#i wish there was a bit more of a cohesive story with characters that actually fucking matter

[inkykeiji]

Ugh the genshin thing is such a mood I eliminated from my tablet and then my friend kept telling me about the updates, characters and ect. And I had to install it again…

LMAO ugh!!!!!!!! i haven’t had any desire to pick it up for literal months and then entirely by accident i stumble across a fuckin ten second clip of him in the trailer and now i’m :((((( like MISSING HIM HAHAHA

idk idk i just,,, i wonder if he has any actual relevance to the overarching ‘plot’ of the game;;; like what are the chances that haitham, or ayato, or thoma are gonna show up again and be an integral part of a MAIN story quest??? what are the chances that they actually matter to the plot itself??? what are the chances that we’ll see them again outside of half-assed events??? but when it comes to mister ajax,,,,,,,, well. he just keeps popping up now doesn’t he?

[dunmeshistash]

G'day, I hope you are doing well.

Ever since I finished the story of Dungeon Meshi (all supplementary material included) I've been writing down bullet points on characters in addition to in-depth synopses as a way to tidy up my rather busy mind. To this end I've also greatly enjoyed reading other folks' interpretations of particular characters, as it gives me further insight into aspects of that character I may have glossed over.

However, there's one character I'm struggling to write a cohesive synopsis about, that being none other than 'miss enigma' herself, Falin Touden. I get that her whole shtick is that she's kind of a mystery, but I find myself drawing a lot of blanks when it comes to her as a character, and while I have nailed down some important bullet points, there are a lot of different interpretations on her, all of which starkly contrast one another. Though perhaps it's just the wording. Hard to say.

It could very well be that I'm being too dense i.e. perceiving "Falin is willing to risk killing others to save her friends." and "Falin, in the heat of the moment, when faced with certain death, was willing to face the prospect of harming potential passersby in a final Hail Mary to get her friends to safety." as entirely different observations. I have a hard time with those kinds of things.

With this being a hub for all sorts of observations, interpretations and cool trivia, I was wondering if you'd perhaps be willing to share how you yourself perceive Falin as a character, so I can compare notes and perhaps gain a more proper understanding of her as a character as a result. I know this question is very broad and kind of vague, but if you could spare the time I'd be most grateful.

Other than that, I wish you an excellent day.

Hello!!! I love Falin!!!!!

She *is* a mystery, we mostly know Falin through the perception other characters have of her instead of a direct deep look onto who she is, which I find very interesting. I think the best post I've seen about her (which as usual I can't remember where edit: someone linked it thank uu) I think called her perceived altruism/love "selfish" and I've been thinking about that ever since.

In that sense the way she cares so much about the comfort of people around her might be a way to keep *her own* comfort because she doesn't want to see other people suffer.

This girly died and came back to life from bones and the first thoughts she has is that she caused trouble for her loved ones

She probably has felt this way since she was a child, "because of her" that her family was torn apart "because of her" that Laios left, her mom was sick, her father had to send her away. (wasn't actually her fault but she might think it is)

I imagine ever since then Falin has done her best to not cause trouble and to make the people she loves happy, everything we know about her and the things she was doing was always for the people she loved, that's why I enjoy the post canon comic where Toshiro asks her hand in marriage again so much. The first time she considers accepting just because "might as well" while for the second time she finally wants to live for herself.

I think Falin herself has lost who she "really is" by trying to accommodate everyone around her and that's probably part of why we ourselves don't really know her, so much so that the most cynical character is uncomfortable around her (probably cause he notices Falin is "hiding" something)

I think Falin is quite the melancholic character to be honest, someone who has lost herself in self sacrifice and who is only now learning how to live for herself doing what she wants.

Both the teleportation scene and the bit about healing show "cracks" in the selfless front she puts out tbh. By context I don't think what she did was only due to "desperation of the moment" she says out loud "Even if I end up hurting others I want you and my brother to live on". She weighted out how much suffering she might cause and decided she wanted to save them anyway, and I'm sure in that calculation she knew that they would suffer because of her sacrifice too.

Falin is saving them for herself, I'm not great with words so this is all over the place and maybe sounds a little negative about Falin but the thing is, you cannot live your life for other people, you can't sacrifice yourself for other people's happiness, you shouldn't erase your own presence so others are happier and I think Falin is starting to learn that by the end.

I'd probably keep rambling without getting anywhere and missing a lot of more meaningful moments but I'll stop here, if anyone has recs for Falin analysis please share!

[thechekhov]

Since you've covered a pretty big bit of the manga so far, can I ask what are your opinions on it? Deeper than just the quick reactions you've shared with us so far.

What are your opinions about the manga's characters? Its pacing? The mystery element? The magic system? What areas do you think it succeeds, and what areas do you think could be better?

I understand if you're reversing judgment until you finish, but you've also read quite a bit of the story so far. Idk, I'm just curious!

Especially seeing as you're a writer yourself, so I imagine you have a different perspective on how the story functions as, well, a story!

Oh, hmmm... that's an interesting question.

As of right now I'm on chapter 35-36 so I'm about a third through the story. The first major arc (find dragon, yoink falin out of its body, etc) has kinda happened, and we're hitting some larger world arcs.

As you mentioned, I DO want to withold judgement but for now... But I will say what I think thus far, with full awareness that my mind might be changed later depending on circumstances.

Comment 1: The manga is finished! Actually, just knowing that makes me feel like it's a more cohesive storyline.

Maybe I'm boring, but I'm not a huge fan of neverending storylines in general. Naruto, Bleach, etc. They have their place in the forever-young-monster-of-the-week genre, and I know why so many manga just keep... on... publishing....... but I feel like there's a lot of merit to being able to just wrap up a story and say 'there, that's how it ends'.

Comment 2: Laios is very well developed, even at this point of the story. Senshi remains a mystery. Marcille... speedran her arc?

I think this is the closest thing I have to a criticism. While I think Laios' character is well-paced in its revelations throughout the series (the slow ramp-up from 'oh this guy is weird' to 'oh, this guy is a freak club card carrying member' to 'oh, this guy is the freak club president' was great!) Marcille is.... a little more of a mystery to me.

Now, perhaps my memory is bad. But I did find her turnaround at the end of the Red Dragon arc a bit... out of the blue?

Don't get me wrong. I think it's entirely believable. But I wish there had been more hints - or rather, more visible progress of her studies of ancient magic. I know it's been mentioned, and there WAS that chapter of her and Falin during their school years... but watching episode 2 of the show on netflix when she goes 'I feel useless, my magic doesn't help anyone :(' and then reading the manga and seeing her straight up go from 0 to 100 as she decides "we're gonna rearrange falin's bones and then I'mma raise her using this ancient technique I've been studying all along that I didn't tell you about because it was sus" is... a little bit of a turn?

Maybe it's on purpose! Maybe, when I read further about her personal journey, the pieces will fall into place more neatly. But compared to the rest of the characters, which seem relatively steady in their reveals (Laios, Chillchuck, Senshi) Marcille took a bit of a turn.

Which, again, isn't bad! It just seems contrasted to the rest of the team.

Comment 3: The magic system is more like a magic ecology.

Actually, in the beginning, I found the magic system Marcille used very vague. It was just a 'do what needs to be done' type of power with very few apparent limits or power balances aside from 'sometimes you run out of mana'. But I think at this point, I'm beginning to assume that the details of the magic are closer to the functions of an ecosystem or an organism, and therefore WHAT the magic does is kind of moot point. Marcille is just a little bacteria inside of the great intestine labyrinth of the dungeon, and she is using its energy to survive, like a sort of microfauna.

Comment 4: Man, the worldbuilding is cool. It's so cool.

I don't think I've seen another story that goes so deeply into dungeon ecosystems before this one. Not only are the people who live there fleshed out in terms of individual cultures and traditions and norms, there are also monsters that serve as a natural fauna that inhabits the halls of what OUGHT to be a mindless 'turn left and fall into a trap' setting!

There's sticking monsters into your world, and then there's 'digging out a trench 1 meter deep, pre-soaking the soil, inserting monster's roots lovingly into the spot, and then covering it with fertilizer and spritzing the leaves'. I don't doubt that there ARE other works that go into this level of detail, but the dedication and the ideas Kui-san has for this very much makes the dungeon a living part of this entire tale. :)

I'll probably have more to say later but for now.. that's about it!

[hallowpen]

There was a lot of destructive criticism surrounding My Marvellous Dream is You, but I actually thought the series was quite good despite its shortcomings. I'm a lot more forgiving than most when it comes to Thai GL series, and that will have absolutely affected my viewing experience. But... every time I would see a comment that just read "This is boring/terrible/stupid" without ever elaborating, I felt very much like Khun Pu's character from Be My Favorite hehe

*WARNING*: There will be minor spoilers for the final episode of My Marvellous Dream is You, should that be something you wish to avoid.

I will be the first to admit, that I was very skeptical about this series in the first handful of episodes. So let's just get my personal negatives out of the way first... I think, by now, it's no secret that I do not support where a lot of Thai GL adaptations source from. So, this series already had an admittedly disadvantaged subjective expectation from the get go. It wasn't really surprising to see pacing issues within the first 5ish episodes, that seems to be a common occurrence in Thai GLs produced by IDOLfactory. Whether that is a result of the novels the series have thus far been adapted from OR from a choice in direction is up to you. I, personally, think it's a bit of both. Where I believe certain productions struggle in letting their narratives breathe, I find the complete opposite problem to be true with IDOLfactory. There were a lot of plot points that needed restructuring or to be removed entirely in order to have a stronger cohesive story that focused on the main characters' relationship more so than it did.

Now, while I stand behind my opinion that the series could have benefited from tighter and better organized storytelling, a lot of the groundwork was there to make a decent character driven narrative. And that's what I've chosen to focus on. Wan and Kim are both deeply flawed characters. There were so many inferences to be drawn from character relevant visuals and their joint backstory that truly informed their current dynamic.

The👏🏾character👏🏾focused👏🏾visuals👏🏾in👏🏾this👏🏾show!!!

One of the most interesting parts of watching a series, for me, is having to pick up on certain character cues in order to understand and delve deeper into the core of their behaviors.

Wan and Kim share a trauma, and it's easy to see how they both became so dependent on one another to fill the void their fathers left.

In flashbacks, Wan is presented as egoistic and headstrong since high school. She is also shown to be extremely protective of Kim before she even realizes her feelings. Kim, on the other hand, is a bit more sensitive. She cherishes Wan's attention and affection to a point where she would be willing to play a little dirty in order to keep it for herself.

All of these emotions become heightened once they are forced into adult life with adult problems. Wan is struggling with her mental health. While trying to balance fame and the repercussions her actions might have on her career, Wan must also deal with her mother's alcoholism... which has essentially caused her to check out from Wan's life. Her need to have Kim by her side, and never leave her, has become less protective and more possessive. Kim's desire for approval and affection has led to an over devotion of herself to Wan and constant worrying about disappointing her mother. She's neglected her own wants and needs for so long, that she's afraid putting herself first would be considered too selfish...too much like her dad. Her mother's cancer diagnosis further pushes Kim to continue to place her mother's wishes over her own desires. Even though comments about Wan and Kim being 'annoying' or 'frustrating' were aiming to be negative... they weren't exactly wrong. The audience was supposed to feel that way. Heck, even the surrounding characters called out their behavior on more than one occasion. Because in an effort to not lose one another, Kim and Wan fell into a cyclically unhealthy dynamic where their actions and reactions were actually pushing each other away. Their inability to communicate their true feelings to each other beyond their (unbeknownst) shared dreams prevented them from making any true progress toward a romantic relationship that they both so desperately wanted, but were each terribly afraid to pursue. Their feelings for each other were put up against the reality that their love being unreciprocated could spell the end of their relationship altogether. There was an added pressure of being unfairly compared to their fathers, where any romance between them might be found 'unacceptable'. Couple that with societal views of same-sex relationships, and you can understand why these two were so hesitant to reveal their truths.

(Quick sidenote: I did not agree with the idea that what Kim and Wan did was exactly the same to what their fathers did. They did not leave and abandon their families. Marwin didn't make it easy for them, and given the glimpse we saw into his family's cruelty, it made all the sense in the world to have him react in the way he did. Kim and Wan were at least willing to stay and face the hard consequences of their choice, no matter the outcome.)

I think them having to work through all of their issues made the moment of Kim and Wan finally deciding to be together that much more satisfying... And that was the point Kru A was trying to make when he explained his direction for their relationship on social media after hearing viewer feedback (He was subsequently rudely criticized by interfans for that decision, to the point where he alluded to the fact that he might take a break from directing... but that's a whole other discussion).

That final scene of them being married purposely not clarifying whether it was in a dream or in reality alluded to the fact that their shared dream world and their real life were no longer at odds, finally. I thought it was very fitting.

The frustration caused by KimWan's lack of communication reminded me of a similar dynamic between Team and Win in Between Us, a series that suffered from a lot of the same problems (not enough focus on the two leads and irrelevant plot points). However, those characters and the actors that portrayed them didn't receive even half the amount of negative reactions. They existed, trust me, but there were a lot of positive reviews to balance it out. I'm not going to get into what that means, because I think you can make the inference for yourself.

All in all, I don't think this series deserves to be completely written off. Is it perfect? No... but an effort was made, and it wouldn't hurt to make the effort in return to understand the vision. Fay and May did an incredible job for their first go around as main leads. And I hope they get the chance to develop their craft further.

[galacticleague]

speaking my truth on npmd because im thinking about this alot. i think the reason it falls flatter than tgwdlm and bf as a musical is that tgwdlm and bf have a running theme — want.

(whole thing undercut)

the cast of tgwdlm want human connection - charlotte wants sam to love her, bill wants alice to love him, mr davidson wants his wife to choke him while he jerks off etc etc, and eventually paul goes from 'i want what anyone wants, money, kids, a partner maybe idk' to - to put it simply - wanting emma (putting it very simply, if i went into detail this post would go off the rails). this switch is what makes him vulnerable to the hive and this want to live and to survive and to be happy with emma is satiated by pokey by giving him the connection he craves via hivemind, this is how it works for everyone. they want to be happy, pokey makes them happy by removing any need to want anything in the first place.

similarly, in bf, the adults of hatchetfield are still miserable and they want to be happy, they have this void within them that they feel they need to fill with products and consumerism. if they buy this stupid fucking doll their kids will love them, they will be happy, etc etc. and this want to be happy is similarly satiated by wiggly via the cult - they have something to worship, or - in lindas case - people who worship them. they have purpose, or at least they think they do, but whether their problems have actually been solved or not - they are still content.

but in npmd, this is less solid. theres that bit where they have to sacrifice what they want the most, but this is near the end. its kind of all over the place, and this wobbliness(?) is sort of just emphasised by the fact that there is no specific lord in black, its all of them. now i loved the summoning when i first watched it because im obviously a huge hatchetfield fan so i like. know who these characters are but as ive seen others say, alot of npmd does rely on knowing hatchetfield lore - understanding injokes. and in hindsight it just... isnt great for the cohesion of the plot.

tgwdlm and bf both have specific themes, specific lords in black, they have subplots but they have a solid throughline that is easier to follow. to me, npmd feels like its all over the place and it just feels kind of...mid for lack of a better word.

i think there were some moments that were just kind jarring? i guess? like if i loved you coming directly after ruths death was really strange, tonally. i wish they spent more time on ruths death tbh she deserved better. richie got two songs and an opening scene. anyways i digress- i feel like whenever i think about it im always like. i just wanted More. which is weird cuz its already like 2 hours long but idk. IDK!!! if i loved definitely felt unnecessary to me- like just conflict out of nowhere. i would have liked more build up to it. maybe im just salty that it took up stagetime that could have been used to grieve ruth but. sorry for the random if i loved you slander i think my point here is that some moments and some subplots felt more tropey, injokey or like fanservice??but not in a sexual way?? - is that the right word to use idk - than actual compelling plot moments. tgwdlm is an incredible work of theatre and uses subversions of tropes to communicate a great story, bf is a detailed criticism of american consumerism and how capitalistic societies force people to rely on products to make their lives better, npmd is. high school drama with ghosts. it just doesnt hit as hard on its own.

i dont want to be one of those "im a better writer, and THIS is how i would have done it!!!! im going to fix this!!!" people so im not going to do that but i think something i would have liked to see was focus on just one lord in black, probably nibbly because i feel like he fits the most and has the least preexisting story. i mean for gods sake, why does wiggly have the most speech time out of all the lords in black again!!! he already has an entire musical about him!!! greedy bitch- well i guess thats kind of his thing. i think i just want to see more of nibbly tbh, he has one nmt story and he only shows up at the very end. anyways that was kind of a side rant sorry gang. there isnt a problem with having a story featuring all the lords in black, but i think it just doesnt quite work in npmd for like structural reasons as well as plot cohesion.

i did enjoy npmd, im not pretending i didnt, but narratively it is the weakest hatchetfield musical and i just wanted to put my finger on what it is specifically. please dont take this as like hate or slander, i am a huge starkid fan, but i think it is important to consume media critically.

also i am not a professional i am a teenage drama and english lit student who likes media analysis and narrative design so just. take everything i say with a grain of salt :)

if you read all this, thankyou and if you disagree please lmk what you think(civilly.i do not want discourse in my notes)!! i could be hugely wrong about this and just need to think more about npmd and id love to see others' analyses!

[my-favourite-zhent]

Writer Interview

Tagged by the lovelies @commander-krios here and @coreene here

Tagging: @dustdeepsea @thisaccountisagainstmywill @fistfuloftarenths

@littleplasticrat @captainsigge @grossestjay

Questions under the cut!

When did you start writing?

I suppose depends what counts? Where I went to school we did creative writing as early as six. The first stories I remember were Halloween stories I wrote with very unhappy endings.

Writing purely for myself maybe not till high school? I dabbled in a little fanfiction and then didn't touch it again for years and years and then suddenly BG3 and Rugan happened, smdh.

Are there different themes or genres you enjoy reading than what you write?

Is there a writer you want to emulate or get compared to often?

Just like Krios I enjoy horror novels, although I actually prefer horror as short stories/novellas. If you look at my spotify history you will see a lot of NoSleep podcast and Knifepoint Horror so its definitely a running theme. I could never write horror though, would spook myself too much. I did rather like the tiny horror story in one of the books in Baldurs Gate.

I also enjoy reading low fantasy (low magic, more grit, considerably plucky, ensemble casts) which I think comes across in New Tricks, but in contrast the stories I read have very minimal if any romance.

Can you tell me a bit about your writing space?

Nope, as much as there are many writers I enjoy and at times think "I wish I were that talented" I also don't wish to be a perfect copy of anyone's style because what's the point of that?

I suppose if it was something more like "as funny as so and so" or "world-building on level of such and such" then probably Pratchett, Rothfuss, Sapowski or Glen Cook?

I will literally write anywhere, a lot of my ideas pop-up while daydreaming and I have to get them down when they happen or I won't remember clearly later. So at my desk, in bed, on the couch, on the train, standing in the shoppe, literally anywhere.

What's your most effective way to muster up a muse?

Consuming other media. Books, TV, movies, podcasts, etc. Seeing a scene or circumstance and imagining how the characters I write would react under similar circumstances.

Are there any recurring themes in your writing? Do they surprise you?

Hmm hadn't considered it before but I guess so far: grey morality, class differences (this likely due to my muse being Rugan) and overcoming betrayal? I suppose the last one surprises me a little, I think I might just like the angst of it.

What is your reason for writing?

Is there any specific comment or type of comment you find particularly motivating?

I mentioned earlier I haven't touched personal creative writing since high school, although I did consume fanfiction on occasion. I originally returned due to a frustration at the lack of Rugan content. I wanted to consume, but at the time there wasn't much, compounded by the fact that I did not have an AO3 account at the time so of the few that existed I could only see half. So I started by writing how I thought getting that drink at the Elf Song might go.

After that I got a bit attached to the OC and was inspired by the works of @dustdeepsea to write something with a little more emotional depth. I was prone to daydreaming these sorts of things before but I never put pen to paper till now.

I'm happy any time someone enjoys my work, but I suppose the best comments are when the reader notices the characterization I've been trying to get across. It makes me feel validated that I'm able to write certain qualities without (hopefully) being too on the nose with it.

How do you want to be thought about by your readers?

Me or my writing? Myself, hopefully reasonable and open-minded. My writing, I hope they find it funny and exciting in turns, I hope it makes people feel some sort of emotion even if negative rather than being boring. I hope the world I've tried to piece together from bits of Forgotten Realms lore feels consistent and cohesive, that the rules and stakes make sense.

What do you feel is your greatest strength as a writer?

Similar to Krios I think my dialogue comes across the best of all my writing, and it certainly feels the easiest to get down.

How do you feel about your own writing?

It seems to change by day and chapter. There are some things that when I write I'm quite pleased, and then come back a month later and am quite embarrassed by. Other things I didn't like originally but actually enjoy quite a bit on reread. I find myself having to just post things I'm unhappy with at times otherwise I won't get on with the story. I jokingly tell myself "we'll fix it in post!" and I have slowly begun some edits of early chapters so it's not a complete lie.

When you write, are you influenced by what others might enjoy reading, or do you write purely for yourself, or a mix of both?

It's mostly what I think the story needs at the time. There are times where I feel "augh we've been on this mood/theme for too long, the reader will get bored" but I try to reframe it to myself as "is the pacing good? is this scene necessary right now?" and that helps me make a decision that is hopefully a bit more objective. Sometimes we need that information for later, sometimes we don't. I have been known to go back and adjust a thing here or there if the current chapter is missing a bit of set-up and will continue to do so until the story is over. I'm treating it all as a work in progress.

Thanks for reading this far!

[crowcaws]

Wyll's not boring he just got shafted outta a really good man vs self storyline after killing Karlach where he could've lost his humanity after choosing to believe in a lie or fought a path to redeem himself by his own standards. Wyll has nothing to prove to anyone but himself and the idea of him losing faith in himself because of a passing act of human folly would've been so good but instead we got- "I defied a demon and did the right thing but I'm gonna be upset because I no longer look the the part of the hero but ope that's only one cutscene daddy issues instead" LIKE WYLL you're literally the most stable, sane and sexy person here I need you to grow or regress with the story your too perfect for my gremlin ass Tav. (He's so painfully out of everyones league it hurts like it's actually a problem that he's the only functional adult, like it's a stereotype he's the token support and he deserves a bit more than that )

Hello to you too anon 🤣 I pretty much agree with you, Wyll does have the weakest storyline when you put him next to all the other main six. Someone was going to have to wear that crown.

However I maintain that he's still a funny dude with a lot more pinache than people give him credit for -- and I think there's still a fair bit to his story that gets overlooked or dismissed by the fandom in general, based on what they wished/hoped it would be, instead of appreciating what it actually was.

Wyll's arc is the opposite to most of the other cast like Gale, Astarion, Shadowheart. All of them are faced with changing themselves and growing into different people throughout the story. Wyll's influence is the opposite: He has to fight to maintain who he is, when a very real force of evil is manipulating him into doing things that are unthinkable to him morally. If he kills Karlach, he loses himself. If he doesn't re-sign the contract, he loses his father, and Mizora makes it clear the blame will be on him, and he loses his reputation -- which he relies upon in order for the people of the Sword Coast to recognise and accept his help when he offers it. He could lose his father all over again. Constantly he's pushed into positions where he has to hold the weight of the world on his shoulders, and must maintain his integrity through it without angering Mizora, who will kill him if he steps too far out of line.

All his life he's had to make the tough choices and shoulder the consequences alone and unsung. He saved Baldur's Gate at sixteen years of age and was never allowed to tell anyone, and has been burdened with the devil because of it ever since. He lost his home. And the first thing he tells Tav is that he doesn't regret that for a second. He is the kind of person to take a bullet, and Mizora keeps trying to force him to be the one to pull the trigger.

I, personally, think that's interesting enough and a change of pace from the other three or four character arcs that are more of the "do you want to be nice and friendly, or an ambitious/aggressive/murderous wank?" variety. And to Wyll's credit, his personal quest has a way more to do with the overall plot of the game than Gale's and Astarion's do. (For the record I am absolutely a Gale and Astarion girlie so no hate)

Again, Wyll's still the weakest of the six, but one of them had to be. There are things I love about all of the main character arcs, and things I would change. And Wyll's still leagues ahead of Halsin, whose personal quest feels tacked on to a plot that seemed like it would have happened anyway without his input. I still hope that one day we get some bridging dialogue or updates in future patches that make Wyll's arc a little bit more impactful and cohesive. I would also love if they added a bit more banter/more scenes with Karlach and Wyll becoming friends and bonding.

[deathsbestgirl]

Wish the the X files could be little bit more ABOUT Scully's trauma instead of constantly subjecting her to more of it and then never letting her process it (yes this is a problem with both characters but I do think it's undeniable that it's much worse with Scully, we spend seasons exploring Mulder's Samantha trauma and then they give Melissa and Emily an episode each) (also why the fuck doesn't she even have her name on the door, nevermind a fuckin desk, fuck you Chris Carter)

i think this is something that happens across tv shows in general. i do get bothered sometimes, too, about how muted it is with scully. but also...at least we see her go to therapy a few times lol but like. i would argue scully gets more than we think. with her dad, there's beyond the sea & one breath. with melissa, there's paper clip & piper maru & christmas carol. with emily, we have christmas carol + emily + all souls, and i think people have rightfully connected how the ghosts stole christmas to emily too.

i actually think they're fairly even, it's just that mulder's trauma with samantha is built into the foundation. scully's trauma becomes how they tell a lot of the story. firewalker & irresistible & our town are in the wake of her abduction. she's trying to get back into work, be strong and be there for mulder. what happened to scully in her abduction trails after them for the rest of their lives. her cancer, emily, william...the cancer arc is so much about both of their traumas.

his father's death is barely acknowledged in his life, but he does get an experience similar to scully's in one breath in the blessing way. his mother's is more significant, and connected to samantha. his grief is so painful & heavy in sein und zeit, but it leads to scully helping him find answers about samantha, and gaining some closure. mulder has no real reaction to diana's death, but that relationship is different than family (and with jack for scully, we only get that scene at the end of lazarus. so those line up) and scully is the one who matters. we get so much with samantha because she's the heart of the show, and in the end samantha & scully are connected and not just through mulder.

and as much as i want scully to have a desk & her name on the door...i feel like there's something to be said for why it doesn't happen. one day i'll write about it, if it ever becomes coherent & cohesive.

[aeithalian]

Light Bringer thoughts

spoilers below:

So the fact that Virginia disappeared from the narrative after the first half of the book kinda threw me for a loop, but I suppose if she had gotten a subplot of her own, it would have felt like we were getting pulled from the action too much… because the Darrow/Lyria/Lys*nder side of the story was all one cohesive plot, and Virginia’s POV, had it been maintained, would have added a certain level of unrelated chaos, with the audience getting jerked away to Mars every so often. So while I missed her, I can appreciate why Pierce didn’t include her as much. 

I LOVELOVELOVE getting outsider POVs of Darrow. Our only other one was from Lys*nder in Dark Age. When Lyria hung around and got to really know Darrow was when she was solidified as one of my favorite characters, for the pure merit that she was able to change her perspective from the myth to the man. It made me realize that more people would like Darrow if he wasn’t famous for war. That and I love the stark difference between how Darrow is in his own head and how he is to other people. It’s so much fun. Likewise, an outsider POV of Lyria was equally fun as well. 

Figment. It’s… I don’t know. I think I expected it to have a bigger payout? Or I expected Lyria to have it for longer. Figment was a really cool mystery that didn’t get fleshed out. But then I realized that the story didn’t really need another physically powerful female character. We have Virginia, Victra, and Volga for that. Aurae, Athena, Theodora (RIP), and now Lyria are a new brand of strong female characters that I’m really glad Pierce has gotten into a groove with - strong, empathetic women who don’t need to hold their own in a fight to be respected and awesome in their own rights. So no, I don’t think Lyria will ever be that ‘red god’ character people thought she might become, because that’s not where her strength lies. And who says Figment won’t return? (No, I don’t think Matteo left it in, but who knows)

I honestly wish Volsung Fá had been introduced earlier, I think it would have made him seem like a bigger threat. The fact that he was introduced as Atlas’ puppet, which was supposed to be this huge mystery to the Volk and the Ascommani, is something we knew the whole time, and decreases on the ‘drama’ of it, I think. I’m excited for an adaptation of him, though! The fear that he supposedly evokes is something that I was kinda missing, so I’d be excited to see it on a screen for a bigger effect. 

BREATH OF STONE HOLY SHIT this entire sequence was so good. I actually teared up. I was so excited. The ‘clang clang clang’ “confess”? Daddy Darrow. ohmygod. Darrow rediscovering his roots in the mines of Mars? A spiritual experience. AND he recreated the Trojan Horse moment from Red Rising and it was like a little part of me was healed. It was so good. That moment where he talks about the game he played with Eo as kids really got me because I think this is the first time in a while where he’s looked back on his memories of Eo and not thought about her death and her dream, but her life. I think he remembered why he loved her so much, and it made me like her a bit more too. But the power up moment. So good. Ugh. 

I’m gonna be honest. I saw Cassius’ death coming from a mile away. But it hit me WAY harder than I thought it would. I was never his biggest fan, even in Iron Gold, but I knew I was in for it when he rejected the ‘au’ honorific to Matteo, and I really started seeing his development. And his last words? Gut punch. I’ll never get over that. Formally rejecting Gold? Claiming Darrow as a brother in life and in oath? Declaring solidarity with the Republic? Yes, Cassius. Your honor does remain. 

The fact that Atlas died in this book kinda freaks me out, because I really thought he was going to be the big boss at the end of the story, because Atalantia doesn’t scare me enough just yet. But now that Lys*nder has the Eidmi, I’m getting a bit nervy. Lys*nder was fine before because he was never a real threat. But there’s nothing more terrifying than a man who has all the power in the world and doesn’t know what to do with it. 

My last thought: Fuck Lys*nder. This absolute pisspot. This pubic hair of a being. This man - no, *BOY* - is going to forever taint my idea of the word ‘honor’, not because he has any, but because he is a bastardization of everything honorable people stand for. He can say he has honor over and over again, but when it clashes with his reputation, he always fails to do the honorable thing. Killing your brother? Not honorable. Doing it for a weapon that will let you commit mass genocide? Hm….. not very honorable, methinks.

Predictions for Red God:

Red God is Darrow. No question. The term ‘red god’ has come up before, in direct reference to Darrow in Dark Age (someone was talking to Alexander) and I heard someone saying it might be Lyria, but honestly, I doubt it.

There are still a couple mysteries that didn’t get revealed that I was curious about: in Dark Age, Virginia says that the Pandemonium Chair was only ever used twice, once being on Lysander… so what was the other time? Similarly, when Atlas is getting un-carved from his Helios-doppleganger body, it’s mentioned that this isn’t his first time, and Lysander noted it as unusual. So what’s up?

I still really think that Lyria’s brothers were the snipers Darrow ordered to kill Lysander during the Long Night. We’ll have to see where that goes. 

Eidmi. It honestly feels too simple, and I’m worried that Atlas wasn’t telling the full truth. Bitch didn’t even have a plan for it, but the thing is, he was afraid of Atalantia having it, because he was afraid she would use it wrong. But oh honorable Lysander (please sense the sarcasm) I don’t really think you should be any less afraid of genocide just because you’re the one holding the trigger. I actually think he’ll try to use it on Luna first, but I don’t know if he’ll be able to get it that close to the planet itself. He probably won’t use it on Mercury, because that’s where he’s going to try his major rejuvenation efforts. And he’s more afraid of Atalantia than he is of the Republic, so Mars probably isn’t that high up on his priority list - remember, he thinks Darrow is dead, doesn’t know the Volk, Daughters, and Rim are all flying to protect Mars, and has wildly underestimated the power of the Republic. He might blame it on the Republic, in a last-ditch effort to get any Golds that haven’t claimed a side to do so. It's almost impossible to predict, because Pierce is inherently a very unpredictable author.

The Abomination is an interesting stone left unturned. The thing is, I thought Virginia might have had a chance to turn him good (?) before she tried to kill him, and I thought she actually could have done it if not for Lilath. Maybe she’ll use the PsychoSpike on him, and somehow implant memories of the real Adrius in him so she’ll have a chance to show him the love he didn’t have before. Because I saw someone say the same thing about wiping Lysander’s memories, but I really don’t think Lysander would take any chance he has for redemption, he’s already turned his back on ‘honor’ too many times. The Abomination, on the other hand, probably wouldn’t have done anything wrong had be been guided by a hand other than Lilath’s. I think there’s hope for him. 

I don’t think Rhonna is dead! No body, no death, especially with Pierce. In the Dramatis Personae, she’s described as ‘lost’, not dead. Chekov’s gun, and all that. 

Darrow better not die. Here’s the thing, though. If the Darrow we saw in Dark Age had carried over through Light Bringer, I think Pierce would be setting him up to die. But now that he’s got the Breath of Stone, the Path to the Vale, and the power given to him by letting go of his guilt and worry, it’s setting him up for a happy ending, moreso than I remember ever reading the rest of the series. I think LB!Darrow is the first time we’ve really seen him believe that he could also live. Remember, he’s always thought he’d end his story as a martyr for the Rising/Republic. But now I think he knows he can not just fight for more, but live for more too. Sevro said it well. We’re tired of this shit. Let’s band together so we can start living rather than surviving. 

[absolutebl]

2022 BL Wrap Up - All The Shows I Watched... rated

I’m not going to talk about everything BL that I watched in 2022, that would be the longest post ever. But still, this is a really long post. Sorry, not sorry. Everything I watched got a pithy little review. 

2022 BL - Watched & Rated

This includes any show that ended in 2022, including those that started in 2021. Alphabetical-ish order.

21 Days Theory (Thailand YT ) 6/10 

Tropes: high school, cheating, secret crush, high angst

Initially I REALLY loved this little show. It reminded me of Blueming + Make it Right (never forget I’m the world’s foremost Make It Right apologist, and the lead even looks a little like Fuse). Why did I like it? 1. GAY UNCLE character giving GREAT advice!. 2. Boys in blue shorts are back! 3. Seme is already pining, uke is tsundere but with reason and conflict is set up and executed well as a result. 4. lots of linguistic discussion and flirting (they made the linguistically fascinating couples post). Everything about this show is in my wheelhouse and this would have jumped high in my rating (even at this length) if they had bothered to finish it like the YA romance it clearly was. But the ending was disappointing. I’m not mad about it, but I’m not happy either.

WORTH WATCHING BUT FLAWED

The 8.2 Second Rule (Japan YouTube) 6/10

AKA 8.2 Byo no Hosoku

Tropes: secret admirer, food in love, soulmates

Very short BL about a schoolboy who makes magic candy for a series of handsome classmates, questing for a soulmate. Each ep is a new love interest and while the sweets help others, they keep failing to bring him love. Of course h's overlooking someone. The lead was very good and the theme, cooking, and eventually romance were charming, but it is a series of BL vignettes not really a cohesive story, no kisses or anything. Japan doesn’t give us sweet BL this short very often, so it was nice to see them try out the style.

WORTH WATCHING BUT FLAWED 

A Man Who Defies the World of BL 2 (Japan Viki) unrated

I consider this show a documockary, not really a BL. As with the first installment I loved it beyond reasons, I tagged the second season review onto the first. Review here.

HIGHLY RECOMMENDED

About Youth (Taiwan GaGa) 8/10

It’s truly lovely little coming of age high school BL with classic YA low drama but high angst, I didn’t even mind the singing, and that’s saying a lot. It featured Taiwan's modern take on AePete: popular but painfully lonely rich kid, Guang (complete with evil pressure-cooker tiger parents) meets and is basically adopted by poor nerdy (secret rockstar) Qizhang. HE EVEN HAS AE’S TOTE!!! Side dishes are Guang’s adorable bestie, Ray, and even more adorable (also a rockstar) Jian. Lots of BL tropes but also this is quite queer and very Taiwan with an earnestness depth I haven’t seen since My Ride an almost real world authenticity. Not that I normally like that in my BL, but I’ll forgive Taiwan (and the Philippines) for their sticky almost dirty style if it is this endearing and engaging (see also Gameboys). I wish it had been given a bit more room to breathe, but all in all a great edition to the Taiwanese BL lexicon which was in dire need of just this kind of content. Full review. 

RECOMMENDED 

Ai Long Nhai (Thailand iQIYI) 6/10

Tropes: messy gay, trial relationship, friends to lovers

Look this show was just a typical Thai BL university pulp about a confident gay and a clueless manic pixie dream boy, that had potential, chemistry, and earnestness going for it, but no plot and not enough side dishes. In the end it was boring and you know I always rate boring lower than hot messes. Still it’s better than your average Thai BL, nothing happens but at least the nothing mostly shirtless, the gay dads are the BEST, and that’s about all I can say for it.

WORTH WATCHING BUT FLAWED 

Bad Buddy (Thailand YouTube) 9/10

Tropes: secret lovers, Romeo & Romeo, sunshine/tsundere, enemies-to-friends-to-lovers, GL side plot

GMMTV’s flagship BL started 2022 on a BANG (okay no actual banging but you know what I mean), starring heavy hitters Ohm & Nanon in a pitch perfect university Romeo & Juliet masterpiece that will give you domesticity meets pain whiplash throughout and jet lag at the end. Great production values, killer acting, and some conscious effort to correct for half a decade of Thai BL’s anti-queer mistakes. GMMTV, we forgive you. More. Live blog of this one is here. Full review here.

HIGHLY RECOMMENDED

Behind Cut (Korea, Jan Viki) 8/10

Tropes: grown up problems, finding your dreams, friends to lovers

Better than average chemistry (for KBL) and a unique setting almost pulled this show into the realm of something quite special but it never quite managed to get away from the pacing and story structure issues endemic to KBL’s limited time frame and scope. Still It gets the job done. Full review here.

RECOMMENDED

Big Dragon (Thailand Gaga) 7/10 

Tropes: player love-rivals/enemies to lovers, rich/poor

This is a decent execution of true enemies to lovers, these two spy on and bully each other, exploring darker themes. The way the leads transition between anger, resentment, titillation, and flirting (and the way, with kinksters, this can all be the same thing) is really well done. This BL pairing proved itself to be a lot more sophisticated than I expected with nods at kink in a more respectful way than Mame could ever dream, plus excellent chemistry, but something was askew around plot, directing, and ending. 

RECOMMENDED FOR THE LEAD PAIR, BUT NOT MUCH ELSE 

Blue of Winter AKA Judo Boys (Korea YouTube) 3/10

Tropes: Bad boy/good boy, mad crush, reunion romance

OMG, is that..? Did Korea give us… a pulp? I do believe they did! The sound quality was poor, lighting sub par, even the filming and staging wasn’t on point (for Korea). Sadly none of that was the problem, this could have actually been good, the cast was excellent, but instead it was just really... odd. Focused on the wrong couple in the triangle and spent too much time on some elements and not enough on... ya know PLOT. Not terrible but not good either. in the end I didn’t know what I watched and neither did it.

NOT RECOMMENDED

Bleuming (Korea iQIYI) 9/10

Tropes: enemies to lovers (sort of), coming of age, self worth and self acceptance, lonely prince, sunshine/tsundere

It’s a tiny bit dark and a tiny bit bittersweet, almost too honest to a university experience and first love for BL. I wasn’t into it at first, but both leads turn in solid performances and by ep 5 it got good, becoming a narrative about self discovery, as well as understanding and accepting others people’s flaws without hurting them. Ultimately, we witnessed two characters maturing because of each other and their mutual affection while that affection was never itself the conflict point. Instead, tension was built around other aspects of identity, popularity, and self-worth. While production values were a touch lower than usual, Blueming included decent kisses and other forms of intimacy and a satisfying ending (all rare for Korea) plus there’s judicious and very elegant use of tropes, (which is expected). Full review here.

ABSOLUTELY RECOMMENDED

Check Out (Thailand iQIYI) 4/10 

Tropes: office, second chance, high heat

Special episode 0 (prequel) filmed in 2021 was the only good thing about this show. Characters lacked motivation, there was no story, the leads were a fine pair but the sex scenes managed to be both good and boring. I nearly DNFed. Ugh. 

FATALLY FLAWED

Choco Milk Shake (Korea Strongberry YT) 8/10 

Tropes: reincarnation, fated mates, paranormal elements

Choco Milk Shake (Korea YouTube) Stongberry gave us a full length BL on YouTube! It’s a BL miracle and an endless delight. It was wonderfully cute, unexpectedly hilarious but expectedly silly, a little too poignant, occasionally gut wrenching and with a somewhat expected weird (but happy-ish) ending. The actors playing the two pets must have had the best time. As, indeed, did I watching it. Jealous Milk made me cackle so hard it scared the actual cat on my lap, Choco was perfectly cast, and the chemistry was ultimately decent. In Strongberry I still trust. Thank you thank you, may we have another, sirs?

RECOMMENDED 

Cherry Blossoms After Winter (Korea Viki) 9/10

Tropes: High school to college, cohabitation, stepbrothers, popular boy/nerd (shy, loner, bullied), orphan protag

Korea took on early Japanese sweet yaoi but gave it their signature softness and precise production style with a STUNNING color palette (beautiful pastels, sun-saturated over-exposure), manga framing style, some traditional BL character archetypes, that tiny edge of bullying roughness and out-of-control seme, plus FINALLY a palatable take on the stepbrothers trope and it was, in a word, classic. Sophisticated and understated CBAW is not slow, it’s just subtle. It's dream-like and atmospheric, as if the whole thing took place under cold water on a warm spring day. Is there plot or peril? Not really. Do we care? Also, not really. Look, I can’t help it, I’m old school and so is this show. I grew up reading sweet yaoi, and this was THAT YAOI just on my screen. There’s no objectivity with me and CBAW. It’s a beautiful pastiche and I loved it for how it made me feel and what it reminded me of. It’s not flawless, but it is a wonderful experience. Full review here.

HIGHLY RECOMMENDED

Cherry Magic the movie (Japan grey) 8/10 

AKA Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?!: The Movie AKA 30-sai made Dotei Da to Mahotsukai ni Nareru rashii 

Tropes: LTR, cohabitation, self acceptance, coming out

I liked it, not as much as the original, it lacked the humor. Again no kissing, these actors must be expensive, but some nice domesticity. Still with Thailand bringing the higher heat with such consummate casualness these days (licking ass and taking names) there really isn’t much of an excuse anymore for no kisses, it felt a little phoned in. Even Korea has buckled, come on Japan, grow up. 

RECOMMENDED 

Close Friend 2 (Thailand Viki) 6/10

Tropes: LTR, adult problems, the closet, coming out

It’s basically dealing with two kinds of closet: the one imposed on us, and the one we impose on ourselves. Honestly Pierce and Phoon are very mature characters for a BL couple - the kind of relationship that only OhmFluke could really portray, and they do it very well. That’s almost the problem - it is too well done and thus discomforting. if you don’t like realism in your BL avoid this show. I liked the celebrityhood vs fandom storyline, although I thought it was too generous to those fans. Both pairs did well but I wasn’t wowed by story or content, over all a bit dull.

WORTH WATCHING BUT FLAWED

Coffee Melody (Thailand Viki) 5/10 

Tropes: cafe setting, food is love, sing your feelings

Stars Pavel (my love) as a cafe owner (Forth in 2moons2) and Benz as a composer (Call it What You Want). This should have been my kind of BL - on the fluffy end of the spectrum plus honestly queer. Unfortunately, the slow pacing, manufactured angst, odd secondary story arcs, and a selfishly immature unlikeable wet dishcloth main character, Yi, meant its flaws outweighed its charm. Jean (flame on snark fairy) is MINE, I love him so much but in the end neither he nor Pavel in an apron could save it for me. It’s not bad. It’s not good either, tho. Ultimately so forgettable I’ve probably already forgotten it. 

JUST DULL

Color Rush 2 (Korea Viki) 7/10

Tropes: crush, friends to (almost) lovers, paranormal, suspense, murder investigation

In this second installment the plot revolves around Yeon Woo searching for his mother (and, sort of, his probe) joined by Se Hyun, whose sister is involved. We’re right back in gay allegory territory only this time the question is: Can you miss something you never had? Especially when it has to do with your own identity? Also, has Sehyun switched his (supposedly) natural inclination towards obsession onto Yeonwoo? I liked it. I liked Hyuk a lot more than I was expecting too. Like the prior installment, Color Rush 2 was stylish and clever (although not quite as clever). Honestly, in the end, I don’t know what to say about Color Rush 2. Does it work as the second installment of a trilogy? Absolutely. Does it work as the final installment of a duology. Absolutely NOT. Full review here.

RECOMMENDED WITH RESERVATIONS

Cupid’s Last Wish (Thailand YouTube) 6/10

Tropes: pining/tsundere, bodyswap, quest, road trip

Win is such an incredibly unlikeable character I really struggled with this show, no skin off Mix’s acting, but holy fucking irredeemable tsundere. Also I really do not like body-swap. The final ep tried (and for some it may have been successful) but combine this with bodyswap (my least favorite trope) and even EarthMix’s chemistry (which has improved since Thousand Stars) didn’t save it.

WORTH WATCHING FOR SOME, BUT FLAWED

Cutie Pie (Thailand YouTube) 8/10

Tropes: arranged marriage, age gap, secret identity, cohabitation, rich kid problems, he’s in engineering

Very high production and a lot of visual references to live action yaoi gave this show a whiff of Japan but ultimately it stayed firmly in Thailand’s BL camp veering from absurd to appealing to annoying and then back to absurd again. If you can roll with the arranged marriage conceit and very lifestyle D/s relationships, the chemistry is spot on even if the plot is naff and sappy and driven by miscommunication. Watch this one for the pretty, give it a pass on depth. Full review here.

RECOMMENDED

Dear Doctor, I'm Coming For Soul (Thailand YouTube) 7/10

Tropes: PNR, grim reaper, enemies to lovers

This is a romance between a doctor trying to save his patients and a reaper who is both his enemy and (eventually) lover. Basically it’s the genius premise of a gay Doom at Your Service. High concept looks good on you, Thailand. I enjoyed it more than it’s ending deserved, and the best I can say is that it’s not strictly HEA but if you’re okay with Life: Love on the Line, you’ll probubly be okay with this BL.

RECOMMENDED WITH RESERVATIONS

DNA Says Love You (Taiwan GaGa) 8/10

Tropes: secret identity, reunion romance, queer family, bisexual awakening, sunshine/broken, healing, quest

While this is one of those series (ostensibly) carried by the sunshine seme character (Taiwan is always weak in seme/uke) and he does a stand-up job, Erek Lin, who plays the love interest, Amber, is luminous. I found the twist entirely predictable, but knowing what would happen didn't spoil this show for me, in fact I think I sympathized more with Amber and understood his behavior better, because I knew. The exact way it’s handled (medically speaking) is a little disingenuous to a queer narrative (AKA they could have just GONE there) but I didn’t mind, because all the characters around Amber act with such integrity. Since this is a queer story arc that other shows have systemically mishandled and made depressing, DNA deserves extra marks for its uniquely upbeat approach. It’s full of queer found family representation and an unexpected amount of domesticity, plus it’s Taiwan, so the kisses are great. The last few eps really are special and life/love affirming - and the ending is big-grin charming. Full review here.

VERY MUCH RECOMMENDED

Gen Y 2 (Thailand grey) 5/10  

Tropes: this is an insane soap opera

Exactly as chaotically messy as expected, possibly worse, as the four main couples apparently each decided they were acting in a different kind of BL. While I do believe that the world demands the excess Star Hunter provides, it is utterly exhausting to watch. No full review because I live blogged this one here.

WATCH IT ONLY IF YOU NOTHING BETTER TO DO

Ghost Host, Ghost House (Thailand YouTube) 7/10 

Tropes: my ghost boyfriend, PNR, domesticity

This is a light horror plus family drama built around a well executed BL trough-line that felt honestly queer with fantastic chemistry from the lead pair. (I hope that we see more of them.) Pluem delivers the softest most seductive krap ever and watching them flirt over noodles is an unalloyed pleasure. Use of I/you pronouns is super interesting and cute. For me personally the surrounding cast, premise, and story didn’t resonate but if you like a touch of gothic in your BL this might appeal.

RECOMMENDED WITH RESERVATIONS 

The Eclipse (Thailand YouTube) 8/10 

Tropes: sinister boarding school, haze the one you love, suspense, high school setting, coming of age  

GMMTV does gay Blacklist with a good boy/bad boy pairing. Starred First & Khaotung plus the side dish pair from FUTS NeoLouis. This is a good show but the cast was excellent and the leads were absolutely flawless. They gave us a nuanced and multifaceted burgeoning relationship: philosophical (and socio-political) conflict contrasted to moments of empathy; flirtation contrasted to moments of genuine affection. This narrative is less about love than it is about courage and tenderness. However, near the end the pacing was off and the plot frustrating. Still, this is an enjoyable watch, with an ending that features verbal consent and a funny blooper reel. 

RECOMMENDED 

Enchanté (Thailand YouTube) 7/10

Tropes: childhood sweethearts, sunshine/tsundere, secret admirer with a touch of Cyrano de Bergerac and dose of Boys Over Flowers.

Theo returns from France and starts a written flirtation inside a library book (!) at his new uni with the mysterious Enchante. When he and his best friend Akk hunt for Enchante’s real identity, 4 senior boys step forward - all intersted in dating Theo, all with ulterior motives. Can’t fault the chemistry or the classic old school Thai uni BL and Akk (Force) was particularly sympathetic. But the twist over Enchantie’s identity felt disingenuous, manipulative, and unnecessary and the whole narrative was flawed as a result, Theo became unlikeable and irredeemable. GMMTV seems to specialize in squandering great chemistry on shoddy scripts. Honestly it probubly should get an 8/10 by my rating system but I was so disappointed I’m giving it a 7/10 and not bothering to write a full review. Live blog ep-by-ep recap here.

RECOMMENDED WITH RESERVATIONS

Eternal Yesterday AKA Eien no Kino (Japan Gaga) 2/10

Tropes: my ghost boyfriend, paranormal, kill the gay, dark 

Smart boy in love with zombie incubus, keeps him alive with sex. This prevailing wistfulness between our leads about the future that they know they will never get to have. The way Michan is constantly listening and feeling for his Koichi’s heartbeat for a reassurance that is never going to come.Japan, king of thirst, gives us both that and PAIN: these 2 are drowning in yearning and loss. Careful with this one - you break it, you bought it, and it'll break you... wide open just to see what color your guts are. After watching, you too might be walking around alone, forgotten, and wondering why no one understands your loss. Not only does it not end happily, it ends hopelessly. 

NOT RECOMMENDED (for newer BL fans) 

Even Sun (Thailand iQIYI) 5/10

Tropes: vacation romance, enemies to lovers, sunshine/tsundere

The language is fun in this one (they also use chan/nai so I’m guessing it’s and organized crime thing), the cast is excellent, the boxers mildly interesting and BounPrem’s chemistry is unmatched, but... I still disliked it. It was unequivocally boring.

WATCH ONLY IF YOU’VE NOTHING BETTER TO DO

First Love Again (Korea Viki) 7/10

Tropes: fated mates, bodyswap

A popular novelist who remembers his past lives meets his soulmate who has been reincarnated in the body of a man. This one started out a touch mean spirited, but it pulled itself together and we even got a good kiss (for a KBL). Then they went from like to love to boyfriends in a red hot minute. The confession/rejection scene was justified and the reconciliation and ending was... fine. All in all the pacing felt rushed, and the romantic arc was underdeveloped, but that’s par for the course with Korea’s short form. If you don’t mind a heavy does of melodrama in your BL this one has a solid story with a strong concept that’s well acted and produced, making it a classic KBL with better than average chemistry but ultimately a touch forgettable. (Full review here.)

RECOMMENDED WITH A FEW RESERVATIONS

Fukou-kun wa Kiss Suru Shikanai! (Japan Viki & GaGa) 8/10

AKA Mr. Unlucky Has No Choice but to Kiss! AKA Mr Unlucky Can Only kiss

Tropes: opposites attract, accidental relationship, cohabitation  

Mr Chronically Unlucky (another adorable chaos muffin) and Mr Always Lucky end up dating after they meet at uni orientation. It’s JAPAN yet they kissed in the first episode. What freaky alt-reality did I enter into? That’s all they kiss tho, over which I was a touch disappointed (I know). Still I spent far too much of my time with this show biting my knuckles and squealing “THEY’RE SO CUTE!” Amusing story: I paused mid the most tooth-achingly adorable first date in the entire universe and Viki was like “something missing?” and I was like “MY HEART YOU BASTARDS” It is very slapstick Japanese style comedic (light) BL reminds me a bit of Kieta Hatsukoi or Cherry Magic. So if you like that style of BL you’ll adore this show.

RECOMMENDED

Happy Ending Romance (Korea Gaga) 8/10

Tropes: office romance, identity theft, cohabitation 

As a BL it kinda isn’t (sorry to say). There’s no tropes dropped and no real romance narrative beats. This is about dishonesty and pride and there is an elegance to the theme. Which is essentially the idea that possession is not love, and therefore, those who love the Writer have to prove their love by letting him go. Honestly, I’m not sure how to rate this show as a result. This is a blog about BL and this wasn’t that. Full review. 

RECOMMENDED (but not if romance is what you’re primarily after) 

Hard Love Mission (Thailand WeTV) 3/10

Tropes: office romance, spoiled celebrity, 

Phenomenally dull Thai pulp about a journalist sent to interview a celebrity who ends up his manager, only 4 episodes and it still could’ve been shorter. It’s a bummer, the concept wasn’t bad. ALSO Chinese censorship got its gross mitts all over it (thank you, Tencent). Do not waste your time.

I DON'T KNOW WHAT I’M WATCHING AND NEITHER DOES IT 

In Your Heart (Mainland China GaGa) 2/10

Tropes: friends to lovers, codependency, amorphous ending

It’s very mainland China BL, which makes me feel a bit like we are back in 2016 being tormented by nostalgia. It hasn’t a single modern sensibility in it (to be fair neither does China’s het stuff). Which I don’t mind, but it felt off? Messy? Sideways? I was surprised that there was some high heat, but I wasn’t surprised that the couple ended up separated. And yet... If you expect to be disappointed, can you still be disappointed?

NOT RECOMMENDED

Kabe Koji (Japan Viki) 7/10 

Tropes: celebrity romance, sunshine/tsundere 

Basically this is A Man Who Defies the World of BL + Senpai This Can’t be Love (as @heretherebedork said) and equally painfully EXTRA. Nakao Masaki playing a sunshine bouncy himbo character is a fucking revelation, I didn’t think he had it in him. This should’ve been my favorite BL of all time (IT’S AN IDOL LOVE INTEREST!), but the tsundere is too tsundere for me, I really hate the stalker photograph thing it’s apparently a trigger I didn’t know I had until BL tried to romanticize it. I kept feeling like there were the bones of good story in this drama, and I got glimpses of it, but then it’s covered again - like tasty steak smothered in Kewpie mayo. 

RECOMMENDED WITH RESERVATIONS 

Kimi no Koto Dake Mite Itai (Japan grey) 7/10 

AKA I Only Want to Keep Looking at You

Tropes: friends to lovers, coming of age, high school setting, introvert/extrovert

This is a beautiful piece of cinema well acted, about two boys who are opposite personalities and grew up together. Gifted and serious Sakura (Kura Yuki from His the series) and outgoing eccentric manic pixie dream boy, Yuma. It is very pretty and this is the kind of atmospheric elegantly performed BL that only really comes from Japan (complete with dead fish kisses - what you though Korea invented them? oh no). I felt like I was “supposed to like it” more than I did, ultimately I was left feeling like I had seen it all before. So for me it was lovely but slightly unmemorable.

RECOMMENDED WITH RESERVATIONS

Kiss X Kiss X Kiss - Perfect Scandal (Japan Billibi) 7/10

SHORT 5-8 minutes sample pack micro-romances: 2 featured BL-ish setups. One with idols in a group together and a secret relationship (Idol Kiss) and another featuring a reluctant boss and flirty subordinate (A Sweet Kiss). Both were cute but mostly just, ya know, kissing. (Reminds me a bit of Korea’s early Triple Do You Want). The interesting thing about the idol one, is one of the leads is ALSO in a het installment. He gives great chemistry with both his partners. And I think he’s a good example of an actor being just, ya know, an actor about the physical part of a romance. Which I take about in terms of never assuming queerness based on performance, here.

RECOMMENDED (for what it is)

KinnPorsche (Thailand iQiYi) 7/10

Tropes: bodyguard, mafia, cohabitation, BDSM, he’s a monster but he’s my monster

VegasPete were in one drama; KimChay were in another; KinnPorsche were in each of those randomly but then sometimes in their own extremely slapstick cheese-fest alt-reality + Tankhun. There were clearly 2 directors with 2 distinct and conflicting points of view, who apparently never had a single conversation with each other. Was this show good? Nope. Was it absorbing as fuck? Sure. Was it well acted, absolutely. Were the sex scenes great? Yes. We the fight scenes awesome? Actually yeah (special props to Jeff for the hand-to-hand stuff). Did I enjoy the kinky bits? Certainly. But all that said: the VegasPete universe of KP was the only universe I really enjoyed and would like to revisit, and I only got that 1/5 of the time. Mathematics is working against this one, for me personally. So I guess I, at least, am still waiting for the perfect mafia BL. I think it might be up to Japan at this juncture. As a result of fan fervor meets my own hearty indifference, I don’t really know how to judge this show but I have to go with my heart, and KP didn’t win it. No full review here on tumbr but I did post on to MDL.

RECOMMENDED WITH RESERVATIONS

Kissable Lips (Korea Viki) 2/10

Tropes: fated mates, paranormal, vampire, codified chase/stalker/ seme

Vampire has to decide between killing the boy he loves or living longer himself. Perfectly cast with a sexy, deadly, tortured vampire and the sweet uke prey who managed to be soft and appealing without being weak or inactive (props to the actor). Better kisses than your average KBL did not mitigate the fact that they killed 1/2 of the couple. Ultimately, one of my most disappointing BLs of 2022. Full review here.

NOT RECOMMENDED

La Cuisine (Thailand GaGa) 7/10

Tropes: crush, campus star, bully trigger, best boys, soft & sweet,

A sweet and kind of pure show, and like Thai desserts perhaps requires too much patience for a layperson. Because of the pacing and the focus on the bad girl character, I did dock it. But if you like stuff in the Oxygen vein, then this show is for you, and far better than most Thai BL pulps. That said, I suspect that I enjoyed it more than many would. Full review here.

RECOMMENDED WITH RESERVATIONS

Love Area 2 (Thailand GaGa) 3/10

Tropes: I don’t know and neither does it

Look, it wasn't as bas as Bite Me, but it wasn’t actually good, either. This started out as Thailand tackles love triangles pulp style, but by season two lockdown had changed everything. Valen & Kaitoon dropped some great kisses but traded off crazy hair and makeup in a scene-by-scene whiplash that was clearly pickups done months after initial filming, and the second lead just... vanished. It was surreal. Side dishes jumped up screen time but tackled mental health... badly. A fantastic new queer side character was randomly introduced, June, who was the best thing to happen to BL linguistics in 2022 but had nothing to do with the rest of the cast, show, or plot. What a mess. Yes tehre was some very good chemistry and June is a GREAT queer character... BUT...  In the end, I was just confused af. Full review here.

NOT RECOMMENDED

Love Class (Korea GaGa) 8/10

Tropes: university BL, forced proximity, unrequited love, crush, slight love triangle, triggers (outing, bashing, stalking)

This was a fast-moving, bloated, complicated little show with stronger than usual story structure, well-acted if lacking in chemistry, that managed to be very appealing and engaging despite itself. What it lacked in content it more than made up for in pacing. Both bingable and rewatchable.

RECOMMENDED

Love in Spring (Korea grey) 3/10

AKA Spring of Crush

Tropes: historical, soap opera, fake identity, hidden secrets, cross dressing

This drama was all over the place with uneven acting, narrative, and focus (sometimes it wanted to be a slapstick comedy, sometimes a depressing drama) which meant no one, actors or viewers, took anyone or anything seriously.... AND it’s a bromance. I was left wondering is SalHyung is now code for “they were roommates” in Kdrama historicals but otherwise largely apathetic and unimpressed. Korea, we now know you can do better. Watch Tinted With You or Nobleman Ryu’s Wedding instead. Full review here.

NOT RECOMMENDED, NOT BL

Love in the Air (Thai iQIYI) 7/10

Tropes: enemies to lovers, too stupid to live, stalker/obsession, university setting, grumpy/tsundere, sunshine/tsundere, abuse triggers

What’s it like? Two stories of aggressive player dudes pursuing innocent younger boys. Terrible. Also entertaining and engaging and kinda hot. Like all good dumpster fires. Recommended only if you know you like this kind of thing. Look, you remember in high school drama class where they make you “envision a basket, and put all of your worry, bad mood, and anxiety into that basket, and leave it outside the door”? Well, in order to enjoy this show, you have to do that, only with your morals. Some people have bigger baskets than others. Mame’s creature whipped me into a verbal frenzy, resulting in yet another trash watch. 

RECOMMENDED WITH A LARGE BASKET OF RESERVATIONS 

Love Mechanics (Thailand WeTV) 6/10 

Tropes: messy disaster bi, out gay boy, cheating, drama llamas

My favorite messy cheeky drama-llama boys were back in spades. And initially I enjoyed it more than I should and more than it deserved. This whole series is basically a diatribe against cheating, with the sweet out gay boy reaping all the punishment a disaster bi can enact. YinWar are geniuses at chemistry and good actors, and their new high heat stuff is excellent, but the story was not improved by being given more time to hang itself. Full review on MDL. 

WORTH WATCHING FOR THE ACTING BUT SERIOUSLY FLAWED

Love Stage (Thailand Feb-March YouTube) 8/10

Tropes: childhood crush, sunshine/tsundere, unrequited love, secret identity

This BL surprised me with its charm. The acting was good, the leads were appealing, support cast on point, and the production values high. It followed the original manga story arc relatively closely: boy falls in love with girl as a child, grows up to discover girl is actually a very pretty boy. Although there are some quintessentially Thai changes that mellowed, softened, and extended the romance arc. One of the things I’ve always appreciated about this story is that the climax is about coming out as a celebrity couple as well as gay. I like the examination of the nature of celebrity versus privacy, and the contrasting kinds of closets. And I love that they depicted two couples with two different versions of this choice. A solid and enjoyable show. Full review here.

RECOMMENDED

Meow Ears Up (Thailand GaGa) 4/10

Tropes: PNR, catboy, broken characters, hurt/comfort

Adapted from the Korean manhwa Hey, Your Ears Popped Out. This is interesting, Thailand doesn’t adapt from outside their own y-novel tradition very often. This is a pretty classic version of catboy trope: a lonely orphan comic artist adopts a stray cat who suddenly turns into a human teaches him about love, chaos, and family. SO CUTE it hurts and I got very “indulgent daddy” vibes from Mr. DD, which I’m not mad about it. There’s surprising depth to this very weird little show. It’s touching and relatable, but I guess it was trying to be too Japanese/Korean about it while the set up was all sweetness and Thai style, because they fudged the ending. For me, that’s a fatal flaw. Full review here.

NOT RECOMMENDED

Minato’s Laundromat (Japan GaGa) 9/10

AKA Minato’s Coin Laundry AKA Minato Shoji Koinrandori AKA Minato Shoji Coin Laundry AKA Wash My Heart

Tropes: age gap, pining since childhood, 

A high school student pursues the man of his dreams who happens to run a laundromat in this classic age gap BL. Minato’s Laundromat is so steeped in yaoi tropes and archetypes, not to mention a typical romance arc, that it will be and overload for some fans, but those of who follow this genre for its DNA will adore it. It made me very happy because it did everything I want a BL to do, and there’s not much more I ask of a show than this. It’s the closest Japan has come to perfect live action yaoi since Seven Days. Squee watch along (in lieu of a full review).

HIGHLY RECOMMENDED 

Mr Cinderella (Vietnam YouTube) 8/10

Tropes: forced proximity, cohabitation, childhood sweethearts, opposites attract, good boy/bad boy, domesticity

Higher than normal production values plus experienced BL actors plus two charismatic smoldering leads with good kissing and comfortable body language make this Vietnam’s objectively best BL to date. Plus we got a fabulously (and quintessentially Vietnamese) domestic ending. Full review here.

RECOMMENDED

My Only 12% (Thailand iQIYI) 8/10  

Tropes: friends to lovers, childhood crush, out gay character, jock/nerd, cancer mom, side noona romance 

Neighbors and codependent childhood friends, Cake & Seeiw, have opposite personalities but may be falling in love. Familiar faces include Prem (Between Us) and Peak (Make it Right). This is a complex, nuanced, and well done little BL romance (tailor made for SantaEarth) about holding onto first love and childhood, but it’s buried under waffling family drama and formless side characters so that it took a lot of digging to get at. 

RECOMMENDED 

My Ride (Thailand GaGa) 9/10

Tropes: sunshine/softie, friends-to-lovers, crush, bisexual identity, out gay, rich/poor

BL grew up with this pulp - a truly lovely and special little show featuring the extremely rare pairing of sunshine/sunshine AKA the cinnamon roll couple. Mature explorations of relationships using one of the softest, sweetest and most innocent friends to lovers vehicles. Kindly overworked doctor meets broken hearted dimpled motorcycle taxi driver in an “other side of the tracks” slow burn romance. With great friendship groups and family dynamics the support cast is excellent. With honest queer rep that adds to, but doesn’t impede the story, good friendship groups and genuine conversation about the nature of class, wealth, and classism, not to mention communication, honesty, and respect for boundaries, you can’t go wrong with this show. In other news, I am a sucker for a single dimple. 

HIGHLY RECOMMENDED

My Secret Love the series (Thailand YouTube) 6/10 

Tropes: jock/nerd, enemies to lovers, friends to lovers, reunion romance, secret romance, LTR 

Lead couple had a tom/jerry vibe with the uke too stiff and serious and the seme a prankster immature arse - one of my least favorite dynamics (it always seems mean-spirited). They reminded me of My Boy (which I DNFd) X BonDuen from My Engineer (who I dislike). Other pairs include BearBomb, TimMai and ParkLee (LTR whom use ter with each other). The domesticity with the side couples was somewhat engaging, and the sex scenes were descent, but that’s it. The worst thing about this show (aside from leads chemistry) was that the chemistry of the friendship groups felt off too. Normally, Thailand can handle friendship groups fine. But these two different groups? I didn’t believe they were friends at all. Full review on MDL. 

NOT REALLY RECOMMENDED 

My Tooth Your Love (Taiwan Gaga & Viki) 8.5/10

Tropes: childhood trauma, phobias, doctor/patient, age gap

It’s not love in Taiwan if one of them doesn’t stumble into the other.

From the producers of We Best Love, earnest dentist hottie with sad eyes who worries too much is smitten with an adorable sunshine neurotic bar owner with serious anxiety issues, they fall in love while courting each other with food, plushies, and naps. Then, shocker, talk about their feelings and try to actually sort out their problems so they can have an adult relationship. Bonus 18 year old poor little rich kid in mad crush with a much older man. I really enjoyed this show, it had a fun premise, killer dialogue, there was a solis lead pair with charming chemistry, soft flirtation, and delightful smiling kisses and stinkingly cute domesticity. All that said, I wasn’t wild about some of the darker themes it explored (abuse, panic attacks, abandonment issues), even though it did a good job with them. And while the crumbs and sides were v adorable they were chronically underused. In the land of May/December, baby boy kabedon is my kryptonite! Why so little of them? Kabedon is My Krytonite = also the name of my indie band’s first single.) 

In other news: I identify WAY too much with the bartender daddy. He pretty much opens his mouth and says what I’m thinking 90% of the time. 

MUCH RECOMMENDED

Not Me (Thailand YouTube) 9/10  

Tropes: enemies to lovers, secret identity, identical twins, goodboy/bad boy

GMMTV gave us a dark disestablishment narrative (in a time of civil unrest) with established queer award-winning director Anucha and starring OffGun. THIS IS AN AMAZING THING to get to experience in the BL world - nerve racking but remarkable. But was it ACTUALLY BL? Not Me had a lot of BL elements, but in the end that’s not what the show was about, or even what it was genuinely trying to be. Still an amazing piece of Thai cinema certainly worth your time. Don’t worry, it all ends happily. Full review here. OffGun Eulogy here.

HIGHLY RECOMMENDED

Ocean Likes Me (Korea Viki) 8/10  

Tropes: opposites attract, grumpy/sunshine, impossible dreams

This is a solid little KBL, with a good premise and cast. Manic pixie dream boy can get old fast but when contrasted with awkward grumpy chef? Tasty combo that elevates both ingredients. Holland is a charming screen presence, baby boy is HYPNotiC. And while I wasn’t entirely sold on the chemistry with these two they gave us some very good kisses. I grinned through most episodes and I even didn’t mind the standard KBL 1 year separation at the end because it felt very true to the characters. Don’t worry they end up back together.

RECOMMENDED

Oh! Boarding House (Korea Viki) 8/10

Tropes: forced proximity, cohabitation, crush, love triangle

Spoiled rich kid in financial straights has to manage a boarding house full of quirky characters including: bratty cousin, wacko writer, adorable bestie with a crush, and the new hot jock (love interest). All in all, this show ended up being A LOT better than I expected. It was uneven in its attempt to reconcile early sitcom (slightly Thai) style with a serious love triangle and genuine romance but the quality of the performances and the kind and honest treatment of the characters make it definitely worth watching. (Full review here.)  

DEFINITELY RECOMMENDED, a lost gem esp for Kdrama fans 

Oh! My Assistant (Korea Viki) 7/1O

Tropes: grumpy/sunshine, himbo chaos bi, out gay 

This is a very silly show that acts like it comes from a very silly yaoi. Reserved out gay younger assistant (we stan) pretending to be tsundere but is actually just v shy and smitten by his cheerful (seemingly straight) chaos bi himbo artist boss. I think the cross cutting in of old footage with the replacement actor after the re-cast did affect the chemistry with this pair. There was no way around it. Even KBL isn't usually this awkward and repressed. Although this show had the best bisexual awakening sequence ever put in a BL, and I really wanted to love it, I just didn't. 

RECOMMENDED WITH RESERVATIONS

Oh My Sunshine Night (Thailand grey) 7/10

Tropes: university, sickness, fated mates, whipping boy, poor little rich boy, soap opera

Kim, a tsundere musician meets Sun, a transfer student with a weak heart. Also there’s his hot older brother + their household servant, and a couple of fencers for good measure. Initially this pretends to be a normal university, then it slips on wet tiles and falls right on trough multiple shower scenes into ludicrous soap opera territory leaving one with a sensation rather like trying to hold onto soap in a communal shower. Ultimately, everyone seems pretty happy they bent over, but no one actually got clean. 

RECOMMENDED WITH RESERVATIONS 

Old Fashion Cupcake (Japan Viki) 9/10

Tropes: office romance, age gap, employee/boss, food is the love language, coming of age late in life

This show had me from the moment they broke the egg yolk with the chopsticks in the opening credits for episode one. It’s about a younger man with a long cherished crush on his boss (ten years older and going through a mid life crisis) who decides to save and seduce said man with pancakes. It’s wholesome, comforting, sexy, and a very necessary narrative about still having hope, interests, and openness to affection at any age. It’s coming of age/queerness packaged in a subtle critique of expectations around masculinity and love and loneliness... and it’s beautiful. Full review here.

ABSOLUTELY RECOMMENDED

Once Again (Korea GaGa) 2/10

Tropes: age gap, childhood trauma, tragedy, time travel, inevitable fate 

JaeWoo lives with childhood trauma and gets a chance to travel to the past to fix it by saving JiHoon. But you can’t change fate. From Moving Picture (studio behind equally tragic Kissable Lips)) this one stars actors (not idols) including Moon Ji Young (also in The New Employee) and is very well performed with a great, but sad, actual PLOT. It was a little bit more creepy than romantic, kind of Gothic and tense, but also strangely amusing (this odd kid just keeps hugging JiHoon - that’s like 1000x weirder in Korea than most places) and more enjoyable than it had a right to be with a really interesting take on the childhood crush trope. Ultimately, however, it kills the gay and is very sad. 

NOT RECOMMENDED 

Our Days the series (Thailand GaGa) 4/10

Tropes: sports romance, messy gays be messy, cohabitation, crush, love triangle, tsundere

Enemies to lovers meets forced proximity (boarding house) in which I couldn’t decide if the unlikable main character was stupid or depressed (story of my life, see also Physical Therapy) but I can’t take yet another emo POV. There was no chemistry from the leads and great chemistry from the ex-friend/second lead. Saint’s dad punishing him, when he doesn’t realize it’s because Saint is gay and heartbroken, really had meat to it as part of a basketball story. But it was such a tiny part of the overall show it felt like eating a meal when all I liked was one ingredient. I’d like to see the actor who played Saint (Offroad) in other stuff but otherwise this one can fade and be forgotten. It was a mess, and not a hot one. Fatally flawed.

NOT RECOMMENDED

Paint with Love (Thailand Gaga) 6/10

Tropes: opposites attract, office romance, sunshine/tsundere, enemies to lovers, wierdo/rulebound

For me the mains were unlikeable and the actors had poor chemistry. So while this offered a lot of what I thought I wanted from a Thai BL - mature characters, office setting, adult themes - I’m wasn’t wild about the execution. I suspect Thai pulps are better when they stick to university/high school. This one felt like a better version of Loveless Society (but that’s not saying much). The side dishes (Yoon & Yacht) gave us more chemistry and a better kiss but had little screen time. It was interesting to see them portray BL actors being shipped and then confessing to actually dating each others I’m not sure how I feel about the handling of it but it was different from Lovely Writer. In the end, this show was nicely grown up but boring and became a matter of endurance for me. I can’t ever see myself rewatching it.

WORTH WATCHING FOR SOME BUT SERIOUSLY FLAWED

Papa & Daddy 2 (Taiwan GaGa) 6/10  

I don’t have a good history with 2nd seasons, and Taiwan really likes to make a soap opera out of their queers. Witness that this one starts with a secret baby trope. There’s a lot of lying to each other and evil parents and, of course, 2nd lead syndrome strikes again. The domesticity was, of course, excellent (I love the gay siblings sharing tips on how to parent) and it was actually kind of beautiful to watch them explore ideas around infidelity, affection, lost love, and rediscovery. However, it lost me at episode 3 and never quite got me back, not even with the delightfully cheesy wedding. All in all, this was a serviceable follow up to the first installment, if riddled by unbearable parents, lack of story, and sappiness.  

WORTH WATCHING BUT FLAWED

Plus & Minus (Taiwan Viki) 8/10

AKA Plus and Minus AKA PlusMinus

Tropes: friends to lovers, LTR, office romance, (himbo) sunshine/tsundere, found family, himbo

This is a solid safe little BL about codependent besties of 20 years finding their way into a romantic relationship. A bit cheesy, with lots of domesticity and occasional dumb drama. (But gay boys and chaos bis? What can ya do?) It’s not groundbreaking but it is a solid sweet unassuming little show of a style that is perhaps a bit more Thai than it is Taiwanese but I’m okay with that. Full review here.

RECOMMENDED

Rainbow Prince (The Philippines YouTube) 6/10

Tropes: disney princess, opposites attract, sunshine/tsundere

This long form MUSICAL BL is fucking LEGEND. Also it’s profoundly not good. The acting is absolutely terrible but that’s not the point, the point is that it’s a cheesy af fairy story. Possibly the gayest BL to ever BL and certainly the most camp and very Disney. Watch it of that’s your thing, otherwise hard pass. (Full review here.)

RECOMMENDED ONLY IF YOU ALSO LIKE DISNEY SHIT

Roommates of Poongduck 304 (Korea Viki) 8/10

Tropes: rich/poor, boss/employee, enemies to lovers, office setting, cohabitation  

This is a solid little office set KBL about a rich kid who ends up both the boss and tenant of a total sweetheart cutie, and falls madly in love with him. Although the show suffered from KBL’s shorter length, I love the kissable lips pair - they deliver solid all round chemistry despite limited screen time, which is rare from Korea. So I hope they stay branded and we get even more from them in the future. Special extra extended kissing scene.

RECOMMENDED

Secret Crush on You (Thailand YouTube) 7/10

Tropes: stalking, obsession, hottest guy on campus, multiple couples, queer affirming

Previously known as Stalker the series, and you can TELL. Co-produced by and featuring (but NOT staring) Saint and directed by Cheewin (sigh) with all fresh faces it was pure pulp and... I hated the plot. In fact I was ALL OVER THE PLACE with this show. SCOY drove me nuts and made me bush but had flashes of unparalleled genius. It had a ton of things I really did not like (e.g. the humor was crass and awkward, and the whole stalker thing was extremely CRINGE). It also had things that really worked: (e.g. representation of multiple different kinds of queerness, about which it very Taiwanese - in that there was no doubt that the characters really did want to bone). It was the opposite of sanitized gay. Honestly, if you can make it through the first half, and survive the never ending cringe-factor that IS this show, the second half is entirely unique - content we’ve never seen before in BL.

RECOMMENDED WITH RESERVATIONS, but not the usual ones.

Semantic Error (Korea Viki) 10/10

Tropes: opposites attract, enemies to lovers, bully romance, sunshine/tsundere, teasing & pranks

This is my favorite BL of 2022 won a Blue Dragon award. Korea hits it entirely out of both Parks (pun on the actors’ last names intended) by doing a university set BL with everything we might expect done exactly right, their signature quality executed perfectly, and added bonus good story, great pacing, yaoi style filming, and fantastic chemistry. You cannot ask for more from a BL, let alone a KBL. Full review here.

HIGHLY ETERNALLY OMG SO MUCH RECOMMENDED

Senpai, Danjite Koidewa! (Japan Viki) 6/10

AKA Senpai, This Can’t be Love!

Tropes: office romance, object of my affection, boss/employee

Adapted from a manga for the same name, it has a similar creepy worship stalking vibe Secret Crush On You. Look, I admit it, this dynamic (super awkward pining uke, rockstar seme) is one of my least favorites - high cringe factor meets navel gazing obsessive. Japan’s weird hang-up around physical expressions of affection in BL which I expect in their slapstick high school stuff, feels cowardly here. They don't leave out end kisses in their het office romances, time to stop desexualizing the gays, too. For a plot about courage, it’s a bummer that the narrative itself didn’t have any. I can’t imagine ever watching this show again or remembering its existence. When Japan drops the balls they drop all the way to the bottom of the well. 

NOT REALLY RECOMMENDED 

Something in My Room (Thailand YouTube) 2/10

Tropes: paranormal, cohabitation, my ghost boyfriend, sunshine/tsundere

Horror BL starring Nut (Oxygen) who was a revelation, still a little stiff but he handled a totally different character from Solo with aplomb. Essentially, this was a well done pulp lockdown project version of He’s Coming to Me (with hints of So Much in Love and Peach of Time) but it was its own creature at the last gasp. I enjoyed it when it got a bit creepy but it was so slow it never had a chance to maintain tension. The two leads were ultimately cute together, but, like Peach of Time, we all knew how this one was gonna end. The narrative never left us in any doubt and I don’t like unhappy endings in my BL. So even though the sad was predictable, I won’t give this drama anymore than 2/10. Don’t kill my gays, Thailand, even when they’re already dead.

NOT RECOMMENDED

Star & Sky: Star in My Mind (Thailand YouTube) 8/10

Tropes: university set, high school crush, jock/nerd, long term pining, secret crush, reunion

This is (sort of) a lost love reunion arc + freshy hotness contest giving it 2 Moons vibes. Look, this is one of those shows that I shouldn’t really like after 400 BLs. It’s not at all unique, just some classic Thai uni folderol driven by miscommunication (or just non-communication) and yet... I COULD NOT STOP WATCHING. Sure it felt like everyone involved with this show was mostly phoning it in, but it was a REALLY nice phone call. It’s basic BL. But honestly, don’t we all need that plain white t-shirt to wear under our engineering smock... in the end? Full review here.

RECOMMENDED

Star & Sky: Sky in Your Heart (Thailand YouTube) 5/10

Tropes: rural setting, country mouse/city mouse, rich/pour, enemies to lovers

A cheap 1000 Stars knock off about a doctor who goes rural and falls in love with a volunteer teacher. This show managed to be boring, corny, AND cheesy? I don’t know exactly how to write a review of this, as “dull” isn’t in my rating system but, it is a BIG SIN for me. I guess this should be added to my short list of BL‘s that are told from the seme’s perspective? Linguistically: these two are formal with each other using pom/khun. Also If you want to hear frozen register spoken, that’s what Prince’s maa speaks to tease Fah. Full review here.

WATCH ONLY IF YOU HAVE NOTHING BETTER TO DO

Takara-kun and Amagi-kun (Japan GaGa & Viki) 9/10  

Tropes: high school crush, chaos baby, high angst, classic seme/uke, secret relationship 

I gnawed on my knuckles and squealed a lot with this show. Reserved cool kid who must lean to communicate to keep the tiny disaster nugget he’s madly in love with. It is beyond charming: soft and gentle, packed with cuteness and high school angst. Did anything actually happen? No. Was it emotionally tense and paced well enough for me not to notice? Absolutely. Was there plot? Not really. Did I enjoy the hell out of it, anyway? Oh yes. Full review. 

TOTALLY RECOMMENDED 

That’s My Candy (Korea Viki) 3/10

Tropes: magical realism, LTR, breakup, amnesia, reunion

KimCop vehicle from Star Hunter, about an LTR between a student Jing (Cop) + nurse Guy (Kim) who have been together for 3 years. Guy is busy all the time so Jing is starting to feel neglected and look elsewhere. KimCop are excellent (no surprise there) but I was not into the story, premise, or concept. Side couple Viking & TamTam stole this one for me but the final ep activates the amnesia trope so even they could save it. Honestly I was left, ultimately with a sensation of: What did I just watch? It was terrible. Full review here.

NOT RECOMMENDED

Tinted With You (Korea Viki) 8/10

Tropes: historical, portal fantasy, time travel

Fun stylish time travel portal fantasy with a likable cast, historical setting, and two actual kisses that mitigate a rough plot and issues around anachronisms. Full review here.

RECOMMENDED

To My Star 2: Our Untold Stories (Korea Viki) 7/10

Tropes: grumpy/sunshine, hurt/comfort, opposites attract, forced proximity, breakup/reunion

If you like angst, wallowing, and realistic relationship struggles in your BL, watch this. If you prefer fluffy comforting BL, avoid like the plague. For me the pay out was not sufficient to the pain. I enjoyed the performances, directing, and chemistry - the leads’ comfort with each other is unprecedented in Korean BL, but that’s not enough for me to rise above the pain of the narrative. This show is a home wrecking hussy, but like super classy about it. Full review here.

RECOMMENDED WITH SERIOUS RESERVATIONS

Triage (Thailand grey) 7/10  

Tropes: time loop, age gap, medical drama, fated mates

I thought the plot was good if a little redundant and occasionally exhausting. The pairs were all well done, low heat but with decent chemistry and the support characters were likable (or unlikable as required). I feel much as a did with Manner of Death, which is to say: this feels less BL than it does gay time-slip suspense. If anything, the romance arc detracted and distracted from the main plot. But I’m in BL for the romance, and the rewatchability, and this had very little of either. Full review here.

RECOMMENDED WITH RESERVATIONS

The Tuxedo (Thailand GaGa) 3/10

Tropes: tsundere seme, enemies to lovers, rich/poor

GMMTV be like, “see us squander glorious chemistry on terrible scripts.” The Tuxedo be like, “oh yeah? Hold my beer.” Watching this was like eating a meal of just spices. the spice profile was great, but it wasn’t ON actual food. The show itself had no plot or story and MADE NO SENSE, but I really hope we see these boys again in something more worthy of them.

NOT RECOMMENDED

Unforgotten Night (Thailand GaGa) 5/10 

Tropes: mafia, BDSM, not much of either 

Adapted from the y-novel Mafia's Bad Love, (originally featured both a gay poly triad and a GL sub plot). Stared Yoon (YYY, Paint With Love, My Ride) as a mafia Dom and Ton (Y-Destiny) as the accountant sub. Kim has a one night stand with a random stranger who becomes obsessed with him. Pretty soon into this I began to think this show should be called Forgotten Kink rather than Unforgotten Night. There isn't any. Mostly there's faucets left on and shower heads used for tie points (don't DO that). But honestly this was just bad. There is a moral to this show but I’m not sure what it is. Don’t combine your BDSM-but-not-really BL pulp with plumbing? In the end, this dumpster fire was extinguished by a garden hose and all we were left with was leaky pipes and the smell of damp trash. The only kinks were in the hose. No full review but I did to a trash watch. 

WATCH IT IF YOU HAVE NOTHING BETTER TO DO, BUT I WARNED YOU

Vice Versa (Thailand YouTube) 8/10 

Tropes: alt reality, bodyswap, soulmates AKA fated mates, portal fantasy

Jimmy (Puen the super flirt confident king) is insanely charismatic and takes up all the air in (the proverbial cinematic) room, but I warmed up to Sea (Talay the timid acerbic sweetheart) eventually. As a couple they read as more teasing and brotherly than sexy, but that’s GMMTV’s brand. I enjoyed the concept of this show (I’m big into magical realism and skewed reality - see my adoration for Color Rush) but JittiRain’s plot was contrived and weak (normal for them). I find the “writing on each other” habit quite cute. Look, here’s the thing, flaws and all I pretty much spent this entire show smiling. I didn’t even mind being so obviously manipulated. That said, this is never going to be one of my top rewatch rotations, so I’m calling it for an 8/10. 

RECOMMENDED

Want to See You (Vietnam YouTube) 5/10

AKA Muốn Nhìn Thấy Em

Tropes: whipping boy, disability, secret love

Everyone’s favorite Vietnamese hottie Ba Vinh (O2 Productions: Mr Cinderella etc...) played an arsehole blind man (Jane Eyre feels) who hires a live in nurse and both get taken advantage of by a series of psycho femme fatales characters. The chemistry was okay but not Vinh’s best. Did they serve up prime domesticity? Of course. This is Vietnam, you get what you pay for. But tonally, this show was all over the place, hugely inconsistent in characterization and motivation. No clean narrative through line. Nothing anyone did actually ever made sense, it was mostly just frustrating. 

WATCH ONLY IF YOU HAVE NOTHING BETTER TO DO 

What If (Thailand WeTV) 4/10

Had promised but was ultimately a complete letdown, not really BL either. It was, in the end, primarily about singing, so you know I didn’t like anything about this. 

NOT RECOMMENDED 

What Zabb Man! (Thailand YouTube) 8/10

Tropes: enemies to lovers, tsundere seme, rich/poor

WZM was better than we have any right to expect with decent pacing and a foodie theme threaded through the narrative as both love language and plot driver. Basically CEO falls in love with a street vendor’s food, recruits him to work in his hotel, falls in love with him, and that’s the beginning. Class struggles! Kitchen drama! Papaya pounding (not a euphemism)! Chef poaching (not literally)! Spicy scenes (yes literally)! It’s all so delicious. Full review here.

RECOMMENDED, especially if you like Thai food

You’re My Sky (Thailand Viki) 6/10

Tropes: sports romance, friends to lovers, jock/nerd meets sunshine/tsundere, cheating

A serviceable college-set pulp that focused on 3 sports romances with high angst, but was ultimately too slow moving for me, and with only one couple I liked (SaenAei). Main couple, FahThorn = basketball jocks, boring. DomeVee = track & field with a disaster bi cheating with your sister’s boyfriend storyline (by FAR the best sexual chemistry). SaenAei = jock/nerd with a younger puppy sunshine seme, best boys. Saen was my favorite character; relentlessly flirty but always clear about with his interest and steady in his regard, but who wants this many eps for one side character?

WORTH WATCHING BUT FLAWED AND YOU NEED PATIENCE  

Work from Heart (Thailand YouTube) 4/10

Tropes: Romeo & Romeo, office romance

Pulp office drama featuring tons of couples starring Gameplay as rich kid terrible dresser Dee who forms an unfathomable and poorly depicted romance with his internship supervisor. Some nifty linguistic stuff and great lead pair chemistry, doesn’t compensate for one of the worst wardrobes and an ultimately unfathomable plot. 

FATALLY FLAWED

THE DNF/DNW LIST

Shows I dropped, lost track of, never got around to or otherwise failed to complete.

2 Moons: The Ambassador AKA 2 Moons 3 (Thailand grey) 

I hear that it’s pretty banal and I’m just waiting to collect them all and binge. I doubt it will get a high rating from me or monkey with the standings much so I’m not fussed. 

7 Days 7 Boys (Thailand grey) 

No subs and it is also profoundly not good. Do not bother.

180 Degree Longitude Passes Through Us (Thailand GaGa) 

8 eps - This is a queer drama not a BL. It’s fine, reminded me oddly of early Taiwanese stuff, a bit slow moving and oddly paced. But I intensely disliked the lead character. He's a brat in the wrong way. Especially as a 20 year old. 

Country Boy 2 (Thailand who cares?)

I barely managed the first installment. No thank you. 

Fahlanruk (Thailand GaGa) 

I found all the characters profoundly unlikeable. I don’t like any of the couples and the fujoshi framing is repulsive under the context of a narrative trying to be this authentically gay. I lost all patience and cut my losses at ep 5. @heretherebedork said it was BohnDuen 2.0 only worse and that’s my least favorite dynamic of all time, so yeah, not gonna bother. 

Fudanshi Bartender no Tashinami (AKA Accomplishment of Fudanshi Bartender) (Japan Gaga) 

BL Express posted a review and it sounds A LOT like another kind of Absolute BL thing from Japan, but focused on the fudanshi side of the equation and I could not be less intersted so I did not watch. 

Gameboys 2

I have no idea what happened - to me or it. But I remember watching a bit, and then just got distracted or something. 

Getaway (Singapore YouTube)

Based on an original story from a gay creator featuring an openly gay cast this vacation romance from Singapore set in Bangkok did nto work for me. The lead was fine but the muscle boy love interest's acting was just bad. Look, I’m the first to admit that there’s a lot of bad and awkward acting in this genre, but for some reason… it feels a lot worse in English. I like how unabashedly gay the show is but (how do I put this nicely, I guess...) if I’m gonna watch English language gay vacay shit – I’d rather watch Fire Island. Still, as one might expect, the heat execution is good (Taiwan still holds the crown, tho). But I eventually just gave up.

In a Relationship (Thailand YouTube)

Thailand’s answer to Gameboys (a bit late, kids). I’m generally not a fan of lockdown romances and this didn’t grab me.

My Roommate (Thailand YouTube)

32 eps of 2 minutes each with such terrible production values I couldn’t be bothered. Def not my thing.

My Tempo (Thailand grey) 

A Thai BL movie about the Thai music industry. Yeah, no thank you.

On Cloud Nine (Thailand YouTube) 

A country-set atmospheric series from MindTrio about afterlife and awaiting loved ones. Def not my thing. 

Physical Therapy (Thailand GaGa)

Milk is basically a Mainland China-style super useless heroine type. He’s, ugh, so totally not cute. I just don’t think emo is sexy (sorry Japan). I don’t understand why anyone likes him: friends, crushes, lovers. And I couldn’t tell if the doctor was faking it or just a terrible actor.

Rak Dao (Thailand grey)

A real sit com that was just too much for me to take. I didn’t even survive the first 2 episodes. And I usually give a drama 3 eps.

Restart(ed) (Thailand grey)

Looked like Top Secret Together meets Y-Destiny but ended up being more like Club Friday. Glimmers of good chemistry and hella queer but even that did not save this from terrible sound and an incomprehensible plot full of completely random characters. An absolute mess.

Scent of Love (Thailand no idea)

Just couldn’t find it. Also it’s the lead pair from My Secret Love so could not be bothered to even try. 

SELF (Thailand YT) 

Is it sad? Worth watching? I don’t know, no one said a peep about this show but I got a bad feeling about the end so I never bothered. 

The Promise (Vietnam YouTube)

Stepbrothers trope, enemies to lovers, high school, reunion romance, grumpy/tsundere. Narrative has a “memoir” framework. Sort of Cherry Blossoms After Winter if they were enemies.

The Miracle of Teddy Bear (Thailand grey)

Surreal drama series with dark elements. Nat's giant teddy bear, Taohu, miraculously turns into a young man but can't remember anything about himself. I found out this has what I COUNT as a sad ending and with it being hard to find i didn’t bother.

The Next Door Crush (Vietnam YouTube) 

Reunion romance or something, I couldn’t be arsed. 

To Sir, With Love AKA Khun Chai (Thailand grey) 

I’m waiting on grey subs for this Thai historical gay soap opera that came outta nowhere. It’s more lakorn than it is BL (soapy) and word is it ends happily. It’s just taking me time to track down. 

War of Y (Thailand Gaga) 

Tropes: industry self criticism, messy gay, general chaos

COPY A BANGKOK brings us 20 episode of Cheewin’s nonsense starring the boys from Y-Destiny and SCOY. My initial thoughts? It was better than any of us have a right to expect but I hated it. I disliked it for the same reason I don’t like rockstar romances... celebrities (and their people) are assholes. This show features a bunch of actors behaving like actors, managers behaving like managers, all of them predators and victims and both. I’ve dropped before for less (Call It What You Want) and I’ll drop again. Then again I loved Lovely Writer - but I think that’s because Sib is meant to be a sinister dick who’s only an actor because it gets him closer to Gene, and i like that approach. War of Y is just a collection of fragile egos easily traumatized by their own desires (and the needs of others) - it’s brutal to watch. BillySeng are killing it, but.... it hurts, and not in a good way. I’m going to save it and binge all at once when I am feeling bored and resilient. Will I watch it eventually? Maybe? Probably not. I think we have an ITSAY situation going on here. Also BL Express was not best pleased, and I while we rarely share taste, in this instance I trust their reporting.

Ones I Could Not Track Down - Japan of course 

Both Me and Him are the Grooms AKA Boku mo Aitsu mo Shinrodesu - Aired March 2022 on KTV & Tver, some see it on Gaga, but not me. This is a coming out drama rama. Ryosuke and Mizuki are getting married but on the wedding day Mizuki finds out that his partner didn't tell his parents, relatives, or friends that he's gay. Catastrophe results: furious outbursts, fighting between the two families, and then Mizuki's ex boyfriend shows up. 

Grand Guignol - a horror, paranormal, high shcool movie that released in Japanese theaters middle of the year. Starred Rio Komiya (Eternal Yesterday) and Ryosuke Sota (Mr Unlucky) among others.

Kamisama no Ekohiiki - body swap, paranormal, country set. Amano Yashiro has a crush on his best friend, Nanahara Kenta. Yashiro died in a car accident after being rejected by Kenta. However, due to God's favoritism, Yashiro was reborn as a female student called Tendo Kagura, and lives a new life. Yashiro decides to make use of his girly look to have Kenta fall for him. While Yashiro and Kenta become closer, they were interrupted by Kenta's ex-girlfriend, Torii Rin, who told "Kagura" to stay away from Kenta. Furthermore, it was discovered that Yashiro's body is still alive. What is actually happening?

Melting Night: Secret Kiss - microfilm part of the Kiss X Kiss X Kiss series, featuring the stepbrothers trope that aired on Tiver. A and B are friends who are secretly in love with each other. They became stepbrothers after their parents' remarry. Even though they acted like family, their feelings overflow and when their parents were gone...

Yes I REALLY want to see this one. 

Sing In Love AKA Miso's Koi Kogare Utae - movie adaptation of a PNR manga released in theaters, but no word on international distribution. About a teacher who encounters a mysterious man from his past, who is strangely obsessed with him. 

2022 BL Announced but Never Aired or Otherwise Confusing 

Eye Contact AKA មើលបានហាមសម្លឹង - Cambodia

Tie The Not AKA Under the Same Sky - The Philippines 

Ghost and I Becoming Family - Taiwan 

God's Military Officer - Taiwan 

Melody In Me - Vietnam 

The Lost Ring AKA The Ring Goes Missing reboot - Vietnam

KOREAN BL ANNOUNCED FOR 2022 BUT NEVER AIRED 

Bon Appetit

Comfort the Boy AKA A Shoulder to Cry On - premiere postponed indefinitely due to actor contract conflict, rated R15+ due to topic & vulgarity

Eccentric Romance - was supposedly in production July 2022. Silkwood’s 2nd Thai/Korean colab but not their last.

Eul's Love

Follow The Wind - supposed to have released in the first half of 2022

Happy Merry Ending

Heesu in Class 2

Individual Circumstances

Jun and Jun - filming Dec 2022

Love Class 2 AKA Love Class Season 2 - filming was to start Nov 2022

Love is like a Cat - supposedly completed filming aug 2022 so I guess stuck in post? stars Mew. 

Love Tractor

Secret Relationship -  was to be adapted by Cradle Studio (a subsidiary of Kakao).

Space Bakery

Two Game Over 

Why R U? Korean remake - supposedly filming Sept 2022 

I am assuming most of these can be transferred to 2023 expectations but am not sure. 

THAI BL ANNOUNCED FOR 2022 BUT NEVER AIRED 

Art Adore En

Bitter Sweet

Boxer In Heart

Buddy Line Y Animal AKA Buddy Line Y(aoi) Animal

Call My Name

Cinderella Boys

City of Stars AKA Fueangnakorn

Destiny Seeker

Future the series

Heart by Heart

Imado Jinja

Intern In My Heart

Love at First Sight

Make a Wish

Mr. Bad Guy

My Broccoli

My Engineer 2

My Last Love

My Lucky Cat

Nilundon

Past Love In The Future

Past-senger AKA Pastsenger

The Sweet Robot

The Theory series

Trouble Maker

Does not include those announced for 2022 but which have since been officially moved to 2023. Those will appear on the 2023 forthcoming lists. 

(source)

[atthebell]

this may become a sort of rant but i realised after reading your post about qcellbit that I kinda wish purgatory wasn't canon to the events of the qsmp ... like I thought purgatory would be The Event that brings everyone's individual lore together by forcing them to work together to save the eggs while also making them confront each characters association with the federation... which is why its called purgatory.

but the purgatory we got was lowkey minecraft punishment for 2 weeks. It was fun to watch! I just wish none of it was canon/had anything to do with the disappearance of the eggs

who are the eye workers? hows this relevant to everything we previously knew about the island? i wanna know if the eggs are real and alive outside the island but instead we got egg attacks with these eye fuckers which was happening with the codes anyway. sooo many unanswered questions and purgatory brought even more confusion

you are preaching to the choir nonnie lmao i don't want to be overly negative on here so ive tried to keep my complaining to a minimum but narratively i hated purgatory and yes it felt like two weeks of pure punishment. there were little to no rp opportunities, the lack of player agency was exhausting, and it felt like they were playtesting an event on server members rather than creating an event that would work for lore and be a fun event itself. two weeks was far too long, what does this have to do with the regular island, why did it have to interrupt so many people's lore, why the actual hell did cucurucho save the eggs and not the players (this one ill give some grace to bc so many people were on break and frankly i just needed the eggs back period. but it is one of the most disappointing story choices for me). i liked people getting to play together in new ways, but i wish it hadn't been so long and had been a non-canonical event in the first place. similar to the eggs going missing, i think the rp that has come out of it has been brilliant, but i think it did not need to happen this way.

for a while now it feels like players are no longer the main characters and in an attempt to make overarching lore make more sense and be more cohesive, there's been too much focus on federation npcs and the eye and cucurevil-- there's too many parties at play, and none of them should be the actual focus of the story. this is livestreamed roleplay. the server members should be the main characters. it is less entertaining and less meaningful narratively otherwise. i wish players had more agency again and there were more small, character focused bits of lore going on that weren't so focused on making sure everything is interconnected. i DO have faith that this could be the case again, i there's just been a rough patch for a bit that hopefully gets better.

also listen i do not call myself a cellbit main for a reason i watch a lot of different people and i think that's a better way to go at this type of medium. however, i think im allowed to acknowledge that for my preferred POV, which is cellbit, this has been torture. ive been avoiding talking about it because it felt like idk selfish or whatever or like I'm whining on his behalf which i don't need to do, but i think it's fair to be upset by how much this has fucked his lore because as a viewer it's been disappointing as hell (and not just for him but for other RP & investigation focused people). they helped him plan out the whole murder spree arc that was going somewhere before purgatory and then interrupted it entirely, they took away his best friend who he, atp, spends most of his time either building or investigating with and doesn't really want to play without, they did not provide any clues for finding the eggs nor any kind of investigation (until the minimes which. i don't need to tell you how that went but i can assure you it was the most negative cellbit has ever been about the server and he was still very polite about it).

i know he talked about the server moving from investigation centered storytelling to more pvp/conflict-centered storytelling, but, frankly, i don't think that's working out, especially not for him. and considering the break he's been on in part due to fatigue from purgatory i think this whole period of time has just not worked for what he wants to do with his character. i have faith he'll make it work, and i think the admin team is really good at addressing players' needs (especially cellbit who will just tell them all the stuff he wants), so i have faith in them as well. it's just frustrating considering how much it has sucked to be a qcellbit viewer for the last. idk two months if im being generous four if im not. it's hard bc im not a person who deals in idealism so i don't want to be like "i wish it all had never happened from this exact point" and i do like some of things that have come from rp post-eggs disappearing and even during and post-purgatory. so idk where im going with this anymore anyway i think there are ways to go about fixing this and making the narrative less clunky and focused on players again and allow for individual lore again, i just wish that that had remained the case continuously. sorry for the rant ill try to tag this appropriately

[crappy-homestuck-confessions]

I actually hate Homestuck as a story a lot. There is virtually no cohesion to it and if there is it's so damn boring I just forgot where it was. The majority of the (to me) interesting characters get killed off instantly or quit speaking altogether, or their more interesting traits are subdued so they can instead be therapists for the dull ones whose entire shtick is being sad or being obnoxiously sarcastic, constantly. Or they too just start constantly complaining about something I can't follow at all. It's like the kids from The Perk of Being a Wallflower came in to a group of insanely dynamic, unique kids with traits I had never seen before and just quietly turned them into themselves instead...and then the others just died or got turned into a sock or became mute or something. And then the plot. What the fuck is it? It's like I'm watching someone's acid trip that's also being fueled by Adderall. (In fact, I do genuinely wonder if the story was written under the influence, because some designs in the background look a lot like the sort of things I hallucinated on strong acid). Every single panel conveys absolutely nothing to me, and then reading the dialogue doesn't clear much up either. Nothing feels connected or planned, and it's tedious as hell to read. I essentially just like a couple characters, especially Gamzee, and I really couldn't tell you why, nor am I saying he's some sort of objectively superior character -- he's just my little guy, and I'll admit, he was a bit like me at lower parts of my life so I'm biased. And I HATE how they did him in the epilogues. That shit was unhinged and was definitely written by someone who absolutely despised him, and the way all the characters unanimously ganged up on him just felt incredibly forced and even at times pretentious. You're telling me "Yiffy" is fine but him not just being the oblivious bull in a cuckold relationship, doomed to later be a corpse, was out of the question? And did I really need to read about how bad he smelled every other sentence? Anyways, I'm not saying "oh fuck Hussie for this and that, yada yada yada", I think he's a creative dude and he definitely has a knack for creating extremely unique characters that are both very real and also like people you've never seen before, and the things he draws and the lore he builds is also incredibly unique. He didn't write the story for me in particular, other people were cool with it, that's how it goes when someone else is telling a story. I more if anything feel frustrated that there is content I'm incredibly fascinated with, with characters I really like and find extremely funny and fascinating, endearing even, that's surrounded by bloat that I have zero interest in. I'm basically in a restaurant eating the best shrimp I've ever had in my fucking life but it's being served with a mountain of onions and bell peppers, and I hate those, and removing them isn't an option. But if I want those shrimp, I've got to accept picking around the onions. Im not upset with the chef or the people who like onions, I'm more like "fuck I want these shrimp, I wish I had a way to get it without the onions, but I can't. Oh well, I'll just vent about it and order the same thing next week anyways".

.

[mofsblog]

League getting a singular cohesive universe, Arcane being canon and Why I'm worried

[disclaimer: This is all the personal opinions of one sleep deprived rando on the internet and its fine if you disagree with anything I say]

On a surface level, the decision to make to make Arcane canon and make the runeterra universe one cohesive canon sounds pretty harmless and actually good. After all, Arcane's writing was really good and the idea of having a consistent universe sounds really good in theory.

The problems start to arise when you remember that Marvel and DC have been trying to make a singular cohesive universe for decades and have both failed every single time. It's nearly impossible to make a single cohesive canon when you have so many characters and stories and that's not even getting into the implications of Arcane being canon

Arcane being canon

Now, on paper, it doesn't sound too bad and if I'm being completely honest, I wouldn't have minded if they just implemented some worldbuilding from Arcane (like shimmer) into the main universe, my problem arises with the fact they are planning on making the Arcane characters fully canon

The reason why I personally think Arcane worked so well is because it wasn't confined to the main canon and was able to use it as a jumping off point to do its own thing. By making it canon, they're essentially going to have to do one of three things:

Let Arcane continue as it's going and just have the Arcane lore and characters become the main universe's lore and characters (essentially nuking the old characters we've had for years out of existence)

Restricting what Arcane can do and making it so the Arcane characters eventually become their main universe counterparts (which I feel would be a little forced even if they somehow manage to do it semi smoothly with the good writing)

Instead of one completely taking over the other, they merge the Arcane and main universe characters (That's probably the best option but that still means we're gonna lose something)

They essentially can't do anything without either changing or erasing parts of the main universe's lore or Arcane's lore. There is also a part of me that's scared that if Arcane lore does overtake the main universe lore, it's going to set a precedent for potential future shows doing their own thing with the main lore and then that show's lore overriding the main one

Optimism

Okay so before I move onto the next section, I do want to share a bit of cautious optimism I'm feeling in regards to this. Call this copium if you will but who knows? Maybe Riot will have actually learned something from the Sentinels of Light event and will actually give this whole "one singular canon" thing the money and resources it desperately needs to work. Maybe after seeing Arcane's success, they'll allow creatives more freedom but have weekly meetings across all departments and constant check ups from lore coordinators to make sure nothing contradicts itself. Maybe Riot being a gaming company, and not a comic book publisher with comic issues coming out frequently. will actually allow them to somehow manage to do the impossible and make a cohesive universe. Maybe if there are screw ups, they'll be minor and be patched up relatively quickly

i fucking wish Anyways, moving on

"One Big Shared Canon" and the Restrictions on Creativity

As mentioned before, making sure nothing contradicts itself in a universe with this many characters is almost impossible. I wouldn't mind the whole "one cohesive universe" thing if I didn't know it was almost impossible to manage and that the easiest way to have a strict cohesive universe is to restrict everything and simple it down and that scares me. Riot the corporation literally didn't give two shits about lore until it made a line on a graph go up for them. I'm scared they're not gonna give this the effort and funding necessary to actually maintain this

An pre existing example of them already restricting creativity because of the canonisation of Arcane and Runeterra becoming a singular shared narrative would be Legends of Runeterra. LOR has been carrying most of the main universe's lore and worldbuilding. It has expanded so many forgotten champions and is one of the main reasons Runeterra's lore is so vast, complex and interesting and Riot fucking pulled the plug on it, by cutting its budget and forcing a lot of its artists to move to other departments, and told the remaining LOR team to stop developing all new narrative content because they didn't want any runeterra lore to be developed independently and not as a part of the entertainment division. All of this to say making everything one big shared canon, they will probably end up just restricting most of their creative departments and creating less interesting and unique art and stories as a result which I think is a shame

In conclusion, fuck capitalism (kinda ironic, because, yknow, arcane,,) and go play lor/hj

[pink-strawberry-kissess]

my re4r analysis  (spoilers for gameplay, story/plot, characters, aeon)

analysis here is without information about separate ways for re4r so please keep that in mind as my opinion may (and will mostly likely) change slightly 

(for my separate ways analysis read here)

gameplay

It very much falls in line with a newer modern interpretation of the series. There’s gameplay that caters to new and old audiences. If you’ve already played re4, you’ll still find re4r enjoyable as well.

the dark and moody look to the game is so well done and overall the visual designs are beautiful and devastating stunning.

there is still a considerable amount of things cut that I don’t think was detrimental to the overall gameplay style. 

the lack of QTEs was a good thing, and the parry system was the perfect way to allow players a new way of playing resident evil games. 

each chapter felt like the right amount of time, and has an amazing amount of replayability.

Because of the open world nature of the game, there are many possibilities to miss things and I’ve seen many people accidentally miss things because they rushed their first playthrough or didn’t bother to check every single little thing.

og re4 players can play on standard or hardcore and still have an INCREDIBLY difficult time finishing the game with a good rank

there’s still a bit of adaptive difficult, if you’re on hardcore and continue dying, it will help you out and switch to assisted if it’s continual deaths. 

story/plot

pacing was very well done, but again, some scenes were removed for a lot of characters and i wish they were still included in some way

the changing of luis was JUST the right about of lore that was needed to flesh out a more cohesive story. why we want to know more about him and why he’s doing what he’s doing. (this also leads to why we need separate ways and how he works with Ada)

a lot of people tend to not read the notes but you are missing a lot of the story that way.

It does feel like a few things are missing, (again maybe it will be better with separate ways) but particularly with krauser I feel like a lot is missing)

I also laughed too hard at the “fight”-xposition (exposition + fight)

there were a few retcons with how the scenarios worked out but i either liked them or felt indifferent about it

characters

leon 

I actually initially disliked the attitude change they gave for Leon. He seemed so rude and distant, even from Ashley. Og re4 he was incredibly sweet to ashley, his voice getting higher and more gentle sounding. Whereas in re4r, Leon just ignores Ashley a lot of the time. He’s cold and it may be a facade he plays to get over the trauma he had gone through.

(Although I do like the scene where Leon comforts Ashley because she’s upset after she “changed” and attacked him. It was the right amount of comfort needed with a bit of humor as well.)

He doesn’t want to feel anything good, maybe he thinks he doesn’t deserve it. It’s a much colder interpretation of Leon (think Vendetta Leon) In the end, I don’t really hate it, but I wish we got to see some sweetness with him. He was nice to Ashley one time, Luis only when he was dying, and Ada when he lets her go after their initial meeting. (It’s the first time he smiles in the game- when he sees Ada.) 

I kinda miss the canonical cheek scar Leon has from og re4 that is still there in re6. I guess this cut is retconned for the newer timeline. 

I’m still a fan of Nick for Leon’s voice but I will say that I much enjoy him as re2r Leon as opposed to re4r. It’s still obviously familiar to me, and although I still think he did decent work, I am still a fan of Matt Mercer for Leon as he was the one I fell in love with first. 

His design is good as well, and I don’t mind the slight alterations. 

Ada

Now a lot of people think that her character has been completely changed and or “ruined,” but I really think that capcom had decided to work on Ada’s “redemption arc” as soon as humanly possible in the canon. 

I do like that she seemed more like a person in this interpretation. She’s not constantly putting on the “Sexy spy lady,” facade. And since a LARGE majority of RE fans outside of aeon stans, still to this day think of Ada as an “evil” woman. I think it’s fine that capcom decided to get her to show more of an emotional side, that she does pine over Leon. And that despite her job, she still tries to help Leon. (but people who play Separate Ways or her re6 campaign, would KNOW that Ada continually and consistently tries to help Leon and save him.)

Even though she had “more screen time” in re4r than in og re4, I do miss the few scenes that were removed with her.

Lily’s expressions for Ada are SO incredibly heartbreaking and oh boy did they push up the angst. 

Lily’s voice for Ada grew on me more and more, she she has a coldness that makes sense for her character’s growth and development. The fact that men were thinking she’s not sexy enough is more of a them problem than anything.

Because Ada’s re4r design is incredibly hot and sexy and I 100% think capcom decided to keep her almost entirely covered with clothing to keep her from being overly sexualized. (And her old outfit didn’t make sense for the cold weather but... I digress.) 

Ashley

I don’t know how they managed to do it but they made her an extremely likeable person. She’s ambitious but scared. Terrified but excited. She’s the perfect self insert :P BUT yes, I do enjoy how they changed her and allowed to somewhat be able to be more capable.

She does “flirt” with Leon a lot but I barely blame her. But her subtle hints at flirting go on deaf ears lol As Leon continually ignores her or rebuffs her statements. And furthermore calls her a kid/young girl twice when talking about her in third person. 

A lot of people still think that Ashley’s just being nice to Leon rather than flirting, which is also fair. We need to have more platonic relationships in games, and the fact that capcom explicitly removed the ability to hold Ashley’s hand because they didn’t want the relationship to be interpreted as romantic says a lot. (I didn’t care much for the removal, but it made the few times that they did hold hands make it seem more friend like rather than romantic, I do agree with that.)

Even towards the end of the game when Ashley asks for Leon for her protective detail, he still turns her down. “You don’t need me.” Rather he encourages her to protect herself. 

I think her AI was a bit dodgy at times, it’s so easy to get her killed. Too easy imo. And having her downed all the time was a bit annoying. Even in good playthroughs that I watched, people lost Ashley after she died over something really stupid.

Luis

WE love love love more lore and backstory. The fact Luis helped to make nemesis??? WOW

His banter with Leon and Ada (god I’m hoping for more in separate ways) is SO SO good, and he’s so flirty and unserious at times, which makes his death so much more upsetting. He’s trying so hard to atone for his sins and even from the beginning we can already see he’s very similar to Ada. Wanting to do good despite all the red in his ledger. he wants to make amends in any way possible. 

Also Luis has smokes later!! Did Ada remember?? Where did he get the smokes from :’)

The switch from Ada to Luis, saving Leon in that fight made me like Luis more, but also a bit sad that this scene was cut from Ada. Especially since capcom has a habit of favoring their male characters as opposed to their women characters.

Jack Krauser

I initially did not like his voice. It just seemed odd to me, but once I had more information on why the actor decided to go that way. it kind of made sense for his character. That he was “silenced,” in some way so that it actually affected his vocals. His rasp that’s not sexy but damaged sounding. 

His design is.. interesting.. I made a point to realize that he looks like a messed up Matt Donovan from TVD, and i can’t unsee that so that’s great LOL

His scenes are a bit lackluster, the only one I really liked was when he showed up after killing Luis.

That man is not straight.

Hunnigan

I do not like that she was basically gone for the entire rest of the game after she loses connection with Leon. She doesn’t even get confirmation at the end of the game if Leon and Ashley are even safe. I felt like they really did her dirty imo.

LOVED her redesign though she is gorgeous 

it’s wesking time

I WANT EVERYONE TO GET OVER THE FACT HE DOESN’T SOUND LIKE WESKER. We (og fans) know that Ada is talking to Wesker at her second? scene, and it would’ve been way too obvious to viewers that it was Wesker if he was like MMRHRHAAHWWW YESSSSS IM WESKERRRRR IT’S WESKING TIME KITTENWHISKERSMEEYAEAAHSSS That bit of his voice is JUST enough for me to still read it as Wesker. And the banter between Wesker and Ada. 

“Don’t come crying to me when you get bit.” “Control your dog.” OH MY GOD. Ada’s, “He’s a good boy, predictable.”

This also removes the whole fight with Ada and Wesker though. “I don’t play by your rules Wesker,” so I don’t really know how I feel about that, but in saying that, this ALSO fleshes out the relationship between Wesker and Ada. The fact that Wesker already knows about Leon and Ada in THAT kind of context makes me WOW.

Did Ada go crying to Wesker about Leon before? OH MY GOD SO GOOD

I also think his redesign is good, tbh most of the redesigns were UP >>>> as opposed to og re4

The Merchant

Every single playthrough I watched, everyone wanted to kill the merchant and found him annoying lol

He kind of grew on me and I do like his voice even though people hated it because it wasn’t a carbon copy from og re4

whatareyabuyin?

The Enemies

I don’t want to go into every single enemy type so 

the ones that scared me the most were Armaduras and the Regeneradors

At some point during the game, the enemies are a bit repetitive but at the end it’s not that much of a complaint since you’re still hit with new enemies a lot. 

I HATE THE BUG ONES even though those are the easiest to kill they just scared me randomly the most

“IF YOU CAN MELEE A BUG- IT’S TOO DAMN BIG.”

aeon

now ever since the game came out people have been asking me my opinions on aeon “do i think the ship is ruined?” etc.

Absolutely not. If anything, it helped the ship. 

OG re series had Leon be this flirtatious, (often times cringe) type of ladies man, where it kind of doesn’t make sense? 

“I’m a one lady type of guy.” Is a complete retcon from og Leon. (This is also since his gf in re2 is retconned in re2r, and his flirting with Hunnigan is also retconned. And he’s outright mean to Ashley a lot in re4r tbh or just ignores her. He’s also a bit rude to Ada (which is actually more justified tbh since he’s angry with her, but he doesn’t have a reason to be mean to Ashley.)

We have to remember that between 1998 and 2004 is 6 years of NO CONTACT FOR THEM. Leon thinks Ada is dead. And he’s had 6 years of trauma, mental anguish and survivors guilt. Which heavily affects Leon and how he interacts with the world. He’s just genuinely a lot meaner. He sees the world as broken still. And when she just shows up alive, he’s allowed to be angry. Instead of having re4 Leon just be like

“Your right hand comes off?” “No THANKS BRO.” He still has some one liners here and there, but he’s not as goofy as fuck anymore. He’s more grounded. (And you’re completely allowed to enjoy re4 more than re4r, that’s an okay opinion to have imo.) I firmly believe that both can still be enjoyed.

Now for Ada we have, is what I believe is what capcom intended for her. She was immediately labeled as “an evil woman,” and nothing else. And capcom wanted to get rid of that idea immediately. “Nothing personal Leon,” she is just doing her job. And in that ending she betrays Wesker as soon as she realizes that he’s going to kill billions of people. She may have a questionable moral compass but ultimately she’ll do what she thinks is better. And she KNOWS THIS. She’s very much the lesser of two evils type when it comes to her work.

“Have you changed Ada?” “What do you think?” She wants her actions to be louder than her words. She never has her finger on the trigger when she first sees Leon. (re2, she never had bullets left in her chamber when she threatened him with her gun) 

She invites him onto the helicopter knowing that Leon would say no. She even has the back up with the keys and bear (thank you capcom for the bear) Capcom clearly wanted to show that Ada still wants him, even in ways that general audiences couldn’t see. (Where as aeon stans who played separate ways, and her re6 campaign, already know that Ada tries to save him whenever she can. Same with Damnation. She warns him and does what she can to get away.)

I think the whole banter of “you owe me,” is simply a way to continue their relationship, that there’s a promise of seeing each other again. 

I’m honestly not the hugest fan of the whole marvel “WE SAID THE THING :D” because true og fans know that separate ways is Ada’s campaign. BUT it serves for the angst. We know that we don’t see aeon on screen till damnation which is another 6 years but the developers have already stated that their lives continued on off screen as well. That’s where we get the re5 off screen “that night.” 

When the developers were remaking the games, they knew that the whole re2 “They fell in love immediately,” and then they said, “that’s not right, there needs to be more interaction first.” Which COMPLETELY goes with where capcom is going with a more realistic interaction of the ship. 

The fact that they flipped the “she’s like a part of me I can’t let go,” to “HE’S like a part of me I can’t let go,” is a BIG change for how capcom is interpreting their relationship and expressing it WAY MORE CLEARLY that Ada is interested. 

A LOT of people still see Ada as someone who doesn’t care about Leon, which is the furthest thing from the truth. The fact that Capcom felt the need to do the reversal really shows that they always intended for the ship to be mutual. That it was merely their lifestyles and jobs that would make it difficult for their relationship to work. Which is what AEON FANS ALWAYS KNEW.

But this is for outsiders, new fans who don’t have all that information. That the slightest bit of a redemption arc, and VISIBLE hurt from Ada from Leon’s “rejection,” is what people needed to see to see that they are still mutually interested in each other. 

Even after receiving the bear keychain, Leon still looks longingly at Ada as she flies away. He doesn’t question her, he simply accepts the fact that their jobs make it so that he can not follow her. 

And reminder again we have 6 YEARS to flesh out what happens next.

Overall, I still very much enjoyed the game, I feel like a few things were missing but not entirely enough so that I felt like parts were missing, more like beats were missing. But again, with separate ways, we’ll maybe get to see more of the other side of the story.

gameplay 8/10

story/plot 9/10

characters 7/10

aeon 8/10

overall 32/40

and as leon said it,

“take it however you like it.”

[booasaur]

Did you finish Night Country? If so what did you think of it? I loved Navarro—Kali Reis absolutely sells that stately sense capability and strength and hotness lol—and think Jodie/Kali really sold their relationship being the core of the show I also mostly loved how things played out (didn’t see the ending coming at all) but I wish the show had been given more episodes to flesh certain plots and characters out because some things felt a little superficial (it’s interesting to me that so many people were lost because I thought the show made a lot really obvious and could’ve actually used some more mystique) and enhancing them would’ve made things that much better and cohesive. But trying to find balanced criticism or commentary about this show is hard because everyone defaults to racist, misogynistic, no nuance takes on how it’ll never compare to s1 and just refuses to even see a little bit of the good. Idk I feel like you can dislike it and want better and still recognize the good aspects of this season and the value of telling indigenous stories. At this point I almost wish the showrunner had been able to make a new series like she wanted to, instead of having to be tied to the true detective name because maybe people would approach this with more honestly and openness

Hey, sorry for the late reply. Well, I know I've replied a LOT later before and mostly decided to stop saying sorry because I'd have to say every time, but at the moment, I'm having more difficulty than I used to in remembering how I felt when I finished the ep, so I wish I'd just responded at the time.

Let me see... First, I did laugh like an idiot when they took turns falling down the ice caves like idiots, especially Danvers.

Other than that, I liked the ending but it felt a bit too neat... I think if they'd changed around some stuff, it might have offered a bit more tension because, well, at that point, it seemed they'd let more killers go than caught them. Honestly that and all the quibbles I had, where I wish we'd seen some stuff seeded better and elaborated on more at the end, like you said, that all could have been helped with just giving them the two extra eps they should have gotten. I was thinking that too, at the time, lol, I remember now, when I read your ask, I went on this whole rant (to myself, in my head) about those two eps could have done so much, how the streaming model had killed TV, how these shortened seasons were basically like individual movies with an occasional sequel. I know this is an anthology miniseries and the story finished, but still! Too much is suffering for the same reason. I haven't really been able to get into a single new Trek, it's just a different form of storytelling. What can you do in 10 eps every once in a long while, with a full ensemble cast.

I literally looked up how many eps Discovery ends at and it's 65. Compare that to my home Trek, Voyager, where it flourished with new life when Seven appears. Guess when that happens. Ep 68! I literally had to chart the two shows:

Look at those huuuuge Discovery breaks.. It's not just that shows used to be given so much screentime, we just got so much so quickly. I absolutely forget what's going on in between seasons of most shows now. In terms of actual amount of time, Discovery actually lasts longer! But I barely know the characters or their stories. I can't say much different for Picard or SNW (barring what I brought in from before). There's only so much character growth and relationship evolution. How am I supposed to love them? Know them?

Maybe that's why I'm gravitating so much to soaps lately...

Anyway, it's more capitalism than just streaming, of course, which also speaks to your other point; I didn't know Issa Lopez just wanted to make a new show and they put it under the True Detective name?? But isn't that just so typical of all these issues! Like, the fact that they're making an NCIS spin-off with Tony and Ziva? They're retreating to the safest, most conservative ideas they can think of. It's happening with everything, companies dropping DEI initiatives, politics returning to big money white guys. Sticking this female-led extremely Indigenous-sympathetic premise with this particular franchise with its defensive white dudebro fanbase.

I wonder how much that's related to the obligatory bigoted backlash to any media perceived as "woke" now. It's all feeding each other, right, bad actors in each space taking advantage and fanning the flames, but it's beyond annoying now to have watched a normal show and go online and see this rabid overreaction to stuff that isn't even on the screen.

The worst part is, as you said, there's no room for the middle ground. I myself don't want to go into detail about the issues I had because there's so much unfair criticism. Like, if I thought it was a little unsubtle in its messaging at times, how can I say that when these fiends are tearing it apart for daring to even have the message. I'm just glad that Foster and Reis were so good and the show so well received that the fanboys can keep crying to each other about s1.

I will say, a huge part of that ending landing was Diane E. Benson as the older Indigenous Alaskan lady being cool as hell. She was so nonchalant and mischievous and angry as hell underneath it all! That's why I wished there was just a bit more tension, a bit more to that scene in terms of its place in the ep, rather than just its place in the story where it provided a reveal.

The handling of the killer reveal was what I found a bit pat, just being like, well, that happened, okay, bye, but the reveal itself? Freaking loved it. Those men deserved what they got and more. :<

Some things I'm glad they didn't go into more, the accident in the past, and what exactly happened to Navarro. Let me imagine she and Danvers are off together in some liminal space. :P

Anyway...I guess I did remember a lot, lol. And now we have a season 5 ahead. :)

[cosmermaid]

🔥for pokemon!

Oh this is gonna be a lot easier, lol.

-I feel like lot of criticisms of Pokemon as a story are in bad faith. Pokemon is a setting, not a cohesive narrative. It's a world. It is large, has a lot of things in it, and things happen in that world. Some of the things are cool, others are stupid. Just like in real life. I personally think that's what makes it so much fun. (I also LOVE reading fanfictions and worldbuilding head canons for it.)

-Mewtwo isn't overrated. It left a lasting impression with a lot of people because they are to date the singular Pokemon with the most consistent and complex characterization. Most Pokemon, especially in the games, are not characters. They are episodic plot devices/mcguffins or effectively toys with stat-sheets. We project characterization onto them through our own experiences playing the games, which is why a lot of fans have different favorites or personal stories to go along with them. Which is fine in its own right! But there's no canon answer to where your starter Pokemon in your first game came from, or what its story is before meeting you. We all know Mewtwo's story, which makes them a legitimate character and fun to talk about. (Obviously there's exceptions like Ash's Pikachu or Team Rocket's Meowth, but I couldn't tell you a damn thing about my Ceruledge in Pokemon Violet, even though I love it to bits.)

-I don't think most Pokemon translate well into a realistic art style. I liked Detective Pikachu as a movie, quite a lot actually, but most of the Pokemon designs in that movie are either unsatisfying to look at or kind of creepy. I still want there to be another movie though.

-I didn't finish Pokemon Sword because I didn't like the soccer aesthetic. I don't know if this is unpopular or not though.

-It's absolutely criminal that I can't find merch of Finizen or Palafin on the Pokemon Center website.

-This is probably just a me thing but I find it a bit disappointing that a lot of people who want to bring Pokemon in D&D want to make their setting basically only Pokemon. Bring Pokemon into the Forgotten Realms! It'll be fun! Imagine mind flayers making a Pokemon go through Ceremorphosis! Have a wizard do some rules-lawyering to enter himself into a Pokemon tournament!

-I love when humans try fighting Pokemon in canon and I wish it would happen more. This might just be the Floridawoman in me, but people are weird and we like to fight things.

Edit: I have another one. Whatever team does the setting art design for the Pokemon movies needs to be brought on to help out with the games. The Pokemon movies, both the good and the bad ones consistently have beautiful backgrounds and props. If the games insist on going in the open world direction, they could definitely use the help with set design.