#i wish they were all adapted

[ride-thedragon]

Black girls of ASOIAF.

Sarella Sand (half Summer Islander)

Bellegere Otherys (half Summer Islander)

Missandei of Naath (Naathi)

Chataya (Summer Islander)

Nettles the Dragonseed

Alayaya (Summer Islander)

Bellegere Otherys (descended from Summer Islanders)

[inwhichiramble]

Idk if this is just me, but does it seem like the Hunger Games movies left out most of the stuff about food in general?

Maybe I just noticed this because in my first read I was worried that all of them were cannibals, but like… in the movies it seems like they were never actually that hungry. Like, we know that Katniss and Gale have to hunt, and that Peeta gave Katniss the bread, but a lot of the details about just how hungry they were to get to those choices were just… gone. And when they’re in the Capitol on the Victory Tour, they mention the vomit-inducer but it was more of an offhand thing. What got me especially though is that in Mockingjay Pt. 2, their time with Tigris appears to be much shorter, but also… she doesn’t feed them! And from what I remember that was fairly significant in the books, especially considering the position they were in.

In the books, hunger was the driving force of the vast majority of decisions they made. Katniss literally spent a good chunk of her first games desperately searching for water—Haymitch rewarded their performances with food—Katniss described every single thing she eats and primarily characterizes new places based on their food (the Capitol and District 13 especially). TBOSAS supports this even further when you see how even people in the Capitol were starving in the aftermath of the war—that’s why sponsors were added to the game!

I just—the whole series is literally about starvation and what it means to be human, but the movies just focused on love and war.

[connabeth]

this shot shouldn’t be as funny as it is. also them using riptide (dramatic version) as the background music is so 😭😭

[gingermintpepper]

Absolutely the funniest thing about my current corner of tumblr is that pretty much everyone I've recently followed for Apollo-Appreciating Purposes are either genuinely Hellenist or just rather very into Rick Riordan's Trials of Apollo series which is wild because I know a net zero about both of those things.

[dumbassalex]

Ok, as someone who sorta defended The Crow 2024 reboot, and now that i've seen it, i have thoughts about it and i wanna share them... (More under the cut, spoilers ahead)

So firstly i liked the action, it was clear and you could see what's going on and the gore in those scenes was good, so no real issues with the action scenes. I really dug the soundtrack, the songs they chose to play were good and something i'd listen to.

I also like that Shelly had more screentime and got to be more of a character, that was fun and FKA twigs played her well in my opinion. Bill Skarsgard gave a good performance, as basicly always, with his Eric too.

Now my biggest issues is with the story itself, and especialy the pacing, it was SO slow, we spent like half the movie on Eric and Shelly while watching the villians look for Shelly, while also barely any real time has passed for Eric and Shelly, or at least it didn't feel like much of a time has at all passed between Eric and Shelly running away and being murdered.

And even once the couple gets killed by the villians, it takes us like another third of the movie for Eric to really become the Crow, for most of the movie he's just Eric with healing powers, and only becomes The Crow right before the opera scene, whitch is way too long for something based on a comic that's mostly just Eric being The Crow and hunting Shellys killers.

Another thing i dislike is the villians and their story, the original idea for the villians was just a group of street criminals coming across Eric and Shelly on a random day in the rain as their car broke down and deciding on a whim to do what they did, that was the tragedy, that it was random, senseless and didn't have to happen if a single thing happened differently. And changing it to a group of rich people hunting Shelly specificaly due to an incriminating video is such an odd change, along with the change to give the main villian superpowers.

Another thing that i feel like is a big difference between the comic and the movie is that the movie is very literal and very open about Eric coming from the death, healing super fast and there being supernatural entities and superpowers, while in the comics it was all more lowkey with Eric not feeling pain and healing slower than what the movies show, with his walking around wounded and scarred, the crow talking being in his head, same for the skeleton cowboy and the vision of the white horse that was a metaphor for the conflict of the story, it was a random senseless act that Eric had no control over yet he couldn't leave it be and blames himself for what happened.

In the movie it's a literal thing that happened to child Eric and doesn't set up his character arc and personal conflict of not blaming himself and moving on. Whitch was WHY he came back for revenge, because he was angry, blamed himself and couldn't move on, something he was only able to do at the end when he died at Shellys grave.

Whitch brings another change i disliked, the ending, the original ending of the comics is about Eric finaly being at peace and being able to move on and die, joining Shelly in the afterlife. But in the movie the reason he keeps going on is from pure love (somehow he felt such love after such short time) that can waver and make him loose his powers until making a deal for Shelly soul and becoming The Crow, bringing Shelly back to life while Eric stays dead. That just kinda misses the point, there wasn't no coming back and living again, it was about Eric having to come to peace and move on, it was a bittersweet ending but it was fitting the story and the themes, but just like the white horse methaphor, the movie ignores that.

So all in all, as a movie it's alright, but as a Crow adaptation it's overall kinda awfull in most ways. If you enjoyed the movie, good for you, but i personaly didn't really like it as a Crow adaptation and think it could've been much better. One thing i will give the movie for sure tho, is that it skipped Shellys assault, something i think wasn't entirely neccecary to motivate Eric to do what he did.

[imadhatt3r]

I can't stop thinking about Koujaku's name and sparrow motif...

So his name means "red sparrow"; And I'd imagine that he was most likely named by his mother. I don't think his father had much of a presence in his early life, and besides, I feel like a violent yakuza leader would want his son to have a more "powerful" sounding name. So it was probably his mom's choice.

I feel like she must've loved sparrows if she named her son after them. I can see her going out to parks and gardens just to see them, and taking older Koujaku with her to feed them too. They were always so cute and cheerful, so they always managed to lift her spirits whenever she was worried about her pregnancy, her partner, or future in general, so she decided to name her son after them, because she wanted him to lead life with the same qualities she saw in these birds: She wanted him to be joyful, resiliant, adaptable, and always surrounded by loving and like-minded people (since sparrows live in large groups). He was her little birdie since birth... 😭

I think that Koujaku grew fond of sparrows too, through seeing how much his mother loved them. Maybe that's why he wears a kimono with sparrows and picked Beni (a sparrow) as his AllMate. I can see him putting out a small bowl with grains on his windowstill to get some sparrows to come, like he used to do with his mom when they went to feed them, but with mixed results (sometimes they come and sometimes they don't).

Aoba picks up on it too; Whenever he's out doing deliveries and he spots a flock of sparrows foraging in a patch of grass or drinking and bathing out of a puddle, he takes a photo on his coil and sends it over to Koujaku, usually with some silly caption he comes up with on the spot. He absent-mindedly picks up any sparrow-themed knicknacks to give to Koujaku, all of which are deeply treasured and loved- if they're something like post-it notes, there's a guarantee that they'll never be used, and they will be lovingly stored in a drawer untill the end of times. Aoba actually bought an extra set of post-it notes and a pen with a sparrow-themed topper to keep at his desk at Hum-Drum.

This is more of a sidenote, but I always imagined Koujaku's mother as a rather short and frail woman, probably a bit shorter than Aoba, so the height difference between them now would be really big. I guess I was just touched by the image of Koujaku's mom cradling his head in her hands to have him look at her as she wipes away his tears with her thumbs... Her birdie's all grown up, but he'll always remain her little sparrow...

[sskk-manifesto]

And so the big sskk shortage begins (no sskk for the next 15 episodes) (and the sskk episode coming after kind of sucks)

[radioactive-earthshine]

The power behind an Impulse (1995) cartoon is astounding and I am stunned it never even left the ground.

[wallbeatjournal]

if you had to base a new riverdale season off three movies, which would you choose and why? they could be tonal choices or you can pluck entire elements of the movies and work them in.

ok i broke the rules bc i didn't stick to movies, i went novels and pop culture with it too. and i also kind of embroidered a few references together around each main riff in a way that i think COULD be riverdalian, but these are my 3 selections:

jt leroy (2018). trashy iffy-hot-take kristen stewart/laura dern movie about a very 2000s literary scandal/internet drama run Too Far into irl drama that i think riverdale would know better what to do with. two ideas (this is a jughead plot btw):

put jughead in the dissociated trauma-projecting controlling persona-having laura albert/jt leroy role and rope veronica and reggie and their monetary-business motivations into the scam angle. monica posh savannah knoop stuff and rattling veronica and jughead around in a jar together intensely in a campy way

or step lightly outside the bounds of this script into the real livejournal and myspace based drama of it all and jughead's sometimes-characterization as a guy who needs help unpacking metaphor even though he's swimming in it. make him into one of the many emo band boys (ryan ross?? ryan ross????) who related so so so so sosososo much to the writing of jeremiah terminator and then had a whole crisis when j.t. was unmasked as a middle-aged woman with a metaphorical literary persona.

permissible bonus web-weaves: james frey a million little pieces and oprah, augusten burroughs and running with scissors. we're doing the 2000s obsession with author authenticity is-this-really-autobiographical-if-it's-not-literally-true-or-are-you-shaming-your-family-for-NOTHING questions and scandals. but we're especially doing the emo community freaking the fuck out about blorbo from their novels doing a catfish online to extend the persona just that much further.

the avril lavigne replacement conspiracy theory (linking the wiki even though what i'm REALLY thinking of here is this moving pandemic essay alexander chee my beloved posted that i can't locate now, riffing on themes of feeling like a ghost inhabiting your own life after a major trauma). they can work in some other famous body double / replacement and assassination conspiracies (paul is dead, jfk) too but avril is the main reference and this is a betty plot.

pull in some actual alexander chee images and motifs too maybe, his novels about csa grooming trauma and having complicated feelings about your intimate abusers via like grandiose opera/paris siege metaphors (the queen of the night) and fox demons (edinburgh) betty would eat, i fear, even if they're a step off her normal serial killer media mix. dark betty has the range <3

stephen king's the long walk / suzanne collins' the hunger games / battle royale / state-sponsored brutal murderous game show authority abuse dystopia media homage in general!! especially when it's homoerotic and full of ptsd and institutional abuse, because clearly this is a plot primarily for archie and the lads. imo the long walk ("how bad do you have to hate yourself to join the military" but it's game show horror) and the hunger games ("child stardom is traumatic institutional abuse especially in the era of social media and society simply pretends not to see it" but make it a ya game show adventure) should be the main references, but we could work the academic/art-competition angle of battle royale for kevin. as a treat. ok yeah and maybe work in that arnold schwarzenneger movie the running man too while we're here picking up interwoven motifs at the store. why not!

[shima-draws]

Me, after finishing a romance anime: Okay well now what do I do

[brofightiscancelled]

your dub propaganda posts have definitely got me curious about it, but how close would you say the translation of the dub is to the original japanese? like if the changes between languages are at ghost stories levels or not? i don't mind some adlibing and stuff like that, but i also don't want original language's humor to be completely lost by watching it in english if that makes sense.

well it's not going to capture the japanese humor style because it's in english lol. frankly i dont think comedy dubs can be 100% faithful to the source language in the first place because that makes them unfunny in their original language lol but it's funny in english! a lot of the humor is good lateral equivalents which is the point of a localization. like i cant say it exemplifies the tsukkomi/boke humor bc that's not an english language concept but i can say that choro gets snappy one-liners!

i guess the main qualm w the dub ppl have is it doesnt take as much care with giving the characterizations nuance or plausible depth, which the jp direction is very good with. for example a lot of people dont like how jyushi feels a lot Simply Stupid in the dub when in the jp there's an intentional nuance in his writing that lets people read deeper into it. and sure there's a small handful of line localizations that i think are unforgivable lol. im personally ok w prioritizing the punchline first though

anyways i watched the dub first and it was suitably funny since it got me into the franchise! it's a 9/10 dub i sorely miss that s3 didnt get one. if you have been into ososan for years you'll probably be a lot more picky than i was going in blind though

[bsdtakanenohana]

Not only was I not planning on reading the Fifteen manga for two reasons (1. anything Dazai &/or Chuuya related gets too much content & even though I love the characters STOP LET US GET CONTENT FOR THE OTHERS TOO 2. ugly af Beast manga artstyle) but the fact that they keep RETCONNING what happened in the light novel to make Dazai and Chuuya all up in each others’ faces looking like they’re about to kiss and TOUCHING each other. It was obvious from the moment they announced Fifteen was getting a manga that this was being done as fanservice to the shippers (that art the mangaka released for Halloween). Fifteen was only adapted into the anime when it was because they were trying to appeal to the shippers. heck, Fifteen was only written as soon as it was to appeal to the growing amount of shippers (I can defend both these points). And now im questioning if recent things in the manga weren’t done purely as fanservice (since they make no sense otherwise)

Basically I’m just getting really f_ck*ng annoyed at how everything official is treating the situation

[girlthingdecay]

.

[zazikels]

why are tb stans genuinely so fucking disgusting

[hanzajesthanza]

i already had the assets on my laptop, so... here are some witcher books... motivational image macros? about later adaptations? or maybe yourself? idk

[oveliagirlhaditright]

Fandom things I'm looking forward to:

Kingdom Hearts IV and Missing Link

Final Fantasy VII Rebirth

Final Fantasy IX Remake

Final Fantasy Tactics Remaster or Remake (whichever it is. I've heard both things)

The fourth Madoka Magica movie, whenever that comes out (seriously. Where is it? First it was announced as the Concept movie. Then it was re-announced years later with a new name, and it's still missing)

The Percy Jackson TV show

The Infernal Devices TV show

Maybe the Twilight TV show. Maybe.

The animated Smallville continuation that Tom Welling and Michael Rosenbaum are working on, whenever it comes out

I was going to put Baron and Toluca on this list (that's, like, a spiritual successor to the OG "Roswell" TV show. Majandra Delfino who played Maria in the show wrote the script, and she and Brendan Fehr who played Michael star in it. They're also planning for more Roswell cameos in later episodes), but it came out and I didn't even know it? But I have no idea how to watch it, though, as I guess it only came out in theaters in Albuquerque. Here's hoping it comes out on DVD or something...

The Ballad of Songbirds & Snakes

The alleged Firefly reboot

The new Daredevil show

The Batman Part II

The next part in Tom Holland's Spider-Man movies

The DCU, starting with Superman Legacy in 2025

The Five Nights at Freddy's movie and Help Wanted 2

The Iron Lung movie

The TV show that it sounds like Markiplier will be working on after he's done with the Iron Lung movie

The next Bendy and the Ink Machine thing being worked on

MAYBE the Hello Neighbor sequel. I know. I KNOW! (It's really only because the second game had to end on a cliffhanger.)

Five Nights at Candy's 4

Frozen III

Disney's "Wish"

The next and final season of the Clear Card arc of Cardcaptor Sakura

The new Avatar series (the one about the third Avatar in the cycle: the Earth bender)

The live-action Avatar: The Last Airbender series, perhaps

The Chosen season 4