#hell make the credits a music video instead

[silcobrainrot]

It also just has too many songs. Season one had 11 songs (12 if you count Get Jinxed). only two episodes had more than one song (eps 7 and 9). Season two has I think 21 songs? And where season one used songs as supportive and complementary to the visuals, settings, and story, reserving them for places where dialogue isn't necessary, season two has to bend and contort itself around needing to get at least two songs into every 40 minute episode. It critically injured the pacing, character, and plot progression.

the only real "montage sequence" in season one imo is the intro to episode seven, but the way it was used is much different. "Misfit Toys" is an introduction to the firelights, knowing they have a limited amount of time to get across who these people are and how they got here. it's characterization, NOT plot. The music is helping communicate their identity and culture because we spend very little time with anyone other than Ekko. But the lyrics and mood of that song, especially the full version, tell you everything you need to know about how they came together, how they feel about the PvZ conflict, and how they see themselves within that conflict.

We miss out on so much character interaction and potential plot lines because the songs eat too much runtime. Season two is 21 music videos stitched together with a few vague and tropey connecting threads. and i like the music, don't get me wrong, most of it is great, but it doesn't feel like it's part of the story. it feels like an undergrad student's first editing midterm where they chose something kinda catchy and fit the vibe even if the lyrics were completely inappropriate for the visuals they chose.

"Welcome To the Playground" invites us into the underground and presents us with the stark contrast between topside and undercity. it's evocative and seductive with just a hint of an edge. When they transition from the overworld into the Last Drop, the song transitions to playing on the Drop's jukebox. we can still hear it under the entire scene with Vander, Huck, and the shady traders. The jukebox is used three times to keep the music feeling like part of the characters' world and reflective of their internal emotions instead of just a Top 40 track slapped on top for lazy audience identification. season two feels like they just slapped the tracks on top, but it's worse, because it was actually WRITTEN like that.

Likewise, the original score also suffered, because there wasn't as much room for traditional music composition. which is, again, supposed to complement the visuals, and can play under dialogue because they have no singing, so they don't get in the way of character and plot progression. scores exist to heighten the emotion and communicate musically what can't be communicated verbally. characters' true emotions under what they're saying and acting out physically. season one had such a jaw-dropping original composition that, again, meshed organically with the original songs they wrote because they were designed around the script. some places needed traditional composition, others benefited from modern music. You wouldn't introduce the firelights with a full brass and woodwind orchestra, nor would you have the councilors performing shady illegal business deals at a rock concert.

so much thought and care and love was put into how music was used in season one. it's some of the most seamless combinations of modern music with traditional composition i've seen so far because both the score and the soundtrack were written specifically for the show. season two's music doesn't sound written for the show, it sounds like those "ost" soundtracks movies release that are vaguely inspired by the vibes and the already-famous artists got a massive payout for writing a song for it.

So I was thinking about the whole music videos situation in Arcane and guess what, I once again have something to say. No surprises there.

Arcane soundtrack is absolutely amazing, that's true for both seasons, but compared to season 2, season 1 contains significantly fewer montages. In season 2, music isn't just a background for current events. Instead, we get montages, which are basically used as a skip forward button for the show's time skips of unspecified length. A mandatory "Hey, that's what's going on in the world, but we don't have time for that. Now, back to our favorite character!"

Visually, they're gorgeous, but that's not what Arcane was originally praised for. They're more eye-catching music videos than actual storytelling. Good for Riot's promotional material, but when you put them in the middle of an episode? It makes the originally full world of arcane feel like an empty board on which characters play without any real impact on the world around them. Sure, it can be done well, like they did with Firelight's introduction in season 1, but not when it's used to tell very important parts of the story that SHOULD have an impact.

It's abundantly clear in episode 3.

Yep, that infamous part. We montage through Caitlyn using the Grey in Zaun and move past it. That's it. No real influence on the story, characters, or the world.

Imagine if they used the same approach on Jayce and Vi storming the Shimmer factory. If, instead of a mission going wrong, they showed us a montage of them taking over one factory after the other.

I know someone will come screaming "Oh, but they Grey wasn't used on civilians!" Well guess what, Jayce and Vi didn't want to hurt civilians either, that wasn't their intention, just an accident. Are you telling me that during Caitlyn's Strike Team Adventures™, no kid suddenly got in the way? No one was running away in panic and got punched in the face? They were dismantling Shimmer factories too. What happened to all the kids there? None of them panicked at the sight of five fully armed Enforcers?

That is exactly the issue with how they handled that topic and why people are so quick to defend this and Caitlyn's actions and honestly, i get the thought process. It's the writing's fault. Everyone is always screaming about media literacy, show don't tell, you don't have to be shown every single detail, the show shouldn't dwell on it, etc. But the moment they don't literally show us this on screen, people forget about the consequences of the last failed strike attempt at Zaun's criminal underground. They're are quick to say that everything worked out fine, no need to nitpick. But is it nitpicking, if the show made that clear before?

You can't just storm in and take over. Innocent people will get hurt. That's the conclusion Jayce walks away from this. That's the reality of the situation. But it's conveniently forgotten about when the writers don't want to deal with said consequences.

[redfoxwritesstuff]

Still Feeling festive and not ready to let the Holiday Season go? Welcome to your one-stop Smutmas shop to find every one of my Smutmas 2024 stories with summaries and content warnings! This is a collaboration project with @redvexillum so please check out her masterlist! 🥰

‧͙⁺˚･༓☾ Forgive Me Father ☽༓･˚⁺‧͙ Pairing: Human Vox x FReader

CW: Smut, religious trauma, pretending to be a priest, belly bulge, loss of virginity, anointing oil used as lube (Don't do this)

Summary: Vox is owed money and the price of business is high. He's not a businessman anyone should keep waiting. So when Father Francis does just that, Vox finds a rather entertaining way to pass the time while he waits around the church.

You make the perfect thing to pass the time with. Sweet, innocent and pure- you take every one of his lies at face value, trusting the new priest taking your confession in the place of Father Francis. The cost of forgiveness and absolution for your sins is high but… the new Father wouldn't lie to you, would he?

‧͙⁺˚･༓☾ Snowball Fight ☽༓･˚⁺‧͙ Pairing: Alastor x Lucifer X FReader

CW: smut, Luci being a sad sack of shit, threesome, two dicks in one hole, oral

Summary: On a rare snow day in hell, the residents of the hotel indulge in a snowball fight that has a rather enlightening ending, revealing unlikely teammates and what you would have considered even less likely feelings. The solution to the frosty mess? Even more surprising.

‧͙⁺˚･༓☾ A Breath Of Air ☽༓･˚⁺‧͙ Pairing: Lucifer x FReader

CW: Public sex, garden sex, drunk sex, oral sex

Summary: You were at the most exclusive holiday party in all of Hell and it should have been a great time. Instead, you were in a dress you didn't feel good in and left by yourself. If you didn't have anyone to spend the party with, you'd make friends with the bartender. One thing lead to another and before you knew it, you were in the most depressed drink off with the King of Hell himself and needing to step outside for some air.

‧͙⁺˚･༓☾ Story Time ☽༓･˚⁺‧͙ Pairing: Alastor x FReader

CW: Oral sex, voice kink, dry humping, Alastor has hooves, rough sex

Summary: You and Alastor never had the same taste in books but that was alright. You prefered romance of the reather spicy kind. It was never a difference in taste that impacted your days or nights... until you walk into the shared bedroom to find Alastor sitting with your book in his hand and orders ready on his tongue.

‧͙⁺˚･༓☾ Options ☽༓･˚⁺‧͙ Pairing: Vox x FReader

CW: Smut, fem receiving oral, sex toys, undiscussed video call sharing, val is mentioned.

Summary: When Vox seems to lose interest in you and your undefined relationship, you take yourself out to the bar after a fight. An unlikely heroine saves you from a rather crude man with too much interest in you. After a few drinks and spilling your story, she takes you back to her place to show you that you had options.

‧͙⁺˚･༓☾ Caught In The Act ☽༓･˚⁺‧͙ Pairing: Lucifer x Vox x Adam x Alastor x FReader

CW: dub con, group sex, multiple orgasms, noncon recording, anal, rough oral, BDSM, restraint, DP, f receiving oral, cheating

Summary: You get caught with Adam by your other lovers, sending your carefully constructed house of cards tumbling down. While your lovers are all angry, they're have a surprising way they wish to handle the situation

‧͙⁺˚･༓☾ Break From Routine☽༓･˚⁺‧͙ (MisD AU) Pairing: MisD Human Alastor x FReader

Summary: After a few years of marriage, your husband's musical abilities never failed to make your heart warm. You wanted your husband as much now as you did the day you met him. That desire drove you to be rather forward in your attempts to earn your husband's attention, even if it broke routine.

CW: um... some time period appropriate lack of comfort with sexy fun times. And Smut- but it's smutmas, that's a given.

‧͙⁺˚･༓☾ A Gift For Himself ☽༓･˚⁺‧͙ Pairing: Lucifer x Sex Worker FReader

Summary: You had a job to do. It was a more complex job than people gave you credit for, a deeper job than seeing to the physical needs of your clients. Having been summoned to Pride Manor once again, you knew Lucifer's needs this holiday season were, like many of your clients, so much deeper than just indulging in the sin of lust but that was alright, you were prepared to be exactly what and who he needed this night.

CW: Sex worker Reader, P in V smut

‧͙⁺˚･༓☾ Under The Influence ☽༓･˚⁺‧͙ Pairing: Angel Dust x Cherri Bomb x MReader

Summary: You were far from willing to pass up a chance to party with The Angel Dust and his friend, Cherri Bomb. Music and drugs flowed freely, encouraging everyone to lower their inhibitions while celebrating the season. While you had been pretty sure you were straight as a arrow, the way Angel's body moved and the feel of his hands on your skin was as good as Cherri's… almost. Almost, right? When the two friends invite you to a private party in the sex room, you're left experiencing a whole new situation that will leave you questioning many things about yourself.

CW: MFM smut, rough oral, choking, unsafe sex, intoxication, P in V sex, confusion re: sexuality, friends with benefits

‧͙⁺˚･༓☾ Poolside ☽༓･˚⁺‧͙ Pairing: Alastor x FReader

Summary: You're beyond floored when Alastor asked you to allow him the honor of courting you. You were far from sure as to what that entailed however, with a powerful overlord asking for your time and another lurking in the distance, her thumbs up and smile wide- your back was against a wall. Though you had no idea what to expect from courtship with Alastor, what came with your first outing left you eager to come back for more.

CW: Semi public sex, pool sex, sex on the first date, multiple orgasms, female receiving oral, p in v sex

‧͙⁺˚･༓☾ Wrong Plug ☽༓･˚⁺‧͙ Pairing: Adam x FReader

Summary: You had a simple request for Adam- All you wanted for Christmas was a new charger plug for your tablet. It was a small, simple request, something well within his powers even with the household's limited financial budget. When he fails to even get that right, you have a gift of your own to fill his Christmas stocking... (Guest starring Vexi's BLT sandwich)

CW: Dub con, strap on, unprepped anal sex, vibrator, dildo, angry spouse, hand jobs, Anal as punishment

‧͙⁺˚･༓☾ Annual Physical ☽༓･˚⁺‧͙ Pairing: Human Vox x Nurse FReader

Summary: You couldn't stand one patient that always showed up for his annual Physical right on time every year. He was arrogant, cocky and well aware of how handsome he was. Luckily for you, the feeling wasn't mutual.

CW: Smut, dubcon due to nurse x patient power dynamics, unprotected sex, semi public closet sex

‧͙⁺˚･༓☾ In The Rafters ☽༓･˚⁺‧͙ (Pre MisD) Pairing: Young MisD Human Alastor x FReader

Summary: New to town, a handsome young man caught your eyes. After working up the bravery to introduce yourself to him, you find yourself in a rather precarious position as he gives you a reason to keep his secrets.

CW: It's smutmas, there's smut. P in V smut, semi public smut, questionable consent due to naivety of the reader, virgin reader, church sex

‧͙⁺˚･༓☾ A Christmas Show ☽༓･˚⁺‧͙ Pairing: Vox x FReader

Summary: You believed in treating yourself and what better time to treat yourself than the holiday season? Unfortunately, thanks to your packed schedule you didn't have a lot of time to do that. And when you do, you don't pay enough attention to which card you use to pay.

Vox is in for a rather exciting surprise in the company charge history

CW: Unconsentual voyogerism, sexy toys, anal plug

[frankenstein-ate-my-left-shoe]

here's something short and goofy for you guys bc this song has been stuck in my head all morning.

“So, Eddie?” Steve asks while he, Robin, and Eddie are lounging around Family Video on a slow Tuesday afternoon.

“Yes, Stevie dear?” “Where did the ‘Big Boy’ thing come from?”

Steve watches as every bit of Eddie freezes under his gaze. 

“Uh..”

“Yeah, I’d like to know too, what’s up with that Munson?” Robin says, leaning forward on the counter beside Steve, pushing all of her right side into Steve’s left.

Poor Eddie.

“Oh, uh, well…” Eddie’s brow furrows for a moment before something seemingly comes to him in a moment. “You know how loud the rumor mill can be, Steve-o.”

“Whattya mean?” He knows what he means, he just wants to see what Eddie will say. He also knows It’s gotta be a tortuous question for the metalhead, especially one who’s crush is the one asking him. 

That was the other thing; after Eddie’s accidental pain-med induced schmoozing of Steve and the prompt forgettening of ever saying anything, Steve (and Robin) had come to the conclusion that he’s super into Eddie too.

Now it’s just a matter of getting Eddie to admit it, and having fun flirting and making him squirm a little in the meantime.

“Well, the phrase itself is from a song, but you do know your lovely conquests would talk, right?” The blush on his cheeks just makes him look cuter.

“And you believed them?” Robin states more than asks.

“Well there’s no way I’d ever know one way or the other!” Eddie laughs, his cheeks darkening.

Ignoring the myriad of things he could say to that, Steve instead asks “What song?”

“Huh? Oh, uhm, it’s from this random tape that Wayne picked up on the road a couple years ago. Has this weird art on the cover of some guy and like, skeletons and stuff? Dan something? It’s all yellow-y orange and blue..”

“That sounds so familiar…” Robin mumbles when Steve asks, “How does it go?”

“What?”

“The song.”

“Uh…” Eddie zones off into the distance and starts mumbling to himself.

Robin is still mumbling to herself too, “That sounds so familiar, what the hell?”

Eddie presumably finds the lyrics then, because he starts singing. “Big Boy, real cool, you can tell he’s no one’s fool, And he tries so hard to come off like a star.” Eddie starts dancing around in front of the counter, “You can tell by the way he combs his hair, by the cocky grin and that moody stare. By the way he leans and juts out his hip...” He sings, pointing at how Steve is doing exactly that.

Steve laughs, waving him off, “Okay, okay, I get it! You can st—”

“Elfman!” Robin calls out suddenly.

Steve and Eddie share a look. “Who’s an elf?”

“The Dan guy from your song, Elfman? Was his last name Elfman?”

Eddie snaps his fingers at her, “That’s it! Danny Elfman!” “The guy from Oingo Boingo!”

There are a few beats of silence.

“Don’t look at me like that, he’s the singer in Oingo Boingo! My parents love their stuff, and they did that song in Weird Science!”

“Which song?”

“..Weird Science.” she says as if that was obvious.

Something clicks in Steve’s head at the name, too. “Wait, I know I've seen that name somewhere else...” He rounds the counter and toward the shelf he knows the tape he's thinking of lives; it’s a goofy movie, he’s watched it before on some of his long solo shifts and it’s honestly kind of grown on him.

He grabs up the first copy he sees, one of the Family Video plastic clamshells, and brings it back to the counter, popping the tape into their tape player.

The opening credits start up, and at the title card: “Oh hey, Pee-Wee's Big Adventure! I love Pee Wee!” Eddie says, excitedly jumping up to sit on the counter in front of the TV (and Steve).

“Yeah you do..” Robin mumbles.

“Shut up,” Steve grumbles, elbowing her a bit harder than necessary, “Look.” he points up to the text on the screen. 

“Damn, this guy’s everywhere!”

“‘Music composed by Danny Elfman’. Holy shit! Good memory, Dingus!”

“Thanks! Now what is this about Eddie loving Pee Wee?”

[theyhavetakenovermylife]

You’re Also A Musician (Fluff?)

ShellsTourAU!Turtles x reader

A/N: In case any of you are wondering what the hell Thunderdome is, then I can tell you it is a party held in the city of Antwerpen in Belgium, and is very much tied to the grabber culture in the Netherlands. I will really recommend you look up the videos from the 1997 Thunderdome party, and while you watch that video, I would like you to know that, that is how parties at my high school looked like, and I went to high school in 2018 to 2021. The only difference being that instead of buzz cuts, guys in Denmark tend to have what we call curtain hair, and they don’t play grabber, but another hard bass genre called dakke dak, and do the bass arm instead of the hakken dance. Anyway, have fun with this one guys💚

(L/N) = Last name

(B/N) = Band name

Turtles and the reader are around the age of 18.

Warnings: A little bit of drinking, but other than that none💚

Leonardo:

Around the same time Leo and his brothers were getting their first footing in the music industry with their first major single, you had already slowly been making a name for yourself as a solo artist, with at least one number 1 hit in your home country.

You were known for making this sort of upbeat and happy music that many had gotten familiar with during the late 80’s. That meant a lot of synthesiser, drum machines, and a small one word choir.

You and Leo’s first meeting was one of those chance interactions, that only could come about because both of you happened to know someone, who knew someone, and now here you were, finding yourself in a deep conversation, which you both had been missing a lot in your new careers. You meet in a studio, where you happened to be working just down the hall from one another, resulting in you and him falling into conversation whenever you passed each other. It got to the point where Raph had to walk out and drag Leo back into the recording studio, in order to get any work done that day. However you would still find a way to see each other.

You and Leo started to work together on songs. Leo would help write yours and you would give him and his brothers ideas, causing the two of you to be written in the credits of each other’s songs.

It wasn’t long after that Leo invited you out on a date, and before you knew it, you were in a committed relationship. And it didn’t take long for the media to notice that as well, with rumors and questions swirling around, before the two of you had made anything official. It got to the point where paparazzis tried to take pictures of the two of you in secret. All they got from that, was a now infamous picture, of Leo giving a middle finger to the camera. When asked about it, he said he was just pointing upwards.

You and Leo finally made your relationship official, around the time you came out with yet another single that Leo had helped you write. And with that, you and Leo became one of the most popular couples on the front of gossip papers.

Raphael:

When you and Raphael first met, you were no strangers to each other. You were the lead singer in a rock band, which Raph had found himself listening to time and time again. And you had long been listening to Raph and his brothers in TMNT. So when the two of you finally met, you were mildly starstruck, showing a nervousness that was almost uncharacteristic.

Your first in person meeting happened at an award show, where you and Raph happened to have been seated next to each other. And there you sat throughout most of the show, with Raph and his brothers to your left, and the rest of your band to your right. And you had a great time with Raph, both of you whispering to each other, trying your best not to laugh or giggle at the people around you.

The next day you and Raph was a hot topic, with rumors and pictures of you and Raph at the award show in every gossip blotter there was: “Is (Y/N) (L/N)  from (B/N) and Raphael Hamato from TMNT dating?”, “Is there love in the air?”, “Flirting at the award show; is there something (Y/N) and Raphael would like to tell us?” and it just went on and on from there.

You and Raph kept in close contact after the award show, giggling and laughing and at all the headlines you could find, talking about the two of you. But as the two of you giggled and laughed, resting your feet on the coffee table, reading out the headlines and articles, neither of you were ready to admit how you wished the headlines were real. You and Raph had started to crush on each other behind closed doors, and was just waiting and gathering the courage to tell one another.

Then finally, after months of you and Raph meeting and hanging out in secret, you finally started dating. And with you and Raph going out for dates, it was only a matter of time before a picture of the two of you kissing, on your way home from a dinner date, was on the front covers. And with that, you two were out in public as a couple.

Donatello:

You were part of a girl pop group that had been popular for years, throwing out one smash hit after another, sharting number one in several countries around the world. So when Donnie and his brothers smashed through with their first hit and became a world wide name, he very much knew who you were and what you did.

It had long - even before their music careers took off - been a running joke between Donnie’s brothers, that you and Donnie one day would get married. In response Donnie would throw something light at them and tell them to shut up, trying his best to hide the small smile that was fighting to take hold of his lips.

However the first time there ever was talks about you and Donnie meeting each other, was after you and your group did an interview with MTV, where one of your band members had let it slip that you had a celebrity crush on a member of TMNT. That of course caused the interviewer's eyes to go wide with dollar signs, before they asked you about it. And that was when you let the cat out of the bag, and told the whole wide world that you were crushing on the mutant in purple.

The tabloids picked up on the story straight away, asking the all important question; when were you and Donnie going to have your first date? It quickly became this public thing, with a few people even betting on time, day and location.

In the end, a radio show took over while having Donnie and his brothers in the studio. And to the sound of Leo, Raph and Mikey’s calls at a much flustered Donnie, the host called you, so that the world once and for all, could get a long awaited answer to the question.

It was during that interview that you and Donnie agreed to plan out a date in private. And it was that date that would be the start to you and Donnie’s long lasting relationship.

Michelangelo:

You and Michelangelo’s relationship was one of those that everyone had seen coming from several miles away, and surprised absolutely no one when it became official.

You were a somewhat well known rave and techno DJ in the community, often rubbing shoulders with many other well known or up and coming DJs from all over the world. You were especially popular in parts of Europe, with your more experimental music often associated with growing music trends on the European continent.

In 1992 you found yourself as one of the headliners at the Thunderdome party in Antwerpen in Belgium, where you finally came through with some more grabber inspired music. It was here that you met Michelangelo. After your set, Mikey and a few of his friends came up to talk to you and your friends. From here you had a few drinks and enjoyed the rest of the part together.

When it came out that 18 year old and American Michelangelo Hamato from the TMNT had been drinking and partying in Belgium alongside an 18 year old DJ, there was a little bit of a scandal surrounding it, with some righteous parents doing what they do best, and scream up about how the music of TMNT was no longer suitable for their children to hear, and how the four it boys of the US were becoming a bad influence. But the thing more people were talking about, was the question on everybody’s lips. Who was that DJ Mikey had been partying with, before spending two weeks with them in Europe?

People were quick to put two and two together, and came to the conclusion that you and Mikey were seeing each other. However, people were still wondering who you were.

They finally got the answer to that question around a year later, when Mikey was asked about you in an interview. It was here that he officially made it known that your name was (Y/N), and that you in fact was his partner. And to no one's surprise, the gossip papers the next day all read the headline “It was true all along; Michelangelo has a partner!”

[stripedwolf88]

The Eras Tour: Paris Night 1 (My Thoughts)

ALLLLLLLLRIGHT. So because @bettysgarden12 wanted to know my reactions and thoughts on everything that happened today, I thought I would share with the rest of yous. It's probably not going to be very in depth or analytical so fair warning on that hehe. Also this probably isn't in order of the show because my memory is trash haha.

1.First things first. The lover bodysuit. WHaT iN ThE FRiLly HeLl?!?!? I literally still don't know whether or not I dreamt of seeing that new bodysuit. Definitely, lesbian colors represented there and it was confirmed with the orange blazer she wore for The Man. It was not an accident I'm sure to have the inside be pink too.

(Side note: we all knew that The Archer was going to get cut. It actually makes a lot of sense too. I think we are past Taylor asking us to stay, not that she doesn't still hope us too. It's more like she is fine with blowing everything up now instead of focusing on the worry of messing everything up. At least I hope that is the case. We're here for ya Taylor. You got this.)

2. Second, the Fearless dress. I LOVE IT SO MUCH. I also saw that it looks really reminiscent of the original dress she wore for her Fearless tour. It's almost like she is going back to what once was.

3. Third, transitioning right into Red was something. The new Red shirt says "This is not Taylor's Version" when Red is in fact Taylor's again. Some of my moots pointed out that it could be referencing the whole Real Taylor vs Taylor The Brand theory that we as a community have been developing for quite some time. With this thinking, it would mean that the Taylor we are seeing is not someone Taylor claims as her own or something like that. It's not truly her which we all knew already.

4. Fourth, we saw a new intro for Speak Now (now officially just Enchanted since Long Live has been axed.) I don't have much to say on that other than I wasn't surprised that Long Live got cut. This cut also makes sense if we are thinking that Taylor is gonna burn it down. No more reminding about the good times or the "needing" fans to stand by her forever.

5. Fifth, combining folklore and evermore was unexpected but also not? Idk it made sense and to me it just seems like it was easier to combine them since room had to be made for TTPD.

6. Sixth, Rep was Rep. Nothing really changed from what I could tell or remember other than THE FREAKING GLASS CASES SHATTERING!!! YOU BREAK THAT GLASS CLOSET TAYLOR! WHOOP WHOOP!

7. Seventh, 1989 outfit was...something. It's just not my cup of tea visually. I DID NOT notice the lion or tiger(???) charm she had on until someone else pointed it out. Very interesting either way.

8. Eighth, putting TTPD before Midnights was an interesting choice. The whole theory that we still have to meet her at Midnight (credit to my moots for pointing this out again) is supported by this I think.

9. Ninth, the dress for TTPD is amazing!! And so are the other two outfits. The marching band uniform and it's possible reference back to ME! music video? It has me in shambles.

10. Tenth, the performance for Who Afraid of Little Old Me was visually amazing and she sang it beautifully (no surprise there) with such emotion that it was impossible for me to look away. Her levitating across the stage was also freaking awesome!

11. Next the empty cages imagery?? The nurses pulling her away from her lover??? The image of her crouching in the middle of this weird ass place??? That one really kind of freaked me out. It was eerie and heartbreaking in a way I'm not quite able to explain at this moment.

12. I was conflicted about I Can Do It With A Broken Heart both before, during, and after the performance. I had a feeling she was going to perform it and I kind of wanted her to just to hear her sing it live but then not because I knew how the fans were going to react. I really did face-palm when everyone yelled "More!" on the livestream but we all knew they were going to. The transition into ICDIWABH made me want to throw something at the TV but I also did snort on the petulance on Taylor's face for the little act. I really liked the old Hollywood theme for the visuals and the dance. It was pleasing to watch. BY THE WAY....HAVING THE OUTFIT FOR ICDIWABH ECHO HER OUTFITS ON REP IS REALLY SOMETHING. She bamboozled me again.

13. Midniiiiiiights. THE BODYSUIT IS MY FAVORITE ONE OUT OF THE ONES WE HAVE SEEN SO FAR. I'm glad that Mastermind was kept. I didn't think that she would have taken away anything from the Midnights era but if there was I had this weird concern that it would be Mastermind. Thank god my anxiety was unnecessary.

14. The surprise soooooongs~ Paris is a favorite of mine so I'm happy she played it but also of course she did. That was another predictable thing that happened. Her performance of loml was again heartfelt. She seems really happy to sing these new songs and it shows.

15. I am pretty freaking sure that the Bejeweled lights were a LOT more colorful and rainbowy than usual. Was that just me? Please tell me it wasn't just me!

Overall, it is safe to say that I was not prepared for the absolute chaos that today brought.

Taylor, it seems like you're really doing this (I reeeeeally hope that is the case) and I'm so happy for you if that is what is happening. You do you and you show us what's up. I'm looking forward to it. <3

[ventique18]

some random thoughts i have but malleyuu in a nutshell when they had an argument and malleus is the one at fault and yuu is hell bent on not forgiving him anytime soon is literally just the plot of bts' jungkook's seven mv 😭😭😭 i rlly recommend giving it a watch (and listen, there's an explicit version *coughs*)

LMAOOOO this is like the only song my S/O's been playing for WEEKS now. I've memorized it by heart by now. 🤣 We laughed so much while watching the music video because BOY if you focused on helping your girl with the laundry instead of singing and dancing on the washing machine she would forgive you faster LOL

Crude warning below ⚠️

I really really like the explicit version btw. And omfg if Malleus' ass listened to it and learned from it (his dumb butt picks up anything from anywhere).

🐉: "I see. So humans like making love seven days a week."

Imagine his heartbreak when 🌸 says "fuck off" instead of fuck me. He'd stare at them with a kicked puppy look and apologize.

🐉: "Forgive me... Jungkook's song gave the false impression that people favor men who are willing to make love to their dearest seven days a week, so..."

🌸: "You listen to BTS?"

🐉: "The other members are not involved in the song, so this piece must only be credited to Jungkook."

🌸: "I didn't know you were that concerned?"

🐉: "An artist's individuality and creativity must be respected."

[redfurrycat]

🤠🩰🎤🎶🐓Musicians, Singers & Dancers Fic Recs🐓🎶🎤🩰🤠

(Pic credits: GP - MT)

Check the Top Gun Masterlist post for the latest updated version. 💕

Ao3 Authors: Coconutcordiale, Dalearden, Hangmanbradshaw, Haridwar, LulaluzHazel, Multifandommonster, Perishablealex, Road1985, SunMonTue, Tearsricochets, ToukoJalorda003, Trinipedia, Vahosi,  Youlookgood.

Music & Dancing within the Top Gun Verse {🤠🐓} > Actors & Celebrities {🤠🐓}

the happy daggers band AU by multifandommonster

in the morning, when you wrap me up {G}

“I’ll make sure to keep up the complimentary breakfast,” he jokes back. “Gonna give me five stars?” “I’ll give you whatever you want if you keep pouring the coffee,” Jake replies, turning in Bradley’s arms until their noses touch. “I have the GQ shoot today. Probably won’t be home until late.”

kiss you too hard and follow you west {T}

Bradley’s shirt is drenched and his hair sticks to his forehead, sweat dripping into his eyes and ears still ringing, breath coming in uneven ragged pants. He can feel the patchy flush spread across his neck– knows without a doubt that the sheer amount of exertion has left his eyes red and his cheeks splotchy. Jake never takes his eyes off him.

pay for my coffee and leave (before the sun rises again) by haridwar {T}

chance encounters in a diner at 2 am

let me put on a show by dalearden {E}

Stripper Bradley falls hard for Navy pilot Jake. The trouble is, he doesn't realize it until after a series of hook-ups following which Jake has already disappeared from his life, seemingly never to return.

I Don't Wanna Live Through This Comedown - Top Gun AU [Jake "Hangman" Seresin/Bradley "Rooster" Bradshaw] by Road1985, trinipedia {E}

Meet Bradley, a struggling musician working at a strip club to cover medical expenses. Then meet Jake, who joined the Army in a desperate attempt to atone for his muddy past of drug abuse and get back the respect of his family. They couldn't be more different, but their needs are the same, so they agree to marry solely for military benefits. However, when tragedy strikes, the line between real and pretend begins to blur.

takin' my heart out (of its zone of comfort) by tearsricochets {T}

Javy, who is still holding on to Bradley like they’re best friends, shakes his head. “Sorry, boss man, I walked all over set. This Tanner dude just isn’t here.” Who the fuck is Tanner? He tries to convey this question to Javy with his eyes, but the actor is not paying a lick of attention to him. He’s looking at the man in front of them, who is instead looking at Bradley like the brunette is the sole cause of every problem in his life right now. “Then who the hell is this guy?” As of finally noticing their boss was no longer pacing in front of them, or that he was suddenly getting louder in tone, Natasha and her friend look up at the new additions of their group. Bradley pretends not to notice the blonde taking an appreciative look at him, but he’s a simple man and absolutely preening under the attention. “This is Bradley,” he gives a meek way to the man burning holes in his head. “And he’s going to fill in as my other half today.” “Excuse me?” He’s going to what? OR: the one in which Bradley is not an actor, but he is going to film a music video for the hot singer

Shimmering Beautiful In The Moonlit Glow by perishablealex {E}

Bradshaw nods and Jake swallows. He begins to slide his hand down from Bradley’s ribcage, gliding over the muscles of his abs, inhaling sharply when he feels the other man’s breath catch. His hand continues pressing onto the hot skin, brushing over the ridge of Bradley’s hips before it finishes its path, sliding to the man’s inner thigh. Holding up the leg, mouth next to Bradley’s ear, he breathes, “There.” Or: The Ballet AU

Cambiaste un Ferrari por un Twingo by LulaluzHazel {T}

Jake Seresin is a famous songwriter in a long-term relationship. He has been living in Barcelona for the past five years living the most romantic and beautiful dream. Until one slip from his partner reveals on National TV the dream is not a dream and Jake has been cheated on for the past year and a half. Heartbroken, he doesn't know to function, until his younger sister suggests he could do a song with one of the most controversial DJs and producers to 'vent' and start healing. A music producer he doesn't respect much. But he knows that between both of them, they can put out a song that will follow the Fucker who played with his heart like that.

blue memories by coconutcordiale {E}

Taking a deep breath, Jake tries not to lose his nerve, summons the last bit of anger and discontent that’s been simmering for nearly a year now. “I want a divorce.” Bradley blinks from his spot on the annoyingly stylish chair next to the bed. Rolls the rocks glass of whiskey in his hands slowly before answering. “Okay.” + aka the musician bradley au

muse by youlookgood {T}

Lately, it's like the spark that would keep driving Bradley forward each night, the fire on his fingertips hot and blazing just like the sweet burn of the drink that comes between and after sets, has been snuffed out. He sees his half-steady gig work and instead of a semblance of comfort and that sun-bright thrill, he feels... ...a little empty. Then, "Can I get you another?"

You and Me, We Got Big Reputations (the fame AUs) by hangmanbradshaw

Love (Suite Love) {T}

Jake never thought he'd leave a pop concert with a public crush. Bradley was on vocal rest. Really, he was.

takes one to know one {E}

He decided to go for broke. “I could handle you.” Jake’s eyes sparked. That smirk on his face grew. “My, my, Bradshaw. That a threat or a promise?” “Depends.” “On?” He shrugged. “On what you want it to be.” Or, rival popstars Jake & Bradley have been circling each other for years. Add in a supposed romance with star QB Javy Machado, a SNL appearance, PR, and Jake throwing down a challenge...and things get interesting.

I've loved you three summers now, honey, but I want 'em all {M}

Jake's been singing songs about himself for longer than he knows, but in the end, he finds out singing songs about Bradley is so much better. Or Writing love songs is hard until it isn't (the musician/producer AU)

Songs of Ballads and Lullabies (Always Revered for Their Adoration) by ToukoJalorda003 {M}

Of all the things that Bradley had wanted most, creating a name for himself was one of them. And given that his friends and he were set to create one of the most iconic rock bands in recent years, he would do anything to keep it that way. Except that Hangman was there, too. That was bad enough - particularly when the guy kept getting on his nerves. Dealing with those put together was going to be…a challenge, to put it lightly.

suburban legends ✈ by vahosi  

we were born to be suburban legends {G}

we were born to be the pawn in every lover's game {_}

Take more chances, dance more dances by SunMonTue {E}

Meet!Cute with Jake as the best man at Natasha and Javy's wedding and Bradley is the instructor teaching them how to dance...

You found me by SunMonTue {E}

Bradley didn't expect to meet his soulmate halfway across the world, especially not when he's meant to be working. Good thing staying close to Jake is part of the job. Now he just has to manage to not get too close while also ensuring Jake understands that he's all in.

[tuftypompom]

Stolen Content :((

9/29 update; The channel has been wiped of all of its videos as of now. Yippee!! Still consider giving the creators hyperlinked a visit, especially since more have been added to the second paragraph's list (Thank you Plasma!!). All of them make wonderful content and deserve recognition!

TLDR; YT channel Vol is stealing content from DRSC creators.

Hi all! A bit of a different post from those I'd like to make, but it has come to my attention that a YouTube content "creator", Vol, has been mass stealing content from the Deltarune Soundcloud community for the last few months and reuploading it as their own, featuring no credit of any kind.

Their content has been stolen from many creators, including River, Hodgepodge, R.V. Pine, Wilkus Milkus, I Have Boxes, Chart, RavenJess27, Taeskull, RAMI_AWFUL, Local H00ligan, Haloboi3, kiwiquest, Scratch Lunin, Jounder, Creepa-Bot Inc., broom, Sparkeee, Surreal, Huecycles, Zootus, myself, and others I may, and likely, have missed (And I apologize if I have, but I don't have the energy to sift through all 140 videos).

Please do NOT support Vol's works or interact with their channel- But, if you do, leave a dislike at least- As that could very well help grow its reach. Instead, please consider supporting the original creators (Hyperlinked within their names in the above paragraph). I'm positive they'd appreciate it a ton!

Please feel free to repost this wherever you'd like. This kind of behavior should not be tolerated and this user deserves to be banished to the shadow realm, coming from someone who actually works to put out the music they do. If you have any further updates (Or, hell, would like me to update/add any names to the list of hyperlinks above), feel free to let me know.

Hopefully this can be resolved soon enough!

[therecordconnection]

Ranting and Raving: "Video!" by Jeff Lynne

There is no such thing as the “Cult Classic” anymore. Today, if a movie fails or a television series flops, it’s just removed and completely forgotten without a second thought. With physical releases no longer having the same cultural weight as before, it makes media preservation even harder. I hear if you complain long enough about this and get caught, Netlfix or Hulu or Pooblo or Tuubah or whatever else comes to your house and hits you with the Neuralyzer from Men in Black so you’ll shut up.

In the eighties, this wasn’t the case. Movies could brick at the box office, but they might get lucky and find their audiences later on through cable or video rentals or just really good word of mouth. Xanadu still exists today and has love because HBO kept showing it during its infancy and LGBTQ audiences eventually latched onto it (though that’s probably more due to the everlasting power of Olivia Newton-John’s gay fanbase). Phantom of the Paradise owes its continued love and existence to Guillermo Del Toro, the Daft Punk robots, and all of Winnipeg, Canada really loving that movie. I’m with them in that boat (Phantom is one of my favorite movies). Electric Dreams, a 1984 science fiction-tinged romantic comedy, exists today purely through video rentals and good word of mouth.

Electric Dreams is a wonderfully weird cult classic in every sense of the word. It has a very lovably goofy eighties rom-com setup and delivery: Miles Harding (Lenny Von Dohlen), a loser tech nerd geologist who gets no bitches, falls in love with his new apartment neighbor Madeline Robistat (Virginia Madsen), a quirky and beautiful cellist. They're an unlikely pair in every conceivable way, but they fall for each other. The only problem is that Miles' fancy new supercomputer (who becomes sentient and later identifies himself as “Edgar”) would like to see Miles destroyed so that he can be with her instead. Edgar then does everything in his power to ruin Miles’ life and his chances to be with Madeline. Eventually, Edgar comes to accept the love between Miles and Madeline and they get their happily-ever-after. 

On paper, the whole thing probably sounded silly to a 1984 audience, which might be why nobody bothered to see it at the time, but Electric Dreams fucking rules. Von Dohlen and Madsen are great and have such an odd yet instantly lovable chemistry with each other that you can’t help but root for them (it helps that they were good friends instantly and remained that way until Van Dohlen passed away in 2022). Steve Barron, one of the great music video directors of the early MTV era (he’s responsible for Michael Jackson’s “Billie Jean,” Toto’s “Africa” and “Rosanna,” and many more), brings that same music video storytelling style to this movie’s visuals. If this movie had done better upon release, it would’ve gotten everything Miami Vice’s directing style often gets credited for. The soundtrack is also really great! Giorgio Moroder did the movie’s theme with Human League frontman Phil Oakey as well as a killer score for it (only Moroder could find a way to expertly turn Bach’s “Minuet” into a duel between a cello and a computer. He couldn't get more eighties than that if he tried). There’s also a really neat Heaven 17 cut that sounds like a Crash Bandicoot level theme (“Chase Runner”), Culture Club right at the end of their relevance (“Love is Love” and “The Dream”), and Jeff Lynne from Electric Light Orchestra with arguably the two best songs in the movie. One of them, “Let It Run,” is awesome as hell, but “Video!” is the one we’re gonna talk about.

“Video!” appears at a pretty pivotal point in the movie. It soundtracks the montage of one of Miles and Madeline’s first proper dates, which involves sneaking away from a tour group to run around and play in Alcatraz (I’m serious). They’re also seen together at a carnival. Before this date, Miles tasks Edgar with finding a way to write music for Madeline. He intends to pass off whatever Edgar comes up with as his own work, hoping to impress her and make her fall in love with him. This is one of the main reasons Edgar wants Miles out of the picture. He knows he can make music with Madeline (he did it previously in “The Duel” scene, though Madeline thinks Miles is providing the music, not the computer) and fell in love with her by doing that. He is fully aware that Miles is trying to win her love with a lie. Once Edgar figures out how rhythm works, he figures out how melody is made by reviewing and absorbing the music playing in television commercials. “Video!” then starts playing proper once he’s got the basics down. For a computer with no previous songwriting experience, writing a Jeff Lynne composition is a pretty impressive feat!

Electric Dreams is not the first movie Lynne has contributed music to. There are two others. The first one was 1976’s All This and World War II, which is a movie which pairs all-star covers of Beatles songs and World War II footage. I’ve never seen it and I don’t think I need to. But you can hear Lynne, the most famous Beatles fanboy to ever live, do a fully symphonic version of “With a Little Help From My Friends” and “Nowhere Man.” It’s pretty cool. The other one was Xanadu, which is much more well known. Lynne provided five songs: “I’m Alive,” “The Fall,” “Don’t Walk Away,” “All Over the World,” and the title track with Olivia Newton-John. I think they’re all great. Xanadu totally works on its own as a great ELO EP if you want to forget there’s a movie attached.

This is all to say that Lynne was no stranger to giving songs to strange movies, even if he harbored regrets later on about doing that. He regretted Xanadu for a while, but made peace with it decades later (he re-recorded “Xanadu” in 2000 for the ELO compilation Flashback and he’s revived “All Over the World” for every ELO tour since 2017). I don’t know how he feels about Electric Dreams and at this point, he’s done so much in his career that I doubt he even remembers it. I think he should! I think “Video!” is a great song and I think he was a perfect fit for Electric Dreams. The entire soundtrack is dated as hell, but in a fun time-capsule kind of way. It represents the sound of what people in 1984 thought the future was going to sound like. Lynne had already spent time imagining the sounds of the future.

At the dawn of the eighties, Jeff Lynne had gotten tired of dealing with the big orchestras you hear on that great ELO run from 1976-1980. Orchestras started becoming a pain in the ass for him around the time when synthesizers and keyboards were getting some big technological boosts. New wave artists like Gary Numan, Kraftwerk, and the Human League were pushing synths and keyboard sounds into the mainstream and proving that the new technology could be used to make some wildly futuristic sounds. Lynne quickly learned that with a few fancy keyboards, you could start simulating strings and classical sounds, but in a new and exciting way. Suddenly, Lynne and ELO keyboardist Richard Tandy could keep the symphonic pop sounds the band had been making, but update the sound and take it into the future. Suddenly, the “Orchestra” part of the ELO name suddenly found itself obsolete and out of a job.

Dick Clark asked him about this choice on an American Bandstand appearance in 1986. Lynne responded, “Well, you know, I got fed up with using a big orchestra because they used to always be in a union and stuff like that and they used to put their equipment away while we were still recording. So I thought what we'll do is we'll use just ourselves and then we can work as long as we'd like and nobody would complain.”

So Lynne took advantage of all this new technology that was floating around and used it to craft the 1981 masterpiece, Time. That album is the best example of retrofuturism in music I can give. In Time, Lynne imagines a loose concept album about a guy who gets yoinked out of 1981 and flung into the year 2095. The entire album is full of songs where Lynne imagines a future that he would never live to see (I won’t either, unless I somehow make it to a full century of life). Hover cars, rides to the moon, robotic girlfriends (built by IBM) who can also serve as telephones, prison satellites, ivory towers, plastic flowers, and meteor showers as a common weather condition are all present in Lynne’s visions of the distant future. Most of his predictions feel like they’re coming out of science fiction magazines from when he was a child, but the album is more concerned with just letting his imagination run wild and wonder about how one would feel if they were flung far into the future where everyone they’ve ever loved is gone. The future presented in Time feels like daydreaming rather than any kind of cautionary tale or warning. I’ve never gotten the sense that Lynne thinks any of what’s in the album will actually come true. 

If Lynne got anything right, he somehow nailed the still-lingering nostalgic yearning to return to the eighties. Lynne’s narrator constantly laments that he’s stuck in 2095 and 1981 is name dropped in “Ticket to the Moon” and “The Way Life’s Meant to Be.” “Ticket to the Moon” even begins with what is now a variation of the only kind of Youtube comment you’ll find on any old song from the decade: “Remember the good old 1980s / When things were so uncomplicated / I wish I could go back there again / And everything could be the same.” He might as well have called himself “Nostradamus” when writing that one, because that line is going to keep feeling accurate to people until every child of the eighties and every vintage style eighties cosplayer on instagram is dead and in the ground. Lynne using the current year the album was made in had a real danger of seriously dating it, but Time has never sounded dated to me. It doesn’t sound like anything else from 1981 and it still doesn’t. Lynne blended all the old sounds and genres he loved and infused them with the new sounds of the day on that one and imagined a future that still sounds just as magical then as it does now. It took pop music a few years to catch up with what Lynne was doing on that one. Time is still a retro futuristic dream and he carried all the tech and sound effects that he was using on that album with him when he made “Video!” for Electric Dreams. ELO’s future was up in the air by 1984 (Lynne would dissolve the original band for good two years later) so he tackled “Video!” as a solo artist (literally, as no other ELO members are on this) and released it under his own name.  

I don’t know if Lynne’s predictions for 2095 will come true. The verdict is still out on that. But what I do know is that everything Lynne is describing in “Video!” is a reality that I’ve lived to see, though perhaps differently from anything Lynne could’ve imagined in 1984. We’ll get there.

In the context of Electric Dreams, “Video!”’s lyrics are all about the many things Edgar the computer can find out about the world in pre-internet cyberspace. He can watch it all, from rock n’ roll to old time movie scenes, and learn. He has no other choice: he can’t move from Miles’ desk and see it himself. Nothing in Lynne’s lyrics are dated except for one thing. He mentions that satellites “send their love from up above / Down to [his] VTR.” VTRs, which I believe is meant to be a reference to “Video Tape Recorder,” is an obsolete machine in 2024. It’s long been replaced by digital video, such as DVDs, Blu-Rays, and 4K. That’s the only specific reference he makes besides working in both the movie’s title and  the title of the Phil Oakey/Giorgio Moroder collab. “They beam across the sky / Together in Electric Dreams.” I imagine Lynne was probably told he had to work in the title somewhere. To his credit, it’s a pretty smooth title drop. Clumsier movie songs have done it much worse. 

Lynne sneaks in a few lyrics in the song that become ominous and foreshadowing if you’ve seen the movie more than once. The first two verses end ominously with the lines “The world is at my fingers / Under control” and “I’ll just stay here on my end / I’ll have it all.” Those lines foreshadow Edgar eventually using his supercomputer intellect to control other computer systems and mess with Miles’ life, from cutting off access to his credit cards and funds, to manipulating phone lines so Madeline can’t call Miles later in the movie for comfort when her cello has been broken in an accident (it gets caught in an elevator door and gets crushed). His whole motivation in the movie is that he “wants it all,” especially Madeline. Lynne later captures that ominousness with the absolute beast of a song “Let It Run,” but “Video!” is reserved for Lynne soundtracking the moment where Edgar stays inside and excitedly discovers the world at large and how to write pop music, while Miles simultaneously goes out and discovers the world at large with his lovely lady. 

Musically, “Video!” strikes a balance and finds a perfect blend of the mechanical and the human elements of music making. Lynne seemed to understand that more than some of the art-school new wavers that were ruling the US and the UK in the early eighties. The entire song is mechanical, but that makes sense given the in-universe explanation that a literal computer is making it. The rhythm is provided by a drum machine and everything else is synthesized and sequenced to hell and back. Even the fun sound effects throughout the song and during the middle instrumental bit are canned and not original to the song. There’s something that kinda sounds like a twangy guitar at the end of the verses and on the chorus, but that could just as easily be a keyboard making that sound. Lynne has made records where he’s played all instruments organically, but keyboards, sequencers, and machines not only suit the assignment, they’re necessary for the assignment.

The human elements are Jeff Lynne’s vocals and his always sharp sense of melody. Lynne’s never been the most mind blowing singer, but his vocals and melodies capture a magic and a warmth here that few of the survivors from his generation still making music in 1984 were capable of. He sings the song with that same sense of wonder that he has on Time. I love the melody of the verses and that chorus is so upbeat and happy and infectious. I love the way he slides into the chorus by holding out the word “on” before saying “video.” Oooooooon! It’s pop music at its most delightfully fun.

I’ve been surrounded by video my entire life, but Lynne makes it feel like it’s a brand new concept to me when I hear this song. I said that everything Lynne is describing in “Video!” is a reality that I’ve lived to see. That reality is Youtube. “The world is at my fingers” because I can more-or-less search for whatever I want (whether I actually find it is another story). The entire second verse can be used to describe someone discovering Youtube for the first time:

I see that rock and roll And all those old-time movies scenes They beam across the sky Together in electric dreams I'll just sit here on my end I'll have it all

Youtube, for all its numerous (numerous) flaws, allows me to be my own MTV VJ and watch scenes from my favorite movies with only a few mouse clicks. I can sit at my computer and watch videos in comfort (and while eating my dinner). Like Edgar, I have it all. Lynne sings that verse with completely sincere jubilance. The song is entirely mechanized, but the feelings presented in the song are not and they help provide a warmth and joy to the whole song that makes it sound like a dream. Lynne makes the concept of watching video sound like it’s the most exciting technical marvel you’ll ever see. He sells it like he’s Grover Cleveland lighting up the 1893 World Fair. It’s fantastic. Lynne isn’t even just fascinated by video, he’s fascinated by the entire process that helps bring it to life. That first verse takes the song from the hugeness of outer space and leads it to the small and insular space of a computer in an apartment without ever losing a step.

The satellites that search the night They twinkle like a star They send their love from up above Down to my VTR

Lynne sounds absolutely amazed by the technological wonders of 1984. He sings it with a child-like fascination that’s so lovably dorky. He sounds like Miles Harding does in the movie when he gets to talk to Madeline about architecture and his dream project during dinner. I was only ten years old when Youtube first arrived in December of 2005, so I essentially grew up with the rise of the internet and internet video creation. I imagine it must have been mind blowing to older people who were there to witness that boom. Maybe some of them were as excited as Lynne sounds on this song.

Nowadays, we take a lot of the modern technology around us for granted, but for Lynne in 1984, this was all exciting and new. That might be where the excitement and exuberance in the song stems from. Betamax and VHS had only existed for about a decade when Electric Dreams first came out, so people were only just getting started in terms of building up home video libraries and having video readily available to them. Camcorders were only starting to become a common commodity when Electric Dreams arrived, so I imagine people were going nuts and losing their minds that they could make home movies and shoot video of their own. Nowadays, technology has reached the point where the little bricks in our pockets (which are Edgar-level supercomputers of their own) can do almost anything, even film video anytime, anywhere. Now more than ever, the world really is at our fingers due to the way technology and social media keeps us interconnected.

“Video!” sees a continuation of Jeff Lynne’s interests in technology and the future that he was exploring on the Time album. Once again, his music is featured in a movie that’s weird, strange, and ridiculous, but also incredibly fun. “Video!” and Electric Dreams as a whole, is a beautiful little time capsule. It arrived during a time when the wonders of the future and technology was full of optimism and we were once again evaluating our relationship to tech as the world was continuing to undergo constant change. After Electric Dreams, Lynne would examine his own relationship with technology with the 1986 song “Calling America,” one of the last ELO singles before he went off to enjoy a second life as an in-demand producer for a while. He doesn’t sound as excited when he sings “Yeah, we’re living in a modern world” on that one. He doesn’t sound as excited about satellites on that one either, though that might have more to do with him being fully sick of ELO by that point and having to wrap up one last album before he can move on to other things.

Electric Dreams, both the movie and the soundtrack, aren’t as well remembered as Xanadu and I think that’s a shame. Electric Dreams is such a strange, beautiful, and moving love story. It’s the thinking man’s version of Spike Jonze’s Her (it’s also better than Her). The movie only played in theaters for a few short weeks before resigning to its fate as a strange movie you take a chance on when you’re wandering around the video store on a Friday night and you and your partner are looking for something interesting to watch. In hindsight, maybe a movie like Electric Dreams was just too strange to ever capture mainstream attention. 

But don’t feel bad for it! It’s lived and has found its share of people who love it, despite its initial failure. I’m one of them. Lenny Von Dohlen and Virginia Madsen are also in that boat. They loved working on it and had nothing but positive things to say about it. Madsen still considers it one of the best things she’s ever made and I agree with her. Cult classics like Electric Dreams find their audience. Sometimes it just takes a while.

I can tell you that Tumblr absolutely fucking LOVES this movie. If you do a search for “#electric dreams” you will find SO. MUCH. FANART for this movie in that tag. It’s not even funny. Tumblrinas L O V E making art of Edgar the computer. They love making art of him so much, you’d think he’s the protagonist of the movie, not Miles and Madeline. You’d also think Miles, Madeline, and Edgar are in a polycule with each other (hot take: polyamory would not have saved them). The fanart in that tag isn’t even that old either. People love this movie and they love him. (A shocking number of fanart posts depict Edgar hanging out with GLaDOs from Portal, HAL 9000 from 2001: A Space Odyssey, and AM from the Harlan Ellison short story I Have No Mouth and I Must Scream. I have come to the conclusion that Tumblr really loves antagonistic machines).

Electric Dreams celebrates its fortieth anniversary this year (it came out on July 20th, 1984, so this post missed its birthday by eleven days). An unloved film in its time, but a lovably strange and beautifully sincere science fiction romance that remains a beloved cult classic to those who know about it. If you want to see the film for yourself, it’s on Youtube for free. I highly recommend it.

Jeff Lynne is also celebrating this year. At the time of this writing, he’s preparing to take his modern day version of Electric Light Orchestra on the road one more time before retiring for good (he’s calling it the Over and Out Tour, which I think is just a fantastic name). He’s definitely not going to play “Video!” but he’ll be playing every ELO banger in existence, of which there are many. If you’ve never seen the maestro present his music live, I highly recommend you catch him before it’s too late. I plan on going to one of the Philadelphia nights. It’s gonna be a lot of fun. 

“Video!” and Electric Dreams are snapshots of a simpler time that dared to get a little silly and dream about a possible future. Some of its ideas about where technology was headed and our relationship to that technology were hauntingly accurate, some of it is hilariously outdated. Lynne’s visions of video and where video technology ended up being incredibly accurate in all the best ways. Video madness came upon us like a trance in the dark and because of that madness and the internet that houses all that madness, a movie that went completely unnoticed forty years ago can still exist and float out there today, waiting to be found. It wants to share with you what the world looked like during an interesting crossroads in time and it wants to show you what people thought the future might look like. Electric Dreams wants you to know that the future is strange, but it’s also bright and love can be found in the strangest of places if you know where to look. Don’t worry. It’s all under control and it’s all on video.

Electric Dreams sends its love to you. Send some of yours back to it.

[innytoes]

I will be shocked if I'm the only one who sends you this, but: found family Thanksgiving, greater polyphantoms polycule

It wasn't like Thanksgiving was the biggest deal, Julie tried to reason with herself, even as she refreshed her phone again, and again, and again. She didn't even like Thanksgiving that much. The Molinas had always been more of a Christmas kind of family. Mostly because Mom liked the sparkly lights and Dad was a fiend for gingerbread.

But her phone still said that all flights to LA were cancelled, and would be until after the holidays, due to the stupidly early snowstorms. She should have just done what most people had done, and skip her last few days of class to catch an earlier flight.

But she really couldn't afford to miss more of her stupid mandatory PE credit dance classes, after she already missed two in a row due to oversleeping after staying up working on her musical composition homework and a bout of the flu. So her dad and her aunt had advised her to not skip, school came first, it would be fine, the news was always being dramatic anyway.

She couldn't even bear to call her dad, knowing that just the sound of his voice would make her burst into tears. Instead she texted him the screenshot, and he sent her back a very long text about how much he loved her and would miss her and he'd send some money so she could get something nice to treat herself. They could video call all day if she wanted to.

She sent him a little thumbs up, before throwing herself at her pillow and having a good cry. Then, she went down the dorm hall to get a hot shower and change into her coziest, most comforting PJs to have a little pity party with the hidden lock box of snacks under her bed. (Her roommate Kayla was an awesome friend but also a dirty snack thief.)

The dorms were echoingly empty. It was almost creepy. The food hall was closed for the holidays, so she quickly heated up some water for instant noodles before hurrying back to her room. She stayed up too late comfort-watching Gilmore Girls and eating an entire roll of Oreos and several mini chocolate chip muffins before falling asleep amidst the crumbs. Excellent pity party.

She woke up to what sounded like three separate people knocking on her door. For a moment, she was confused, before she blearily shoved her glasses onto her face and rolled out of bed. She opened the door angrily, ready to snap at whoever was disturbing her wallowing. "What the hell are you doing knocking so early it's only..." she threw a look at the clock and deflated. "Um, noon."

"Julie!" Oh no. That was Luke, from her song writing class. The guy who she kind of had a crush on, with his cute smile and his pretty eyes and his brilliant lyrics and his- "You were right, Reg, she's totally still here, just like you said."

"Not that I was stalking you or anything!" Oh no, and there was her other crush, red-cheeked and fidgeting. Reggie was in her dance class, one of the few people who showed up yesterday. Which meant that they'd been partnered up a lot. Which had been really nice, except also very, very distracting. "It's just that you were saying you were going to the airport right after class but the news said everything's shut down and we just wanted to check if maybe you were still here but not to like be weird or creepy but-"

"Oh for..." A third boy, in a pink hoodie and backwards baseball cap said. "We wanted to ask you if you wanted to come to our Friendsgiving party."

"Orphan and Stranded People Tofurkey And Epic Sides Meal That Does Not Perpetuate A Fake Racist Narrative Party!" someone called from down the hall, where they were knocking on doors, apparently to see if anyone would open.

"Willie, that's too long..." Pink Hoodie started, before sighing. "Okay. Yeah, that."

"I... I don't have anything to bring," she said, looking at her now sadly empty snack box. "Except for maybe some stray peanut butter cups."

"That's okay," Willie said, moving back towards her room. None of the other doors opened. "We were planning on breaking into the kitchens anyway, there'll be plenty of food there. Besides the Tofurkey, of course."

"Yeah, Alex stole that from work!" Reggie beamed.

"I did not!" Alex, pink hoodie guy, said, his voice high pitched. "I just... used my staff discount."

"You rang it up as a single grape," Luke pointed out.

"The manager is an asshole and ordered way too many anyway," Alex shrugged. "She won't notice."

Honestly, hanging out with both of her crushes and what appeared to be a set of Chaos Gremlins seemed much better than faking internet connectivity issues so she wouldn't cry on a video call home. So she agreed to come if she could change into something more suited for breaking and entering (and impressing her crushes) and then joined in the 'search party'.

In the end, there were seven of them. Willie made picking the lock to the kitchens look easy, and they all had a great time sneaking around and rummaging through the kitchens for food. Flynn took charge, delegating 'the eye candy' to mix and chop and stir when all of the admitted they had no idea how to cook a turkey, much less a Tofurkey. Julie, after a brief rapid fire round of questions, was put in charge of the stove, since 'she could be trusted with fire'.

While they were cooking, the stories came out. Luke wasn't going home for the holidays because his parents had freaked out when they found out he'd switched his major to music. Reggie and Alex didn't have any family to go home to ("none worth our time, anyway"). Willie's uncle was in Paris, but he'd sent a bunch of money so he could eat out 'somewhere they don't serve cranberry sauce from a can'.

"But you're here with us breaking into the kitchen?" Julie asked, pointedly looking at the cans of cranberry sauce on the counter.

"He already spent it all on art supplies," Alex said fondly.

Flynn was stranded, like her. Carrie, who hadn't been very talkative, just gave a curt 'I don't want to talk about it'. Reggie got her to smile, though, by guessing more and more outlandish scenarios, beaming and shouting 'I knew it' when she finally gave in and agreed that yes, her pegasus was in the shop so she couldn't fly home to her fairy kingdom.

By the time her dad called to check in on her, the Tofurkey, rolls, and mac and cheese were in the oven, and they were all laughing. She made the rounds, introducing her new friends, beaming when they all waved back just as dorkily as her dad was.

And if next year she brought them all home with her? The more the merrier.

And if a couple of years after that, they were the ones hosting their friends and family at their own Thanksgiving party in their shared house, trading cranberry flavoured kisses and bites of stuffing while cooking together?

Maybe Julie liked Thanksgiving after all.

[wizardofgoodfortune]

Gonna go ahead and ask you #58 on your Spotify wrapped while I'm thinking about it

#58 on my top songs is mirrorball by taylor swift! this is definitely one of my fav songs from her, if not The Favorite; a vivid music video plays out in my head every time i listen to it. here's my favorite part from it, which can definitely lend itself to particular dreamling scenarios... like 1989.

And they called off the circus, burned the disco down When they sent home the horses and the rodeo clowns I'm still on that tightrope I'm still trying everything to get you laughing at me I'm still a believer but I don't know why I've never been a natural, all I do is try, try, try I'm still on that trapeze I'm still trying everything to keep you looking at me

---

When his stranger didn't show up in 1989, Hob spent the whole day waiting for him. The whole night, too. He heard the last call but stayed long after, until the bartender—Ian was his name, Hob learned at one point—had to kick him out so they could lock up. To Ian's credit, he did it with his most apologetic face.

"Sorry, Hob," Ian said as he locked up the front door of the tavern. "Feel free to come back 'round tomorrow. Promise the place'll still be here by then."

Hob, who was hovering listlessly beside him, gave him a smile. "You'll regret you said that."

Ian laughed. "I'll never regret having more regulars. God knows we need it."

Hob frowned. Right. He nearly forgot about that.

"Need a lift?" Ian offered, fishing out a different set of keys from inside his pockets. "You've drunk quite a lot."

"I'm fine, I just need to—" Hob took a deep breath, "—I need to walk it off."

Ian narrowed his eyes. "Sure? I better not read about you in the papers tomorrow."

Hob snorted. "Trust me, you won't."

With that, Hob stood in front of the tavern and watched Ian drive off, until the old man rounded a corner and disappeared.

Now that he was alone, Hob slumped down on the damp ground and leaned against the front door. They've probably replaced this door more times than he could count, along with the rest of the tavern. Century after century, Hob saw less and less of what used to be here 600 years ago: the chairs, the tables, the mugs, the godawful drinks. The closest thing to permanence this tavern had was its name, and, up until tonight, his stranger. And soon, it wouldn't even have itself.

Hob reached into his coat pocket and took out his lighter and a carton of cigarettes. As he watched London's everchanging skyline glitter above the Thames, he lit a cigarette, the orange of it glowing in the dark. He sat there, waiting, waiting, waiting. He was good at that, at waiting. All you had to have for waiting was time, and Hob had it in abundance. So he waited until the sun rose, until the streets came alive with cars and people, until Ian came back to open up.

"Oi, what happened to walking it off?!" Ian exclaimed, standing over Hob, shielding him from the noon sun. "Bloody hell. C'mon now. Up you go."

Hob let himself be corralled into the tavern's small office and be sat at the small couch that was probably meant for interviews and terminations. He drank the water and aspirin placed in front of him, and he wore the spare shirt lent to him, but he left Ian's questions unanswered.

"Y'know," Hob started as soon as Ian came back in from the bar, "I reckon I could do a good job running a tavern."

"You should be asleep," Ian said accusatorily.

Maybe he should've been. But instead, Hob was sitting upright, wide awake. "I've been in countless taverns, just like this," he continued, "and I reckon I could make a great one. It would be so great that people from all over the world would come to eat and drink there, and say, 'Hey look, it's Hob's tavern, the greatest one around!' And d'you know what the best part about it would be?"

Ian sighed and leaned on his desk. "What?"

"It would be so great that they'd never close it down. They wouldn't be able to. Everyone would rally around it, even the council. And it'd be there for, for centuries. No, millennia. No, forever."

Ian shook his head, smiling. "A beautiful dream."

"A dream?" Hob scrunched his eyebrows. "You don't believe me?"

"Hob, this tavern has been here for centuries. That's a pretty good run, I'd say. Before that, it might've been something else, like a house, or a barn, or something. And before that, it was probably an empty plot of land, or maybe it was full of trees. Maybe bloody dinosaurs lived and died here. Or maybe it was underwater, I dunno. But I'm getting away from the point," Ian said, scratching his scraggly beard. "The point is: things change. That's life."

Suddenly, Hob was reminded of that night a hundred years ago, how his stranger detested the implication that he changed, that he grew to be lonely, lonely enough to seek out companionship. Hob's companionship. Obviously he detested the implication enough to not show up yesterday. But maybe, just maybe, his stranger will show up again today or the next day, just to prove a point, just to say he didn't need him to be his friend, and to say goodbye for the last time. Surely his stranger's not cruel enough to not show up at all, right?

"I, I know, but I can't let this place change, at least not yet," Hob said. His desperation must've plain on his face from the way Ian smiled sadly at him.

"And why's that?"

"My friend and I," Hob paused, thinking about what to say, "this place is important to us."

"You can always find another place."

"He won't," Hob said, voice breaking, "he won't be able to find me."

"How sure are you that he won't?"

Hob put his head into his hands. "I'm sure."

"You don't have his number?"

Hob shook his head.

Ian sighed. "Well, like I said last night, you'll need a lot of money to—"

"I have the money," Hob blurted out.

"What's that?"

"I," Hob repeated, raising his head in realization, "I have the money."

Ian only looked at him.

"I can, I can keep this place alive until he comes back."

Ian regarded him wordlessly for a few more seconds, then said, "I appreciate the thought, I do, but I reckon you can just establish a new one and it'll be less expensive. You can always, I dunno, put up some signs. 'This way to the new tavern' or something. Then when your friend comes around, they'll just read your sign and go to the new tavern."

Hob stared at Ian, mouth hanging open. Then he laughed, feeling a sleep-deprived lightness in his chest. He stood up and held Ian by his shoulders, still smiling. "Ian, you're a genius."

Ian chuckled heartily. "I try."

"And you're a hired genius."

"Pardon?"

"I'll need a bartender for the new tavern," Hob said, grinning.

Ian scoffed in disbelief, but he was smiling. "And what'll you name it?"

Hob thought for a second, then settled on: "The New Tavern."

Ian chortled. "You need sleep. Dearly."

---

send me a number and i'll write something based on the corresponding song in my spotify wrapped!

[ohanny]

dangerous romance: main couple mania ep. 1

so i love how sailom's instroduction is this is a budgeting king, in debt eating stolen rice porridge. he has a very pre-kinn broke ass porsche-chay dynamic with his brother (?) which is very sweet and also means it won't last five minutes.

oh okay so we get this ship sailing with a wall slam and a classic "do you understand my father funds your scholarship you poor piece of trash" and alksdflkfj

i know i am supposed to see sailom as the victim but he is like full on pete-ing this. he never breaks eye contact. he is like daring kanghan to escalate with his entire body and kanghan did not just go full "since you're my class mate i will be generous and forgive you if you get down on your knees" like that is a) spicy as fuck what the hell and b) going to backfire so hard

HE DID NOT JUST BOW 90 DEGREES JUST TO SPIT ON KANGHAN'S SHOES AND WALK AWAY WITH A SMIRK

he is puzzled by both sailom's actions and by what is happening inside his uniform shorts

honestly, kanghan is the villain here but i struggle to take him seriously as the bad guy because perth a) always looks like he is about five seconds away from bursting into tears and b) has bangs that form a literal heart. no matter how nasty kanghan tries to be - and he tries a lot - the inherent bitch baby-ness just shines through.

literal heart bangs what did i say

this entire car shop sequence is just pure gold for so many reasons. 1. kanghan shows up in his business leather pants looking like he walked off the set of enhypen's blessed-cursed music video and he's driving a mercedes. like honestly, with all that talk i was expecting a lamborghini. 2. sailom's boss actually like... needing some evidence instead of just bending over backwards to please a rich client 3. sailom fucking uno reversing that credit card sneak and humiliating kanghan with the smuggest lil good boy smile and THAT is why chimon is the ultimate snake-cat like he has a face made for scheming.

i am really loving sailom because he keeps his head, is really resourceful and will not take any shit. boy does not hesitate to drag this bastard for filth every chance he gets, beating kanghan in his own game without ever stepping down from the high road.

ooh, we are meeting kanghan's family and they are... both not as trash but also as trash as i expected? like i kinda thought more mafia vibes but if laws of attraction - and real life - has taught me anything it is that politicians are garbage.

on the surface his dad seems almost a jolly good fellow but the conversation with this random girl just confirmed there is something so much darker lurking under the surface. as much as it hurts to have a hyper critical parent, having one who has seemingly completely given up on you can be just as bad.

he's basically been called stupid twice in under five minutes. someone save him.

sailom will not be fooled by a shady ass phone call and neither will he leave a friend behind. this boy will not be distracted by tits with a side of toast. he is a man on a mission.

the way i gasped when i saw this court set up and i have so many questions. do the students just have a cardboard gotham in the basement or - based by the fact we see loose boxes and a shopping cart - did kanghan build this just to prove how big his dick is to sailom ???

chimon's acting is honestly a+ and he is carrying this show. the tension! the absolute rage that is bleeding through! the way he doesn't have to go big with gestures and expressions to convey everything sailom is feeling perfectly - and not just that. you know what sailom is feeling AND you can see his brain working.

kanghan, sweetie, you might want to take a moment and reflect on your obsession with getting this boy out of his clothes and making him kneel.

not gonna lie, i kinda saw this move coming because tropes but god was it satisfying :D the reactions of kanghan and sailom's friends are hilarious (10/10 i am evil tea, he totally ships it) and then the camera pans and you can see all these bystanders just standing stock still, filming giving major horror movie vibes and aaaaaaah

side notes:

i love how his best friend is just "auto." like his parents were "we are poor, naming the kid a vehicle will be fine. no need to bring brands into it."

auto's mom is an actual queen

the teachers are so fucking infuriating but also, that is kind of a sad truth? even when it's not like RICH rich people involved. like for too many adults, it is easier to it off as kids being kids and boys being boys over having to deal with the why and the parents and the drama of it all.

i was bullied in school so like this bubble tea waterboarding makes me feel some type of way? like some of the bullying is very oof-spicy-trope but a lot of it is actually cruel and i really wouldn't recommend this show to anyone who gets triggered by stuff like school violence.

[snowball-doie]

omg, remember the jin condom scandal?? something similar would 100% happen to yuta

Girl this is how you know I’m new to kpop and not an Army (PLEASE DONT COME FOR MY THROAT IM SORRY, SPARE MY FAMILY)…. I didn’t know about this. I had to go Google it lmao. Like tell me how I knew old sasaeng lore but not this? Anyhow.

Yuta hates making videos. He hates live streaming. He hates doing literally anything that takes time away from making music, practicing for shows, performing, or simply relaxing at home with Ahri and the boys. But there are ofc the rare occasions where he’ll make a TikTok for Taeyong’s sake, or he’ll do a livestream for Ahri’s. When she bought him a Lego set, he was a little bit confused because….. what was he going to do with a Lego skull? “Use it as decor in your room,” she explained, “I got this to go with it,” and then it was literally a Lego butterfly set too lmaooo- “You need to interact with fans more, and I overheard you and Tae arguing over how the company wants to see you do a livestream before the end of the month—“ “I’m just gonna say hi, bye, then log off” “Orrrrrrrrr you could build these and answer their questions…..” So that was how Yuta ended up in his bedroom late one night, sitting at his desk, building Lego sets that his girlfriend gave him (but he publicly had to give credit to one of the boys instead). He answered fans’ questions. He talked about his day and how rehearsals were going. He bragged about an upcoming project that he was excited about. But then, suddenly, about 15 minutes too late, Taeyong ran in breathlessly. “Turn it off-“ He grabbed Yuta’s phone and shut the stream off. “What the hell?!!” Yuta cursed. “YOU DIDNT CLEAN YOUR ROOM FIRST?!!!” Taeyong grabbed the box of condoms that were on the floor next to Yuta’s bed. He had cleaned up, he put all the sex toys away neatly and he thought he shoved the box under the bed…. How he didn’t notice it sooner, he wasn’t sure. “Do you think they noticed?” “It’s all over Twitter!” Taeyong bopped Yuta’s forehead. Yuta shrugged and said sarcastically, “Oh nooooo, they know that an adult idol has sexxx, oohhhhh. See, hyung, this is why I don’t do livestreams.”

Yuta does NAWT give a FUCK about that scandal. Honestly he thinks it’s stupid people even care that he has condoms, but he’s also quite flattered by the amount of people who are like “I knew it” when they find out they’re XL condoms. Bro’s ego was def boosted.

[starified-lizzy]

I figured I should redo my intro to my blog-

ELLO >:DDDD

(Edit/Update:) First of all, because my friend and I just had to deal with an art tracer;

YOU CANNOT TRACE, REPOST, CLAIM MY ART AS YOUR OWN OR *WHATEVER*. MY ART IS *MY ART*. MAKE YOUR OWN. ITS NOT THAT HARD AND EVERYONE STARTS SOMEWHERE.

Reblogs and comments are appreciated tho :3

Also- if you wish to use my art as a profile picture, you MUST give me credit as the first thing in your Bio/About me.

(Back to the original post)

Name’s Lizzy! Or Star! I really don’t give a fuck which you use!

Here’s my pronouns card! https://en.pronouns.page/@starified_lizzy

I draw shit for FANDOMS

I write shit for FANDOMS

I got OCS whom I LOVE and ADORE.

“Can I draw fanart of your fics?” My sibling in Christ, we are married. /pos

“Can I draw fanart of your fanart(like DTIYS)?” My sibling in Christ. /pos

“Can I draw fanart of your OCs?” CHRIST. /pos

RAHHHHHH (it’s really fucking early I shouldn’t be doing this now ;-;)

Here’s a list of my socials, it is very limited because I hate the “standard” socials like Twitter and Insta and stuff like that. So it’s more like- fanfic sites, and any other blogs I own for you guys to check out >.>

My AO3

My Art Fight

My YouTube

My TikTok (basically dead at this point, I only ever like/favorite things on it, but I might start up again with my FNF au instead)

My Pinterest

My Spotify because sure

My FNF au blog

My demonpocalypse blog ([possibly] forever retired due to a severe issue in the community it was for)

Blog for food/recipes I want to try because MMMMMMMMMMM FOOOOD

Wow that’s actually not limited like I thought- hot damn I need to touch some grass.

HERES A LIST OF FANDOMS IM EITHER CURRENTLY IN, OR HAVE RETIRED FROM (Also CCs):

Retired-

DSMP (and MCYT as a whole for the most part), dude our community is in *shambles*. I’m so glad I left when I did, but at the same time O W.

ATLA. Technically I’m still in this fandom, but I only really get back into it/brainrot about it if I get a reminder, otherwise I kinda forget about it

FNAF. Same with ATLA, still technically in it, but I gotta be reminded it exists sometimes.

BATIM. Ditto

Wings of Fire. Ditto

Undertale. Ditto. Lizzy, my main persona, was actually an OC created from Undertale, who just ended up becoming her own person, and then ended up being associated with mine and my friend’s Minecraft au instead.

Onto CCs I no longer watch:

Any of the DSMP ppl, with very few exceptions

Jacksepticeye. Don’t get me wrong, I’ll still watch a video of his if it pops up and spikes my interest, but I don’t actively seek his content out anymore.

Any of the old Minecrafters. Like DanTDM, Stampy, Tiny Turtle & Little Lizard. Hell, I don’t even think any of the ones I listed even do YT at all anymore. I’ll still watch their old videos tho.

Current-

FNF. I really could give less of a fuck if y’all think it’s “bad” or “for kids (it’s not, I promise you)”. The music slaps, and quite a few mods are really well made, so eat my ass.

Day of Dragons. The dragons are cool. I don’t care about any drama in the community. I’m here for the cool fucking dragons.

The Isle. Once again, I don’t care about any drama in the community. I’m here for the cool ass dinosaurs because you can customize your own skins and they just look and sound cool (Dilo, Herarra, and Ptera are my faves)

Lethal Company. Do it for the Company.

RainWorld. Scugs and Scups. Need I say more?

Hollow Knight. Sorta falling out of this one, but until I beat the entire game (P5) I am not finished.

Minecraft. Technically in “the fandom”, but not really attached to a specific YTer or anything like that anymore. I just like the game.

CCs I still watch:

Astral Spiff. Sprog is a good gamer.

Smii7y and his friends like Grizzy, Droid, Puffer, Blarg, etc.

Jack Manifold. I only watch his You Laugh You Loose and Ghost Sighting Compilation videos. I don’t even know if he still does Minecraft anymore.

8-BitRyan. While he doesn’t swear in his videos, it’s kinda a breath of fresh air. Plus his edits are quite funny.

Markiplier. Yes. Just… yes…

IGP. His content is just interesting. The way he freaks out over shit is funny as hell. Does he do content with IcyCaress anymore? Their banter was funny, but idk if something happened, cuz I just don’t see much stuff with Icy in it anymore.

As of right now, that’s all I can think of. It’s nice to meet you!

[witchblade]

positives: music is soooooo good even when it's very "of its time" sonically i love almost every track The credits theme is dog shit however. Well that's a negative. Whatever.

i looove the designs of the lurkers most charming video game guys ever. I don't like that they wear diapers very much. Negative again.

I don't care about the #online #complainers the zoomer handling was fantastic like it wasn't Smooth but it was very weighty and you never feel out of control and i think a lot of the complaints are because it's a little Before its time. very physics-y instead of arcade style handling. Big fan smiles.

Um. I'm giving up on the positive negative format. I think the world design was very hit or miss I don't think the visual designers and the level designers talked to each other very much. I think at its best everything was very clear and readable (most of the first two worlds, and snowy mountain despite not liking it aesthetically) and the worst is like. Gross and busy to the point that it becomes obstructive and difficult to navigate.

i had really really really really bad depth perception experiences i felt like i was in hell during the second half of the game. Not being able to tell where a platform is in relation to you is a bit of a problem in a platformer game ❤️. and the forced side scrolling segments that still had full movement on the z axis were crazy to me. Sorry I know they probably didn't have the technology yet but I wanted to scream.

combined with the Physical Object camera meaning you can't actually arrange it to point in front of you in certain situations because it can't scoot past the wall and the level design situation becoming More dire because the last chunk of the game is just navigating enclosed cave spaces it was very painful.

ps4 port/emulation exclusive complaint: the frame drops and the missed inputs were crazy. they should never have released it like this.

anyway the gameplay mechanics beside all of that were exceptionaaaaaal i can't think of any platformer game at least of that era that had the same type of range of movement. being able to combine different actions into a specific Move ie roll + jump into the far jump, crouch + jump into high jump, double jump + spin to extend your range and "hover" in the air a bit Well I guess Mario 64 had a similar range. I'm not retyping any of this so pretend it doesn't. Anyway all of that works together to make the movement feel more fluid and the player feel like they have more control navigating despite most of the level navigation being very straightforward. no game has ever done this before ☝️

i said this one before. the sound design was really bad. like really disappointing and if you play the game on default audio settings instead of turning the sfx down to like 30 you'll have a noticeably worse time.

the writing was 50% charming in a dated way and 50% the writers not knowing any comical character archetypes other than Stupid Bumpkin (full third of the cast) or Horny Belligerent Rat (daxter)

i don't want to talk about keira.

3/10

[maxlarens]

More frat au, so we never touched on how reader met the boys, so my story is that she met Logan in a French class because she wants to study abroad in France and Logan is taking it to fill his language credit, but he's struggling with it so he asks her, the perfect student, to tutor him, and of course she says yes when an attractive guys asks for her to tutor him in "La Langue de l'Amour". So she helps him study and they grow closer together and eventually he's like "Hey so there's a party at my frat, I was wondering if you wanted to come?" and of course she says yes because her attraction to him clouds the rational thoughts in her head telling her that a frat party sounds like hell, but she goes anyways. So she arrives at the frat house and Logan gets her some fruity drink like the gentleman that he is, but eventually he sees someone else who he wants to talk to (Alex mayhaps?) and asks if she's okay to be left alone, and she says yes because she doesn't want to be a burden, so he leaves, but the loud music and so there's so many people in a small space, so she gets up from her spot on the couch and tries to find a bathroom to lock herself into while her tears start falling, ruining her mascara, but instead of finding a bathroom, she ends up barging into Oscar's (and Lando's room but he's making out with some chick in the backyard) room where she sees Oscar on his laptop with his headphones on, doing homework. She immediately tries to close the door back up before Oscar sees her, but unfortunately he looks up at her making direct eye contact which causes her to stop like a deer in headlights. It takes a minute for him to process that there's a girl with running mascara in his room, but once he does, he immediately sets his laptop aside and takes off his headphones and gently ask "Are you okay?" "Yeah." You sniffle. "I'm fine." Oscar gets off his bed, grabbing a few tissues before walking over to you to usher you onto his bed and closing the door. "Do you want to talk about it?" Oscar asks as he sits down next to you, offering you a tissue. "It's just that I'm here with a guy that I like but he saw a friend that he doesn't see very often so he left me and the noise and all the people in such a small space got to me and I was trying to find a bathroom but then I barged into your room. I'm so sorry," you say as you blow your nose into one of the tissues. "Hey," Oscar starts. "Don't be sorry; you did nothing wrong. Honestly the guy sounds like a real jerk, inviting you to a party just to leave you alone." "No, Logan's very sweet, he asked me if it was okay if he talked to his friend for a bit. I just didn't want to burden him since this was our first time hanging out outside of school." Before Oscar can reply, the door burst open again. "Hey Osc, I need your help..." Logan didn't finish his sentence, seeing you sitting on Oscar's bed, Oscar's hand on your knee. Before he can question what you're doing in Oscar's room, he notices your running mascara. "Hey is everything okay?" he asks. "I think she just got overwhelmed by the loud music and was trying to find somewhere quieter to hang out for a bit to calm down and she accidentally found my room instead," Oscar answers, to which you nod, using the tissue to wipe off your mascara. "I think I just want to go to bed," you say. "Why don't you stay the night in Logan's room. I think Lando's last hookup left some makeup wipes in the bathroom. I'll go grab those while Logan gets you some of his clothes to sleep in, sound good?" You nod your head before you start taking your heels off.

After this you decided to implement a frat party routine where instead of partying, you would sit in Logan's room and play video games while drinking. It started off as just you and Logan but morphed to include Oscar once he became part of the relationship. Safe to say the rest of your relationship was far less turbulent than the start.

AHH!!! omg this made me emo about loscar. but YEAH wtf so cute!!!!🥹🥹 and even if she does want to spend some time at the parties she can just head up to one of their rooms when she's finished and they'll find her when they notice she's missing/when they're ready😖😖