)

With the flight log and etc, I just sort of play fast and loose with stuff in what I personally consider canon — it could be the Doctor Who fan in me, but I'm a little more willing to accept a handful of small continuity errors (such as him meeting Tekka, there being jetpack troopers in the first Poe arc), but if something is regularly contradicted — yeah I'm gonna say that's probably not canon.

This is now just my own personal thing but I count the first, I want to say 25 issues? of the Poe comics as canon, ending with that issue when Snap and Karé get married and he has that conversation with Tekka — because that was actually supposed to be the end of the comic run, but the title and Poe was so popular Marvel extended it and Soule had to very quickly hobble together another two arcs, but those two arcs have been contradicted by a ton of other media. Obviously, you have the tfa novelizations and the flight log contradicting Poe's version of events in tfa, but in both tlj novelizations Leia gives him his rank back officially pretty much as soon as they reach Crait, whereas in the comics it isn't until afterwards in the Falcon.

Furthermore, those arcs just keep getting contradicted - Wrobie (my beloved lesbian starfighter pilot) is cited in the star wars databank to have been missing from the D'qar evacuation because she was on a mission with Snap, and then last year's fantastic short story between Rey and Poe in Stories of Jedi and Sith takes place a few weeks after tlj and they're still living on the Falcon, which effectively knocks out both those arcs and (to my personal euphoria) Resistance Reborn - which in itself, gets retconned by tros, because they go for the (imo more meaningful) explanation that the galaxy has lost hope and that's why no one responded.

As for the overall timeline of the cold war - I just don't think they can decide how long it took, quite frankly? They change their minds on it every so often (originally, Han and Leia had only been separated for a year which I find hilarious considering their dramatic ass reunion and I wish they hadn't changed it for that reason), and again...I personally don't count the visual dictionaries as good for anything beyond minor character work + details on tech and little snippets of background stories because they're so often retconned. I know the fandom treats them like bibles but I see them as suggestions rather than orders.

I personally feel vindicated that it's officially confirmed my estimate for freefall's events have been canonized (since the visual dictionary did positively nothing to try and line up with it) and I was right about when the Resistance was formed but I utterly refuse to believe everything in the comics and SW Resistance happens the same year as tfa, I know time works funny in the gffa but damn (the implication Poe became crucial to high command in the span of (1) year and a general in 2 is impressive I'll give them that).

I like to think, regardless of what Lucasfilm tells us or inevitably changes their minds on, that he's been there for at least 3-4 years before tfa happens, just simply because I like the idea of him, y'know, being there for so long and having this rich history with the resistance and leia before Finn or Rey ever enter the story.

Maybe it’s the fact I’m studying to be a historian and instead applying my research skills to crafting a Star Wars mega timeline but I have personal beef with whoever is in charge of Poe’s timelines in the visual dictionaries and timelines books.

Joins spice runners at sixteen, in Freefall only a year goes by before he leaves but the visual dictionary says he goes home five years later, same dictionary says he joined the resistance three years before the force awakens and now the Star Wars timelines book has retconned that to one year before and squashed all of the comics into that year as well.

As frustrated as I am I do appreciate them feeling the need to point out in the visual dictionary he’s rarely clean shaven.

There’s just so many contradictions in canon media when it comes to Poe, such as having him meet Lor San Tekka in the comics and then in the flight log having Poe comment on he was surprised by his appearance when they met on Jakku

If only I could pay this much attention to detail when it came to my actual university assignments.

[sparklingpax]

In Relativity

A/n:

-I could not, for the life of me, figure out a better title. You get that. Not even sure if that's what I mean and I'm so sorry. But I am also not taking suggestions

-being absolutely serious, a good 90% of this was written during my health class and/or lunch periods in which I wasn't hungry.

-i am so sorry for typos and grammar stuff I probably fucked up, please please try ignore it if you see it, I'll fix it eventually 😳

-this is so incredibly long, I'm realizing. It's like 30+ pages...sorry--

-a few specific details I'd like to point out:

no, this is not 110% accurate to Masterforce canon, tho I tried my darndest. Part of the reason is lack of clear answers about certain questions I have or limited access to sources that would help me figure out details of their pasts more accurately. The other reason is that I'm also actively choosing not to adhere to some details because I was ultimately writing for fun and experimenting with tone and how I perceive these characters so...do not lecture me about something I screwed up, I am literally just vibing ok

This is still set in Masterforce canon, however. This has nothing (I repeat, nothing) to do with any of the marvel stuff/American comic stuff that involved these characters. It's my understanding that the versions of these characters in Masterforce are their own separate entity to the comic stuff, I am trying to stick only to the anime and stuff connected to that. so....yea

It is my headcanon that I will absolutely keep that the Pretenders have in their files/any technical stuff their "full names" (e.g: "Cloudburst"), but refer to each other with their nicknames (going back to that example, "Phoenix"). It's like, they use both names whenever and don't mind either way. Hence......that.

I wanted to write something about Landmine, literally that was it. I guess overall I'd call it semi-Landmine-centric....Idk but I enjoyed it, he's a cool dude 👀

this is in fact, where i finally reveal myself as a person who also Lowkey ships Lander/Diver and also the idea that they have this...very complicated relationship with each other, which is why they've never really gotten together....I hc that they actually do finally get together at some point during the events of Masterforce (which I also, really want to write). Yes, this is very similar to them in my AU except it's not as complicated as the one in canon. If that makes sense 😳 Also, before you come for my head, it is a healthy relationship in the sense that there has never been any malice between them, and no instances of causing the other serious pain in any way. They like each other a lot, but both don't really know...how to go about it. Idk y'all but ykw I know what I mean. 

I tried so hard with terminology here but my dumb ass doesn't know anything about tech or aircrafts or whatever so...deal with it but don't point it out I'll evaporate--

Upon much consideration, I decided to end it somewhere like, before events of masterforce. I'd say a couple years maybe?? Like 15?? (So tha puts us at 2005, which as I'm writing this omg that's my birth year oop--) So just. assume stuff happened and...following will be the other canon stuff....i guess o//o

So...yea, that should be everything I wanted to mention!

Enjoy (? Or don't? ;w;)....I wrote this for fun & I kinda liked it I guess, so here I am sharing it...lmk what you think if you want, please keep it positive, I get so extremely nervous sharing my writing sdjdsjsdj 😳

...um...so...t-thanks 🥰

That’s what Landmine had been told the first day of Cybertronian Military Academy. 

///

Above all else, a good spark stands for justice, protects all life, and does what’s right. 

It was a phrase taught and repeated every day without fail, quickly memorized well before the end of first semester in that first year.

And when he’d entered Autobot ranks within mere weeks of his graduation amidst the start of the war, it was a phrase shouted to his unit by their commanding officer, only slightly altered this time. 

“Above all else, a good Autobot stands for justice, protects all life, and does what’s right.”

Yes, that was it. Just a slight change. 

But he always wondered if it meant to subconsciously induce very particular thoughts.

‘And if we Autobots do good, then the ones who aren’t us must be doing evil.’ 

To name a few of the supposed many, that was the Decepticons, the rogues, and the subspecies of the planet who didn’t feel inclined to participate in such a “selfish conflict,” as one commentator had put it during a newscast. They were the evil ones, preached the drill sergeants and captains.

The logical conclusion, as it could be surmised. No one said anything about moral. 

As for Landmine himself, he had no problem with “standing for justice,” however vague that was. Considering the lack of any attention, it seemed he was in line with that value, not standing out from the rest and all. 

The case was the same with “protecting all life.” After all, that was a clearer command, and obviously, the noble thing to do. Landmine liked his friends, nature, animals. Of course he’d stand to protect them. 

But for the last one, in the in-betweens to his drills and assignments, throughout all the years of his schooling and the time spent in the trenches of battles, he often wondered what it meant. To “do what’s right.” 

What was a…‘good Autobot’ anyway? 

He could recall the answers he’d received. 

“It means you follow orders,” one older bot spat, laughing. He had then put the ratty cigar back in his mouth and turned away. Clearly, the conversation was over. 

“A good Autobot?” Echoed a solemn youth, shining his shotgun. “Well its in the words you’ve just said! A good Autobot stands for justice, and they protect all–” 

…you get the idea.

“There are none,” was all a small-framed purple bot croaked, taking another sip from his oil can. He’d died on the field, screaming in agony, about one week later. 

And there were more answers, and Landmine still couldn’t figure out his own. But there were more pressing matters in his mind. Firstly, the matter of leaving this dull, doomed unit. 

See, he was a bot who enjoyed adventure, thought himself particularly good in battle. He was known for good one-liners, for his looks, and his sharp shots. This wasn’t the place for him. At the risk of being prideful and conceited, he often thought to himself, that this was no place for him to die. 

It was ugly, style-less, depressing, cold, damp…boring. 

For years, he hoped for more, and finally one day, he got it. 

“Hey!” 

…

“Oh yeah? Well you can take your attitude, and shove it up your tailpipe, Xy.” 

“‘Hey’ yourself, you're not part of this, so butt out you aft–” 

“Aft? Excuse me? I’ve a good mind to report you for that kind of slander and harassment!”

“What?! I didn’t slander you!! I'm not even harassing you, I just insulted you, but--but that's subjective, a-and I didn’t say –”

“Shut up, you two! There’s someone knocking.”

Landmine lifted his gaze from the book he was reading when he heard Klint shout for everyone to quiet down. 

As usual, it was another night in his section base–of the hot-head rookie Cinderflame being aggressive towards “two-word” Xy, and then somehow, getting into an argument with the self-important, self-declared “rulebook” of their subunit, Max. 

But the knocking at their door continued, louder this time. Cinderflame started to protest, and was quickly silenced a quick cuff to the back of his head by Max. 

Landmine closed his book very slowly and sat up in his bunk, watching as Klint quietly got up and headed to the door, activating his gun. Meanwhile, everyone else began to tense up, including Landmine. 

It wasn’t unheard of for mutinies to happen, for somebot to snap and go on a killing rampage, or for the enemy to have infiltrated and quietly taken command of a base. Any number of things could be behind the door, as it wasn’t normal to get a knock on the door at this hour of the night. 

But to their relief, the entity behind the door identified itself. 

“14-E, I order you–open up! Right now!”

Klint lowered his gun and sighed, more an annoyed sigh than a relieved one. They all knew who’s voice that was, and Landmine wanted–and was sure he had–no part in whatever was happening. 

‘Racker,’ mouthed Cinderflame in Xy’s direction, who rolled his optics and went back to organizing bullet shells. 

The other “rulebook” bot, except Racker was official, not self-declared. 

“I’ll mark you all for infractions!” He shouted in an attempt at an assertive tone, pounding unceasingly at the door. 

“I’ll mark you with my fist,” muttered Klint, trudging over. As he did so, Cinderflame snickered, then looked to Max, who was trying his best to keep a serious expression. Even he had no respect for the elected section head, but didn’t want to admit that. 

Well, I’m out, thought Landmine as he fell against his berth and opened his book again, hoping to get back to the story, detaching from the group.

He had no such luck, of course. 

The door opened at last with a high-pitched squeal of old metal, and the section head marched in, shouting for them to stand at attention. Below, Cinderflame gave the beginning of a groan, but it was cut short with the sound of someone elbowing him. 

 See, there was no such procedure in the rulebook, Landmine had discovered a while ago. But, there was also no point in raising that argument now. Begrudgingly, the group all followed the order and lined up at the door. 

Marching in stiffly, the grey-plated bot looked them up and down, a sharp look in his eyes. Then, he stated his business. 

Landmine was wanted in the unit Commander’s quarters.

For a moment, he considered it was some sort of elaborate prank, but that thought was quite fleeting. Jokes of that kind weren’t common around this sector, if at all. 

And if Racker was involved, well…

Doubt he knows what a joke is. 

“Well don’t stand there, move your metal hide!”

“Yes, sir!”

He felt side-eyed gazes of pity on him as he left the line. He felt them follow him as he walked out the door closely behind Racker, and into the barren, darkened clearing. But he was far more curious than worried. He could have easily run ahead to those quarters himself. 

Leaving Racker in the dust was quite easy, anyway. 

…

Racker, expression solemn and blank as ever, stopped at the white door and jerked his helm in the direction of the entrance, then folded his arms and turned forward, as if Landmine was no longer there. 

Go in. Alright. 

Landmine smirked to himself, then reached over and pushed the door open. 

Well. If I’m court-martialed or something, at least I’ll finally be put out of my misery. 

“Good evening, sir,” Landmine said, striding into the room. “You asked for me?” 

He’d never been in a commander’s quarters, and just taking one look at the state of it, he could infer why.

Something to do with the cleanliness of it, the quality of the tools in it…lower-ranking officers certainly had no place here, he could guess.

We belong in our cramped spaces, eating stale oil in our shared, low-rank misery. 

And finally, his optics had fallen on the commander himself, Swipecatch. 

Come to think of it, Landmine was sure he’d only seen the bot once. Or maybe he had a new paintjob? 

I’d like a new paintjob. 

He saluted and straightened his posture before the silver-blue-plated bot finally looked up from a manila-colored folder with messy scrawling and red stamps. It looked like it was important. 

It also looked like a processor-ache to decipher. 

“I did. You’re Landmine, right?” The commander spoke a medium tone, reaching for another paper on the side of the desk and picking up a slim, red pen.

“Yes, sir.”

“You’re a Pretender, are you not?”

"Alright," he murmured, beginning to write something, before glancing back up at the younger bot. “At ease,” he finally added, and Landmine was glad for it.

His gaze was immediately back on the paper as he started to write something into the blank lines. Some more silence followed, broken only by the sound of the pen against the paper, and Landmine watched as he swiftly filled out every blank space, signed his name, then looked back up again. 

“I am told I have such capabilities, sir.” 

“And have you been to training for it?”

“Only at a minimum level, as per my curriculum at the academy, sir.”

“Have you yet attained your third form?”

“I have not been provided any such opportunity up to this point, sir.” 

“Uh-huh…”

Swipecatch nodded, seeming to come to some kind of internal conclusion and writing something in the corner of the paper, before stamping the paper and folding it in half. Landmine began to wonder if he was being disciplined. 

“Soldier, you have been requested to join a special dispatch team made only of three other Pretenders like yourself.” 

Or…this. 

“Now, I can’t imagine you love this place enough to do this, but you do have the option to decline and remain at your post here, as it will be a very dangerous, long-term assignment, far from Cybertron and even this very sector.

“You four will only be provided one ship and instructions to report to us when asked, as we are not able to provide further resources. You will be sent into space to track Decepticon ships anywhere deemed fit to assign your team.”

He eyed Landmine up and down, who stood motionless, staring unwaveringly at his commander as he waited for him to continue. So he did.  

“Your...commander will be a recent academy graduate, Metalhawk. I am not at liberty to share anything more about him than this.” 

He shifted back in his chair, tapping his pen against the table.

“Since I take your…silence…to be an acceptance of this offer…” he said slowly, holding out the folded paper and letting Landmine take it. “I am giving you this now, so that you may board the next transport ship that comes in tomorrow, at first light.”

Landmine unfolded the paper a bit, catching sight of the orders written in fine print above the uneven writing of his commander. 

Previous commander, actually. 

“This is not a promotion, merely a new assignment that my higher-ups feel you are equipped for. There will also be a training period with your peers starting the moment you are all gathered at your launch site. Do you understand?”

“Fully, sir!”

“Alright, then. Dismissed.” 

“Thank you, sir.”

 He vaguely wondered if the sound the commander made after that was a laugh or a scoff. 

 Landmine saluted again, and left the room, clutching the paper in his digits, which had begun to vibrate with excitement. 

Suddenly, all the years of stale oil and bleak death around him, putting up with various groupings that never seemed to work out–with this doomed unit–seemed worth it. They’d been part of some plan, something Landmine had to go through for a while before this, before…

 Destiny. It has finally called my name. 

…

“Mighty lucky, aren’t you?” Klint remarked, leaning against the wall and watching Landmine stacking a couple books. 

Landmine simply looked up and grinned.

 “Stay alive,” Xy mumbled from his bunk, not even shifting position to look at the team as they gathered in the center of the space. 

 His inspirational capacities truly sway the spark. 

“Thank you, Xy. I’ll do my best.”

The mech raised a thumbs-up, making no further comment. 

“This is favoritism!”

“It is not. It’s the will of our higher command.”

“Well, don’t you think it’s unfair?”

“Shut your trap!” Max made a fist and took a step towards Cinderflame. “Questioning high command could be treason!”

“Oh shove off, you annoying glitch.”

"I beg your pardon?!"

"Yeah, I said it!" 

Klint groaned, facepalming slowly. Xy, in his bunk, put on some headphones and inched closer to the wall.

As usual, not even an hour after wakeup calls, and the two were at it again. But while Landmine conceded he wouldn't miss the unwarranted noise, he knew he would miss being able to laugh internally at their stupidity. 

Cinderflame kicked at the ground and glared at Landmine, who was closing his bag and picking it up. 

“We have to stay in the scrap," he muttered, "but he gets to be special! He gets to–”  

Knocking at the door quieted the room. 

In the brief silence, Landmine wondered how pompous he'd sound telling Cinderflame that he was, in fact, a special bot. 

He decided it wasn't worth the breath.

"It's time to go!" Came the voice from behind the steel.

Landmine stood tall, strapping the bag to his back and heading outside, without a second look to his scrappy unit, who no doubt would forget his existence quite soon. 

“Landmine?” The gruff, unfamiliar mech asked, looking at the Pretender. 

“That’s me.” Landmine then noticed the markings on the sides of his Autobot insignia, certifying him as a higher-ranking officer. “That’s me, sir,” he revised evenly.  

The officer narrowed his yellow-green optics, almost skeptically. Then he spoke again. “We’re driving a while, two hours at longest. You fueled yet?”

Landmine nodded, feeling his excitement start to build. 

Naturally, the place where any transports or supply ships landed would be miles and miles from any camp, for security reasons. Only superior officers would know supply drop-off locations. One could imagine such things were carefully coordinated long before a ship's arrival.

It was then that Landmine recalled he’d never once been on a supply run.

And, he guessed, he'd never find out what it was like. But he was cool with that.

“Right. Let’s move out, then. And stay close to me.”

That won’t be a problem, sir, Landmine thought, excited for the opportunity to spin his wheels. 

He also thought himself quite proficient in the art of speeding in style.

They both transformed, then sped to the entrance of the barracks. The drive took about an hour, quickly clearing miles of dry, uneven land, until at last, coming upon a ridge, the tip of a large, grey mass could be seen.

He could feel the vibrations of anticipation–of excitement!–growing as the mass became more and more like the shape of a transport ship–his ticket out of this forsaken place. 

Briefly, he began to wonder what the new team was like, what the ship and its resources provided would be, where they'd be assigned first…

Will I see my new commander’s face more than once or twice, whoever it is? 

And at last, they rolled down the sandy-brown rocks and onto the clearing, below the massive overhang of the ship. Landmine could hardly contain himself, and transformed as soon as his wheels came to a smooth halt. 

His superior officer also transformed, drawing up next to him, folding his arms again.

"Well. Off you go." 

He offered a brisk pat on the shoulder pad before trudging off to the left and calling out to one of the smaller mechs in the distance. Landmine reached into the bag strapped to him and fished out the paper before marching up the boarding plate. 

Landmine made it through the security check easily, papers identified, baggage approved, and he found the area in the cargo hold where he was to remain for the duration of the ride. 

“You will not leave this area until we have reached the designated location. We will use force if you cause any trouble. Is that understood?” 

“Yes, sir.”

A cargo hold… 

Well…it was a free ship ride during a war.

Landmine waited for the guard to leave, then walked over and sat down against the wall, well within the space he’d been told to occupy. He held his bag close to his chestplates, wondered if a full power-off would be a good idea, or if the ride would be too short for that. 

It seemed they weren’t going to allow him that information, either. 

 Ah, well, they’ll just have to wake me, then. Who knows if I’ll get a moment’s rest where we’re going anyway? 

 And with a quiet whirring, his systems slowed and he leaned his helm against the wall, slipping into a peaceful powerdown. 

…

It seemed the guard wouldn’t have to come and wake Landmine after all, as the ship came to a halt at its destination with a large thump that shook the ship down to the nails in the wallplates. 

Landmine was instantly ripped from his powerdown, jolted awake as he was thrown forward and then smacked back against the wall again when the vehicle finally halted. Rubbing his helm rather drowsily, he gave a small pout. 

Whoever’s driving should have their piloting license revoked. 

But he immediately recalled where he was and what he was doing, and the excitement returned, grasping his entire body in its hold. Quickly, he grabbed his bag and scrambled to his feet, waiting for someone to come and let him out. 

Be cool, be calm, you’re acting like a giddy sparkling. 

 Right. Steady motions, smooth words. Just as usual. 

And finally, someone did come. Actually, Landmine realized upon listening closer, there were…two sets of footfalls. He wondered if they were maintenance bots, or maybe a pair of workers come to unload the cargo hold, not permit Landmine to leave yet. 

But he remained still, listening to the footsteps, coming closer and closer until–

“He’s in here. You’re…assuming responsibility before he reaches the camp, sir?” 

It was the same guard from before. But then, the other bot with him spoke. 

 “Of course. You know higher-ups don’t give information about assignments, leading to accidents and the like.”

Odd. Was it one of his new teammates? 

He must be higher-ranking than me to have that guard call him “sir.” Or maybe I’m being moved up a few–no, wait. Swipecatch said this isn’t a promotion. But then, why–

Suddenly, the door opened with a weighty hissing noise, and the yellow light from the halls fell upon Landmine, who’d been getting used to the blue shadows of this cargo area. He immediately turned and saluted, watching as the guard walked in first, looked around, then stepped aside. 

In walked a yellow-plated bot, who took one look around, then put a servo on the shoulder pad of the guard. 

“You can go if you like. I gather you’ve more important things to get to, and I know the way off the ship.”

With a small smile and a salute, the guard turned and headed out the door. 

Landmine watched, somewhat amused, as the yellow mech leaned his head out the doorway, calling a thanks to the guard before turning back to Landmine with an awkward kind of smile. 

He actually thanked that guard. How interesting. 

Landmine returned the smile, a little more confidently. 

“Right. Um,” the bot took a deep breath and walked up to Landmine, offering his servo for a handshake. 

“My name is Metalhawk. I will be your new commander. Your other teammates are already aboard the ship.”

 Optics flitting from the outstretched servo to the earnest, blue optics staring back at him, Landmine was beginning to realize something. 

“I understand any previous commanders you’ve served under might have made a point on formalities, but I’m more interested in forming a good team than being addressed as ‘sir’ and the like. So, if you don’t mind, I hope we’ll get to know one another better with time.”

And that realization, was that this had been the right decision indeed, accepting this mission.

To be fair, anything would have been better than staying to fight in the scrapheap of a place he’d previously been.

With that…team of characters to live or die beside.

But Metalhawk seemed to be normal, perhaps even kind.

Plus, if his intuition wasn’t off, most captains, generals, and commanders were on the older side, but this bot…

He must be good to be a commander this young. 

Landmine took his servo and shook it firmly. 

“Glad to be serving with you, Hawk. I’m Landmine.” 

 At the nickname, Metalhawk gave a little grin, seeming to like it. 

 “Alright then, follow me.”

With a friendly chuckle, he headed for the door and immediately started to describe the other two bots Landmine was soon to meet. As they headed down the halls and out of the ship, he quickly learned that an he'd be in the company of two fliers–including his commander–and one sea-faring bot.

An interesting and even balance of alt-modes.

 “...and this is our ship.”

They stopped, and Landmine found himself before a huge mass of shining, silver and white metal. The daylight bounced off it gorgeously, edging the ship in glittery light. The green-blue windows looked as jewels, without a weathering mark or scratch in sight. 

The softer-toned blue highlights on the side plating of the vessel led his eye to the elegantly-painted Autobot symbol on the front hood. 

They might have been given the one ship only, but by Primus, was it a beauty.

Perhaps those old generals weren't all so selfish. 

It could have been some old prison ship with extra canons strapped to it, after all. 

This guy's lucky to be commander and score a ship like this. Something tells me Swipecatch wouldn't know what this is like, and he's been in the game longer.

He almost chuckled aloud before remembering where he was. 

A platform began to lower from the ship’s underside, which hung a little higher than their helms. Standing on it was a familiar face, and Landmine couldn’t help but perk up and exclaim–

“Diver!” 

“Lander!!” 

He felt a warmth surge through him. At last, he was seeing a familiar face again.

Someone he'd really thought, he'd never see again.

“‘Lander’?” Metalhawk echoed, taking a step up to the platform. 

The machinery gave a smooth whirring noise and the platform began to rise off the ground and back into the ship. Landmine could only laugh, letting Waverider answer for him. 

“We were arguing once,” the dark-plated mech said, leaning closer to Landmine. He spoke as if telling a weighty secret. “So I started calling him ‘Lander,’ like for his land-based vehicle mode. He retaliated, calling me ‘Diver.’”

“Because you have a water-based alt.”

“Exactly!”

“‘Diver’ is infinitely more creative, you have to give me that,” Landmine cut in.

“But ‘Lander’ is more direct!” Waverider protested. 

“It’s the most obvious kind of name!”

The three of them shared a laugh. 

That was most of the story, anyway. 

As the three headed down the dimly-lit hallway, Waverider kept talking. He started to tell their commander about their shared academy days, about the classes they took, the things they trained for. 

After a point, he couldn’t quite hear what the mech was talking about, as his mind began to wander.

Landmine recalled in flashes of memory, the moments he'd left out of the story...the days following that ‘argument,’ when they’d made up, and both their ‘insult names’ became somewhat like…pet names.

Calling in the hallways, covertly shifting places during inspections or exercises to stand with one another, sneaking into each other’s dorms, speaking in hushed tones as heat rushed through their systems, as if finally realizing all these feelings which had been for so long already there…

His spark skipped a beat as he gazed at the back of Waverider’s helm.

You never apologized for the way you left.

He tried to push those thoughts away. This wasn’t the time to stir that up. 

But it never matters what the mind wants, the heart will always have its way. Guilt, too. Such a persistent thing, guilt–bent on collection of time spent contemplating the past. 

Sharp like a knife, hidden in shadows of daily happenings, its steely glint appearing every now and then, its blade cutting deep into a wound time has slowly tried to mend. 

Tried to mend. 

But I tried…

Landmine began to wonder again about the truest meaning of “do what’s right” was. If it meant for the other bot or for oneself. If being a “good autobot” carried over into matters of the mind and spark, hidden from the public eye, intimate and…

This is not the time. 

Right. Not the time. 

Rounding the bend, Landmine was surprised to find how quickly they’d made their way to the command center. Considering the direction they’d been going, he guessed it was somewhere near the center of the ship.

Landmine watched as Metalhawk stepped in front of Waverider and reached out to a smooth, blue panel next to the door. 

“In addition to the defaults being set up–which I need to fix–I’m the only one scanned for access right now,” Hawk said with a little smile. The door hissed and started to open. “But by tonight you’ll be scanned to the system as well.”

“And the door will open in seconds, not hours!” 

“Yes, Waverider, it will,” Hawk said, rolling his optics.

Landmine watched as the door finally slid to the side, revealing a polished room with pristine, white floors and walls. Along the sides were blocks of machinery he could only guess was what higher-ups meant when they referred to something as ‘state-of-the-art.’

Except this stuff is state-of-the-art. 

The front of the room had grooves that shaped a large window, wrapping around about half the side walls. Landmine guessed they were retractable for direct visibility during flight. 

We don’t even need the windows open to fly the ship. Magnificent. 

“During your pre-mission training together, you’ll be introduced on a basic level to all the machinery aboard this ship, and I will designate you to certain roles when the need arises.”

Everything sparkled in its modern, symmetrical beauty. It was all new, untouched, and would ideally provide the team with advantages in conflicts to come. At least, far greater than the shabby resources given to camps like the one from which Landmine had just departed. 

Far less could die…

“Yo!” 

Three helms turned as a red-plated mech rose from behind one of the monitor stations near the back of the room. He clapped his servos together to dust them off and stepped out from the station, waving. 

“That was quick,” Metalhawk commented, looking the walls up and down. It was hard to tell what was manually modified and what had been unchanged, but Landmine decided it was best to simply trust that all the devices in the room would preform well when they were needed.

“Well...this is Cloudburst,” he said, gesturing at the mech. 

Cloudburst gave a big grin. 

“He’s just fixed our door problem, and most of the settings on the ship’s machinery,” the commander continued, looking somewhat pleased. 

"He did!!" Waverider called from the open door. He'd immediately run back to test it out.

A mechanic of sorts, Landmine surmised.

And, after a few minutes of talking passed, he found his hypothesis correct. 

Cloudburst had gone to university for a bit, before the war, but it was cut short. He was lucky enough to be selected for a special team of machinery developers, but then, unfortunate to have been placed in a camp that was quickly overpowered by Decepticon forces.

“And I made my escape before my section was done in,” he said. “In the days following, I made my way to…”

As he was talking, Waverider leaned over to Landmine. 

“Phoenix,” he whispered behind a servo.  

Immediately, he caught on, smirking. 

“Flier?” 

He watched with some satisfaction through his peripheral as Waverider nodded. 

“Well, I guess it isn’t that exciting, but…that’s about it from me!” Cloudburst finished with a huff and another smile. “So what about you?” 

Landmine felt put on the spot for a moment, then he shrugged. 

“It’s not much compared to your novel of a tale,” he remarked. The others gave a chuckle. He looked to Metalhawk. 

“But first…any chance we have drinks aboard?”

…

Landmine was incredibly amused to discover the lack of tolerance to high-grade his commander had. 

Of course, he’d never been drinking with a commander before, but he’d expected himself to get drunk first. 

Or…am I drunk, too? 

Truth be told, he was feeling a bit sleepy…and warm. 

Music played faintly from a speaker near the ceiling. Some song from a couple centuries back, the tune registering itself in subconscious memory. He knew the tune, but didn’t know the song. 

As it was, with many things. 

Yawning, Landmine tilted his helm, which was resting in the palm of his hand, and looked to his holopad. It was laid at the edge of the table, screen open with a striking, blue light.  

The sudden blue glow against the dim, pinkish lighting of the room hurt his optics a bit, so he looked away again. 

 Drunk or sober, I think I’m gonna fall over. 

 “Commander?” He gently poked the yellow mech. Metalhawk had his head down at the flat, white tabletop. 

Landmine guessed he was asleep. He took another sip of his drink, then put it down, giggling. 

Perhaps this’ll rouse him…

 “Hawk! Report status, soldier!” He deepened his voice to resemble the barking of a drill sergeant, tapping the yellow-plated mech as he spoke. 

Metalhawk gave a short jolt. 

“Whaz’t?” He slurred, raising his helm sharply, looking around a bit. He seemed to realize Landmine was talking to him and turned his gaze to him, squinting. 

“Hawk, I was wondering–”

“Comman’er here,” he murmured suddenly, yet still quietly, cutting Landmine off. He gave what looked like the very definition of an ‘improper salute’ as he spoke. 

“Yes, soldier?” He deepened his voice again, smirking. Hawk seemed partially unaware it was Landmine speaking to him, as if he was only half-awake.

“I report…I’m reporting for…my absence reports…I’ll go to class t’morrow, sir!!” 

Oh jeez. He’s so out of it– 

Landmine tightened his jaw, trying not to burst into laughter.

He promptly failed after a couple seconds more, but Metalhawk didn’t seem to really notice. And of course, this just made it funnier.

He watched as Metalhawk shook his head, looking rather drowsily at the empty cup sitting in front of him, then back at Landmine. Was he aware enough to want another drink? 

Perhaps he’d suddenly have some of that energy from a couple hours ago if he had that other drink.

The image of his Commander stumbling around and laughing in a mildly uncharacteristic manner returned to his thoughts. Landmine waited in anticipation as Hawk continued to stare at the cup. 

But then, he gave a long exhale and put his head back down, mumbling something else. 

 Landmine concluded with a small chuckle to himself that, Hawk was probably down for the night–for good this time. 

 “We come bearing–”

“Shush! He’ll know we’re here!!”

“He already does, you nut–” 

 He looked to the door as made a hissing noise and opened to reveal Cloudburst and Waverider, having a mild argument. 

 “Oh, you’re back,” He said, raising his glass with a small grin. Waverider set the crate down. “I definitely didn’t hear you coming down the hall.” 

He watched Waverider snap around and issue a light whack to Cloudburst. It was likely in place of a triumphant ‘I told you so.’  

This time, Landmine didn’t let himself laugh out loud. He did allow a quiet chuckle. 

Cloudburst walked over and grabbed a bottle, popping it open and taking a drink.

“You and the boss’re still around, I see!” 

Landmine nodded, moving to take another sip, but he found his cup empty. 

“I’d stay, but I’m so drunk right now, I can’t stand up straight,” he said, taking another swig. Landmine nodded again, reaching over and sliding a bottle of his own out of its slot. 

“Oh you’re drunk,” Waverider agreed shoving him playfully. 

And so are you, Landmine thought. So am I, probably. 

Pouring the bottle’s contents into his cup, he found his gaze fixating on the liquid as it sparkled mid-air. He liked the small sound it made as it refilled the cup. 

He did not wish to heed how many drinks he’d already had, or was giving himself. 

 “Well then, begone with you,” Waverider said. With a smirk, he suddenly reached over and swiped the open bottle from Cloudburst and took a sip. The mech didn’t seem to mind, just watching him with an amused grin.

“See you, Phoenix,” Landmine said, taking his eyes off his glass for a moment. He set his now-half-empty bottle next to Metalhawk’s sleeping figure. 

That was definitely too many drinks, considering the size of his cup.

  “I’ll be here for a while, I think.”

 Cloudburst nodded acknowledgement and made what Landmine classified as: an improper salute: exhibit B. 

“Then–until the morning shines!” He said, almost a little too loudly. “Cloudburst, signing off my duty–I mean–for my duty! I will bring you–”

“Shut up, you lugnut!” Waverider shoved him out of the room, laughing so hard he lost his footing a bit. The two toppled over, landing outside of the room. 

Landmine just watched, sipping at his cup. The door hissed shut on the sight of the two drunken mechs trying to unentangle themselves and stand up again, amidst their giddy, tipsy laughter. 

“Until the morning shines,” he echoed to himself absentmindedly, shifting his cup from side to side. 

The bubbly feeling he’d been harboring the whole evening was, inevitably and suddenly, starting to fade.

There was something starting to well up inside. Something another couple glasses wouldn’t fix, even though he had as much left in the bottle he’d just taken. 

Something rather cold and dark. 

To think I was among the dying in some forsaken frontlines camp. Now, here I am, drunk, with drunken fools. Look at me, one of them. 

He wasn’t feeling so warm anymore. 

Excitement awaits, or is it crueler death? 

Another sip, and he felt a twinge of unease. Or was it nausea? His fuel tanks remained in slight discomfort, but not enough that he’d be inclined to obey its silent will. 

So, he tilted his helm upwards to finish off the glass. Now he was ready to go.

Landmine rose unsteadily, swaying a bit, gripped the tableside. He felt his fuel tanks lurch with the movement, and took a second to breathe slowly.

He glanced at Hawk, still sleeping in his spot. He wondered when Waverider had planned to come back in, looking to the door. But everything had gone quiet. 

Probably went back to his quarters with Phoenix. 

Ah, well. It was about time he stopped drinking for the night, anyway. With a huff, he hauled himself upright and started towards the door. 

Don’t know where mine is…

He figured he’d just go back to the command center. Perhaps no one would mind if he passed out there. 

…

Three weeks later, the team was almost through with their pre-mission training requirements, with only days to go before they were certified to move out. 

It hadn’t been easy, but Landmine found himself feeling more confident in the mission to come, and in his Pretender abilities, which had until this point, meant next to nothing to him. 

 It was funny to think how the higher-ups had tried to convince every bot that their only purpose was a soldier, who should hold their gun and shoot–the only exception being if they were elite by caste or class, or simply higher-ranked. 

Day after day of military academy–especially after the war really got started–Landmine knew he was no elite. He was trained in how to use his gun, how to survive without proper resources for periods of time, to be a strategist–with the all the smarts a bot might need but would forget when a blade shoved itself against their throat. 

Yet still, only twice had he ever been spoken to about being a Pretender. About fighting as a Pretender and not as simply another Autobot soldier.

Perhaps it was trivial in the bigger picture–after all, dead is dead. 

 4-edge, 3-edge, length sticks, no not those…

Landmine’s optics flicked to the different boxes lined up in the shelf. Some of them had labels, some of those labels had faded to white. 

He’d gone to fetch some repair supplies for Cloudburst. And as usual, the silence invited the chatter of his own thoughts. 

How many were there like himself, with unacknowledged potential–who would likely die in battle, the intricate stories of their lives forced shut in an anticlimactic conclusion. No adventure, no life lived before their time? 

And how odd, he remarked internally, to still have the fortunate and the unfortunate, in the midst of a war–one being fought namely for the end of the class divide in Cybertronian society. 

Will we accomplish anything when we end this, other than the destruction of cities and lives? Be it violent tyranny and oppression, or the will of corrupt and almighty governmental bodies–who below them would come away with anything other than what has always been? 

Head down, staring at the contents of the open box, Landmine felt a familiar ache, a sinking feeling of dread and despair. 

Our lives lie in the hands of others. If we like it or not, if we wage a war for it or not. How fair is that? 

“Lander! Where are you, buddy? We’re doing another simulation soon, but Hawk wants us in the main hall first!” 

Waverider. 

He looked up, staring at the wall outside the open door. He felt guilty as silence followed, likely for his own lack of response. But he couldn’t say anything back right now. He gripped the box more tightly and started down the hall. 

Memories began to awaken. Things he wanted to remember that made his chest hurt, reminding him why he also…didn’t want to remember. 

I'm just as bad a spark, aren't I?

He wondered…how fair it was to break someone’s heart, and then, act like nothing had happened at all. 

…

On the day for liftoff–when training was complete and all certifications to move out had been met–Landmine found himself exiting powerdown before daylight had emerged in the sky. He was not a late-riser by any means, but not usually quite so early either. 

He stared at the faint rays of daylight, reaching through his window and lighting the edge of his room walls.

He thought about the vacuum of space ahead. Something like a smile played at the corners of his mouth. 

I’ll remember this for a while, won’t I? 

The mech paced his room a couple times, rolling his shoulder joints and stretching a little. He'd found many benefits to morning exercises.

Optics ticking to an empty glass bottle lying near the window, his mind drifted back to the evening before. 

To the impromptu speech Metalhawk had made last night over some drinks in the bar room. 

The dimly-lit room carried a quiet murmuring, a laugh here and there. Landmine had come a bit late, taking his seat while Waverider waved a hello and handed him a glass. Cloudburst was, of course, talking. 

After a little while, Landmine glanced over the table and saw that Metalhawk had a distant sort of smile on his faceplate. 

He ran a finger against his rounded glass, gently. Then, as if deciding something, he flicked the edge softly. 

The soft cling caught the attention of their group, quieting them. And, without moving his optics from the sight of the rippling liquid in his cup, he’d begun to speak. 

“As we prepare to liftoff tomorrow, I wanted to…say a few things.” 

He looked now, to each one of them. 

“I…cannot guarantee we will make it back to Cybertron, that we will always have what we need, or that we will…survive this. I don’t know if we’ll succeed or fail in our mission, end up as prisoners of war on some Decepticon ship or not, or die as just a handful more nameless, faceless faction of the Autobot army. But, there is one thing of which, I do ask you to be certain.” 

He smiled a smile that no longer seemed distant, but very much real. Present. 

A look shimmered in his optics that Landmine knew well, yet not of his own experience. 

It was a look that belonged only to those who had somehow, not been tainted at their very core–who had somehow learned to love all things as they were, and to always love. 

Someone, he mused the thought, who had perhaps, not yet learned to hate from the pits of his being. Or maybe…

Made a choice, he'd thought.

“I am your commander in name only. More importantly, however, know I am your teammate, and I will not abandon you at any cost. Our destinies are uncertain–I only hope for many good centuries together. Not as mere soldiers of the Autobot faction, but instead as warriors of Cybertron, and of justice. Though imperfect as all beings are, we have, and always will have, a duty to protect life, and to strive to do good. And that mission, above all others, I do believe we can accomplish.”

Landmine gave a shout of approval and raised his glass high in the air. Nodding, the others raised theirs. They gazed back at Metalhawk, who gave a small chuckle, then raised his own glass. 

“For peace!” He offered the toast. Clinking of glass and overlapping shouts followed.

“For Cybertron!!”

“Let’s get ‘em!!”

“YEAA!!!”

Landmine blinked again, realizing he’d begun to stare at that bottle a little too long. 

The memory left him in the silence of his room in the early hours of day. 

Today’s the day. 

He slipped his new blaster to its holster and cast one more look at his room, then headed down to the main room to start course-planning, as a favor for the others on the ship, of course. 

…

Many years had passed since the Pretenders’ liftoff. Missions had been carried out, ships tracked and ambushed, prisoners transported to warships that arrived quickly after battles. The three weeks of training hadn’t done much to show them what they’d learn firsthand on every mission. 

Many hours were spent behind piles of mission reports and other writeups for record-keeping. No one had been seriously wounded up till this point, just some scratches here and there. 

When it was time to close in on their target, there’d be tense silence in the command room, darkened save for the computer display of what lay outside their ship’s windows. It was the unspoken group decision that pursuing targets would mean windows were closed, for maximum stealth effect in addition to the cloaking technology their ship possessed.

The panel walls were littered with an array of maps and charts (digital or tacked on rather hastily) that either had to do with their ship or the one the team was chasing. All optics and servos were locked to their task, relaying commands and requests between stations, ready for almost anything. 

 And at present, that was kind of the team’s situation…with one slight change. 

 “Phoenix, give me the numbers on our bottom left central thruster. Will it hold?”

 Having tracked their target to a very distant quadrant, the computer didn’t have much information about the area or its conditions. 

 “Ah…we’re at 42% power and dropping. The damage report indicates the shielding was torn off and it’s leaking fuel. The secondary power source cables are damaged as well, so once all the power’s gone, that’s it.” 

“Are the damage control systems online?”

“Negative. We have to go manual,” He pulled up the video feed of their rear camera to show the damage. “We are traveling at full speed in space, so manual repairs are not doable–”

“–without the cost of a life, alright. And if we continue pursuit as we are?” 

“Without repair? The…system says about 20 minutes until it starts sucking power from the other ones, and then we’ll enter float stage, pre-free-fall.”

 So…they were trapped. 

Landmine watched as he ducked his head, dealing a restrained punch to the wall next to him before returning to his command station and furiously typing away at the controls. He cast his eyes back to his own task, repeating to himself that he must stay focused.

“I’m going to try to reroute the power from the damaged thruster to the functional ones and shut off its power. We need to land now, or we’ll be forced to land,” he said quickly, not looking up. 

The tremor in his voice was audible, ambiguously a tone of either urgency or fear. 

 Landmine looked up from his station, where he had been managing their travel course since no one was piloting manually. 

 “Should I analyze the properties of our current sector and any stable landforms?” He offered, already pulling up another screen. 

“Yes, make sure–”

 Suddenly, the vessel jolted downwards and shook with such force that everyone was knocked to their feet. A blaring alarm sounded as the ship shook again, an automated voice announcing in smooth Cybertronian that their back two thrusters were out of power. 

The lights shut off for a second, while the ship swayed unevenly before a loud whirring started up and it moved back up again. 

When it returned to a somewhat stable position, the lights remained flickering, and everyone remained gripping their stations tightly so as to not fall over. 

 Metalhawk straightened and immediately dashed to the front of the ship, smacking a panel on the front computer and grabbing the steering wheel. As he twisted it, he turned back around for a moment. 

 “Lander–something within the current firing range of this ship–we need a landing place now!!”

“We’re abandoning target pursuit?” 

 He felt a small spark of hope as Metalhawk, gave a silent nod in response. He had the feeling most other commanders would have sacrificed themselves and their ship, preaching the nobility of dying for this cause without abandoning the mission.

 “With any luck, one of our last stray shots hit their ship too–which was already on its last leg from the looks of it,” Waverider piped up. “So they won’t be too far ahead, I’ll bet.” 

 “Okay, then,” Landmine switched off his station’s input to the course control and focused his efforts on scanning the nearby planets. “I’ll get something.” 

The ship was vibrating now, but not with its usual even-toned hum. 

It was the kind of uneven vibrating a machine made before it finally gave out and powered down for good.

Meanwhile, all the planets in their current sector weren’t looking too appealing. 

Not many with life or long-term livable conditions…Hm…

“Balance function is starting to–”

As if on cue, the ship began to tilt downwards again, the metallic whirring noise growing louder and louder. A small explosion could be heard before the lights shut off for good and the alarm system abruptly stopped. Everyone was tossed violently to the ground. 

The automated voice struggled to tell the room–

“We lost the third one!!” Cloudburst called over the halting monotone speech from the ship’s speakers. He shook his head picked himself off the ground, then rushed for the door. 

“I’ll shut off the power transfer so it doesn’t fry the rest of the ship and us in it!” The door hissed open and he disappeared down the hall. 

 Then, the sound of…something blowing out, sounded in the room. 

“Oh, sweet fraggin–” Waverider muttered the beginnings of a swear before whipping his gaze to the side to watch as the left half of the ship went completely dark, the computer panels clearly destroyed past functioning point. 

He slammed his station with a balled first. 

“We’re blind on the left side!”

Metalhawk made a noise of frustration and worry, just barely audible above the roaring engine as it struggled to stay active. He was grappling with the somewhat functional manual steering system, trying to keep the ship at a steady angle. 

 “Can we open the–ngh!!” 

He was cut off as the ship as the ship lost control again, throwing him off the wheel and slamming him against the wall and then the floor. As he stumbled to his feet and back to the steering wheel, he gasped as he saw the other side of the ship’s display panels begin to flicker ominously. 

Landmine swallowed, doing his best to quickly surf through all the information presented. 

“We’re almost out of power–we can’t deactivate the panels!”

It was now or never, they needed a place to–

'Sol System Entry 7625 - Life: detected.’ 

Landmine blinked twice at the screen in front of him. He scrolled back to the planet that had read the one positive result among the sea of negative ones. 

It that…?

With a quick tap, the image of a blue orb with wispy, white clouds tracing its edge, floating gently in its place, appeared on his display screen. His optics flicked to the planetary report, intrigued to find that this place had even been previously logged into Autobot travel records. 

‘Atmospheric makeup: Non-toxic. Resource profile: Varied, Non-toxic. Cycle End Date: Undetected. Motion Cycle: Rotation.’ 

He checking one last thing, anticipation building–

Landing conditions: Optimal; follow procedure 41F-52.’

That was it.

“We need to prepare the ship to enter foreign atmosphere!!”

Waverider and Metalhawk snapped their gazes in his direction.

“Yes, I found us a landing spot, you can thank me later. The profiles of the surrounding planets are virtually uninhabitable–this is our only option right now!” 

Waverider exchanged looks with their commander, who gave him a sharp nod. Then, he ran over to Landmine’s screen. After a moment, he chuckled a little. 

When he turned to look at Landmine, a smile had cracked onto his face through the solemn, controlled panic that had been previously. The soft, turquoise light from the only control panels still working in the room bounced off the curves of his face, shimmering off his blue visor. 

 And even though there was such a high chance they’d die in the next few minutes, Landmine found himself frozen, simply staring back.

 No. We can’t die today. There’s something I’ve been meaning to tell you. 

“Hey! Um, a little help here–did we find something?!”

Landmine let out a little laugh and slid back into his seat as Waverider seemed to snap back to seriousness and leaned over to speak for him.

“Hawk, it also checks out as habitable to carbon-based life forms!” He called, gripping the his station as the ship jerked to the side again. “We’ll be fine as long as we land safely!” 

Just then, Cloudburst came rushing into the room. 

“The core engine isn’t looking good, guys! We need to get the ship out of full thrust mode or we’ll overheat, and our power sources will mix and explode!!” 

Oh. Wonderful. 

So, the options had been expanded beyond: 1.) drifting aimlessly, trapped inside a non-functioning ship until energon-depletion or some other cause killed them, or 2.) losing power completely and burning up upon entry to the nearest atmosphere.

Now, they had a third option: sitting and waiting for their ship to simply overheat and explode. 

The reddish mech ran up next to Metalhawk and started pushing buttons on the control panel. 

“Someone needs to prepare the stasis pods and program them to ejection mode, I’ll set an altitude point!” 

“Got it!” Waverider called, jumping up and sprinting out of the room. Landmine started inputting the coordinates of destination to the navigation system–one of the only undamaged things thus far–and deprogramming the space travel controls. 

A couple minutes of silence passed before he flashed a thumb-up in the air.

“We’re ready for atmospheric entry in approximately 40 seconds and counting!” 

“Brace for a drop, everyone!” Metalhawk shouted, planting his feet and gripping the wheel with all the force he could give. 

“Stasis pods are ready to go!” Waverider reentered the room, sliding back into his station.

“Engines to 15%!”

“Roger!”

“Everyone get down!!”

There was a loud noise from the engine, then an abrupt silence as it cut down to about 15% power, and then the ship dipped so far downwards that Landmine felt himself grimace. 

Part of him even wondered if this was really procedure, and that they weren’t all about to die now. 

As if we weren’t before, he scoffed at himself. 

He dug his digits into the side of his seat and shut his optics as the ship began to pick up speed. 

The eerie silence endured for what felt like an eternity before the ship moved again, this time to right itself and return to a normal angle. At least, normal enough that Landmine opened his eyes to look around and see that the others were slowly standing up. 

 Metalhawk let out a shuddering breath and pressed a couple buttons with shaking digits before stepping back and regarding his crew. He’d probably switched the ship back to autopilot, so that they could all–

“Everyone to the stasis pods,” he ordered solemnly, quietly. 

No one else spoke a word, ducking their helms and filing out of the room and into the hall. 

Landmine walked out last. 

He cast one last look at the nearly pitch-black command room, catching sight of the last couple working display panels struggling to function before the door hissed shut behind him. 

He felt a twinge of sadness at the idea that they were saying goodbye to this ship so soon. Admittedly, it had been one nice vessel, with a gorgeous design and plenty of capabilities.

Then, there was the stark realization that once they entered stasis, they might not make it back out alive. 

We can’t die today. We won’t.

Since the ship was barely working, the lighting in the halls was…nonexistent. However, they knew exactly where they were going, and walked quietly in the darkness until they reached their destination. 

With a quiet whirring noise, the door slid open. The darkness was abruptly luminated with a soft, greenish glow, emanating from the center of each stasis pod lying in its place. 

There were six of them, more than enough for every member on this team. 

Landmine had been there to help Cloudburst put in the other three.

He walked in and watched as Metalhawk entered his verification to the panel on the wall, deactivating the locks on each one so they hissed and snapped open simultaneously. The greenish glow faded to a blue, as if softening, to invite them in. 

“Whatever the outcome, remember what I said to you all on our liftoff day,” Metalhawk said as evenly as he could, turning and regarding each mech slowly, kindly. He had that smile on his face again, which seemed to ease the tension in the room. 

“If we make it out alive or if this is the day on which Primus welcomes us home, I am honored to have had such a good team of friends. I am honored to die, not for this cause, but surrounded by you.”

"And we're honored to remain with you in this moment, sir."

"It was an honor indeed."

"Frag yeah."

Their commander nodded, then swiveled to gaze down at the stasis pods.

“Then…until we meet again,” he said, soft enough that he almost wasn't audible.

He then walked to the back of the room and took a step into the pod. Cloudburst followed, taking the one next to him.

Landmine stepped towards his pod, then stopped, frozen in place again. 

It wasn’t quite hesitation or fear, but something was stopping him from going forward. He could feel the quaking beneath him, as the ship was no doubt somewhat falling apart, reaching closer and closer to the ground. 

He heard the doors to the other pods seal themselves shut, administering the stasis lock. 

But something was…

“Hey.” 

He looked to his side and found himself millimeters away from Waverider. His spark skipped a beat. But, he wasn’t afraid. 

He found himself reaching out and gripping Waverider’s servos, firmly, yet gently. He traced his thumb along the palm of his hand, smiling with a deep emotion he couldn’t quite place. 

Waverider’s visor glittered, a smile twisting the corners of his mouth upwards. He let his helm fall against Landmine’s.

He spoke so softly, so gently, in his easy-going way that almost made it seem like he didn't even fear death itself. 

“I want to see you again.”

“Me too.”

“Then see me again!” 

“Alright, I will,” Landmine chuckled, letting go of one hand and bringing it up to caress Waverider’s face for a moment. “I won’t leave you again.” 

“Oh, Lander…”

“I’m sorry for everything, I’m sorry for the things I said back in Academy, I'm sorry for never contacting you, I’m sorry for–”

“Shh…” 

 The black-plated mech drew away, his hand sliding slowly out of Landmine’s grip. He gave a soft smile and climbed into his pod, still watching him.

Landmine found himself to be shaking, unable to speak as he watched Waverider lean back and close his optics. He didn’t know how to describe this feeling, that seemed to break his facade, to suddenly force him to realize of the gravity of everything happening in this moment. 

The possibility of the unwanted outcome, which no one would mourn, and no one would remember, until long after the war was over. Or perhaps, not even then.  

He watched, motionless, as the glass panel slid over his body, the blue shining off it in wavy lines.

He mouthed something just before the glass fogged over and he could no longer be seen. 

Until we meet again. 

He could still felt the touch on his hand, the weight against his forehead, heard the softly-whispered utterances ringing in the recesses of his mind as he finally forced himself to move. 

Stepping into his own pod, he felt a strange relief wash over him. Perhaps it was closer to sudden resignation, but he wanted to believe it was relief.

A sheet of clear glass moved over his body, another, thicker one sliding over from the side.

It was a very small space, this container. 

He found himself smiling.

Maybe now he could finally say he’d been a good Autobot. 

Had the past been fixed? Had he done anything right or...just? Had he truly strove for the protection of all life, as Hawk had put it? 

Perhaps. Or not. But maybe I did my best. And maybe…that’s good enough. 

And then, the nothingness of stasis wrapped its grip around him, and everything went dark. 

…

“No, you need a new tie–where’s your sense of style?!” Landmine took a long drink from his glass before shaking his head. “Oh, wait I forgot–you don’t have one.”

“Says the guy in the ugliest jacket I have ever laid eyes on–”

“That's my favorite one, shut up!” 

“You!!”

“You!!!”

But the both of them were laughing.

Though tipsy, they hadn’t thought to call it a night yet, especially not on their drinks. So they remained, sitting near the window of a high-rise, fancy restaurant in the middle Manhattan.

It had so happened, Waverider was in the city for a bit, so Landmine decided to take him to one of his favorite restaurants.

It was times like this he was happy to be not just a human, but one with a very decent salary.

The lights of the city twinkled like a sea of stars tied to the ground, canceling out the vast number of stars that both of them knew hung high in the sky…out in space…

“It’s been too long for you, hasn’t it?” 

 Landmine jolted a bit a he heard Waverider’s voice, gaze snapping back to him and away from the city below. He watched him reach out and pick up his glass, tracing the edge of it with a finger. 

“Me too, Lander,” Waverider said, so quietly it could have been to himself, “Me too.” 

Yes, he agreed, internally, looking back out the window.  

It’d been quite literally ages since they’d been able to resume their missions, flying around the galaxy…they’d been in human bodies for so many years, it almost felt like a distant memory–the war, or that they belonged to a whole other world. 

Considering how long they'd been forced to remain on earth so far–as their superiors felt it best to just station the team on earth rather than provide or allow them a means to come back to Cybertron–he was fairly open to that notion. Perhaps it was better it all remained a vague memory, put behind him for good.

Life on earth wasn't perfect, but it had a lot of its own good moments. In some ways, it was better than Cybertron, he'd concluded.

And despite what he knew many of his kind would think, he didn't feel guilty at all for feeling that way.

He remembered the day their stasis pods reactivated, opening his optics to a bright light floating in a crystal blue sky, and realizing he was unharmed, and still alive. 

The flood of hope like no other, that had caused him to remain motionless for quite a while before he finally left his pod. 

But what had felt like such a distant memory wasn’t just the war itself. 

 “Hey,” he said taking another sip of the sparkling white liquid in his glass. “I’ve missed talking to you like this. Just sitting together...”

He watched Waverider lean back to down the rest of his glass before responding. 

“You said it.”

“We should…get together more often,” he found himself saying. The music playing faintly on the speakers stopped for a moment as he spoke. 

He watched Waverider smile, but felt his heart tighten as it registered what kind of smile it was. This was familiar. Quite familiar. 

Another song started to play overhead. Something about romance. 

“I’d…be open to that,” he said at last, looking out the window. Even amidst the medium-level noise of the restaurant, his sudden silence seemed to shout at Landmine. 

Should I not have...?

Landmine sighed and reached out a hand, letting his fingers rest on his friend’s. 

The warm, semi-dim lighting of the restaurant painted the strangers at the tables behind them in orange shadows. The yellow of the overhead lighting shimmered faintly in the depths of Waverider's soft blue eyes. 

He looked out the window again, too, eyes caught by the sight of a skyscraper flashing a bright yellow light in some practiced sequence. 

He found it wonderful and intriguing that even after all these years watching civilization build itself into the modern day, there were still some things he’d never know about daily life. 

Or it might be a broken light. 

Another memory suddenly greeted him. 

The one where he went to check Waverider’s pod first, instinctively, and moment he realized how afraid he’d been when Waverider finally opened his eyes, the glass sliding away immediately, letting him sit up.

 “We’re up first! How wild is that?” He’d said, dropping down to a kneeling position to be eye-level with him. Waverider blinked once, twice, then chuckled. 

“Pretty wild.” He leaned forward and touched foreheads with Landmine. “So, hey.”

“Hey.”

“I’m seeing you again. I told you we’d see each other soon…”

“I know…”

Suddenly, the hand beneath his shifted to grip back, pulling him from his memory and into the present again. The smile that he saw across the table was different again, looking happier than before. 

I just don’t know how to tell you...

 “Can I come to your office tomorrow, then?” 

 Landmine smirked, feeling his own playful nature return in full. 

 “Only if you let me pick out your outfit–and you throw out that awful tie!” 

“By the Primes, Lander–”

“No, I'll even buy the stuff for you. It’ll be my treat,” He insisted, starting to laugh. “The people at my office will kick you out if you walk in with that uncoordinated kind of style!” 

“Oh, then you must have experience in that field,” Waverider joked back, motioning at Landmine’s signature burgundy jacket. 

He had the most smug grin on his face.

“My good sir, I’ll have you know that–” 

But he didn’t finish his sentence.

He’d broken off abruptly, just staring at Waverider for a moment. The clamor of people around them seemed to fade out.

Unsure as to whether it was the wine he'd been drinking or something else entirely, he felt like something was...pulling at him, and he found himself leaning closer and closer until…

Another memory flashed through his mind’s eye. It was of his first experience with a kiss. 

Landmine was sitting in his office, typing away at his laptop. He'd been working at a paper company while he looked for a better job, having set his sights on moving to New York.

He was filling out his application for a position as head of sales at an automotive dealer when he felt a tap on the shoulder.

In the reflection of his computer screen, he could see Waverider's figure before he felt him lean over and rest his head on his shoulder.

"Hey," he murmured, grinning. "Shouldn't you be in a meeting?"

His partner didn't respond, instead leaning over and pressing his lips gently against Landmine's cheek. The blonde froze, obviously startled by the gesture.

Then at last, he cleared his throat, looking up at Waverider, who still had a large smile on his face. He was sure he was flushed, but tried to play it cool.

"And you did that…why?”

“It’s a human custom,” Waverider explained, laughing. “Its called kissing. Saw someone in my office do it with their partner, and I've seen it hundreds of times before that, but didn't know what it was."

"And that is?" He watched Waverider draw back a bit, tapping his chin in thought.

"How do I say...well, it's like...it means affection, or that you care for someone.”

"Alright..." Landmine was still confused, however. “But, I mean...is it platonic or romantic?”

Waverider shrugged. Then, leaned over to kiss Landmine's cheek again.

"That's...up to us, I guess..."

Whatever you wanted it to be, a kiss was. 

Well, he didn't know what this kiss was, but...he knew it felt right. It was better than any word he could speak, or gesture he could make.

And after a moment, he and Waverider leaned back, sat back down, quiet again. But, not an uncomfortable silence. 

He watched his companion smile, start to blush. The dimples in his face showed themselves as he smiled back at him. He ruffled his brownish-blonde hair with one hand, starting to giggle a little. 

Landmine knew it wasn’t going to be long before Waverider would have to return to his job, leaving New York again. They’d be lonely again, even if they called and messaged…

But maybe what they had...didn't need some kind of label, or name. A commitment or a friendship or...something deeper than that...whatever this was.

This still felt alright. As it always had. Something told him Waverider felt that, too. 

He and Waverider had since had many long talks about their academy days. Everything had been laid out, brought up, acknowledged and forgiven.

They had come to understand one another so deeply in all their years since coming to Earth, but especially now, as humans in this current time of peace. 

“No matter what you do, or who you’re with," Waverider murmured, beaming, "I’ll always be here for you. I know I've said that before, but...eh, it's worth saying again.” 

"I know."

"I'm glad!" He laughed again.

He was certainly a little drunk, sure but, he was always like this, Landmine thought.

Waverider had always been a relaxed and fun-loving soul.

“Connected sparks...always find their way back together no matter what, don’t they?” Landmine remarked, flicking a fingertip against his plate.

He felt warm, all the way inside himself, not from the meal or the heater, but...from something else.

Waverider blinked in some surprise for a moment, seeming to take in the words, processing them, before the smile returned to his features.

“Yeah...they really do.”

And, suddenly Landmine took notice of the speaker overhead, as it had started playing something else while they spoke. 

It was a song about humanity–something he and the other Pretenders had learned slowly but surely, was quite relative to what they’d known all their lives.

The truth of existence, which Landmine had found and continued to find with every passing day. 

That it's alright, to be as one is–imperfect, yet persevering.

Bringing what one can to the table of life, giving, speaking, loving and experiencing it all. 

That in that imperfection, life itself was good–contrary of course, to what he’d learned in the Cybertronian Military Academy, which had been wrong about many other things as well. 

Life in many forms, which seeks friendships and connections between others, in its funny, social nature.

Nothing quite in idealistic purity, and often happy in that manner of existing.

That, which altogether, made it truly beautiful to be alive, especially on this Earth.

///

[snaggletoothedbastard]

A Very In-Depth Analysis Of That Scene From The LOTR Films, The One Just Before The Shelob Scenes, You Know The One

So. I've seen a lot of people say this scene is Bad and Shouldn't Be In The Film because it Wasn't In The Book. And I understand why. But (and this may be controversial) I think it's actually a pretty good scene. Let me explain why.

Obviously I like the Book Version (in which the scene just doesn't happen), and I wouldn't say one version is better than the other. I like both, but for now I'll be focusing on the Film Version.

In case it's not obvious which scene I'm talking about, it's the one in Return Of The King that comes just before the Shelob scenes, where Gollum does a bit of Good Old-Fashioned Trickery and basically causes Frodo and Sam to have an argument about bread, resulting in Frodo telling Sam to go home.

I can see why this scene can be annoying. Why? Because we, as viewers, know that Gollum is lying. We have been clearly shown that he's being a sneaky little shit, and as a result of that, we know that Frodo shouldn't trust him. But the thing is, Frodo doesn't know that. He does not have the information that the viewers have. He is also being affected by External Forces (and by that I mean the Ring).

I've been thinking for a while about how exactly the Ring causes him to make the mistakes he does, and even though it's not explicitly stated in the films or the book, I think I've found an explanation that, if it's not canon, is at least plausible.

So we all know that the Ring is supposed to make people do bad things. It seems to do that by manipulating them and making them think that what they're doing is a good idea. And how does that work?

We can see how that (most likely) works by looking at both Gandalf and Galadriel's reactions to being offered the Ring. Gandalf was insistent that he shouldn't have it because if he did, it would end up using his power to do bad things, even if he tried to use it for good. And we saw what would happen if Galadriel had it. Both of these characters are very old and very powerful, and morally speaking they're both very good people, but they make it clear that if they had the Ring, they would most likely hurt a lot of people.

The thing they seem to focus on when telling/showing how the Ring would affect them is power. As I said, they're both very powerful. And they use that power to help people, but if either of them had the Ring it would cause them to use that power to hurt people. The implication here is that the Ring uses the qualities people have to its advantage by sort of turning the good qualities into bad qualities, if that makes sense.

Now let's apply this to Frodo. He is, fundamentally, a good person. He treats other people with kindness and empathy. These are very good qualities to have, but the Ring still manages to use them for bad things. An example of this? Frodo's relationship with Gollum.

To the Ring, Frodo's ability to empathise with Gollum is basically just a really good opportunity for it to fuck with him. And the sad thing is, it works. Because Frodo probably doesn't see it coming. The Ring takes his kindness and empathy and makes sure it is directed at Gollum, so that it's harder for Frodo to see him as a bad person, therefore making it easier for Gollum to trick him. And that's just what Gollum does.

In The Scene I'm Talking About, he does the Bread Trick to make it harder for Frodo to trust Sam. And unfortunately, he succeeds in doing that, so it leads to their argument and separation. This is where people tend to get annoyed at this scene. Because to them, the people watching the film, it's obvious what's happening. They saw Gollum doing the Bread Trick, and are now seeing Frodo falling for it. And it makes sense as to why they find that irritating, but I think they're forgetting that even though the viewers know something, that doesn't mean the characters do.

Frodo is Quite Affected by the Ring at this point. He's also very sleep-deprived. Therefore, he's probably more vulnerable to the influence of External Forces. He is also lacking the information he needs to make the right decision. He doesn't know what's actually going on. He has been presented with a potential reason not to trust Sam, and although evidence to the contrary exists, he doesn't actually have it.

And, of course, things get worse when Sam offers to help by carrying the Ring and giving Frodo a break. It seems obvious that his intentions are perfectly good, but the thing is, it's probably the thing Frodo was really scared of hearing. Because it's eerily similar to what Boromir said to him in the first film. Y'know, before he got angry and attacked him. Frodo tells Sam to leave because he's scared that's going to happen again.

People say Frodo's actions in this scene are Out Of Character. And they're right. They are Out Of Character. That's the point.

This scene is supposed to show that he's being manipulated by both Gollum and the Ring. They both want him to fail, so naturally they are trying to get him to make decisions that will lead to his failure. And if they never got anywhere with that, it just wouldn't really be realistic. (I know the situation isn't meant to be realistic. I mean realistic based on the situation.) The Ring is supposed to affect people. Frodo isn't an exception to that.

The fact that the scene is out of character, and the fact that so many people are seeing that it's out of character, is a good thing, because it shows that he's not genuinely like that. He's not making bad decisions because he wants bad things to happen. He is misinformed and he's being lied to and he's making a mistake because he thinks it's the right decision. A couple of scenes later, when he realises it wasn't the right decision, he visibly regrets it.

Look at him! He's so sad! Because he's realised that he made a mistake and it's backfired.

The scene isn't meant to reflect badly on him, it's meant to show that the Ring is affecting him. And I think the filmmakers had the right idea when they included this scene. Was it done perfectly? Maybe not, but it gets the message across. Is it better than the book? Taste is subjective. I like them both, because both versions work.

[jsio]

EVERYTHING YOU NEED TO KNOW ABOUT

MILES PROWER, ANTI-TAILS

Moebius' true king.

Art by Arealscrog

Archie's wasted character

Who is Miles?

Miles Prower is the Anti equivalent of Tails, from Mobius Prime. He is afew years older, being 11 instead of 8 and much more mature. He still appears to possess Tails' youthful tenacity and desire for independence, but he has a violent rebellious attitude and shows no interest in holding himself to childish things, even though he's only 11 years old himself, hating the nickname "Tails" being an example.

Miles holds his younger counterpart in utter contempt for traits Miles sees as weaknesses, especially how Tails went down the path of Science and technology instead of his magical Chaos force heritage, implying that Miles went down a more mystical path instead of Science, but from what we see in the comic Miles is more in the political field, by that I mean he manipulates all the political aspects of Moebius.

His actions throughout the comic run make him out to be smart, picky, but also cold, calculating and always 5 steps ahead of his own team and Adversaries, this leading to Alicia making him the Suppression Squads leader behind the scenes, while she is the figurehead "ruler."

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That's Anti-Tails, Who throughout this I'll be reffering to as "Miles." Now you may be thinking, "Why make a post on an extremely obscure and hardly used Archie character? Why not someone Like Tails, Shadow or a more popular Archie character?"

Well, it's because I believe that Miles had the potential to be one of Archie's most intresting original characters, I believe he could've easily held his own "Suppression Squad" comic run, but Archie Unfortunately really underused him and wasted his potential, but hey...

That's where us fans come in!

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This post is All about Miles Canonical self, every canon fact I can find about him and his full story in his short run during Pre-Reboot Archie Sonic, and my own personal headcanons in the later post.

But...before I get into any the headcanons, I need to teach those who don't know him about him, I need to talk about his Canonical self..so, let's get into it. Headcanons will be in the follow up post.

Canonical Apprearnces.

(Reworded from the wiki)

First appearance

The first appearance of Anti-Tails was back when the character was just "Evil Tails" and it was of him joining the Anti Freedom fighters in an attempt to take over Mobius Prime, prior to the downfall of Eggman.

He and his evil allies pretended to be the good Mobius Prime versions, and struck knothole with acts of mayhem, vandalism and overall mischief, a common thing on moebius. The real Freedom Fighters soon returned to set things straight, but their initial attempts to defeat the Anti-Freedom Fighters failed as their Anti-Mobius selves knew their moves as well as they did. Sally Acorn came upon the solution: switching combat partners. When he faced Rotor, Evil Tails proved unable to overcome the larger and stronger Mobian. Defeated along with the other Anti-Freedom Fighters, he was sent back to Anti-Mobius, where they continued to cause mayhem despite the efforts of the kindly Dr. Ivo Kintobor (Anti-Robotnik) to stop them.

This was the last we saw Evil Tails for awhile, however we did see a cameo of him along with every other tails when they all came together and formed Titan Tails.

The Suppression Squad

Art by Pota on Pixiv

Some time passed before his next appearance, and in that time "Anti-Mobius" went through changes in its name, now "Moebius." And all the characters changed alongside it.

Miles had assisted Boomer in stealing Dr Kintober's goal posts in order to allow the Suppression Squad to have access to inter-dimensional travel. Scourge obviously took this opportunity and went straight to Mobius Prime, along with a few other members of the SS, Miles being one of them, and they attempted an assult on the Freedom HQ, where we see Miles' and Tails face off, with Miles declaring to not be referrd to as Tails or Anti-Tails, but instead just "Miles".

He also indicated his disgust at Tails for having chosen a path of Science and study, despite having a strong connection to "Chaos force", aka magic. This has led to people believing Miles himself is a magic user.

When Metal Sonic attacked Scourge, believing him to be the real Sonic, Miles stayed back and observed instead of helping his king. Now, you may think that's betrayal, but in reality Miles didn't help because he did not wish to undermine Scourges strength, so instead he observed. Soon after Sonic came onto the scene he showed his willingness to help anyone, even his enimies, and this gave Miles an idea:

Let's team up with the freedom fighters to betray Scourge, that's the new plan.

Miles later met up with Sally, Bunnie, Antonie and Tails to offer an alliance, but didn't let Tails speak and showed his contempt to the original version, telling him, "Please don't talk, little boy, We're trying to have an intelligent conversation." Sally accepted the offer, knowing she needed all the help she could get for taking down Scourge.

Upon returning to Scourge, pretending to be running from the freedom fighters, Scourge asked for a summary on his mission, that being "bomb New Metropolis" but Miles ignored him however, instead reporting to Alicia (Anti-Sally) that his mission was a success. Immediately thereafter, Alicia told the Suppression Squad to, "Show our King just what we think of him", with Boomer and Patch clearly readying for battle

However, Miles was doubling up his betrayal, blasting both Sonic and Scourge back into Moebius for them to Duke it out there, with Boomer sealing the portal behind them. An ethical debate followed this, between Sally, Alicia and Miles, the trio being ordered to get the goal posts ready to be able to return the freedom fighters to Mobius after both groups agreed to make sure Scourge was defeated on Moebius by Sonic

Miles was as shocked as the rest of the group to find Scourge had defeated all of his opponents as Super Scourge. When the rest of the Knothole Freedom Fighters and Suppression Squad were quickly defeated, Scourge turned his sights on Miles, identifying him as the mastermind behind the betrayal.

Miles, cowering in fear, denied his role in betraying Scourge, who was threatening to beat him for his betrayal. However, Miles was saved by Silver the Hedgehog and unlike the rest of his allies, wasn't even hurt. Following Scourge's defeat and Miles' attempt to recruit Buns Rabbot into the Suppression Squad, Miles spoke to Alicia about who would be their new leader. Alicia explained that while she may be the figurehead ruler, they both knew Miles held the real authority at this point, to which Miles grinned.

That was the last we see of Miles in the Archie comics, he unfortunately isn't in the post reboot because he's now owned by Ken Penders, so we'll never see him again. Below is all of his official designs, and after that is my final thoughts on the character.

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My overview of Miles as a character.

I'm no Character analysist so I'll make this short and sweet, my review of Miles is that he's a Character with alot of potential, but he went wasted, not on purpose, but thanks to the lawsuit.

I believe that if that lawsuit never happened, and that arc was closed up nicely Anti-Tails would of became a far more realistic and grounded Character, and probably pretty popular too. Miles to me is a kid who was manipulated into a life of crime and now believes that's what is right, and I think that could of been an arc for him, mellowing out and becoming a true king for the people of Moebius. I also like how when Scourge goes Super and goes to Miles to confront him, he dosent stand up to him, he dosent become strong, but instead he cowers in fear, hes terrified and tries to lie, to me, that makes him feel more grounded, and I like that.

Personally I wish Miles was more popular, I wish he got more spotlight than he did and I wish his story got concluded, but with what we got, I think he's pretty good, and pretty interesting too! I've seen alot of ideas float around for this dude, all of them making sense in they're on way, and to be honest? His lack of story kinda helps make him more accessible.

Tl:Dr: I like Miles alot, and I hope this post helps you lot learn more about him and overall, gets more people down to write with him, draw with him and explore him!

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Would I change him in any way?

Yeah, there's one key part of Miles (from what we got) that I think was wasted. Now, what is that? What would I change about a Character I've mostly praised? Well...

I wish he was magical. In the Archie comics Tails is actually strongly connected to the "Chaos Force", not as connected as Shadow, but still VERY connected, and guess what? Miles and Tails ARE biologically the same, same DNA, and in that bit of the comic, Miles calls Tails out on something he should have no idea about if he himself isn't connected to the same thing (or Moebius equivalent). To me at least this kind of implies Miles is magical too.

Basically, I'd give Miles' moveset a touch of magical abilities, connecting him to Moebius' "Anarchy force". I think it would help separate him abit more from Tails, while also connecting them, because whenever you have science and magic together...they clash.

But yea that's all I'd change in what we got, just hints of magic, some magic attacks here and there. I think it'd be pretty neat, and it'd have the science Vs magic aspect with him and Tails relationship.

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Lets finally wrap this up! At least, for now.

Thank you so much for reading all this If you did, it, this took me alot of hours, and I, I think it's over 2000 words now you madman. Why not spend your time doing something more worthwhile? Why not...have fun? meet someone? Go on a date? Live your life? Why read a post on an obscure Character, mainac.

But in all seriousness thank you for reading my post, I really like this character (clearly) and I want to teach people about him, and I hope this post has done that! Post 2. There's going to be a sequel post going over all of my personal headcanons, and possibly a 3rd going over community ones. Keep ya eyes out~

But yea, big read, now you lot know about an obscure Character, and this was fun to write! But now I'm gonna end this post with a fun fact:

Miles and the Suppression Squad were going to have one more arc, it was teased at the end of issue 196, but unfortunately it never got written. That would of been really neat but unfortunately it never got to happen.

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BON'VOYAGE, HEDGEHOGS!

[etheriadearie]

“Promise”

Why can't you just… Promise ?

Today's goal is an in-depth look at one of the most beautiful and breathtaking episodes of She-ra: "Promise"

Storywise, it's incredibly important to the series, and focuses entirely on Catradora. It's the first time since Adora left Catra behind to seek out the sword that the girls really have an opportunity to talk, and things are not going well. Both of them are royally pissed off at the other, with good reason.

For Adora, we're gonna deflate that proud hair poof of hers a bit, as we'll take an honest look at her as a person at this point in her life. And Catra... she's really guarding her feelings closely, as she's already deeply angry with Adora. But we will use the combination of Catra's younger self in the memories they see, plus looking at other times in the series that relate to this episode, where she was less guarded, in order to understand her as a person at this time. Also: warning: tl;dr, best enjoyed while cozy with a drink..

To get started, we skip to when they end up stuck together…

After Adora takes drastic measures to ward off the security spiders by collapsing the tunnel, the girls are now stuck together, and so… they talk...

We immediately see how incredibly irritated they are with each other as Adora chides Catra for being in the Crystal Castle, since the monsters will continue to attack them as long as she's protecting Catra… only to have Catra retort that she didn't ask for protection. Some snippy bickering back and forth happens, then...

Adora asks: "Does Shadow Weaver know you're here?" Very deadpan assertion from Adora. She knows Catra must be disobeying orders, she just doesn't know why.

"I'd say Shadow Weaver has bigger problems right now". Catra is already starting her move against SW back at the Horde. With SW abusively blocking her every move within the Horde, and now that Catra knows that SW was going to mind wipe Adora, Catra has decided she must deal with her abuser.

Adora puts on her telltale sideways grin, and Catra chafes at Adora's flirtation, saying "I told you it's not because I like you” downplaying Adora’s suggestion that this was the reason she let her go. Catra freely admits here that she does like Adora, but it's not the real reason she did it. Still, Catra doesn't explain further, and we see later that Catra often lets Adora explain away her actions this way... but that Adora constantly misses the deeper truths.

"Where are your new best friends? I thought you did everything together". She's very snarky and dismissive of Adora and her flirting. She's mad about Adora leaving her for her new life.

"The ones you let SW imprison and curse?" Adora is angry at Catra for what she did, which was a sudden escalation of things by Catra.

"Yeah obviously, what other friends would I be talking about?" An obvious dig at Adora for leaving her, everything behind. She deadpans this, staring back plainly. Catra is obviously really angry at Adora... while Adora is legitimately mad at Catra for doing something so nasty to Bow and Glimmer...

::Let's take a moment to talk about Catra's feelings about Adora's new friends: Catra feels horribly betrayed by this. Adora completely tossed her aside, and replaced her with Bow and Glimmer. What comes to mind is at the end of Sea Gate, Catra is thrown in the water and then looks up at Adora, who is celebrating and cuddling with Bow and Glimmer. Catra is emotionally forlorn watching this, as Scorpia comes to drag her off to safety, Adora doesn't even look back towards her.

She's forgotten, Adora showed no love towards her at all in that scene (and then hardly any at Princess Prom, either). Adora ignored her plea for her to return, she didn't reach out to Catra at all. And now she watches her cuddle with her new friends: everything Catra thought she had with Adora meant nothing, and she's been replaced with these feel goodie goods who are fawning all over Adora.

Suffice to say, Catra couldn't do this, she's got way too many issues with emotional intimacy and touch aversion. So she watches Adora, seeing that what she offered her wasn't good enough, knowing because of it she's forgotten. Catra was trying really hard to be a close friend to Adora in spite of her issues, but as we will see, Adora wasn't trying to understand what was going on with Catra. And because of this, Catra was too afraid to express her affection openly, and yet here's Adora... accepting all of Bow and Glimmer’s love, for which Adora really did nothing to earn. Adora took Catra’s friendship for granted while ignoring her deeper needs, as will be explained, then completely abandons her, not even seeming to miss her. Catra is deeply hurt by the unfairness of this.

>Catra stares back at Adora, frustrated when she doesn't even acknowledge their lost friendship.

"Well, we don't need to go together. You do your weird little magic quest thing I'll find my own way out". Catra looks resentfully at the sword on Adora's back as she says this. Catra is laying down boundaries, except it's useless since they are trapped together. But, boundaries are important to Catra and as the episode progresses, Adora shows that she doesn't really understand Catra's.

>As they walk along, both girls' shadows loom equally tall. The symbolism is that in this story, both are equally important... it's also a shockingly beautiful sequence. (pic above)

After entering the room of infinite darkness, Catra tries to separate from Adora but the door is gone, they are stuck together. Weird things start happening. As the Fright Zone appears, both of them are confused. Adora decides to suspect Catra, after all, she attacked her friends. But as Adora grabs Catra, Catra is surprised and confused... Catra doesn't like being touched unexpectedly, Adora knows this but is ignoring that and attacking her. She gets treated as an enemy when she clearly hasn't done anything wrong, and it sets the tone for the two of them: Adora has constantly treated Catra as an enemy since the very moment she defected, not even trying to understand Catra's point of view. And so Catra increasingly emotionally distances herself from Adora. Catra angrily casts Adora's arm aside, not liking being vilified by her, and Adora doesn't understand why Catra is so upset. Catra slips away to explore, needing space from her.

The way Adora immediately suspects and then attacks Catra is symbolic to the whole episode: by defecting to the Rebellion, Adora chose to start treating Catra, and her entire unit, as enemies, backing it up with hostility. But Catra doesn't really agree that the horde is evil... in her experience, it's just how life is.

>The two girls, now separated, call out to each other. Adora hears Catra's call, then another: young Catra is behind her, looking lost and insecure. Catra joins Adora as their first memory has just begun…

~DISCLAIMER TIME~ A lot of information in She-ra is inferred by emotional context, so if this seems a bit head-canon-y, I assure you, I have data! Please ask questions and seek clarifications, I promise to answer back! ~EtheriaDearie

>A worried and hurt young Catra runs to young Adora's side. She is emotional and needs support. Adora checks her out then gets the real deal: Catra was in a fight with an adult. It hints that Catra always had to deal with people messing with her, even before SW began her abuse. This is a guess, but it's probable: this is likely a happy memory of the two of them right before the hurting began. Along with the "promise" memory and the moments immediately preceding their entering the Black Garnet chamber, these scenes set the baseline for what their friendship was like before Catra suffered SW’s abuse. Also, this memory is a happy one, and how Adora remembers their friendship: it was likely triggered by her memories. The next ones are not, as I believe they are triggered by Catra, who is trying to explain to Adora what was so painful about their childhood...

>Catra doesn't know what to expect when she shows Octavia to Adora. She probably expects Adora to try to apologize on her behalf, or to give her a hard time about what she did. Instead, Adora sticks with her friend and yells “Hey Octavia, you're a dumbface." This brings young Catra much joy, Adora is sticking with her, not passing judgement. The two young girls run together hand in hand, experiencing childhood bliss, but it doesn't last. The present versions of themselves return, holding hands...

They share a brief moment of connection before Catra pulls her hand away in anger. Adora is surprised at the strength of Catra’s reaction. They are not on intimate terms any more, in fact, I suspect they had been struggling for a while before Adora's defection. Adora doesn't want the moment to stop, but Catra does. It hints that the gulf between them is already wide.

"How can you deal with all this magic stuff?" Catra has a deep distrust of magic, as it was used in her abuse. She resents it, and throughout the series whenever anything magic happens that she doesn't see coming she gets creeped out.

"I'm only dealing with it because I need to figure out how to heal Glimmer after someone got her cursed." It's a valid criticism, but Catra deflects it.

"What do you want? An apology? You're not getting one." We don't get the full story on this moment until season 5 when a young Catra tells Adora she'll "never say sorry to anybody, ever." Adora doesn't like Catra just refusing to explain, and as Catra pushes her away, Catra is full of reproach at Adora's judgement.

::As an abused child, Catra was continuously vilified and abused by everyone but Adora. And when Adora would suggest she apologize throughout their lives, she can't understand why Catra won't. It comes down to literally everyone in the world judging Catra and being cruel. Not once did any of them apologize to her, even though she didn't do anything to deserve the abuse. Except Adora... but that has issues, too. In fact, SW literally tells her "I won't apologize" regarding her abuse of Catra. Can you imagine the hurt at that?

[pic caption: Catra refuses to apologize, Catra often shows her deeper emotions while blinking, in this case: the incredible pain she experienced from SW’s abuse.]

So no, Catra won't apologize, she had a thing she was trying to do by kidnapping Bow and Glimmer and taking her sword, and it ended badly. But she felt she had a good reason to do it: she wanted to force Adora to see her, to make her acknowledge how big of a part of Adora’s life Catra used to be. And it's not like anyone has been helping Catra, she's had to make every single decision on her own her entire life and live with the consequences.

Also, mistakes for Catra have an entirely different meaning than they do for Adora. Whenever Adora made a mistake, she was given an opportunity to fix it. This is a theme of their relationship: Adora expects Catra to let her fix her mistakes. But for Catra, she learned that any mistake she made was dangerous, as when she did make a mistake, SW would torture her for it. And if other people saw it too, they'd use it to perpetuate the notion that she's some kind of no good fuck up. So Catra is extremely careful to not make mistakes, and if she does, she tries to cover it up, distance herself from it. (note: this isn't the same as Catra's intentional rebellions against this system where she was unfairly targeted for abuse-). This is why Catra simply cannot forgive Adora easily for breaking her promise: in Catra's world, she had to be perfect, or she could have been dead by SW's hand. She wasn't allowed to make mistakes like Adora is, she is what is clinically known as 'hyper vigilant' and always preparing for the worst. And so she applies this standard to be perfect all the time to Adora, and therefore she won't give Adora the same license to make mistakes with their friendship. Catra thinks Adora should know better, and see the consequences of her actions.

>Adora lets it go: when Catra seems to shut down, Adora does her best to try to accept her. Adora tries a different track. She asks Catra why she let her and Glimmer go when SW had them imprisoned, when it could have resulted in Catra getting in trouble. Catra walks ahead, trying to distance herself from having to answer. But the magic of the Crystal Castle intervenes: as Adora slips and begins to fall, Catra saves her. It's a symbolic moment: Catra has always tried to protect Adora, to save her from pain. It's why she changed course to give the sword back to her, partly.

"Did you really think I'd just let SW erase your memory like that?"

"I don't know. Probably." Adora shows such little understanding of their friendship. It shows Adora really is thinking of Catra as an enemy, not as the complicated person stuck between protecting her friend, and the cruel necessities of her life.

Catra looks at Adora with disappointment. "Yeah, well, you never did have too much faith in me." Adora tries to understand Catra's emotions, fails.

"Huh, can you blame me?" Ouch. Adora smiles at Catra, trying to show love for her roguish quirks. But it just shows how little Adora understands: she is repeating a negative stereotype of Catra that everyone in their old life believes and perpetuates. And Adora should know better, instead of just assuming the worst about her. That persona is one which Catra uses to protect herself, partly from her own emotional feelings, but also as a necessity to protect herself from SW. She had to act like she doesn't care, doesn't try, so SW wouldn't see her power.

"Psh, not really." As Catra turns away, again she deadpans this but you can see pain and disappointment leaking past her indifference.

As she walks away she trails her tail across Adora's hand, flirting and drawing Adora's attention to her butt. It's a cute little moment of telling a truth to counter the lie: 'Adora, you should know me better, and also, I like you.' Still, it's only a half truth: Catra couldn't let SW win because SW is Catra's true enemy. But, Adora takes the flirtatious hint, as always. She accepts it and doesn't dig deeper.

Catra asks Adora about their childhood, trying to understand how Adora could just throw it all away. Adora gives a very direct and impassioned speech, she looks Catra in the eyes, trying to convince her and make her understand why leaving was the right thing to do. Catra hides her emotions, weighing Adora's answer. She doesn't agree with her sentiment, in Catra's experience good and evil are relative and exist as such everywhere. Also, she's right: we meet many people in the Horde who aren't evil. And Adora's finding the sword is one giant sinister manipulation by Light Hope. Moral grayness is a constant theme in this show. Still, this isn't really why Catra chooses to stay with the Horde.

Adora sees her explanation failing to convince Catra, so she tries reminding Catra of their deeper friendship, telling her she misses her too. Catra is temporarily taken aback at being called out before remembering to deny it. She tells Adora to get over herself, and Adora tells her she won't stop until Catra says she likes her. They flirtatiously rough house, and Catra smiles during it: yeah, she does. But she denies it anyways.

::Adora often tries to be respectful of Catra's personal space but is making an exception here: she's telling her that she finds her desirable, and if Catra wanted it, they could be together. Adora can't understand why Catra feels the need to resist this, but she knows doing it helps her friend feel wanted. Still, this shows how casually Adora views their attraction.

Yes, they should be together. And actually, they had an unspoken agreement that they would be. But Catra's not going to open herself up to that just to serve her desire. She wants more from Adora, for Adora to show her that she really does see her, and cares about her. If she did, maybe Catra could open up about some of her pain. Being intimate without doing that would be impossible, and so far Catra's life still isn't safe enough to risk her feelings. Adora's promotion could have meant the beginning of something new between them, where they worked together to build a more secure future together where Catra didn't have to be fearful all the time. But instead, Adora left her.

So begins the second memory. The two girls, now teenagers, compete against each other in sparring. It's clear they are flirting, and neither is fighting all out. When Catra taunts Adora by putting her finger to her forehead, she shows how much better she is at fighting. She full heartedly laughs, Adora enjoys this and then throws a purposefully weak strike to restart the fight. When Adora seemingly turns the tables through brute force, Catra plays hurt to exploit Adora's naiveness. As Adora tries to show concern, Catra turns the tables back. She wants to teach Adora a lesson: that not everyone will play fair, as Catra knows all too well from SW's abuse. But Lonnie interrupts her. Catra doesn't appreciate this and makes quick work of Lonnie, showing just how good she is. Adora attacks, getting the predetermined win. Catra doesn't enjoy the beat down but accepts Adora's help up. She heads to Lonnie as Adora receives compliments from their commander.

As Catra confronts Lonnie, she tells Catra "you were playing dirty, I was just leveling the field". Catra will hear these words again when she leaves Adora behind in frustration near the end of the episode. They are significant: these are stereotypical views forced on Catra, and those views ignore that Catra was just doing something she felt was important: teaching Adora about the harsh realities that exist in the world. Real enemies don't play by the rules, and will be unpredictable.

As Catra’s anger rises at this, Adora puts her hand on Catra's shoulder to calm her down, then compliments Catra on her fighting skills. Catra ever so casually tosses the comforting hand aside. She's saying 'I can handle my emotions without your help, but thanks for asking.' As she tells Adora she let her win, Adora tries to tell if Catra really is ok.

Thus starts one of cutest exchanges between the two of them: as Catra tries to explain why she lets Adora win, Adora puts on her sideways 'you like me' grin while she playfully denies that Catra let her win. Catra gives a very animated and obviously made up explanation about not wanting to have people expect things from her. Adora grins along, and halfway through her lie Catra leans in, staring at Adora's lips before looking up into her eyes. Once again, Catra is undoing a lie by telling a truth: she let her win because she likes (loves) her. But it's only a half truth, once again...

Adora accepts the explanation, keeping her sideways grin: 'it's so cute how you like me'. Catra's explanation done, Adora moves on, wanting to catch up with their unit. Catra lets her do so while excusing herself. As Adora leaves, a huge amount of meaningful information passes across Catra's face…

First, Catra feels bad about having to lie to Adora, and it shows. Then, as Adora leaves to socialize, disappointment and rejection shows: Catra had hoped Adora might look deeper, and try to see the deeper truth. As Adora turns away and leaves we see a look of total love and adoration on Catra's face. She really, really loves Adora. She's the light of her life, a real idiot no doubt but Catra will always love her for exactly who she is.

The girls remain their younger selves as the rest of the memory plays out, Adora staying to accept praise while Catra separates to deal with her internal feelings which Adora always fails to see: the hurt and aloneness she feels.

>A frustrated young Catra cries, expressing her repressed emotions. It would be easiest to assume she cries because she's sad about losing, but we have to look ahead to the next memory to find the real truth.

Catra is sad because she never had a choice. SW took that choice from her, and while Catra is happy to let Adora win because of the love she feels for her, it hurts that she never really got to decide. And Adora doesn't see that, doesn't see the pain Catra is bearing, hiding. And so she cries for that, too. The one person who should love her doesn't really see her. As she looks up in the mirror to see herself, since no one else in her life seems to see her pain, she sees her present tearful self looking back. The pain of the past is real in the present, and while she's older now and won't let herself give in to tears, she feels the pain as she did back then. (pic 1, below) She sees the tears and it snaps her back to her present self, totally unnerved by the simulation as the security detects her and attacks. A fearful Catra screams, wanting help, wanting Adora.

>Adora snaps back to herself, having been participating in the replay of the memory post Catra excusing herself. She tries to run to help Catra, full of worry. She sees a terrified Catra trapped by the spider. As the spider begins to drag her away the two girls lock arms, trying to free Catra. But it's too strong, and as we see their grip start to slip, Catra looks to Adora wanting, pleading for help. As Catra is pulled away, Adora feels helpless, knowing she couldn't help her friend. She thumps her head in frustration that she wasn't there for Catra.

The scene speaks to an obvious truth: Adora has never quite been there enough for Catra. She's always less present, less aware of Catra's reality than she could have been. But since Catra was experiencing a painful memory when this happened, her reaction shows her vulnerable emotional state, and so she called out for help: Catra just wants to feel safe, for Adora to be there to help her. But she wasn't.

>As Catra is dragged away, she feels helpless, and calls out mournfully for Adora. But she's long gone; Catra is alone and scared, as usual. She screams out her frustration, the realization that she’s never gotten the help she needed, she always ends up alone. She cries tears for the suffering and anguish she feels from that. (pic 2, below) It’s a moment that shows us the real inner Catra: She feels deeply, whether it be her desire to be seen, loved by Adora, or the fear she feels in this moment and others. She tries her best to act confident in herself, but it's a lie: she needs support, yet is left behind by everyone, including Adora. She was willing to bear her pain for Adora's love, but she has become increasingly aware of how tenuous that really was growing up.

>Catra digs deep, like she's always done. She will handle this, won't take the abuse lying down. She shifts her mentality to being the survivor, the person who has survived years of abuse. She frees herself and gets to her feet, accessing her foe, determined to defeat it. She attacks, using her anger to deal damaging blows, seeking to destroy her enemy, to make sure she survives. She stands back, confident she's won, proud of herself for it. She doesn't quit, she always perseveres against those who want to destroy her. (pic 3)

Adora shows up, finishing the monster. Catra doesn't drop her mentality, this person who has lived a separate life from Adora and survived on her own, doing the hard things like winning fights and resisting Shadow Weaver's abuse.

Adora walks forward, seeing Catra's anger, determination. She looks blankly, trying not to upset Catra. She's trying to get a read on Catra but not having any luck, so she's being cautious. She asks if Catra is ok, casually pulling webbing off Catra's shoulder, trying to exist in her physical space without upsetting Catra further. "I had it" says Catra, not dropping her fighter stance, mentality at all. Catra is very much feeling the aloneness of her life from everyone, including Adora.

Adora tries to casually put aside Catra's assertion that she had it, she smiles diplomatically. She tries again to touch Catra, to break down her animosity and get her to calm down. It doesn't work. "We need to make sure we stick together from now on." As Adora touches Catra, she tenses, uncomfortable. Catra has strong touch aversion, and Adora knows this but she also knows doing it sometimes helps Catra shift her mentality, so she's trying to get Catra to connect emotionally, to get her to accept care.

"Will you stop telling me what to do?" An exasperated Catra says. We see a look of total dismay cross Adora's face. She's not understanding why Catra has so much animosity in this moment. (pic below)

As Adora looks at Catra, she hunches her body, looking misunderstood and isolated. Adora has consistently failed to see Catra's emotional states and so Catra is feeling more and more apart; that the mentality of the survivor she's feeling now is the right one. Adora didn't really help her at all growing up, and she doesn't see her for who she really is, either. Adora always took the easy explanation, like saying that Catra did things for her because she liked her. Never looking deeper, trying to see her struggle. And so Catra doesn't drop her combative pose, she stays in it because she feels in control, less vulnerable.

As for the words "stop telling me what to do", that's an essay in itself but consider: just now Adora became frustrated when she lost Catra, and now tells her they need to stay together. But they didn't, they never did, and even when they are together Adora is no real help to Catra. So she reacts in anger to Adora trying to direct her. After all, in the next scene we will see that Adora leads Catra into danger, and then doesn't really help her as she gets abused. Adora is no great leader, not according to Catra's experience.

::Adora is having a total loss, here, as she tries to understand Catra, why she's angry at her: It's because she has never really known this 'survivor' side of Catra. Adora wants to comfort her and calm her down, but Catra isn't having it. I think this is when we first see Adora begin to realize that there is something is very wrong with her friend that she has completely failed to see, and she's deeply worried by it. (pic 2)

[pic cation: Adora can't read Catra's emotions, Adora realizes Catra is deeply angry. Outside SW’s chamber, Adora wants to take Catra’s hand.]

Adora loves Catra, but can't seem to get through to her: Catra is holding herself apart from Adora. Again, Catra pushes Adora's hand aside, frustrated. She expresses her exasperation at the situation, saying she's sick of what's going on. Adora follows along, confused. As Catra seemingly purposefully leaves her behind, Adora demands to know what Catra's problem is, saying that she was trying to save her. Catra looks down at her confrontationally, frustrated with Adora's lack of vision. "For the last time, I don't need you to save me. I've been doing just fine on my own. No thanks to you." Uh oh.

The words "no thanks to you" are especially cutting. Adora has totally failed to see the struggles Catra had all her life, she didn't understand the hurt and abuse Catra was fighting against. And so Catra did it all on her own, protecting herself and trying to remain strong. Her love of Adora might have helped her have hope, but fundamentally Catra overcame the abuse by not giving up on herself, believing she had worth, and not letting others tear her down.

Adora runs to Catra's side, taking her arm in one hand. Feeling her friend becoming increasingly distant from her, Adora tries authentically telling Catra her feelings, hoping to make her friend see her desire to help and understand her. Adora explains that she's sorry for leaving and that she did it because she couldn't stand the war the Horde has pursued. Her next words are telling: "but I never wanted to leave you". 'Want' is an important word in this series, and it comes up again in season 5 when Catra asks Adora "what do you want, Adora?”. By choosing to leave the Horde, Catra feels that Adora wanted that more than she wanted what they had together. Also, promises are not something you're supposed to break over a 'want'. And Adora so casually breaking their promises makes Catra think she doesn't matter to Adora. It's not the truth, but this belief still determines her reaction in this moment. Even though Adora dearly loves Catra, including at this point in the story, she hasn't shown it in a way that Catra can see as meaningful. As Adora finishes saying this, Catra looks back, feeling alone and unwanted, seemingly thinking 'but you did leave me, Adora.'

Adora tries to appeal to Catra to join the rebellion with her. Then she says "I know you're not a bad person, Catra. You don't belong with the Horde." Catra must be thinking 'Ok so at what point did you become the authority on whether someone is good or bad, Adora?' Adora has shown no interest in understanding Catra's position, she treated her as an enemy without fail since she left her, literally in every single case including at Princess Prom when Catra was trying so hard to romance her. And Catra doesn't accept Adora's naive black and white view of the world. Think about it: when Adora defects she begins treating all Horde with hostility, including her dearest friend, she judges them all and doesn’t even try to see them as the complicated people that they are. So when she suggests Catra doesn't belong with the Horde, Catra looks back at her, feeling totally isolated from Adora. Even though Adora's plea is earnest, Catra declines it.

>As the next memory begins, we see Adora now has both hands on Catra's arm, she's desperately trying to hold on to her bond with Catra and show her desire to fix things between them. Catra doesn't drop her wary demeanor at all, and Adora looks lost and anxious over this as a young Catra runs by.

The memory starts out full of childhood innocence as the two of them play together. When the girls see that the Black Garnet chamber is open, young Adora remarks "we're definitely not allowed in there." Young Catra looks at Adora, seemingly asking if she wants to go in, trusting her. Young Adora runs off, and Catra follows her in. Yes, Catra participates in the decision, but she's not the one who runs towards the chamber, and that's important to what happens next.

A worried (adult) Adora looks to her friend who seems so distant, stoic. Anxiously, Adora tells Catra "You don't have to go in there." Adora knows what happens next is very bad, that this is a hurtful memory for Catra. As an unwavering Catra begins to walk towards the chamber, Adora looks down at Catra's hand. [pic above] She wants desperately to reach out and take it, to hold Catra back from this terrible moment, to tell her she's sorry for messing up. Adora knows now that she screwed up, that she's let Catra down, somehow more than she ever realized. She doesn't know what to do about it… she follows Catra inside.

The young girls explore, Catra touches the black garnet and gets shocked. Adora has second thoughts, she realizes they're trespassing.. but of course, SW returns, so they try to hide. As SW takes off the mask, Adora cries out, taken aback... young Catra looks at her in dismay. She's about to pay for Adora's mistake with a lifetime of suffering. Offended, SW tells them to "Get out!" but rethinks. She puts the mask back on, and decides to use this moment to instead abuse the girls and use the crime of their trespass against them. As SW tells Catra to stay, Adora turns around, seeing that Catra is caught, and she's scared for her friend. She really did make a poor decision, and as a highly empathetic person, what happens to Catra scars Adora, too.

Held powerless by magic, Catra tries to explain that they were just playing. SW's words to her set the stage for a lifetime of physical and psychological abuse: SW leans over her menacingly, telling her "Insolent child, I've come to expect such disgraceful behavior from you, but I will not allow you to drag Adora down as well." Again, it's not Catra who decided to go in, so it's really not her fault. SW disparages her and heaps blame upon her for Adora's bad choice, ignoring the truth.

Adora weakly tries to protect Catra, saying "SW, it wasn't her fault. It was my idea too." It's an understandable response, as they're just little kids. Still, Adora could have taken the blame for their trespass, since she led Catra inside. But it's about to get a lot more hurtful for Catra...

SW's voice echoes through Catra's head as she trembles in terror: "You have never been anything more than a nuisance to me. I've kept you around this long because Adora was fond of you but if you ever do anything to jeopardize her future, I will dispose of you myself. Do you understand ?" Catra trembles in fear, her eyes unfocused, the room empty but for SW menacing her. She's in a dissociative state, terrified and helpless. I think some people probably feel like this must have been a idle threat, but it isn't: SW abuses Catra many times after this for her mistakes. And the depiction of the dissociative state helps us understand just how damaging it was. While Adora seemingly goes on to not realize the importance of this memory, for Catra it is formative to her entire life.

Again, Adora tries weakly to stop what's happening, putting herself between them. She tells SW "please, stop" then looks over at Catra, full of concern. Running over to SW, she tells her "she didn't mean to". This is so hurtful, as young Catra is very smart. Catra knows Adora has blown it again, after all, what is it that she "didn't mean to" do when it was Adora's idea to trespass? Adora isn't getting the magnitude of the situation, and Catra is very much left to fend for herself.

SW then does a very insidious thing to Adora, a very directed abuse that's meant to work against her personality and empathetic reactions to others pain. She tells her "Adora, you must do a better job of keeping her under control. Do not let something like this happen again..." SW follows this up with years of manipulation to make Adora even more susceptible to abuse. But in this moment, SW again heaps the blame for Adora's mistake onto Catra, who did nothing wrong. For Catra, she comes to believe that what she did doesn't even matter, nobody cares what the truth was. Even Adora. But for Adora, the hurt goes deep as well. She made a bad decision, her friend gets hurt for it, and she never comes clean... instead, she's told she has to do a better job of controlling her friend, and that she has to be perfect so that it doesn't happen again. It's a deep and hurtful moment for Adora, just like it is for Catra. But the hurt is much less direct, and more sneaky. Nonetheless, Adora struggles with this moment, this abuse of her, in the most intimate and painful ways all throughout the series.

Young Catra watches on as SW completes her manipulation of Adora. For Catra, she's left with the feeling that nothing she does matters, she was blamed for something she didn't even do. And Adora seemingly took the easy out, spreading the blame. But she doesn't realize this moment is so insidious for Adora, that it attacks and manipulates her at her emotional need to help others. From this moment on, Adora is afflicted with a desperate fear that she can't protect others, and must lead perfectly so they don't get hurt. This internal conflict erodes Adora's self worth, and causes her great emotional pain throughout the series. Catra, instead, believes she is being told she has no worth, and isn't even allowed to make her own decisions. It's hurtful, and it's part of why she tensed so badly at Adora for trying to tell her what to do earlier. We see this realization cross young Catra's face: she feels forgotten in this moment.

We see the young girls walking away from SW's chamber, Adora with her hand around Catra's shoulder. This comfort is not enough... Catra really needed Adora to stand up for her there, to come clean, and she didn't. Trying to comfort her now seems hollow. As they flash to their present selves, Catra knocks Adora's arm aside in frustration, accusing her of needing to play the hero.

Adora responds, saying she was only trying to protect her. Catra's next words tell the real truth of their childhood: "You never protected me! Not in any way that would put you on SW's bad side!" Adora at first chafes at this statement, feeling like she did try to protect her, then crosses over to confusion at the strength of Catra's assertion. Catra is telling Adora she was blind to her pain. She wasn't there for her, and this is very much at the core of Catra's disappointment with Adora: the fact that she never stayed, never tried to understand. Adora let SW control her, make her ambitious, and so Catra was put to the side of that, and over time Adora grew apart from her. Catra’s exact words here are important: she says that Adora ‘plays’ at being the hero, yet always seemingly protected her status as the favorite, never standing up to SW and risking harm onto herself in order to save Catra from pain.

And so, the fact that out of seemingly out of nowhere, Adora decides to risk everything and defect in order to fight for people she doesn't even know, insults Catra. Adora abandons and consequently fights against her own people, leaving Catra behind, unilaterally treating her as an enemy. Never, in their whole lives, did Adora ever fight for Catra, only offering affection afterwards to make up for the cruelties that happened to Catra. So no, Catra doesn't want Adora to save her, or her sympathy, when she seemingly cared so little about her pain. Adora was no hero to her.

Now an obvious question might be: if the manipulation is that Adora is supposed to protect and control Catra, then shouldn't she have had to see SW abuse Catra for it to work? The first part of the answer is that it was never really about that, once the idea was put in Adora’s head, SW used it to manipulate her further into a mentality where Adora would accept praise, promotion on her path to becoming a force captain.

The other is that when someone is being hurt like Catra was in that moment... if the one person in the world who is supposed to get it doesn't get it... then it becomes very hard to ever bring it up to them again. It's a specific type of hurt and abandonment: for Catra, she goes on to believe that this is her burden, that somehow she alone is supposed to learn these hard lessons. And so she doesn't tell Adora about the abuse. Also, keep in mind that they are small children, and Catra doesn't want Adora to hurt like she does... so she's actually protecting her, in her mind. But the fact that time goes by and Adora never seemed to care, to stop and see Catra's pain, was very hurtful to her. And Catra’s feelings of betrayal at Adora’s not seeing the hurt are justified: in episode 1, we see Adora watch SW menace Catra, then happily run off to accept her promotion, only remembering to check on Catra as an afterthought. Catra needed Adora's support, and never really got it.

[pic caption: (left to right) Adora’s apparent willful ignorance of the abuse.]

So Catra believes she learns these hard lessons so Adora won't have to, but is left alone in her pain. This also means that SW specifically abused Catra at times and in places so Adora wouldn't be aware, which again, tells us it was never really about making Adora responsible for Catra's decisions. No, the reasons were much darker, and Catra bore it all alone.

The girls flash to their younger selves, and Catra accuses Adora: "Admit it, you love being her favorite." Catra is telling Adora that she was disappointed and hurt that Adora kept accepting praise and privilege from SW, after that moment when she so clearly should have seen how SW abused her, and the maliciousness of the death threat. In Catra’s mind, Adora could have rejected SW. As painful as it is for a small child to be without any parents, it would have been the right thing to do, for Catra. SW was no good to Catra, and they could have shared the pain of being orphans who only had each other, but instead Catra ended up bearing all of the abuse while Adora was given privilege.

Adora denies this assertion, and yet she did accept the privilege SW offered her. Catra's next words show how ignorant Adora was to the realities of their lives as they flash back to their present selves: "Oh yeah? When you left, who do you think took the fall for you? Who was protecting me then ?" Catra bore all the abuse and punishment for Adora's leaving, and Adora wasn't there to see it. Catra did this bravely for Adora, in fact, up until before Princesse Prom, Catra did everything she could to cover for Adora, just like she asked, protecting her, hoping she'd come back to her. But Adora shows no understanding at all for what Catra went through, she didn't even think about what must have been happening to her. Adora has never taken the time to think about how her actions affect Catra's life.

Adora counters, suggesting that Catra could leave the Horde, and therefore get away from SW's abuse. Catra just glares back at her, disappointed. Catra knows running from the abuse won't solve anything.

::What this comes down to is a totally different understanding of the world. For Adora, she thinks she became a hero for leaving the Horde, and becoming She-ra. She doesn't realize she was lucky to fall into the situation she did, with Bow and Glimmer helping her gain acceptance and protecting her. She's totally unaware that the reality that her becoming She-ra is a manipulation born out of evil intent. For Catra, she's always known that the world is harsh, and that bad people exist who will try to destroy you. She's not afraid to fight, she's had no choice learning these harsh truths. It's a jaded view that negatively affects her perceptions of people, but it prepares her for the worst, and so she relies on it. So when Adora suggests she run from it, she rejects her as naive. They flash back to their younger selves after Adora suggests Catra can leave like she did, and Catra accusingly points out that she doesn't need to follow Adora around. That they're children is relevant to the previous memory where Adora led Catra into danger, and then didn't protect her. Catra isn't interested in following Adora blindly after she's put her in danger so badly in the past.

Flashing back present selves, Catra tells Adora she doesn't want to leave. As she says this her face conveys her anger at the world, her drive to face SW instead of flee. She says "I'm not afraid of SW anymore, and I'm a better force captain than you ever would have been." Let's take this in parts: Catra won't run from her abuser, she's already planning to take her down. Doing so is important to Catra, as it fixes her world in an important way. And that Adora can't see this just shows how far apart they are now. In Catra's mind, Adora was supposed to stay, and as they rose to power together, they would have supplanted SW, fixing Catra's world. The two of them would have been stronger in the end. But Adora did leave, so Catra impatiently tries to get Adora to see that she won't just run away. If Adora doesn't want to help Catra overcome this evil, then she'll do it on her own.

Her disappointment in Adora for abandoning this fight is apparent, what comes to mind is when Catra calls Adora weak in the Sea Gate episode. And now Catra knows she's got the power to do this, she's a force captain, and if she can just find a reason to depose SW she knows she has the station and fighting ability to take her down. She always knew she could lead, but was happy to let Adora have success because she really didn't want that responsibility. So she points out her superiority, not to show that she's better than Adora, but to tell Adora she was blind to Catra's worth, and to be hurtful to Adora for abandoning her.

They flash back to their child selves: Adora looks at Catra, hurt and confused "You always said you didn't care about things like that." Adora is feeling hurt by the idea that she was unknowingly taking advantage of Catra, because Catra has seemily just told her she was lying.

Now, this next part is important, and it's important that we are seeing Catra's reaction as her child self: Catra looks sad and lonely as Adora finishes her question, and she's crying. Something adult Catra would never let herself do. So we're seeing a much more authentic expression of Catra's hurt and emotions than if it were her present self. What you need to understand here is that those emotions don't really match her words... Catra tells her "Well I was lying, obviously!" But her face says she's angry and hurt at Adora for not seeing her pain.

As she delivers those words her face is full of accusation and insult, she's being dramatic, something we will see Catra do time and time again. She stares down Adora, eyes scrunched up, showing Adora how betrayed she felt by her insensitivity. Then we get sadness, disappointment. Finally, we get a lonely kind of furious sorrow: all that time feeling alone and Adora didn't bother to understand is written on her face.

The tears are still flowing, but as she turns away they shift back to their present selves. Adult Catra looks totally alone, heartbroken.

Ok but how we REALLY know Catra isn't telling the truth is this: almost word for word, this moment exists in episode 1. ANY time you see that happen in this show, you need to look back to find the meaning of it.

>We will need to look in totality of this scene in episode 1: An excited Catra pounces on Adora, asking her what SW said. She sees the badge and takes it. Here's a funny thing, because we see Catra jump on Adora you might think Catra is always like this, she just comes into Adora's space as she pleases. But once Catra has the badge, we see no anger or jealousy. Just total wonder. She shows nothing but exuberation and happiness for Adora's promotion (pic 1, lower left fyi).

Catra knew this could be the turning point she's been waiting for, that Adora was due for promotion. And so she's jumping all over Adora, full of joy. We only see her attitude change once Adora tells her SW isn't letting her go on missions. And so, we can infer a lot of information from this...

Catra expected this moment to change their lives for the better. That Adora's rising in rank means freedom, the beginning of something new. Some many new things, in Catra's case. But Catra definitively shows us in this scene that she doesn't desire the success for herself. She only shows happiness for Adora, for them together, and she's ecstatic. (pic 1, fyi)

This, in Catra's mind, probably means the start of their romantic lives. If Adora is the force captain that brings them to victory, SW won't be able to just trample all over their lives. Catra can begin letting down some walls, maybe even let Adora pursue her romantically. If they're together, and Adora is on her side because of that, she becomes safe from her abuser. It's a much better outcome than trying to fight SW, but that's not how the story goes. No, Adora leaves her instead. How's that for emotional whiplash? All of these truths are laid bare in s3ep5, when we see Catra's perfect reality, when she and Adora are together romantically. Catra only wants to be safe and to be loved, but when Adora leaves her she loses trust in the goodness of Adora, and in people in general.

> Adora tells Catra she shouldn't be surprised she's been cut of of the mission because she's so rude to SW, to which Catra responds by calling Adora a people pleaser, then storming off in anger...

::Note, as this is important: Adora is taking SW’s side, and not Catra’s, which is entirely opposite of their early childhood memory of Octavia. It shows how Adora had started listening to the negative judgements others placed on Catra...

>Adora goes after Catra, finding her sulking on the roof. Catra is angry, betrayed by the world, at the injustice that SW is in her life. Adora asks "I didn't even think you wanted to be a force captain?" Catra tossed the badge at her, saying she doesn't. Then she folds her body up, holding herself. Adora sees this, but doesn't touch her. She's being careful to respect Catra's boundaries. But the anger Catra feels here isn't about being denied the chance to be a force captain, it's at all the hurt that SW has dealt her and continues to do so. And Adora doesn't see that, which disappoints Catra. But, she's unable to verbalize it herself, she is too insecure in her emotional vulnerability, so she lets it slide.

What we have here is two different instances of the same question with two different answers, but in both cases Catra is telling the truth. In episode 1, it's the truth that she doesn't care about being a force captain because of her love for Adora, and the promise, in her mind, that they will eventually be together. In episode 11, Catra then says she lied, and this now is also true: Catra did think about what she was going through, all the pain and sacrifices she made for Adora, which were done in the name of love. But Adora doesn't love her the way that Catra loves Adora, instead leaving her behind. And so now that Adora didn't ever see how excellent a person Catra actually was, how dedicated to her she is, and the pain she was willing to bear for her sake, it does matter. Because that's shitty of her, and so now Catra will survive on her own by her own excellence, her strength that Adora never stopped to see. So Catra is guilting Adora, trying to make her see how blind and unfeeling she is.

>Back to ep11: Catra tries to walk away from Adora, who desperately chases her, trying to understand why Catra is becoming so distant, wanting her to tell her what's wrong. She reaches out for Catra's shoulder in one last attempt to get Catra to talk, she knows touching Catra could maybe get her to be more open. But the truth is Adora has been far too easy on Catra, she needs to be more forceful if she wants Catra to talk, which she later comes to understand... she's been coddling Catra, and so Catra is allowed to wallow in her unhealthy mental states.

Catra takes Adora's hand, forcefully holding it away from her and delivering a hurtful line: "Why do you think I gave the sword back to you in the fright zone? I didn't WANT you to come back, Adora!" This hits Adora like a load of bricks, her dismay is evident. And it's all true, which is the sad part. Catra was already preparing to cut ties with Adora, as even by that point she had come to a realization, a decision: if Adora doesn't want to be with her, then she'll do it herself. She will do the hard things on her own.

She turns away from Adora, looking hurt and betrayed. And Adora is at a complete loss, she doesn't know this side of Catra, this part of her that has survived hardship all these years... she lets her leave, not knowing what to do.

Adora is then attacked by the security, which takes up her time. As that happens, we see memories only shown to Catra. Catra runs, emotionally overwhelmed as all the unfair judgements, the abuse, and hollow apologies ring out around her. All the years of frustration and sadness weigh on her, she tries to keep it together, lashing out at the holograms. She falls to her knees, fighting back emotion and trying not to cry, her inner, vulnerable self is near the surface, and she's trying not to break down in tears over all of the hurt she's had to bear...

… and then she hears soft crying...

She turns to see her younger, tiny self, crying. Then, a tiny Adora joins the tiny Catra. Unlike the other memories, Catra never flashes into her younger self, she just watches...

The tiny Adora pulls the blanket down, Catra hisses at her... Adora sits down next to her tenderly. And we finally get the promise, the two parts that Adora has so tragically broke...

Adora tells her "It doesn't matter what they do to us, you know? You look out for me, and I look out for you... nothing really bad can happen as long as we have each other." The tiny Catra looks at Adora, wanting to trust her, to believe in her. As she says the question, present Catra echos it: "You promise ?" This was a sacred moment that gave Catra hope as a young orphan, that maybe she would be ok.

And so, the present Catra echoes it. Adora tells her she promises, as the skeptical present Catra looks on. Tiny Catra is still sad, insecure... she hugs Adora, needing this. Adora suggests they go back out to play... and we see tiny Catra look at her, still afraid, reluctant, wanting to stay. But she decides to trust Adora, and so they walk out, holding hands. Then something unique happens. Tiny Catra stops to look up at her present self: note, this is entirely a unique moment in the simulation, it never happened in reality... and yet Catra is given this moment...

The innocent child stares up Catra, making her see her. It's a look full of meaning, it doesn't carry any specific emotion... only innocence. Catra is having an inner child moment. That most deep and innocent part of her, her vulnerable self who feels love, is communicating with her. It's asking her to see it's vulnerability, and it's pain. Catra sees this, all of the pain Adora has caused her, the breaking of the promise, the promise that this innocent part of her was holding on to desperately with hope. She is forced to acknowledge Adora's disloyalty to her, her carelessness. Catra is reflecting on how she did her absolute best to keep that promise, even after Adora failed to look out for her in SW's chamber. Catra was so loyal and so good to Adora all of their lives; she made sure Adora had a good life, and she played by SW's rules so Adora could be the chosen one, wanting to protect her. All in the hope that they would be together, and that their love was real. But Adora couldn't even do that much, she left her. And Adora doesn't understand her, she doesn't even seem to miss her.

[pic 9: Broken Promises, Catra’s inner child, The Hero goes Her Own Way].

Present Catra watches her tiny self leave, coming to the tough realization: that she's never been able to trust Adora, not really. Her love isn't reciprocated, not by her standards.

…. which makes Adora a deeply unsafe person to Catra...

Catra survived SW's abuse, learning to believe in herself, protect herself because no one else would. All while keeping this hope of love in her heart, this vulnerable core of herself that has tenderness and loves Adora, and needs love back. But, her need for love goes to such a deep vulnerability that giving in to it and then again being rejected or forgotten by Adora would simply destroy her. SW held the threat of death over Catra’s head her entire life, and Catra resisted it, got through it by being tough and trusting in herself. So now she sees she can't trust Adora: everything that happened since she left her behind, the fact that Adora always treats her as an enemy, that she seems to show no lingering desire for her, and doesn't even seem to miss her while replacing her with new friends, seems to confirm her worst fears. Fears that have been building over the years, starting when Adora broke their promise in SW's chamber, and then as Adora pursued her success while accepting praise and privilege from SW, ignoring the abuse Catra bore because of it. She decides she can't trust Adora. Love is a lie, a weakness. A weakness that could destroy her last bit of individuality, and belief in the world.

And so, Catra, The Survivor, makes the decision... in her mind it's the brave one, just like way back when and she decided to bravely stand up to SW's abuse and not let it destroy her: she will stand up to the threat that is the weakness of her love for Adora. Adora is selfish, she doesn't deserve Catra's love. She was stupid to believe that love was even possible, for someone like her… who has always been ignored, and told she is unworthy of praise or even existence. There's only one thing left for her to do: she will be alone, strong on her own, for herself.

Her gaze hardens... that part of her that has made sure she survived SW's abuse, and made sure she won fights when she was threatened, is now the decider. It will protect her from her vulnerability, and reject Adora for her. I suppose you might be confused as to what I'm referring, or maybe not... If you haven't had to fight for your life, whether physically, mentally, or otherwise, you might not know this side of yourself well. But we all have it, it's The Survivor. And while I knew mine would protect me, I didn't accept it as my real self, I didn't accept its necessary but vicious deeds as my own. This is very much how Catra is, and as the series goes on she puts this survivor in charge of more and more decisions, we watch her deteriorate as this part of her gets out of control, protecting her from darkness with more darkness. All the while her vulnerable inner self suffers, watching the horrible deeds and becoming more and more alone, desperate for affection.

>Adora is outnumbered, eventually ending up hanging from the cliff's edge by spider webs. She hears Catra return, dealing with the spiders. Adora looks up, hopeful because Catra has returned...

Catra saunters in. Let me say a few things before we go through this part: Catra is about to say a lot of things that aren't really true. They are instead meant to be hurtful to Adora, Catra is being intentionally mean. We shouldn't take her exact words as her authentic beliefs, because they're not... no, Catra is doing what she believes she has to so she can be apart for Adora, and be safe from her. The truth is, Catra needs to be away from Adora. She's too scared of the vulnerability that is her love for Adora, because Adora hasn't shown her that she cares. And she can't do that by defecting, no, she must stay with the Horde. It's the only thing she feels there is left for her to do.

Now, let's go through this: and heads up: I'm getting at something very powerful that's going on here that you may not have realized. This speech is, in fact, a heroic moment. A heroic moment... for Catra. Not Adora, for Catra. And you just need to open your ears to hear it...

"Hey Adora."

🎶 is sad

"Catra! Help me, please!"

"This thing wouldn't work for me if I tried, would it? It only works for you... then again, you're special... that's what Shadow Weaver always said..."

🎶 is melancholy

"Catra, what are you doing??"

"Ah, ya know, it all makes sense now... you've always been the one holding me back... you wanted me to think I needed you, you wanted me to feel weak."

🎶 has even tone

"Every hero needs a sidekick, right?"

"Catra that's not how it was.."

🎶 rises, falls, sad (“Promise” begins playing)

*Catra chuckles* "The sad thing is I've spent all this time hoping you'd come back to the Horde... when really you leaving was the best thing that EVER happened to me..."

🎶 lowers, is dark, is dramatic. -Note: we see Catra seemingly become deranged as she says this line. This is Catra deceiving herself out of perceived necessity.

"I am so much stronger than anyone... ever... thought." *she cuts part of the web*

🎶 begins to rise, uplifting

"I wonder what I could have been if I'd gotten rid of you sooner." *she cuts the rest of the web, Adora falls, catching herself*

🎶 rises, is dramatic

"I'm sorry! I never meant to make you feel like you were second best. Please, don't do this."

🎶 is still rising, uplifting

*Catra stands proudly, nobly, looking at the sword. She looks down at Adora, then she casually tosses the sword past her...

🎶 is rising, hopeful, heroic.

"Bye Adora, I really am going to miss you..."

🎶 is heroic, violins now playing, adding depth

*Catra turns and walks away from Adora, proudly*

🎶 has risen to its height, crests, is heroic.

"Catra... Catra, no!!"

🎶 remains high, cresting, heroic

*Adora cries, sad, confused by Catra's leaving her...*

🎶 crests again, fades out...

Ok, so... let's talk about what just happened here. The undeniable conclusion is that this was meant to be a heroic moment, and a damn heroic moment... for Catra. The writers are telling us that Catra leaving is an important part of her hero’s journey, and that it was the right thing to do. You might be wondering, how can that be? The short answer is, Catra is on a hero’s journey unlike all the other hero’s journeys normally portrayed in fiction. All of it, even her darkest deeds, all her cruelty towards Adora, will be part of a very... important... and powerful... journey. One which will forge her into a hero in this series, in her own incredible right... how this is, what she is, is yet to be revealed... but make no mistake, she's a hero. Just not the one you expect…

We see Adora open her eyes, and see Light Hope. She tells Adora to let go. She means of her emotional attachments, as we find out. Adora cries for her lost Catra, that she couldn't bring her back to her. She lets go...

BIG ASSERTION TIME: Now, I know it's a common theory that these memories were all just an elaborate manipulation by Light Hope to divide the girls from each other, but I don't agree with that. No, I believe this was a memory journey guided by Catra, subconsciously, to help her tell Adora why she couldn't come with her, why she has to be apart.

Take for instance the memories and visions that Adora sees when she's on her way to the Heart of Etheria in season 5: this system exists apart from Light Hope, who dies at the end for season 4. This simulation comes from somewhere more primal: in my belief, it is the deep magic of Etheria being visualized through the First One's tech. We see the simulation show Catra the promise memory, something Adora isn't shown at all, and then allows her to see her inner child's hurt. Something deeper is going on here, and you should consider how strongly the magic of Etheria is resonating with Catra when it does. Because the magic of Etheria will again speak directly to Catra, this isn't the last time... In short, the magic helps the two of them to understand each other, because Catra is an important part of Adora's true She-ra journey.

I also believe that a theme of this series is that abusers, like L. Hope, are not perfect vindictive manipulators. They are flawed, and L. Hope in particular, I believe, is no genius: she fails time and time again. That L. Hope uses the moment to get Adora to let go is her using the moment to her advantage, she didn't play ultimate control over it. She just piggy backed on Catra's hurt to do it. So that last memory really was for Catra... Furthermore, I simply cannot believe L.Hope would understand the concept of the inner child… as she can't even understand sarcasm.

But now, because of this, Adora now knows of Catra's pain... and this is the beginning of Adora's long journey back to Catra, of her repairing their bond…

Let's address the obvious counterpoint: Adora now knows that Catra is hurt, but she doesn't yet understand why. And it's not really her fault, as Catra doesn't know how to talk about her feelings, among other things. But it's apparent that Adora doesn't remember these crucial memories as well as Catra does, even though they were critical in her development as well. Adora is a mess of emotions, just like Catra, and (if) she has ADHD, it might be one reason why she doesn't really get Catra. Especially if her parental figure has been manipulating it against her. Adora very much vibrates between stimuli anxiously, so SW might have made her forgetful by distraction over time. Also, the way in which Adora treats Catra as an enemy when she doesn't accept Adora’s (totally rushed, afterthought, and hollow) ultimatum that she defect with her, is a reflection of Adora's ingrained Horde war training… this is something she has to unlearn, as it is wrong. But Adora is a good person, she really, truely, is, because Adora never stops trying to make it better. And so, she slowly, but surely, comes to understand Catra’s trauma.

We get one last scene of Catra returning to the fright zone. We get to see Catra's truth here: She walks, as if she's not even there, she's deadened by the sorrow and the inevitability of what her life will now be: one of hard work, and zero joy. She will try her best to stand on her own, and put Adora out of her heart, slamming its doors shut against love. It doesn't work, but that's what she's trying to do, nonetheless. This is the beginning of a profound depression that builds over the next 3 seasons, and combined with new traumas, nearly takes her life.

But the tech Catra has brought back will end up giving her what she needs to face down and depose SW, just like she needed...

::Here is another complicated twist that's so essential to She-ra as a series: Catra, in fact, protects Adora by taking down SW. Catra may go on to command the Hordes forces so effectively that it pushes the Princess alliance harder than it's ever been pushed before, but her deposing SW is extremely important in the story. She both removes SW’s ability to attack Adora, and then denies her any sorcerous power by taking the Black Garnet from her, since SW needs an external source to draw power from in order to use her vampiric powers...

Ok so more theory time: it's a common belief that Catra stays with the Horde, and goes on to try to conquer the world out of some deep need to externally validate herself, and to prove she was the better child by beating Adora. I don't think any of these explanations are true. Catra may go on to play such a character on a surface level, but every time she professes to have any such ambitions, she is either in the presence of Adora, or under incredible stress. In the one case, she's saying those things to try to hurt Adora, and make her see how naive and foolish Adora always was, especially now that Adora thinks she can fight against her.

In the other case, it's actually her survivor mechanism trying to take over, to make her world safe. In every case where Catra says something about ambition, somewhere in that scene, Catra shows the distinct emotions of her true inner self: generally, these emotions are sorrow, fear, and loneliness. They don't exist on screen long, they are what is known as micro expressions. (See below for a short discussion of Catra’s micro expressions.)

To put it simply, the only reason Catra stays with the Horde is so she has somewhere she can be separate from her feelings and heartbreak over Adora, and then she climbs the ranks in order to find safety, first from SW, and then Hordak, once he threatens her life with his temper tantrums. That she fights against Adora is just a collateral consequence, she isn't out to get Adora, but nor does she care if Adora gets hurt, because she’s hurt her. Catra does fight against the princesses, though (including She-ra).

A core feature of Catra's character is indeed one of personal power. She's a person who is told to hurry up and die at an early age, but refused to do so. So her arc, her issue, isn't a cautionary tale about chasing validation, it's about her overcoming her fear of vulnerability and allowing herself to rely on others in a way that lets her be safe without needing to combat the darkness with more darkness. But vulnerability scares her because of the abuse she experienced.

As for validation, the only person she would want that from is Adora. This is because Catra believes in herself already: that she has a sacred right to exist, no matter what SW and others may tell her (note: Adora struggles with this, she's actually the one who seeks validation). But, she also needs love, and she is too fearful that Adora doesn't really love her and is afraid of being hurt by that. It's also why I think she's so chaotic towards Adora: her inner child tells her adult self to protect her from her love for Adora, which it tries to do, but that same child misses and needs Adora in so many ways. So she's trying to be mean to compensate for the incredible desire she feels towards Adora. I love it when Adora calls her a brat in season 5, it's such a well deserved line, mmhhmmm.

Actual discussions of how these particulars play out in the show are better left for another time, but there you have it.

Promise sidebar discussions: Catra’s micro expressions; Catra nearly dies at the Battle of Bright Moon

“White Out” microexpression discussion: [see pics below] This is the first time since the Battle of Bright Moon that Catra and Adora meet. So it's a good time to talk about Catra’s micro expressions. Picture 1: Adora says “Hey, Catra” out of the blue and Catra is completely blindsided, she figured she wouldn't be bothered out in the middle of nowhere. She's anxious and unhappy to be seeing Adora. Along with her suspicious absence the episode before in “Roll With It”, the answer is obvious: Catra has been avoiding Adora. She may have cut ties with her in “Promise”, nearly bested her at the Battle of BM, but she doesn't want to see her. She doesn't know what she feels about her.

Picture 2: Enraged monsters are decimating the base, and a battle breaks out over the corrupted disc. Catra is desperately trying to protect it, because she can control Adora if she has it... and she needs this chance to have her back. As Catra reaches to pick it up, she's facing away from everyone and so no one can see her desperation and sadness from missing Adora. (pic 2) Shortly after, we also see her clutch the disc desperately to her chest in a way that's very endearing, right before the monster attacks her and makes her drop it. Then, as she's about to die in its jaws because she doesn't want to give Adora up again, Scorpia breaks the disc and saves her life. We see in this episode as Catra completely loses track of her emotions, and now realizes she has to come to terms with the fact that she's so desperately sad from missing Adora, she was willing to die just for a chance to have her back.

Pic 3: Catra hates working for the Horde. She HATES it. She gets zero joy from the job, and she’s already figured out that Hordak will kill her if she screws up too badly. She didn't want this job, plain and simple, but now feels stuck with it. None of this is the life she wanted. Combining this knowledge against Catra’s declaration to Adora at the end of Promise, we know she's not happy that she had to go her own way...

Catra’s near death experience at the Battle of Bright Moon

At the Battle of Bright Moon, Catra leads Adora (She-ra) away. They battle, but then Catra retreats and instead starts listing out every single worst fear of failure she thinks Adora has. It's a dark moment, she's acting much like SW did to them as children, and we watch her manipulation take root in Adora. Finally, her words are too much, and as Catra looks down at Adora's (She-ra's) back, we see Adora become deranged, overcome with her fear of failing everyone... (pic1, above) she picks up a boulder and throws it directly at Catra. Catra is knocked flying, and only by the barest of margins does she keep from falling to her death. Adora nearly kills Catra. And so, as Adora drags Catra up from the cliff and slams her into the wall, we see a totally heartbroken and emotionally crushed Catra. In this moment, Catra believes all of her worst fears are confirmed: Adora only cares about being She-ra, so much so that Adora would kill her in the name of being that hero. Catra uses this moment, this belief, to justify her division from Adora. Sadly, she's wrong... she's ignoring the seriousness of the threat that the battle poses, and as Adora was facing away from her during that moment, she doesn't see the terror and desperation Adora experiences due to her cruel words…

Oh, and one more thing before we go: when Catra says “What, did you really think this was about you ?” SPOILER ALERT: It was. Because She-ra is one big Catradora story… and we love it.

As always, thanks for reading. <3

~EtheriaDearie

P.S. :: as I am new to tumblr, if you enjoyed reading this, please consider giving me a reblogg! Thanks!! 🙇💛

[beautifulterriblequeen]

B2:S - Chapter 5

Much of this series will be about the differences and additions in the novel version, and how they contribute to my understanding of story canon. But there will be character appreciation, the odd theory and headcanon, and suchlike as well.

Here be lots of Viren deets, Best Boy Soren deets, some writing/continuity stuff, worldbuilding appreciation and half of a theory, Detective Rayla, Moon Temple geeking, Claudium and dark magic, and more!

Spoilers for Book Two: Sky below.

(I know for darn sure that I wrote up a post for chapter 4, but I can't find it anywhere so I guess Tumblr ate it and I'll have to redo it at some point, but today is not that day)

Viren, my evil dude, my bad guy, coming in clutch with the worldbuilding and backstory again! If you want to know decades of information, you gotta talk to Viren. Or read his scenes, at least. Here, he seems to not sleep much when he has a big problem to analyze his way through. Solutions trump pretty much everything else in this guy's life, and he's had a really hard week with a lot of new and complicated problems. Of course he's getting sleep-deprived trying to find his way through them all.

Harrow put so much trust in Viren when he made him High Mage! He just threw himself extra hard at that Lady Justice blindfold, didn't he? Didn't really want to see what Viren was doing in his magic study, so he left Viren to his devices. And Viren has a lot of devices.

Also, this is fascinating: Viren made the secret passage to his "less official study" in Katolis Castle! And he was inspired to do so by the way his own mentor kept the Puzzle House. What else could a Puzzle House be, except a place with secret passages? Yay! secret headcanon that "the Puzzle House" is just "Katolis Castle" from Kid Viren's perspective tho

So either Viren built all of those passageways, or at least the ones to his dungeon. Which means he has to have, or know where to get, a stash of those glowing blue Moonshadow crystals. Hmmm.

I can't wait to learn more about Kpp'Ar and young Viren, btw. From this description of Viren and all his literal secret ways, it feels like another parallel between Viren and Runaan, with the whole "secretive paths, members only, insider knowledge" type stuff. Only the really cool members of this cult club get to know the secrets, and guess what, kid, you're cool now but you can never tell anyone, okay? Our secret.

Yeahhh, that'll never backfire in any way for either of them.

Kpp'Ar calling puzzles and secrets "man-made magic," though. Yes sir, knowledge is indeed power.

This chapter mentions Runaan by name, from Viren's perspective. Generally that would imply that Viren knows his name, even though assassins do not share their names, and Runaan didn't seem to give his to Viren in the first book. However, there was a scene in book one where the last paragraph switched perspective from Viren to Runaan - a technique that's very common in visual media like movies and shows and gives you that "ohoho they left the room and didn't notice this, but you do!" vibe. Using Runaan's name there in book one, where Viren couldn't see it but readers could, helps them keep track of the assassin's story arc while maintaining Viren's racism.

So in book two, in which Runaan has no onscreen scenes (alas), using his name in a scene that calls back to the events in book one helps us remember what happened in that dungeon cell. It would be a bit muddier to recall the specifics if Viren kept thinking about Runaan as "Elf." So I'm cool with the perspective nudge because it serves a narrative purpose: clarity. But I'm also enjoying the angst of considering that, somehow, Viren learned Runaan's name either during or after the coining spell. Mwa ha ha haaa. (Obligatory "Keep my pretty name outta your mouth" goes here)

Okay, back to Viren's scheming! He took the mirror because it was human-sized in a dragon lair. He knew it didn't really fit there, and that made it interesting, so he stole it. But he realized it was really powerful when Runaan wouldn't tell him squat about it - the assassin's instinct to protect Xadian secrets from human hands meant that Viren was holding a very powerful Xadian secret. And that just made him want it all the more. Ah, Runaan, if only your relationship with lying was, like, the exact opposite of what it is. Nyx could've spun Viren a believable tale in 2 minutes flat.

Also of interest: Viren considers his cursed coins to be a final fate. He expects Runaan to remain in his coin forever. With the Chekhov's coins still extant in the storyline, we can assume that they'll come up again eventually, but Viren has no current plans to do anything with his elf money except carry it around.

It's worth noting that Viren admits that he got impatient when he trapped Runaan in the coin. Runaan's first fate in Katolis was supposed to be death at Soren's hands, but Claudia "saved" him from that. His next fate was to become spell components, but Viren's frustration with his stubbornness "saved" him from that fate, too. So now he's in a coin, where no one can chop him up at all. Yay? No, boo!

We get one last line about Runaan before Viren shifts gears: he makes a point of noting for us that Runaan's shackles are still locked shut. However much of Runaan made it into that coin - body, soul, hair care products - he was magicked there, pulled right out of his restraints.

The creepy black liquid that Viren pours right into his eyes is the last of a powerful potion he got from Kpp'Ar, and its recipe is ancient! Humans used it back in the age of Elarion to see through the illusions of the world. And we get a delightfully creepy bit of description about the preparation of this serum, which makes it abundantly clear that it's a Moon magic-based concoction, harvested from eyeless vipers on a moonless night, with the threat of irrevocable madness ("madness" by whose definition, though) if it's done wrong-

Hang on. Hold up. This is a Plato's Cave reference. OH MY GOD.

No no I'm fine, this is brilliant. Sorry, sorry, I couldn't figure why there was so much description for a potion prep that Viren didn't even have to perform himself. But now I get it. I see the light. HA. I should make a separate post for this, it's amazing.

Anyway, for reference, the humans who used this serum were called the Oracles of Ophidia, and Ophidia is a taxonomy group that includes all modern snakes. Can you say "creepy ancient snake rites"? I can! Woo!

Viren activates the serum with a spell, but apparently he's never done it before. He's not sure if it's supposed to be hot and bubbly, and he worries that it's been tainted by moonlight.

Oh, I do hope so.

The magic potion hurts, a lot. Viren will do just about anything, to himself or anyone, to do what he believes is necessary. He just risked madness and blindness to find out what this mirror does! Viren. Can you just. Take a nap or something. Have a Snickers.

This chapter gives us a fun clue that I don't remember from the show: when Viren's vision clears and he can see, his reflection has white pupils and the room reflected in the mirror has inverted colors. You know where else has inverted colors?

You know who else got white pupils for a hot second?

Okay, now it makes sense! Viren and Lujanne were both seeing into the realm beyond life and death. Him with his moon magic potion, and her with her moon powers on a full moon night at the Moon Nexus. Which is Very Interesting! Is it a direct hint about Aaravos's location, or just a separate cool detail? Orrr, does it look like a direct hint because Aaravos is actually trapped in the world beyond life and death, but it's actually separate and we'll see something about white pupils again later on?

Viren really does have self-esteem issues, we all picked up on it with his rant at his reflection. He throws a fit when he catches himself wondering if he's actually worthless. In the book version of his tantrum, he shoves the mirror and hurls a candelabra instead of flipping a table. He didn't need to shove the mirror to set the fire, but it's in here. Foreshadowing that perhaps, if push comes to shove, Viren will choose himself over Aaravos? Giving Aaravos time to peek through and see that the coast is clear?

Soren, my boyyyyy. He has a rough night at the Moon Nexus because two sides of him are fighting with each other. He struggles to understand Callum's friendship with Rayla, and he also fantasizes about chopping off Rayla's head. One of these is a pretty ordinary thing to do. The other is Soren's internalization of what he needs to do to gain his father's approval. If he brought his dad a chopped off elf head every week, he'd probably feel a lot more confident because Viren would praise him a lot more.

Okay, okay, omg, is it just me, or does the "Moonshadow Madness" story, as it's told in the book, seem like Soren just doesn't know what a monsterfucker is? He thinks an elf bite puts humans under a spell. But vampires are sexy, and some people want them to do more to them than just bite them. A passionate kiss under the moonlight could look very bitey, especially if one of the participants has horns and you're already culturally trained to hate them. No yeah, I'm already headcanoning an actual human-elf kiss that got misunderstood by an observer long ago.

it's Lujanne isn't it, we all know, because what is a love spell but a sweet soft illusion, I mean how else does she get supplies for her Caldera, I ask you, and also Corvus was totally sent to investigate once and he told Soren at camp what he saw

And then back to magefam angst: Soren pretending that his sister's nose-tapping is stupid, even though he actually thinks it's cool, just because their dad thinks it's stupid. Viren, istg. Let your kids like harmless things. It's so cute that Soren taps his nose back at her, though! Like they have their own sibling code. I hope we get to see the nose tap again, especially now that they've chosen different sides. It could mean so much, that they're not too far apart yet.

Rayla knows what buttery pancakes smell like. I love this. Do Moonshadow elves have butter and pancakes, does Rayla eat a stack of eight giant pancakes in the morning? Orrrr it is just illusion food? I don't care, let Rayla have pancakes! Everyone loves pancakes. Pancakes will save the world. this message brought to you by the fact that I can't eat pancakes rn, send help

I love that Rayla is both sus of the pancakes and hungry, and that combines into a very motivated "I will get to the bottom of this" attitude. She kind of goes into Poirot Mode when she inserts herself into Soren and Ellis's conversation about Ava, explaining about the wolf's illusion leg and segueing into her claim that the pancakes taste sus. Claudia confirms she used dark magic, and Rayla is furious. It's different than the show's version in that it puts Rayla in detective mode, as the only Moonshadow elf in the scene, and boy does she take that role seriously. Also, she doesn't actually swallow the dark magic pancake bite. It ends up on the ground just like Lujanne's grubs from that earlier meal. These poor kids are so nutrient-starved. You guys gotta eat!!

Rayla's determination and prejudices and the fact that she super knows Harrow is dead all dovetail to make her try repeatedly to persuade Callum that Soren and Claudia are Not To Be Trusted. It's nice that the book keeps taking the time to point out that Rayla is Well Intentioned But Flawed, just like Callum and pretty much every other character in the show. No one is Right All The Time, no one Knows More Than Everyone Else.

Callum loving the sound of Claudia's unique voice is so wholesome. When you like someone, it only makes sense that you like all the things about them that they can't change - like the sound of Claudia's voice. Her choices with dark magic, not so much!

Claudia seems to have the same concerns Soren does about Callum's relationship with Rayla, but she comes out and asks him. The inherent possession implied in "your elf" is interesting, though. Elves are not people to Claudia. They're enemies who can be disassembled for the magic inside them. So maybe more like robots than living beings, if she knew what a robot was. Maybe she heard Soren's "Moonshadow Madness" story and realized he totally missed the kissing implications - but she didn't, and now she's genuinely worried that Rayla could kiss Callum under a full moon and enchant him to do her will. Good thing it's only a half moon, then!

Okay, Callum nervously making a puppet hand and then not knowing what to do with his hands and freaking out about itching and moving and pointy elbows is such a ND mood. The sudden stress of knowing that someone else is noticing your existence and maybe you're Not Existing Right, amirite? Ugh, poor Callum.

The Moon Temple! Omg it's so pretty in the description! Made to be beautiful and useful, full of knowledge but also allowing light and life inside (butterflies and vines). Lujanne, when can I move in, please? Also, it's all the more angsty because Lujanne is the only one who gets to see this beautiful place, but it has lots of chairs and shelves and tables, and it was meant to be used by lots of people. :(((

Claudia knows some of the runes on the walls. She isn't in a hurry to copy the rest of them down or anything, either. Her spellwriting is very precise, and she's a skilled mage. Her father would have made sure she was aware of the dangers of drawing sloppy runes, as much as he made her aware of the dangers of doing dark magic wrong. And the whole point of dark magic is that it's easier to learn than primal magic. Claudia supports her dad and their shared knowledge and life path. She's not gonna go nuts over an elf library she can't translate.

Side note: Between Claudia knowing some Moon runes and Viren building a secret passageway and a dungeon and lighting it with the same blue crystals that Lujanne and Ethari use for light--and Claudia exclaiming that she loves ruins--I wonder once more if there are really Moonshadow ruins somewhere in Katolis, which Viren has found and looted. Father-daughter relic hunting trip, maybe while Soren is away at camp? Omgsh that would be so wild!

Callum out here having a Viren moment with his "I feel powerless unless I've got magic that lets me help" vibes. God. I love their complicated mirroring. One of the hard differences between them is that Callum is very sure dark magic is bad because you have to kill stuff and take its power to cast spells, and he doesn't want to be a person who kills and takes like that. The line he walks to be nice to Claudia on their tour of the Cursed Caldera because he likes her, while telling her that he doesn't want to do her magic, like, ever, is so fine that it might as well be a shifting shadow on the ground. It's a very fitting conversation to be having during the half moon, with its tricks and little white lies.

Callum being out of the castle and his comfort zone, having to deal with the fact that the Claudia he loves is not quite the Claudia who's chasing him down across the kingdom, but of the two of them, he's the only one with a problem with this.

They say that if you really want to get to know someone, you should spend time with them outside their comfort zone - in heavy traffic, with a small baby, taking care of a new pet, trying a new skill, following unfamiliar directions, etc. While the castle is familiar territory for them both, Callum's never really found his comfort zone yet, while Claudia is pretty comfortable with her growing skill set. The creepy part starts to kick in when Callum begins to realize that Claudia's comfort zone encompasses a whole bunch of stuff that seems like it should make her uncomfortable... but it doesn't. But that'll be for a future chapter!

[miengsol]

14, 29, 30, 39, and... 25, but pre & post Mana opinions; for Pain TM 😭 and J !!

meta meta meta!! ( ft. uncommon questions w/ @undrowns ) || still accepting!!

14. what animal do they fear most?

hmm, he's not as big of an animal person as other people might be ( although he can appreciate a doggo when he sees one! i actually think he'd be great with a cat which i should let him get some time in the future alas- ) BUT insects of any kind do give him the hibbie jibbies. pls don't give him a close up of an insect of any kind, including butterflies. flies are the creepiest of them all probably.

29. do they usually live up to their own ideals?

yes and no. and i say that because from an objective perspective, he does. he really does practice what he teaches to erza- mercy, compassion, understanding, and selflessness. however, he's so hard on himself he doesn't think he's actually any of those things. his guilt makes it difficult for him to see himself as a good person so even if he acts like a good person, he doesn't think he actually IS a good person. it's one of those cases where someone is instinctively a trait without even realizing it.

30. Who do they most regret meeting?

daniel. mana. maybe if they had never met him, they would still be alive. okay honestly, i don't think there's really any one calum necessarily regrets meeting, because he thinks pretty much everyone he's met has had good intentions. and therefore, how could he blame them when things don't go...well. that being said, he does look back on his college days and wish he didn't stick so closely to KSA ( korean student association ) when there were people outside of that circle that he clearly clicked with better.

39 was answered so instead i'll do 38. what memory do they revisit the most often?

college times with mana and daniel! one example is during cram season when they were studying together in the library. daniel started drawing gudetama on a post-it note and mana said it looked more hopeless than tired. daniel disagreed. they bantered before turning to calum for the final verdict. calum was sleepy and did not take sides much to their ( mock ) displeasures so daniel gave him the post-it note to judge later.

this was also the moment when calum began using post-it notes on the daily.

25. what are their thoughts on marriage?

( wow winter, i thought we had a truce here- jk thanks for the pain 😭 )

pre-mana's passing, he highly recommends it to anyone who has a loving and stable relationship with their partner ( hint, hint when's the wedding tirora?? ). it means always having someone to come home to, someone who has chosen and promised to stay by your side for the long run.

post-mana's passing, it's not something he's ever considering again. well actually, you gotta include romantic love in this as well. he doesn't think he's deserving of marriage, let alone romantic love....bc if he wasn't able to save his wife ( ie. survivor's guilt talking here, survivor's guilt talking here ), how could anyone else trust their life with someone like him? basically, it's something he would want for his friends ( if they desired it ), but it's not something he sees for himself any time in the future.

J) did you have to manipulate or exclude canon factors to allow them to create their character?

he's an oc so technically whatever i say about him is canon, but that being said....WELL U SEE WINTER, so you know the original storyline calum used to have. my thesis was actually a huge part in changing his story to the way it is now. i had to be willing to change the original canon of his backstory ( specifically the part before he started dating mana ) in order for the thesis to actually...flow? there needed to be more conflict and tension specifically between mana and calum so separating them after they graduated was the way to go. also by changing calum's childhood to a slightly more unhappier version, it also helped with explaining why he's so much of a people-pleaser.

now as for his present and events that led up to it- you've heard me say it before!! i wanted to give calum more agency in his story and this was the best way i could come up with. it couldn't just be calum JUST moving forward with the passage of time, he needs to have something that's going to make him WANT to move forward. and that something is erza.