#i will get the other one in another post

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

[gumdefense]

We have moved past Maya and Franziska wingmanning narumitsu as a society. They would not fucking do that. We need to realise the truth which is that Larry and Gumshoe would try to wingman them and only succeed through failure

[sp0o0kylights]

Steve Harrington was wearing a Hellfire t-shirt.

It was far too tight on him, the name of the club stretched wide over his chest. The sleeves dug into his biceps, making them pop even more than they usually did, and that was before he crossed his arms. 

Worse?

It was short.

Which meant the damn shirt was constantly riding up to give everyone a nice show of the smattering of hair that trailed down past the band of Harrington's jeans. 

The same hair that Eddie was determinedly not looking at. 

“Henderson, a moment?” He crooked a finger, a smile on his face that was more feral than welcoming. 

Rather than cower or even acknowledge that Eddie was two seconds away from murder, Dustin just gave him a gummy grin, all too pleased with himself and his scheme. 

“Sure Eddie. Steve, don't just stand there, go help set the booth up!” Dustin gestured to Hellfire’s sad little table, crammed all the way in the back of the gym. 

Jeff and Gareth both reacted to the suggestion like a rabid squirrel had been set upon them, nervously inching towards the other side of the booth as Harrington sighed and--shockingly--did as he was told.

‘What,’ Eddie thought angrily, ‘in the everloving fuck.’

“Do you guys mind if I set this down on the table?” Eddie heard Harrington ask as he stormed away, Dustin on his heel. 

They wandered just around the corner, out of sight and hopefully, out of the fallen king’s hearing range.

Eddie wasn't sure if Harrington would try and white knight the very much deserved dressing down he was about to give. 

Didn’t want to chance it, considering the downright weird relationship he had with Hellfire's freshmen.

(While he’d heard many a tale at his table regarding King Steve since the newest recruits had joined Hellfire, most of them dissolved into arguments without ever really going anywhere.

 Best anyone could figure out was that Dustin and Lucas had a bad case of hero worship, while Mike owned a begrudging amount of respect that hailed from a series of misadventures. 

The very same misadventures that, despite all protests to the contrary, was clearly some sort of babysitting gig for Harrington.) 

Either way, plenty of the King’s court would have loved to take this opportunity to fuck with Hellfire.

Given that Henderson was absolutely too old to require a babysitter at fourteen, Eddie would bet his lunch money that was what Steve was here to do.

Something the club couldn’t afford since they were forever and always two seconds away from being stripped of club status and banned from school grounds. 

“I would love to know what went through that all A’s brain of yours when I said,” Eddie whirled on Dustin when they were firmly in the clear, voice low and furious.  “no Henderson, do not invite King Steve to help, he is an invading force and would ruin our peaceful kingdom!?”

He clasped his hands behind his back before leaning into Dustin’s face. “Because clearly whatever you heard wasn’t that.” 

To Eddie’s continued frustration and confusion, Dustin did not treat this like the threat it was. 

None of the freshmen had ever truly treated Eddie like a threat--had somehow skipped that part of the usual onboarding ritual entirely.

Eddie, town freak and drug dealer, who had cultivated his looks and craziness to such a degree that most everyone steered clear, wasn’t used to it. 

Everyone had been afraid of him at some point in this shitty school. Jeff, Gareth, hell even half the staff--and that the dorky trio of fourteen year old's clearly thought this all was play-acting made his eye twitch.

Even if it was--maybe, sometimes--welcome. 

“I know what you said, but I’m telling you I’m right.” Dustin argued immediately, and oh God, he was using that tone again. 

A hand went up into the space between them and Eddie groaned aloud, knowing what was coming.

“First,” Dustin ticked a finger up, “Hellfire really needs the money. Even thirty dollars would get us new figures, but more than that, if we don’t fundraise, we can’t go to Gen Con!” 

Dustin's eyes bored into Eddie’s, full of fire and conviction

“Yes,” Eddie said through gritted teeth, “but--”

“Second!” Dustin cut him off, and God the little shit even threw him a look while he did it, like Eddie was the one being ridiculous here!

“We had to fight just to get our table! Principal Higgins was in algebra today practically begging the mathletes to show up, but then tried to tell us we couldn't be here? That’s messed up!” 

As if denying them a spot to fundraise was the worst thing that asshole had ever done.

Eddie sighed, breath blasting out of his mouth like a dragon’s. 

“Because people think we’re freaks and satanists, Henderson. You don’t typically invite freaks and satanists to the school’s annual Holiday Bazaar. Especially not when all the local moms are paying to hawk their bullshit crafts and tupperware!” 

It was more than that of course. The Hawkins High Holiday Bazaar was a tradition spanning several years now. Starting in the gym and spilling clear into the parking lot, everyone from local artists to even some local shops came to host a small table for the day, thus growing the event from a small school fundraiser to a Hawkins' “must-do.” 

Half the fucking town was here to sell, and the other half was here to shop, which meant Principle Higgins had wanted Hellfire banned from the fucking premise. 

Eddie had been forced to pull out one of his trump cards he’d been saving--blackmail on Higgins that related to the man’s not--so--legal addiction to Percocet that he relied on Reefer Rick for. 

(And bless Rick, that hadn’t been the only tidbit he’d shared with Eddie about Higgins. That information, however, Eddie needed just so the asshat wouldn’t give him the boot from school entirely.) 

The only reason Eddie had pulled it out to secure their rightful spot, was because of Gen Con. 

It was Hellfire's White Whale, their grand adventure, and this was going to be his year to take his friends on one last epic quest to make memories of a lifetime surrounded by people who understood them.

Come hell or high water, Eddie was going to Gen Con--but being able to fundraise by selling wares and baked goods at the stupid Holiday Bazaar would go a long way to help.

Even if he had to listen to the band repeatedly play ear-bleeding renditions of Christmas songs.

“All the clubs get to have a table, and we’re a club!” Dustin continued, like it was that simple. “But you know, I get it. We look scary.” 

He gestured down to his own Hellfire shirt, before gesturing towards Eddie’s entire outfit.

Like Eddie didn't know what he looked like, let alone that he'd made this outfit specifically to scare people away from him.

(And maybe add some rockstar flair to this dinky little hick town.)

“You know who doesn’t look scary?”

Dustin held out his hands and swiveled his body like he was presenting a prize instead of gesturing in the vague direction of; 

“Steve!”

Eddie’s left eye twitched.

‘You can't kill him, you need his character for the campaign.’ He told himself firmly, even if he envisioned strangling Dustin like a chicken.

Cartoon squawking and all. 

“The King isn’t going to help us fundraise, Dustin.” Eddie said, in an effort to break down why Harrington couldn't be here. “He's just going to cause us problems that we can’t afford to have.” 

So many problems, half of which Eddie couldn't think of because if he did, he'd start spiraling.

“Really? Because as you keep saying, Steve used to be the King. People love him, Eddie! Mom’s love him.”

Eddie had pulled himself back up to his proper height a while ago, and now rocked back on his heels while he ran a hand down his face.

There was no getting through to Henderson when he was like this. 

Not unless Eddie really lost it, and it was practically club lore that he only lost it when someone missed an important game. 

One cannot keep a herd of sheep if their flock is terrified of them, after all. 

(“Perhaps you’re just a giant fucking softie.” Tiff, one of Hellfire’s graduating members, told him once. “Honestly dude, I bet you throw up stuffing.”

“Shut up Tiffany, your choker is on backwards again.” He'd spat back, completely offended and not at all trying to distract from how true that was.) 

“We can’t be satanic if Steve’s the one selling cookies!” Dustin finished doggedly. 

“We’re not even selling cookies--that’s not the point!”” Eddie shook his head, hair flying. He was not going to be sidetracked, he wasn’t!

 “Harrington is going to end up siding with all the moms about how we’re all wasting time with D&D, if he even spends the whole time at the table. Is that what you want?” 

He stuck out a ringed finger, poking at Dustin’s chest.

“Every single person who comes by our table has to be convinced D&D is a writing and math based game. Good for the mind and souls of growing, impressionable children. A game that got a bad rep because of  a few silly images.” 

A pitch he and Tiff had come up with during the third or fourth time they had to convince an adult that no, just because their shirts had a dragon on it, didn’t mean they were summoning demons in the drama room. 

“Harrington can’t do that because Harrington doesn’t even know how to play!” 

This Eddie punctuated by throwing his hands in the air. 

Given the startled look of the mother-daughter duo passing him by, clearly was louder than he’d intended--but screw it!

He was right!

Hellfire was in a precarious position to both fundraise and do a little damage control among the slightly smarter members of this shithole small town, and Harrington rolling his eyes and gossiping about how stupid it was would hinder that.

“Okay, first of all, Steve’s played D&D with me and he didn’t even kill his character.” Dustin said it like he was unveiling a smoking gun and not lying through his ass--which Eddie would absolutely be calling him on the second he was done talking. 

Because King Steve? Play D&D?

'Ha!'

“And he’s not gonna say shit because we--me, and Lucas and even Mike!--asked him to help, and he helps when its serious. I know you have some weird grudge with him, but I’m telling you Eddie he’s our golden ticket to Gen Con!” 

“You’re killing me. You are standing here, acting as a friend, when you are bringing a-- a dark force into the midst our of mission--” Eddie hissed, because he was losing the fucking fight and he knew it.

Dustin Henderson was not a man easily swayed. 

Had never been, even when the odds were stacked against him (and Grant and Gareth were howling in his ear.) 

The set of his shoulders and the glint of the little shithead’s eye meant Eddie wouldn’t be able to use him to oust Harrington--if he even could get him out without the dick causing a massive scene anyway. 

As always when outgunned, Eddie flipped to dramatics.

“Betrayed! By my own chosen heir no less!” He moaned, pressing the back of his hand over his eyes as Dustin scoffed.

"Don’t be so dramatic! Steve will help, I promise! Just don’t be a dick to him.” 

 Conversation apparently over, Dustin turned around to head back to the table

Snidely, he added over his shoulder: “Plus we’ve all caught on to the heir thing Eddie. You tell everyone that so they do what you want.” 

The dick.

“You’re too fucking smart for your own good. I’m gonna start feeding you paint chips to bring that IQ down.” Eddie muttered angrily as Dustin went back to their little table.

He gave himself a moment to get his shit together and stomp a foot like a child when Dustin was around the corner and thus couldn’t witness it, before following his wayward sheep back.

Could only pray to any deity listening that Henderson’s meddling didn’t blow up in Hellfire’s face.

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[dredgesnails]

stardew valley au where joel and skizz are new residents to pelican town (hermit town?). joel just inherited a large farm from his late grandfather and skizz is moving in with his old friend after reconnecting with him and wanting a fresh start. and the townspeople are like, kinda weird.

bdubs is fine enough - he’s a sweet man with a fun personality and he’s the local builder, but it’s almost frightening how fast he constructs new buildings when joel needs them. pearl, their resident postmaster, is also pretty normal other than the fact that skizz never seems to be awake early enough to catch her delivering mail. scar is lovely but he’s never available when joel wants another chicken. the mayor, xisuma, is pleasant too, if a little eccentric at times, but he doesn’t really seem to do much in town.

for the most part, skizz is settling in well. he’s moved in with impulse, who runs the local blacksmith in town, and he gets along well with most of the local townspeople. he’s started spending his evenings at the local saloon listening to ren regale the patrons with fantastical tales while he and stress serve up food and drinks, and he finds himself growing close with cleo, the local sculptor. he even gets a new wardrobe from hypno free of charge, and sometimes helps cub out with his totally scientific studies and creations.

skizz also joins forces with beef (who helps to supply the local general store that xb and keralis run) in terrorising the local manager of the corporate chain grocery store that no one likes. doc is a terrible manager but would make a fun supervillain (according to joe hills, the bookseller who appears once in a blue moon but seems to know doc more than anyone in town).

joel, on the other hand, seems to only be interacting with the strangest residents in town. he discovers the adventurer’s guild after only a couple weeks, and is only somewhat irritated by iskall’s refusal to pronounce his name correctly. false promises to give him prizes if he can kill enough monsters, which is not something joel had expected to be doing when he pictured farm life, but here he is. he stumbles upon a travelling cart one day, and the man inside insists he’s a knight from a faraway land, that he risked his life to make it all the way here to sell his wares. it’s all stuff joel can get cheaper elsewhere.

he’s pretty sure the local doctor has no real medical training, but then he passes out while fighting monsters and he wakes up completely fine, so zedaph probably knows what he’s doing. maybe. when joel isn’t passing out he sometimes makes trips to the library-slash-museum, which is probably almost completely empty because mumbo, who begs joel for anything to display, looks like he’s never fought a duggie in his life. eventually mumbo gives joel a key to the sewers, which are way cooler than they have any right to be, and that’s where he finds jevin’s secret sewer shop. jevin lives in town. he just also has a shop hidden underground. joel has stopped asking questions by now.

and then there are the three who live by the beach. etho spends most of his time tinkering around the fishing hut or hovering around bdubs, but sometimes he drives the bus to the desert. only sometimes. there might be something under his mask. no one knows for sure. gem runs the fish shop most days and she claims she’s a sailor, but joel has never seen a single working boat around despite all the ocean. she can also hold her breath underwater for an uncannily long amount of time, like, scarily so, and will sometimes disappear for a few days and return with an abundance of treasures. joel has never seen her leave by boat. grian fishes a lot and runs the shop when gem can’t, and he sometimes talks as though the sea can speak to him. skizz has caught him staring into space for extended periods of time. one time he waded into the water and just stood there, head down, muttering to himself.

apparently there used to be a lighthouse but “it’s gone now”. gem says if they ask bdubs nicely enough maybe they can build another one, but she and grian are banned from build requests after the last incident with their pet snails (joel has never seen the snails, but scar complains about them enough to convince him they’re real).

there also might be some kind of wizard who lives in the creepy tower in the woods. skizz has heard he’s the one who helps maintain the power in the valley, and joel’s convinced he hallucinated seeing him once until he recieves a letter from the wizard himself, and visits him only to find that the strange fire-creature he saw that one time was, in fact, tango, who is human for the most part, he just sets himself on fire sometimes.

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 4 - Nuthin' but Boothill Edition

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 5] [Pt. 6]

[theartingace]

They are very different characters but the similarities make me laugh enough.

props to the discord for egging me on- and pointing out that Martin and Arthur would absolutely get on like a house on fire! Too polite at wrong moments and great appreciators of poetry and tea, they deserve a nice cuppa and an chin-wag!

[sunlit-mess]

best friend day but it's my #1 hater

[surreal-duck]

some business to take care of

[fiepige]

Compilation of EVERY single time they changed Hobie's filter in the digital version:

Left: Theatrical release Right: Digital release

You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')

[riickgrimes]

"The key thing was of course, the fact that Rick has PTSD and that's very much what's driving a lot of his behavior and being in a place of that level of vulnerability, back with the love of his life in that way.

It's also the thing he fears, the loss of her. It manifests itself in a way that is visceral and leads to the lovemaking not just being about love, but the revealing of pain and trauma and fear. That informs Michonne, that she can't just blast him into making sense. There's something deeper going on here that he can't verbalize. She has to help him get through in a different way. So she gets to see him, as well, as he reveals what's really in there, the wound. That's going to happen most likely in that most vulnerable space." — Danai Gurira

"Yeah, I think it is about pain. As Danai just said, it's about him wanting her and then fearing what he's about to unlock again. He gets to sort of articulate it in the scene further in the episode, when he gets to say that, 'I can't do this again. I haven't got the capacity to do this again. I've worked out how to die and live again.' So it is an absolutely necessary scene that allows Michonne to realize that there's something really broken here, more broken than she's ever anticipated. [...]

So the scene was about a real intimacy, a sort of frightening intimacy. This is a part of his personality he has shut down. It's almost like he's trying to stop himself from feeling this love again. She sees that and she just says, 'Just trust. We're back. We're the same...' I find it very moving. I think it's a very, very moving scene, because it's about them connecting in a way that he's had to deny for seven years. He's denied that connection for the sake of living on in this half life for the CRM" — Andrew Lincoln

Andrew Lincoln and Danai Gurira Discuss Episode 4 of The Walking Dead: The Ones Who Live

[fumifooms]

Dad always said I was like him

Meijack and Chilchuck Tims Dungeon Meshi, Ryoko Kui

^ 1: Moony moonless sky, Fatima Aamer Bilal / 2: Bug like an angel, Mitski / 3: Woodtangle, Mary Ruefle / 4: The Third Hour of the Night, Frank Bidart / 5 & 6: FROM THE MAKERS OF "TWO-MOM ENERGY DRINK," IT'S "LET YOUR FATHER DIE ENERGY DRINK,", Daniel Lavery & Cecilia Corrigan / 7: Batman: Year Three (1989) / 8 & 9 : FROM THE MAKERS OF […], Daniel Lavery & Cecilia Corrigan / 10: Wilt, CJ the X / 11: How Do We Forgive Our Fathers, Dick Lourie / 12: Milk and honey, Rupi Kaur / 13: And My Father's Love Was Nothing Next To God's Will, Amatullah Bourdon / 14: Moony moonless sky, Fatima Aamer Bilal / 15: Someday I’ll Love Ocean Vuong, Ocean Vuong / 16: untitled, Joan Tierney v 17: Drunk, The Living Tombstone / 18: unknown

When your father tried his best to provide for you but he worked all the time and even when he was home he was either tired or stressed and he’s always liked to get drunk to relax and cheer up. When you know he values work ethics and respectability so you grew up to be capable and quiet. And when he says you’re like him you’re sort of puzzled, does he really know you so little, or does he know himself so little? But you like the feeling of your father ruffling your hair so you accept it, and still you stand next to your mother just as silent and just as stoic as her during family gatherings. He leaves again and again and when your mother leaves him nothing changes, really. You wonder if it’s more telling that you know him better than he seems to himself or that you don’t know him as much as you wish you did, or that you don’t think about him all that much these days. Out of sight, out of mind. And he’s never really been there, even when he was there, after all.

[deoidesign]

Return date for my webcomic, Time and Time Again!

It's been set for a while but sometimes they change the date without warning, so I'll keep you updated if anything changes!

I'm extremely proud of the work I've been doing on it, I can't wait to share everything!

See you then!

[unproduciblesmackdown]

Lackadaisy Enrichment