#i wrote this one specifically for me actually

[gracieheartspedro]

Cherry Stems

pairing: eddie munson x fem!reader

word count: 3.1k

description: eddie rejects your advances because his friends are around. so you use them to your advantage. piss eddie off and maybe you'll get what you want. maybe.

warnings: MDNI! 18+ only pls, age not specified but i imagine eddie/reader are 20+, porn without much plot, major teasing, reader is a brat, mentions of eating food, reader has no food aversions, nicknames, reader is flirting with eddie's bandmates, jealousy, possessiveness, name calling, face grabbing, eddie is lowkey a dom, unprotected p in v, fingering (vaginal), oral fixation, eddie puts his fingers in your mouth a lot, reader gets off on being bullied, orgasm denial, cum play, cum eating.... think that's it.

author’s note: hi i wrote this in one night. i am a whore for eddie, what else can i say. i'm also down to take requests, so if you see this, hey, send me an ask. maybe i'll cave and do some. as always, thanks bestie girl @amanitacowboy for helping me with this. let's never forget how much of a whore we are for this man. it keeps me (in)sane <3

Eddie had been teasing you all night and it was really starting to get to you. 

After a pretty electric performance at The Hideout, Eddie and his friends decided that they were hungry for some burgers from the empty Shiny Diner nearby. You had already had enough of Eddie’s shit at this point, so as soon as you sat next to him in the big half moon shaped booth, you knew it was game on. 

From eyeing you while he sang filthy lyrics from the stage, to the way he was working his hand up the hem of your dress when you sat at the bar, Eddie was truly being a menace. When the band got loud in the car on the way to the diner, you decided to make your move. You had rested your hand on Eddie’s crotch while sitting in the bucket seat next to him. While Eddie loved giving a good show, he was not keen on letting his friends see you in such a way. So he brushed your hand away and gave you the ‘not now’ eyes. 

You were for him and him only.

It aggravated you to no end, watching him rejoin the conversation with the guys, while you crossed your arms in disappointment.

But you were going to push some buttons tonight. You were going to get him back.

Gareth, Jeff, and Grant were all very sweet boys. Each of them have never been nothing but respectful of you. Gareth had known you longer than Eddie and he was actually the one who introduced you two. Jeff was usually a know-it-all, but he never dared question anything you said. And Grant… he was just quiet. Always following along with the antics and very well mannered. 

While you respected all the boys back, you also knew they found you attractive and that you could take advantage of that. After one specific smoke session together a couple months back, Eddie asked them all if they had a crush on you. He only ever said things like that to make them squirm. Teasing each other was the way they showed their love for one another. He also liked to remind people that they never stood a chance with you. And they all said that of course they found you pretty, but they would not dare go after you. 

Well, for one night only, you would give them believe they had a chance. Just to piss off Eddie. 

You had done this before. A year into your relationship, you had unintentionally made him jealous and it led to the most mind blowing sex of your life. The sex was so memorable that you do not even remember how you made him jealous. 

You needed that just about now. 

You were the only group there along with the waitress and line cook, so you were not worried about making a scene. You game plan how you were going to achieve such a feat as you scan the diner menu. You already knew what you wanted, but spotting the milkshakes on the list of drinks, a light bulb went off in your brain. 

The older waitress took down the boy’s order while you sat quietly staring at the menu. When it came down to you, you look up at the white haired woman and smiled. 

“One chocolate shake, extra whip cream and cherries, please.” You hand her the menu and glance over at a confused Eddie. You usually got a Dr. Pepper and a cheeseburger value meal, hold the lettuce. 

“Not hungry, baby?” He asks, reaching out for your black painted nails. You slide your hand away, acting like you are reaching for something in your purse. 

“Just wanna try something new.”

You pull your lipgloss out, still not looking over at Eddie. You twist off the top, placing the applicator on the middle of your bottom lip as your eyes flicker over to Grant’s. He is not paying much mind to anything, his eyes looking towards the window behind you. When he takes note of your gaze, he finally looks at you. 

You swipe the gloss across your lips, smirking devilishly. 

“What did you get, Grant?”

He thinks for a beat, realizing even he forgot what he ordered. “Uh… BLT with onion rings.”

You smack your lips together, rubbing your top lip on the bottom one painfully slow. 

“You gonna share your onion rings?”

He was not expecting the question, his lips curling upward before he chuckles. You can feel Eddie’s body stiffen as you ask the question. 

Grant nods, though, “Of course. You can have some-” “Baby, you’re not gonna eat his food.” You shoot a glare at Eddie, tossing your gloss back in your pocketbook. “Grant said I could, so… yeah I am.”

Eddie’s eyes search yours, trying to figure out what you are trying to do. You disguise your pleasure at his curiosity, rolling your eyes and pointing your attention at Jeff. He’s positioned right next to Grant, fiddling with his fingers. Before you can press him with a question, the waitress comes and puts down your drinks. She’s missing your milkshake. 

“That’ll be out in just a moment,” She says, grabbing her tray as she returns behind the counter, seemingly preparing your shake. You watch Jeff fiddle with his straw wrapper and you finally decide to bother him next. 

“Is that Dr. Pepper?” You ask, already knowing the answer. Jeff always got Dr. Pepper, just like you. It’s something you two bonded over often. He just nods, taking a sip of the bubbly beverage. You look over at the waitress quickly, seeing she’s still fiddling with the milkshake blender. 

You grab Jeff’s ice cold glass, your eyes glistening with innocence, “You mind if I have a sip? I’m parched.” And of course he’s too confused to say no. You pull the drink over and once it crosses to your side of the table, Eddie’s hand presses into your bare thigh. You do not react, taking Jeff’s straw into your mouth and sucking in a big sip, your eyes never leaving his. Once you pull the plastic away, you smirk. 

“Thanks, hun.” You push the drink back to him slowly. His cheeks heat up instantly when he notices your lipgloss on the tip of the straw. Eddie’s hand only squeezes more, trying to get you to look over at him. 

He wanted your attention so bad, his body curving closer to you. You can feel his gaze stuck onto the side of your face. 

Before anyone says anything else, the white haired lady returns with your chocolate shake. You giddedly grab the glass and stuff a straw into the frozen drink. 

You use your tongue to toy with the end of the straw, pulling it into your open mouth. Your eyes flicker away from Jeff and take aim at Gareth, who’s seated right across from you. Since he’s known you so long, you can already read on his face that he knows what you are up to. He may be a nice guy, but he too loves to fuck with Eddie. 

He was going to help you in whatever way possible. Instead of you initiating conversation, he speaks up. 

“Chocolate, huh? Thought you’d like vanilla.” Your eyebrow quirks up. You know Eddie’s face is bright red next to you. The heat radiating from him is pressing into your shoulder and thigh. 

“You got me pegged as a vanilla girl? That’s a bit offensive, Gare,” You smile, calculating your next move. You look down at the pile of whipped cream on the top of the shake. You drag your pointer finger across the top, gathering the cream all around it. 

You hear Eddie whispering beside you. “You better fuckin’ not.”

You smile, bringing your finger to your lips, not peeling your eyes from Gareth. You know the tension is palpable because Gareth’s smile is only widening when you lick the cream off your finger. 

The other guys are gawking at you at this point. You were putting on a show and they could not even fathom that it was happening before their very eyes. 

Gareth finally says something, nodding at the milkshake. “And extra cherries?”

“Gareth-,” Eddie’s voice fades over yours. 

“Oh yeah! You know I can tie the stems with my tongue?”

Eddie’s rings are going to be imprinted on your leg with how tightly he’s gripping onto you. You grab one of the cherries, getting your fingers covered in more whipped cream. You lean your head back a bit, your nose facing the old tile ceiling. You drop the cherry in your mouth, stem up. Tilting your head back, facing Gareth, you pull the cherry off the stem between your teeth. It’s unbelievably sensual the way you chew the red fruit. 

You show each of the boys the stem, even Eddie. When you glance over at him, you do not believe you have ever seen him so annoyed. He’s not hiding it well. You drop the stem on your tongue, returning your gaze over to Gareth. 

You roll the stem around, using your teeth slightly to do the stupid party trick you learned in 10th grade to impress a boy. It’s not impressive when every hot girl in school could do it, too. But nonetheless, it was something you could do to layer on the eroticism of the moment. 

When it’s tied, you contemplate taking it out of your mouth and showing it off. Maybe even drop it in Eddie’s hand. Instead, you decide to just extend your tongue out and show the stem on the very tip of your tongue. 

The color drains from Eddie’s face. It’s the end of the show for him. 

He grabs your forearm, ripping you out of the booth. You look back at Gareth, who’s still smiling, all the while Jeff and Grant look even more confused.  

When the fresh air hits you when he slams the glass door open, you flick your head to the side and spit out the stem in the gravel. His grip is so tight around your arm as he drags you to the van. It’s parked on the far side of the lot, occupying a spot that’s backed up to some woods. 

“What is wrong?”

Asking such a question only pisses him off further. Once you reach the van, his left hand flings the side door open. He practically tosses you onto the shag rug that lines the very back of the vehicle. 

“Are you fuckin’ with me right now?” His voice is intimidatingly deep.

Your legs hang out while Eddie stands over you, his hand resting on the top of the van. The back of your knees feel the sting of the frayed metal that hinges the door shut. You swallow, contemplating if you should continue messing with him. With the way he’s looking at you, you felt that this was not going to lead to the jealous sex you two had before. He’s actually angry. 

“You pushed my hand away when I wanted you earlier.”

Your voice is so small and unsure. His eyes narrow at you, his mouth slightly ajar in complete disbelief. The silence hanging in the air makes your heart rate increase. 

His mouth closes and you watch his jaw clench, “So you flirt with my friends right in front of me? Even when I explicitly said you better not.”

With his free hand, he swats your bare leg as you squeeze your thighs together. “Answer me.”

You watch the red mark appear on your flesh and decide to keep playing into the game. You had nothing to lose. If he’s actually angry, you could always have amazing make up sex instead. Eddie could not stay mad at you for too long. 

You shake your head, lifting your chin up in defiance. “All I did was tie a cherry stem.”

He does not accept that answer, slapping your thigh harder this time. 

You knew then that you had him where you wanted him. His eyes were giving him away. His pupils dilated as soon as he realized that you did not yelp at him slapping you around. 

Your eyes widen, watching him jump into the van beside you and dragging you back further. He slams the door, rattling the hunk of metal. The only light being let in is from the front windshield. A hazy warm lit streetlight only lights up Eddie’s face as he’s pining you to the ground. 

He positions himself between your legs, pushing the back of your thighs up with his knees. The skirt you chose for the occasion was pretty flowy, so it slid up your hips as soon as he props you up. “You want to act like a whore in front of my friends? All ‘cause I slapped your hand away earlier?”

His voice does not even sound like his. You hear the jiggling of his belt as he asks you the question. But the more twisted Eddie was, the more aroused you felt. You were drawn to him the first moment he teased you and bullied you a bit. You got off on him being callous. 

“Words. Now.”

You look down between your legs and see his cock springing free from his boxers as he shoves them down his thighs. You groan, the pulsating at your core coinciding with your heart rate. “Wanted to get your attention.”

He smacks your inner thigh, painfully close to your pantyline. You moan at the action, propping yourself up a bit more on your elbows. You watch as he carefully drags his pointer and middle finger under the hem of your lace. He smirks to himself, “That’s not what I fuckin’ asked.”

His fingers dip under your underwear, gathering the slick between your folds. You throw your head back, unable to hold back the sob as he spreads you open. You were putty in his hands, always bending to him. “Yes, Eddie.”

Your response leads to him sliding his fingers inside your cunt, a wet squelching noise filling both your ears. Your back thuds against the rug as your muscles give out under his touch. He fucks you with his fingers, the look on his face unreadable. He usually takes his time with foreplay, but this was different. He was testing how far he could take you in a limited amount of time. You were in a parking lot with his friends less than 500 feet inside, he could not take his time torturing you. 

His fingers retract from your pussy, gripping onto the lace of your panties and tearing them down your legs. When he sits back on his heels, you watch his long cock bounce with his movements. It sends a smile across your face. When he zeros in on you again, he tilts his head to the side. 

“I’m gonna fuck you until you can’t talk anymore.”

It makes you giggle at first, unsure if he’s really being serious. But when his face does not twist up into a smirk like it usually did, you realize you were in trouble. He takes ahold of his dick, leaning forward onto you. Your mouth falls open as you study Eddie dragging his tip between your slit, gathering as much of your wetness as he could. 

He sinks into you, raising your hips a bit to meet him straight on. The stretch is always overwhelming for you at first. You and Eddie fucked at least three times a week, but he always made you cum before shoving his cock deep inside you. Stretching you out for a couple minutes with two fingers is not enough for you. He hisses when he pulls back, his hands grasping onto you for dear life. 

He wastes no time setting a bruising pace. There’s no build up, he is simply taking his annoyance out on you. You are reaching out to anything around you, trying to find something to hold onto as he rams into you. You find a sweatshirt nearby, squeezing it as tight as you can as you breathe out to relax your pelvic muscles.

“Eddie, please-” You try to say, throwing your head forward. He shifts your hips a bit more, opening you up wider. As he does that, he rakes his hands upward, pushing your skirt up higher to your belly button. He shakes your head to your pleas. 

“Eddie, please.” He mocks, relocating his hand to squeeze your cheeks together. When your jaw unhinges, Eddie inspects your tongue as he drills into you. “Put my fingers in your mouth.”

“Ed-”

He sandwiches your face harder, cutting you off from being able to say anything. He fills your mouth with the two fingers that were plunging inside of you earlier. The taste of your own arousal is still present on his fingers as you swirl your tongue around the digits. You mewl as he grinds his pelvis into your clit. “Shut up,” he orders, his face centimeters from yours, “Now suck them while I fuck you.”

You have no way to talk back, so you do what he says. You hallow your cheeks out, lathering all your saliva around his fingers. The build up in the pit of your stomach only gets more intense when Eddie hoists your leg up over his shoulder. You clench around him, tears pricking your eyes as you vibrate his fingers with your moans. 

“Do not fuckin’ cum yet,” He warns, pulling his fingers in and out of your mouth. His hips are faltering as he chases his own climax. Your body feels like every nerve ending is about to implode under the pressure of you holding back your orgasm, and Eddie can sense that. He drags his fingers out from your lips, rubbing your own spit into your lips. He grabs your jaw with the same hand, pulling your face closer to his.

“Say you’re mine. You’re only gonna be mine.”

You nod, knocking his forehead slightly. “I’m only ever gonna be yours, Eddie.”

With your foreheads touching, you watch as he falls apart inside you. 

And with three vicious snaps of his hips, he spills his seed deep inside you. He does not let out a sound. His mouth is agape as deep heaves fan your face. 

When he finishes, he slides his cock out of you and sits back on his knees again. Him exiting your body is so frustrating, you want to scream.  

He uses one arm to hold your one leg back as spit covered fingers swipe up your cunt. His spend is leaking out of you and you know if he works his usual magic, you will cum in 30 seconds. 

“Please, Eddie. Please let me cum.”

He smirks villainously, “Why should I let you, hm?” He spreads your pussy lips, getting a good look as his cum dribbles down to your asshole.

You are getting desperate. You never had to beg Eddie to cum, ever. He was always so generous. 

“I promise I’ll be good. Please, please.” He chuckles dryly before sinking his fingers back into you. “Fine. Since you asked so pretty and promised to behave yourself.”

His fingers scissor into you, that familiar burn in the pit of your stomach returning. As his two fingers make work at your entrance, his thumb swipes your clit in meticulous circles. His bottom lip is tucked under his top teeth, watching you fall apart on his fingers. You are practically chanting his name as he brings you to your peak. 

When your chest heaves, finally relaxing from your orgasm, Eddie slides his digits out of you and brings them up to his plump pink lips. He licks them clean, just like you did with the whipped cream earlier. 

“Hm… Don’t see how Gareth thought you were a vanilla girl,” He states, smiling sinfully at you. “You, my dear, are a fuckin’ vixen.”

-

tags of friends who may like this idk (if you wanna be tagged in the future, just lemme know <3):

@hockeyhughes @pedgito @mediocredreams @the-unforgivenn

[lightseoul]

CHAPTER 9 | ALL OUT OF LUCK

w.c. 7.4k (hoo boy. i did say i would end this with a bang. i wrote and edited this in two days.)

tags. minors dni. fem!reader, pro-hero!katsuki, aged-up (26), lots of cussing, mentions of canon-typical violence, mentions of food, mentions of physical & mental health issues, explicit...themes. y'all see for yourselves what those are

a/n. and here we are. a little over two months since i posted the masterlist in the hopes that it would motivate me to see this series through, and i actually did it!!! i poured my heart and soul into this chapter, specifically, so i hope you enjoy it and find it a great way to wrap up the story. see the end for a message <3

links. masterlist, ao3

You shoot up at the sound of a honk—a blaring sound that you think can only be from one of those humongous passenger buses that circle the city.

Except they never really pass by your neighborhood—your apartment being located in the outer peripheries of Musutafu.

So why, all of a sudden, are you hearing these noises?

Wasn’t it just recently that you shot up awake like this?

Clenching your eyes back closed, you shake your head vigorously. The dull thumping that stretches from your parietal straight to your frontal lobe is unmistakable, such is the dryness of your throat. You look to your left, letting out a sigh of relief when you see a glass of water on the nightstand. You quickly grab it and take a sip, finally eyeing your surroundings as you do so.

The room is dim—the city lights emanating through the window the only source of illumination within the four walls, enough to cast a faint glow on what you’re now sure is Bakugou’s bedroom. You’ve only been here one night, but the plush mattress beneath you feels familiar, and you’re a hundred percent sure that’s your suitcase in the corner right next to his wardrobe. The wardrobe where he retrieved the futon…last night?

You shift to be on all fours, wincing to a halt when your back screams in protest at the motion. You try to rotate your neck next, grateful when all you feel is a slight strain and a sting—like you’ve got some bruising at the front. The rest of your body seems to be working alright—fatigued, yes, but not enough to cause you a new wave of pain with every maneuver.

And so with that thought, you slowly crawl toward the foot of the bed, right until you catch a glimpse of the said futon. It’s somewhat undone—arranged exactly how you think Bakugou left it the morning of the mission. Well, how you two left it. You remember accidentally stepping on it once or twice while trying not to invade Bakugou’s personal space as you simultaneously got ready, making a mental note to fix it before you left.

You guess you never got to. Apparently, neither did Bakugou.

Which only means one thing.

It’s still D-Day.

Only then do the events from earlier today come flooding at you, and you find yourself stumbling out the door, barefoot and maybe still a little too out of it to be rushing like this.

Regardless, you burst out of the room—fully expecting the twins to be there—although you’re not hit with a sobering visual confirmation, nor are you hit with a menacing glare followed by a ripping out of your tracker, which you note has already disappeared from its spot in the middle of your chest.

Instead, what hits you is the heady yet comforting smell of ramen broth.

You glance in the direction of the kitchen, and sure enough, Bakugou’s standing there—decked out in lounge clothes under an apron with a ladle in one hand—staring at you, surprised.

“Hey,” he finally gets out after a beat of immobility, before facing back toward the stove and turning down the heat. “You’re awake.”

You nod, although he doesn’t see it with his back turned against you. You pad toward the kitchen as quietly as you can, stopping a few feet away from him where he looks so normal, like he didn’t just wrestle a murderer a couple of hours ago.

What the hell is going on?

Bakugou glances over his shoulder, eyebrows raised in question—and it just dawns on you that you said that last bit out loud—before spinning to fully face you again.

“You had an anxiety attack,” he says as a matter of factly, and you feel yourself flame. “They told me to take you home after they did first aid on the both of us.”

So, he got hurt, too.

You tamp down the shame from your breakdown and note the bandage on his cheek, right where his scar is.

Still, it’s not exactly the two of you who you’re most concerned about right now…

You gulp, willing yourself to hold Bakugou’s gaze. “What about Masaki?” you ask. “D-did he—make it?”

At that, Bakugou sighs, and it’s enough for you to know the answer. Despite yourself, you feel a surge of guilt wash over your body.

“He was rushed to the hospital,” the pro-hero explains, solemn, “But he didn’t make it.”

And when you don’t say anything: “It’s not your fault, Y/N. You didn’t kill him,” he huffs, “I did.”

You shake your head decisively, before tossing him a stern look. “You did what you had to do.”

Bakugou stares at you for a second, an inexplicable expression on his face, although you don’t get to study it further because you look away first. “Did you know he was a consul?” you inquire, suddenly feeling the obligation to change the topic.

Bakugou turns, once again busying himself with the stove. “I heard.”

You pull a stool from underneath the kitchen island and hoist yourself up into it. “Explains why he was never around in the headquarters.”

“Explains why he was never home, either,” he piles on.

You feel your brows furrow. “What do you mean?”

“Apparently, he just went through a divorce and lost custody of his daughters to his ex-wife, who that guy Hiroto described to have a pretty weak quirk. Said the man always had supremacist views, but changed for the worst when the woman filed a case against him.”

Huh.

“Speaking of quirks,” Bakugou continues, stirring the broth, “I’m sure you figured it out, but his was called retaliate. He could absorb attacks, especially explosions, and redirect them with—”

“Double the power, yeah,” you finish for him.

“Quadruple if he’s feeling confident—an ironic clause for a relatively meek guy like him,” Bakugou remarks. “Explains why he still took you with him despite suspecting we were doing something behind his back. He needed your luck and was planning to blackmail you into boosting him.”

That makes you frown. “But they didn’t figure out it was actually manipulation, did they? He mentioned luck to me, too. In the car, before we went into the building.”

“No, they didn’t,” comes Bakugou’s cool response. “Masaki and the rest still thought it was luck, just that you may have been using it beyond their instruction. Plus, at that point, they already had my bombs, so they could easily dispose of me and use my life as leverage to get you to do what they said.”

Bakugou reaches for one of the condiments in the rack, lightly shaking the contents out of the container and into the soup. “Explains why they told me last night to follow suit and get dressed in normal clothes. Didn’t matter that I’d be easily identified in them—I was never gonna get to the Prime Minister’s Office anyway.”

That fucking reminds you. “Where did that bastard even take you?”

At that, Bakugou stiffens. “An industrial-grade refrigerator,” he mutters.

“What?”

“You heard me,” he spews, perhaps a bit miffed. You can tell he’s not enjoying talking about this. “I was bolted in, and Kouki disappeared before I could wrangle him into letting me out.”

You can only gawk at him as he drawls on. “Took me a while to gather enough sweat for one massive blow to break the lock.”

“H-how?” you manage to croak out.

“Push-ups,” he answers curtly, still stirring. “I lost count at around 300.”

He takes your stupefied silence as a sign to continue.

“After that, I figured the old geezer couldn’t have gotten me too far—otherwise, he would’ve depleted his capacity to conduct mass teleportation if things went south for them. I boosted myself up to get an aerial view and find a landmark, and got going when I did.”

“Were you still wearing your tracker?” you can’t help but probe.

“I had to,” Bakugou responds, “If I wanted him to come to me. When he found out I was on the move, he teleported to where I was—probably to teleport me to my death, leverage be damned—but I was faster, and he couldn’t catch up.”

“I blasted him unconscious before he could retreat and bring everyone else with him,” Bakugou says as he takes what looks to be a lid and puts it over the pot, leaving a small gap for the steam to come out. “He’s in custody now. Shitty hair’s talking to him as we speak.”

At the mention of the redhead’s nickname, you straighten up. “How is he? And Sero?” you say so quickly you almost stumble over your words, “Are they okay?”

“Yeah,” comes his prompt retort, and you find your shoulders sagging in relief. “The twins put up a fight, but they eventually had them wrapped in Sero’s tape and chased you to the elevator. But then somebody pulled the fire alarm and they got stuck.”

“It was Masaki,” you swiftly supply. “He did it just as he hauled me out of the elevator.”

Again, you watch as Bakugou visibly tenses, but he doesn’t say anything. At least, for a moment, before he sighs.

“Yeah, well, they couldn’t get out for a while because the system needed manual operation to send the elevator back to ground floor, and nobody was around to do it. They couldn’t smash their way out of there, either. Could’ve caused the entire thing to crash down.”

“Wasn’t there any other hero besides them?”

“No,” Bakugou says almost regrettably as he takes the bowl of uncooked noodles into his hands. “They thought I’d be there just as planned, so they assigned the rest of the pro-heroes involved to the rest of the schools.”

You hum in acknowledgment. “I guess that explains why they went for the twins first instead of Masaki. Maybe they thought you’d be there to handle him?”

“No, they had eyes on you,” he corrects, just as he pours the noodles into the soup. “Shitty hair said they prioritized the two because they seemed stronger than Masaki. His packing that much fucking strength came as a shock to everyone.”

You chuckle dryly. “Even you, right?”

He grunts, unamused. “Even me.”

You let yourself sit in silence as Bakugou continues to tend to what he’s cooking. It goes on like this for a little while, before it hits you belatedly.

“Did anyone else get hurt?” you suddenly ask, “You know, aside from Masaki?”

“None, unless you count property damage,” he quips, and you let out a half-hearted laugh. You can hear him smirking when he adds: “Luckily, Kirishima and the others had enough foresight to evacuate the place entirely.”

“I’m guessing you know how they did it?”

At that, Bakugou nods. “…Although, I can’t say I agree with it.”

You cock your head to the side. “What do you mean?”

“They used government surveillance information to send targeted texts to the potential victims—parents on behalf of the students, staff, employees,” he reveals, voice low. “Something about a suspension that they needed to be quiet about for their safety. Except the guards, who had to be there at the entrance.”

“But—”

“That would’ve meant Masaki and the twins would receive the message, too, I know,” he interjects. “Good thing I managed to put their names on that piece of paper. Otherwise, we would’ve been fucked.”

“No shit,” is the only thing you can mumble, head reeling from the revelation just now.

“…We barely made it, huh?” he rejoins, quiet.

“Yeah…” you reply.

A pause.

Then—

“I’m sorry,” you blurt out of the blue, startling Bakugou. You refuse to meet his gaze, though, even as you continue. “For losing it back there.”

At that, Bakugou whips to look at you, and you have no choice but to look up at him. “Hah?”

“I didn’t think I’d use everything up, and it’s been so long since I last depleted my quirk like that,” is the only thing you can get out.

You let your eyes fall to your enjoined hands in front of you. “I couldn’t control myself. I’m…sorry.”

Another pause.

“Tsk.”

Your eyes widen at the unexpected sound, and despite yourself, you find your line of vision going back to Bakugou, who’s now scowling at you.

“The only thing you should be sorry for is that unnecessary as shit apology,” he spits, before turning back to the stove. “Now, come on. Help me with the plates.”

You do just as Bakugou says and assist him.

You end up situating the placemats and cutlery just as he finished up the dish, serving it not even a few minutes later in a luxurious-looking, suspiciously Todoroki-esque bowl that you’re sure costs more than a well-functioning arm.

You try to ignore it as you navigate yourself in his kitchen, although it eventually becomes apparent that a peculiar kind of tension lingers in the air still, but you figure it’s not entirely unfathomable.

It’s only been a few hours, after all.

You repeat this like an incantation in your head—again and again until it somehow sticks—even as you quietly say your thanks and dig in. Not one word is uttered in between spoonfuls of food, the silence reminiscent of yesterday’s dinner—even though yesterday now feels like a whole month ago.

At least, that’s what you were thinking, until a booming voice erupts throughout the room, entirely juxtaposing the earlier stillness. You startle, then ease up when you realize it’s All Might’s, and that it’s merely a ringtone. Bakugou scrambles to fetch his phone from the island, although whatever urgency he had just now goes out the window when he sees the caller ID.

“It’s Asahi,” he grumbles.

You hurriedly swallow your noodles. “Aren’t you gonna answer that?”

Bakugou glares at his phone for another second before shaking his head and turning it off, walking back toward you.

“Isn’t he gonna get mad?” you ask just as he reseats himself.

“We’ve been on duty for over two weeks,” Bakugou snarls, picking back up his chopsticks. “He can kindly go fuck himself.”

That makes you snort, which earns you a smirk, although his face falls almost immediately after.

You swallow the discomfort that shoots to your throat at the sight of it.

You try not to get caught, but you secretly sneak glances for the rest of the meal, and only by the end of it do you notice that his hair’s gone back to its normal, unruly state—probably due to a shower that he took after you got home.

That, and there’s definitely something weighing him down.

You just don’t know what.

You don’t attempt to comment on it as you help him clean up the plates, or even as you start drying the dishes after he washes them beside you. He doesn’t try to start a conversation, either, focus seemingly trained solely on the task in front of him, although you know better than to believe what your eyes are telling you.

It’s that thought that ultimately emboldens you to speak up a few minutes in.

You clear your throat, eyeing him as subtly as you can. “…Something on your mind?”

To your dismay, he doesn’t answer you, only passing a plate without sparing you a single glance.

Well, then.

Despite yourself, you feel yourself deflate at his snubbing.

You had your doubts about coming forward and asking him, although that’s when the memories of the things you had to go through together came in and you thought he’d trust you enough to share—but you guess you’re getting ahead of yourself, because there’s no way he’d—

“You used your quirk on me, didn’t you?

You freeze, all thoughts wiped out from your brain.

You feel his gaze on the side of your face, but you don’t dare turn to look at him, nor do you open your mouth.

He turns away, nodding. “I knew it.”

Fuck this.

“People don’t normally notice—” you blurt, and he shifts to face you again, “—when I use it on them.”

You scratch at your cheek, feeling weirdly restless. “I think it’s only because you’re perceptive to begin with, and because you know about me and what I can do.”

“Why’d you do it?” is his immediate response, catching you off guard. You splutter, although—to your chagrin—he only raises an eyebrow at you, expression nothing less than expectant.

What the hell are you supposed to say other than the truth, then?

“Fine,” you hiss, pulling your lips into a thin line. “It was because I noticed you were getting frantic.”

At that, Bakugou’s eye twitches. “You calling me sloppy?”

“No!” you exclaim, then backtrack. “I was just—I just did what my instincts told me…”

And really, you did.

That’s all you could’ve done in that situation, for a person with your experience.

And you’re about to expound on that to a skeptical Bakugou when, to your surprise, he nods.

“Good call,” he mutters so silently, but you hear it anyway, and your eyes widen.

You must be gaping at him like he just said you are the greatest person to have ever graced the earth because he immediately looks away, embarrassed, a sudsy bowl still in hand.

“It’s stupid,” he continues, and you barely clock him having resorted to aggressively toeing his house slippers—the pair you bought for him. “I’ve never really lost my cool like that before.”

Now, that you’re not sure of.

Still, you force out a decent reaction.

“R-really?”

You’re instantly granted with a side-eye. “Don’t sound so fucking shocked.”

“It’s not that—” you choke, “It’s just that—”

“I have a short temper, I know. Sue me,” he spews, shutting you up.

“But I never let that get in the way of my work,” Bakugou pushes, suddenly serious. “Never.”

You frown, placing the plate you’ve been holding in the drying rack. “Well, they did fool us by separating us last minute,” you offer just as you look back at him, “I’d be pissed, too, getting betrayed like that.”

Bakugou doesn’t say anything in reply, opting to stare at you—borderline scowling—for what feels like a minute. He eventually sighs, and you find yourself mentally sighing at the break in eye contact as he puts down the dish he was in the middle of washing.

But then he turns to you again, face blank, and says the strangest thing.

“Tell me. Are you playing with my emotions right now?”

“What?” you cry, “No! Why would you even—”

You’re cut off when—without warning—Bakugou coaxes the towel from your hand and takes a step close, invading your space.

“Good,” he rumbles, voice low and gruff as he leans even closer. “Just wanted to make sure.”

That’s all the warning he gives you before he grabs your neck and dives in, pressing his lips firmly against yours. You instantly shut down at the contact, your body going rigid against his just like when he kissed you out of the blue this morning. But unlike earlier today, you don’t relax, and he must’ve sensed it, because he quickly pulls away, the hand that was just on your nape now resting on your shoulder.

“Shit,” Bakugou curses, a mortified look on his face. “I’m sorry, I thought—”

“No!” you interject, “I mean, it’s okay. It’s just…”

“Just what?” he breathes out, releasing you from his hold, and you don’t know if you’ve finally gone crazy, but did he just sound…hopeful?

No, he didn’t.

Which is why you muster up the courage to say the next thing.

“You’re just confused,” you finally get out, looking him straight in the eye.

His reply is instant.

“Believe me, I’m fucking not.”

That makes you frown, because why is he giving you such a hard time? You’re giving him an out, for god’s sake. A wake-up call, if you will.

That none of these is real.

And that he’s confusing make-believe with reality.

These very thoughts must be evident on your face because he studies you closely for a bit, a similar frown etched on his features. He then shakes his head, the same way he does when he’s getting impatient.

“You don’t believe me?” he finally says, and you’re about to say no, you do not, when he suddenly takes a step closer, and you find yourself stumbling back.

“What if,” another step forward for him, another one backward for you, “I tell you that I’ve been wanting to kiss the crap out of you, even when no one’s watching?”

Yet another step, and he finally stops. “Especially when no one’s watching.”

You can’t help it—you sputter, and to that, Bakugou only flashes you a devilish smirk. “Nothing?” he taunts, “You’ve got nothing to say?”

“J-just kiss?”

The second you say it, you know you fucked up.

His crimson eyes widen in surprise. “I mean, I want to fuck you, too, but—”

“No!” you cry, and he shuts up, “I mean, not like that. What I meant was, is this thing you’re feeling purely physical? Not that I think I’m all that—” you quickly disclaim, “—but is there something else, or…?”

At that, the motherfucker chuckles, and you’ve got half a mind to bury yourself in the very ground you’re standing on. But then you remember you’re on the top floor of a high-rise building, so that would only mean—

“I want to date the crap out of you, too, dumbass.”

“…Oh.”

A raised eyebrow. “Just ‘oh’?”

You flush. That was too soon of a reference.

Still, you have to respond.

“Oh, as in, oh, great,” you croak, “Because, believe it or not, I feel the same way.”

You can only watch in delight as Bakugou releases a breath you think he didn’t know he was holding, utter relief written all over his body. There’s no controlling the smile that breaches your mouth at the sight of it, earlier’s dreadful anticipation now morphing into a hoard of rabid butterflies. Bakugou sees the change in your countenance and grins.

“Does this mean I get to kiss you now? And that you won’t just stand there like a fucking corpse?”

That earns him a punch to the arm, which he takes in stride, laughing. “Can’t you just do it without teasing me?” you grumble, “You’re such a dickhead.”

“Got it, princess,” is the last (pestering) thing he says before reaching for your neck again and pulling you toward him, wasting no time in bringing your lips to his.

It doesn’t elude you that you’re still somewhat tense, but you eventually manage to will yourself to ease up just as his other hand shoots up to hold your cheek, tilting it so he can deepen the kiss. You can’t help it—you groan when he does, and he takes that as an opportunity to slowly enter your mouth with his tongue, and you squeak at the intrusion. He only laughs at that, but he doesn’t let up, his tongue seemingly having a mind of its own as it swirls and explores without restraint.

You don’t know how long this goes on—your brain filled with nothing but the sensation of Bakugou’s soft lips against yours—but he eventually pulls away, and you have to stop yourself from ogling at how debauched he looks with just his flushed face and swollen lips. You guess you aren’t any different, because Bakugou’s eyes rove over your face—hungrily—almost as if he’s drinking you in.

“You’re a good kisser,” you offer lamely, desperate for anything to fill the tense air.

At that, he coughs, as if he didn’t expect you to say that of all things. “T-thanks. You, too.”

You flash him a grateful smile, although it’s quick to falter.

A beat.

“So…” you try again, “What now?”

Bakugou looks down at his feet, suddenly shy. “I—uh, meant it, you know.”

You gulp. “Meant what?”

“That I want to fuck you.”

Shit.

“But I understand if you don’t want to, or if that’s moving too fast. It’s only been two weeks and—”

“Correction,” you cut in, “It’s been over two weeks. You said so yourself.”

That makes Bakugou pause, who only looks at you in bewilderment. “What are you trying to—”

“I’m ready,” you declare, voice nothing short of sure. “I want this.”

That seems to set something off in the pro-hero, because his entire demeanor shifts. You don’t get to comment on it before he’s back on you in an instant, encasing your lips in a searing kiss. You stagger back from the sheer force alone, grabbing onto his shirt for purchase as you stumble across the living room, not parting ways for even a second, his mouth hot against yours. He seizes you by the waist just as you almost crash into the wall, expertly maneuvering you through the door and into his bedroom, lips still molded together.

He only pulls away when you reach the foot of his bed, letting go of his grip on you to lift you bridal-style, the brazen display of effortless strength sending a shot of arousal into your veins. You loop your arms around his neck as he climbs over the mattress, inching toward the headboard before gently placing you down into the pillows. You waste no time pulling him back closer to you, initiating the kiss this time, and you think he must like that, judging by the way he groans quietly.

“What,” you mumble against his lips, “You like it when I take charge?”

“Fuck off,” he mumbles back, although he doesn’t break away, only biting your lower lip as if in punishment. You wince, but he’s quick to lave over it with his tongue. “Hurry up and—” a kiss, “—take off—” another kiss, “—mm—your clothes.”

That makes you laugh. Of course, he’d order you to strip after just cussing you out.

You don’t complain, though, lightly shoving him away so you can pull your shirt over your head. You glance at Bakugou when it’s off of you, and sure enough, he’s staring at your chest.

“Aren’t you gonna undress as well?” you ask pointedly, hoping your embarrassment isn’t showing on your face.

“Shit, right,” he blubbers, and you find yourself smiling as he hurries to take off his shirt.

Only that smile doesn’t get to last for too long before it’s instantly replaced with an ‘o’ at the sight of his ridiculously defined abs.

You point to it, honestly perturbed. “How the fuck is that even possible?”

Now that makes him laugh, the motion causing his abdominal muscles to flex and you blanch. “What if I tell you I’ve had them since high school?”

“Liar.”

Bakugou grins. “Had you known, would you have forced me to listen to your confession?”

“That’s it,” you make a move to get out of the bed but he tugs you back, flashing you a boyish smile that you don’t want to admit makes you—kinda—all weak in the knees.

“That was the last one,” he promises, still grinning, “I swear.”

You narrow your eyes at him. “Why do I feel like you’re lying straight out of your ass.”

“Me?” he asks, feigning innocence as he crawls closer, towering over you again until you’re back to lying on the bed. “Never.”

“Ha ha,” you deadpan, looking anywhere but at him or his broad chest. Although, your efforts are all for naught because he lifts one hand and takes your chin, forcing you to look at him.

“Can I take off your bra?” he inquires, the earnestness in his tone almost causing you to squirm.

You thankfully don’t—you’ve decided you’ve embarrassed yourself enough for today—and instead, nod. He doesn’t bother to say anything else as he reaches for your back, and you arch—slowly, Masaki did a number on you, after all—just in time so he can feel your clasp. It takes him a second to undo it, and a few more to lift it off of you, but when he does, the first thing he says is—

“Fuck.”

You snort. “I’m guessing that you like them.”

“Obviously, dumbass,” he spits, although it’s more playful than scathing. Then, he’s back to staring, like he can’t quite believe this is happening. “Wow.”

“What, is this the first time you’ve seen boobs?” you joke—because there’s no way a guy like him has never been with a girl, at least physically—although the jesting lilt in your voice immediately dies out when his face falls and he looks away.

Shit.

There’s only one thing for you to do.

Reaching out for his nape, you tug him down until he’s only a few centimeters away, taking his lips into yours before he can protest. To your relief, he melts into your touch, back to eagerly returning the kiss in a matter of seconds. Wanting to make him feel good now more than ever, you let your other hand snake up to his hair, grabbing a fistful before pulling tentatively—as if to test the waters. You don’t end up disappointed—in fact, you’re far from it—when he groans against your mouth, louder than before. Emboldened by his generous reaction, you pull again—harder this time—and it’s your turn to be surprised when his hips buck involuntarily against your own, giving you the slightest bit of friction that’s nowhere near enough.

You rub your thighs together in an attempt to quell the ache as discreetly as you can, although this motion doesn’t go unnoticed by Bakugou, who withdraws ever so slightly to study you.

“You okay?”

“Yes—it’s just,” you hesitate, before deciding you owe him the truth. “…I want you.”

Whatever Bakugou expected you to say, it sure wasn’t that—and so candidly, too—because he splutters, face evidently flushing despite the dim lights. “I-I want you, too,” he says honestly, “But I should warn you, I’ve never really done this before.”

“I thought you were gonna say you were massive,” you quip.

“Yeah,” he smirks without missing a beat, and you choke, “That, too.”

You slap his chest, which you instantly regret. “You’re the worst!”

He doesn’t say anything to that, only grinning as he leans in and—to your surprise—latches his lips onto your neck. You barely stop yourself from jolting in pleasure when he finds and nips at your pulse point—no doubt leaving a mark that you’re going to have to color correct tomorrow if you don’t want to get any funny looks. To your chagrin—or delight, you don’t fucking know at this point—Bakugou doesn’t stop his assault on your neck, instead bringing one hand up to graze the skin below your breast.

Suddenly tired of all the teasing, you grab his hand yourself and place it right on your boob, smiling when a curse is immediately muttered against your neck. You don’t let go of your hold, choosing to guide him on how to grope and fondle it instead. Bakugou catches on quickly, and before you know it, he’s already playing with your nipples, twisting and pulling them just the way you like.

“You can use your mouth, too, if you want,” you tell him a few moments later, stifling a moan when he sucks on a spot at the crook of your neck one more time, before nodding and easing down so he can be face to face with your chest.

He doesn’t let you get another word in before he takes a nipple into his mouth, and this time, you can’t stop yourself—you jerk against him—which only pushes it further. He takes the opening and starts sucking, and you’ve got half a mind to push him away. You don’t, though, and you doubt you could’ve anyway, his grip on your waist unrelenting as he switches between breasts, doing all sorts of things with his tongue that have your mind swimming.

“Still think I’m the worst?” he eventually looks up and asks roguishly, lips even more swollen and glistening with saliva.

“Jury’s still out—” you hiss when he pinches a nipple, and you swat him away. “Never mind, you are the worst.”

“Even when I do this?” he drawls, and you’re about to clarify with him what he’s going off about this time, when he unexpectedly slips a finger underneath your panties, and you barely, barely manage to bite back a moan.

“Fuck,” he rasps, “you’re so wet.”

You fight back a shudder even as he traces the outline of your sex, seemingly entranced. “Are you—are you sure you’ve never done this before?”

“What, you saying I’m a liar?” is his snarky retort, although he thankfully doesn’t stop his ministrations. In fact, your question only seems to provoke him, causing him to apply more pressure.

“N-no, it’s just that, fuck—” you huff, “I-I wouldn’t be surprised if you went d-down on me and you’d be good at that, too.”

That makes Bakugou pause, and you almost whine at the loss.

But then he practically rips your underwear out of the way, and you somehow don’t find it in you to care at all. They were granny panties anyway, and you’re too engrossed in how the pro-hero urges you to open your thighs for him, and then prying them open himself when you take too long to do it.

Not to mention the look on his face when he finally sees you.

“Stop staring at me, Bakugou,” you can’t help but grumble.

“Katsuki.”

“What?”

He doesn’t shift to look at you, gaze still focused between your thighs. “Call me Katsuki.”

That’s all the foreboding he offers before he dives in and licks a long strip along your slit, and you almost scream, if not for the hand you slap over your mouth the second that he does. He’s relentless—even as you squirm and tremble underneath him—lapping on your wetness like a man who hasn’t had a drop of water for days. You jolt when he flicks his tongue right at your clit, hands instinctively shooting up to grab at his hair. But then he makes the mistake of pushing the wet muscle into your entrance, and you inadvertently pull—hard—hard enough that it causes him to groan against your core, sending a surge of vibrations straight into your pussy.

“Fuck,” you warble, looking down at Bakugou only to see him peering up at you with half-lidded eyes that’s got you almost moaning again. “Keep on doing that.”

Fortunately, Bakugou doesn’t tease you for sounding pathetic just now, only choosing to do as you say. He resumes, with renewed vigor, paying particular attention to your clit this time. He keeps on licking it, and then sucking, before licking it again, that you almost don’t notice when a finger presses against your hole. But then he’s inching it slowly and you’re suddenly all too aware of the intrusion.

The first thing that registers is that his fingers are definitely bigger than yours.

The second thing is that fuck—did he just insert a second one?

You look down to where he’s stuck to your body, but you can’t see anything beyond his head of ash-blonde hair.

But then he does a scissoring motion inside you just as he suckles at your clit, and that’s all the confirmation you need. You can’t help it—you finally moan—and you barely miss him grinning against your pussy at the sound of it.

“Fucking finally,” he breathes out, lifting his head a bit so he can speak. “I thought you were never gonna moan for me again.”

“Again?” you barely manage to answer, already missing his mouth on you. You may be out of it, but you’re certain you haven’t cracked until just now.

“Already forgot?” he goads, pulling his fingers out of you. “Let me remind you then.”

Before you can get up and coerce him to just shut up and continue what he was doing, he’s back to towering over you, smashing his lips against yours.

And then he does it—the thing he did before. The first day in your shared bedroom. You still don’t know what it is, but he does something with his tongue, or his mouth? His teeth? You don’t fucking know, but it’s coupled with his scalding hold on your body, and despite yourself, you moan.

He promptly pulls away, a proud smirk on his face.

“Now, don’t hold back,” he commands cooly as you gape at him in half offense, half shock. “I want to hear how good I’m making you feel.”

He then makes quick work of taking off his boxers, and at this point, you can only stare at him as he eases it off.

He wasn’t kidding.

If he’s noticing you practically eye-fucking him, though, he doesn’t comment on it, although the faint tinge of scarlet on his cheeks is undeniable. Instead, he only crawls over you again, right until he’s hovering over your pelvis.

Wait.

“Bakugou—” you start.

“Katsuki,” he corrects petulantly.

“Katsuki,” you force yourself to say, suddenly feeling a bit self-conscious, “Let me make you feel good, too.”

“Next time,” he quickly responds, and you feel your heart lurch at the promise of a continuation. “I just need to be inside you, or I’m gonna fucking nut.”

You frown, although his honest admission sends an undeniable thrill down your spine. “Are you sure?”

“Yes,” he seethes, “Now, come on.”

You don’t waste another second, opening up your legs just enough for Bakugou to position himself between them. He’s got an arm propped at the side of your head to support his weight, while the other reaches down to finally grab his cock. He instantly hisses at the contact, and you don’t have to look to know it’s his pre-cum that’s dribbling down your thighs.

He then mutters a curse to himself, but it’s not exactly laced with lust just as it has been the past how many minutes.

And that’s when it hits you.

The guy is nervous.

You reach up to touch his cheek, his eyes shooting up to meet yours when you do. You offer him a small smile, one that you hope says ‘I’m alright’ and that ‘I want this’. But then you remember this is Bakugou freaking Katsuki, and the last thing he needs is to be placated.

“Relax, Katsuki,” you coo, grinning when he shoots you a glare.

“And you’re gonna have to do that on your own,” you tease, “I’m all out for today.”

That lights a flame under his ass, because the glare just now morphs into a look of determination, and one glimpse of it is enough to tell you you’re fucked.

“Spread your fucking pussy,” he growls, and you immediately do as he says. He’s back to gripping his cock in an instant, giving himself a few pumps before he’s aligning it with your entrance.

And just like that, he pushes in.

You both groan when he does, his massive dick barely breaching your hole, and yet, it already feels like your nerves are on fire. You sneak a peek at the pro-hero, and you’re glad you do, because you’re met with the glorious sight of Bakugou with his eyes clenched close, lips bit in a fierce attempt to stay quiet.

“Tell me when to move,” he rasps out, refusing to open his eyes.

“Katsuki,” you whisper, bringing your arms up to wrap them around his torso. “Look at me.”

“I can’t,” he seethes, just as you feel his cock twitch inside you. “Or else I’m gonna finish.”

Knowing better than to press him, you nod instead, before wiggling your hips slightly. That grants you a curse from him, but before he can cuss you out, you speak up.

“I think I’m ready. You can move no—” you hiss when he pushes without warning, and he freezes.

“Fuck, I’m sorr—”

“Just—slowly, Katsuki. Go on, move.”

He pushes again—slowly, this time—and you can only sit there and take it as he eases in, inch by inch—stopping sometimes when it gets a bit much for you—until he’s finally, fully sheathed in.

“Shit.”

“God.”

“You’re so fucking tight,” Bakugou grits out, head nestled within the crook of your neck. He still refuses to look at you, but apparently, that doesn’t matter as long as you’re being praised, because his comment inadvertently causes you to clamp down on his cock, and his breath hitches.

“Jesus,” he drones, burying himself further into your neck. “You’re fucking unbelievable.”

You don’t answer him, choosing to tentatively roll your hips against his instead. He moans in your ear, and this time, you can’t help but whimper.

“Move, Katsuki,” you plead, “I can’t wait anymore.”

That seems to sober him right up, because he grunts in acknowledgement, before slowly lifting himself with his arms. Only then does he opens his eyes, and it takes everything within him not to cum at the sight of you.

He knows better than to fucking give up, though—not when he’s come this far—so with renewed purpose, he starts with small, shallow thrusts that have you mewling at him and him grunting at you, until he gradually builds speed and he’s pulling almost all the way out only to slam back into you again.

He does this again and again—somehow deeper and deeper each time—all the while panting and moaning above you, until he prods at a particular spot that has you jerking violently against him, cursing. “Fuc—”

“Shit,” he freezes, “What—”

“No, no, no, no,” you cry out, clawing at his bare arms, “Don’t stop!”

At your request, Bakugou’s back to pounding into you in an instant, and you barely miss him looking at you with feral eyes before he hits the spot again, and you scream.

“Right—fuck—right there!”

At that, Bakugou rolls his hips once more and hits your G-spot squarely, and you moan.

“Right there?” he breathes out in question, chest puffing in pride as he watches you bob your head desperately, too blissed out to even care what you look like.

But then your walls are clamping down on him again, and Bakugou curses. “I’m not gonna l-last any l-longer,” he manages to get out, choosing to look at anywhere but your face.

���P-play—fuck,” you choke out, “—play with my c-clit.”

And when you don’t immediately feel his finger on your bud: “Hurry.”

That has Bakugou rushing to rub your clit, and you can only beg for more as the overwhelming feeling of his cock inside you mixes with the euphoria brought by his fingers—until you feel the tell-tale signs of your impending orgasm.

“K-Katsuki,” you shudder, “I’m gonna c-cum.”

“I’m g-gonna—” he grunts, eyes clenched closed, “—fuck—I’m gonna cum, t-too.”

“Katsuki,” you call again, and he turns his head to face your direction. “Look at me.”

And when he does—open his eyes—you roll your hips against his as best as you can, and you say it.

“Give it to me, hero.”

And just like that, he cums.

Hard.

And you cum right with him, digging your nails into his biceps as you moan, so loud you wish he’d kiss you to shut you up, but he doesn’t.

Instead, he moans with you—a strangled one that strangely sends a pang of longing straight to your chest, a longing that you can now finally admit is for the very person in your arms, who you so ardently wish would stay there, even if the mission is long over.

You don’t say any of this, though, even as he kisses your forehead before slowly pulling out, or even as he silently pads to the bathroom to get a towel so he can get you cleaned up. You thank him as he does, and watch him as he puts it away and hesitates for a moment—as if the manual he’s read about sex as a high schooler ends at physical aftercare and he’s run out of instructions.

It’s after a few more moments of awkward silence do you finally sit up and move, scooching over to make space beside you. Bakugou’s eyes trail your movement, widening when he realizes just what you’re doing. He’s stiff even as he crawls to the spot next to you, promptly taking the duvet cover that was tossed to the side in the middle of…everything, before laying it on top of your bodies.

“Thanks,” you murmur, not knowing what else to say.

“‘s nothing,” is his reply, voice equally quiet.

Neither of you says anything for a while, even as Bakugou gently tugs your head so you can rest it on his shoulder.

It’s you, though, who breaks the silence.

“You know, had I known things were gonna end this way, I would’ve just slept in the same bed as you.”

“Fucking tell me about it.”

a/n. :') first off, i want to thank you, friend, for taking a chance on this series and reading it up 'til the end. this has been the biggest endeavor i've ventured into as a writer, and it still feels surreal to me that i'm writing this now as i am about to post the last chapter. that being said, the biggest thank you to everyone who's shown love to all out of luck, especially the ones who left even just a single-worded comment. with the series having reached its end, it would mean the world to me if you let me know what you think about it / how it was for you <3 thank you so so much!!!

˖⁺‧₊ as always, reblogs, replies, and tags are appreciated <3 feel free to drop an ask, too—i'd love to chat with you. have a nice day!

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[colorlessjay]

hello! may be a weird request but do you have any fanfic recommendations?

BUCKLE THE FUCK UP

OH DO I HAVE SOME RECS FOR YA'LL

Mind you, 90% are based on personal preference and fics I think about way too often than I should. A lot of them influenced the way I make characters interact

Some of them might not be your taste and that's cool!

First off, Gotta promote the fics that people wrote inspired by my art (I am truly honored)

Time Cast A Spell On You by bethefirstwhoeverdid

Cabin of Feathers by Featherpie (Izupie)

Return To The Past by faeryn

NOW FOR MY COLLECTION

Just any fic written by everandanon

I swear to you, all of their fics are worth a read. They are frustrating (In a good way for me) but the worldbuilding, comedy, dialogue, and character interactions always have me physically getting up and laughing. At one point during Quarentantion, I had to stop reading to rant to my friends about it because it made me feel so much that I went to 3 different friends about it. With Interest actually made my heart physically hurt at certain points. Expectations had me on a roller coaster ride But if you think their fics are a little overwhelming, I recommend reading Casicorn. It's the first ever fic I read from them and it solidified my love for this author. I swear I am on my hands and KNEES waiting for them to finish their newest fic

Where All My Journeys End - (a Twist and Shout alt universe) by Say_It_In_Enochian

Did reading Twist and Shout devastate you? Did it emotionally hurt your heart and make you wish there was something to make the pain lighter? READ THIS FUCKING FIC NOW I got so fucking lucky when I found it immediately after reading T&S and when I tell you the JOURNEY this fic took me? It healed my soul The struggles, the history, the relationships, the LONG fight to get to their happy ending I am FLOORED this doesn't have 1000 Kudos!

The Ed Sheeran Effect by tricia_16

It made me laugh. That's it. It's sweet and funny and really fun and just feels very campy, like it could've been a decent movie I would rewatch on days I just feel like feeling good Am I a sucker for HighSchool/College AU fics? Yes do I fucking care? No

The Best Years of Our Lives, My Ass by ireallyhatecornnuts (CharleyFoxtrot)

I. fucking. love. this. fic The story alone was so interesting but it was the DIALOGUE that hooked me in. I swear I think about this fic in the middle of drawing and go "Damn, good times" like it's a long lost friend

Slide Away by Castielslostwings

It's the TENSION that got me. I can't explain to you how much I just love their hate-pining for each other Read it, love it, in my digital bookshelf

Sleep Without You by turningthepages

Hilarious. The density is so high it could float. I swear to god I've read this fic at least three times and think about it once a week I remember reading it and cackling so much that I woke up my mom

Should've Just Asked by Annie D (scaramouche)

I wish this fic had a follow-up that was just Dean's perspective because I would LOVE to read more of it. The situation is so absurd and I binged it all in one day (I'm a very slow reader)

Pinfall by crowleyo

I'm gonna say it. I'm so actually angry this fic doesn't get enough attention. It is so so SO well-written and heart-wrenching. Am I still a sucker for highschool sweethearts? YES! I OPENLY ADMIT THIS! But COME ON

Of fuming and partaking and so on by zation

This fic and literally any fic from Zation. I absolutely love the way this author writes. It's so funny and self-aware and the dialogue and scenarios always keep me entertained and laughing They have such a large catalog of fics that I'm pretty sure I have at least 15 saved on my phone

Mr. Blue Sky by anyrei, queerwolf79

This fic specifically and literally ANYTHING from these two. I swear, a lot of their fics are certified bangers. Mr. Blue Sky is probably a personal favorite of mine cause I actually teared up

Love Me More by Saiorse_Irvyne

I'm not the biggest fan of A/B/O stuff, but MAN this has me feeling things. When a fic makes me feel strong emotions, I just gotta recommend it

Lock and Key by tricia_16

AAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHHH it's THAT good

Kind Of A Forever Deal by komodobits

It's FUN. It's FUNNY. It's so fucking campy and cute and the progression of their relationship was just AAAAAAAHHHHHHHHHHHHHHHH

It's Always the End of the World Somewhere by Annie D (scaramouche)

I can sit here and recommend Annie D's fics all DAY, but I'm recommending this one specifically because of this: “Get a room, assholes,” someone mutters. “Hey!” Crowley whirls on the offender. “I could set on you on fire!” And that's one of many fantastic quotes

Cinderwings by bendingsignpost

One of the first fics I've ever read from this fandom, and I recommend it to ANYONE regardless of whether they know Destiel or not. The story is so fucking captivating it makes me want to eat my foot it's so GOOD

--------------

Do I have a type when it comes to fanfics? Yes

But I like gravitating towards funny dialogue and silly shenanigans. I thrive off of fun fics that sometimes take themselves seriously, but still pull me back and make me laugh

If a fic can make me feel such a strong emotion that I PHYSICALLY have to get up? Then fuck yeah it's going in my archives

I would recommend some of the darker fics I have, but this is for fun

[midnight-mourning]

Roses are Red

💘💘Midnight's DCA Valentine's Day 2💘💘

I was feeling, something, when I wrote this, and by that i mean lots of flirting and such ajsldkfjklsjdf

Prompt: Gardeners Sun and Moon preparing a special bunch of roses for their dear Y/N and hiding an engagement ring in a single special rose. Y/N happily saying yes and giving the boys a smooch!

Word Count: 2403

Read here if you prefer ao3!

💌💌💌💌💌💌💌💌💌💌💌💌💌💌💌💌💌

You stand by the kitchen door, hand on your hip and brow raised. 

"This again?" You ask the moon-themed bot in front of you, as he leans one elbow on the counter. Awkwardly, mind you, with his height. 

He shrugs, despite very clearly blocking the door to outside. "I'm afraid I don't follow, Sweet."

You cross your arms, nodding to behind him. "Okay, then may I get past you to go outside?"

"Why bother?" He tsks. "Dreadful weather today, wouldn't you rather stay inside?"

You wrinkle your nose. "No. I think it's a lovely morning actually, based on how sunny it is, and the nice breeze coming in through the window. I'd like to read my book on the swing." 

You'd gotten up extra early for exactly this reason. You were hoping if you woke up just a bit sooner, you could sneak out and enjoy the garden as you'd so been hoping to. It was a bit frustrating that you had to put it that way. 'Sneaking out' of your own home. But that's what it had come to at this point. 

Loved them as you did, but your gardeners had been exceedingly... difficult over the course of the last month or so. Despite the spring months finally being upon you, the prime time to truly enjoy the garden and appreciate their hard work, you'd been banned from the space entirely. 

Keep in mind, they were always bashful when it came to their work, and would sometimes not let you see their handiwork in the early days of spring since it wasn't 'complete' until all the flowers bloomed. This was different however, as you hadn't been barred from seeing the castle gardens just mere yards from your residence, nor the plants being tended to in the greenhouse.

No, it was specifically what they were working on in your garden—the walls far too high for you to peek over, unfortunately—where the source of your woes lied. Apparently. They were being incredibly secretive about the whole affair, going so far as to deny outright that you were banned from your own space.

Or in this case, making excuses. 

"Ah, but the weather could change at any time. Surely you'd rather not take the risk and spend your time doing something else?"

You lean back on the kitchen counter. "Like?"

"Reading your book inside, of course." Moon nods, straightening and walking over to you. "Even better, you can read it to me, out on the parlor couch, perhaps. I could hold you, or better yet, you could hold me. I've a terrible crink in my neck that only resting in your lap can resolve I fear. What do you say?"

You tilt your chin up as he now stands in front of you, towering over you even when he sets his hands on the counter on either side of you. Not so subtly blocking you in. 

You hum. "Don't you have work to do?"

"Sun can handle himself for a bit, and really I think I've more than earned a morning's rest." He leans down so your faces are only a few inches apart. "You wouldn't deny your poor Beloved a break, Star. Right?"

You huff, though the temptation to take him up on his offer—and more—was at an all time high. "Beloved is a bit of a stretch at the moment."

"Is it now—" Just as the gap was about to close between you, Moon is gone. He makes a strangled noise of surprise as he's yanked back by a half-gloved yellow hand.

Sun releases him after a moment, cheery as can be. "More than earned a morning's rest, hm? Last I recall you didn't spend six hours potting pansies without a break, did you?"

Moon grumbles, but doesn't retaliate further than that. 

Before you can say anything, Sun turns to you, seeming to know what you were going to say. "The garden is off limits for the time being, Sunbeam. I might suggest the castle grounds for a good location instead. Once we've finished up here this morning I'd be happy to join you. I'll even bring lunch if you'd like." He finally finishes putting on his glove, adjusting his work apron. 

"And just where do I fit into that scenario?" His counterpart asks, searching around for his own outerwear.

Sun's grin widens further, eyes upturned crescents. "Why, you'll be busy trimming the hedges that you've been putting off all week, of course."

"That all sounds lovely, though I do feel bad for Moon." You step closer to the sunny animatronic, arms coming up to wrap around his neck. "But I do have to press you on the reason for why I can't access part of my own home. Which you live in, mind you."

He sadly doesn't buy into your scheme, hand cupping your cheek as his rays click. "You'll find out soon enough. No need to go spoiling the surprise at this time. Go enjoy your morning, Love." He presses a kiss to your forehead and you scoff lightly, despite the heat rising to your cheeks. 

"Fine. But no more putting mud on the windows, while I'm gone. Makes me feel like I'm living in a cave." You hadn't expected them to go to such lengths, though knowing them you weren't surprised either. 

"No promises~"

Later on in the day you do in fact, enjoy a picnic with Sun, Moon nearby as he begrudgingly trims hedges. Though, another week goes by, and you still can't enter the garden. Not to mention, the flirty banter you typically so easily exchange has dropped to practically nothing. 

Your advances are avoided, to the point you can hardly even get a goodnight or good morning kiss. Which, given that you were used to being overwhelmed with affection, being underwhelmed is, incredibly deflating. So, you decide to change your tactic. 

You wait until one of them is alone, in this case Sun, to strike. While he may act very blunt and avoidant with Moon around, alone you think you can get him to slip up and finally tell you what they're up to. 

You find him on a quiet rainy afternoon hard at work in the greenhouse. The rain pitter-patters softly against the glass far above, the space cast in a bit of shadow from the grey sky and plants that are all encompassing throughout. 

He's at a workbench, tending to a group of sickly looking hydrangeas when you find him. He jumps a fraction when your arms wrap around him, head resting on his shoulder as you watch him work. 

"Oh, hello, Starlight. What brings you here in these conditions?" Despite the evenness of his tone you can hear a tinge of anxiety underneath. 

Your hands shift to slide across his arms, causing him to freeze at your touch. "Was curious about you. Wanted to make sure you were alright."

"Well, as you can see, I'm simply just—" He hesitates as you turn to kiss one of his rays. "B-busy. Would hate for these hydrangeas to wither away because of a lack of care."

You chuckle, kissing him again. "I suppose so. What a pity." Just as he turns to face you, you pull back from him, moving to sit on the workbench instead. 

"Something else you need, Sweetpea?" Sun chuckles nervously, you can see the smallest hint of steam arising from him.

You have to smother your smirk to keep your own composure. "Nope, just want to watch you work is all. Don't mind me."

"Ah, of course."

For several minutes there's nothing but muted clinking and such as Sun works, posture stiff as you keep your eyes—and hands—on him. Just simple little touches, traces patterns on his forearms or handing him things every so often. It only spurs you further as you notice your plan is working, the flustered avoidance you'd been experiencing is now just fluster, and you see your chance. 

"You know. There is something else I'm thinking you could help with." You reach out and cup his chin. "If you're willing, that is."

You see his rays flutter just a tad. "That so?" 

"Mhm. It'd be really easy for you to do too. And if you do, I might have something for you in return." You lean in, just hovering your lips above his smile. 

He chuckles, eyes-lidded. "A trade then? I'm certainly not opposed."

"I was hoping you wouldn't be. Now, close your eyes—hey!" You're suddenly plucked off the bench and hauled over a shoulder by blue and white hands. Quickly marched away from a startled and utterly confused Sun, as you see when you glance back. 

Moon sets you down by the door to the greenhouse, displeased grin on his features. "Dirty tricks like that belong in the garden, Moonflower."

"Well, I'm not allowed in the garden, so I had to resort to other locations." You huff, brushing off your clothes. "Was that really necessary?"

He bends to your level, eye to eye and inches apart. "It was."

"You're not on my kiss list now, I hope you know that." 

Moon's hands cup your cheeks, faceplate spinning once. "What a shame then, that you're on mine."

He kisses you once, then steps back. 

"Tomorrow, if the weather clears up, tomorrow you can go in the garden as you choose. I promise." His thumb rubs against your cheek, troubled look in his eyes before he shakes his head. 

You keep your frown, despite the heat on your face, and nod. "Tomorrow, then."

You stomp out of the greenhouse and into the rain in the hopes of making it clear your resolve is temporary. In reality you think it just makes you cold, and wet. 

But, the next morning the sun peeks through the clouds and after a brief and somewhat quiet breakfast, your gardeners finally relent. 

While you're beaming with excitement, they both seem nervous as can be. You're so caught up in all the activities you wish to do that you're only half catching the anxious looks and fidgeted movements they share between each other. 

Sun's hands are clasped in front of him as he speaks. "We're sorry it's taken so long, Love. We had several setbacks—" He sends a glare to Moon, who shrugs. "But, we hope you like it."

"And if you don't, just keep it to yourself." Moon's hand rests on your shoulder with a snicker, though there's still that nervous hint to his tone. 

You scoff at the two of them. "I always love what the two of you create. Regardless of whether it's for me or anyone else." 

With a final sigh, Sun steps out of your way and you all but skip over to and out the door, the warm morning light hitting your skin like an embrace. The garden sparkles from the dew and the day prior's rain. All across—

"Roses?" You ask, in awe at the sheer abundance of them. 

Several varieties and colors cover the expanse of the garden, from the edges to the center. Every flower bed is filled to the brim with them. Yes, there's the typical flowers and bushes they plant as well, sprinkled in here and there. Primarily, however, are the roses. 

You walk through the grass with a sense of curiosity at the scenery around you. It's breathtaking, but not the least bit suffocating. Brimming with life, but not crowded. It was, in a way, perfect. 

Though, you don't understand why they tried so hard to hide this from you. Yes, it was stunning, but the secrecy you just couldn't—

As you turn around again, you see the two of them standing there, together, with a large bouquet in their hands. It consists of bright yellow and deep purple—near black—roses. 

"These are for you, if you hadn't already guessed." Moon's gaze is elsewhere as he holds the flowers out with his counterpart. 

Sun's rays are spinning quickly as you flick your gaze to him, he coughs and also looks away. "We, we hope it's to your taste. We got what we thought would suit you best."

You're too stunned to really think on the words. "Oh, these are, incredible." You say, gently taking the neatly wrapped bouquet from them. "For me, really? You didn't need to—"

Inspecting the flowers closer, you realize that in the center of the cluster, there's something shimmering in the middle of a rose. This one is different from all the others. Its center is yellow, but the outer petals expand out into that deep violet, with speckles of contrast all throughout. Lying in the very center however, is a ring. 

It clicks then for you. 

"This needed to be special, to show how much you mean to us, hence all the preparation." Sun states. 

Moon continues. "An ordinary flower wouldn't do you justice, nor would an ordinary proposal. The garden served as the best place to refine both."

You nod slowly, feeling a little more than just choked up. 

"Is, are you, will you—" Sun stops himself. 

"Would you do these two humble fools the honor of having your hand?" Moon asks. 

"Yes, that."

You nod again, quicker now, face on fire and tears pricking your eyes. "Yes, yes, absolutely yes!"

Before either can react you shift the bouquet so you can grab them both by their shirts, planting a kiss to each of their smiles several times. 

Breathless, you pull back to hug them both. "I would have taken just a simple stroll by the lake, you didn't have to go through all this trouble just for me. But know I appreciate it more than anything. Thank you, I love you. So, so much."

Based on the clicks and whirls that emit from the two of them, and the bits of steam, you think they're as overwhelmed as you in that moment. Sun's lop-sided grin and Moon's half-lidded daze makes you chuckle. 

"Duly noted." Sun states. 

Moon nods. "Don't spend four years seeding, growing, and experimenting with roses next time. Understood."

"Four years?" Your brows shoot up. "But we met just roughly four years ago."

"We know. We started on this about a week in."

At this you shake your head, laughing outright. You give them another kiss, and revel in that moment. 

It's going to be one you cherish for years to come.

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Thank you for the lovely request @amarynthian-chronicles!! I love how you always write the boys with a sense of whismy and charisma so I tried to channel that for this hehe ^^

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[jinxedshapeshifter]

I'm tired and aroace, so here's a reading from that perspective on Klavier's character arc in Apollo Justice

Something that's really interesting to me is that it's actually really easy to read Klavier as experiencing internalized homophobia. I'm not even just saying this to say it. It's not really obvious but I think it is a valid reading of Klav's character. Adding to this, I think you could read Guilty Love/Love Love Guilty as a representation of compulsory heterosexuality or even amatonormativity. To be clear this doesn't make the reading of him being bisexual or pansexual or anything else any more or less valid, but I do think reading Klavier as experiencing internalized homophobia and Guilty Love/Love Love Guilty being a song about compulsory heterosexuality and/or amatonormativity adds a lot to his character.

I don't even know how to explain my thinking here. Klavier's preference for prosecuting over music could be thought of as an allegory for being aroace. Like absolutely maybe I'm high off of sleep deprivation but consider it for a second. We know Klavier wrote 13 Years Hard Time For Love when he was 17. 13 Years Hard Time For Love, like Guilty Love, has official lyrics (Klav, buddy, you are fucking ridiculous). Neither 13 Years Hard Time For Love nor Guilty Love come off as Klavier being happy about his situation (obviously I might just be misreading the translated lyrics or projecting my own interpretation but regardless). Even ignoring potential readings of the two official lyrical versions of the Gavinners' music we have, let's go back to that "Klavier's preference for prosecuting over music could be an allegory for being aroace" thing.

Aside from the obvious, that being Klavier's music is mostly if not all love songs regarding crime in one way or another (13 Years Hard Time For Love treats the love itself as a crime, while Guilty Love is basically Klavier singing to a hypothetical girlfriend about having a preference for prosecution and even romanticizing a crime scene), when you consider what a rockstar's life is like, it's really easy to read Klavier breaking up the Gavinners and focusing on prosecution as embracing aromanticism/asexuality.

To be clear, I'm not saying you can't be aroace and a rockstar. You absolutely can. In Klavier's case specifically however, he had a history of writing love songs. How he handles it in Guilty Love feels like he's forcing it, and how he handles it in 13 Years Hard Time For Love feels off in a way I can't really place? It's not quite like he's forcing it, but it still feels off. It's almost like at the age of 17 he'd never dated anyone before, or if he had, the relationship sucked, and he took that as what relationships were supposed to be like. Guilty Love feels like a traditional breakup song with the added twist that the songwriter is a prosecutor and injects that into everything he fucking does (but also has the added twist that he improvises a line that would imply part of the reason for the breakup is because he'd rather be spending time with Apollo, which is where my thought that Klavier could be experiencing internalized homophobia and compulsory heterosexuality comes from).

"But Jinx, didn't he write a song called My Boyfriend Is The Prosecution's Witness?" Yeah, but we don't know exactly when he wrote it or what the lyrics are. For all we know, it could continue with the vibe I get of "I don't think this man has a healthy relationship with romance" from Guilty Love and 13 Years Hard Time For Love. The fact that Klavier injects crime into his songs further stands out to me because that just. Doesn't seem healthy? Like yes, we only have the lyrics to two of the Gavinners' songs, but on the other end of that, associating romance with crime in the way Klavier does in Guilty Love and 13 Years Hard Time For Love is weird. In Guilty Love he breaks up with someone because he prefers prosecution and he romanticizes crime scenes (the two aren't related I just worded it weird sorry lol), and in 13 Years Hard Time For Love it feels like he's flip-flopping between "this is a relationship I'm enjoying" and "I would really rather not be in this relationship" which is really obvious when that relationship is compared to a prison, specifically a "prison of love where the key never opens" which. Is a line. And also implies that he sees the relationship as akin to a prison (and let's also acknowledge that Klavier is singing 13 Years Hard Time For Love from the perspective opposite his own; that being, someone being prosecuted instead of the prosecutor). I also want to point out that if we decide to just go off of song titles, it's certainly something. Aside from Guilty Love and 13 Years Hard Time For Love, we have:

Love With No Chance Of Parole

My Boyfriend Is The Prosecution's Witness

Atroquinine, My Love

Sir are you okay? what is your experience with romance and why does it seem like none of it is good

Anyway, I don't think Klavier has a healthy relationship with romance and I'd honestly be surprised if this doesn't also extend to sex. Even if he's not aroace-spec, there's something there that seems to just give him a not great perspective on romance. This could be a lot of things obviously. Negative experiences, a bitter breakup, lack of experience, it could be a lot of things.

"But he flirts with Ema and Apollo, so he must have some experience with romance." Not necessarily. I've never been in a proper relationship in my life and am also aroace-spec and still sometimes flirt with people when the impulse hits. I'm not exactly flirtatious like Klavier is, but I'll still flirt with or tease people if the opportunity presents itself. No relationship experience and being aroace doesn't immediately mean you can't flirt successfully lol. This also brings me back to the topic of amatonormativity and Klavier experiencing compulsory heterosexuality.

Personally I think an argument could be made for Klavier being polyamorous. I promise this is relevant but let me explain why I say this first. The entire conversation about Klavier's guitars during Turnabout Serenade when you run into him in his office is what I'll be referencing here. It's not a long conversation, but it's still relevant.

Apollo: Look at all the guitars! Why so many? Klavier: You can never have too many guitars. They are like… my lovers. Apollo: (I didn't just hear him say that.) Trucy: They're backup guitars, Apollo. Don't you know anything? Rock 'n' rollers always smash their guitars at the end of a show! Apollo: No wonder it's so hard to make it as a musician. Trucy: You know what, you should try rocking a little, Apollo. Apollo: And breaking his guitars while he watches? That might be a little too rocking. Klavier: Ah ha ha ha. Of course, I would never do such a thing. Did I not say, they are like my lovers? Do I seem like the kind of man who would do such a thing to ones he loves? Trucy: No, no! Not at all! I mean, you're Mr. Gavin, upstanding prosecutor!

That first line from Klavier, to me at least, feels like he's basically saying "You can never have too many lovers!" Why is this relevant to this post? Because amatonormativity generally includes monogamy. Even if Klavier is just polyamorous and not aroace (although I 100% think he's both poly and aroace-spec), he'd still be affected by amatonormativity.

This brings me to another thing. Klavier feels most like he's being himself around Apollo and Ema (and Trucy and Athena by extension since they're always investigating with Apollo in AJ:AA and Dual Destinies respectively but that's beside the point. Klavier feels most like he's being himself when he's interacting with Apollo and Ema specifically). It's worth noting that Apollo and Ema, much like Klavier, work in law, which means they end up in court a lot. This further means that if he started a relationship with either or both of them, he wouldn't have to worry about his job getting in the way of a relationship. He trusts both of them (which seems to be the only point in AJ:AA where his willingness to trust people didn't come back to bite him in the ass but I digress) and they seem to trust him, even if they do find him obnoxious. He wouldn't have any reason to not be himself around them, and I think that mutual trust would give Klavier a relationship (or relationships) that he doesn't feel like he has to force to work. He probably wouldn't feel like he's abandoning them every time he prosecutes a case (which is how it's implied he feels in Guilty Love) because there's a non-zero chance that they're also going to be working on that case, and they wouldn't have to worry about his attention being on his work too much because let's be honest, they're all workaholics and would probably be working on the same case.

So basically, I think at the very least it's easy to read Klavier as experiencing a bunch of negativity in regards to his sexual orientation, however you imagine it, and I think reading him breaking up the Gavinners as an aroace coming out metaphor is a 10/10 reading. I might make a better version of this post because I doubt it's very coherent but I'm too tired for that right now lol. This barely makes sense to me, and I wrote it. So I won't judge anyone for saying this is barely comprehensible. Anyway I'm gonna go eat some breakfast then get some sleep

[olderthannetfic]

I wrote an Undertale fic as a gift for a friend and fucking hell, I'd forgotten how annoying that fandom is. "But in [fic name here] it says [thing here] about magic" "uh according to [fic here] Liron isn't a Jewish name so idk why you used it as one" "omg you used the same name another fic did for a human they're in the same universe I bet" "so which OC is Sans in love with? I can't tell (and apparently the fact he's not tagged in any ship didn't clue anyone in)" "UM ACTUALLY!!! that joke? that one liner? TOTALLY contradicted by this one specific line of dialogue from this one exact nameless NPC you can easily miss!! this is SO WRONG lmao skull emoji" "I'm a Republican but I'll put up with you calling this girl NB because I like your writing"

I hate this entire fandom and it's astounding to me that anyone puts up with them.

--

[silcobrainrot]

It also just has too many songs. Season one had 11 songs (12 if you count Get Jinxed). only two episodes had more than one song (eps 7 and 9). Season two has I think 21 songs? And where season one used songs as supportive and complementary to the visuals, settings, and story, reserving them for places where dialogue isn't necessary, season two has to bend and contort itself around needing to get at least two songs into every 40 minute episode. It critically injured the pacing, character, and plot progression.

the only real "montage sequence" in season one imo is the intro to episode seven, but the way it was used is much different. "Misfit Toys" is an introduction to the firelights, knowing they have a limited amount of time to get across who these people are and how they got here. it's characterization, NOT plot. The music is helping communicate their identity and culture because we spend very little time with anyone other than Ekko. But the lyrics and mood of that song, especially the full version, tell you everything you need to know about how they came together, how they feel about the PvZ conflict, and how they see themselves within that conflict.

We miss out on so much character interaction and potential plot lines because the songs eat too much runtime. Season two is 21 music videos stitched together with a few vague and tropey connecting threads. and i like the music, don't get me wrong, most of it is great, but it doesn't feel like it's part of the story. it feels like an undergrad student's first editing midterm where they chose something kinda catchy and fit the vibe even if the lyrics were completely inappropriate for the visuals they chose.

"Welcome To the Playground" invites us into the underground and presents us with the stark contrast between topside and undercity. it's evocative and seductive with just a hint of an edge. When they transition from the overworld into the Last Drop, the song transitions to playing on the Drop's jukebox. we can still hear it under the entire scene with Vander, Huck, and the shady traders. The jukebox is used three times to keep the music feeling like part of the characters' world and reflective of their internal emotions instead of just a Top 40 track slapped on top for lazy audience identification. season two feels like they just slapped the tracks on top, but it's worse, because it was actually WRITTEN like that.

Likewise, the original score also suffered, because there wasn't as much room for traditional music composition. which is, again, supposed to complement the visuals, and can play under dialogue because they have no singing, so they don't get in the way of character and plot progression. scores exist to heighten the emotion and communicate musically what can't be communicated verbally. characters' true emotions under what they're saying and acting out physically. season one had such a jaw-dropping original composition that, again, meshed organically with the original songs they wrote because they were designed around the script. some places needed traditional composition, others benefited from modern music. You wouldn't introduce the firelights with a full brass and woodwind orchestra, nor would you have the councilors performing shady illegal business deals at a rock concert.

so much thought and care and love was put into how music was used in season one. it's some of the most seamless combinations of modern music with traditional composition i've seen so far because both the score and the soundtrack were written specifically for the show. season two's music doesn't sound written for the show, it sounds like those "ost" soundtracks movies release that are vaguely inspired by the vibes and the already-famous artists got a massive payout for writing a song for it.

So I was thinking about the whole music videos situation in Arcane and guess what, I once again have something to say. No surprises there.

Arcane soundtrack is absolutely amazing, that's true for both seasons, but compared to season 2, season 1 contains significantly fewer montages. In season 2, music isn't just a background for current events. Instead, we get montages, which are basically used as a skip forward button for the show's time skips of unspecified length. A mandatory "Hey, that's what's going on in the world, but we don't have time for that. Now, back to our favorite character!"

Visually, they're gorgeous, but that's not what Arcane was originally praised for. They're more eye-catching music videos than actual storytelling. Good for Riot's promotional material, but when you put them in the middle of an episode? It makes the originally full world of arcane feel like an empty board on which characters play without any real impact on the world around them. Sure, it can be done well, like they did with Firelight's introduction in season 1, but not when it's used to tell very important parts of the story that SHOULD have an impact.

It's abundantly clear in episode 3.

Yep, that infamous part. We montage through Caitlyn using the Grey in Zaun and move past it. That's it. No real influence on the story, characters, or the world.

Imagine if they used the same approach on Jayce and Vi storming the Shimmer factory. If, instead of a mission going wrong, they showed us a montage of them taking over one factory after the other.

I know someone will come screaming "Oh, but they Grey wasn't used on civilians!" Well guess what, Jayce and Vi didn't want to hurt civilians either, that wasn't their intention, just an accident. Are you telling me that during Caitlyn's Strike Team Adventures™, no kid suddenly got in the way? No one was running away in panic and got punched in the face? They were dismantling Shimmer factories too. What happened to all the kids there? None of them panicked at the sight of five fully armed Enforcers?

That is exactly the issue with how they handled that topic and why people are so quick to defend this and Caitlyn's actions and honestly, i get the thought process. It's the writing's fault. Everyone is always screaming about media literacy, show don't tell, you don't have to be shown every single detail, the show shouldn't dwell on it, etc. But the moment they don't literally show us this on screen, people forget about the consequences of the last failed strike attempt at Zaun's criminal underground. They're are quick to say that everything worked out fine, no need to nitpick. But is it nitpicking, if the show made that clear before?

You can't just storm in and take over. Innocent people will get hurt. That's the conclusion Jayce walks away from this. That's the reality of the situation. But it's conveniently forgotten about when the writers don't want to deal with said consequences.

[curated-hdg]

Good Sensory by sheepwave

Released: September 2024

56k words as of time of writing; 16 chapters

Notable tags: By setting standards no noncon occurs in this story

Status: Ongoing

A fluffy kink/romance story about learning to unmask and be loved as the person you actually are, rather than the one you think you're supposed to be. Sally Fable is easily overwhelmed. bad textures, bad sensations, all of it. she also has a lot of experience being made fun of for how passionate she can get. Marsha Lywick is an alien from beyond the stars who wants to break Sally's masking habits and turn her into the cutest little pet imaginable.

Wow, I made it a whole 4 posts on this blog without mentioning Sheepwave. I'mma pat myself on the back for that. (Ha ha just kidding my banner is her art.)

Anyways. Good Sensory is a very personal, very intimate story Sheepwave wrote specifically for her girlfriend that Sheep expected to not get much traction. It also happened to resonate incredibly hard with a lot of people. Myself included! There are scenes in this story that broke me. Like, I read chapters 2 and 3, and lost the ability to mask effectively. For days.

It's an incredibly powerful story, and it has just reached its narrative climax. A tour de force examination of autism, masking, and getting what you need, even if you aren't sure if it's what you want.

[opashoo]

Do you have any advice on how not to get so overwhelmed when it comes to conlanging? I get overwhelmed way too fast with the information I read on the conlang subreddit David j Petersons book I have or YouTubers I just get burned out.

I start out on my phonological sounds and sometimes I add a new sound or get rid of a few I find unnecessary phonotactics is where I end up getting stuck/frustrated and stoping completely. I don’t know why but my brain just cannot compute when it comes to phonotactics no matter how many videos I watch of people explaining it or looking through Wikipedia just doesn’t register in my brain. I’m assuming this is happening because I’m autistic which is even more frustrating I’m so slow when it comes to learning or I end up comparing myself to others for understanding/learning things faster than me. I get motivated to make a language and then I get overwhelmed it’s just a repeat cycle to the point where I just want to give up. I’m not even sure if it’s possible for me to make a conlang at this point. And then I stumble across something I never heard before from someone else said and I stress about that too and I constantly worry I’m going to make a conlang I spent so much time on only for someone to point out that it’s a reflex and I need to scrap the whole thing and start all over :(

So I have two big pieces of advice that have helped enormously with this sort of thing and they are to work small (the big picture will come together) and to know your goals. It's gonna be a lot so I'm putting it past a readmore. I also talk a bit about my own project, but it's all the way at the bottom.

First, focus on one thing at a time and take small steps. As your familiarity with your own work grows, the bigger picture will start to come together, just focus on one thing at a time.

If there's a linguistic phenomenon or grammatical construction or concept or something that you want to explore but you don't understand it entirely, then just focus on that for a while. I like to make toy languages, really, really small and simple conlangs with extremely simply words and sounds that are meant to focus specifically on one or two concepts at a time. I don't worry about anything else but those concepts; no phonotactics, no worrying about how pretty or ugly the language sounds, I don't worry about naturalism or sound changes, I don't focus on any of these things unless those things are what I'm making the toy language to explore.

My current project, Yongasabi, has a consonantal root system inspired by Arabic, but understanding the concept in a satisfactory manner where I felt confident including it in a project that I plan on publishing took actual years. I made three separate toylangs, one of which I revised and overhauled three times before eventually using that as a basis for Yongasabi. I needed that time and work to focus on absolutely nothing but sound changes and how a system like this evolves in natural languages. While I was playing around with sound changes in one toy language, in another toy language I was also trying to figure out how a system of derivation like this could into systems of nouns, adjectives and verbs. I did not focus on anything else with those toy language but those core concepts because to do any more would be overwhelming and confusing.

It's the same when you're working on a more complete language project, you build it little by little. Focus on one aspect at a time, one concept at a time. As you become more familiar with your own work and you use and apply it, you will start to see the things that work and the things that don't, and you'll be able to make decisions accordingly. It'll happen over time, but you have to avoid stressing about the whole thing.

And if there's something causing you trouble that's stopping you from making the language, there's no one stopping you from avoiding it until you're ready. I never actually properly wrote down Yongasabi's sound inventory, assimilations, and allophones until the grammar document was at 204 pages because I hate working on that stuff. :huntershruggy: That's usually the first thing a lot of people like to work on for some reason, but I hate it and I just went by instinct for 204 pages and five months. If I let that stop me, I never would have made any progress. There were some things I had to go back and update because of it, and that took extra time, but extra work with progress is better than no work and no progress.

Second, understand your goals.

A piece of advice I got from David Peterson's videos and several other conlanging youtubers is to know why you're making your language and what your endgoal is. As long as you understand what your goal is, you can prioritize and decide what steps you need to take to get there. You need to understand what you want or else you'll never be able to work towards it, and you reduce the chances that you'll be happy with it.

For example, I've known some conlangers whose goal is to make some kind of secret, diegetically constructed language for a fictional setting, or maybe a secret language to use with their friends, but they get caught up on rules of naturalism and worry about naturalistic development. You don't need naturalism if the point of your language is that it didn't develop naturally. That's just a waste of your time.

Conversely, I've known some naturalistic conlangers who feel obligated to add every new concept they come across with the idea that "Well if it evolved in a real world language, then it must have some use to real speakers and thus belongs in this language" but they miss the point that a natural language doesn't need to contain every naturally developed phenomenon. In the end they're left with something bloated, hugely redundant, and incredibly disappointing to them.

I've also met conlangers whose goal is to make a naturalistic conlang for a fictional setting only to be hugely dissatisfied when they follow the rules of naturalistic development and it makes a language that doesn't sound the way they want, or it doesn't evoke the feeling they want, or they find that their progress is unnecessarily bogged down by learning rules they find boring, because they don't actually want a naturalistic language, they want an artlang that services their story.

In all of these cases, the authors of these conlangs didn't understand their goals. They did work they didn't like to make end products they were dissatisfied with because they failed to meet their real goals. These goals can shift over time, but in the end that's fine as long as it makes you happy. You need to be making your conlang for you and your purposes! You say that you've gotten stuck on phonotactics and that's stopped you before, but Yongasabi doesn't even have phonotactics outside of literally one single rule, and it's that there can never be more than two consonants in a cluster. I hate working with phonotactics too, so I made my language in a way that let me minimize that work. It doesn't interfere with my goal so I'm totally fine with that.

I know this is a lot but it really does boil down to those two points: work small so that you don't get overwhelmed, and know your goals so you can set your priorities. My goals with Yongasabi were:

Make a language that allows me to explore this fictional culture I made for the slugcats of Rain World

Derive sounds from Mongolian, Korean and Filipino (And a little bit of Vietnamese)

Explore grammatical concepts that I find cool from these languages and others (My main focus was converbs and agglutination in tandem with a consonantal root system, but in general there's a lot of Chinese, Japanese, and Korean in the grammar)

Make sure I like the sound of the language

My main guiding forces were:

Have a rough basis in naturalistic sound changes, but if it leads to sounds or situations I don't like, change it; the readers won't notice because they don't see the development process

If something starts to feel weird or stops fitting in with the rest of the language, don't be afraid to change it or get rid of it entirely because that in a way reflects organic change in the language (and extra work for progress is better than no work for no progress)

If there's an opportunity for the culture to express itself in the language, take it

If you want to judge how well I've realized those goals, you can check it out here (I'm making this post free to reblog unlike the last one because the link is hidden under all this text and 1st edition release is super close anyway I am so excited).

Anyway, good luck! I hope my advice helps!

[duskier]

Fem Ghoap where Ghost is fucking Soap silly, brutally fucking herself deep into Soap's tight warm hole, with her thumb shoved in Soap's mouth asking her "Who's my good boy?" and Soap is drolling like mad, words slurred around Ghost's finger as she pants back, "I'm a good boy, 'm a good boy, 'm your good boy"

[tuttle-did-it]

You know, it's genuinely sad to me that aging favourite character actors no longer have any fun murder-mystery tv shows to guest-star as murders on.

[sforzesco]

it's time for spartacus :)

[fluentisonus]

working in a factory has you thinking so much about the insane chain of labor & transport that goes into making literally anything

[whatudottu]

Combined with the mortifying realisation that loopified Odile (now named Nokosu) took me multiple hours to draw the first time, I decided to try and make one speak in Japanese :) :) :)

The Japanese sentences will be under the cut plus a more literal translation and some research notes-

自分は遺残の神である。「遺す」と呼んでもいいし、「残」の字を使ってもいい。お前 の草白鳥は、すでにお前 の小烏から 「イサ 」という名前を取っている。二人の人間に同じ名前を使うのは混乱しないか？ヴォーガルド語の「サ」の発音は「ザ」に���いので、特に必要である。そうだろう？

or in Romaji

Jibun wa izan no kamidearu. 'Nokosu' to yonde mo īshi, 'zan' no ji o tsukatte mo ī. Omae no kusa hakuchō wa, sudeni omae no ko karasu kara `Isa' to iu namae o totte iru. Futari no ningen ni onaji namae o tsukau no wa konran shinai ka? Vu~ōgarudo-go no 'sa' no hatsuon wa 'za' ni chikainode, tokuni hitsuyōdearu. Sōdarou?

Literally translated Nokosu says;

I am the god of remains. You may call me “Nokosu", or you may use the [Chinese character] for “remain". Your grass swan has already taken the name “Isa” from your little crow. Isn't it confusing to use the same name for two people? It is especially necessary since the pronunciation of “sa” in Vaugarde is close to “za”. Wouldn't you agree?

And for the explanations of a monolingual English speaker with barely even surface level understanding of Japanese.

Throughout my entire journey, Jisho.org kanji dictionary has been my saving grace and backbone in my choice of Nokosu's name and what first and second person pronouns one uses. My initial goal was to find a name for survival or persistance which lead to me finding terms like; 存続 (sonzoku) meaning survival, 存 meaning exist and 続 meaning continue; 耐久 (taikyuu) meaning endurance, 耐 meaning the affix -proof (of bulletproof or soundproof), 久 meaning long time; and finally 遺残 (izan) meaning persistence, 遺 meaning bequeath, 残 meaning remainder.

To kinda help expand my knowledge of the terms I was using, I also used a combination of google translate (primarily for the pronunication of words less the actual translations) and DeepL to kinda get the sweet deets and found that izan had meant - a more common definition - remains. It. Was. Perfect.

Perfect save for one thing... Isa- Sure, Isabeau is his full name and written down Isabeau and Izan are unique enough, but technically functionally the 'sa' in French (and thus in Vaugardian) is more voiced than the 'sa' in Japanese and sounds more like the 'za' in izan, and to have Odile refer to Nokosu as Izan when "only [Siffrin] call[s] him Isa" is an in-game quote; to say I was miffed was an understatement.

But then... I turned to words that use those individual kanji and hoped to mix and match to find what I wanted.

My first direction was to turn each kanji into hiragana to find their pronunciations and piece together a word from that; 遺 in isolation is noko, 残 in isolation is zan. Finding the term no ko zan-kiri (のこざん切り) on google gave me 'chopped into pieces' which well- look at my design that's a lot of pieces! のこ残 or nokozan (turning the first character into hiragana of course) lead me to 'remnants of a servant's body' as it's main translation on DeepL, but it also provided 'backbreaking exertions' as well as 'remnants of a defeated soldier'. Plus using DeepL again izan itself full kanji gave me 'vestiges' 'bequest' 'afterlife' and the ever present 'remains'.

None of these however were getting me closer to an ample replacement for izan however, not until I returned to jisho.org to pick out words from a list using either kanji.

Turns out, both 遺 and 残 can be pronounce 'noko' so long as it is followed by the hiragana す or su. And guess what either spelling of the word translates into? The 遺す version meaning to leave (behind), to bequeath, and the 残す version meaning that same thing but more, to leave (undone), to save/to reserve, to stay (in the ring).

SO! SO! That is how Nokosu came to be named! But- what about the Japanese phrase I wrote?

Well- let's stay on the Nokosu theme now that any Japanese readers in my audience have already processed the meta-joke that can only really exist in Japanese writing (or maybe not a joke but like... a fourth wall acknowledgement). Nokosu already introduces oneself as 遺す though doesn't mention how to spell it (since it's already spelt out to the reader), then introduces the second variant of the spelling exclusively referring to the second kanji of Izan 残 as zan. Maybe it's not really a joke but it'd kinda be like the 'you use he/they, it's in your profile' equivalent.

I suppose an attempt at a joke was Odile thinking 'a very wordy Expression', but that's mostly from observing that translations through DeepL stopped run on sentences occuring from English to Japanese so... I have no idea if constant uses of commas isn't particularly Japanese, at least the joke would be that Nokosu is particularly more chatty than Odile might normally be.

And once again, people who know Japanese may have noticed the use of jibun (自分) and omae (お前) for Nokosu's pronouns. Lowkey I was thinking initially of making Nokosu's first person pronoun oira a la sans undertale 'country bumpkin' but found more interesting things with jibun and omae that I settled on those versions. jibun, a neutral formality pronoun literally meaning 'oneself', when used as a personal pronoun (like Nokosu does) it's with a sense of separation of distance to the self; I also found out in my translation hunt that jibun can be used as a second person pronoun which is very fucking fitting given who Nokosu talks to, but that's specifically from in the Kansai dialect and - well - I can't say for certain where Odile hails from especially since Japan in ISAT is Ka Bue, but she'd be well educated enough to connect the dots that Nokosu lays down. On the other hand, Nokosu's second person pronoun is omae (Fist of the North Star fans will remember it from the very iconic 'omae wa mou shindearu'), which is incredibly informal and very rude when said to elders (though in age technically Nokosu is older) as it's meant to express the speaker's higher status in non-casual relationships.

To note, though omae can be used by both genders, it and jibun are mostly used by men and in the case of omae it's more commonly used to refer to their wife or lover. This has a little extra significance to background headcanon where Nokosu calls Odile Nanafushi (七節) or literally walking stick AKA a stickbug as ones version of 'Stardust', but sometimes Nokusu would split the word in half and refer to Odile as 'Nana' which in English sounds like one is referencing a grandma but (BUT) I'm specifically using the French term which translates to 'chick' 'babe' 'girlfriend'. So when I saw that omae can also be used for that purpose, it really goes to show that at some point Nokosu had the time to perfectly craft a version of oneself that does get on Odile's nerves and has the gall to get away with it at least initially under the assumption that one is an Expression.

I've been trying to make this flow from one point to another but I don't know how to jump to Japanese nicknames, at least not the metaphorical ones that I used here (and took inspiration from the Word of God Odile nickname for Siffrin 'Little Crow'). What little I do know about Japanese nicknames is that they may take alternate readings of single kanji as a nickname or repeat a character, though that is in reference to Japanese names in the first place. I did see something about the metaphorical sort of nicknames that have connotations in the language itself but- honestly this is my most monolingual English moment yet. I will explain however what I did decide.

草白鳥 or kusa hakuchou is the character for grass 草, and the kanji combination for swan 白鳥. In DeepL however 草白鳥 translates to grasshopper and though I signifcantly lack the cultural context to know what grasshopper symbology has in Japan, I do know in English you call someone a 'grasshopper' because they're tall. But why start with grass swan at all? Well- maybe it's a stretch for whatever fantasy time-period ISAT takes place in to use an internet term but, 草 has been used in internet slang to mean lol or haha since 'w' is also a version of lol or haha, and when spammed like so - wwwwwwwwwwwww - it looks like grass. The reason for swan would be because of I guess this idea of beauty? Less due to Odile specifically considering Isabeau beauty and more so taking note of his care to his appearance - whether it be how he presents his perception of his appearance or how he makes people belief a different thing about what his views about his appearance are, white swan or black swan - and that whatever the case is, he does take pride in maintaining that appearance; a retroactive meaning to the nickname, especially when Isa starts more casually bringing up the fact he *had* Changed, would be an incidental reference to the ugly duckling, who ended up not being a duckling at all and was a swan all along. Whether the nickname actually works or not I don't really know, but what it boils down to Odile's nickname for him (and thus Nokosu's only title for him beyond fighter) would really mean 'funny (tall) beauty' which would probably fluster Odile to admit it as Isa would hearing it.

An interesting thing I found while finding kanji for little crow (specifically 小烏) was that there is actually kind of already a word for it already, Kogarasu Maru or 小烏丸, AKA "Little Crow" which is a unique tachi sword rumoured to be crafted by a legendary swordsmith like-! I don't know if that was at all intentional on Insertdisc5's part (and if I should change the pronunciaton of the romaji version of the original text to kogarasu), but beyond Siffrin's little habit to collect every little thing that shines and doesn't, what do you mean there's a unique tachi sword named 'little crow' that's like literally so Siffrin-coded I SWEAR TO GOD!

Oh, and I played ISAT in Japanese to get the correct spelling of Vaugarde and 語 (go) is just the suffix for language AKA the difference between Nihon the country and Nihongo the language okay BYE!

[wundrousarts]

Something I’ve noticed for awhile is that I often get comments from people about how they are surprised how I always come up with theories and try to guess what might happen and they “could never do that” themselves. I want to say: yes you can! There’s honestly a shortage of Nevermoor theories and ideas and speculation and etc and I want to see MORE!!!

Want to talk about how Morrigan’s mom is actually secretly alive? How the Scholar Mistresses are a Wundrous Act? Do you think the Tempus Divinity looks like an owl, or do you think Weaving and Ruination would be met together? Or have you ever thought about how this one line, from Chapter 19 of Nevermoor, about Betram Crow actually means he was a Cursed Child? Whatever it is you want to talk about: GO FOR IT!!!

I personally find it very fun to go sort of “English class mode” and look at the text in front of me and think about what different things might mean and analyze it and even overthink it to an unnecessary (but fun!) amount. But that’s just me and how I like to approach things! You don’t need to make long posts and quote specific lines if that isn’t your style. The big thing to remember is that so much can happen in the next six books, so throw any idea out there! You never know what twists and turns will be thrown at us. I think it’s fun to share these ideas and discuss with other people— sure, maybe there’s just something you missed when reading, but perhaps some new ideas spawn might from it. Some speculation could even serve as inspiration for fics!

There are some theories and thoughts that I’ve posted that have been “debunked” when I reread a book, or when someone pointed out something, or even just when something had a real-world basis that I as an American didn’t catch. But it was still fun to think about it all, and there’s some bits and pieces that I see as notable and worth considering. I think most of the Silverborn Masterpost is going to be “wrong”, but if just 1% of it is “correct”, even indirectly, I will take that as a win. I know it feels like during the hiatus everyone’s talked about everything, but I hope that the incoming communal reread (fingers crossed) and obviously Silverborn brings some speculation back to the fandom because I want to discusssssss!

[bonefall]

it is healing to come onto this blog and see basic respect for diasbility after being in other corners of the fandom and reading the words “snowkit could never be a warrior because he wouldnt know what anything is. he wouldnt even know what a clan is because nobody could explain it to him” said in full seriousness

Im..... That statement is so ableist I cannot even imagine the worldview you'd need to have in order to come up with that.

They really think the only way anyone learns anything is through verbal-speaking-words-noises? No one has ever observed something before? Not even once?

This is beyond touching grass, this person just fell out of the fucking Jurassic Period when all they had was ferns and stegosaurs.

I just...

OH YES. I remember my first day of Society Lessons as a hearing person, where the everything was explained to me. Via Audiobook. FIRST they spoke and said, "you are standing on the ground." It was a life changing revelation, and the world began to spin.

But it did not stop.

THEN they said, "there are fingers on your hands." The sensation of flesh and bone crackling into existence is indescribable, but I did not yet know pain, until they told me, "that hurts." I began screaming immediately.

And yet... it continued.

They explained so much. Chairs. Tables. Walls. The sky. Frogs. Ionizing radiation. Breathing. I was told all of it, in one sitting, and only then did I understand. Only when my ears were bursting with normal hearing knowledges, did they begin... my final test.

A strange wall-chair-finger emerged from the sky-of-the-wall, stood on the ground several times, until it was in front of me. A second one came behind it, this one slimmer. The audiobook gave these things names;

Human. Father. Mother. Door. Walking. It was completely impossible to know what these things were until that very moment.

I watch a human dip a hook into water and produce a fish, and I recall my Society Lessons where they called that "fishing." I am decked in the face by a nefarious hooligan, and I have only the audiobook to thank when I know I have been "punched" by a "bad guy." It was only the magic of verbal-speaking-words-noise that made me understand that there are "other people" and that they "do stuff."

Sometimes, even, in "groups."

Before the Society Lessons Audiobook, I knew nothing. I was pure, innocent, uncorrupted by concepts such as "parents" and "door." I am grateful every day that there is no such concept as "being shown things" or "simple logical reasoning" or "looking."

Blessed be those amongst us who escape the horrors of the Society Lessons Audiobook. I pray that you never learn what anything is. Be free! Free as a bird, which also knows nothing and famously cannot learn. 🤗

DEAF/HOH FOLLOWERS I'm losing my mind do you want me to bump a 'Hearing Disabilities Herb Guide' to the top of my priorities? Something you can use to bludgeon whackadoodles like that. This is ridiculous

Obviously not a MEDICINE guide but like; common causes of hearing disability in clan cats. Accommodations for hearing loss vs congenital deafness. Actual difficulties of not having that sense Clan-by-Clan. Debunking of misconceptions like... not being able to learn APPARENTLY.