#i’m scared to post this lol
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lilislegacy · 2 months ago
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Okay, I’m so gonna get hate for this. And it will probably get about 4 notes. This is, by far, the most opinionated thing I have ever posted on here. If you can’t tolerate criticism towards Rick Riordan, the books, or the TV show, please keep scrolling. My goal is NOT to change your mind or start arguments.
I also want to preface this by saying that I love and respect Rick Riordan (even if I disagree with him on things and don’t like some of his choices) and fully acknowledge that he has the right to do whatever the hell he pleases with his own series. I also want to say that I love Annabeth Chase (both the book and tv show version) with my entire being and you will never find me being an Annabeth hater. She’s my girl.
We good? Okay cool. So here’s the thing: I’ve seen a lot of people on here saying things like “If you didn’t like the books, you just don’t know how to have fun,” and “The new book haters are just mad that they aren’t the target audience anymore,” and (my personal favorite) “Nothing in the books has changed, only the readers have.”
And while I see your points, and I respect you, allow me to show you something. Because of the 10 picture limit, I am only going to focus on one specific change: Annabeth’s view of Percy.
WOTTG: Annabeth is surprised to be comforted by Percy
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Past Books: Percy is constantly comforting Annabeth
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WOTTG: Annabeth is shocked when Percy is smart
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Past Books: Annabeth often points out that Percy is intelligent
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WOTTG: Annabeth thinks Percy can’t do anything on his own, and Rick communicates that Annabeth is always saving his ass
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Past Books: Percy is ALWAYS watching her back, and saving her ass just as much (and Annabeth admits that)
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I could put a hundred quotes in here. I could go on and on and on. But I can’t, and I won’t.
My problem with this new book is NOT that it is more goofy than serious. My problem is NOT that little things have changed. My problem is NOT that it’s just for fun. My problem is NOT that it’s much more childish. (And by the way, I’ve read PJO and HOO as an adult, so it’s not like I was a child when I read everything else and am now an adult reading the new ones.) I really did like and enjoy many parts of this book.
My problem is that the characters (especially Annabeth) have flat out changed—in bad ways—and we have no choice but to accept it as canon. My problem is that Rick, while trying to merge his books with his new TV show project, is changing the entire personalities and past behaviors/ tendencies of the characters.
I loved Chalice of the Gods. You know why? It was fun, goofy, and showed the characters that we know and love being happy and adorable. I strongly dislike Wrath of the Triple Godess because the characters—no matter how adorable and happy they might be—are no longer the ones we know and love.
My problem is that Rick Riordan fully admitted that he no longer considers the old book characters when he writes the new books. He is now purposefully incorporating his own personal mixture of the book characters and tv characters and writing those versions instead. Because of his desire to change and transform the series, I doubt he’s even read the original PJO or HOO books in years, which is why everything is so inconsistent. The old book characters—the ones who made the series what it was—are gone. And that is not my opinion. Rick fully admits that he doesn’t imagine them when he writes anymore. Don’t get me wrong, I LOVE the tv show actors. I adore Walker and Leah and Aryan with my whole heart, and I wouldn’t trade them for anything. But the fact is: they will never be exactly like the book characters. It’s impossible for actors to become the words on a page. They’re their own unique version! And likewise, you cannot turn actors into print. It doesn’t work! And why would you try? The books versions were perfect as they were. And the disney kids need to make the characters their own. The two versions can exist side by side, equally as wonderful, and still be gloriously different. We should celebrate the uniqueness of both. But instead, Rick is attempting to merge them into one. And in my opinion, it’s just hurting them both. And I’m gonna get real brave by saying this, but do you want my honest prediction? If he keeps doing what he’s doing now, the TV show is going to get cancelled and the books are going to turn into a joke. I so, so badly hope that this doesn’t happen! I have loved Rick and PJO for many, many years. I badly want both to thrive. But what is going on right now… it is not working, no matter how much we all want it to. And speaking as someone who knows people in the TV/Film industry, I am sadly not the only one who thinks the show is gonna flop. Which is devastating, because Rick Riordan deserves a redemption on the big screen, and the incredible actors deserve to bring this series to life in a new way.
I am not trying to force my opinions onto anybody. You are welcome to disagree with me and move on. I am not saying that I’m right and you’re wrong. If you disagree, that’s okay. If you agree but you don’t have a problem with it, that’s okay. In fact if other people have literally no issues, that makes me somewhat happy. And if you loved the book, I’m honestly so stoked for you. Feel free to just keep on scrolling, my friend.
But me? I’m sad. I’m really, really freaking sad. And I’m a little angry too, even if I don’t have a right to be. I can’t help it because I’m only human. But this is how I—and a lot of other people—feel. And you know what? That’s okay too. Because the fact of the matter is:
Annabeth isn’t the same Annabeth anymore. And Percy isn’t the same Percy anymore. And it’s not because they went through trauma, or because time has passed. It’s because Rick Riordan doesn’t have any interest in writing those versions of them anymore. And I think the comparisons between the old and the new show that fact pretty clearly.
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fearfulandhungry · 5 months ago
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somedecrepitcryptid · 3 months ago
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Rockstar Mac AU 👀👀
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spect-era · 5 months ago
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The loser that falls over….
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pjs-everyday · 2 months ago
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lol todoroki needed a date for a hero gala that was awarding his dad,, snooooozeee 😪 // I’ll post the full comic page tomorrow? ✌️😗
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crybaby-bkg · 11 months ago
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method actor boyfriend yuuta who gets a little too invested in his upcoming movie role. he’s playing some psycho character; someone calculated and manipulative; cunning; a stalker; eventually a killer. he’s always been a good actor, but sometimes he has to delve deep in order to portray a role to the best of his abilities.
you start to notice a difference in him after a while, though. he tells you he has to leave you for a few hours at a time, only for you to catch sight of his gaze lingering in the bushes outside of your home. or do you? you’re never really sure, always catching glimpses and glances that make the hairs on the back of your neck stand up. but you’re never really sure if you see him, his low stare, his tightly pulled mouth, the weapon his character uses slung over his shoulder.
he starts speaking to you differently, too. his vocabulary starts to be riddled with love and devotion and adoration, every chance he gets. he holds you close to him, too close, too tight, rests his face against your hairline, whispers against your skin, “don’t leave me—don’t ever leave me—I love you—you love me, don’t you?—don’t you?—you love me, right?”
sex with him isn’t really the same, either. he doesn’t even call it that anymore, calls it making love, and it wouldn’t be as unsettling if he didn’t look at you like that every time. like you hung the moon and the stars with your bare hands, like you breathed life into his very being, like you broke off a piece of your rib to place it so delicately inside his sternum.
his eyes get so rounded, so wide, seeing every inch of you, even the pieces hidden under the covers. his hands are so soft but they grip you so tightly, as if he’s scared that you might slip away if he blinks too long. his mouth constantly connected to your skin, whispering praises, his love for you, how you’re meant for him, how he can’t wait to be one.
he’s already inside of you, though. how else could he connect his body to yours? you know he’s playing a killer, someone willing to cut and scrape and bruise and maim the one he loves most. but he knows that it’s just a movie, right? that you’re not the star, that you’re his real partner, that he’s not actually like that? right?
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peaceandpiss · 5 days ago
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1M 1N L0V3 W1TH MY C0MPUT3R!
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nerdy-hyperfixations · 8 months ago
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I just want to remind everyone that Wallace is canonically the worse one to sleep in the same bed with.
Scott can be a bad roommate in every other aspect but GUYS Wallace is the one that canonically snores and kicks in his sleep.
Scott sleeps like a princess with his back against the sheet lying perfectly straight (and also taking all the covers) and Wallace sleeps semi-on-his-side and apparently just fucking punting Scott in the leg every so often (not to mention he talked in his sleep too) and I don’t know why this is important to me but it is.
Because when people draw them cuddling in their sleep it’s always Wallace being normal and Scott turning and snoring and shit but you’re missing out on sleepy-cuddly Wallace turning and snoring on Scott. Let that cringe-fail 25 year old be annoying. Istg.
I’m talking to the Mobillace people too btw. Not that I’ve seen anyone draw them cuddling in bed (which is a CRIME btw. Draw that. For me.) but like imagine how funny it would be: Mobile stays the night for the first time and the hot-weirdo is a bed-menace, snoring and kicking and tossing and turning and suction cupping for warmth and Mobile is like “I want him to be my boyfriend” THATS FUNNY! LIKE-
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hplonesomeart · 1 month ago
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‼️ART TRIGGER WARNING: Mild body horror/gore
Sooooo I kinda unexpectedly deviated from what I would consider my normal art preferences here. Mostly because I’ve seen a lot of talented artists drawing their own renditions of menacing Puzzles fanart where he goes fully insane and whatnot. I wanted to also contribute to that trend somehow…although it’s slightly out of my usual comfort zone << especially with his recent design change of loosing his whole lower body lol. Adapting that into my art was an interesting experimental challenge
Here is my own take on Puzzles falling apart! Quite literally! I still wanted to add a bit of empathy in here for him tho— because I’m going to be so distraught if WOTFI 2024 is his resignation from the spotlight for good. His final bow on stage if you will; the grand finale of his performance before he departs in death (MAN I SURE HOPE HE DOESN’T DIE BUT THE FANDOM SPECULATIONS AND PARANOIA ARE GETTING TO MY HEAD. And it just seems like the narrative progression is leaning that way). Well not matter what happens to him this upcoming Saturday…this tragic TV guy has impacted me in unexpected ways and I’m just so glad we got to spend and entire year with his character. And he’s sure not gonna disappear from my art anytime soon. Hopefully I won’t be maiming him ever again after this though jksjsksp he’s suffered enough angst for now <3
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And here is just a black & white sketch version without the red overlay stuff!! Although it’s an older version so not everything is exact
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harryzroze · 3 months ago
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i think he gets it, wade
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daydream-draws · 1 year ago
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some of my faves,,,,,
(click for better quality)
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rosicheeks · 1 year ago
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💋
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unspuncreature · 10 months ago
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anakin in lingerie WIP
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crybaby-bkg · 1 year ago
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cw: this got long sorry 😔 but creepy/perv bakugou, recording, film major bkg x art major reader, masturbation, coercion, dubcon before it just becomes con, voyeurism/exhibitionism
as an art major, you typically did some works for a few students on campus; for their plays, as background pieces while they danced, a cover for their released songs. it wasn’t out of the ordinary for people to ask you to create something for them, and you enjoyed it more often than not. but, you weren’t usually the art itself.
Bakugou is a friend’s friend that you’ve seen a few times, ran into at the library or at coffee shops. he’s a film major, and always looks so unhappy about the whole thing, as if he didn’t choose it himself. you joke to Mina that you think he’ll graduate and become one of those directors that hate everything and yell at the actors constantly and later on get sued for being a dickhead. you never say it to him though—you’ve never spoken more than a couple words to the man.
it’s why it shocks you when he approaches you one day. it’s after one of your painting classes, and he stands outside the door with a frown and his hands shoved in his pockets, his eyebrows scrunched as if pissed at the mere sight of you. he asks you, in that low and gruff tone of his, if you could star in his final project for the semester. says it’s supposed to be a film made with this criteria and that, but, you’ve kind of checked out on the conversation after the first sentence.
“You mean, you want me to create something and that be the star of your film?” you ask him, feeling so intimidated at his stature. he always seems to loom, his hair shadowing the lights above, creates a cast over a portion of his face, makes his eyes look…unsettling. like they’re looking straight through your flesh, can find the marrow in your bones. he scoffs like you’ve offended him, rolling his eyes into his skull, mouth pulled tight.
“No.” his voice is firm, gaze concentrated only on you, like the halls are empty and you’re the focus of his lens. “I want you to star in it.”
his words confuse you—you’ve never presented yourself as an actor before, never alluded to wanting to be in the spotlight if not for what you create with your hands. but he shuffles on his feet, looks desperate even. there’s some hemming and hawing for a minute or so—why not choose Mina?—she’s busy—why choose me?—‘cause you’d be perfect for my short film—what’s it about?—you’ll find out once you get the script.
and even after you hesitantly agree and get the script—you still don’t understand what you’re doing. why you’re here, why you’re the only person, why it has to be a solo film, why there’s damn near zero lines in the entirety of the have-to-be forty five minute film.
the scenes are all so long, and maybe it’s because movies aren’t your forte or chosen major, but you just don’t get it. one scene; you’re staring at yourself in the mirror while Bakugou holds a small, black camera over your shoulder. he’s eerily quiet behind you, whispers out a faint fuckin’ go when you have to wash your face in the sink, makes you do it over because your movements are too jerky and unnatural.
the rest of the scenes go that way; you doing regular at home activities, being put under a lens, quietly barked at to do this and move that way and fix your hair and remember to frown.
“Isn’t there another way to film this?” you ask him on the fifth day of shooting in his spacious loft. there’s a bubble bath scene coming up, one you dont understand the importance of, but Bakugou tells you it’s the most necessary part of the entire thing.
“No,” he grunts out, looking at you from under his lashes as he sits on the lid of the toilet. “But I’ll make it soapy, so the camera won’t see much.” the camera? much? you weren’t worried so much about what the camera captured as you were the man behind it. he looks at you with such intensity, you feel naked already despite the robe you wear that’s suspiciously already your size.
he leaves the bathroom when you sink in the hot water, returns before you can say it’s okay, hears the water splashing and thinks that’s good enough. he kneels on the floor beside you, camera pointed directly in your face, makes your chest hot and your skin feel prickly. the scene passes on regularly enough; you run the water over your arms, tilt your head back as you sigh, whisper the few lines scripted, lean back and close your eyes, sigh again. it’s almost relaxing, makes you forget about the friend of a friend recording you naked right now. almost.
“Touch yourself.” Bakugou suddenly demands, hushed and quiet behind the camera. your eyes immediately shoot open, looking to him in question, how he’s eerily still in his spot hovering over you.
“Huh?” you ask, unsure if you heard him correctly, looking around the rounded lens in your face, trying to ignore the red blinking light. but Bakugou only frowns.
“It’s a masturbation scene. Touch yourself.” he repeats, voice louder, more demanding this time. your stomach twists at the thought of doing something so intimate in front of him. he’s a handsome guy, for sure, even made you consider asking him out after this, figured he was just serious about his work and awkward about certain things. but…something had been off about this entire thing since the start.
“But—but I don’t, I’m not,” you stutter, sitting up a little, the bubbles covering your chest starting to disperse with your movements. but Bakugou only sits a little higher on his knees, finally pulling the camera away from his face for the first time since he’s asked you to do this for him.
“You want me to fail?” he asks, booming voice eerily quiet in the silent bathroom, carmine eyes dull, shaded over with something terrible. “Then do it.” he tells you when you shake your head quickly.
you stare at him until he gets back into position again, camera back pointed at you. when he doesn’t say anything else, you swallow thickly, wondering if the art that will come out of this will be worth it. so you listen, sneak a hand under the water, start touching yourself in a way you never have in front of anyone.
is it bad to say that it’s exhilarating? being watched and recorded by someone who breathes so heavily every time your voice hiccups? being directed to touch your chest next when the suds start to disappear and your nipples start to peek through? is it bad that you want him to send you this portion of his film, only, just so you can watch yourself again and again? make a portrait of yourself with your fingers on your nipples and your knees raising from the water and your head thrown back from the intensity in oil pastels?
“That’s a wrap.” Bakugou announces when you finish, head spinning and still panting. you look over to him, how he closes the camera, the obvious bulge in his pants. “I’ll get you a towel.”
you wonder when’s the next time he’ll need you. or better yet—maybe he could be the star in your final drawing project? you had finished it already but, what was the harm in starting over with him as your muse? as naked as you are? camera not blocking his face so you can paint the similarities of his blushing cheeks and eyes when you direct him to look at you? to touch his chest? to play with himself just like that?
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luminarytex · 8 months ago
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schlungus grumbus
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hellsite-hall-of-fame · 1 year ago
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How do you feel about staff's intent to remove reblog chains, considering your blog's basically an amalgamation of reblog chain long posts?
haha I’m actually legitimately terrified and trying really hard to not think about it :)
(seriously like i don’t wanna make a thing of it, but i’ve gone down the posts about it and like wtfff?!? why why why?!?? like I get their reasoning for it but it’s not accurate to the actual users of tumblr?? i’d rather scroll though 20 long posts than use the examples of what this would look like that I saw. but if this is wrong let me know…. but yeahhh i’m scared.)
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