#i would go so far as to say it has defined us. but we are unfortunately not unique. please stop saying ignorant shit lmao.

[iniziare]

Tag drop: Guizhong (don't mind me re-dropping this with the fixed ones, shh)

[irawhiti]

gonna clarify a few things that i've noticed in the notes instead of replying to everyone individually. i ended up cutting out a fair bit of information to make this post initially since i was focusing on the US history of nuclear imperialism, this was (vaguely) about oppenheimer, but this seems to have confused some people and i'm a bit um, annoyed, at some of the other responses, so:

1. while i was specifically talking about the US here, i should clarify that the entire imperial core has, and still actively continues, to exploit the pacific for nuclear testing and waste sites. this is NOT something that is unique to the united states, it never has been, and i would like it if people didn't act like this is a "dumb american thing" on my post as if american citizens weren't being fucking bombed by their own government. japan has been trying to dump nuclear waste in the pacific for years and is still attempting to gain permission, despite fierce backlash and outrage from pacific islanders. france and england were allied with the US and were testing their own nuclear bombs in the pacific during the US tests.

pikinni specifically has been under colonial rule by germany, japan, spain, and the USA. this is not unique; the entirety of the fucking pacific has been colonised, sold, overthrown, and handed back and forth between global powers for centuries.

it is convenient for the imperial core to designate the pacific as a nuclear waste site, just as it is convenient for the imperial core to shift blame. i would recommend people look more into these topics on their own time since if i were to list every war crime the imperial core has committed against pasifika? i would be writing this post for months.

do NOT make this into a weird little thing about "uniquely horrible/genocidal/ignorant americans" as if americans (almost exclusively native americans and people of colour), weren't subject to the same horrors. as if part of the issue this post is TALKING about is the erasure of the voices affected by nuclear testing. as if the US government was alone in the act of decades-long nuclear genocide.

2. again, this post is focusing on the war crimes the US committed against the pacific as i am a pacific islander and feel comfortable speaking on and am affected by this topic, but while the pacific was ravaged by testing, other regions were absolutely being used for horrific nuclear tests. tests on US soil continued well after the war. england detonated at least 12 nukes on australia, which was quite convenient for them as colonisers as this made a large swatch of Aboriginal land uninhabitable and allowed the racist myth of terra nullius to further take hold. the soviet union conducted at least 715 nuclear tests in various countries and territories during the cold war. i could go on but i know less about these events frankly and i feel like it'd be inappropriate for me to try and act like any kind of authority. so, again, i'm going to recommend people do their own reading here.

a couple much less/tangentially related additions will be under the readmore, mostly just answering a few things that have come up repeatedly in the tags that aren't really the point of this post.

3. this is... obviously tangential, but i saw it mentioned a few times and people seem confused about the history there so: yes, the word "bikini" for swimsuits comes from pikinni, but the clothing has absolutely nothing to do with the atoll, its people, or its culture. pikinni roughly translates to "coconut place/surface" in kajin m̧ajel‌̧ (marshallese) and "bikini" is the german transliteration, given when pikinni was under colonial rule as part of german new guinea. the modern bikini was designed by louis réard, a frenchman (as a reminder: the french were among the countries actively and openly bombing the pacific with the US with nuclear tests). there was no actual connection to the atoll and he named it that because of the nuclear test which had been making headlines.

4. just as unrelated and frankly not something that i'd really want to put on such a serious post lmao, but it was brought up a few times in the tags so... yeah. yes, "bikini bottom" comes from bikini atoll. it obviously goes without saying that a lot of imagery taken from pacific islanders is used in spongebob. there's no actual connection to the atoll in the show, just like the "tiki totems" in the background and stuff like squidward's mo'ai house are just generalised "tropical island" imagery ripped from any cultural context. it's a little sucky sometimes, sure, but it's REALLY not related to the topic at hand and this is on such a different scale that it feels a bit... ehh. to bring these up together.

since it's been brought up i might as well mention that they actually use real footage of the nuclear bombs being dropped on pikinni as Funny Gag explosions in the show. which is uh, extremely fucking tasteless to put it lightly, but i truly Do not think it's worth including shit like "very tasteless imagery is used in a children's show sometimes" in a serious post about fucking... mass nuclear genocide being used as a tool for imperialism lmfao. for the love of god PLEASE don't let your takeaway of this post be that these are somehow on the same or some even remotely similar level here or that i'm comparing them i swear to fucking god. it just got mentioned in the tags a few times so i'm clarifying please god. look me directly in the eyes here.

while everyone's rightfully talking about oppenheimer and its flaws regarding the erasure of japanese and native american voices regarding nuclear testing and detonations, i'd like to bring up the fact that pacific islanders have also been severely impacted by nuclear testing under the pacific proving grounds, a name given by the US to a number of sites in the pacific that were designated for testing nuclear weapons after the second world war, at least 318 of which were dropped on our ancestral homes and people. i would like if more people talked about this.

important sections are bolded for ease of reading. i would appreciate this being reblogged since it's a bit alarming how few people know about this.

--

in 1946, the indigenous peoples of pikinni (the bikini atoll) were forcibly relocated off of their islands so that nuclear tests could be run on the atoll. at least 23 nuclear bombs were detonated on this inhabited island chain, including 20 hydrogen bombs. many pasifika were irreversibly irradiated, all of them were starved during multiple forced relocations, and the island chain is still unsafe to live on despite multiple cleanup attempts. there are several craters visible from space that were left on the atoll from nuclear testing.

the forced relocation was to several different small and previously uninhabited islands over several decades, none of which were able to sustain traditional lifestyles which directly lead to further starvation and loss of culture and identity. there is a reason that pacific islanders choose specific islands to inhabit including access to fresh water, food, shelter, cloth and fibre, climate, etc. and obviously none of these reasons were taken into account during the displacements.

200 pikinni were eventually moved back to the atoll in the 1970s but dangerous levels of strontium-90 were found in drinking water in 1978 and the inhabitants were found to have abnormally high levels of caesium-137 in their bodies.

--

i'm going to put the rest of this post under a readmore to improve the chances of this being reblogged by the general public. i would recommend you read the entirety of the post since it really isn't long and goes into detail about, say, entire islands being fully, utterly destroyed. like, wiped off of the map. without exaggeration, entire islands were disintegrated.

--

as i just mentioned, ānewetak (the eniwetok atoll) was bombed so violently that an entire island, āllokļap, was permanently and completely destroyed. an entire island. it's just GONE. the world's first hydrogen bomb was tested on this island. the crater is visibly larger than any of the islands next to it, more than a mile in diameter and roughly fifteen storeys deep. the hydrogen bomb released roughly 700 times the energy released during the bombing of hiroshima. this would, of course, be later outdone by other hydrogen bombs dropped on the pacific, reaching over 1000 times the energy released.

one attempt to clean up the waste on ānewetak was the construction of a large ~380ft dome, colloquially known as the tomb, on runit island. the island has been essentially turned into a nuclear waste dump where several other islands of ānewetak have moved irradiated soil to and, due to climate change, rising seawater is beginning to seep into the dome, causing nuclear waste to leak out. along with this, if a large typhoon were to hit the dome, there would be a catastrophic failure followed by a leak of nuclear waste into the surrounding land, drinking water, and ocean. the tomb was built haphazardly and quickly to cut costs.

hey, though, there's a plus side! the water in the lagoon and the soil surrounding the tomb is far more radioactive than the currently contained radioactive waste. a typhoon wouldn't cause (much) worse irradiation than the locals and ocean already currently experience, anyway! it's already gone to shit! and who cares, right, the only ""concern"" is that it will just further poison the drinking water of the locals with radioactive materials. this can just be handwaved off as a nonissue, i guess. /s

--

at least 36 bombs were detonated in the general vicinity of kiritimati (christmas island) and johnson atoll. while johnson atoll has seemingly never been inhabited by polynesians, kiritimati was used intermittently by polynesians (and later on, micronesians) for several hundred years. many islands in the pacific were inhabited seasonally and likewise many pacific islanders should be classified as nomadic but it has always been convenient for the goal of white supremacy and imperalism to claim that semi-inhabited areas are completely uninhabited, claimable pieces of terra nullius.

regardless of the current lack of inhabitants on these islands, the nuclear detonations have caused widespread ecological damage to otherwise delicate island ecosystems and have further spread nuclear fallout across the entirety of the pacific ocean.

--

while the marshall islands, micronesia, and the surrounding areas of melanesia and polynesia were (and still are) by far the worst affected by these atrocities, the entirety of the pacific has been irradiated to some extent due to ocean/wind currents freely spreading nuclear fallout through the water and air. all in all, at least 318 nuclear bombs were detonated across the pacific. i say "at least" because these are just the events that have been declassified and frankly? i wouldn't be shocked to find out they didn't stop there.

please don't leave the atomic destruction of the pacific out of this conversation. we've been displaced, irradiated, murdered, poisoned, and otherwise mass exterminated by nuclear testing on purpose and we are still suffering because of it. many of us have radiation poisoning, many of us have no safe ancestral home anymore. i cannot fucking state this enough, ISLANDS WERE DISINTEGRATED INTO NONEXISTENCE.

look, this isn't blaming people for not talking about us or knowing the extent of these issues, but it's... insidiously ironic that i haven't seen a single post that even mentions pacific islanders in a conversation about indigenous voices/voices of colour being ignored when it comes to nuclear tests and the devastation they've caused.

[tr1ppykay]

something i rarely see addressed on here in discussions of transmasculine bathroom issues is the difference between men's and women's rooms, and the way it excludes transmascs with vulvas.

I am a trans man pre-surgery of any kind. ideally i would like meta with UL, but for euphoria reasons primarily- STPs are expensive and a hassle, so i have no issue sitting to pee. i am 11 months on T and do not pass. using the women's room bothers me, but i live in the southern US so it's safer. i have no issue dealing with it to quickly piss and leave. what i do have an issue with, is when someplace claims to be trans inclusive, but in practice, is not.

i had a pretty awful night. my boyfriend and i had been planning to try out a local goth nightclub for weeks, and we finally got the chance to go. when walking in, there was a sign on the door that said "no racism, no homophobia, no transphobia..." etc. i was excited, thinking that i may actually be able to use the men's restroom for once! a few drinks in and the urge hit- i was feeling anxious, so i asked a staff member if it would be safe for me to use the men's room. "yes of course, we are very inclusive, there are plenty of trans people here." in i went and....

5 urinals, and one single stall- which was out of order.

i turned around and used the women's room. i had no choice. of course, there were 6 stalls in there.

this is not the first time i have experienced issues with men's rooms having a single stall- at a gay strip club, i ran into a similar problem, where the single stall in the men's room was not out of order, but instead, had a line of 20+ people. i, and a few other guys, opted to use the women's room instead of waiting (clearly this design flaw hurts cisgender men as well!)

men's rooms being built only with people with penises in mind, and often all but excluding anyone who needs a stall, is an issue that needs to be addressed far more often.

edit: ive seen a few people in the notes adding their own experiences outside of transmasculinity, saying that they don't want to derail- i want to make clear that nobody is derailing. this issue absolutely intersects with transmisogyny, ableism, and general androphobia (which i define as the way patriarchal expectations hurt all men, not any group systemically oppressing men.) keep adding on your own experiences. this issue affects everyone who has ever needed to use the men's bathroom.

[p0orbaby]

"Are you two..together?" Prompt with Leah!

Her tag needs some lovin' 🫶🫶

-

The question comes from a seven-year-old with sticky fingers and a dangerously unbalanced glass of orange squash. You’d been halfway through helping Leah’s aunt clear the dishes when she sidles up to you, her face scrunched in the kind of seriousness only small children can manage.

“Are you two… together?” she asks, her voice loud enough to cut through the chatter at the family barbecue.

The room quietens in a way that feels unnatural, like someone’s pressed mute on a remote. Leah, sitting at the kitchen island with a handful of cousins, freezes mid-sip of her drink. You look at her, then at the child, then at the glass of squash, which you are 90% sure is about to tip over onto your white trainers.

Leah clears her throat. “Define together”

You glare at her, already regretting letting her take the lead. She’s been smirking all afternoon, showing off during the garden football match and pretending not to hear her nan’s not-so-subtle comments about grandchildren. Now, the glint in her eye tells you she’s enjoying this far too much.

The kid frowns, considering. “Like… you kissed. We saw you”

“You saw us?” Leah says, leaning forward. There’s a playful lilt to her tone, but her ears are turning red.

“On the landing,” pipes up another cousin, this one about ten and clutching a half-eaten burger. “You thought no one saw, but we did”

You can feel the heat rising in your face, not helped by the way Leah’s trying—and failing—not to laugh.

“Well,” you say finally, crossing your arms. “What do you think?”

The seven-year-old narrows her eyes, scrutinising you like a tiny detective on the verge of cracking the case. “I think you are,” she says triumphantly. “Together, I mean. Because why else would you kiss?”

“Exactly,” chimes in the ten-year-old. “And you hold hands all the time. And Leah always looks at you like—” He pauses, attempting to mimic what you assume is some kind of lovesick expression. It’s not flattering.

The kitchen erupts into laughter. Leah’s older cousins are in hysterics, her mum is trying (and failing) to look disapproving, and even her nan has a sly smile tugging at the corners of her mouth.

Leah, meanwhile, leans back against the counter, looking thoroughly amused. “Well, there you go,” she says to you, her arms crossing as she tilts her head. “They’ve cracked the mystery”

“Brilliant,” you mutter, though you can’t help but smile.

“Does this mean you’re getting married?” the seven-year-old asks suddenly, her wide eyes filled with the kind of hope that makes you want to laugh and cry at the same time.

Leah’s eyes meet yours, and for a brief second, the teasing disappears. There’s something soft there, something that makes your stomach flip in a way you’d never admit out loud.

“Maybe one day,” Leah says casually, reaching for your hand under the table.

The kids squeal in delight, and you know you’ll never hear the end of this. But as Leah squeezes your hand, her thumb brushing over your knuckles, you think maybe you wouldn’t mind.

[eldritchamy]

I think I've figured out a good way to articulate one of the reasons Human Domestication Guide is hitting for me in a way really not much else has done for a long time.

HDG is an inverse fandom.

Whereas a lot of fanfiction (maybe just for the sake of the pun we can expand outwards, wink, and call them "transformative works") takes at the core of its nature a specific character or group of characters, and then transplants (sorry, I had to) those characters into Alternate Universes in order to keep telling altered, revised, and original stories with those CHARACTERS, while changing everything else, HDG does the opposite.

It takes the SETTING as the core defining feature, and creates original CHARACTERS in order to tell original stories.

And that's really cool for reasons that, of course, ended up becoming another gigantic one of Amy's Patented Infodump Posts.

Most fanfiction gets to appeal to its audience because of the associations and attachments readers have for the CHARACTERS, and then create a new story from there without having to spend time setting up WHO THE STORY IS ABOUT for you. I don't say this as a bad thing, that's just the attraction. The readers bring their attachment to the characters WITH them before they start reading.

HDG gets to assume you understand the SETTING as a basic premise, and then tell new stories with original characters without having to hold your hand through as much of the set up work, because you already know the SETTING going in.

So instead of discovering how the characters you know relate to a world you don't (and to each other within that context), you get stories where you get to discover who the characters ARE, in the context of a world you already understand.

It's not "what does a different setting do to these characters." It's "how do different people navigate this setting."

You get to meet and learn and identify with the CHARACTERS because you see how they as unique people react to a set premise.

So much of what I've read so far has done exceptional work establishing who the characters are, even making MINOR characters within the story feel like fleshed out people.

You'd think in a setting that takes at face value the premise of humanity being subjugated and doted on by a species that uses mind control drugs to turn them into docile, obedient pets, the stories would struggle a bit with sameness as the individuality of the characters failed to shine through or were inevitably suppressed over the course of the plot.

In practice, it seems like almost the OPPOSITE is true.

The Affini always win. But every character chooses to lose to them in a different way that speaks to who they are as people.

Getting to explore these unique stories through the eyes of unique characters seems like it's making it EASIER to latch on to what makes THESE characters the focus of the stories being told.

And so far the stories being told are fucking great, and have such a huge range to them.

The original story for the setting is a VERY non consensual medfet/drug play subjugation story where Elvira (captain of a ship for the Free Terran feralist rebellion) is ABSOLUTELY brought into domestication by force (at first), and we get to see the PROCESS of her being broken down and becoming something new over the course of (what we later learn has been ONLY) about three weeks. She's not the same person she was at the start of the story. At all. She's been utterly replaced by a new identity and personality that the old version of her would never have accepted. (Also it's kinda hot that it's actually good for her, and that she very much DOES end up happier for it. She's still Elvira. But she's safe, and she's loved.)

That's a pretty specific vibe for a story.

But the next story I read in the setting takes place over the course of several hours in-universe, and basically follows a dysfunctional, clearly neurodivergent woman stagnating in the limbo of having been failed by capitalism (or in her mind, failing at it) and having mixed feelings about the staggeringly powerful alien civilization that is currently part way through conquering her planet and its people.

The story starts off when she's so hungry after scraping through what scant, nutritionless garbage she was able to find in the capitalist dystopia that it finally overrides her fear, and she goes to the border of Affini-controlled territory in her city. She figures, they're going to do whatever they're going to do to the rest of the city within a few days anyway, so there's no sense pretending whatever outcome she's walking into wasn't inevitable, and even if it's not as good as the Affini promise, at least it's not what she's been stuck in. Fear of sameness finally becomes more traumatic than fear of change.

She proceeds to go on an adorable lesbian grocery date with a 10 foot tall plant that gently flirts with her while remaining very firm that all of this human's needs CAN and SHOULD and WILL be taken care of FOR her from now on, and it's OKAY that she has trouble focusing because it's OKAY that some people need more help than others.

She spends several chapters experiencing repeated Lesbian Bluescreens because of this sweet, doting alien who insists it's no trouble at all and she's happy to help. Then said alien takes her back to her apartment on the human side to make sure she feels safe getting there through the anti-Affini protests, and then in a matter of minutes she has cleaned this girl's entire disaster of an apartment and promised to cook her a nice Terran pizza.

Then the girl has a lesbian panic attack while coming to terms with how much misery she didn't have to be living with, and whether this future isn't exactly what she always hoped for and more, so the alien offers to give her some alien drugs to calm her down, and her now fuzzy brain accidentally crumbles under the weight of all the secret petplay fantasies that have been turning her face red all morning and she accidentally calls the alien "Mistress", and then she goes home to THEIR place back in Affini territory with her new owner and gets absolutely spoiled until she falls asleep feeling safe and loved for the first time in her life.

COMPLETE tonal shift from the original story, but the LOGIC of the story is fully consistent with the setting. It's just a different character responding to that setting in a different way.

The range of what's possible is ENORMOUS.

I went from there to "two humans captured at different times struggle to find their way back to each other and end up with neural implants plugged into each other's brains by their shared Mistress, and the feedback loop helps them domesticate EACH OTHER" and then from there to a mostly historical context story about an Affini who lived for almost 300,000 years and how she feels about the Compact's role in everything they've done to the universe.

And then I got to read "I have to pretend to be a good little floret maid at an Affini Compact hotel because that's my Genius Spy Cover WHOOPS it turns out being a maid means getting teased and played with a lot WHOOPS, OHHhhh NOOOoo~ I'VE BEEN TURNED INTO A FREE USE HYPNO DOLL because EVERYONE KNEW I WAS A SPY THE WHOLE TIME, I'm going to resolve my mixed feelings by erotically betraying my co-conspirator so we can be floret girlfriends together," which was cute, funny, and INCREDIBLY hot.

Seriously, chapter 10 of that story. Holy FUCK. I think my brain has turned fully inside out. I had a DREAM kinda like it afterwards that I wish I could remember more of.

I guess my point is HDG is less like a fandom and more like DND.

It's a shared universe of collaborative storytelling, even if any individual work within it was made by one person.

You get to play within a core set of rules for how the setting works, but the stories that can come out of playing by those rules are so incredible and diverse and interesting, and I'm really enjoying getting to explore all of that within the context of a basic premise that has absolutely grabbed most of my kinks by the throat, stared menacingly into my eyes, and smirked knowingly.

Also it's INCREDIBLY queer and very obviously made specifically for gay autistic trans women who take progesterone, so I guess just like the rest of the little Terrans, I never stood a chance.

[leidensygdom]

The ways in which being asexual feels isolating

I've been pondering whether to post this or not, but I figured out I wanted to explain a bit of this experience.

So, I could go on a very long tangent on how being asexual is usually a lonely experience, and how much I've been otherized here and there- Specially in real life. How the same people that claimed to be queer (or allies) had been much weirder about my asexuality than they were about me being bi/pan or whatever.

But I think I wanna talk about how something like that bleeds in every aspect of socializing, even down to something like fandom. I stay away from fandom usually- I like to look at cool fanart and that's about it. I hate discourse, I hate drama, I hate reading people getting worked up because they're treating fanon as canon. But there's one thing I've noticed, over and over, that just sends me off my rails.

And it's how fandom tends to treat asexuality (or aromanticism). So, you get a character in some piece of media that explicitly, unequivocally, states they're either ace, aro, or both. "I do not have interest in a partner", "I don't desire to have sex nor do I enjoy the topic", whatever. And as an ace person, I do appreciate being able to see myself in media- There isn't many chases where something is established that bluntly.

Now, you decide you want to check some fanart for that. Fandoms have this tendency to make absolutely everything about shipping, even when the media they're basing it in does not revolve about that (and it's annoying, because a lot of times people aren't interested in the actual themes- It's all reduced to shipping). Suddenly, you notice people treating the aforementioned character as anything but aro or ace. It's all about shipping. "This person interacted with this other person in a way two friends would, but we gotta make this their entire personality now". Some people may instead go for "well, maybe the character is not having sex, but they're probably an absolute freak about it, studies it extensively, has encyclopedic knowledge about it-"

Now, there's of course sex-favourable aces, and that's completely valid, but it's already straying from what, canonically, the character had mentioned. Asexual or aromantic characters aren't really allowed to exist as themselves. People often see them as a blank slate to fill, to change, to fix. I could talk forever about how people react to real life aces like that. I've had people asking me incredibly invasive questions because they saw my lack of sexual attraction as something broken, something they could fix.

And I hate that! I think I'm allowed to say that I hate that! It's hard and unusual for media to cement an aro/ace character, because they're defined by the lack of interest for something, which is often hard to show. But when it does- No one seems to care. It's all shipping, it's all "well, he's gay in denial", "well, she's probably super repressed". If you took a canonically gay character and made them straight on a fanfic, you'd get angry people. Which is bound to happen when you erase representation that people identify with. But aro/ace characters are NOT even seen as queer, they're not even seen as "representation" by most people. You can erase that bit of it, put some god awful shipping on top, and people will applaud you. And it sucks!

I wish people would see being aro or ace as an identity worth respecting, not an identity that needs overwriting. It feels a bit too close to how people often treat aro/aces irl, and it sucks. It reeks of this sort of exclusionism, where "aro/aces are technically queer but it's queer lite at best, it's less interesting than being gay, and we kinda don't want them near us anyhow". Again, I've had far worse experiences about being ace than I have about not being straight.

Sorry if the post got long, but I hope this experience may at least resonate with other people who have been struggling with this, too. It has always felt just kind of lonely to be ace, and see how little people do even consider it an identity, even when it comes down to something like fandom.

[madelinemccoolname]

Slime girl hrt

So, you’ve decided you’re a slimegirl. I’ve been on fluid replacement therapy, commonly referred to as slime hrt or shortened to frt, for five years but I haven’t managed to find a decent guide on the effects I’ve been experiencing anywhere on the internet. So I’ve decided to make this little guide for anyone who might still be on the fence. Keep in mind obviously I don’t speak for everyone and other goorl’s timelines might look a little bit different based on like genetics or something.

0-6 months

• For the first 3 months the effects are, I’m told, similar to estrogen’s first couple months, you’ll notice for sure your skin getting softer, your face might round out a bit, but the most you get are the side effects

• I personally was not prepared for how thirsty I got, I had heard about it but you really don’t know how much of your body isn’t liquid until you’re replacing all of it

• At 4 months is when I noticed my skin and body were moving kinda differently, tho this got the most pronounced at 6 months

• At 6 months all of my skin rippled like the surface of a pond whenever anyone touched me or like if the wind started blowing

• My joints got a lot more flexible, and my elbows and knees became double jointed (don’t do this too much)

• My hair didn’t get tangled overnight anymore

• My finger prints went away

6-12 months

• Here’s where the real magic starts, I got a lot thirstier for one and specifically had cravings for gatorade, I think this has something to do with slimegirls being partially salt water, but it could also be the food coloring in it (this is a joke about me drinking a lot of light blue gatorade and then being light blue)

• On the subject of color my skin got a sort of blue tinge to it, and most notably got completely see through by my 8 month mark

• The changes start from the thinnest part of your body and goes in towards your core, so even by 5 months your fingertips might be completely clear

• This next part is partially why I wanted to make this guide, so obviously your body doesn’t liquify at the same rate all over, for me this meant I was able to see the muscle in my upper arms if I looked through my fingers, this is both normal and something you’re going to have to get used to as you continue your journey

• Your toes are also going to turn at the same rate, this will probably be your first experience with lint getting in your slime bits, you don’t need to worry about your bloodstream getting infected with sock but regularly picking out bits is good hygiene and something you wanna get into the habit of

• My hair officially finished it’s transition into one solid shape, it still had defined follicles but if you tried to grab a strand of hair the rest would try to come with it

• People also started to ask me who dyed my hair, please note it’s always funny to say “it’s the way Goo-d made me” in response to this

12-24 months

• This window is larger than the others because all you’re going to notice from now on are the big changes

• Avoid tanktops past 14 months, your arms should be entirely translucent at this point and while having a buncha stuff floating around in my goo is kinda gender for me, people generally do not like to see slightly dissolved organs and ribcage

• 14 months was also when I noticed that my arm bones had entirely disappeared, my leg bones were also just barely holding in there, moving without bones was so freeing

• if you ever want anyone you know to stick their fingers in your slime, now’s probably the first time anyone's willing to stick their fingers far into your arms and legs, try to get them to wiggle their fingers. if they’re really adventurous they’ll stick their whole arm through to the other side, which still makes me a little squeamish

• Now that we’re at the part where I was mostly slime, we should probably talk about slime color. I’m going to dispel this misinformation, there is no way to find out what color a slimegirl is going to be before she starts transitioning. Some people say its eye color but that’s a lie. I am naturally a blue slime girl but my eyes pretransition were green. To dispel another myth you can dye yourself with food coloring, so you don’t even really have to stress about it

• By 18 months the only part of me that wasn’t slime was my head, the skull takes the longest time to dissolve because you’re doing the skull and all the organs in there all at once, see the human body really really wants to keep the brain safe, so when your brain gets the signal to get rid of your bones, it just does it all at once

• Some people say their eyesight got better, tho that seems to be anecdotal (mine stayed the same sadly)

• 18 months is also when I started experimenting with my shape. This was probably the most frustrating part of it for me, shapeshifting your goo is like a muscle, the more you do it the easier it’ll get. If you want a specific shape, spend enough time in it, and it’ll become your default shape, though you’ll never forget your original shape.

• 24 months is the last point I want to cover, by 24 months I was 100% liquid, the heavy viscosity from early transition leads to something closer to a liquid jello. I can detach parts of my body and then move to replace it, and I can reabsorb the parts I leave behind

• Clothes should rest just on the surface of you, though I know a lot of girls just change themselves to look clothed (probably more than you think ;)

• Suspenders and heavy cardigans break surface tension for me, luckily that's also a cute look so sometimes I match my cardigan with overalls for an aquarium effect on the overall straps

• This was also when I stopped breathing and going to the bathroom

• Some people report “knowing” when certain parts of their brain turn into goo, I didn’t experience that but it certainly could happen

Things I didn’t know where else they would fit

• I feel like a lot of this post was mainly dry, so in the interest of avoiding having a dry slime girl post, this section will mostly just be slime things that brought me joy

• I love speaking in slime puns, I keep a little book of slime puns and slant rimes just in case the slime arises that i would ever ooze some

• Being out in the rain or being out on a windy day is so much better when you can feel your entire body move in the wind, in particular go out on a rainy day without anything on, and lay down on the ground, the rain rippling through your entire body is heavenly

• Speaking of weather, when I first noticed I was refracting light on a sunny day I almost started crying, I felt so pretty and right :)

• I said I stopped needing to use the bathroom, but I still do siphon off some goo once a month. Mostly this is to get out bits of trash that accumulate and also because it feels exactly like taking a shower after a hard sweaty day’s work

• Speaking of bits, get a powerful magnet and metal shaving and you could probably waste a whole day just moving metal shavings through your body

• This might be a bit late in the guide for this, but when my arms finally turned I pulled a great prank on my at the time girlfriend by sticking my hand into a blender (do not do this if you still have bones, or value your girlfriend not being really really mad at you)

So that's all you need to know before starting frt, becoming the slime of your dreams is a difficult and beautiful process. I know a lot of what i described here might be frightening but if it sounds enticing at all know that it’s worth it.

[simplydnp]

be honest with me. what are the chances of a hard launch in june

anon this question goes back years. and the thing is. we have been right once before.

you ask me this this time last year? fuck no. i might even quip that dapg would come back before dnp would hard launch. well. look at us now.

and even then, you look back on the content they started with in the revival--it honestly kind of felt exactly like where we left off, only a lot more explicitly queer (we stan). and then... trying to see without my glasses 2. and bang, spooky week happened. and that shifted the balance. we suddenly got slo-mo replays of handholds. day, after day, after day, finishing with the absolute masterpiece of halloween baking cinnamon rolls. in all honesty it was so much more than i'd've ever expected from them. truly another post-baking universe.

and it never really slowed down. suddenly we had cat prom photos, catboy butlers, catboy dan w/ phil photography credit, theyre 'wrestling' --running us full throttle into gamingmas, the first since 2017. and every day we had a new thing to freak out over: standing close. golf jokes. and then... pinof reacts. i don't know what compelled them to do it but i do have speculations. genuinely, i think they wanted to defang a lot of their history. we treated pinof 1, especially, with this... reverance. and it wasn't talked about too publicly--and dnp didnt do it either. so if they really wanted to move on, to bring down the walls, open the floodgates, define this new era: they had to throw the first stone. and they did. quite heartily too. suddenly this almost taboo part of their history--almost too intimate to be perceived--was on the table. and we were talking about it. joking about it. giving clear signals of 'we see it, it's okay.' and suddenly we existed in a post-pinof reacts world. of anything, i would've never predicted they would've done that. absolutely wild. follow that with it takes two being so chill and fond. incohearant being so blatant and heartfelt. trombone champ being unhinged and chaotic. the genuine and sweet complimenting of each other in the red carpet video. devan wedding... happilyphoreverafter... we crashed forward in time. never knowing what would be next. where is the line? how far will they go.

they teased us with japhan honeymoon and we knew 2024 would be wild. but we didn't know how much. from wdapteo 2023, to specific reminiscing about japan w/ devan, WAD happening, and phil playing a huge role in it all--from the orange carpet hosting, to 'ive been in *sex noises* with phil from the start!', to 'remote crisis manager phil lester', to dan saying he can stay during the thank you.

one of the biggest videos so far this year was the tiktok likes one. i will be forever haunted by the dog eating cheeseburger and willy wonka tiktoks--theres some things i was never meant to know. and yet. they tell us. explicitly.

every single video on amazingphil since the return of dapg has mentioned or featured dan. there's been a palpable shift in the way they interact. have you seen the way phil has been glowing in videos lately? this guy is on cloud nine all the time. it's really not hard to see why.

the energy of keep or yeet w/ dan... the absolute Lack of pretense of it all. phan twitter... watch your step baby girl...

dan and phil fucking crafts. talk about an unexpected return. legacy defining, one might even say. we're still in this tailspin of what everything means and they drop this insanely iconic video on us. from the storytelling to the production to the aesthetic--and its all capped off by explicit handholding. yes, it was part of the sacrifice. but hand in hand, the heart dan ripped from phils chest in one, and the knife that did it in the other... oh boy. we're really in it now. and then they put it on fucking merch. genius. truly no one does it like them.

and the foot has been on the accelerator since. dan and phil connections, shuffleboard & mocktails, getting deep slumber party, acknowledgement & approval of fics (yes previously given but never like this)--hell, even the sims today was wild for 'is their love language horrible banter 👀'.

you didn't ask for an essay but i gave you one. all of this to say, they've been moving the line. quite intentionally so. they intentionally revived their joint branding. they are 'dan and phil' again, and seem happier than ever about it, and i think that means something. they're saying things they never would have before--out of the closet or not.

as for june... 5 years since coming out is a big deal. so is this year being 15 years of dnp. hell, so is this year for being the first out pride month where they're explicitly a duo and regularly making content together. they're sentimental, there will be something.

my craziest idea is reacting to their coming out videos ✌️😔 --but i don't think it'll actually happen. as for more realistic, i could see pride merch. and however that goes will be significant, in my opinion. i'm excited and curious.

i don't know if they'll hard launch. it's hard to put all of the implications, complications, and speculations back into the box once it's opened. dan's talked about it before--wanting to be able to fuck up and not be publically executed, instead, being able to learn and grow and work it out. i think that's a very understandable stance to have. very grounded. we'd have to ask him if tour/dapg has changed that now. i do think he's had some sort of life epiphany--whether it's about that specifically, only he can say. but i think it's there.

even if i portray a lot of level-headedness, i wear my clown nose with pride. sometimes the only option is to go with whatever is funniest at the time. they're both jokesters, so they could commit to a bit like that. but it's also like, it can be too serious for them to want to joke about. i don't know. i think we're in this almost beautiful state right now--the we know you know of it all. there's no expectations, no demands to be met, no obligations of types of content. they're happy. we're happy. it depends on if they feel ready. if they want to. we'll be here, always.

[vigilskeep]

when you first start the cousland origin, you can have some conversations with arl howe, teyrn cousland, and duncan that shed some interesting light on the political situation in ferelden. it’s definitely the origin where you get the most context on the rebellion and on cailan and his father. while howe isn’t exactly the most trustworthy of sources, he is also one of the most openly critical of cailan that we have access to, which i think is worthy of interest

howe remembers maric with what the toolset describes as “genuine fondness”: “your father hasn’t spoken of our time with him? that man took care of his friends. as they say, he was large as life and twice as tall!” i think we should pay particular attention to that man took care of his friends.

what howe’s talking about is a really important aspect of kingship, where you win the consent and enthusiasm of the nobility for your rule by offering rewards like wealth, land, and prestige to the loyal. kingship is always less stable than it’s portrayed, and this is one of the ways that kings must essentially sell to the nobility that answering to them is worth their time, which would be especially important in ferelden given everything we know about its culture. fereldans believe someone only has power when it is given by the loyalty of those below them, who have the right to freely rescind that loyalty. the dao codex says that “the sight of [fereldan kings] asking for—and working to win—the support of ‘lesser’ men is a source of constant wonder to foreign ambassadors.”

i suspect howe is remembering a maric fresh from the victories of the rebellion, who was able to reward those who had followed him with the spoils of those victories. at the end of the stolen throne, we see that in the final days of the rebellion, maric was killing those who had betrayed his mother to the orlesians even when they arrived under truce to meet him on holy ground. in dao, we see no lingering orlesian nobility except for those who married in and continue to be met with marked hostility. i think we can safely surmise that maric elected to make no conciliatory measures and give everything to those who had followed him; with the orlesians on the run and his people out for blood, he was in a strong enough position to do so, and it certainly served to win the fond memories of men like howe.

by contrast, howe goes on to say, “it’s too bad cailan isn’t half that.” the toolset notes establish very clearly that it’s the same issue, elaborating on howe’s thoughts: “bitter turn, i don’t get as much from the current king”, and “disdainful, i have no use for him, he does me no favours”. this isn’t a minor character detail, if howe’s last words when killed by the player are anything to go by. “maker spit on you... i deserved... more...” whatever it is that howe feels he should have been given, by the crown or anyone else, it characterises his actions and his defining treachery.

it’s in these same conversations that we see another side of this demonstrated. there are two points where howe can openly criticise the king, and bryce immediately admonishes him for both. one even has the toolset note: “speaks sharply, as a lord to a lesser man, not a friend to an equal”. it definitely comes across that way; the way he tells howe “that’s enough” is not far off the voice he uses when the player, his child, displeases him. bryce can’t tolerate any criticism of cailan, as the couslands in dao are ardent supporters of the king. to venture some hc, i suspect that this is not merely royalist fervour, and that howe’s resentment for having been given less is matched by bryce’s awareness of the precariousness of having more.

over the centuries, the theirins have consolidated their power and eradicated almost all the teyrns (the noble rank that is second only to the king). with the only other lingering teyrn being loghain, who is essentially part and parcel of the royal family, the couslands stand alone as the only real rivals to theirin power within ferelden. there are rumours that bryce was once considered for king instead of the theirins; he too could have decided to believe he “deserved more”. but unlike howe, and perhaps understandably given his strong position and happy growing family, he is satisfied with what he has. he will not take the risk of even the slightest challenge being made within his hall

(i expect that bryce’s satisfaction with the current situation further spurred howe’s dissatisfaction to its heights, given the complicated cousland-howe history and the fact that he was expected to accept a friend he had fought beside as a superior for the rest of his life.)

i don’t think howe’s judgement on cailan is likely to be without basis. we don’t hear about any victories the young king has to his name, from which he could have passed around spoils. (to be fair, cailan had harder luck than maric in this regard. a king who raises a successful rebellion gets to bring glory and prestige to everyone who follows him, whereas a king trying to rebuild after that rebellion mostly gets to bring, uh, taxes probably. especially on wealthy centres of trade like howe’s amaranthine, one might assume.) cailan also takes a far more diplomatic approach to the question of orlais, which perhaps predictably did not win over many nobles of howe’s generation. it makes sense that cailan’s strongest supporters would instead be men like bryce who hope for things to simply continue, peacefully, as they are. perhaps in another world where cailan had won the battle of ostagar, he might have earned wider respect. (you could actually argue on this basis that there’s more sense and purpose to cailan’s glory-seeking than he usually gets credit for.) but howe already acts before ostagar, which can only demonstrate his certainty in cailan’s failings at this point: his belief that even if cailan could win, he would not be stable enough to pursue justice for the couslands

[olderthannetfic]

There's a lot of talk about using gender neutral language when discussing reproductive health so as not to alienate trans people, but there's actually more to it than just that.

I'm a cis guy and a platonic friend of mine (cis girl) is pregnant and having really bad morning sickness. She lives down the block from me, so I've been helping out while she's sick in bed, and I googled hoping to figure out more of what I could do to help.

And I noticed that not only does all the online info about morning sickness assume that the pregnant person is a woman, it also assumes that the pregnant woman is the one reading the article. Your baby, your nutrition, your experience of motherhood as a cis woman.

Which is just kind of weird. I figure expecting cis fathers and friends and relatives of pregnant people are just as likely to go looking for this info as pregnant people themselves, and if the articles had used trans-inclusive language, that would have actually made it feel less weird for me to read up on something effecting my platonic cis friend.

--

Honestly, in my experience, plenty of people who formerly seemed like normal, competent adults suddenly turn into incapable children when their partner is pregnant or has just given birth.

But, certainly, we ought to expect more, and maybe if we did expect more, people would step up.

And yes, like 99% of stuff surrounding pregnancy is assuming that the pregnant person is doing literally everything and that they want to hear about The Most Beautiful And Womanly Moment In Your Life That Will Define You Forever.

A friend bought me one of those baby memory books that you fill out for your spawn. It literally says it has gender neutral language (probably why she picked it)... Which actually means that it refers to the baby as "baby". Meanwhile, everything else is pages labeled things like "HOW MOM AND DAD MET". And that's by far the least heinous of the baby-related stuff I've encountered.

The pink butt ruffle clothing I'm constantly turning down in favor of green cottagecore shit is so small compared to the mountain of horror that is pregnancy writing/baby clothes/etc.

I feel like I've stepped into the extra bad end of a used bookstore's romance section of paperbacks from the 80s.

[a-kind-of-merry-war]

will you please give us examples of resources to look at if we want to learn more about the concept of gender and maybe even transness in Medieval Europe? thanks!

whooooo boy right, there's a lot! I wanna start this by saying that I am very much not an expert, and I only have access to stuff I can find for free and the handful of books I can afford to buy second hand. Most of my research has been around gender as it relates to transness and GNC people. I am absolutely missing stuff, or have forgotten stuff, or simply lack the know-how to find stuff.

There's a few bits I've got on a TBR but haven't read yet - some I've included and some I haven't, depending on the source and how established it is.

Also: this is medieval Europe. The way pronouns are used to describe people don't really align with modern views of sex and gender. Also be aware of old-fashioned language use (for example, some texts talk about "hermaphrodites"). Remember that the way we talk about gender and trans identities is far different to how we even spoke about it 20 years ago.

So with that out of the way... I am chucking this under a read more, because it's long:

---

GENDER

Medieval ideas around gender were different to how we now think about it. The Hippocratic view of gender saw gender as a sort of wet/dry, cold/hot spectrum upon which men were at one end and women the other (and in the middle were intersex people). The male body was seen as hot and dry, and the female as cold and wet. The cold, wetness is what made women try to seek out heat from guys. A lot comes down to humors rather than genitals - if you're hot and dry, that innately means you grow a penis, because the heat sorta forces it out. So the marker is that penis = man, but you only have that penis in the first place because of your hot, dry humor.

Some people believed the vagina was an inverted penis - as in, the penis turned outside in. Some schools of thought believed that both men and women produced "seed", and that both were needed for conception. These thoughts and ideas shifted around a lot.

The Hippocratic view shifted towards Aristotelian ideas around the 12th Century, where the male/female divide was a lot stronger. There were also surgeons throughout all these periods who sought to "correct" intersex genitalia with surgery (how little things change).

This podcast (I've linked to a transcript, because I have more time to read than listen to things) with Dr Eleanor Janega is super interesting. In fact, I'd recommend reading her whole blog, which is fascinating. She also has a book out (but I've not read it so I can't give a yay or nay on that one)

The Meanings of Sex Difference in the Middle Ages by Joan Cadden seems to be a good source on this, but I've not read it so I can't vouch for it 100%.

I've listed below some real people who could fit into our modern interpretation of transness, and the fact that all of these people were only "outed" when arrested or at their death makes me think that there were probably a lot more people at the time who would also fit into this category. It does feel (to me, a layman) that you could rock up in a new town and go "hello I'm Jeff the Man" and people would just accept that.

It's also important to note that the majority of sources I've found are about people we could define as trans men (FTM). I've only found one person who could be described as a trans woman. If anyone out there has more sources for trans women, I'd love to hear them - specifically in medieval Europe/England.

There's also a big discussion to be had around the idea of women dressing as men to achieve a goal. People love getting into arguments about it. My general rule is that if someone lived as X gender, and was forcibly outed against their will or at death, then I feel we can more safely assume that their experience maps more closely onto a trans narrative than it does one of a woman taking on the "disguise" of a man.

---

TRANS & GNC ACADEMIA

Here's some of the sources I've been using that examine medievalism through a trans or trans-adjacent lens.

Trans and Genderqueer Subjects in Medieval Hagiography, Alicia Spencer-Hall & Blake Gutt - a deep dive/collection of essays about medieval religious figures/saints through a trans lens, specifically about cross-dressing figures. Really fascinating, and available on open access.

How to be a Man, Though Female: Changing Sex in Medieval Romance, Angela Jane Weisl - goes into detail about medieval texts in which characters change their sex.

Transgender Genealogy in Tristan de Nanteuil, Blake Gutt - trans theory in the story Tristan de Nanteuil.

Trans Historical: Gender Plurality before the Modern, edited by Greta LaFleur, Masha Raskolnikov & Anna Kłosowska - A great big examination into trans history/gender. I desperately want this book.

Clothes Make the Man, Female Cross Dressing in Medieval Europe, Valerie R. Hotchkiss (book, no online source available) - Another look into women dressing as men and gender inversion.

The Shape of Sex, Leah DeVun (book) - A history of nonbinary sex, 200 - 1400BC. Not read this one yet but it's on my TBR.

In fact, I'd recommend all of Leah DeVun's work, which I'm currently making my way through. I'm currently reading Mapping the Borders of Sex.

The Third Gender and Aelfric's Lives of Saints, Rhonda L. McDaniel - An examination into the idea of a "third gender" in monastic life based around chastity and spiritualism

Erecting Sex: Hermaphrodites and the Medieval Science of Surgery, Leah DeVun - an essay about "corrective" surgery on intersex individuals in the 13th/14th centuries. (I've not fully read this one yet but the topic is relevant)

----

TRANS FIGURES

Joseph/Hildegund (died 1188) - A monk who, upon his death, was discovered to have a vagina/breasts.

Eleanor Rykener (1394) - A (likely) trans sex worker arrested in 1394 (and another source that isn't wiki)

Katherina Hetzeldorfer (killed 1477) - An early record of a "woman" being executed for female sodomy. Katherina dressed and presented as a man, and some scholars read them as a trans man.

Marinos/Marina the Monk (5th Cent) - A monk who was born a woman and lived as a man in a monastery. Marinos was accused of getting a local innkeeper's daughter pregnant. Their "true sex" was discovered upon their death.

-----

ROMANCES* & GENDER

If you're interested in the idea of gender presentation and trans-adjacent stories, I very much recommend taking a look at some contemporary sources. I've tried to take a sort of neutral approach to pronouns for these descriptions, but it's hard to marry the medieval and modern ideas of sex and gender! The titles are all links.

*Romances here means Chivalric Romances: prose/verse narratives about chivalry, often with fantastic elements. Not, like, falling in love Romances.

Le Roman de Silence (13th Cent) - in order to ensure inheritance, a couple raise their daughter as a boy. The baby is called Silence/Silentius/Silentia. The poem features the forces of Nature and Nurture, who argue about Silence's "true" gender - Nature claims they're a girl, and Nurture claims they're a boy. Silence has a variety of adventures, largely referred to in the text as a man with he/him pronouns, and at the end their "true gender" is discovered and, as a woman, they marry the king.

Yde et Olive (15th Cent) - to avoid being married to their own father, Yde, a woman, disguises themselves as a man and becomes a knight. They end up in Rome, where the king marries them to their daughter, Olive. After a couple of weeks, Yde tells Olive about their "true gender", but the conversation is overheard. The King demands Yde bathe with him to prove they are a man. An angel intervenes and transforms Yde's body into that of a man.

Iphis and Ianthe (Greek/Roman myth, but also in Ovid's Metamorphois, which first came to England in the 15th Cent) - Telethusa is due to give birth, but her husband tells her that if the baby is a girl he'll have it killed. When she gives birth to a girl, she disguises the baby as a boy. Eventually, Iphis is engaged to Ianthe. (Incidentally, this is also a really early example of same-sex romance, as Iphis struggles with their love for Ianthe "as a woman"). Before the wedding, Iphis and Telethusa pray at the temple of Isis, who transforms Iphis into a man.

Tristan de Nanteuil (11th/12th Cent) - from the Chanson de geste, after his alleged death, Tristan's wife, Blanchandin/e, disguises themselves as a Knight. Clarinde, a sultan's daughter, falls in love with them. Blanchandin manages to hide their "true sex", but when Clarinde demands they bathe with her to prove they are a man they flee into the woods. There, they meet an angel who asks if they want to be transformed into a man. Blanchandin accepts and he is turned into a man for the rest of the poem. (Incidentally the angel gives him a giant cock. Yes, the text specifies this).

Le Livre de la mutation de fortune (1403) - written in the first person by Christine de Pizan, the poem describes how the narrator is transformed by Fortune into a man after the death of their husband during a storm at sea. They maintain that 13 years after the event, they are still living as a man. (They also mention Tiresias, a Greek mythological figure who was a man transformed into a woman for seven years).

Okay, for now - that's about all I can think of. Happy reading!

[bookshelfdreams]

What is your Hogwarts house?

yk, I always thought it was a shame that we (here on the Overanalyzing Dumb Pop Media website) consider HP a forbidden topic; or rather, have collectively decided that, because its author is an idiot transphobe, it is unworthy of discussion. There are so many things worthy of discussion about it, about what it believes in, what roles it assigns to people, why it ultimately fails in delivering its message.

Actually, the houses are a big part of that.

What is evil in the world of HP? Not what the text says outright, not the lip-service it pays to Fascism Bad! No, what is shown as evil? What marks an evil person, and in contrast, a good one? (Aside from superficial and again, obvious traits like cruelty or intolerance)

The defining trait of the "evil" house is ambition and cunning - and intelligence. Ravenclaw might not be "the villain", but the characters placed here, when they feature at all, are often morally ambiguous or downright antagonistic. The big bad villain comes from devastating poverty, just like the secondary villain.

What does HP believe in? Well, underlying seems to be the assumption that it is inherently suspicious to want to rise above one's station. It is fine for characters to explore and make use of their natural gifts, but it is wrong and a mark of evil to have ambitions beyond that. Wanting to be better is fueled by bitterness and jealousy; in HP, you either have innate talent, or you're a fraud and a villain.

This isn't something that's put in consciously, I am almost certain of that. Rather, it stems from a cultural background, where everyone ought to stay within their class. Where good fortune, wealth and talent is a mark of God's favour, and trying to achieve better status despite not being born into it, is hubris that ought to be punished.

Now, on the surface, HP obviously rejects this. Harry himself grows up a destitute, abused orphan! Doesn't he?

But he is lifted from his old life when he learns that he was always special. Fate has marked him favourably. He is innately talented in all the right ways, and he's heir to a fortune.

Contrasting that, there's Ron, whose family is actually poor, but who bear poverty gracefully. Who would, of course, never accept charity! And who's father could have had a better, more lucrative carreer, but never had because he enjoys working in his deadend position so much! (And then look at Ron's brothers: The twins find success and a fortune by exploring their innate talents, seemingly without too much care for financial gain. Percy, otoh, who actually has career ambitions, is painted as shallow and selfish for it.)

Even of the protagonists, the one who is the most hardworking - Hermione - is also the most ruthless, even cruel and dangerous at times. And she is allowed to work for success only because all her motivation is purely academic (and also rooted in poor self-esteem). She studies for a love of studying, and because she is terrified of failure. Not because she wants to be the best.

Being the best is something you simply are. Not something you work for.

On the surface level, HP is about defeating fascism. But the whole framework of HP, its underlying worldview, is far more compatible to that of fascism than antifascim. Voldemort kind of has a point! In HP, muggles are constantly portrayed as clueless and idiotic not-people who are needlessly cruel and intolerant towards wizards. Voldemort's offense isn't thinking wizards are inherently better - the narrative believes this too - it's that he's going to far. He's targeting other wizards and that's inacceptable.

Because in the world of HP, the traits and talents you're born with determine your worth as a person. They're the mark of goodness and achieving success beyond your "station", that's evil.

In the world of HP, not everyone is born free and equal. From birth, it is determined whether you're good or evil, and that's unchangeable (which is why there's so little character development in the entire book series). Redemption is impossible. At 11 years old, your character is declared in front of everyone, and this is unchangeable.

So, to answer your question: idk, man. I'm 35, I'm beyond that age when you want to categorize yourself into a neat little box. I don't think people can be easily divided into "brave heros", "loyal servants", "kinda suspicious nerds", and "evil masterminds", we're more complicated than that.

[therobotmonster]

Please don’t use midjourney it steals art from pretty much every artist out there without any compensation. I didn’t know this at first and tried it but then during the creation process i saw water marks and Getty image logos (though I’m sure they’ve hidden that now) so it’s definitely stealing.

No, it isn't. And you've taken the wrong lesson from the Getty watermark issue.

AI training on public facing, published work is fair use. Any published piece could be located, examined, and learned from by a human artist. This does not require the permission of the owner of said work. A mechanical apparatus does not change this principle.

All we, as artists, own, are specific expressions. We do not own styles, ideas, concepts, plots, or tropes. We do not even own the work we create in a proper sense. All our work flows from the commons, and all of it flows back to it. IP is a limited patent on specific expressions, and what constitutes infringement is the end result of the creative process. What goes into it is irrelevant, and upending that process to put inspiration and reference as infringement is the end of art as we know it.

The Getty watermark issue is an example of overfitting, wherein a repetitive element in the dataset over-emphasizes specific features to the point of disrupting the system's attempts at the creation of novel images.

No one denies that the SD dataset is trained on images Getty claims to own, but Getty has so polluted the image search functions of the internet with their watermarked images that the idea of a getty watermark has been picked up the same way the AI might pick up the idea of an eye or a tree branch. It is a systemic failure that Shutterstock and Getty can be so monopolistic and ubiquitous that a dateset trained on literally everything public facing on the internet would be polluted with their watermarks.

Watermarks that, by the way, they add to public domain images, and that google prioritizes over clean versions.

The lawsuits being brought against Midjourney and Stable Diffusion are copyright overreach being presented as a theft tissue. The facts of the matter are not as the litigants state. The images aren't stored, the SD weights are a 4 gig file trained on 250 terabytes, roughly 4 bytes per image. It runs local, does not reach out to image sources over IP. All you've got are mathematical patterns and ratios. I would go so far as to say that the class action suit is based on outright lies.

But for a moment, let's entertain the idea that what goes into a work, as inspiration, can be copyrighted. That styles can be stolen. That what goes in defines infringement, rather than what comes out. What happens then?

Well, the bad news is that if Stable Diffusion and Midjourney were shut down tomorrow, Stable Diffusion is in the wild. It runs local, it's user-trainable. In short, the genie isn't going back in the bottle. Plus, the way diffusion AI works, there's no way to trace a gen to its sources. The weights don't work like that. The indexing would be larger than the entire set of stored patterns.

Well good news, there's an AI for that. The current version is called CLIP Interrogator And it works on everything. Not just AI generated, but any image. It can find what style it closely matches, reverse engineer a prompt. It's crude now, but it will improve.

Now, you've already established that using the same patterns as another work is infringement. You've already established that inspiration is theft. And now there's a robot that tells lawyers who you draw like.

Sure, you can fight it in court. If it goes go to court. But who's to say they won't just staplegun that AI to a monetization re-direction bot like youtube has going with their content ID? Awesome T-shirt design you uploaded to your print-on-demand shop... too bad your art style resembles that from a cartoon from 1973 that Universal got as part of an acquisition and they've claimed all your cash. Sure you can file a DMCA counter-notice, but we all know how that goes.

And then there's this fantasy that upending the system would help artists. But who would "own" that style? Is that piece stealing the style of Stephen Silver, or Disney's Kim Possible(TM)? When you work for Disney their contracts say everything you make is theirs. Every doodle. Every drawing. If the styles are copyrightable, a company could hire an artist straight out of school, publish their work under work-for-hire, fire them, and then go after them for "stealing" the style they developed while working for said corp.

Not to mention that a handful of companies own so much media that it is going to be impossible to find an artist that hasn't been influenced by something under their control.

Oh, and that stock of source images that companies like Disney and Universal have? These kinds of lawsuits won't stop them from building AIs with that material that they "own". The power goes into corp hands, they can down staff to their heart's content and everyone else is denied the ability to compete with them. Worst of all possible worlds.

Be careful what wishes you make when holding the copyright monkey's paw.

[ggsbooks123]

Memories — part two of memory garden

warning: gets pretty angsty here and character deaths 😓 mentions of suicide (jude bby is guilt ridden)

summary: you don’t know how much longer you can take it. The thoughts eating away at you telling you to kill someone in your heart you knew was pure good… but what happens when the voices turn on you?

a lil disclaimer yall i mixed cressidas name with cresta without thinking and realised half way through… i couldn’t be bothered to go back and fix it so i continued using it 😭 cresta is cressida!

— —

The next morning I woke up to Boggs shaking me and asked me to step outside, the sun was only just making its ascent.

I notice my restraint is off, Boggs must have taken them off before waking me up, I took a deep breath. I wasn’t sure why he had done it, I was in no right mind.

My eyes lifted at the doorway, Peeta was right there… No. I shook my head, following Boggs out the door.

He stood gazing over the destruction of the city, I tightened my fist when the echo of a voice tried to break through. Not now. This was the outcome of war and nothing I did to them now would prevent this. But the voices never agreed.

“Wanted to check how you were feeling after your first night” He explained once I joined him at his side, it was nice that he cared.

I shrug, glancing back over my shoulder “I don’t think it’s a good idea that i’m here, I was getting help back at the district… I don’t know why i’m here” I definitely didnt think it was a good idea, Coin had sent me here knowing i was far from recovery.

“Coin always has a reason” Boggs muttered like he’d been reading my thoughts “I think she has no use for Katniss and Peeta anymore-“ He eyes filled in the blanks his words didn’t…

“She sent me to kill them” I whisper back realisation smacking into, I was a weapon, again. But it wasn’t the capital this time, it was the rebellion.

When will i be free?

The voice sounds almost sad and I realise that it’s not a voice, it’s my own thoughts. My own depressing and given up thoughts.

“She can try and turn you into some psycho killer but the people in that room care about you, even if you don’t see it. So do I, the three of you kids have seen more hell than anyone deserves” Boggs explains, finally turning from the city to face me. “You’re just kids”

I frown, glancing down at my hands. Kids. We weren’t even eighteen years old, it was something that defined so much about someone and id forgotten.

“Thank you” I whisper, movement from inside alerts me and I reach for my gun, what if Peeta took this distraction as an opportunity but then Katniss stepped out, my heart didn’t slow but my hands dropped.

“What’re you doing out here so early?” Katniss asked stepping closer but keeping a respectful distance, my hand clenched.

She’s with Peeta, they will kill us all. The desire to kill Katniss was easier to push down but when it came to Peeta is was a thirst for blood like no other.

I shake my head, not hearing what Boggs responded with.

“How are things?” Boggs doesn’t respond to this question so I glance up and see they both have their attentions on me.

How are things? I wanted to scoff, but I knew that I was an accident waiting to happen, they didn’t know what would set me off. Apparently just saying how are things is one example. I shake my head and I notice the flash of concern.

“I can only get better right?” I spit, I don’t mean for it come out like that but she flinches and Boggs places his hand on her shoulder.

I feel it, my hand moving on its own before my right slapped down on it, instantly both their eyes slammed to me and without further explanation i declare, “We need to put my restraint back on”

And with that Katniss went inside and woke the others and Boggs cuffed me again.

Finnick was the first to step out, alongside a girl with a vines blooming flowers across the left half of her shaved head “Jude, I wanted you to meet Cresta, she’d one of the directors for this whole thing”

I smiled lightly at her, hoping to be polite since she no doubt had to stay up for an hour and watch me last night. “Nice to meet you, are you from the Capitol?”

She nods, “Do I give off that capitol ignorance?” She asked as a joke but in her eyes I could tell she was pleading I said no which made me smile slightly wider. I liked her.

“No, no. I was just asking didn’t mean to hit right on the money” I shrugged, “Maybe after this I could read palms?” I raise an eyebrow at Finnick who seems to just be smiling at me. “What?”

“Nothing, just glad you’re finally started talking about an after this” And with that Cresta and him left me, sending my mind reeling.

After…

— —

The next few days were especially hard, we had to travel a few streets at a time due to these devices called pods, the game makers had created them, no death should be boring apparently.

One of the pods had contained thousands upon thousands of snakes, luckily they seemed to stop at a certain point. Just like in the games except we could activate them from a distance.

Some of the other pods though, made it harder to remember where I was and who my friends are. Boggs had set off the last pod, four explosions had destroyed the road before them and each explosive made unbidden thoughts enter my head.

Now we were slowly making our way through the Capital streets, it seemed bizarre to think that it was once luxury.

“How’re you feeling?” His voice breaks through everything, and my neck snaps to him as I take a step back, bumping into Finnick who seems to have noticed why and is already guiding me to walk again.

Peeta frowns, turning away for a moment before looking back at me “Sorry, I didn’t mean to startle you” Maybe he was trying to be nice, because we both knew it hadn’t been the reason.

“It’s- It’s okay. Really. Just a lot going on, and I think I’m feeling better. The questions that i’m asking help” I respond, trying to stay calm and push the voices away, though they’re not really there at the moment.

He seems to perk at my words before shooting over his shoulder “Ask one now, can’t hurt” I blow a breath, rattling through my brain for anything and then it clicked.

We’re back in the 75th Hunger Games, it’s a couple days in and we look utterly spent, I don’t even look like i’m making my next five steps.

I try to remember when this was, must’ve been right before the arena been destroyed, Peeta and I had run into the Careers and I’d paid with three strikes to my chest, Peeta not much better off.

The thought of the wounds made me reach for my chest, but they were gone. Magically healed by the Capital just to be tortured mentally.

I watch myself trip slightly but Peetas there in an instant, arm looping around my waist, holding me for dear life.

It looked so natural. Right. Together, his eyes never leaving me, concern dripping with every blink.

I hear him whisper like he’s next to me “We’re almost at the beach alright, just a little further” I can feel the desperation in his words, he needed me to make it.

I remember the exhaustion now, the utter fatigue I felt. The thought to close my eyes was over bearing but I couldn’t let Peeta down… win, I couldn’t let him win!

I snap out of the memory, luckily Finnick has my arms in his hands because i’ve stopped again and Peeta is looking at me with concern over his shoulder every few seconds. “Jude?” Finnick whispers and I take deep breath.

“In the last Hunger Games,” I began, trying to sort out the memory, he was saving me or was he the reason I ended up at the Capitol? “You saved me after the Careers attacked us, real or not real”

He frowned at the question, was it concern or hurt in his eyes, I didn’t know because when he blinked it was gone but then he stopped turning to face me. This time Finnick doesn’t push me forwards. He didn’t save you, and now he knows that he can’t get away with his lies anymore. Kill him!

Before I could act on the voices that abruptly awokened he speaks up, “I got you to that beach, then the arena went out and the Capital got you. So yeah, I saved you from the Careers but I couldn’t save you from the Capital and it’ll kill me everyday that you had to go through that and this and I couldn’t do anything”

His voice grew more anguished and devastated with each word and I found tears falling down my own face as he took deep breaths in front of me. The old me would’ve known how much this was eating at him, would’ve helped him but how could I?

I didn’t know me anymore. Or what I could do before I snapped.

I didn’t know what to say so I said “Haymitch told me that I- I told them if it came down to it, to save you” His eyes sharpened on me somehow, “I don’t blame you for what happened in the Capital, I never will. I’m sorry”

The air hung still as Boggs turned to them finally, breaking the moment “Keep up! We haven’t got all day” Peeta sighed, glancing at Boggs before solely landing on me again.

“Real. I saved you from the Careers” I smiled lightly, kill him, I shoved it down not paying any attention to it.

“Thank you” Finally, we began to follow the others down and around another corner. Soon we were arriving at our next pod, this one had a large arch with completely and utterly destroyed walls surrounding it left to right.

More destruction passed as they continued, how long before it’s too much, until the city isn’t even salvageable. Boggs told us to hide behind the walls while he set it off the next pod and then checked for anymore. We did as told, I took position between Finnick and Katniss and two other guys i didn’t know, Peeta and Cresta, Jackson and Pollux on the other side.

I felt anticipation, the voice had free roam when the pods went off. Too much going on at once, I couldn’t control it.

The pod detonation sent my mind spiraling, as I assumed, this one, four guns emerged from the wall and rained bullets into the archway destroying bits of the wall they were behind.

If you killed them their symbol would be gone, who would push that hope and if not for Katniss and Peeta, it would die with them. The voice stronger than it’d been in days.

No! I crouched further agaisnt the wall we’d taken cover behind, I’d been given my blank gun back for the promo but this was all too much, I felt the butt of the gun against my temple as I curled into my self.

I bring my head up and smack it against the gun, get out of my head. Get out. Get out! “My favourite colour is purple, I can’t wear red bows. Peeta saved me. My favourite-“ I repeat the words, whispered and keep bringing the butt of my gun to my temple.

A hand on my shouldern brings me back, at first my eyes catch the utterly devastated ones across from me. Peeta. He looks like he’d burn the world… For me. I break the eye contact quickly and the look in Finnicks eyes said it all. He didn’t have to go through what I had to understand, I didn’t know if I’d be able to do this without him, or Peeta… No matter how much I wanted to kill him sometimes.

Suddenly an explosion going off catches us off guard, did they set off another pod? “Boggs!” Katniss screams break the air, Finnicks hands move under my shoulders and lifts me to my feet, hauling me around the corner.

We both freeze at the sight, easily three of our squad members had been hit by the bomb. But it’s Boggs who lays in Katniss’s arms that makes my stomach drop and I’m almost sure I would have crumbled if not for Finnick. Bogg’s legs were gone, nothing but two stumps and onrushing blood.

Oh god, oh god. I slam my eyes shut and a ringing breaks out in my head. This is my fault, it’s all my fault, I never should have trusted them, Boggs should have never trusted them. The thoughts come harsher than they have in weeks and I can’t break away from them.

Kill them before they kill us all. This one isn’t my voice and I snap my eyes open sure I’d see his old and drawn face in front of me, but he’s not there. Relief fills me, but the twitch in my hand isn’t as my eyes dart to Peeta.

He must’ve been hit by the backlash of the bomb, Jackson was helping him to his feet as Cresta was helping one of the twins, who’d I forgotten were even there amongst all the chaos. His blue eyes darted around until they met mine and then they drifted to my hands.

I was holding my gun… I didn’t remember grabbing it, and it was full of blanks but it could still be a weapon. Kill him, I shake my head taking a step back at the same time I hear a click from afar, my head shoot’s up and I look to see l the other twin had rushed to help the other and had set off another pod.

I flinched ready for another bomb but instead the walls to the archway we just entered and the three others all begin to close, Katniss now standing from Boggs and holding the device he had seems to catch sight before anyone of us and the look of horror on her face is enough “Run!”

An arm grabs me and yanks me forward but my hands tighten on my gun, it was his fault. I can’t shake away these thoughts anymore, not after Boggs.

“Jude, keep it together!” Finnick spoke from beside me but nothing could bring me back, not after everything, everything that he’d done.

I felt my mind unscrewing, going barbaric at the thought of Peeta being so close and safe, he would make it out of this courtyard. And I tried to fight every single part of me that wanted to change that.

I couldn’t… Not after Boggs. You’re just kids, Peeta was a kid that had been the reason of hundreds and thousands of people… He had to die.

The air thrums around us as we rush up the stairs and I take this moment to look over my shoulder, a wave of black liquid lurches towards us and with utmost certainty I don’t want to find out what happens if it reaches me but then my mind flicks.

No consequences, kill him and die knowing you saved innocents. I wanted to shake these thoughts away, Peeta rushing up behind me tells me that he’d probably only run when he realised I was safe but a larger part of me knew he had some hidden agenda to kill me and cause more harm than good.

I had time.

It was the last confirmation I needed, shoving Finnick off me and throwing myself at Peeta, I let one of hands release the gun as I grab for his shoulder but his foot catches something and I only manage to grab his shirt as we go rolling down a few of the steps as he tries to fight off my grip, I hoped I had timed it right.

“Jude! Don’t�� He cried out, finally managing to grab my wrist so I raise the gun in the other, “You have to die” I whisper, unsure why I needed to say it before I bring down the gun and finally, finally-

I’m shoved, NO. Snow’s voice screams in my head and I let out a cry, the yell breaks my skull open and I feel every ounce of rage pouring from the word.

His anger becomes my own and fuels me as I jump up from the ground and grapple the man from our squad who had ruined ruined ruined everything.

I knew it was wrong, some part of me as my ears rang and my mind exploded, but I couldn’t stop stop stop. The liquid rushed behind the man in my arms now, we’d spun, had I done that? Before my foot lifted and connected with his middle and I sent him into the abyss of oil.

Then it was all gone, the ringing, the voices and my mind was clear. I just killed a man. Someone must have grabbed me because i’m moving but I don’t feel it and I don’t care I’d killed someone, killed killed killed.

I feel the tears now as a door slams shut behind me and I hauled up my stairs, these are wooden not stone. The voices come back but they are no longer on my side. And it’s my own voice.

You killed an innocent. You need to die, you’re a danger. And I agree, I scream and scream that I want nothing more than to be dead and I must’ve actually been screaming because soon all I see is the same abyss I had forsaken another to.

— —

An explosion wakes me up and proceeds to remind me of everything that had happened before I succumbed to the darkness, I took in my surrounding the only light coming from the curtained window that Katniss and Gale were peering out of.

Whatever had just happened outside had affected Katniss more than Gale, and as I shift my position to get a better look but it’s useless, Gale lets the blinds close.

I let my eyes dance around the room, there’s more people in our group than I had realised, two men sat together checking the other for injuries, another man I seen but still didn’t know the name of stood with Cresta while Finnick and Peeta sat watching the window that Katniss and Gale were at. Jackson was no where in sight, I didn’t want to see her anyways, the guilt would twist even further. The twins… gone.

I swallow the sickness I feel, I had been so crazed I hadn’t taken the time to even get to know them.

All of the squad was far from me, I realised I was placed on stairs and the rail along it is what my hands are cuffed to.

Now you can’t hurt anyone. That hadn’t changed, no longer would I fight the urge to kill Peeta, somehow my wish of not killing him had been granted. Now I had to try not to kill myself, though that statement was half hearted.

Suddenly the familiar ring of the Capitals announcement played and my veins grew cold until one of the squad members spoke up “All the tvs in Panem are connected to the announcements, if the powers on then the shows running”

I rolled my eyes, the power that they could flush into abandoned apartments was incredible when some districts could barely keep the lights on for an hour or half.

The anthem continued, causing me to close my eyes but that only let the voices free reign in the darkness.

You could’ve been helping them stop this instead you let the Capital control you. I grit my teeth together not being able to take in what was happening on screen from the inner battle I was having with my own thoughts. You nearly killed Peeta and you were proud of it.

I nearly threw up.

My skin was on fire, pure and unadultered disgust and shame with myself, how could I have not realised that killing Peeta was the worst possible thing I could do, I would be nothing. Nothing, there was no way to put into words what would happen if he died.

And by my own hand, I closed my eyes. No. Never again would I let them win, hurt him. Never. I’d kill myself before I ever did something like that again… If I was even given the chance of redemption after what I did.

I open my eyes as I hear my name mentioned and see that the Capital is replaying everything that’s been haunting me since i woke up.

I watch the black oil like substance hurtle it’s way towards us, and I see it clearly now, Peetas eyes are on me waiting until I’m safe and clear before he runs after me and in that split second decision i’ve made one aswell.

Watching it on the screen was horrifying, my arm reaching for his throat but finding his shirt instead, us rolling together and still the look of murder on my face, so twisted it doesn’t even look like me before Mitch yanked me off and I thanked him by kicking him into the pod trap.

His scream echoed through the screen and I flinched, I’d been so full of rage and out of it I hadn’t heard it or seen as a metal cage lined with spikes shot from the oil, encasing the now dead Mitch.

I close my eyes unable to watch the rest. Monster, monster, monster. My voice spits over and over again, these I can’t shut out. It’s simply my thoughts the more I push it triples.

“Well, what’s next?” Jackson asked out of sight, I glanced around the room yet none of them seemed to look at me. I understood why they wouldn’t, some of them knew Mitch.

I killed their friend. Yet no one responded.

Was it not obvious? “I- I killed him” I whispered, all of their heads snapped like my voice was the last they expected “You should either leave me here or put a bullet in my head so no one else dies”

In the corner of my eye I see a hint of blonde flinch at my words, but I’d nearly killed him if it wasn’t for Mitch… Now he was dead, I didn’t get to live. “It’s the only reasonable solution, you can’t tell me i’m wrong”

“You’re wrong” Peeta cut in before anyone else could agree or disagree, I couldn’t tell by their faces and yet none of them cut into Peeta “You are restrained and we have a watch on you, Mitch knew what he was signing up for, we all did”

I looked away from him. This wasn’t right, my thoughts were against me now but what happened when they turned on him again? Because they would.

“You saved me once, you’ll be saving me this time aswell if you just-“

“No”

My eyes met his and I knew I’d never seen the fire in his gaze that he’d held this moment, Peeta was not budging on this. I frowned, I was a liability why couldn’t he see that?

My mind flashed to solutions, none came to mind. “There has to be a way where if I know i’m going to snap that I can stop myself” My words break at the end as I gaze around the room, there’s only silence “Please… please”

Gale steps forward and I see Peeta take a step but Katniss stops him, and I’m grateful as the brunette boy crouches down and pulls something from a hidden pocket.

A small pill, it was hard to think it’d do what i asked, delicately Gale pushed the pill into my own hidden pocket and patted it “It’s Nightlock, no pain and instant. Only if you have to”

I nodded, hesitantly but promising “Only if I have to”

And with that they set out, planning a course of action. The pods were too often now, they would have to stop constantly.

It was time to go underground

—

- … sooo part three?!?

—

DONT SCREAM AT ME IK IM AN ASSHOLE IM SO SO SO SORRY FOR MAKING YALL WAIT MY GOODREADS GOAL WAS SLACKING HAD TO CATCH UP HOPE YALL LIKE THIS XXXX

taglist girlies💓: @yazminetrahan @solarbxby @abbersreads @antonietta18

[calisources]

𝐀𝐆𝐄 𝐃𝐈𝐅𝐅𝐄𝐑𝐄𝐍𝐂𝐄 𝐑𝐄𝐋𝐀𝐓𝐈𝐎𝐍𝐒𝐇𝐈𝐏𝐒, 𝐀𝐆𝐄 𝐆𝐀𝐏𝐒 𝐒𝐄𝐍𝐓𝐄𝐍𝐂𝐄 𝐐𝐔𝐎𝐓𝐄𝐒.

All sentences were taken from difference media about age gap and age difference relationships, all acceptable relationships within consenting adults with age differences. Please do not use for teenagers or taboo relationships. These have some foul language or suggestive undertones so please beware. You can change names, pronouns, locations as you see fit.

I bet it doesn’t feel like this with that boy of yours, does it?

You’ll never know when I’m going to drag you into the darkness, pumping my cock into one of your tight holes. And you’ll take every inch like a good little girl.

What a tiny life we’d live if we fashioned ourselves to the comforts of others.

I think I'm a little old for that, love.

No, not old. But you're, you know, a man.

Tell me that you've never had anyone else. I want you to pretend.

You show me things I've forgotten.

Sometimes I think you must have seen it all before. That I can't show you anything new.

I like you as you are, he said. Even if you're going to wear me out.

I’m rough with your body sometimes, but I’ll always be gentle with your soul. She bruises far more easily.

This prince is a few years younger than you, and does not have much experience.

I must have forgotten how young you would be, Princess. Has there ever been a sovereign of such tender age?

Who is to say what love is or what it wants to be, the shape it takes, or how quickly it comes on? Love has always made a fool of time.

I don’t feel old. As a matter of fact, sitting here with you makes me feel older, not younger. Nothing is rubbing off.

Mr. Rochester was about forty, and this governess not twenty; and you see, when gentlemen of his age fall in love with girls, they are often like as if they were bewitched.

He's old enough to be your father.

Tonks deserves somebody young and whole.

But she wants you. And after all, Remus, young and whole men do not necessarily remain so.

Age is no barrier. It's a limitation you put on your mind.

Age considers; youth ventures.

Age, like distance lends a double charm. 

I'm a strong believer that a good relationship can work, whatever the situation. 

Love knows no boundaries, not even the ones defined by age.

Don’t let society’s judgment define your love. Follow your heart, despite the age difference.

Most people would be upset they get an old man as their husband.  

Do not worry about your age, Ser. The lady pays attention not to age but prowess.

I will not let time choose my lovers for me. I trust my own judgement. 

You should look to more prosperous gardens, Your Grace.

I was sixteen years old when you were born.

No doubt you were much my superior in judgement at that period of our lives; but does not the lapse of one-and-twenty years bring our understandings a good deal nearer?

Come, my dear Emma, let us be friends, and say no more about it. 

I have seldom seen a face or figure more pleasing to me than hers. But I am a partial old friend.

If I loved you less, I might be able to talk about it more.

We spend more time discussing this matter than being together as a couple. And I believe you are doing it on purpose.

You think my attention is as fickle that I would look elsewhere.

Perhaps it would be you who looks elsewhere. A handsome older man must have youthful maidens at his disposal.

If we were closer in age, it would've been fine.

I have loved you since the moment I helped you with your zipper. 

Would it make you feel better if I call you Daddy while you fuck me?

You’ll be a silver fox before 40 at this rate.

Well, it’s definitely your fault. You stress me out. You’re making my hair turn white.

It’s easy to cast opinions when your heart isn’t the one invested.

I hope you love me, because I love you like crazy, and I'm going to want you the rest of my life.

You already know the truth. And I will be by your side, but I am not good for you.

I am tired of others getting to choose who is good for me. You do that quite often, frequently. 

You'll keep your name. You'll keep your will. You'll have your own servants to attend you— you will have everything you ask for.

Don't ask me to let you do. Do you understand? Do not ask me.

It might be best for us, for myself, if I found myself useful elsewhere.

I wish you could just slow down so I could catch up to you.

Stamina is not an issue. But rather what others will whisper.

When are you going to get over this? All I did was touch your leg.

Why would it matter if someone saw you saying hello to me?

But it’s nice to be around you. Like I haven’t lost a decade of my life.

I been in love with you since I was six, fool. 

I will always belong to you, but I’m afraid there will be others after me. I’m not a young man/woman.

A kiss ... a muse. It is a question, an unlocked door. It is ... elation ... and anguish.

You have treated me better than any young man my age. Why should I go for either of them? 

Young men are eager lovers. I prefer my lovers to take their time. I’m sure with men is the same.

You make me feel really safe. i’m not used to that.

You gave an old man purpose again. And that is more than I can ask of you.

I was a child then, with a crush and a dream. As I grew, dreams changed but you remain the one in my dreams.

I have thought about kissing you a lot. What would that make me?

I have more in common with you than men my age.

Do not pretend to think what I think.

More recently, there are rumors she prefers her lovers to be younger. Truth to be told, I don’t blame her.

I will teach you in time, but for now restrain me and have your way with me. I don’t want to think, I just want to feel.

We have never done anything to be ashamed of. You’ve never done anything to be ashamed of.

Personally, I think the difference keeps us interesting in another another. 

You can teach me all you wish, and I can learn. I know I can.

There is always a wild side to an innocent face.

You are being too forward right now, my lady. Be careful.

There would be other loves. Even great loves. But she was right, only one remained perfect.

Maybe there are some people you marry and people you love.

Just so you know, you're a natural lover. Your body expresses beautifully what's in your heart.

I have never felt so alive... as when I am in your arms.

A 5 to 7 relationship is a relationship outside of marriage.

You're older than I am, you're wiser I'm sure and you've seen much more of the world.

[cleo-fox]

As the Clock Strikes Midnight - Part VIII

Series Masterlist Chapter Summary: In which you lie to yourself. Chapter Warnings: Sex, p in v sex, dirty talk, praise kink, wall sex, semi-public sex, library sex, unrealistic refractory periods. Tag List: I don’t have a tag list for this fic, sorry! The best way to hear about updates is to follow me on Tumblr or subscribe to the fic on AO3.

You don’t know what this is and you don’t know how to navigate it. 

Every night from dusk to midnight, you are in his bed. He makes you no promises and you don’t ask him to. You tell yourself that it’s meaningless, harmless, a bit of fun.

You ignore the fact that most sensible people would not define bedding a prince as a harmless bit of fun. Especially not when you’re a servant. Especially not when there’s so much that you could lose.

You ignore the fact that the longer it goes on, the more the meaningless parts start to feel substantive, the more it nudges at something in the center of your chest.

You ignore it all because if you don’t, if you stop and think very carefully about it, that’s when you will realize that you’ve wandered too far down a path that you ought not to have taken in the first place and by that point, it will be too late.

It is getting late and you are trying very hard to keep your eyes open. Your head is resting on Loki’s chest, your ear pressed against his heartbeat. His fingers have been trailing up your spine and into your hair and back down again. It’s soothing and it also gives you chills—a pleasant contradiction, much like Loki himself.

“I must leave tomorrow,” he says suddenly. “I have business on Midgard.”

“Oh,” you say. You’re not really sure how to feel about that. You’re not really sure whether you’re supposed to feel anything about that. Probably not. “How long do you expect to be away?”

He sighs. “Two months, at least. Likely more.”

“Long enough to cause trouble, I imagine,” you say lightly. There is an unexpected lump in your throat, but you’re doing your best to ignore it. There’s no reason there should be a lump in your throat; therefore it does not exist. You repeat this to yourself confidently, like saying it more than once will make it true.

“Well, naturally.” He rolls over, pulling you with him so that you are on your back and pinned beneath him. “I am the god of mischief, after all.”

“I suppose you are.” You recognize that look in his eyes. “And what mischief are you planning now, your highness?”

He hums and presses a kiss against your collarbone. “The usual sort.” He is growing hard against your belly. “I must have you at least once more before I depart on my journey.”

Despite all your complicated and confusing feelings, your body is warming to his touch, that all too familiar aching need stirring in your hips. “Only once?” you say as you open your legs to him.

“I said at least once. Try to pay attention, darling.”

In the end, he has you twice more, though the last one is quicker than you’d like, motivated by the lateness of the hour. He helps you dress and delays you once more at the door with a long and lingering kiss that you will find yourself returning to many times over the next several weeks.

“I really must go,” you murmur against his lips. “I’ll be missed if I’m away much longer.”

“Surely another minute won’t hurt,” he says, lowering his head to nuzzle the place where your neck and shoulder meet.

“I’m afraid you underestimate the power of very nosy kitchen maids.”

“Well, we can’t have that. I shall speak to Fritjof about the staffing.”

You know he’s joking, but there’s still a flicker of fear that runs through you at the sound of Fritjof’s name. “You wouldn’t,” you say, forcing your voice to sound light and unbothered.

He laughs quietly. “You’re right. I avoid speaking to that old bat whenever I can.”

You are used to hiding your true feelings about Fritjof. “He’s particular,” you say.

“He’s abhorrent,” says Loki. “If I were king, he would be the first I’d release from service.”

You can’t help but feel a little relieved by this statement. Sometimes it’s easy to feel like Fritjof’s unpleasantness is all in your head, or even just an overreaction.

You can’t say any of this, though, so you keep your expression neutral and polite. “I’m sure I don’t know what you mean.”

“I’m sure you do,” he says, a hint of a laugh evident in his voice. “You’re simply accustomed to being well-mannered about it.”

“I certainly wouldn’t say so if I was.”

He laughs quietly and runs a fingertip along your cheek. “I suppose not.”

There’s a beat of silence and the lateness of the hour strikes you once again. “I really must go,” you say.

“I know.” He looks at you carefully before leaning in to kiss you. It’s soft and gentle, almost tender in a way that makes you want to indulge in silly daydreams.

But the kiss ends, though his hand remains cupped against your cheek as he rests his forehead against yours. “I’ll send for you when I return,” he says.

You want to believe him, but there’s a part of you that’s afraid that this might be the end of your extraordinary little dalliance. Surely his attention will wander elsewhere once he returns. You hastily dismiss the thought and force what you hope is a believable smile.

“Safe travels, highness.”

You’re surprised by how immediately you feel Loki’s absence. 

It’s not just the sex, though you certainly miss that. You miss his company, his dry and sarcastic remarks, the way that his eyes light up when you say something sharp or clever. His smile, his quiet huff of laughter against your shoulder, the way his long fingers curl around yours. The way he listens, the way his brow furrows when he’s deep in thought.

You try very hard not to think about what any of that might mean.

You resume your clandestine trips to the library, but you find it’s hard not to think of Loki in a space that you associate so closely with him: here is a book that you know he likes, there is the chair he prefers. The memory of his kiss burns on your lips, the ghost of his touch seared into your skin like a tattoo.

Deep down, you know what this means, though you won’t admit it just yet. Not even to yourself.

The first few days are difficult, but after a few stumbling missteps, you slowly find your way back into the rhythm you found back before Loki upended your days.

You’re soon reminded, though, that these forbidden trips are not without their risks.

It’s only blind luck that saves you. You are coming back from the library, cutting across the dining hall to save time when you notice the lace on your boot has come undone. You bend down to tie it and it’s only then in the sudden silence that you hear footsteps approaching.

You draw back quickly into the shadows, pressing yourself flat against one of the large stone columns. From this vantage point, you can just see the doorway at the far end of the room.

A figure appears and your heart nearly flies out of your chest.

There in the flickering torchlight is Fritjof. 

You hold your breath as he crosses the room. It might be your imagination, but you would swear he looks more sinister in this light, with his beady eyes and the torchlight casting gloomy shadows across his face.

He’s a little past your column when he pauses, the sharp flare of his nostrils the only sign of life in his eerily still frame. Your heart is pounding so hard that you worry it might somehow give you away, impossible as it seems. He doesn’t know about the library, you tell yourself, willing it to be true. He doesn’t know I’m here.

His gaze sweeps over the room, his eyes squinting against the torchlight. The permanent line between his eyebrows deepens, almost as if he knows something is not quite right.

But finally, after a long moment, he seems to think better of it and continues on his way, footsteps echoing ominously in the large room.

You only let out your held breath when he leaves. You wait until his footsteps fade and then you make yourself count to one hundred before you tiptoe your way back to your room, your heart pounding the whole way.

If you were sensible, you would give up going to the library. You know that.

But with Loki gone, it’s the only thing you have to look forward to, and for that reason, you can’t quite convince yourself to give it up, though you do start taking a different route back.

And agonizingly slowly, those first four weeks pass.

On the first night of the fifth week, it occurs to you that you’re a little over halfway through. Assuming, of course, that it’s only two months and not longer like he thought it could be.

Assuming, of course, that he still wants you when he returns.

You decide that you’re not going to think about either possibility or the little blip of melancholy that creates strange tightness in your chest. It’s nothing. Nothing at all.

On the third night of the fifth week, you hear footsteps in the stacks.

It must be Fritjof.

You try not to panic as you set the book carefully on the shelf, listening intently. There was always part of you that knew that this was too risky to continue, that being discovered was always the inevitable conclusion. He’d nearly caught you once already, why didn’t you think this time would be different?

A voice comes from behind you. “And what business does a kitchen maid have in the palace library?”

There’s about a half second of terror before you realize that the voice is not Fritjof’s. 

It’s Loki’s.

Before you can turn around, strong arms are wrapping around your waist from behind, a broad chest pressing against your back. You relax almost instantly, your fear turning to something that you will later recognize as joy.

“You’re shaking,” he says, pressing a kiss against your neck.

“You frightened me half to death,” you say, your heart beating wildly, half from joy and half from fear. “I thought you were Fritjof.”

“Such grievous attacks on my character already?” he tuts against your neck, though you can feel him smiling. “Any sensible man would be offended by such a comparison.”

“He nearly caught me last week. And you’re much earlier than you said—I didn’t think to expect you.”

He presses a soft kiss against your neck. “Are you disappointed?”

“That depends on how churlish you intend to be,” you say.

He laughs and it only makes you ache for him. He turns you around and before you can get a proper look at him, he’s pulling you flush against him and kissing you deeply.

The restless, yearning ache that you’ve felt in your soul since he left finally stills when his lips touch yours. Kissing Loki feels like coming home—it feels so perfect, so right that it would scare you a little bit if there were room in your heart for any feeling other than joy.

It’s a minute or so later when he finally draws back just a little—only enough to speak. “Did you miss me?” he breathes against your lips.

Happy as you are, your first instinct is to deflect. You can’t be vulnerable. Not yet. “I would ask the same of you,” you say.

Instead of answering you directly, he presses his hips against yours so you can feel the hard length of him already straining at the confines of his trousers. You suck in a breath through your teeth.

“Now give me a proper answer,” he says, his voice dipping into a slight growl that awakens that familiar, aching heat low in your hips.

A shiver snakes up your spine. “Yes,” you say. “Very much.”

His eyes flash and suddenly he’s pressing you back against the shelf and kissing you deeply. Desperately. You arch against him as his hands palm your breasts before dropping to your hips to pull you closer still, close enough that you can’t help but feel the hard press of his cock against you.

He pulls away abruptly, grabbing you by the wrist and leading you deeper into the stacks.

“Where are we going?” There’s a breathy quality to your voice that you hope doesn’t reveal too much.

“You’ll see.”

His destination is a dark, secluded corner near a collection of atlases. Before you can ask more questions, he’s pressing you up against a wall and you realize with a thrill that he intends to have you right here in the library.

“We could be seen,” you say as he hitches up your skirts and hooks your leg up around his waist. But your voice lacks conviction and you can both hear it.

“It’s late and no one ever comes back here.” His hand slips between your thighs, pushing your undergarments aside. “And I need you now.”

It’s a thrilling admission made all the more compelling by his long fingers stroking your slick folds and circling your clit.

“Oh, you did miss me,” he breathes as he slides a finger inside of you. “My poor little kitchen maid, so slick and unsatisfied.”

You are aching and a whimper catches in the back of your throat as he presses the heel of his hand against your clit. You grab his shoulders as a second finger joins the first. “Please, I need—”

“What do you need?” he purrs as he curls his fingers. “Do you need to come before I fuck you into this wall?”

You nod, panting. “Please.”

He chuckles darkly. “Darling, you know that’s not good enough.”

Your clit is throbbing as you tense around his fingers. You’re so close and his time away has left you needy and desperate. “Make me come, Loki. Please.”

His grin is wicked. “Good girl.”

His eyes take on a particular kind of focus that you only ever see when he’s got you hot and bothered and chasing an orgasm. His fingers are fucking into you with a slow precision, the heel of his palm grinding against your throbbing clit, nudging you closer.

“You’re so close,” he says, looking at you hungrily. “I love it when you’re like this, all wild and wanton.” He licks his lips. “You’re going to have to be quiet, though. Can you do that, darling?”

You manage a nod, but barely. The leg that’s not hooked around his waist is trembling.

“I’ve got you, sweet,” he murmurs, his arm firmly squeezing your waist. “Let go. Come for me.”

Your breath is coming in quick, shallow bursts. The instruction to be quiet seemed doable at first, but the feeling that’s cresting inside of you is so much bigger and stronger than you thought. You’re not going to be able to keep quiet.

“Loki,” you gasp in the last few seconds. “I can’t—”

Somehow, he understands your meaning because he covers your mouth with his, muffling your cries as you come hard, your fingernails digging into his back as you shake so hard your leg threatens to give out.

He doesn’t stop kissing you until the last shudder pulses through you.

“Oh, that’s lovely,” he says reverently. “Just lovely.”

“Please—”

You don’t have to say any more. He fumbles with the fastenings on his trousers and frees his cock. There’s no teasing, no delay as he positions himself at your entrance—he wants you too badly to play his usual games, his desire heightened by your weeks apart. He slides into you easily, lifting you fully off the floor as he sheathes himself in you. You whimper and he sighs, mumbling a string of curses under his breath.

“Norns, I missed this,” he murmurs, leaning back in to kiss you.

If you’d planned things properly, you would be back in his room or somewhere private where you could be as loud as you needed to be. This reunion has awoken something primal and hungry in both of you and staying quiet is a struggle. His hips take up a quick pace, driving into you with a speed and force that speaks to the profound need that had brought you to the corner of the library in the first place. He quickly finds the angle that makes you see stars and soon enough, you’re trembling around him.

“You take my cock so well, darling,” he mumbles against your throat, teeth scraping against the tender skin. “So good for me, so tight.”

“I’m so close—”

“I know, lovely, I can feel you.” He presses his forehead against yours, emerald eyes intent. “Come with me,” he grits out.

You keep your eyes locked with his until the force of your orgasm tips your head back against the wall, your eyes fluttering shut as you clench around his cock. He is close behind, gasping out your name as he buries his face in your neck.

It’s a good minute or so before he withdraws, and he seems reluctant to do so. There is something decadent and scandalous about his spend dripping down the inside of your thigh, but you decide you rather like the feeling. It makes you feel like his in a very raw and primal way.

You try not to think about the fact that you have any desire to be his.

He takes your hands in his and a green light spreads over the two of you. When it dissipates, you find yourself in his chambers, in front of his bed.

“You couldn’t have done that earlier?” you ask.

“It requires some concentration and my mind was singularly occupied,” he says. “I can’t imagine that you would have been very pleased had we arrived in separate places.”

He is right, but you don't want to say as much.

“I’d thought that your skill with magic was too great for such silly mistakes,” you say instead.

“I see my absence has not blunted your tongue.”

You smirk. “I hope you didn’t expect it to. I could not bear for you to be disappointed.”

He chuckles. “Not at all.”

He kisses you again and it’s slow and intimate in a way you don’t expect, in a way that warms you from the inside out.

“I’ve quite forgotten what you look like in my bed,” he murmurs against your lips.

“I suppose I could remind you,” you say.

He kisses you once more. “Turn around.”

He undoes the buttons on the back of your dress with achingly slow precision, pressing soft kisses against the back of your neck and all along your shoulders and spine. Your dress and then your shift and undergarments fall to the floor until you are bare before him.

His fingertips lightly trail along your rib cage and under the curve of your breasts. You suck in a shaky breath. You’ve just had him, but you’re already aching for him again.

His thumbs brush against your nipples and a soft moan falls from your lips.

“You can’t possibly need me again so soon,” he says, but you can tell from the rasp in his voice that this is not one-sided in the slightest. “You’re still dripping with my seed.”

You arch your back so that your ass presses against the growing bulge in his trousers. “You speak as though I am the only one with such a need.”

He hums, pressing back against you. “Perhaps you’re not.”

You look over your shoulder. “Well, your highness?”

He laughs low in his throat, one hand sliding between your legs, gently circling your still sensitive clit. “And here I thought you would be too sated for such boldness.”

“Perhaps you’ll have to try harder this time.”

You’re immediately gratified by the feeling of his bare skin at your back and you barely suppress a shiver. Typically if he resorts to magic to remove his clothes, it ends quite enjoyably for you.

“Perhaps I’ll fuck the boldness right out of you,” he says, his voice growing dark in a way that makes the muscles of your cunt ache in anticipation. You bend at the waist, bracing your hands against the edge of the bed to support yourself as he drags his cock along your dripping folds. “You speak sharply now, but we both know that you turn into a whimpering mess the moment you have my cock in your tight and greedy cunt.”

Quite suddenly, he’s at your entrance and pressing into you, his passage eased by the heady combination of your slickness and his come from earlier. Your back arches and you push up on your tiptoes, trying to take him deeper.

You can’t quite help the sigh that escapes your lips, even though it causes him to chuckle because it proves his point. His fingers massage your clit and you shudder, letting out a soft moan.

“Oh, you’ll have to do better than that, darling,” he says. “It’s been weeks since I last heard you scream for me.”

You cast a glance over your shoulder. “Like I said, highness: you’ll just have to try harder.”

His eyes darken in a way that makes you shiver. “You’ve grown bolder in my absence, love.”

You smirk. “Then teach me a lesson.”

Your intention is to goad him into fucking you hard enough to make the ache of these last few weeks disappear. His wide, feral grin makes you think you might have succeeded.

“Well, darling,” he purrs, his hips snapping hard against you in a way that makes your toes curl, “if you insist.”

He slips easily into a brisk pace, his fingers rubbing languorously at your clit. The contrast between the two is enough to make you moan in a way that’s so so wanton it’s almost embarrassing. 

“Yes, I want to hear all of your lovely noises,” he purrs. “Let me hear how much you missed me.”

His slow pace on your clit is still at odds with the way he’s fucking you and it’s driving you absolutely wild. You’re only getting the added stimulation on every other thrust and while it feels good, it’s not helping you get any closer to coming.

You tolerate it for as long as you can stand, but eventually you can’t help but moan. “Please, Loki.”

“Please what, my love?” he asks and you can hear the smirk in his voice.

“More.”

He knows your body well enough at this point that he doesn’t have to ask what you mean—he simply begins massaging your clit in time with the thrust of his cock, making you keen.

“Like that?”

You can only moan in assent and he lets out a low chuckle as he continues with his new pace.

This is what you really needed, you think. His large hand firm on your hips, fingers on your clit, his movements just a little rough, his skin slapping against yours as he drives into you with hard and steady thrusts. You can feel the edge starting to approach, all of your muscles tingling and tensing in anticipation of your release. 

He knows your body well—too well, perhaps—and he recognizes how your muscles tighten and twitch around his cock right before you come undone.

And he stops, withdrawing from you completely. “Not yet,” he says.

The whine you let out is perhaps the most pathetic noise you’ve ever made in your life. “Loki, please.”

He turns you around, silencing your protests with a slow, deep kiss. “I need you closer,” he mumbles against your lips.

You let him guide you down onto the bed. While you like it when he takes you from behind, there’s an intimacy to having him on top of you. You can catalog his expressions, count the flecks of gold in his green eyes. You feel simultaneously as though you are perched on a cliff of great height and peering down, but also warm and safe.

It’s a feeling that you probably ought to interrogate; instead you push it from your mind.

He kisses you as he eases back into you and you wrap your legs around his waist, urging him closer.

He’s slow and gentle with you. You thought you wanted fast and rough, but this…this is an unexpected perfection. You can feel every inch of him stretching and stroking the velvety inner walls of your cunt and every movement is somehow better than the last.

The buildup is slow and unhurried, the opposite of the library, the opposite of how he’d been driving into you mere moments before. He looks deep into your eyes, interrupted only when your lashes or his flutter shut against the rising tides within you both. It’s stirring something in your heart and you find yourself wanting to tell him that you missed this, you missed him, but the words stick in your throat and you suppose that’s probably for the best because these sort of things shouldn’t be spoken aloud when you are a servant who is bedding a prince in secret.

You shouldn’t be thinking about this. Not now. Probably not ever. Instead, you draw your focus to the coil that is slowly winding in the pit of your stomach and roll your hips up to meet his slow thrusts. You pull him down to kiss you, hoping that his focus on taking you to your peak eclipses the fact that there’s far too much feeling in your kiss.

And moments later, your toes curl one last time and you cry out as you completely unravel. He groans deeply and gives two more sharp thrusts before he succumbs to his own bliss.

He gradually slows to a halt, dropping his head to your chest as he catches his breath. You close your eyes, relishing the feel of him on top of you, still pressed inside you, the feel of his sheets on your back. You missed this. You missed him. You—

You shouldn’t continue that thought. You shouldn’t admit to that feeling, even to yourself. It’s stupid. It’s dangerous.

Don’t say it. Don’t think it.

Loki gives a satisfied sigh, breaking you out of your thoughts. “The next time I say I need to be away for weeks at a time, tell me I’m a fool,” he mumbles.

“I’ll tell you you’re a fool regardless of your travel plans,” you say.

His laughter rumbling against your bare skin might be one of the best sounds in the world. “I would expect no less.”

He eases out of you, vanishing the mess and quickly pulling you to his side. You rest your head against his shoulder and wrap your arms around his chest, draping your leg across his stomach for good measure.

“Did it go well?” you say after a moment of quiet. “Your business on Midgard, I mean.”

He sighs. “It was tedious. I’d rather have stayed here.”

You wonder if he means here on Asgard or here in bed with you. You’re not foolish enough to ask, though you are foolish enough to hope.

“I think it sounds exciting,” you say. “I’ve never left Asgard.”

“I’ll take you, someday.”

The promise in those words—and their sheer impossibility—raises a lump in your throat. “I rather think that would be frowned upon,” you say lightly.

“All the more reason for it.” He strokes a hand along your thigh. “And how did you occupy yourself without my stimulating company?”

“Oh, nothing terribly exciting,” you say. “I started reading in the library again.”

“I suppose I have been monopolizing your evenings,” he says, fingers tickling your thigh. “Though I don’t understand why you don’t simply take a book to your quarters.”

You swat at his hand. “You know that’s not permitted.”

He catches your hand, lacing his fingers with yours. “Neither is this, technically.”

“Yes, well.” You clear your throat. “I’d rather not give anyone more reasons to look more closely at my evening activities for that reason.”

“Am I to understand that you prefer my bed to the finest Asgardian literature?”

“That may be your understanding, but that’s not what I said.”

“Well.” He presses a kiss against the top of your head. “I suppose I’ll have to make my bed more tempting, then.”

It’s the sort of offhand comment you write off as a silly flirtation—he doesn’t mean anything by it, surely. It’s entirely forgettable.

Except…the next night, there’s a stack of books for you beside his bed.

“What’s this?” you say, trying to ignore the lump in your throat.

“I told you I intended to make my bed more tempting,” he says.

His eyes are glittering with mischief, but the gesture itself is achingly sweet, one that plucks at your heartstrings and reminds you of all the feelings that you’re pretending you’re not having. He had retrieved the book you’d been reading last night, along with titles by authors you mentioned liking back in the garden so many weeks ago. 

That night, he makes you read aloud from a book of love poems while he buries his face between your thighs, his tongue moving in iambs and dactyls on your clit until you come with poetry and his name on your lips. In the afterglow, you curl up next to him and read while he does the same, until you need each other again. It’s a new part of your routine, one that you’ll repeat many times in the coming days.

It’s there in the hazy paradise between prose and the bliss of his touch that a small, secret voice inside of you begins to admit that as much as you say it’s a harmless bit of fun, the situation has spiraled out of control in the worst possible way:

You’ve fallen in love with him. And you know it’s only a matter of time before he breaks your heart.

Next chapter coming soon