#i write the dialogue first because i HEAR it first
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It's social justice telephone. "Trans men don't have all the privileges of cis men" -> "all men are oppressed for being men." "If you refuse to acknowledge that patriarchy also hurts men, the most vulnerable of them are going to go somewhere that actually listens to their problems and violent misogynists are going to give them the wrong solution" -> "if you were a little nicer to that catcaller he would change."
Because people hear "men" and the first thing that pops into their head is "my abuser." Most of us (there's always gonna be assholes in the conversation) are not talking about their abuser. We're talking about vulnerable men who have legitimate issues with patriarchy. There's a reason people are passing around bell hooks.
We're talking about men who truly want to be allies but are intimidated by women's valid frustrations, such as this man on the Chewed Gum show talking about his feelings on the man/bear question. Alyssa Ljub had a great response at 34:30 (abridged version):
[...] My brother [...] struggled a lot with being a very like sensitive, emotional kind of guy and that manifested as being angry and defensive when he was a teenager and through his more younger adult years, now he's 32 and a full adult and he's really understanding that what he's wanting to express is a more full range of emotions, but he didn't feel comfortable doing that because he was falling into that same mental pattern of that's not manly, men don't cry [...]
In the process of writing the TED Talk, I had given it to my brother to read and he went over it and [...] he encouraged me to look at it again and every time I referred to these like really atrocious things that had happened to women throughout time [...] he encouraged me to look at it and really consider [...] is "man" the word that I want to use, is it because men did this or is it the patriarchy, is it this system that we've created.
And at the end of the day, he was right because we all are victims of this same mentality, like this patriarchal mind space is the reason why [...] you are not super comfortable expressing a full range of emotions or it took you a long time to get there, similarly with my brother and similarly with how we all [choose the] bear and then we have a hard time understanding how men can't see it.
It's all the same system, it's the same machine and so there's a part of me that's always sort of like, it feels good to join in other voices that are able to say "bear and fuck the men who don't understand and that's not my job to teach them" and blah, blah, blah, like there's part of it that will always feel like turning the knife and it feels good for that moment but that's not actually a productive conversation and [...] that's not helping anybody.
And so the other part of it is, okay, [...] we're in this dialogue and [...] oh my gosh, men don't actually see it, they don't really understand why we feel that way and if they can't really understand it and they're in the same system that we are, it kind of is our responsibility to explain because if we don't, we're leaving them to their own devices to figure it out and when they're left to their own devices, they're at the hands of the same system that's telling them to shut down their emotions, be defensive and ignore what we're describing as physical risk that we feel with with strange men and that's not helpful, that's not helping anybody grow.
And so it's frustrating to some women, [...] "I shouldn't have to explain that" and I 100% get that, that's so valid but I think in this conversation, when we talk about how we move forward from how we have pushed men into being a specific type of person that is fitting into [...] this prototype [of] being really tough and minimizing emotions and unable to be vulnerable so that they can appear strong, when we've put men into that space, what pulls them out of it is vulnerability and softness and care and saying it's actually okay for you to want to be emotional in this time and it's actually completely okay that you're hearing this argument where people are saying bear over and over and you're like, "what the hell, I worked so hard to be the kind of man that people would be comfortable around and [...] I worked so hard to undo everything that I was inundated with as a child, like, and you still said bear?"
[...] I would encourage anybody who's listening who has that reaction of like, "I don't want to have to explain it to people. And if they don't get it, that's on them." I would encourage them to also consider how productive that conversation is. And if you, in that very moment, wanted to be productive. Sometimes we're like, "this is not worth it, I don't feel like having this conversation," whatever, that's fine [...]
I feel like that's the biggest thing that is inhibited for so many men in this system. They're not given the permission to feel everything that they want to feel and have a safe space where there might be an adult or a therapist, whatever, whoever is around them to say, "it's okay that you feel that way. And at the same time, the reason why women are saying bear is because even though you're a safe space, the information that we have, the statistics that we have about how many men are not is enough to make me say bear."
But I think at least in the way that I've experienced this conversation, especially with someone close to me, like my brother, where I've grown up with him obviously, and I've known him my whole life and seeing what made the biggest difference for him was allowing him to feel vulnerable and feel the full range of his emotions and actually process them through. Like actually see [...] "these are all the things I'm feeling and this is how we're gonna resolve it. And now I've learned something because I've actually resolved this feeling."
Notice how the person in question is her brother. It's not the catcaller who's feelings she's trying to look out for, it's someone she wants a relationship with. She could have written him off as just another angry cis man when he was a teenager, but she didn't. And now he understands a little of women's perspective and will hopefully try to reach men who wouldn't listen to women.
She recommends bell hooks as well.
Nooo mutual don’t put that “men fall down the alt-right pipeline bc women/feminists are too mean” post on my dash nooo mutual don’t try to say women need to be nicer when dealing with misogynistic men nooo mutual nooo
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Since this user's posts seem to have been deleted in previous opportunities I copy-paste their words here because they express exactly what I feel about this game. Dragon Age has died, unfortunately.
I'm a big time Dragon Age lover and have enjoyed every game in the series. Personally, I think Inquisition is the best in the series. And I was excited for Veilguard right up until I actually began playing it. Now, I want to clear things up at the start as to what I look for and believe makes a good Dragon Age game. To start, I DON'T CARE ABOUT COMBAT. I. Do. Not. Care.
You can make it Origins tactical. DA2 fast tactical. DAI hybrid. God of War action, I don't care. Dragon Age has always had combat that was...fine. A nice distraction and breakup in between the bits I actually care about: narrative ROLEPLAYING, story, characters, and exploration. I don't give a crap how great the combat is if the narrative roleplaying and writing are poor, I'm not playing BioWare titles for amazing gameplay. I am here for the story, the characters, and the roleplaying. Truth is, for a time I considered DATV's combat to be the best in the series.
And this is why I feel the game is a terrible Dragon Age, because it lacks or fails to respect those elements concerned with narrative roleplaying, story, characters, and exploration. Now, in many reviews and online videos you'll hear some reference often to the drop in writing quality. And a lot of time people will incorrectly say that the writing with the characters is to "modern" or "Marvel quippy" or not "dark" enough. I think these people are wrong, they recognize there is a drop in writing quality from previous games but aren't able to articulate why that is.
Dragon Age has never adopted any sort of faux medieval speech and vocabulary (though we'll get into this more later). This is a series that used "epic fail" as a thing someone uttered in the very first game. It's always had anachronistic dialogue and banter. So why is it such a drop then? Why is it considered poor? Simple. This is a game that does not believe in the world it has setup for over a decade. It does not believe in or engage properly with its own world and lore. I mean, look no further than the title "The Veilguard" a phrase that is never uttered by anyone in our group, and further proof it was a last minute marketing change. Compare to Inquisition where the title is apparent from the start in the game and has actual meaning.
You see, characters in DATV do not feel or react to events the way they should based on the lore. Why is no one constantly asking what the hell the Inquisitor is doing? The Inquisitor is kind of a BIG DEAL when it comes to Solas and Elven Gods, my Inquisitor drank from the WELL OF SORROWS! So why are we sitting around thinking at the start, "hmm lemme think who I can contact who might know more." The Herald of Andraste! They know more Rook, the guy that is technically your boss. The Inquisitor! Who else have you been working for this entire time? Who do you think told Varric to recruit you?!
But even removing the Inquisitor, the Elven Gods being real and also near synonymous with the old Tevinter Gods is kind of a BIG DEAL. It was only a theory fans crafted long ago that slowly revealed itself to be true. And it completely upends known religious dogma on all sides. Yet, why aren't people we meet going through a massive existential crisis? For instance, the Veil Jumpers we initially meet were presumably told off-screen about Fen'Harel, and are seemingly cool with this massive knowledge alone. But then we talk about those two other Gods being released and they're like, "well, shit those two aren't good." As if they have any clue if the fables about those Gods are real when we previously just upended everything they thought about the Dreadwolf! Why are you acting like this is another Tuesday?! Your entire religion is wrong. In that same conversation, Strife notes "Solas might be a bastard, but compared to the Evunaris? Let's just say they weren't know for being kind rulers."
My brother in Anduril, what are you talking about! Elven religion teaches that Elgar'nan was so beloved by the Earth that it "the land brought forth great birds and beasts of sky and forest, and all manner of wonderful green things." And that he fought the jealous Sun that tried to burn the land and all beasts away. Custom says that he and Mythal, "created the world as we know it" after defeating the Sun. He is literally described as one of the "good" Gods. WHY ARE YOU ASSUMING HE IS EVIL! It's like finding out Satan is real, but not as evil as have come to believe and then being told Jesus Christ is back and a devout Christian going, "well shit, that can't be good." WHAT?!
The same goes for Andraste and the Chant of Light, it took me 30 hours of playing before ONE character mentioned Andraste and the implications with the Chant and it was never brought up again. Our entire party is seemingly made up of unphased atheists. Now compare to something like Inquisition which explored this aspect HARD and was amazing for it. You'd get into great debates with religious figures and party members about the implications of Corypheus actually being a Tevinter Magister of old. And you'd talk about what it means towards the religious dogma preached and how much is true. And these intense political and religious discussions are present in every previous game, and not confined to a single conversation with one party member where it is seemingly resolved.
These conversations do not happen in DATV because there is no depth to the writing or engagement with the world. The Elven Gods are evil and need to be stopped. That's it. We don't need to think about the implications this has on Dalish customs and religion. Fuck it, all the Dalish are going to still wear their Vallaslin slave brand tattoos. Let's forget about Trespasser implying Solas was removing them from followers coming to join him. Let's even forget they were likely all told at this point that they are slave brands, nope still going to wear them yet speak blasphemy with every sentence against our Gods. No one cares about Andraste or The Maker or the Chant. Big deal if these Elven Gods contradict the overwhelming majority religion in Thedas. Not a single party member has religious or cultural objections to killing the Elven Gods; not a problem. Not one single elf wants to join Solas in tearing down The Veil and getting immortality again?
Again, let's forget about Trespasser setting up Solas gathering MANY Elven followers from Dalish clans who would be super inclined to join him after experiencing CENTURIES of discrimination and slavery by humans. The better question is what Elves wouldn't join Solas at the start? And what Elves wouldn't look at the other two Gods and go, "meh, maybe we should give them a try. They can't be worse than humans, right?" In DA2 you had elves joining The Qun to escape the discrimination of humans, but not ONE ELF wants to join Solas or Elgar'nan? Those Ancient Elves in the Temple of Mythal? I guess they all died, right?
This extends to EVERY single element of Dragon Age that previously had depth to it, it now has been completely removed. Those murdering Antivan Crows? Oh, they're just good Italian Mob Family that protect their city. Tevinter? Yes, it has poor people, but we're trying to do better. Oh, slavery? No, no we don't show that here. The Qun? The what now? No, they are all Antaam now, and so that means they are all generic evil warlords. No, they don't even attempt to follow their own hardcore view of The Qun like when Templars split from the Chantry, they're just warlords now that like plunder. Dwarves and their rigid Caste society? We don't do that here. Elves and racism across Thedas? Elves used to experience racism? News to me, what's a Shemlen? Never heard of that term, we like all humans. Pirates? That is insensitive, we are Lords of Fortune and we are sure to return any cultural artifacts found to their rightful owners; it belongs in a museum after all. The fucking Fade and spirits? Wait, you mean its different than generic fantasy spirit world? I'm sorry, that's too complicated here.
This either intentional disregard of the lore or plain ignorance also extends to environmental design. The asset reuse from Inquisition is particularly hilarious and must speak to the developers not having time after the switch from MP. Why are the same statues found in Val Royeaux in DAI also in Tevinter and Antiva? Why are those stupid Fen'Harel Wolf statues EVERYWHERE? Even in the catacombs of other Elven Gods! There are no statues of Elgar'nan or Ghilan'nain. Nothing for June or Anduril. Dirthamen. Falon'Din. Nothing. No, the only Gods that seem to get statues are coincidentally the ones who already had assets created for DAI or past titles that could be reused. Hmmm.
This continues into character designs too, why do the Veiljumpers and Shadow Dragons all dress richly? They are supposed to be poor as fuck. There's a codex entry about Veiljumpers finding a lost cache of old ancient elven armor and weapons and so boom they all get to dress like High Elven Lords and not the dirty, poor, wandering Dalish clans they are supposed to come from. Why do this? There isn't even an attempt to explaining why the Shadow Dragons, an organization supposed to be secretive, has branded clothing in bright rich colors and fabrics for all members. Naturally, it must be incredibly difficult for Tevinter authorities to not identify them.
This lack of depth and verisimilitude, naturally, affects all the characters. Because in this game you cannot roleplay and you cannot ask questions. In Dragon Age Inquisition, once you started the game, you could immediately interrogate Varric about what happened to every DA2 character despite the Inquisitor never meeting them, you know because it respects its players. You could speak to shop keepers, blacksmiths, your horse master. You could interrogate every single person to learn more about them and the world. The same goes for your player character in DA2 and Origins. You show in Denermin and find yourself knee deep in a quest to help Wade the Blacksmith craft the perfect armor. Here you can't actually speak to a single shopkeeper to ask questions and get some lore bits. You can't ask party members questions about their background, religious beliefs, upbringing, their factions, etc. You can't ask any returning characters any questions either about what they've been doing. Enter a brand new area? Great, you're not asking anyone questions about this never before seen place.
How does a lost Dwarven thaig survive every single blight? How are their immortal lichs in Neverra? How long has that been a thing? Why haven't they told anyone about the Elven gods or any other knowledge they've accumulated in an immortal lifespan? If immortality is so "easy" why can't Solas just do that to restore the Elves? Why are the Venatori, Tevinter Supremacists, following Elven Gods? Wouldn't that be a major identity crisis? Why would Antaam, who still preach the Qun, follow an Elven God that speaks blasphemy with ever breadth? Sshhhh, no questions. You get what is directly told to you and that's it, no follow-up questions.
Party members do not conflict with each other or interrogate each other's beliefs which is why their banter feels inconsequential and meaningless. Lucanis is a assassin, he kills people for money. The same organization that marked Zevran for death for failing a contract. The same one that took him as a kid and trained him to murder, often brutally, for coin. And yet no one really seems to care. He's just a nice Italian assassin from a nice assassin organization. Who cares. Let's instead talk about cooking, at length. Harding, a devout follower of Andraste, has no qualms with Elven Gods wreaking havoc on known religion. We get one conversation you can tell her to believe what she wants, and that's the end of that debate. Bellara also gets about two whole conversations about the conflict concerning her Gods wreaking havoc, both easily resolved. We don't need to think about any larger implications or doubt her loyalty when the Elven pantheon are seeking to restore her people that have been discriminated against since forever. Emmerich, a necromancer of Neverra, apparently has no religious belief. A codex entry even states that those of the Mourn Watch don't know where the soul goes after death. They don't like to think about it. Buddy, Mortalitasi belief is literally that our souls return to the Void alongside The Maker, but to keep balance a exchange must be wrought with The Fade to allow a spirit to house the now empty vessel. How do you not know the religion and customs of your own faction and land? This man has a whole quest line about funerary rights, yet not ONCE mentions religion and what he believes happens after death?! Sshhhh, no questions. No thinking.
Hey, remember The Fade? Remember how mages go to dream there every night. Remember how The Black City is always visible there? No? Well, we don't either. You won't see The Black City in The Fade. You might see it in The Crossroads in a closed off section, even though it is NOT The Fade. Oh, we're going to have you physically enter The Fade in multiple quest lines and no one will think it's a big deal. No, you still can't see The Black City. Now, The Fade is reduced to nothing more than your generic fantasy spirit world. It has none of the previous rules and lore that bound it before. Demons can bind to non-mages and we won't attempt to explain it. Solas fucks with The Veil and not a single mage notices a change in their dreams when they sleep at night. No biggie.
Lastly, let's return at last to the actual minutiae of writing. I stated at the start the writing isn't bad because of Marvel quippiness, which the series has always had. I was partly lying. Yes, the series has always had anachronistic dialogue. It has had meme language in its own previous titles. But, it was just that, a small joke here and there. For the most part the series actually tried to use it's own sort of "older" speech patterns. I think a perfect example has to do with Taash, she eventually finds her own identity and declares she is proudly "non-binary." Literally stating, "so, I'm non-binary." I have no issue with this sort of inclusivity in Dragon Age, it's what the series is known for. Yet, why does that sound wrong? Simple, it's far too anachronistic. It doesn't belong in Dragon Age. In Inquisition, Dorian let's us know he's gay. But he doesn't say, "I'm gay!" or "I'm a homosexual" those terms would not exist in his world. Instead he says, "I prefer the company of men."
And it's these little subtle changes in writing that makes it feel all the more different. We went from "I once ventured in to The Fade to serve the Old Gods of Tevinter in person. I found there only chaos and corruption. Dead whispers. Now I shall return under no name but my own, to champion withered Tevinter and correct this blighted world gone wrong. Pray that I succeed, for I have seen the throne of the Gods. And it was empty."
To: "Well, shit. That can't be good."
So, what do we have when all is said and done? Well, we have a decent generic fantasy action game. An intentional attempt by the developers to remove every edge from the world of Dragon Age in place of a very simple, easy to understand world with not much depth beyond what you see. You don't need to think, just play and have fun. This is beyond turning a MP game into a SP game, which so blatantly obvious in this game. DA2 was developed in 16 months, but is carried strong by its writing. You see, nothing prevented them from just acknowledging their own world they created. It costs very little to write around what already exists. Even if you can't make no assets or redesign the world. Writing is cheap and having characters voice these elements is not as costly as a redesign. No, they chose to remove the edge in every element because this was design intentionally for the masses with easy to understand world and zero depth.
But I wanted to play Dragon Age. I wanted to get into intense religious debates with party members as known lore is completely upended. I wanted to debate Elvish clans deciding to join Solas or the other Gods due to their treatment by human society. I wanted to debate the ethics of necromancy with the Mortalitasi of Neverra's Crypts. I wanted to engage in intense debating with Solas on the ethics of his goal. I wanted to see Tevinter react to a real push for anti-slavery and actually see the slavery in the slave capital of the world. I wanted to butt heads with the Antivan Crows and call them out for the murderers they are. I wanted to see the Black Divine and debate the Chant of Light with them. I wanted to speak to the Archon of Tevinter and see how he felt about the Venatori's past efforts in Inquisition. Hey, what happened to Meredith Reborn in Kirkwall and her idol and Red Templar worshipers? Forget about it.
We got none of this. I got a game that is pretty much disrespectful of its own world. I waited 10 years for this? Why even bother if this is the result? They may as well have just killed every previous character we ever knew, including Solas, offscreen and started anew with this game. Because as a Dragon Age game and sequel, it's terrible and no returning character is how they should be.
And when we get to the ending, that's pretty much what they did. Everything you did in all the past games? Well, that was pointless. Everyone is probably dead. King Alistair. Gaspard. Celene. King Bhelen. The Arl of Redcliffe. The Divine. The Circle of Magi. The Templars. The Seekers. Everything, everyone, and every organization that existed in the South is likely dead and destroyed. And now Dragon Age can become what they wanted, a generic fantasy IP.
But I just wanted to play Dragon Age.
#dragon age#dragon age critical#dragon age spoilers#I finished this game... and now just mourn the end of a fantasy world that was so much and now is nothing
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What’s Love Got to Do with It
(oberyn x f!reader) wc: 4.6k | other fics
note: hey y’all it’s me ya gurl, here to defile another prompt with a silly idea <3 Sooo, from the three brain cells that brought you fuckboy!joel and divorced dad rock dilf!joel 🫡i now humbly present …. Frat bro Oberyn, Aka The Red Viper, aka the Prince of Pong, aka the Slut of Delta Psi (i did steal the frat name from the film Neighbors—in which they do sing a line from Creed in their frat chant, so in some twisted way, they’re kind of all connected right??)
I fear this may have just been funny to me so feel free to skip, but thank you to everyone who tolerates my shenanigans <3.
ANYWAY, The lovely @baronessvonglitter bestowed upon me Oberyn x What’s Love Got to Do with It for fucktober (happy belated bday babe) but naturally, i made it weird. Thanks to @sunshinehaze1 for reminding me that modern AUs exist when I got scared of the GOT universe and to @auterdelabre for reminding me that the answer is always fuckboy. Don’t blame them for anything else.
Summary: You attend a fraternity toga party, and you catch the eye of Delta Psi’s notorious Red Viper. He shows you how he got the nickname and then he shows you something else he’s known for.
tags/warnings: explicit 18+ smut, alcohol/partying, gratuitous flirting, piv, fuckboy behavior aka on to the next one, infidelity, i couldn’t bring myself to write his dialogue in frat bro™ –aka i didn’t fully commit to the bit bc that man just had to be smooth and had to fuck no matter what universe i put him in, apologies if that ruins your immersion in my pwp, per usual: no y/n, f!reader is able bodied otherwise no specifics, unprotected piv as if it’s no biggie because it’s fiction (don’t do that irl), no beta/limited proofreading sorry for all mistakes
“Oh my god, that’s him!” Your best friend shouts into your ear as you walk down the sidewalk. You blend into the sea of toga-clad college kids, sandals slapping against the pavement. Liv leans on you, pointing out the guy she’s talking about. You can hear the music pouring out into the street and people inside yelling and chanting over someone doing a keg stand or something equally as exciting and alcohol-related, you assume.
The guy she pointed out is leaning casually against the banister, letting some ripped blond dude entertain him on the porch. “That’s the guy your roommate was talking about?” you question your friend. Liv agrees with a smile as you walk towards the front steps.
Everyone else on the porch looks like a frat bro wrapped in a wrinkly bedsheet, but for some reason, he seems almost godlike. He’s luminous under the warm lights. As if he knew you were checking him out, he turns his head just as you walk past, and his eyes sweep over you, making your face hot. Something sparks between you before he turns away, taking a swig of his drink.
Liv had given you a rundown on what to expect at your first Delta Psi party. You had argued that you knew what college parties were like. You transferred this quarter as a senior, and you just didn’t have Greek life at your other school or your best friend to convince you to go out. But now, you’re here, dressed up and entering a party that really does feel a little more intense than the ones back at your small-town university.
Liv’s roommate had given you the rundown on the guys she knew in the fraternity, but you didn’t pay much attention to her descriptions. You figured there was no way a Brad, Dylan, Connor, or a Brent would actually be hot. And then, when she started with the ones with nicknames, you completely checked out after Viper and Rooster. It has to defy the laws of nature for a frat bro that goes by Rooster to be able to find your clit—even if he IS hot.
Yet, now you realize you might be eating your words because you get it. You were too quick to judge, whoops. “Which one was that?” you ask in Liv’s ear as you both make your way through the people sloshing drinks and dancing.
“Viper!”
You can’t help the immediate grimace that emerges on your face. “That’s so douchey!” you shout back over the noise before she pulls you down a hall toward that kitchen. She leans in close to your ear, telling you that her roommate swears she got the best head of her life from him. “No fucking way,” you argue.
“Way,” she smirks back. “He’s got a girlfriend now, though. They’re, like, totally in love, it’s all over social media.” She mocks puking at the idea, and you share a laugh.
You explore the party together. The house is huge; one room on the main floor is blasting EDM, and another is blasting top 40 hits. There are a couple of beer pong tables in the backyard and a detached garage filled with stoners on old couches giggling to themselves. You know that Liv is itching to park her ass on one of those sofas and find a girl or guy to whom she can woo with her French inhale and makeout with for the rest of the night.
But, she’s a loyal ass bitch who wouldn’t abandon you. You circle back through the house. You spend a little while dancing together and taking your time to see if there’s anyone else who catches your eye. Nobody really sticks out to you in the first room until you catch his eyes again. You have to do a double-take as you circle your waist and roll your body against Liv.
He’s semi-shrouded in the corner; with the dim lighting and the packed house, it would be easy to miss the two of them altogether. But when the girl clinging to him turns around to grind her ass against him, he locks eyes with you, and you swear that fucker winks at you before a group of girls prance into the room, shouting oh my god, it’s our song! You try to shake it off. You were definitely just seeing things with the lights.
You signal to Liv, and she follows you into the other room. You dance together a bit longer. She offers you a swig from her rhinestone-encrusted flask, but you turn her down, staying sober tonight. You feel euphoric enough with the strobe lights and the thrumming bass from the EDM remixes blasting in the room.
You turn down a few wasted white dudes who try to dance up on the two of you. Too drunk. Not your type. Too handsy. You’re not afraid to punch a man in the throat or the nuts if they don’t get the hint, but they back off when you give them a gentle shove and a shake of your head. The most recent suitor is turning and scoping for another girl to approach when you see him again.
He’s moving towards you, looking right at you, but there’s no girl on his arm–or crotch, now. For some reason, it makes you feel too hot. You’re sweating from the dancing anyway, so you ignore the electric look in his eye that makes your clit twitch and grab Liv’s arm to make a dash for the backyard to get some fresh air.
You debrief with each other and come to an agreement. You tell Liv to do her thing, urging her to head towards the couch with the skater dude wearing the toga made from a dinosaur patterned sheet and the high-top vans. She agrees to text you if she plans to relocate or wants to leave before you finish taking another lap around the party.
You sort of lie to her, claiming someone inside caught your eye. They did, but you aren’t planning to do anything about it. Instead, you part ways and head back through the house, past the pledge posing as a bouncer at the front door, and onto the front porch. The music is still loud, but it’s quieter out front. People still trickle in and out of the party. You stare out at the night sky, searching for the moon. In your own little world, you’re basking in your own peace.
“I haven’t seen you here before,” a rich, velvety voice washes over your shoulder. It should make you jerk away, give you goosebumps, and raise your hackles. But, instead, the interruption stirs liquid heat in your core and makes your nipples hard. Because it’s him.
You turn your head and confirm. He’s so close to you.
“You know every girl here?” you challenge him.
“I know the ladies and gentlemen that pique my curiosity,” his voice is so smooth. He’s a charmer, for sure. He offers you a drink, holding out two plastic cups in one hand. The size of his hand does make you tingly, but his smile falters when you shoot him one of your signature dirty looks.
Before he can ask about the look, you take one of the cups, give him a cloyingly sweet smile, and pour it out over the railing into the grass below. The tail of his brow quirks, and he gives you a sly smile that widens into a grin and a full-chested laugh. “Oops,” you mock.
“You’re a bold woman,” he muses, “I like that.”
He doesn’t back down after you toss out his drink. He doesn’t take it as a rejection. He understands when you explain you don’t take open drinks from strangers at a frat party, but you roll your eyes hard when he gloats about not needing tricks or drugs to find a lover.
He banters with you as he downs the remaining drink. He’s quick, with sharp wit and a devious smile. You can’t keep your eyes off his exposed chest, his arms, his neck, his eyes. It’s still confusing how he can look so regal, whereas everyone else in the party looks a little…goofy? Cliche? He pulls you back to the present, asking for your name before he gives you his.
“They call me ‘the Red Viper,’” he gives you a provocative grin like he knows exactly how hot he looks, even with a bedsheet draped over his shoulder.
You play into his hand, “Is that some kinda of euphemism?” Feeding his ego with a suggestive arch of your brow. Maybe you’re bold, but you don’t think he’s the type to be deterred by a confident woman. In fact, it seems to make him glow even brighter.
His voice lowers, dripping with an enticing challenge, “Are you looking to find out?” he asks.
His jaw quirks, and you’re mesmerized watching him suck at his lower lip. It looks so perfectly plump and kissable, curling into a smirk as his eyes gleam with mischief. “Come,” he beckons for you to follow him deeper into the party.
“I thought you had a girlfriend,” you say stiffly, remembering what Liv had said as you walked in. He looks at you curiously before shaking his head lightly.
“You mean Cora? From earlier? She’s not my girlfriend. We were just dancing.”
“No,” you shake your head, “I heard it’s all over social media. That you’re loved up.”
“Oh, so you’ve heard of me?” he gives you that cocky smile that absolutely shouldn’t work but somehow makes you feel warm like you’re laying on the warm sand on a beach listening to the waves crashing. You don’t say anything else, and he leans in a little closer, “What’s love got to do with it?” he asks huskily. Dangerously.
It makes you shudder with something warm and twisted.
“Now,” he guides you gently but firmly, “Come.” You need him to stop saying it like an order before you do.
You let him walk you through the party. Weaving through the boisterous crowds. They part easily for him, clearing a path like he’s royalty.
“They call me ‘the Red Viper’ because I’m lethal at any game involving a red Solo cup.” He murmurs it into your ear like it’s a sexy secret.
You laugh brightly at that, giving him a gentle shove. “That’s the lamest thing I’ve ever heard!”
He gives you a coy shrug. “It’s the truth.” He leads you into the backyard, towards the beer pong tables. “I’ll show you,” he says just for you to hear. The string lights illuminate the yard in soft light; however, the mood is anything but romantic, with the drunk cheering college kids taking their drinking games very seriously.
You watch, amused, as one team high-fives each other over their trick shot. At another table, both teams heatedly argue about “house rules.”
“It’s the prince of pong!” one of his fraternity brothers shouts across the lawn. He gives you the most dramatic I told you so glance, and you mouth “lame” back at him. He calls ‘next game,’ and as if he were their lord, one table immediately clears out, forfeiting in a demonstration of fealty.
“Ladies first,” he offers once he’s set up all the cups to his liking. He’s so arrogant about it, and it shouldn’t turn you on, but it absolutely does.
You grin across the table at him. “You’re on.”
He’s merciful at first. You land a few cups, giving you enough confidence to talk shit and tease him. But it rapidly becomes apparent that he’s a man of his word as he easily picks off every cup on your end of the table with precision.
Despite your rapid descent towards a loss, you eat up his charm. His magnetic energy. He makes the rest of the party disappear when he looks at you. It makes your heart tingle and your pussy flutter. He’s a gracious winner, only gloating a little as he reracks the table and offers it up to other party-goers.
“Alright, Viper, you won. You can retain your title.” You admit defeat as he slinks up close to you, ushering you along to the side of the house, only a few steps away but more secluded from the rest of the party.
“And now, will you allow me to claim my prize?” he asks in his smoky, deep voice.
Despite his clear intentions, you feign confusion as he wraps one wide hand around your waist and tilts your chin towards his face with the other. “I didn’t know we were playing for stakes,” you smile brashly. Your skin blazes under his touch and his seductive gaze as his eyes drop to your mouth.
He starts to dip towards you, but you swerve away from him. It’s on the tip of your tongue to ask again if he’s in a relationship. He growls softly, almost a purr, next to your ear. “What’s wrong, my lady?” he murmurs. The intimacy of it is heady, and your surroundings fade.
You want to take whatever he’s offering, no questions, so instead you whisper, “Tell me your real name.”
He sighs softly before giving in and telling you his name.
“Oberyn,” you repeat back, “that’s unique.”
He starts muttering about how he’s an international student, but you’ve got all the info you needed. Now you don’t have to add a guy named Viper to your mental list of hookups.
“I like it,” you cut him off before slotting your mouth against his and making up for ducking out of his last attempt at a kiss with your eagerness. He wraps his arm around you, and you’re transported. One large hand presses against your lower back, urging your hips toward his, and the other cradles your jaw, giving you a sense of stability as he matches your ferocity.
You briefly wonder if you’d have melted if he wasn’t holding you so tightly before your thoughts are consumed by the sensation of his lips against yours and his tongue running along yours. It’s not a kiss you would’ve expected from a frat guy. It’s romantic and passionate, and you feel your body rolling against his, caught up in the sensation and intensity.
You keep going, letting yourself enjoy the moment, eating up the flavor of him, the scent of him, and the throbbing intensifying between your legs. You slip one of your hands along the back of his neck into his soft hair, and he groans into your mouth. It makes your knees weak.
You chase his mouth as he pulls back and looks into your heavy-lidded eyes. Sharing the hot air between you, it feels like a current is looping through your bodies, buzzing with need.
“Let’s go upstairs,” he urges in a gravelly whisper. You can feel him hardening against you. His hand on your back is firm, keeping you flush, pelvis to pelvis, making you nearly dizzy. However, his hand on your jaw is gentle, brushing his thumb along your cheek sweetly. You still can’t help goading just a little.
“What for?” you ask playfully.
“To fuck.”
It makes your cheeks hot. Maybe there should be red flags popping up in your mind, but you don’t care. He likes a bold woman, and you like a direct man.
“Unless you’d rather do it in the grass here,” he tilts his head toward the ground. You act like you’re considering the option seriously, making him laugh before he releases you from his arms. “Don’t tease,” he says with a severe look, “It wouldn’t bother me.”
Me either, you consider before deciding not to say that part aloud. You tell him to take you to a real bed, and he does. Swiftly guiding you into the house and up the stairs, past the pledge guarding the rooms, and into his bedroom. He spins around, pinning you against the door for another searing kiss. It’s more urgent this time. He’s quickly moving to your neck, trailing open-mouthed kisses down your tender skin as you both greedily run your hands along each other’s bodies.
Before you can get your hands under his toga, he’s detaching from you and sinking to his knees. He moves efficiently, bunching up your toga and asking you to hold it. Then he’s hovering his hot mouth over your mound before kissing you over your lacey panties.
“Mmm,” he hums into you and traces the crease of your thighs with one hand, following the line until he’s softly running his fingers along the edge of your panties, the tips of his fingers barely dipping beneath the hem as he moves towards your core. You watch, staring down with your mouth parted as he holds your gaze.
He teases you, running his fingertips along your seam over the soaked fabric, tapping and teasing at your swollen clit through the fabric as he watches your needy expression morph into frustration. You shift, spreading your legs wider, but he stops you with a large hand on each thigh.
“Hold still,” he orders, and you feel compelled to listen. He pulls your underwear down and off of you, then hooks one of your legs over his shoulder, spreading your cunt open. “That’s better.”
You can’t tell if he’s talking to himself or to you. You don’t have a chance to ask before he’s burying his face into your soft, wet pussy. Your breath hitches at the sensation and one of your hands flies out to grab at the door frame to steady you, while the other one digs into Oberyn’s hair.
He’s unbothered by your dramatics. Oberyn moves with enthusiasm, drawing his tongue along your slit and pressing into your sex with his jaw. His facial hair tickles at your tender skin deliciously and his nose grazes over your clit as if his face were molded to maximize your pleasure. He changes his strategy, mouthing at your clit and sweeping his tongue over it like he’s making out with it, with the same passion that he kissed you with outside and a moment ago.
You can feel it starting to build. Your hip flexors straining and thighs starting to tremble as your breathing gets quicker and more shallow. Closer and closer and closer. He’s perceptive and diligent. Repeating the same tricks that make you moan and dig your fingers into his hair.
You’re stuck on the precipice, so close but not quite there. Your eyes roam around the dimly lit room, the bed, the bookshelf, the tapestry pinned to the wall, the collection of cologne bottles lined up on the desk, the mirror on top of the desk–pointing right at the bed.
It starts to frustrate you. Not the decor choices, but the tension and the building pressure. You squirm slightly, hoping the smallest adjustment will somehow bring everything into a sharper focus. You let your eyes close, letting the roar of the party downstairs fade, focusing on the pressure and warmth of Oberyn’s mouth.
More, more, more.
It’s all you can think as Oberyn stays dedicated to getting you off on his tongue. He sucks firmly at your clit before releasing you with a slick sound. He hovers, mouth fanning warm air over your core looking up at you. His eyes are lit with hunger.
“More?” he asks in his deep, rich voice.
You can’t tell if you were chanting out loud or if he’s somehow reading your mind. “Please,” you respond with a needy edge, “more.” You catch the sparkle in his eye and the flash of a grin. He works you up again, towards the brink, relishing in your responses as you whine with need as he resumes holding you in a purgatory of pleasure.
Mercifully, he does give you more. Oberyn grips your thigh with one hand, steadying you, while he swipes two fingers along the length of your pussy once, twice, coating them in your arousal before plunging them inside of you. The increased pressure and friction from his fingers pumping into you causes you to moan. It’s a lower register than your breathy panting from earlier, layered with satisfaction as you can feel the anticipation starting to crest.
“Don’t stop,” you beg, “I’m so close.”
He doesn’t stop, groaning at your words, rumbling against you. That snaps the tension and you cry out his name and a string of curses as your orgasm hits. He doesn’t slow down when your cunt contracts around his fingers and he doesn’t lose focus when you shake and writhe against mouth. Not until you’re pulling him off of you, oversensitive and wrung out.
Oberyn stands, wiping at his chin before pulling you in close for another breathtaking kiss. He walks you back toward the bed and you fall into it, pulling him with you. You tangle together, frantically, you want him inside of you now. He laughs softly against your hot neck, sensing your frustration.
“Shh,” he murmurs as you huff with defeat. He moves deftly, braced over you with one arm, and freeing his cock with the other. Your hands stroke up and down his shoulders and back, and you hook one leg around his hip, encouraging him. “You want me to fuck you now?” he asks and you whisper a yes that turns into a gasp as he runs his tip through your soaked center. “And how do you want it?”
“Hard.”
“Yeah,” he agrees, sinking into you deeper and deeper, and pulling back, all the way out, then all the way in. “Fuck,” he says to himself as he sets a quick pace, slaming his hips into yours making the bedframe creak with every thrust. If the noise from the party didn’t drown everything else out, you might be embarrassed to have strangers over hear, but you would be surprised if anyone could hear a thing. And, even if you were louder than the party, you could care less about being caught as Oberyn fucks you into the mattress.
“Harder,” you goad him, hoping for more. To your horror he pulls out of you completely, but you swiftly find yourself flipped onto your stomach as he lifts your hips and enters you from behind. You press back, meeting his thrusts, bouncing off of his hips until he presses his palm between your shoulder blades. He forces your chest into the mattress, holding you still so he can fuck you like he means it, with enough force that all you can do brace yourself and ball your fists, twisting the bedding between your fingers.
With your cheek against the bed you can watch your reflection in the mirror. It’s hot, even with your togas draped and bunched up, you look good together. It makes you grin. He catches you looking and turns, meeting your eyes in the mirror before watching your bodies. He grips your hips firmly and you can barely keep your eyes open to watch as he continues.
He overwhelms you with his stamina, keeping up a pace that has your mind feeling blissfully fuzzy. He says something else before folding over you and slipping his hand around towards your clit, determined to feel you come around his cock. You’re so close already, it’s only a moment, a few more thrusts, before shuddering beneath him. He tries to fuck you through it, but you clench and constrict around him so tightly that he pulls out while you’re still moaning.
You can hear the slick wet sounds as he strokes himself, cursing under his breath again, before you feel the warmth as he comes across the swell of your ass and your fluttering cunt. You sink, dropping your hips and relaxing onto the bed while he catches his breath. Oberyn squeezes at your thighs, offering praise you don’t quite hear, then he’s slipping off the bed. He cleans you up with a towel, but you remain still for a little longer, enjoying the satisfaction and the sweet ache from the intensity.
“Take your time,” he tells you, leaning down to press a kiss to your shoulder. It’s gentle. You murmur a thanks at him before breaking into an airy giggle. It makes your ribcage shake, bouncing slightly on the mattress, realizing that Liv is going to die when you tell her you can confirm her roommates story. Oberyn doesn’t question your reaction.
He pauses to readjust his toga and his hair in the mirror. Once seemingly satisfied, he turns back towards you, watching you sit up. “I’ll see you out there,” he says with a smile before he slips out of the room.
You linger for just a little. Allowing yourself the privacy to revel in the sweet satisfaction of the post-sex chemicals flowing through your body. You let yourself grin while you check your phone to see where Liv is at.
You take another minute, using the mirror to fix your own appearance, aiming for a slightly less obvious version of I just got railed, before meeting your own eyes. For a sobering second you remember you didn’t get a real answer about if he has a girlfriend. He sure as fuck doesn’t act like it, you decide. You shake off the thought.
He might be a frat bro, he might be a piece of shit, all you know for sure is that he is hot, a good kisser, and he knew how to make you come. Three things you didn’t think you’d find in one guy under this roof. You give yourself a final onceover before heading out of the room and down the stairs.
You don’t see Oberyn in the first few rooms you pass. You keep looking; he couldn’t have gone far. You’re barely finished that thought when you spot him in the kitchen. The sight makes you stumble, shooting a hand out to the wall to catch your balance.
He’s leaning casually, with his hip against the counter, as a starry-eyed girl looks up at him, giggling flirtatiously, as she lays a hand along his bicep.
It’s in slow motion. The way he looks at her hand, the way his eyes trail along her arm, over the curve of her breasts, and down her legs before flitting back to her face with that same sinful smirk you just fell for.
Your shoulders drop. It’s not like you were planning your wedding or that you even thought a date was on the table—but you didn’t think he’d be on to the next girl before you made it down the stairs.
You start to recenter yourself, reaching to check your phone again before you look for Liv.
He sees you before you can mind your business and plan your next move. Catching your eye through the doorway. Before you can formulate a reaction, you’re stuck, held in his gaze. He winks at you again, only this time there’s no question if you were making it up. He winked at you and despite everything, it makes your whole body tingle.
“I saw that!” Liv shouts into your ear, wrapping an arm around you. “You have to tell me what the fuck that was about. But first can we please get pancakes or cheese fries?”
You don’t bother turning back for a second glance as you follow Liv toward the front door.
You must understand though the touch of your hand
Makes my pulse react
That it's only the thrill of boy meeting girl
Opposites attract
It's physical
Only logical
You must try to ignore that it means more than that
Oh, oh, oh
What's love got to do, got to do with it?
…..
tags for babes, but no presh:
@lovely-vamp-princess
@gothcsz
@auteurdelabre
@adoreyouusugar
@swankyorange
@itwasntimethatdidit40
@ivoryandflame
@magneticecstasy
#fucktober#birthday baroness#oberyn x f!reader#oberyn martell x f!reader#oberyn martell smut#posting at 3 in the morning my time as per usual
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ok ok ok. a post about josh, buck, and maddie at dispatch as promised. (and because i dont feel like writing a whole separate post or repeating myself etc, if im pointing something out as evidence for my autistic josh headcanon, it'll be in parenthesis like this) also this is long because im going basically line by line in some places so just be prepared for that and such.
the first thing i wanna say before anything else is that like... as far as how this conversation fits into the larger narrative, i was fairly disappointed, due to the way that including this scene like this is kinda implying that the racism was fine because of being closeted etc. HOWEVER. luckily for my sanity it is pretty clear that from a character perspective, that's not at all what's being said by josh himself here, and we can be pretty certain that he is not aware of tommy's past behaviors. in fact he has almost no facts or context about the situation, which i'll get into later.
now that the disclaimer is out of the way, im gonna move onto character analysis and will not be touching on what i think the narrative might have meant etc. any further. like this is going to be purely talking about character dynamics and dissecting the dialogue etc.
we start out right away by skipping all the exposition right into a hard cut of maddie reacting to the news that tommy and abby were engaged. LOVE this set up we get right into the important part quickly and we as the audience only have to hear information that is new to us, not the information being repeated back to the character for whom the information is new.
and oh maddie. i love you so bad. she's like DAMN thats crazy, and then makes the obvious turning people gay joke. her energy here is sooo like it didn't make sense until looking at it in retrospect, but she's shocked and invested yet not taking it very seriously as a concern for buck, because well, she's having a baby and this is objectively not that serious comparatively <3 but i do love that she sees buck's reaction and quickly reins it in and is like woah im kidding im not actually being homophobic holy smokes. which. it kinda still is a little. but i think she's allowed <3
and then... josh enters the scene. he apparently only walked in as buck was saying "-kissed a boy" so of course he had to be like huh? gay shit? something gay? boys?? what's going on over here? and i love that for him. and i love that maddie immediately is like oh hi bestie i catch u up to speed on the tea <3 the maddiejosh bestieism is so back we never lose <3 and that fact that she's like. feeding in the facts in a way to dramatically amp up the tale i love it. she really said man the things my baby brother gets himself caught up in are wild.... anyway <3 true sibling behavior is finding the perfect balance between being supportive and being so so annoying <3
and she is supportive still. like when it becomes clear that there's something deeper going on here she does try to help him work through it. and its so interesting to me the way she is sort of seriously contemplating his words and is shocked when josh not only speaks up but is being very serious and equally focused on the problem at hand. it's like... she's trying so hard to figure out how to help her brother with something she doesn't fully understand that having someone else speak up to help them kind of shocks her and boy does that say something about their lives and the buckley sibling dynamic!
side note, the way josh is jokingly like "she didn't bring her personal life to work, unlike SOME people" and maddie's little look of mock offense?? they're so cute i cant handle it.
i also really love how the shots are framed during this conversation. at first, even when she's not talking and is just listening to josh talk, maddie is still in frame, we're still getting her reaction, she's an active participant in what's going on. and then there is the one shot where she's talking and josh is out of frame, hidden by buck, because whatever reaction he might be having isn't important, it's a buckley sibling moment. (he's not an active participant at that point; he's entirely observing and reacting and gathering information, not dictating the direction of the conversation whatsoever.)
it's only when josh gets very serious and it starts to turn into a heart to heart moment just between him and buck that maddie is allowed to leave the frame. it still goes back to her in very brief cuts when her reaction is relevant, but she steps back out of focus and let's josh handle the conversation. and i love that so much. thank GOD someone else is helping buck sort out his problems that isn't his parentified sister or just generally someone more marginalized than him. it was kind of getting irritating to watch, as much as i love buck so much. like dude... the emotional labor. watch it.
and man. this conversation guys. everything about it makes me an insane crazy person. ive already mentioned this in the tags of some other posts but like... its so fascinating because on the surface it is such a cohesive conversation, but when you really break it down and analyze both of their expressions and body language alongside what they're saying, you can start to see the cracks in it. what one of them is saying is not what the other one is hearing, in both directions. they are having two different conversations and i think it's critical to analyze both of those conversations and how they are interacting with each other. what josh says, what josh hears, what buck says, and what buck hears are four entirely separate things happening alongside each other.
the first part is josh trying to get a sense for how serious this relationship is to buck. when buck falters at the question of "do you love him?", he elaborates with follow-up questions that, to josh, define "love" or close enough to it. answering "yes" to those questions is close enough to a "yes" to the question of "do you love him?".
(which. ok. the particular choice of questions makes me insane because they do essentially boil down to "do you prefer this person to solitude and grant them an equal or greater importance to yourself?" which is sooo... it's said from the point of view of someone who greatly values their solitude and would not easily grant someone that level of importance.)
unfortunately, well, buck is NOT someone who greatly values his solitude, and puts other people before himself quite easily. buck would answer "yes" to those questions for basically anyone. josh does not know or understand this about buck and takes buck's answers at face value, while buck is taking this as sort of... it's hard to explain, and i think others have done a better job of capturing buck's perspective already tbh. he's convincing himself that he loves tommy here because josh is unknowingly handing him that information and expectation, and buck loves to mold himself to fit an expectation etc.
and then comes the second part, which... i think this is where it is most critical to realize that josh has none of the context about tommy, abby, and buck and those respective relationships. by his own admission, he didn't really know much about abby or about her breakup with tommy beyond the fact that it was upsetting. he didn't hear the way tommy talked about abby to buck at dinner, and he definitely didn't get to see any of the real fallout and damage to her psyche that tommy leaving her caused.
but buck did! im not inclined to rewatch s1 to get any exact quotes or anything but from what i remember, she either outright said or implied that she was so heartbroken because tommy left her because of her mother's illness. buck is understandably very upset because he understands exactly what she went through and how, unless abby was lying to not out him, he didn't exactly come clean with the breakup, and left her feeling like it was her fault, like there was something wrong with her or she was being weighed down by caring for her mother. he calls tommy's behavior exactly what it is: dishonest and cruel.
but josh doesn't know this. all he is hearing is a young, freshly out bisexual calling a gay man "dishonest and cruel" for having been engaged to a woman for his own protection. and he responds exactly how you'd expect! he reminds him of queer history and the fact that he doesn't really have a right to judge the people who grew up and had to survive in a world that was much less safe to come out in.
(and i said in my other post that's still doing numbers that "pre-Glee/post-Glee" is an actual queer discourse talking point and makes sense that it'd be used here, as awkward and cheesy as it seems, but it's also a win for my television/film/popular media/hollywood culture/etc. as a special interest headcanon. <3 we love to see it)
and it kills me because of course buck is just going to take this at face value and decide he needs to stop feeling the discomfort he's feeling, leading to the subsequent doubling down and over committing that is typical of his unhealthy relationship patterns.
(and then at the end of the speech josh has to literally announce that he's leaving DSJFHJKDSKJ. because walking away/ending conversations is so awkward and difficult and the easiest way to mitigate that is to lean into the Dramatic Homosexual Stereotype mask or whatever <3 i've long been of the opinion that josh is someone who uses the behaviors associated with queer men and queer masculinity as the blueprint for his neurotypical mask, which is why he often comes across as being just a little bit off from the Funny and Bitchy Gay vibes that it seems like he's going for. and boy did his exit from this scene just reinforce that headcanon so hard!)
they wrap the scene with a little bit more levity too which is kind of nice to like. move on from that. because it got kind of heavy there for a second.
overall i do like what this scene accomplished, but like i said at the start, i think it has some really unfortunate implications that weigh it down for me. still, always nice to get more josh content, especially when it's pretty consistent with his character as established AND not at all related to doing his job. we got to see him and maddie being goofy and maddie being allowed to let someone else deal with buck's problems for a second. and the whole thing was very well shot! excellent camera work going on throughout.
i don't actually know how to end this post so yknow. im gonna make a dramatic exit now or whatever <3
#my posts#911 spoilers#911 meta#911 abc#911 season 8#911 season 8 spoilers#josh russo#maddie han#evan buck buckley#long post#media analysis#dispatch#anti bucktommy#i didnt go into bucks pov too much bc ive already seen a lot of good meta about that so i didnt feel i had much to add to the conversation#there were no serious meta/analysis breakdowns about josh's pov coming across my dash yet though so of course yall have to deal with mine <
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Hello, sorry to bother you. I’m an avid fanfic reader and i am bilingual. I’m wondering how fanfic writers feel about translations of their work (with permission obviously). Is it flattering? Is it something that you would want so more people can read your work? Or is it more neutral? Obviously you can’t speak for all writers, but i’m curious about your opinion and what you know of other’s opinions
I think, generally speaking, most writers including myself are okay with translations of their work as long as you ask permission first and give credit to the original author. They may also not want their work posted to another site, so as long as the translation is posted on the same site as the original work, you're good then too. To offer to translate something is normally seen as the highest compliment, as the idea someone loved their work so much they wanted to share it with more people - presumably in their native language - is a HUGE compliment. Of course, every writer has their own preferences, so may not like the idea for their own reasons - hence why you always need to ask permission and if they say no, respect that decision. But as long as you stick to those three unspoken rules (ask permission, give credit, don't post to another site), it's normally all good.
There's a lot of AI scraping and copying of original works to other sites happening right now, so writers can be nervous. I, myself, and several others I know, have locked down our fics on AO3 so only AO3 users can view them due to the AI shit. Just be polite and respectful to them and their fics, and you're golden. I'm sure there's plenty out there that would love to see fics translated, including myself! 👍
#asks#anon asks#thank you anon#just so you know I am flattered you thought of me to ask about this#fanfiction#also anyone who speaks another language is a superhuman in my book#I scraped a C in German but that's about it#my brain doesn't do well with language which sounds weird since I AM a writer lol but its true#i'm a visual and sensory person#i write the dialogue first because i HEAR it first#don't even attempt to write description before I've accumulated some serious brain power#to wrestle those letters into some semblance of words#and sentences#long story short learning languages is hard and I bow before your bilingual greatness#english is hard enough for me and it's my bloody native language#so yeah#you are a god#keep doing awesome things anon
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also the fact that they've brought a few new people onto the team gives me hope that dav is better written than trespasser. nothing we've seen so far has wowed me but it also hasn't irritated me so we're actually one up on inquisition rn
#dao and da2 definitely have their bad writing moments but for dai it's like. idk the dialogue is so hit or miss...#with the first 2 games i love getting extra scenes with companions and make sure i get as much as possible. dai i rarely finish a#dialogue tree and kind of dread having to do a round at skyhold after finishing a quest because i dont want to hear these people talk
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Romarriche - “Your company is one of a kind… I would never lie to you. I would never say a half-truth or be quiet.” “What is it in your mind, Merold?” “Hearing your voice, complaint or not—it is music to me either way.” Merold - “If there is one constant in this world… Let it be you.” “You’re the cruelest and the kindest thing that happened to me.” “…If only you continued to look at me like that.” Romarriche - “…Merold?” Merold - “But~ It’s only a minor case of bad-mood-itis.” “So Romarriche, spoil me with a spar, will you?” Romarriche - “Merold.” Romarriche - “Look at me.” Merold - “…” Romarriche - “Is something… Wrong?” Merold - “Instead of a spar…” “I might want to lie down on your lap after all.”
#fragaria memories#merold#romarriche#i wont lie i only had the first line and wanted to write something with it#i was reading this novel and i wanted to write something romantic </3#im gonna babble here on my own so you're always free to skip the tags...#if i remember correctly romarriche and merold were made knights around the same time and I work on that context#i like to think their relationship was rocky at first at romarriche's side who didn't want to befriend merold#compared to merold who thought he finally had a friend his age that was also a knight of fragaria#it was romarriche who looked at merold with a perceived perfection and was compared to him#“...I'll get better and strong. I'll impress everyone so I don't have to hear it--his name repeating over and over again.”#merold who says “if only you continued to look at me like that...” refers back to the past when romarriche didn't think of him favorably#but i like the double meaning to it “please look me as you did before and look at me as you do now”#“cruelest” and “kindest” i was a reading a novel that also used those words so I kinda grabbed from that </3#its really a cute novel though#me reading fragaria memories theories to see if it can at least make sense#i like this but i dont like this at the same time wwww#what does it say about its characters? as a writer i want to care about that because no dialogue should be said without reason#i think this dialogue is perfection but what am i writing this for? who does it refer it? what does it refer to?#but at the end of the day i simply want to indulge myself#something that could sound good and personal and something that could make people who read this smile and myself smile#Merold - “Will you make the promise to never change?”#Romarriche - “Change... But change in what way?”#Merold - “...”#Merold - “Because I'm a knight who fears a lot of things...”#Merold - “And I care about the Romarriche I have now.”#it was never supposed to be detailed but look at me now... </3
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#cp2077: the movie#cyberpunk 2077#valerie locke#corpo v#misty olszewski#the devil ending#i do like this because valerie would be dismissive and jokey about tarot#although realistically she probably just wouldn't ask misty to read it in the first place at all#dialogue is cool though#the idea of johnny's fate being the moon = mystery#and the fact that v still hears him in devil ending and in no other ending... oooof#can't wait to write on my theories about that 😈
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Rewatching the crown and oh wow, I forgot how good this show is
#i went on a 15 minute rant to my poor mother after finishing the first 2 episodes and i held back SO MUCH#seriously. i could pick this show apart frame by frame and have something to say about each one of them#it's just!!!! SO good#the storytelling (in *every* area!! acting. writing. cinematography. music. i can go on!)#anyway if you hear less from me these next few weeks i'm probably busy meticulously picking apart scenes from the crown in my mind#because oh. my god#i can't#(also- rewatching this i remembered how much the crown taught me about storytelling?? i distinctly recall taking lots of mental notes#about how to say things without *saying* them when s1 first aired. because it's a masterclass in showing instead of telling!!)#even the dialogue shows rather than tells in a lot of instances#i'l shut up now but AAAAA#autism reactivated shfjdj#i forgot i was fixated on this for a good few months every year or so between the ages of 14 & 18 lol#and for good reason holy shit#alys.txt#the crown#<- probably best if i make a tag
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The evil slow creep of it being like "haha these will just be quick little side quests, not much effort at all!" and then noticing each one is getting progressively longer than the last, thus no longer being minimal effort.. auGh....
#The jump of 76 for the first one to 275 for the most recent ghghjb#what can I say.. I am.. The Elaborator.. The Detail Giver..#number six will HAVE to be shorter....!!!!!! !!!!#I fear it's going to look this way but opposite with some of the main character quests. The first character I ever worked on. like their#first quest I added wayy to much information and detail and side options and etc.#Once I got done with all their stuff I was like.... if they're all like this I will NEVER finish.. So then I tried to be very short about#it all. EVERY single interaction cannot have 10 branching dialogue and 5 different endings and blah blah blah.. as much as I wish it could.#Hiring a butler to stand over me all day shouting ''NARROW the scope!!!! REDUCE the options!!! CUT the dialogue!!!'' whilst I sob#and hit backspace on everything once every five minutes#But that means probably the first character I worked on will be very obvious because their quests might have a different#feel than the others and be longer.. I just CAN'T make ALL of them that long. but maybe I could choose one..#Like out of the four characters that will have full quests for them upon release.. maybe I can add another one thats long so at least#TWO of them have weirdly long quests and the one first character doesnt seem so singled out lol#I hear this happens in real life professional games as well (like people complaining that X character doesnt have as much#content in an RPG as some other one does. etc.) so.. perhaps my fears about everyting not being exactlyliterally equal#are not even that worrisome or something that's a major factor. Still lol#It's not really that concerning to me anyways from a 'how will people react to it' perspective (very niche game. hardly anyone#will play it i'd assume. its not like thousands of people shall desscend upon me to criticize even if something was weird like that.#it'd be like. out of the 25 people who ever play it. maybe one of them is like 'yeah it was kinda weird that thosequests were so much#longer than the others. but idk' and that's the extent lol). My concern is more like.. Writing time..#the more I add. the longer it takes for me to finish. So if I keep ednlessly making things forever longer and longer. then it becomes The#Forever Project. which it kind of already is. considering I started it in 2018 and then forgot about it for the most part of 5 years and am#only resuming it now LOL.. I cannot bear to add MORE forever onto that which already is quite Forever-ish#If I wrote everything the ideal way I wish it were then I would either need a full team of writers. or I would finish the game in 2085#so.. alas.. cut cut snip snip..#ANYWAY lol
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Hm. Why have I not considered writing my novel drafts in screenplay-ish format before.
#what I struggle most with when I write is transitioning between narration/description and dialogue#and dialogue tags and the like#so… why have I not considered the one option that removes dialogue tags from the equation entirely lol#words never come first for me it’s always always an image or a feeling or a little movie#realising now that this is probably why the theming and mood and emotional arcs of stories usually go harder for me than the actual plot#and why I also often struggle to write compelling plots#they’re not the main thing for me#man what a fine tuesday night to have fundamental realisations about your creativity#see ALSO why the second i start thinking about and describing ‘plot’ in jorvikpov it gets. Immediately worse#and also Does Worse (notes wise)#y’all aren’t there to hear about what happened last week or what’ll happen next week because neither am i#also unrelated my stomach is so hurty right now and i DONT KNOW WHY did i accidentally have lactosed milk or something dumb like that…#z talks#not horse game
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it's 3 am and i am deeply invested in the fanon i have created for myself with my various evil british people shows
#super duper long tags below!!#dont say i didnt warn you!!#very specific brand of grellerin in my head rn that's like#grelle is in denial and is like ''hey mey rin wouldnt hurt a fly anyways so i guess i can at least *hint* to the reaper stuff''#''so that she can know the real me!!'' then BOOM drama ensues#mey rin is like Why Is This Actual Goddess Telling Me This#like bestie it's because youre worth it!!!#but#i need there to be STAKES#just two crazy women in love trying to hide it from their superiors who they both also care for#chefs kiss just give me drama and fluff and theatric romance#i'll write for them one day.... finishing my sertegra stuff comes first sorry 😞#which reminds me i MUST finish some gonzoverse stuff that i made ages ago#like if those two are gonna be so angsty they might as well kiss about it#their fleeting dialogue is so funny ''IM NOT LIKE THEM YOU KNOW!!'' like yes girl we know#you dont have to be so loud she can hear you just fine#also integra dramatically turning away from her in that scene too Can you both CALM DOWN#there is a lot of tension in them just. casually arguing about seras' bloodlust#like girl what are u gonna do?? lick the blood off her finger or something?? psssh like that would ever happen in hellsing canon#BWHAHAHAH ok sorry#sorry i needed to infodump so bad#it's storming outside about to get the crispiest sleep of my life#goodnight for now!!!
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actual writing advice
1. Use the passive voice.
What? What are you talking about, “don’t use the passive voice”? Are you feeling okay? Who told you that? Come on, let’s you and me go to their house and beat them with golf clubs. It’s just grammar. English is full of grammar: you should go ahead and use all of it whenever you want, on account of English is the language you’re writing in.
2. Use adverbs.
Now hang on. What are you even saying to me? Don’t use adverbs? My guy, that is an entire part of speech. That’s, like—that’s gotta be at least 20% of the dictionary. I don’t know who told you not to use adverbs, but you should definitely throw them into the Columbia river.
3. There’s no such thing as “filler”.
Buddy, “filler” is what we called the episodes of Dragon Ball Z where Goku wasn’t blasting Frieza because the anime was in production before Akira Toriyama had written the part where Goku blasts Frieza. Outside of this extremely specific context, “filler” does not exist. Just because a scene wouldn’t make it into the Wikipedia synopsis of your story’s plot doesn’t mean it isn’t important to your story. This is why “plot” and “story” are different words!
4. okay, now that I’ve snared you in my trap—and I know you don’t want to hear this—but orthography actually does kind of matter
First of all, a lot of what you think of as “grammar” is actually orthography. Should I put a comma here? How do I spell this word in this context? These are questions of orthography (which is a fancy Greek word meaning “correct-writing”). In fact, most of the “grammar questions” you’ll see posted online pertain to orthography; this number probably doubles in spaces for writers specifically.
If you’re a native speaker of English, your grammar is probably flawless and unremarkable for the purposes of writing prose. Instead, orthography refers to the set rules governing spelling, punctuation, and whitespace. There are a few things you should know about orthography:
English has no single orthography. You already know spelling and punctuation differ from country to country, but did you know it can even differ from publisher to publisher? Some newspapers will set parenthetical statements apart with em dashes—like this, with no spaces—while others will use slightly shorter dashes – like this, with spaces – to name just one example.
Orthography is boring, and nobody cares about it or knows what it is. For most readers, orthography is “invisible”. Readers pay attention to the words on a page, not the paper itself; in much the same way, readers pay attention to the meaning of a text and not the orthography, which exists only to convey that meaning.
That doesn’t mean it’s not important. Actually, that means it’s of the utmost importance. Because orthography can only be invisible if it meets the reader’s expectations.
You need to learn how to format dialogue into paragraphs. You need to learn when to end a quote with a comma versus a period. You need to learn how to use apostrophes, colons and semicolons. You need to learn these things not so you can win meaningless brownie points from your English teacher for having “Good Grammar”, but so that your prose looks like other prose the reader has consumed.
If you printed a novel on purple paper, you’d have the reader wondering: why purple? Then they’d be focusing on the paper and not the words on it. And you probably don’t want that! So it goes with orthography: whenever you deviate from standard practices, you force the reader to work out in their head whether that deviation was intentional or a mistake. Too much of that can destroy the flow of reading and prevent the reader from getting immersed.
You may chafe at this idea. You may think these “rules” are confusing and arbitrary. You’re correct to think that. They’re made the fuck up! What matters is that they were made the fuck up collaboratively, by thousands of writers over hundreds of years. Whether you like it or not, you are part of that collaboration: you’re not the first person to write prose, and you can’t expect yours to be the first prose your readers have ever read.
That doesn’t mean “never break the rules”, mind you. Once you’ve gotten comfortable with English orthography, then you are free to break it as you please. Knowing what’s expected gives you the power to do unexpected things on purpose. And that’s the really cool shit.
5. You’re allowed to say the boobs were big if the story is about how big the boobs were
Nobody is saying this. Only I am brave enough to say it.
Well, bye!
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Both || 18+
Synopsis: it's literally just porn I have no explanation
Pairings: bf!Heeseung × fem!reader × bf!Jake
Warnings: Smut MINORS DNI, oral ( f recieving), poly relationship, dom!Heeseung, dom!Jake, sub!reader, fingering, double penetration, p in v sex, rough sex, dirty talk, mean dom Heeseung, edging, orgasm denial, overstimulation, anal sex eyy, dacryphillia
A/N: so if any of you remember the symphony smut series, then you'll remember how the Skz threesome fic I had with MinChan was originally meant for HeeJake, but I didn't write it due to certain issues. BUT ITS HERE NOW. And no I didn't write a completely different fic, I just replaced the names from the original fix and rewrote some of the dialogue.
Original SKZ Version
Living with two boyfriends had been a much livelier experience than you would had initially thought. Or perhaps it was because they were Heeseung and Jake was what made it lively.
They were completely opposite to each other in all aspects. Which especially showed in the bedworks.
Heeseung was your drug for slavery while Jake was your poison for salvation.
Their duality was what turned you on, they could call you their little princess and give you as much pleasure as you wanted or they could tell you that you're their slut, with a pussy made only for them.
So it was no surprise that when you got mad with one, you went to another.
And on one fine Tuesday evening that's exactly what happened.
•••••••••••••••
"Princess are you alright?" Jake peeked his head around the door, his eyes taking time to adjust to the dim light. His ears were working though, and your sobs broke his heart. He didn't like it when you argued with Heeseung. He knew both of you were competitive, and competition never lead to much success, it usually led to tears and ignoring one another.
"If he sent you here-" you hiccuped, looking up at Jake, "Tell him I'm never going to talk to him again."
"You're so adorable." He chuckled, leaning in to kiss you, his hands on your hips, "How about a little session hmm? To get your mind off things?"
"What if he hears?"
“Hyung has his headphones in” he breathes out, slowly leaning in to kiss you. you meet him halfway, lips colliding against one another as his hand starts to trail down the curve of your waist. He pulls apart for a second, placing a quick peck before he speaks again. “He won't hear what he's missing.”
Jake makes quick work of the pants you had on, tearing them down your thighs as his primal instincts starts to kick in. In seconds, his head is buried in between your thighs, nose pressed against your clit.
“darling-“ he breathes out, absolutely in awe of how delicious you’re going to taste for him right now. “this is…” he trails off, unsure if words could describe how much this means to him.
“Never seen you so speechless before.” You tease, trying not to squirm under his gaze, his eyes locked onto the wet slick pooling at your entrance.
“What can I say?” he presses a kiss just above your clit, eyes darting up to yours. “I like having you all to myself.”
You open your mouth to retort but his tongue catches your throbbing nub first, sending a jolt throughout your body. After that first taste, he’s gone. completely lost in you and the frenzy begins. He tosses your leg over his shoulder, angling himself to get deeper.
His tongue delves back into you and you feel him everywhere. It’s enough to arch your back, your fingers clawing in his hair. He grunts approvingly into your messy cunt, licking up every little speck of drink he can get his mouth on.
Each precise stroke of Jake's tongue has you unraveling in his hold, undoubtedly gushing more of your essence on his eagerly awaiting mouth. He was practically moaning now, the vibrations shooting throughout your body. He breaks for air for a moment, licking his lips and looking up to you.
It’s all too much and you’d be lying if you said his enthusiasm wasn’t the driving force towards your release. you’d never been with a man so desperate for your taste, especially when you were in this state.
Your back starts to arch off the bedroll, reeling in the pleasure that’s about to snap. The coil shatters into a thousand pieces as you dig your fingers into his curls once again. You don’t know if you were loud or not, you don’t know anything as a white veil had taken up your vision, pleasure coursing through your veins as your blood pounds within your ears.
It takes a few moments for you to come back down to reality, your head swimming in the pleasure Jake hurtled you in. You watch as he places one last kiss against your cunt, slowly backing up on his haunches.
"Having fun there aren't you?"
Oh fucking no
You snapped your head up to look at the doorway, where your eyes fell on the image of Heeseung, casually leaning against the door, shit eating smirk on his face.
"Want a taste? I'm done." Jake got off the bed and plopped onto the nearby armchair.
"So the plan did work." Heeseung chuckled, taking off his jacket, and striding across the room, looking at your confused figure with bedroom eyes.
"What fucking plan?" You spat with venom in your tone, making Heeseung click his tongue together.
"Jaeyun here offered to help me after our little 'argument'." Heeseung dipped the bed down with his weight, "And let's just say, now that you're all riled like our pretty princess-" he took off his belt, "You won't refuse my fingers will you?"
"Fuck you Lee Heeseung, and you too." You directed the last part at Jake who merely shrugged his shoulders, and lounged on the armchair.
You gasped as Heeseung cupped your pussy, involuntarily clenching around nothing and feeling a gush of wetness spilling as your body reacted in anticipation.
"Aww did you miss me that much?"
“Use your fingers properly and find out.”
Your taunt didn’t go amiss. “Not even a sorry?” he said, arrogance dripping from each word.
Much to your frustration, your hips rolled into his touch, silently wishing he would stop avoiding your swell. Heeseung's hands worked quickly to unbutton your shirt. You knew all too well that you’d feel his cock hard enough if he was already this eager to expose your breasts. Your nipples quickly hardened and you rolled your hips once more, causing one of his fingers to slide inside.
It was the vicious clenches around his finger that snapped him out of it and his lustful eyes met yours. “Give me one reason not to slide out of you.”
"Jake's cock is getting hard and you don't want to disappoint him do you? He is the favourite in this relationship right?" You grumbled, feeling Heeseung's finger slide across your pussy. You tried your hardest not to moan.
Heeseung threw a glance at Jake who was chuckling behind his fingers, his cock almost bursting through his trousers. A second finger slithered past your tightness and he brought his lips to your ear.
“You're right. He is my favourite, but he doesn't have a pussy like yours does he?”
Your whimpers increased in intensity and you looped your arms around his neck for added support, lifting one leg to wrap around his waist. The new angle allowed him to go knuckle-deep and you shuddered as his strained erection pressed against his hand nudged him even deeper.
He groaned first, clearly enjoying the newfound friction, and you clenched hard at how his face twisted in pleasure. His lips brushed against yours this time, dragging his fingers back as you clenched desperately around him.
“What happened darling?” Heeseung taunted as you tried to have him back inside, your hips following his retreating hand. “That desperate for my fingers?”
"Selfish little princess” He continued, sliding one finger back inside, but not quite deep enough to fully satisfy you. “You know, I can be quite greedy when I want to. But..."
You whined in response, frustrated that you were now faced with an agonising emptiness.
“But what?” you groaned, trying to have him sink deeper to no avail. He placed a kiss to the corner of your mouth before pulling back.
“But I am willing to share you with Jake for a bit.”
The moans and whimpers and gasps that slipped from you were being effectively muffled, the third finger nudged at your entrance and you could only roll your eyes shut as your bit hard around your tongue to not give Heeseung the satisfaction.
“Surely you can take one more,” he teased, his voice low. It slid inside painfully slowly and the stretch had you gasping.
The combination of being so full of him and how he allowed you to rub your clit on his palm was too much. The lewd sounds were almost too obscene and you gripped both hands together, holding onto the remainder of the sanity you had left.
For a brief moment, Heeseung allowed you to ride three of his fingers, giving you the illusion that you’d reach your peak easily and rather quickly. His generosity came to an abrupt halt just as you felt the familiar coil down below becoming more and more overwhelming, your body quickly reaching the point of no return.
And then you felt a painful emptiness as he pulled out from you at once.
He chuckled when you groaned in sheer frustration, looking over at Jake and giving him a smirk too.
Of course. He was a sadist.
“Now, now,” Heeseung tutted, caressing your flushed cheek with his thumb, a single tear streaming down your face. “You didn’t think I would be that generous, did you?”
"Fuck you both so much."
"Well if you say so doll." Jake shrugged his shoulders again and got up, getting onto the bed as well.
"Only if she stays silent though." Heeseung chuckles like a madman. Fuck you, you thought, but you couldn't get the words out. Jake removes his underwear, and you suddenly don’t feel so sure that you can take anymore.
“i-I” you can’t get the words out as a moan slips from your lips, when he enters you in one thrust. Your head falls back and your eyes close at the feeling of his thick length inside you. Had he always been this big?
“Fuck you're tight” Jake groans.
“Oh fuck.” You breath, feeling too full and overwhelmed already, and he hasn’t even moved yet.
“How does she feel?" Heeseung asks Jake. “So. Fucking. Tight” he groans as he slowly starts moving.
“oh fuuuck” you moan, unable to stay silent. Your hands search for something to hold on to, and they reach Jake's dark curls
“Does it feel good darling?” Heeseung whispers in your ear as he stretches your ass with his fingers.
“f-fuck y-yes” you breath out as Jake picks up speed.
"You like Jake fucking you while I stretch your ass?”
“Yes” you moan again.
“Good girl, look how well you’re taking us." Heeseung's hot breath tickles your skin pink.
Jake groans as he picks up speed, hitting that one spot inside you that makes you scream. Heeseung's hand clamps over your mouth again “what did I say about keeping silent darling?” he says mockingly.
“Fuck you're ready to cum again aren’t you? I feel you fucking clamping on my fingers” Heeseung groans.
“please” you beg them, but the sound is muffles by Heeseung's hand.
“what was that darling….you want it harder and…deeper?” Jake says mockingly. “I think she said she wants it harder hyung.” he says.
You try to shake your head, it’s already to much but Jake picks up speed even faster and Heeseung pushes a third finger in your ass. You come so hard you see stars. But both men don’t stop. No, they continue their ungodly rhythm.
You close your eyes enjoying the feeling. Your eyes shoot open when you feel Jake’s cock move through your folds. "Jaeyun..” you gasps as he puts himself against your entrance.
“you wanted us both, so you get us both” Jake says darkly before he slowly thrusts inside you. Your vision blurs at the overwhelming fullness you feel. “fuck I can fucking feel you” Heeseung mutters to Jake.
“fuck” Jake groans in response. You already feeling another orgasm rise.
“please…please” you have no idea what you’re begging for, the stimulation overwhelming you.
“cum for us” Jake orders as he starts moving in and out of you again.
Heeseung lifts you up and you wrap your legs around him, kissing him deeply. “No, I can’t. please” you beg. “You can do one more darling”
“hmmhhmmm f-ffuuuckk” you have no idea where the sounds are coming from that leave you, and who might hear. But you’re too far gone to care. You only feel them. Jake and Heeseung as they thrust in and out of your holes in a brutal pace.
“oh fuck…FUCK!” you scream out as yet another orgasm breaks you. you feel the both of them come inside you almost at the same time. You have no idea if you're still cuming or if it’s another orgasm.
Their thrusts turned slow but remained powerful as they bottomed out, hitting you as far back as they could. You gasped with every rut of Jake's hips hitting yours, and Heeseung's little moans cornering your ears.
Jake's hand aimlessly stroked your hair. he pulled back to look at you, smiling at the sight of your flushed face and disheveled hair.
“see. knew you could take it.” Jake kissed the tip of your nose, regretfully pulling out of you, you felt Heeseung do the same from behind. You whined at the loss—you had got so used to the feeling of them inside you, it was almost painful for them to leave.
"Princess?" Heeseung asks uncertainly, "you alright?"
"I'll forgive you if both of you do that everyday." You breathe out, being wrapped safely into Jake's arms.
"Well if you say so." Heeseung chuckles and smirks at Jake, who smiles back and wraps both of you tighter into a cocoon of comfort.
#enhypen#enha#enhypen smut#enhypen smut imagines#enhypen smut reactions#enha smut#enha hard thoughts#enha hard hours#enhypen hard thoughts#enhypen hard hours#enhypen hard headcanons#heeseung hard hours#heeseung hard thoughts#heeseung smut#jake hard thoughts#jake hard hours#jake smut#lee heeseung smut#sim jaeyun smut#lee heeseung hard thoughts#lee heeseung hard hours#sim jaeyun hard thoughts#sim jaeyun hard hours#enha heeseung#enhypen heeseung#heeseung fanfic#enhypen jake#jake enha smut#jake enhypen#enhypen × reader
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U My Everything - p.b
‣ paige x grumpy reader: part two here!
‣ wc: 3178
‣‣ synopsis: paige's harmless joke is taken a little too personally by her sensitive and grumpy girlfriend; slight angst? but very fluffy by the end! (the song is most relevant for the end part of the fic as it's inspired by KK's 05/31/24 live, can u tell I live for uconn lives?)
‣‣‣ a/n: I'M SORRY, i know y'all chose emily in the poll but I alr finished this one and I've promised myself I would try to release at least one fic a day; emily's will be out very very soon, writing smut for the first time is just very nerve wracking lmao. this is lightly based off the, good morning gorgeous, tiktok trend going around rn; Also, I'm so sorry for the amount of times I use y'all, like, literally, and really because I try to make my dialogue and what not as realistic as possible, but as a Southern Californian they're literally engraved into my vocabulary 😭😭.
Rolling over in bed half-conscious, your arms reach out, patting around the bed in an attempt to locate your girlfriend's warmth without having to open your eyes. However, to your sheer disappointment, your fingers are met with cold, rumpled sheets on Paige's side of the bed.
Now fully conscious with confusion as to how your girlfriend managed to slip from bed without you realizing, the pounding in your head became all the more severe as you sat up in bed, frustrated that the one person who could comfort you simply with their presence was nowhere to be found.
With your right hand massaging the temple, attempting to soothe the deep ache that had settled into the front portion of your head, your left hand blindly felt around your nightstand for your phone, knowing Paige wouldn't have left you alone in bed without so much as a simple text message. But to your surprise, her name was absent from your list of notifications.
Even more annoyed than before, you forced yourself out of her bed, stumbling your way to her adjacent bathroom, wincing at the sudden intrusion that was fluorescent lighting. By the time you began brushing your teeth, you heard the front door open, hearing Paige call your name as she entered the dorm.
"Bathroom," you yelled out to her, despite your head screaming at you to shut up and crawl back under the safety of Paige's comforter.
"Hey baby," Paige greeted as she entered the bathroom while you spit toothpaste into the sink, coming up behind you to hug your waist, resting her head on your shoulder. As you stood back up to meet her gaze in the mirror's reflection, you saw her tuck her bottom lip into her mouth, clearly trying to hide her shit-eating grin.
"Well don't you look... interesting this morning," she teased, the sarcasm apparent in her low voice. You knew her mocking was all in good fun, the two of you often poking fun at each other for little things. But perhaps it was the headache still waging war in your skull, or the final three midterms you had to take later today, or your remanent annoyance at having to wake up alone, despite her knowing your favorite part of the day was waking up, warm and all loved up in her arms, or perhaps it was the fact that looking in the mirror, you genuinely looked wrecked this morning.
Your curly hair was reduced to nothing but a puff of frizz overnight, sticking out in all directions, your eyebags particularly prominent this morning, combined with the pesky anxiety breakout that had settled into your forehead a few days prior, you just couldn't handle her jokes today.
"Yes, thank you for pointing that out Paige," you shot back, setting your toothbrush back in its cup holder, exiting her hold to wipe your hands on the small towel before pushing past her to get dressed in her room.
Paige followed close behind you, curious as to why you were giving her so much attitude so early in the day, especially over such a harmless statement.
"What's up with you, this is the first time I've even seen you this morning," She questioned from her seat on the unmade bed as you began changing your clothes with your back facing her, which was another thing that struck out to her as odd. After dating for over a year now, the two of you were incredibly comfortable with each other, and it was rare for you to completely turn your back on her, even when changing.
"Nothing, I'm just not in the mood today," you grumbled, tugging your, her, sweatshirt over your head. Heading over to her floor length mirror with your makeup bag and necessary hair products in hand, you settle down on the floor in front of it, convinced to improve your appearance a bit before you head off to your exams today. Still ignoring Paige's presence in the room, you began getting ready.
Hearing her scoff as you started applying your makeup, she got up and began making the bed, intent on ignoring your bratty mood until you fixed it. You knew you were being petty and acting bitchy to your girlfriend, who had technically done nothing wrong, you just couldn't force yourself to drop the attitude. By the time you finished your makeup and smoothed out your slickback, you managed to go the entire twenty minutes without so much as looking at your girlfriend through the mirror, who had now perched herself on her side of the bed, scrolling mindlessly on her phone.
Your headache hadn't subsided yet, but now that you were more awake, you had gotten used to the throbbing sensation. Making your way over to your side of her bed, you collected your phone, headphones, watch, school bag, and other items from your nightstand and around the area to get ready to leave.
"Your heading out already? You still have over an hour before your first class," Paige finally addressed you, putting her phone in her lap to look at you as you packed your things.
"Yeah I'm gonna head to the library early so I can review before my first midterm," You answered, speaking to her normally for the first time in the last hour she had returned.
"But what about breakfast, you're not gonna be able to concentrate and stuff when you're all hangry," she said, only slightly teasing you with her statement.
"I'll just grab something to eat from the coffee shop next to the library, I was gonna stop by and get matcha from there anyways," you responded, a small part inside of you glad that despite your attitude, Paige made sure that you were well taken care of.
"Dude I still don't understand how you drink that stuff, tastes like straight grass," she had dropped her concern and switched back to joking, her automatic setting. "But I guess it's fitting," she continued, "cause yk, cows just love their grass," she sighed, holding back her laughter at what she thought was a brilliant joke.
In her defense, if it was any other morning, you would've joined in on her teasing, either mooing at her in response or poking fun at her in return.
But today, it just ticked you off even further. I mean, you were clearly already in a bad mood, stressed the fuck out, hangry (but Paige didn't need to know she was right), and the sharp pressure in your head was only getting worse. Plus, Paige had already easily finished off her midterm exams two days prior, which meant she didn't truly understand why you were so worked up over your exams. And the worst part, your bloating and exhaustion really did make you feel a little bit like a cow.
“P I'm just not in the mood to deal with you right now," you sighed, exasperation laced in your tone. "I already feel bad enough this morning, I can't handle you piling more onto my plate, I'll see you later," you barely even said goodbye to her properly as you gathered your stuff, put on your shoes, and left her dorm.
The second you closed her door behind you, you could feel the pit forming in your stomach, full of regret and shame. You knew it was unfair to be so rude to Paige when she was just trying to lighten your mood, but your anxiety always caused you to last out at anyone who tried to help you. You made a mental note while walking to your favorite coffee shop to apologize and make it up to her when you saw her in the evening, after the stress from midterm week had diffused and your raging headache calmed down.
***SMALL TIME SKIP***
You were flipping through your study notes and flashcards while listening to one of Paige's playlist on the lowest volume possible when you saw your phone screen light up from next to you. Deciding it would be good to take a quick thirty second break, you reach for your phone and matcha latte at the same time, clicking on the text message you received from Paige.
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From P 💜:
I'm so sorry for making fun of you this morning baby, I know you're stressed about your tests today and I had no intentions of making you feel worse with my jokes, I just wanted to cheer you up a bit because I know how bad your anxiety can get. Good luck on your test today killer, i love you 🤍.
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Shit, now you really felt bad for snapping at her earlier today. All remnants of your misplaced anger had long since disappeared, now replaced with embarrassment. She was right, your anxiety was hitting you hard today, but that was no excuse for bitching out your girlfriend just for trying to improve your mood. You quickly hearted her message and began typing out a short response, as you knew you needed to apologize in-person for your behaviour.
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To P 💜:
Thank you so much P, I'll see you later tonight baby. I love you too 🤍
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***SMALL TIME SKIP***
You breathed a sigh of relief as you finally reached the floor of Paige's dorm room, exhausted from your long and mentally tiring day of midterms, but you were finally done, your headache was finally gone, and you now had the weekend to relax and spend time with your girlfriend.
As you reached for your keys in your pocket, you heard the loud commotion of voices that you recognized to be KK, Aubrey, Sarah, Allie, and Paige in the living room. It wasn't uncommon for the girls to be over, as the team always spent hung out together outside of practice, and since you started spending more time at Paige's dorm, you had quickly stocked her near bare kitchen full of snacks, baked goods, and home-cooked meals the girls loved to steal.
You entered the living room greeting everyone as you took off your shoes, making a beeline straight to where Paige was sitting on the couch. You stood in between the space of her legs, wrapping your free arm around her shoulders to lean down and plant a kiss on the top of her head.
"Hey P," you spoke softly, looking down at the small smile that had settled on her face.
"Hey yourself, how were you midterms? Today was your last day right?" She questioned as her fingertips began running up and down the back of your legging covered thigh.
"They were fine, I think I did good on majority of them. My math midterm was a little shaky, but not too bad yk?" You answered her quietly, afraid to pop the little bubble of peace you two had created around yourselves among the chaos of the living room's occupants.
"I," you began, as your hand had made its way to the front of her face as you pushed back a small piece of hair that had escaped out of her bun. "Will you come in the room with me real quick?" You asked her, practically whispering at this point.
"Yeah of course baby," she answered quickly, letting her hand travel up your body to rest at the small of your back as she stood up, leading you past everyone to her bedroom.
"We'll be right back," she announced to the group as the two of walked by. "Oooo, Paige is in trouble," KK sang out as the two of you reached her closed room door, Paige still standing behind you. She turned the knob quickly, gently pushing you into the room first as she turned around to stick her tongue out at KK before she closed the door.
By the time she turned around from the door to face you, she barely had a moment to adjust to your body barreling into her, as you had already dropped your bag off next to her desk. She quickly wrapped her arms around you, being able to sense that you just needed to be held for a minute before speaking.
She lightly rubbed your back and shoulders with her hands, knowing exactly what it was that immediately calmed you down. You stayed silent in her comforting embrace for a few more minutes, having craved her touch all day when you were around campus.
"I'm sorry," you finally spoke up, unburying your head from her chest to look her in the eyes. "I was really rude to you for no reason this morning. My headache when I woke up and all the stress I had was completely unrelated to you, but I still ended up taking it out on you," you sighed before continuing, "I really appreciate the fact that you were trying to cheer me up this morning, even though I was being a total bitch. And you are never a burden or someone who adds more onto my plate, I love you and I'm so sorry I said that to you, I would never want you to feel that way and-" as your eyes began to well up with tears, the last of your apology was cut off by Paige.
"Hey hey it's okay baby," she pulled you slightly away from her as the tears began flowing from your eyes. "I know you," she maintained eye contact as she reassured you, "And I know you would never act like that normally, you are not a bitch. You were just stressed out and not feeling well. I understand, and I promise I'm not mad at you at all," her right hand moved up from your back to your face, wiping the tears streaming down your face.
"Thank you P, I have no idea what I would do without you," you sniffled lightly, your hand coming up to wipe your face as well. "I love you so much, you have no idea," you professed.
"I love you too y/n/n," she whispered as her hands wrapping around your waist as she pulled you into her, leaning down slightly to kiss you. Your hands flew up the moment your lips connected, one cradling her jaw while the other rested on the base of her neck. The kiss was slow and languid, an apology met with forgiveness as your lips moved together.
The loud rumbling of your stomach, interrupted your sweet moment with Paige, forcing the two of you to separate as a giggle slipped out of her.
"Didn't realize a small kiss made you that hungry for me," she smiled, now at peace knowing that you were no longer upset. "Shut up," you smiled back, lightly hitting her chest as you broke away from her. "I am for real hungry though, but I need to shower first," you told her as you moved around the room, grabbing your towel and a fresh pair of pajamas to change into.
"I'm pretty sure Aubrey is ordering Domino's so I'll tell her to add in something for you, and it'll probably be here by the time you get out," she kissed your cheek as you went to exit the room, heading for a quick shower as she remained in her room.
***SMALL TIME SKIP***
As you entered the living room, curls freshly washed, a soft pair of Paige's sweatpants resting low on your hips, and a small off the shoulder sweatshirt over your sleep tank top, you witness KK showing her tik tok live her "hips dance", if it could even be referred to as that.
"Oh wow," Paige commented dryly at the sight while getting up from the couch so she could grab her laptop from the kitchen counter. You moved past her to Aubrey's desk, grabbing a piece of garlic knots from the Domino's box she left partially open (i don't think she actually bought any but I'm craving them so i added it in here). You rested your hip against the table, waving at the live while KK queued up Sexyy Red on her Siri.
Everyone knew you and Paige were a couple, when Paige accidentally hard-launched you by posting a cute couples pic on her main instagram story instead of her close friends. But since then, the two of you kept a private but not secret relationship, very occasionally posting together, but fans often saw candids of the two of you on dates or together in the team's lives or other events.
You licked the remaining cheese and butter off your fingers as you watched Paige, KK, and Aubrey dance in front of the camera to "U My Everything", smiling at their so-called dance moves, especially Paige's.
"Man we go together tell them hoes we go together," Paige sang, before doing her little "attitude now walk" move, making you double over with laughter at her with the other two girls.
You scratched the back of your neck as you continued to watch the girls mess around, too tired from your day to join them, but content just from watching them. As the second chorus approached, Paige walked up to your leaned figure on the desk, grabbing your bare waist and pulling you into her as she sang.
"Bae, I love you, you my everything, I'm your main bitch, fuck a wedding ring," you laughed at her awful singing, but you couldn't deny the blush that rose to your cheeks at the thought of her singing you the lyrics while very clearly in the live's frame. "We both in fast cars and we switchin' lanes, when I'm away from you, you always on my brain," she continued, adding in her sassy facial expressions with the corresponding lyrics.
You couldn't help but laugh at her actions, the pure giddiness coursing through your veins was a complete 180 from your mood this morning, and you couldn't help but think there was nowhere that would make you happier than in her arms.
Thank you for reading all the way through! The recent support has been crazy and I appreciate all of you! Should I make a part two to this with smut so r can properly apologize to p.... 😏😏😏
#Spotify#paige buckets#paige x fem reader#paige x reader#paige bueckers x reader#paige bueckers#paige bueckers fluff#fluff#angst#angst with a happy ending#uconn huskies#uconn lives#uconn women’s basketball#uconn wbb#wcbb x reader#wcbb#wbb x reader#uconn wcbb#wbb#wlw post#wlw#sapphic
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BEING A LIST OF THE THIRTEEN GREATEST RIVERDALE LINES, ON THE OCCASION OF THAT SHOW'S TERMINATION
As our much loved/hated show comes to an end, I feel compelled to record, for posterity, the greatest thirteen pieces of dialogue to spring from the pens of RAS and his henchmen. It was, of course, originally a top ten list, but I simply could not exclude a few of these treasures. Without further ado:
13.
“I dropped out in the 4th grade, to sell drugs, to support my nana.”
“That means you haven't known the triumphs and defeats, the epic highs and lows of high school football.”
Spoken by: an inmate of Leopold and Loeb Juvenile Detention Center, and Archie Andrews.
In: 3 x 2
Yeah, okay, this one had to be on the list. It’s funny, I’ll admit. It’s a great example of the overwrought semi-sincere melodrama that helped make this show so special. It’s low on the list largely because The Normies got their hands on it, so every time I hear someone make a reference I get all “do not cite the deep magic to me, witch.”
12.
“No! No! What are we supposed to do now? I’m horny as heck!”
Spoken by: Archie Andrews
In: 7 x 16
Season 7 is undeniably dreadful, and yet there are diamonds in the rough. The occasion is the failure of a projector, just as Archie and Reggie prepare to watch a pornographic film. The utter desperation with which KJ Apa delivers this line is exquisite. One is made to feel they are witnessing a genuine tragedy.
11.
“Tonight, they’re making an exception and debuting a cover of the song my parents claim they were listening to the night Jason and I were conceived.”
Spoken by: Cheryl Blossom.
In: 1 x 1
Really a fantastic line. A wonderful encapsulation of the casual absurdity of Cheryl’s character, and a foretaste of the lunacy we would plumb in later episodes and seasons.
10.
“In case you haven’t noticed, I’m weird. I’m a weirdo. I don’t fit in and I don’t want to fit in. Have you ever seen me without this stupid hat on? That’s weird.”
Spoken by: Jughead Jones
In: 1 x 10
A genuine classic. “High school football” before “high school football.” One is never entirely sure just how sincere the line is meant to be, both on a meta-level and in-universe. A perfect illumination of Jughead’s pretentiousness. It is made all the better by the occasional cuts to Lili Reinhard’s agonized face.
9.
“At the last dance, multiple students were murdered.”
Spoken by: Principal Holden Honey.
In: 4 x 2
Delivered as an explanation to Toni and Cheryl, as to why there would be no school dance this year. Principal Honey is in fact supremely rational in the cancellation of this dance. This being Riverdale, he is of course treated as an unreasonable tyrant.
8.
“Bro, I know all the secrets of this universe.”
Spoken by: Archie Andrews (evil version)
In: 6 x 5
Spoken as evil Archie reveals his evil plan to keep the parallel universes apart. KJ Apa’s delivery once again makes this line. He is comically sinister. Strangely, he sells it.
7.
“A Vughead kiss, right now, in the present might be precisely what it takes to save a future Bughead from imploding.”
Spoken by: Jughead Jones.
In: 2 x 14
One of those lines that both makes me laugh and makes me genuinely angry. This was a fairly early season, and this may have actually been the first line to get me asking, ‘did they genuinely write and deliver that?’ Extra points for use of the atrocious ‘Vughead’ portmanteau ship name rather than ‘Jeronica.’
6.
“I’m the ultimate wild card. I am the daughter of The Black Hood. The nightmare from next door. I’m training with the FBI and I’m coming for you, you psycho bitch.”
Spoken by: Betty Cooper
In: 4 x 14
Just delicious. Another one of those lines that leaves you somewhat unsure whether or not the writers understood how genuinely hysterical it was. “The Nightmare from Next Door” sounds like an announcer hyping up a wrestler. Spoken with a raw sincerity by Lili Reinhart. Also points for the heavy homoeroticism between Betty and Donna.
5.
“For I am Cheryl Blossom, Queen of the Bees.”
Spoken by: Cheryl Blossom.
In: 5 x 16.
This one really doesn’t require any elaboration.
4.
“Elijah ascended…and I will, too.”
Spoken by: Edgar Evernever.
In: 4 x 5.
Admittedly, this one is only spectacular with context. But in context—the context being that Chad Michael Murray delivers this line while dressed like Evel Knievel and standing in a cartoon rocket right out of a Warner Bros cartoon—it becomes utterly magnificent.
3.
“It’s not queer baiting, it’s saving the world.”
Spoken by: Veronica Lodge.
In: 6 x 22.
It’s actually hard for me to decide whether this one is funnier with or without context. Without context it’s wonderful, but it possibly becomes even funnier when you know that the context is that Veronica needs to kiss Cheryl to transfer superpowers into her body so she can turn into a Scarlet Witch knock-off and stop a magic comet summoned by Sephiroth an English wizard who is also the Devil.
2.
“If there’s no wedding reception, it means the Gargoyle King has won.”
Spoken by: Kevin Keller.
In: 3 x 12.
One of my personal favorites. This is a perfect line because like #3, it requires no real elaboration. There is absolutely no context in which it isn’t hysterical.
1 .
“Word of my exploits serving Nick his comeuppance has seeped into the demimonde of mobsters and molls my father used to associate with, so the five families are sending their youngest and brightest, their ‘princes,’ as it were to, well, come court the rare Mafia Princess who can belly up to the bar with the big boys.
Spoken by: Veronica Lodge.
In: 2 x 20.
This is, in my opinion, the all-timer. Every word is perfect. The rapid-fire alliteration. The use of the word ‘demimonde.’ The entirely unnecessary addition of ‘as it were.’ This is borderline Dr. Seuss. The fact that Camila Mendes delivered it without cracking a smile should have won her an Emmy. No. An Oscar. This line is Riverdale.
#riverdale#veronica lodge#jughead jones#betty cooper#archie andrews#kevin keller#cheryl blossom#edgar evernever
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