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#i will enter a villain arc if i have to
joyouspursuits · 1 year
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I've decided that shame is not for me anymore. I am opting out of feeling ashamed from now on.
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batsplat · 3 months
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casey also talks about sepang 2015 what do you think of that
oh in that podcast? uh... lemme listen again...
yeah idk it's not really anything new I'd say? he's said basically all the same stuff in more interesting and extensive ways elsewhere. I think casey inevitably has a very 'well feuding is bad and helps nobody' point of view, has expressed that before in the past, does it here again, and he's also drawn a parallel between himself and marc on several occasions. which... well, of course there's similarities in terms of public discourse or whatever, but the parallel really falls apart whenever casey argues the feuds cost valentino. like, I do think it's sometimes important to just. keep in mind. it's interesting that casey draws this comparison in his mind but that doesn't necessarily means he's right about this. I'm not sure how you'd argue that starting a feud with casey cost valentino anything competitively? you can argue it didn't help him I guess, and then we can have a debate about the ins and outs of the 2008 season. we can also have an argument that in a hypothetical world where casey isn't ill in 2009, valentino doesn't break his leg and casey isn't on a piece of junk in 2010, and valentino isn't on a piece of junk in 2011-12, then actually maybe valentino sparking open animosity with casey COULD have cost him. but we don't know that! didn't happen! I wish we could have found out, but we never got the chance! as it stands, the tally on this is pretty straightforward: casey won the title when things were reasonably civil between them in 2007, and valentino took control of the following season at the exact moment he worsened the relationship between the pair of them in 2008. obviously, it's all more complicated than that and casey would of course argue laguna didn't negatively affect his subsequent performances... but it certainly didn't help them. like, at the very worst valentino escalating tensions in 2008 is a complete net neutral. after 2009, them being bitchy to each other every other tuesday was completely competitively irrelevant beyond maybe affecting how they approached occasionally fighting for a podium position. hey, maybe casey used that feud to fire himself up through sheer spite throughout the later stages of his career, but that doesn't actually support his anti-feud stance - it's basically the exact same thing as what valentino does. they're both quite similar in that regard! always so hungry to prove a point, to show how someone else is wrong. kinda half the point with this feuding business is to get yourself going, get yourself motivated, yeah. he straight up openly admits to using yamaha's repeat rejection of him as a way of giving himself motivation, and at the end of the day that's really not all that different?
anyway, what else does casey say... oh yeah, that him and the other aliens were already kinda prepared for this and had learned vale's tricks. that valentino had only been able to get into the minds of the previous generation. welllllll *wiggles hand* sure, I mean, he did clearly have to change his approach... he couldn't just use the exact same playbook to get to them, either on-track or off-track. but that's why he did change up the playbook... again, whether you want to believe valentino won his final two titles 'in the head' rather than just through pure pace kinda depends on how you assess the evidence, but it is at the very least a debate. and, y'know, it's always worth remembering that valentino's most important mind games with casey didn't happen in a press conference... it was on the track. and the on-track stuff really is just embedded in how valentino approaches winning. speaking of aliens, this is what dani and jorge have said:
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like, valentino's entire approach to his riding, even to the way he's setting his bike up, is deliberately about directly fucking with you... he's not actually always trying to be faster than you as much as he's trying to give himself the tools to make your life miserable, to pressure you into mistakes, etc etc... and again, especially with casey (if anything because he was so mentally sturdy), the off-track stuff was really just window dressing. (I know they bicker a lot after 2009 but it's just so fundamentally irrelevant to actual on-track competition.) so you can be aware of those tricks, but it also doesn't necessarily help you when someone's being nasty to you on-track in a way you just fully do not enjoy. which is what it was like for casey! for casey, a lot of this comes back to the truly unpleasant context of how he was perceived by the public, how he was treated as mentally weak or 'broken' or whatever partly because he had the misfortune of coming up against a bloke who had the reputation for breaking rivals. I think it's quite natural to end up with a bit of a hardliner 'actually I've never been mentally affected by a result in my life' stance - and of course casey is a lot tougher than a lot of people give him credit for. that being said. sometimes your rivals affect you, shit happens, it's part of the game. it's fundamentally a nice idea to think that valentino's tactics weren't just morally wrong but also ineffective, which is kind of the appeal of this narrative, right? you want to believe you're above that, you want to believe you were adequately prepared and wise to valentino's tactic. it's unsurprising and understandable that casey does tend to tell the story that way, but again it's *wiggles hand* also hard to describe it as completely factual
uh. what else. oh I'm thrilled casey does canonically know valentino and marc were friends, he has said he wasn't following motogp too much during that time period so you couldn't be sure of that. does this mean anything? does it tell you anything? well, no, but it's just a pleasing thought to me. I like that. oh also 'provoking particularly aggressive riders isn't a good idea' is kinda a funny take from casey? like, he of all people would hate the idea of being cowed by someone's reputation like that... casey's right that provoking fast riders can potentially be dangerous, but y'know I do think that's probably not news to anyone almost nine years later. um. that's all I've got I think
#i will say idm getting asks like this AT ALL but i do hope that's not like. the only bit of the podcast people are paying attention to#my thing with sepang 2015 takes is that like... when's the last time anyone has said anything genuinely interesting about that event#which yes big words from the feud blogger... but in fairness a lot of the sepang 2015 stuff is from old notes. that's my excuse idc#but that's kinda the thing... i feel like i haven't really had a new original thought about the whole drama for three plus years#u do kinda run out. basically the takes say more about the person saying them than about the actual event at this point#which. yeah. casey's comments on sepang '15 are primarily interesting in what they tell you about how he feels towards valentino#mind u he's actually quite nice about valentino in this one? casey call him let's finally organise that dinner#heretic tag#//#brr brr#batsplat responds#oh casey does go on another spiel against riders who win at all costs. ships that passed in the night of feuds i always say#also he gets the age he enters the premier class at wrong. i held myself back in the last post from pointing this out for tonal reasons#but if people want my podcast hot takes. i do simply have to mention it. just to set the record straight here#'they battle for podium places after 2009' genuinely. twice. like the alien era giveth but a lot of the time it really does just taketh#somewhat ironically casey wins the duel when he's on the shitty ducati and vale wins the duel when he's on the even shittier ducati#whatever that tells you idk#casey was always promising the laguna rematch would've gone differently and I love that conceptually but also we just don't know#he was like next time I WON'T play nice and it's like?? omg what does that look like. casey what were you cooking#for ethical reasons it's probably fine but for character arc reasons it's objectively ass that casey ended up being able to do all his -#- racing in a way he was entirely comfortable with for his second title in 2011. like it's just a complete waste of a year#you have this whole thing building for four years and then 2010 comes along and it's like. well that's enough narrative intrigue now! <3#also casey/jorge are fundamentally too interesting as individuals to have had such an obscenely boring on-track rivalry and yet here we are#it KILLS me because if you rearranged it and made valentino's dogshit ducati years like. 2009 or something#and do a straight title fight between jorge and casey THEN I genuinely think it would've been way more interesting#the problem with valentino is that he is fundamentally the WORST imaginable character you could invent to be casey's foil#literally everything about valentino could have been designed to be a casey-specific nightmare#but unfortunately that also makes him objectively the most interesting rival casey could have gotten#like morally it's on the edge. but narratively? literally could not have gotten a better villain in casey's story#constantly dancing on this faustian line of having to imitate valentino to beat him while trying not to lose yourself... juicy
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desired-misery · 2 months
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goddamn it, it is 11pm
i got so many other fics to work on and yet now I have to start working on a "luis does surgery on himself" oneshot because FUCK this man is giving me thoughts and feels and I need to get into his head okay
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beskar33 · 6 months
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me ranting about my lemony snicket ass life but overall not negative;
Yall my new tent started fkin leaking horribly for no discernable reason and everything quickly started getting drenched with no signs of the rain stopping soon. I laid down a buncha trash bags and used more to protect my stuff.......... Genuinely felt so defeated by the series of unfortunate events that have made up this past week I walked 15 mins in the pouring rain to buy a ouid cart. Then came back and found the whole bottom of the tent flooded aside from my yoga mat in the middle. Sittin here camped in a patch of woods behind a godforsaken Domino's, naked under a slightly water resistant blanket I smuggled from a psych ward last year cos all my clothes are soaked.....somehow I'm still kickin, I figure if life's gonna give me so much shit, I better use it to fertilize my garden or smth🤷‍♂️ Gotta laugh at how absolutely goofy life is sometimes.
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eggmeralda · 7 months
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okay but I am genuinely so unwell about numbers and dates and ages and time and years etc. so I'm blaming all my bad luck on the number 23
#got so paranoid about it that i didn't talk to anyone for the last few weeks and i haven't applied for a job and i'm honestly not doing#anything until i'm safely 24#idk what 24's gonna be like but it's got a 4 in it so that's a good sign#but then again 14 had a 4 in it and that was a terrible age#but tbf it was a 4 + a 10 which is like. my fav number and my least fav number. so the year just malfunctioned#first 6 months good second 6 months bad#so 24 can fit two 10s but they're not as obvious. but it's a multiple of 4 so i trust it a bit more#4 x 6. idk my feelings on 6 but it's never really done anything too bad to me so yeah. 24 is the safe zone#i blame everything on the number 23 and also my friend's awful ex girlfriend#OKAY SO LIKE i was reading coronation street youtube comments the other day#and people were talking about how characters like terry duckworth and mike baldwin were kind of prats before but then they#had some significantly bad experience and after that they became Absolute prats#like basically what caused their villain origin stories#and i was like oh my god am i gonna turn out like them?? is my friend's ex girlfriend responsible for my villain arc??#and i have felt myself becoming more negative and unhappy and cynical and bitter over the past few months#and i was like fuckkkkkk no i can't enter my mike baldwin terry duckworth era#bc before whenever a remotely bad thing happened i would just disappear and go back to telling myself there is nothing good with the world#so like for every job i never got and for every time i put something in the group chat and no one replied and every time i made something#and no one cared about it i would just sink deeper into some hole of hatred at the world#i mean. the rsd. like I'd still react to stuff in that way when i was younger and happier but at least back then I'd also#wave at cool clouds and smile at people in public and be like ''fuck i woke up too early and now i Have to take a photo of the sunrise''#but now i don't do any of that I'm just some bitter cynical bitch who hates everything#so yeah. my 2024 resolution was to reclaim the whimsy i lost at the end of 2022. and so far it's not really going well but at least I'm not#23 anymore#ramble
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In my villain era saying 'we're not so different, you and I' to complete strangers I don't actually have anything in common with.
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fireheartwraith · 1 year
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I'm so fucking mad
ELE NÃO TEM O DIREITO
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hoodie-prince-kid · 2 years
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I still haven't fully decided if The Main Character by Will Wood is a Dimentio song but I do know it's the energy I'm bringing into 2023.
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mercuriallily · 3 months
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I think I deserve a lot more credit than I get for my impulse control, I constantly want to be rude and rip people's heads off but I don't
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nil-the-glitch · 1 year
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therapy (or in my case finding out one of your friends is a therapist and they accidentally go work-mode on you) is truly wild because you'll be like "yeah there's a lot of things i can't enjoy anymore because i associate them with this person/these people and engaging with those things makes me feel like i'm somehow being clingy and not letting go" and they'll just look you in the eye and be like "have you considered spite? you should consider spite. go enjoy things spitefully" and you're just left there like. well damn. fuck, even. shit, perhaps.
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linkspooky · 4 months
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SHIGARAKI VS. YUBEL: HOW TO SAVE YOUR VILLAIN
The failure of Deku to save Shigaraki isn’t just a tragic conclusion for Shigaraki’s arc, it’s also My Hero Academia failing as a story. When I say the story failed, I mean the story has failed to answer any of the questions it asked its audience. It’s themes, character arcs, everything that communicates the meaning of the story to the audience is no longer clear. 
Saving Shigaraki was the central goal of not only the story itself, but the main character Deku. By failing in its goal you can’t call this a good ending. In order to illustrate why this goal of saving the villain is so important to both Deku’s character and the central idea of MHA, I’m going to provide a positive example in Yu-Gi-Oh GX were the main character Judai successfully saves their villain.  One of these stories fails, and the other succeeds. I will illustrate why under the cut. 
BROKEN THEMES = BROKEN STORY
When artists draw they have to consider things like perspective, anatomy, shading, light, coloring. Drawing has rules, and it’s hard to produce good art without knowing these rules beforehand. If I draw something that has bad anatomy, you can criticize me for that. 
Writing has rules, just like drawing. The rules of storytelling are important because writing is an act of communication. You can write whatever you want, just like how you can draw whatever you want, but if you break the rules the audience won’t understand what you are trying to communicate. 
When I refer to MHA as a broken story, I am referring to the fact that it has broken the rules of storytelling. As this youtuber explains.
“I guess we should first define what broke and broken even means in this context. Has the story turned into an unintelligible mess? Not really. Value judgements aside, the narrative is still functional and fulfills the criteria of being a story. So how can a story that still functions be broken? Maybe to you it cannot. But to me a story that is still functional isn’t enough. What I mean when I say MHA is broken is that it’s lost something crucial. A codifying style of structure, pacing and payoff that until a certain point was the core of its identity.” 
I could launch into a long-winded explanation of what themes are, but for the sake of simplicity I like to define themes in terms of “Ask, and answer.” The author asks a question to the audience, and then by the end of the story provides an answer. The audience is also invited to come up with their own answer which prompts them to think about the story on a deeper level.  The question both MHA and GX are asking both its main characters and the audience is “Can you save the villain?” with the additional complicated question of “Should you save the villain?”  This post will detail how both stories go about answering those two questions, and more importantly why those answers matter for the story. 
With Great Power… You know the rest. 
My Hero Academia and Yu-Gi-Oh Gx are actually similar stories once you get past their superficial differences. MHA is a story with way better worldbuilding, compared to a society where everything revolves around the trading card game, and people go to school to be better at a trading card game. 
However, if you get past that. They are both bildungsroman, stories about the main characters growing up into adults. They both have an academy setting where the goal is for the main character to graduate and enter the adult world. They are both shonen manga. GX is the sequel of Yu-Gi-Oh a manga that ran in Shonen Jump the exact same magazine as MHA.  The biggest point of comparison is their main characters, who both start out as young and naive who are driven by their admiration of heroes. Deku is a fan of All Might who wants to become a hero despite not having a quirk, because he loves All might who saves everyone with a smile. Judai’s entire deck archetype revolves around “Elemental Heroes’ and later “Neo-Spacians” who are all based on popular sentai heroes like ultraman. 
The central arc for both characters is to grow up. Growing up for both of them not only requires figuring out what kind of adult they want to be, but also what kind of hero they want to be. 
Now I’m going to drastically oversimplify what a character arc is. 
A character arc first starts out with the character being wrong. Being wrong is essential because if the character is right from the beginning, then there’s no point in telling the story. A character often holds the wrong idea about the world, or has some sort of flaw that hinders their growth.  The narrative then needs to challenge them on that flaw. It usually sets up some kind of goal or win condition. That flaw gets in the way of a character “winning” or achieving their goal, so they need to fix that flaw first. If their ideals are wrong, then they need to think about what the right ideals are. If they’re too childish, they need to grow up. If they have unhealthy behaviors or coping mechanisms, they need to unlearn it and require better ones. Otherwise, that flaw will keep sabotaging them until the end. 
I’m borrowing the word “win condition” from class1akids here because it’s an incredibly appropriate terminology. Midoriya needs to do “x” in order to win, otherwise this victory doesn’t feel earned. The “x” in this case is usually character development. As I said before, a story where the main character hasn’t changed from beginning to end feels pointless. Especially in Deku’s case, he was already a brave, strong hero who would charge right into battle and defeat the bad guys in chapter one, so him defeating Shigaraki in a fist fight doesn’t represent a change. 
The story sets up not only “What does the hero need to do to win?” but also “How does the hero need to change in order to win?” A character either meets these requirements before the end of the story, or they don’t and usually this results in a negative ending. 
MHA in its first half quite clearly set up both the final conflict of saving the villains, and also that saving the villains is its “win conditions.”  The hero shouldn't be allowed to win without first fixing this flaw.
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From this panel onward the central question Deku is forced to answer shifts from “Am I strong enough to defeat ShigarakI” to “Can I save Shigaraki?” However, much earlier than that All Might goes on to basically set up the win conditions of what makes the ultimate hero as someone who “Saves by winning, and wins by saving.”
All might: You can become the ultimate heroes. Ones who save by winning, and win by saving.
Therefore the story has set it’s criteria for what kind of hero Deku needs to become. If he wins without saving, then he’s failed to become what the series has set up as the Ultimate Hero. 
Shigaraki and Yubel aren’t just narrative obstacles, or boss monsters to be killed like in a video game. They are narrative challenges, which means that the character can’t grow in any way if they don’t answer the challenge presented by the characters. They are villains who actively resist being saved, to provide a challenge for two heroes who define their heroism by saving others. The challenge they pose adds a third question to the story and the main characters. 
"Can I save the villain?"
"Should I save the villain?"
"If I don't save the villain, then can I really call myself a hero?"
In other words the decision they make in saving, or not saving their final antagonist defines what kind of hero they are. In Deku’s case it’s even more critical he defines what hero he wants to be because the MHA is also a generational story, and several of the kids are asked to prove how exactly this generation of heroes is going to surpass the last one. The kids growing physically stronger than the last generation isn’t a satisfactory answer, Deku getting strong enough to punch Shigaraki hard is not a satisfactory answer, because we are reading a story and not watching a boxing match. 
I’m going to focus on the last two questions though for a moment. Many people who argue against saving villains like Shigaraki argue he is a mass murderer and therefore isn’t worthy of salvation. However, the act of saving Shigaraki isn’t a reflection of Shigaraki himself, but rather the kind of hero Deku wants to be. It all boils down to Spiderman. In the opening issue of Spiderman, teenage Peter Parker is bitten by a radioactive spider and suddenly gains super strength, the ability to stick to walls along with other powers. However, being a teenager he uses these powers selfishly at first. He doesn’t feel the obligation to use his powers for other people, and therefore when he sees a robbery happening right in front of him he lets the robber go. However, because he lets the robber go, the robber then attempts to hijack a car and kills his Uncle Ben in the process. If Spiderman had stopped the robber then he might have prevented that from happening. He had the power to stop the robber, but he didn’t feel responsible or obligated to save other people. As a result Uncle Ben dies. It’s not enough to have power, ti’s how you use that power that reflects who you are, therefore: “with great power comes great responsibility.” 
The choice to save Shigaraki actually has little to do with whether or not Shigaraki is redeemable, but rather how Deku chooses to use his power, and what he thinks he is responsible for reflects who Deku is as a person.  Deku himself also clearly outlines how he wants to use his power, that One for All is a power for saving, and not killing. 
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How he uses his power reflects Deku’s ideal in saving others, and therefore if he doesnt use his power to save, then he’s failed to live up to his ideals. It's not whether it's morally right to save a murderer like Shigaraki, but rather the way Deku wants to choose to use his power. It's about whether he feels the responsibility to save others.
Judai explores an incredibly similar arc to Deku. They are basically both asked what kind of responsibilities a hero is supposed to have, which is also a metaphor for growing up to handle the responsibilities of adulthood. As both characters start out with incredibly naive and childish ideas about what a hero is. Therefore realizing what a hero is responsible for is key to them growing as a character.  However, Judai is different from Deku. In some ways he’s more like Bakugo. Judai is a prodigy who’s naturally good at dueling. He doesn’t duel to save others, but rather because duels are fun and he’s good at it. He’s very much like Bakugo, who admired All Might as a hero just as much as Deku did, but admired the fact that he was strong and always won rather than he saved others. 
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However, I would say both Deku and Judai are questioning what a hero is responsible for. They are both asking if they have the responsibility to use their power to save others. If they have to fight for other people, just because they have power. His first big challenge as a character comes from Edo Phoenix, who calls out Judai for not thinking through what it means to be a hero, and what responsibilities heroes carry. Judai duels because he thinks it’s fun. He will show up to duel to help his friends, but that’s because he’s the most powerful person in the group. Even then it’s because he finds fighting strong opponents to be enjoyable. Bakugo will beat up a villain, but for him it’s more about winning then if the action will save someone or not. 
Judai is more often than not pushed into the role of being a hero, he doesn’t play the hero because he’s a particularly selfless person, and he’ll often avoid responsibility if not forced. He has power but no sense of responsibility and the narrative calls them out as a problem. 
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Edo: Can you even fathom that, Judai?
For Judai, he can’t understand the responsibility of being a hero. For Deku, he idealizes heroes so much he can’t understand that there are people out there the heroes have failed to save. These two callouts towards Deku and Judai are discussing similar because they’re both discussing where a hero’s responsibilities lie. Is a hero responsible for saving everyone? Is someone strong like Judai responsible for using their strength to help other people? 
Judai’s arc continues into the third season where he’s not shown to just be naive but ignorant. He’s not just childish, he actively resists growing up because he doesn’t want to take on adult responsibilities. 
THe same way that Deku just decides not to think about whether or not All Might failed to save people in the panels above. However, in Judai's case he's actively called out for his choice to remain ignorant.
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Satou: Now, which one is at fault? Judai: Isn’t it the guy who saw it, but didn’t pick it up. Satou: Not quite. If one is aware of the trash that fell, it may be picked up someday. But there is no possibility fo the unaware one ever picking it up. Judai-kun you are the foolish one unaware of the trash that has fallen. Judai: Are you calling me out for how I am? Satou: Your behavior towards me was atrocious. The worst was attending class only for credit, even if you were there you only slept. Judai: Yeah, I know. I was all bad, but it wasn’t that big a- Satou: It is important. You see, one by one, the students inspired by your attitude were losing their motivation. Now if you were a mediocre duelist, then this would not be an issue. Satou: However, you are the same hero who defeated the three mythic demons. Every single student in the academy admires you. You should have been a model for this academy. Judai: Me, a role model? Are you kidding? I just do whatever I feel like doing. Satou: Great power comes with great responsibility. Yet, as you remain unaware of that, you’ve spread your lethargy and self-indulgence. 
seems like a minor issue, but look how Judai responds to the accusations. “I just do whatever I feel like doing.” Satou is arguing that Judai should pay attention to the influence he has on others because of his power, because how he chooses to use that power affects others. However, Judai chooses to actively not look at the consequences of his actions because he doesn’t want to take on that level of responsibility, and therefore he’s looking away from the trash. 
While it seems like it doesn’t matter in Satou’s specific example, not thinking of the consequences, or how you use your power can have unexpected consequences. Spiderman doesn’t feel like it’s his responsibility to stop a bank robber, and that bank robber shoots his uncle. You could still argue it’s not Spiderman’s responsibility to stop every crime in the world, and I guess no one owes anyone anything from that point of view - but Spiderman failing to act responsibility had the consequence of directly hurting someone else. 
Spiderman has to live with that consequence because it was his own Uncle that was hurt. This is where we really reach the duality of Judai. 
In GX, Judai is, symbolically speaking, The Fool of the Tarot Deck, the Novice Alchemist — a person brimming with infinite potential, yet one who is also supremely ignorant, who walks forward with his eyes closed and often unknowingly causes harm in his great ignorance. In this, he is very much the embodiment of the faults we most commonly associate with teenagers — selfishness, recklessness, shallowness, a lack of dedication or empathy when it’s most needed. Like most people, he has good traits that work to balance out some of the above, but his narrative path through GX ends up being that of the flawed hero undone by his faults — and then that of the atoner, the repentant sinner. In his case, the mistakes of his teenage years are the catalyst for his growth from a boy into a man burdened with duty and purpose.  Judai is someone with infinite potential, with great power, but also ignorant on how he should use that power, and that makes him an incredibly flawed hero who needs to learn how that power should be used. 
Deku similarly exists in a society where heroes deliberately turn a blind eye to the suffering of a certain type of victim. Shigaraki’s speech heavily resmebles Satou’s speech about garbage on the side of the road. 
Shigarali: "For generations you pretended not to see those you coudln't protect and swept their pain under the rug. It's tainted everything you've built."
Deku shares Judai’s ignorance, because he’s not only a part of a system that doesn’t even see trash on the side of the road, but he also worships heroes so much that he’s incapable of criticizing them. If Deku saw the flaws of heroes, but at first didn’t have the courage to speak out, but eventually gained the courage that would be one thing. However, if he doesn’t see the flaws of heroes, then the problem will never be fixed. 
There are also consequences for both Judai and Deku failing to use their powers responsibly. These consequences take the form of the villains who came about because of all of society’s ignorance to the suffering of victims (Shigaraki) and because of the main character’s ignorance to their suffering (Yubel). Shigaraki and Yubel are also explicitly victims that the heroes failed to save, turned into villains who are active threats to the heroes. 
Should I save the villain?
The answer is yes, because the decision to save is reflective of the kind of hero each character wants to be. Each story clearly sets up that Deku and Judai aren’t punisher style heroes who shoot their villains, they are being set up as heroes who save. Deku needs to “save by winning.” As for Judai, a big deal is made of Judai’s admiration for another character Johan who represents a more idealistic kind of hero. Johan unlike Judai is someone who duels with a purpose, something Judai outright says he admires because he’s empty in comparison. 
Judai: Johan what have you been dueling for? See, it’s about fun for me… Well, for the surprise and happiness too. I guess I do do it for the fun. Sorry, I guess I put you on the spot by asking out of nowhere. Johan: What’s this about Judai? Judai: It’s nothing. Johan: I suppose there is one goal I have. Johan: Even if someone doesn’t have the power to see spirits, they can still form a bond with a spirit. That’s why I do it for people like him. [...] Johan: I'll fight for everyone who believes in me, and I'll do it with my Duel Monsters. Judai: I'm jealous you've got feelings like those in you.
Becoming a hero who uses their power to help others isn’t just a goal the story sets for Judai, it’s a goal that Judai sets for himself because of his admiration for Johan. Johan represents the idealistic hero Judai wants to be, but is also held back from because of his personality flaws. Johan represents the kind of heroic ideal that Deku is aspiring to be. 
Johan’s ultimate goal isn’t punishing the wicked, but to use his power to save others. 
Johan: Judai, it was my dream to save everyone through my dueling!
The story sets up the idea that it’s not enough for Judai to simply be strong, he’s also challenged to become a savior who uses his power to help others like Johan. Deku needs to “save by winning” and Judai needs to “Save everyone through his dueling.” However, Johan also adds another condition to what saving means. His idea of saving isn’t to defeat a villain, but rather his dream is to help connect spirits and humans together, even if there are humans who can’t see spirits. Johan doesn’t save people with the power of physical force, but rather the power of human connection. 
Should I save the villain?
Here the answer is "Yes",  because wants to become more like Johan someone who uses their power to help others not just for themselves.  Then we reach the third question
If I don't save the villain, can I really call myself a hero?
It once again comes to power and responsibility. Heroes have great power, and they are responsible in how they use that power, if they use it irresponsibly then there are consequences. Shigaraki wants to destroy hero society, because the heroes irresponsibly use their power to turn a blind eye to everyone’s suffering. 
People suffer when heroes fail to live up to their responsibilities. The entire conflict of season 3 is created by Judai failing to save Yubel. If Judai had helped Yubel when they most needed it, instead of abandoning them, then Yubel would never have been twisted by the light of destruction, would never have attempted to teleport the school to another dimension, would never have attacked all of JUdai’s friends. 
These consequences matter. Deku can turn his eyes away from Shigaraki’s suffering, but let’s say a hero failed to stop a robbery, or rather he didn’t even try, and because of that his mom was shot and died in the street. Would Deku consider the man who failed to stop a bank robbery a hero? When Spiderman let a bank robber go instead of trying to stop him, was he being a hero in that moment? Both the stories and the characters themselves have defined heroes as people who use their powers to save others, therefore if Judai and Yubel fail to save their villains then they can’t be called heroes by the story’s own definition. Now let’s finally return to the question of "Can I save the villain?"
Was there ever someone you couldn’t save?
m going to start with Yu-Gi-Oh Gx as a positive example of how to save your villain. Gx works for two reasons. One, it’s established from the start that Yubel isn’t beyond salvation, and two, it makes it so Judai can’t win without saving Yubel. The conflict of the story does not end until Judai makes the decision to save Yubel.  In some ways the writing is even stronger because Judai is directly responsible for the pain and suffering that Yubel went through that turned them into a villain in the first place. Yubel isn’t just a victim, they’re specifically Judai’s victim. 
Yubel is a duel spirit who is also essentially Judai’s childhood friend. A duel spirit just like the kind that Johan wants to save. During their childhood Yubel got too overprotective of Judai, and started to curse his friends for making him cry or upsetting him in any way. Until everyone Judai’s age started avoiding him and Judai became all alone with only Yubel for company. Judai’s decision was to abandon Yubel at that time. He took the yubel card and shot them into space, hoping that being bathed in space rays will somehow “fix” what was wrong with them. I know that’s silly but just go with it. Judai abandoning Yubel had the unintended consequence of Yubel being subjected to the light of destruction, a corrupting light that subjected Yubel to years of pain. This pain literally takes the form of Yubel burning alive.
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Yubel connected to his dreams called out for Judai every night, only for Judai’s parents to give him surgery that repressed his memories of Yubel causing him to forget them entirely. Yubel then spent the next ten years alone in space, continuously subjected to painful torture, with their cries for help being ignored. 
"I was suffering even as you came to forget about me..."
Yubel is then met with the question of how can Judai treat them this way if they loved him so much? As from Yubel’s perspective, they’ve only ever tried to protect Judai, only for Judai to not only throw them away, but subject them to painful torture and ignore their cries for help. Judai effectively moves on with his life, goes to duel academy, makes friends while Yubel is left to suffer in silence all but forgotten. This is where Judai’s ignorance has serious plot consequences. 
It’s not just the pain that Yubel endured that made them snap. It’s that their pain went ignored. 
Yubel holds out the faint hope that Judai will answer their calls fro help until they finally burn up upon re-entry into earth’s orbit. At which point they’re left as nothing more than a single hand crawling on the ground.  Yubel who cannot fathom why Judai would cause them so much pain, and then forget about them, convinces themselves that Judai must be causing them pain, BECAUSE he loves them.
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But you see, I couldn't possibly forget about you in the time that I've suffered...
Judai is allowed to move on with his life, to make friends, to spend the next ten years doing so while Yubel is subjected to ten years of agony. When they finally escape their painful torment, they see all the friends Judai has made while they’re left alone and forgotten. However, Yubel’s goal isn’t revenge. Rather, it’s to make Judai share and recognize their pain. WHich is why I said it’s not the fact that they were made to suffer, but their suffering is ignored. Yubel’s entire philosophy revolves around the idea that sharing pain is an expression of love, and that they and Judai share their love for each other by hurting each other. 
"That's why I sought to fill all those linked to you, your world, with both sadness and anguish..."
For Yubel, making all of Judai’s friends suffer and Judai themselves suffer is a way of making them and Judai equals again. They want to show “their love” for Judai, but it’s more about forcing Judai to recognize the pain he’s caused them by forcing him through the same pain. Yubel’s philosophy of sharing pain is actually a twisted form of empathy. 
They’re not entirely wrong either, that even people who love each other can cause each other pain, and that if one person is suffering alone in a relationship or the suffering is one-sided then there’s something wrong with that relationship. 
Yubel: I get it now… You weren’t in love, with Echo. Yubel: No.. you may have loved her just enough to clear the conditions in palace for you to control Exodia, but the you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you stayed unharmed. You wouldn’t suffer. You wouldn’t suffer. You wouldn’t be in pain. Amon: What are you getting at? Yubel: I’ve been hurt! I’ve suffered! I’ve been in pain. That’s why I’m making JUdai feel the same things I did! 
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Yubel’s twisted theory of love, is a pretty thinly veiled cry for empathy.
They break out into tears when talking to Amon about the way they’ve hurt and suffered. They clearly state upfront that their goal is for Judai to recognize their love. One of the first things they say to Judai is a plea for Judai to remember them.
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Yubel is presented as a very human character suffering through a lot of pain throughout their entire villai arc, they break down into tears multiple times, they cry out in agony, they're visibly suffering and you see their mental walls begin to break down when Judai denies them any empathy.
Yubel is actually incredibly clear and straightforward about their desire to be saved by Judai. However, Judai doesn’t lift a single finger to help Yubel the entire arc, even though they themselves admit they are directly responsible for Yubel’s suffering but they helped create who they are today. 
Judai plunges into a different dimension and gives up everything to save someone, but it’s Johan, not Yubel they try to save. You have Johan, the perfect friend, and perfect victim that Judai gets obsessed over and will not stop at anything to save, and then you have Yubel, the imperfect victim that is actively harming Judai and all of his friends that Judai chooses to ignore. The whole season Judai only focuses on saving the perfect victim Johan, and this is clearly shown to be a flaw. Judai doesn’t just ignore Yubel to save Johan, he also ignores every single one of his friends. 
Judai only caring about saving Johan, and deliberately ignoring and abandoning the friends who came with him to help, essentially abandoning them the way he did Yubel leads to another consequence. After he abandons them they get captured, rounded up, and actually die and become human sacrifices. 
Losing his friends, causes Judai to snap. Judai becomes the supreme king and decides power is all that matters; he starts killing duel spirits en masse in order to forge the super polymerization card.  Which means being left alone, suffering alone, being abandoned by everyone causes Judai to snap the exact same way that Yubel did. 
In fact Judai is only saved from his darkest moment, because two of his friends sacrifice their lives, trying to get through to him and appeal to his humanity. At that point Judai’s friends could have just chosen to put him down like a mad dog, to punish him for the amount of people he’s killed, but instead they try to save him because of their friendship. 
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I just want to save my friend. That is all.
By the time Judai is facing Yubel in their final fight, Judai doesn’t have the moral highground against Yubel in any way whatsoever. They’ve both lashed out because of the pain they endured and killed countless people in the process of lashing out.  The only real difference between them is that Judai is lucky. He had friends to support him at his lowest point, while Yubel didn’t. Does Judai learn from Jim’s example, and go out of their way to save Yubel the same way they were saved because Yubel is still a friend? Nope, Judai tries to kill Yubel at this point. 
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I made a lot of friends... And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.
Like, Judai, sweetie baby honey darling. How was Yubel supposed to make friends when they were floating in the empty void of space?
Judai hasn’t learned, they are still ignorant, and still turn a blind eye to Yubel’s suffering. After all if his love is wide enough, large enough,and deep enough to fill the universe then why don’t thy have any room in their heart whatsoever for empathizing with Yubel?
Judai making friends while Yubel was trapped in space doesn’t make Judai a better person than Yubel, it makes Judai lucky. Judai doesn’t even appreciate that luck, because he treats his friends like garbage. It’s not about whether Yubel is worthy of salvation, because Judai is a mass murderer and his friends still went to great lengths to save them anyway. It’s that Judai doesn’t want to empathize with Yubel, because they still want to remain ignorant and irresponsible. Judai wants to continue playing hero, with a very black and white definition of what a hero is. By this point Judai’s killed lots of people, but if he makes Yubel the villain in the situation, he can keep playing hero. He doesn’t have to look at himself and what he’s done, because blaming everything that happened on Yubel and then putting Yubel down like a mad dog allows Judai to absolve his own guilt. Judai practically ignores Yubel’s cries for help, even when Yubel spells it out for them.
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I couldn't have lived with the heartache unless I felt that I was being loved...
At this point Yubel themselves acknowledges that their love was just a delusion. That it was a coping mechanism, because they couldn’t live with all the pain otherwise. WIthout it they would have just died, which makes Judai unmoved. The implication here is that Judai thinks yes, Yubel should have just died in that crater. It would have been easier for Yubel to die a perfect victim, then for Yubel to crawl out of that crater and go on to hurt other people. While that may be true the same can be said for Judai - it would have been better if Judai died rather than become the Supreme King. His friends could have put him down like a mad dog, you could have even called that justice - but they didn’t. Judai making no attempt to save Yubel isn’t because he thinks it’s morally wrong to save someone who’s killed as many people as Yubel has, or because he thinks he can’t forgive Yubel, it’s because Judai is taking the easy way out. Johan is a nice, easy victim to save, because he’s Judai’s perfect boyfriend, while Yubel is a complex victim that requires Judai to understand their suffering. Even the act of saving Johan isn’t about Johan himself, it’s about the fact that Judai feels guilt over Johan’s disappearance. What Judai wants isn’t really to save a friend, but to stop feeling guilty over that friend. Judai isn’t just disgusted by Yubel’s actions towards his friend, he also wants to avoid the guilt he feels over causing all of Yubel’s suffering, because it requires acknowledging the complex reality that he is both victim and perpretrator in this case, just as Yubel is both victim and perpetrator. 
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So how can an arc where Judai doesn’t try to save Yubel until the last possible minute, be better than an arc where Deku makes it his goal for the final act of the manga to save the crying boy in Shigaraki? 
It’s because the story does not let Judai get away with his continual refusal to empathize with Yubel. Yubel’s entire character revolves around empathy, in the form of sharing pain. As a duel monster, Yubel’s effect is that they are a 0/0 attack monster who is immune to all damage, but when you attack them they deal all the damage back to you. Which means that Yubel will respond to all the pain they feel, by causing you just as much pain in return. Yubel is not a character who can be defeated in a fight, or a duel. In fact they’re the only Yu-Gi-Oh villain who never loses a duel once. The most Judai can do is duel them to a draw, and they draw three times. Yubel wins against everyone else who challenges them.  In a way Yubel is like Shigaraki, the ultimate, unkillable enemy that can’t be done away with violence. Judai’s refusal to empathize with Yubel or attempt communication also makes them worse, every time Yubel is hurt they escalate. THe more Judai hurts them, the more they will hurt in return, it’s a cycle that will never be broken simply by killing Yubel, because Yubel is unkillable. 
Not only that but the story has gone to great lengths to show that saving Yubel is the correct course of action. If Judai doesn’t save Yubel, he’s basically spitting on the selflessness Jim showed in saving him. In fact if he doesn’t save Yubel, Judai is contradicting his own words on what makes a good friend. Sho once asks Judai after witnessing his brother change, what he should do if a person you lov ehas changed into an entirely different person. What if they're a person you don't even recognize any more? A person you don’t even necessarily like anymore? 
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That's why if it were me. I'd probably just be looking after him until the very end, even if I didn't like him. I'd do it cause I think it'd prove that I care about him.
Judai doesn't even say that Sho is obligated to save his brother or morally redeem him, just that he has to keep looking at him instead of turning away or ignoring him.
Judai is being a bad friend, by his own definition. By choosing to deliberately look away from Yubel, Judai’s not living up to his advice for Sho for how you treat people you care about. 
Which is why the resolution for Judai and Yubel’s arc is so important, because it’s done by Judai finally acknowledging Yubel’s pain, and promising to watch over them from now on, words that are followed by the action of physically fusing their souls together so they’ll never be alone again.  Judai doesn’t just say pretty words about how they won’t ignore the crying child inside of Yubel, but instead he makes a sacrifice to save Yubel at risk to themselves to show their words are backed up by actions. Judai says Yubel will never be alone again, and then he commits. 
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"And even if that means I won't exist anymore... I don't care."
Judai has resolved his character arc by this action, because Judai is finally taking on responsibility and that responsibility is watching over Yubel, so the two of them can atone together. Judai even says himself this isn’t an act of sacrifice on his part, but rather him finally accepting adult responsibilities. 
Judai: I wouldn't sacrifice myself for you guys. I'm just going on a journey to grow from a kid into a man.
Judai needed to save Yubel to complete his character arc and grow as a person. If Judai hadn’t saved Yubel, he would have still remained an ignorant child. By learning not to turn a blind eye to Yubel’s pain, and also smacking sacrifices and physically doing something to atone for the way they ignored Yubel up until this point they’ve not only saved Yubel they’ve also done something to address their wrongs. This also continues into the fourth season where Judai’s personal growth results in him learning what kind of hero he wants to be as in Season 4 in order to atone for the spirits that Judai slaughtered, he decides to leave his friends behind and walk the earth with Yubel helping spirits and humans get along with each other. In fact Judai’s final speech as a character isn’t even about how strong he is as a hero, but how weak he is as a person.
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And I put my friends through some rough times. Form that, I figured a few things out... all I can do is believe in them.
The lesson Judai learned is because he’s weak, he needs to empathize and believe in other people the same way that his friends once believed in him when he was at his lowest point. Judai’s not the strongest hero, he’s the weakest one, but that gives him the ability to empathize with people who were lost just like he was, and guide them back from the darkness. 
The story of how Deku became the worst hero.
I’m going to say this right now it might turn out next week that Shigaraki is just fine, and he’ll use the overhaul quirk to reconstruct his body. However, even if that happens Deku has completely failed at his goal of saving Shigaraki for the reasons I’ll illustrate below. In theory, Deku’s arc of saving Shigaraki, and therefore winning by saving should be much easier for the story to accomplish and also much less frustrating to watch. After all, Shigaraki has been around since the beginning of the manga, he’s literally the first villain that Deku faces. He’s also the first villain that Deku talks to, where he brings up the idea that there were some people All Might failed to save. There’s also many intentional parallels between the two characters, the entire manga is about their parallel journeys of becoming the next generation hero and the next generation villain. Shigaraki even directly quotes the line at one point that all he wanted was for someone in his house to tell him he could still be a hero, the same line Deku said in the first chapter was that he wanted his mom to tell him to be a hero instead of apoalogizing to him for being quirkless. 
Not only is the setup for Shigaraki and Deku made obvious (Deku can redeem Shigaraki by telling him that he can still be a hero too), but Deku himself states out loud that he wants to save the crying child inside of Shigaraki. 
Judai runs away from Yubel the whole time, whereas Deku is running towards Shigaraki and actively makes it his goal to understand Shigaraki and continue to see him as a human being rather than a villain.  The story also makes it clear that saving Shigaraki is necessary to saving hero society as a whole. After all Yubel is just Judai’s victim. Whereas Shigaraki is the victim of all of society. He’s the crying child who was ignored. The cycle won’t be broken if heroes continue choosing to ignore people like Shigaraki, because more victims will grow up to replace him. 
Shigaraki: Everything I've witnessed, this whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took this power formyself? Simple enough, yeah? I don't care if you don't understand. That's what makes us heroes and villains.
Shigaraki rejects the world because the world continues to reject him. THe solution to this problem is not rejecting Shigaraki, because Shigaraki won’t go away, the system will just continue to reject people like Shigaraki. As long as heroes and villains don’t understand each other, they’ll keep being forced to fight and the conflict won’t end, because hero society is what engineers it’s own villains.
clear as day by the story itself. If the objective of saving Shigaraki is clear, then how exactly did the story fail in this objective? What went wrong? In this case it’s a failure of framing, and breaking the rules of “show don’t tell.” Stories are all about actions and consequences. When a character makes a certain action in a story, the way other characters around them, the world, and whatever consequences that action frames that action in a certain light. It provides context for how we are supposed to interpret that character in that moment. 
For example, when a character does something wrong and another character directly confronts them over what they did wrong, that frames them as in the wrong. The story is criticizing the character for what they did wrong. Context is everything in a story. Stories are just ideas, so they require framing and context to communicate those ideas for the audience. Certain character attributes can be strengths or flaws depending on the context. My go to example is that if you put Othello in Hamlet, the conflict would be resolved in five seconds because Othello’s straightforward personality and determination would have him kill Hamlet’s uncle without questioning things. Whereas, Hamlet constantly questioning and second guessing himself would lead to the worst ending possible. However, if you put Hamlet in Othello, then Hamlet wouldn’t fall prey to Iago’s manipulations, because Othello doubts and questions everything so he wouldn’t believe Iago the way Othello did. 
Hamlet’s contemplative and introverted nature can be a strength in one situation, and a flaw in another. Othello’s tendency to act without thinking things through can be a strength in one situation, and a flaw in another. Context matters, because context tells you how you’re supposed to interpret a certain characters actions, and therefore tells you more about that character. This is why people repeat “Show don’t tell” as the golden rule of storytelling, it’s one thing to say something about a character, it’s another to us the characters actions in the story itself to show them something about the character. 
What’s even worse then breaking the rules of show don’t tell however, is telling the audience one thing, and then going onto show in the narrative something completely different. In that case the narrative becomes muddled and confusing to read. If I the narrator say “Hamlet is someone who overthinks everything” and then in the story Hamlet walks up to his uncle and kills him with no hesitation, then the narrator is straight up unreliable. It becomes impossible to tell as an author what message I’m trying to get across about these characters, because I’m telling you one thing and showing another. 
This is why the writing fails in the second half of My Hero Academia because we are constantly told one thing, but then the story shows something entirely different and sometimes even contradictory to the thing we are being told. 
Judai is a much worse hero than Deku, he always runs away from Yubel, and we’re never directly told that he’s supposed to save Yubel either. However, the narrative is incredibly consistent. Judai’s behavior of running away is consistent with his character. All the other character call Judai selfish for abandoning his friends (and they’re not even talking about Yubel). Judai is never painted in any positive light for his actions, therefore we as the audience understand Judai’s behavior is wrong and he needs to fix it. The narrative makes it clear that Judai needs to grow up, and Judai is never rewarded for his refusal to grow up, he’s ruthlessly chewed out, not by his enemies but also by his own friends. However, the narrative isn’t merciless on him either. Season 3 of GX is dark, but it’s not grimdark. Even when Judai loses his way, he’s still shown love and compassion by those same friends who go to great lengths for his sake. The narrative criticize Judai but it never insists that he’s beyond redemption and needs to be put down like a mad dog. 
The message is very clear, that not only does Judai need to grow up, but he also deserves the chance to grow and change, which is why he should give Yubel a similar chance. In comparison the story sets out this clear narrative arc for Deku of understanding Shigaraki, but it never challenges him for failing to understand Shigaraki. If you listen to what the narrative says, how other characters describe Deku, and what Deku himself says and only read it on a surface level then yes, Deku’s goal is to save Shigaraki. If you analyze actions however, he is in effect just like Judai he never takes any meaningful action or steps towards Shigaraki, nor does he think of what saving Shigaraki might look like or entail. 
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The story describes Deku as someone who is possessed by a drive to save others that eclipses all common understanding, but does the story give us any examples of that behavior?
Judai is characterized as a selfish, irresponsible child, and the story gives us countless examples of his immaturity and how it hurts others. Does the story of MHA do the same for Deku's purported virtues? Let’s run through Deku’s actions, step by step, the actions themselves and how they are framed in order to find any evidence that Deku possesses this drive to save others. Does Deku reflect at all on the question of:
Can Shigaraki be Saved?
Deku leaves on a journey to try to understand villains. When he makes a perfunctory attempt to understand and empathize with Muscle, and Muscle replies that some people are just evil does Deku keep trying to reach his heart? Nope, he just punches him. 
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Well, if he’s failed in his goal of understanding a villain then does the story call him out on his failure? Does Deku face any sort of narrative consequence for that failure? Is he framed negatively for failing to understand Muscle, the same way that Judai is framed for abandoning Yubel? Nope. Deku doesn’t express any frustration at all over is inability to reason with Muscle. There’s also no negative consequence for Deku just choosing to punch muscle, it turns out that there was no reasoning with Muscle and some people are just bad eggs so Deku was right. It’s okay for characters to fail, but if a character fails and it’s not framed by the story as a failure then the writing itself as failed. Why even bother to include this scene in the first place if it doesn’t advance Deku’s character in any way? This scene in spite of showing Deku failing to understand someone actively paints Deku in a positive light, because of how much stronger he is ow that he can OHKO a guy that gave him trouble all the way back in the camp arc.
This scene doesn’t tell anything about Deku as a character, it just makes him look cool. In fact that’s precisely the problem, Deku isn’t adequately challenged as a character, because he’s never allowed to fail. Even when he does obviously fail at the things the narrative set out for him to do, he’s never challenged on those failures, because the priority isn’t to make Deku grow, it’s to make Deku look good.  As I said before, Judai is the hero because he’s the weakest. Deku is the hero because he’s the strongest. Well, next a big flaw on Deku’s part is that he worshippd the same heroes that were making the world corrupt. Heroes like Endeavor who created people like Dabi. So, does Deku take action to either criticize the older generation of heroes, or separate himself from them in order to try to be better than them? Nope, he teams up with them. Not only that, Deku can’t do something as simple as tell Gran Torino out loud about his plans to save Shigaraki. If Deku feels that Shigaraki is worthy of salvation then he should at least try to make an argument here about his ideal of saving others.
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Now here’s the thing, if Deku hadn’t directly looked at the camera and told us he wanted to save Shgiaraki, would we be able to deduce his intentions from his actions? If you took away all of Deku’s internal monologue, and just showed him punching Muscular and saying nothing when Gran Torino says he may have no choice but to kill Shigaraki would anything about Deku’s actions indicate that he wants to save Shigaraki? Let me use avatar the last airbender as a positive example for a moment. People say that Aang’s desire to spare Ozai’s life comes out of left field, but like if you analyze Aang as a character down to their bending, and the way they react in situations they always prefer de-escalation, or taking a third option as opposed to confronting things head on. It’s literally why Toph says Aang has trouble learning earth bending, because as an airbender, he always tries to look for some other way to solve the problem, instead of a direct confrontation with force. As early as season one, Aang tells Zuko someone who has tried to kill him several times that he was friends with someone from the fire nation one hundred years ago and in a different situation they could be friends. Aang’s desire to save the Firelord may not have been told to us until the last possible minute, but Aang’s aversion to violence has always been a part of his character from the beginning. However, Deku never shows any similar aversion to violence. There’s basically no example where he ever tries to de-escalate a situation, or he avoids a conflict by seeking a third option. 
Anyway, let’s move onto the next example. In the confrontation where Lady Nagant fights Deku, when Deku learns the fact that the heroes were employing government hitmen to attack people for uhh… exercising free speech does Deku give any reaction to this information? When Lady Nagant says that Deku is only going to bring back the status quo, does he show her any meaningful evidence that he won’t do that.
Deku’s response is because the world is so grey, he needs to extend a helping hand to others. Which you know what thay could be a response. Deku saying that his response to the corruption of the hero world is that he now understands that society led some people down the wrong path, so his way of addressing the wrongs of that society is lending a helping hand to as many people as possible even people he used to think was irredeemable. 
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I will give Deku the benefit of the doubt, I think this is an acceptable answer. I can’t save everyone, but that’s not going to stop me from trying to save as many people as possible and maybe I can save people who were this society’s victims on the way too.  However, does Deku demonstrate his resolve to extend a helping hand in any meaningful way. 
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Deku is met with an armless, insane Overhaul who’s begging for someone to help heal his father figure in the Yakuza from his coma. This isn’t like Muscular who insists that there’s no helping him, Deku is met face by face with someone asking him for help. Deku’s gotta extend a helping arm whenever he can, because he knows some people were abandoned and led astray by this society… Unless that person is someone he doesn’t like personally. At which point he only helps them on a conditional basis. We are told Deku will save anyone and everyone, but Deku is met face to face with an armless man who is begging for help and Deku’s does nothing to help him. Deku’s not criticized for refusing to help overhaul either, it’s never brought up again. When Deku begins to experience a mental breakdown because of all the people he’s trying to help in the Dark Deku arc, we are told this is the result of Deku trying to save everyone, but we do not see Deku attempting to save a single villain after Muscular and Nagant. 
He exhausts himself beating up villains that AFO sends after him, and only helping innocent civilians. Which would be fine if this arc were about how Deku is running away from his real responsibilities the same way that Judai was running, but that’s not what we’re being told. We are told that this is all part of an arc of Deku learning to understand villains and be a hero.
Deku is asked “Can you save Shigaraki?” by the story, but Deku never at any point has to deliberate on that question. Judai doesn’t deliberate on that question either, but him choosing not to think about things and stay ignorant is the point. 
It’s actually fine to make Deku stagnate as a character. It’s fine to have him take the easy way out by just punching villains and giving up on them after one conversation. It’s fine for him to be empathetic to other people’s suffering, or even self-righteous. It’s fine for him to be ignorant. 
He could be all of those things if it was a part of a narrative teaching him to unlearn his behavior. In fact the narrative might have been better if Deku started out by saying he didn’t want to save Shigaraki, that there was no choice but to kill him, because then at least his actions would be consistent with his words. Then his lack of empathy and his tendency to resort to violently beating up villains instead of avoiding violence would be character flaws he could work on. Deku however, is presented to us as this empathic hero who is always willing to give others a second chance though he never actually sticks his neck out in order to do so. Continuing on with our slow crawl through MHA, one of Deku’s friends is revealed as the traitor. Deku has a heartwarming scene fo saying that Aoyama can still be a hero, but look at his actions. He lets the adults in the room physically tie Aoyama in a straightjacket and imprison him, for the crime of… doing bad things while he was in a hostage situation. Apparently, if a bank teller helps the bank robber by giving them money when the robber has a gun to his head, the swat team should just snipe the bank teller. Not only does he not defend Aoyama against the adults, or stand up for him, or tell the adults they’re wrong to treat Aoyama a clear cut victim who had a gun to his head and was bing held hostage like he’s a villain - he also lets the adults use Aoyama an innocent victim as bait in order to lure out AFO.  Deku tells Aoyama he can still be a hero, but he doesn’t defend Aoyama as a victim of being taken hostage, nor does he stop the adults from further taking advantage of him and throwing him right into danger. Some people are just led the wrong way that’s why they need to be extended a helping hand, but fuck Aoyama I guess. He needs to earn the right to be sympathized with by physically putting his life in danger. 
Deku can’t even go out of his way to save a friend who he’s known for the better part of a year, when that friend is a complex victim forced to do bad things. 
Then Deku and Uraraka have a conversation where they both, kind of ruminate on the idea that maybe the villains are human beings who are worthy of sympathy.
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In fact Uraraka is actively trying to dehumanize Toga by looking at the destroyed city, so she won't have to think of Togaas a person.
The language here is also a major fault of this arc. It focuses far too hard on “forgiveness” over and over again. As I said before, saving Shigaraki isn’t about Shigaraki at all, it’s about Deku, and how he wants to use his power as a hero. Deku has even stated himself that he doesn’t believe that OFA is a power that should be used for killing people. So why does whether Toga or Shigaraki are forgivable or not even matter? It’s the same with Deku refusing Overhaul any sympathy. If he’s so morally opposed to abusers, then why does he work with Endeavor and defend him at every visible opportunity, even in front of his victims? Whether or not Deku can forgive Shigaraki doesn’t matter, because Deku is not the moral arbitrator or right and wrong. In fact Deku doesn’t even have any morals, so how is this a moral debate? Is there any point where Deku gives a clear definition of what he thinks right and wrong is? Does he quot Immanuel Kant to the audience? 
Batman doesn’t kill people, not because he thinks that every last person on earth can be saved, but because Bruce Wayne an incredibly rich white man thinks that maybe he shouldn’t have the authority to decide who lives and who dies. When Bruce doesn’t kill the joker, it doesn’t mean he thinks the Jokers actions are forgivable, it’s because Bruce thinks it’s not his place to determine whether someone has the right to live. 
The whole conflict that MHA presents us is that heroes pick and choose who to save, and only save the ones they deem as innocent. So, how does Deku saying repeatedly they can’t forgive Shigaraki contribute to that theme in any way? In fact by focusing on forgiveness, rather than whether or not he personally has the right to pick and choose who lives and who dies Deku is ignoring the elephant in the room. The question isn’t about whether Shigaraki’s redeemable or if his deeds should ever be forgiven. The question is whether Deku has the right to decide who gets saved and who doesn’t. 
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We are told that Deku as a character is someone who wants to save everyone no matter what, so Deku shouldn’t be focusing on whether or not Shigaraki is worthy of forgiveness, he should be making an idealistic argument like Xavier does in this panel. Why doesn’t Deku talk out loud with Uraraka on how he believes his power is for saving others, and not killing? If he’s meant to represent some idealistic hero, then why doesn’t he even talk about his ideals? Why don’t I as the reader know what those ideals are?
I think Xavier’s ideals of forcing the X-men to provide a good example to the mutant community, in order to try to earn the respect of other human beings is wrong, but at least he has ideals.  He tries to inspire the other people around him to live up to those ideals. The story can criticize him for his ideals and point out how they’re wrong, while it can also uplift parts of his idelogy like where he believes there are no evil mutants. Deku has a chance to do the same to Uraraka, to tell her clearly, “I don’t think we as heroes have the right to pick and choose who we help…?” but he waffles. Not only does he waffle, but this moment is meant to be read as an indication that both Deku and Uraraka are sympathetic individuals who want to save their villains. They are supposed to look good and idealistic here and they don’t. For Deku it just seems like a repeat of his behavior with Overhaul. The only villains that are worthy of sympathy, are the ones that he personally decides are forgivable. 
The story isn’t about whether or not it’s moral to save someone who’s killed as many as Shigaraki has. The story never seriously discusses any sort of complex morality or moral philosophy. Once again to bring up avatar, yes you can argue Aang sparing the life of a war crimminal is bad, but Aang mentions on multiple occasions that he wants to retain the cultural values of the airbending people. Aang has a morality, a consistent morality, it might not be a morality you personally agree with but at least he has one. Deku hates abusers, unless he’s next to Endeavor then he thinks abusers should be given the chance to atone. Deku doesn’t believe that One for All is a power for killing, but he never stands up to any of the adults who are blatantly trying to kill Shigaraki, he doesn’t even express out loud to Uraraka that he doesn’t think heroes have the right to decide who lives and who dies. In fact he’s given the perfect opportunity to, when Hawks kills a villain and it’s broadcast live on the news in font of everyone, but Deku never has anything to say about that. The reason Deku and Uraraka both put such an emphasis on “forgiving” their villains has nothing to do with the story itself. It’s because the author Horikoshi, is afraid that some people will misinterpret his story as saying that he actually thinks that saving a villain like Shigaraki means that he condones mass murder, so he has to have the characters talk about not forgiving Shigaraki. 
Judai doesn’t have any consistent morals either, but once again that’s the point and something the story relentlessly calls him out on.
Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels.  Cobra: You are certainly a talented duelist. But you have one fatal flaw.  Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory.  Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match.  Judai: I...  Cobra: Afraid aren't you? Right now, you have nothing to support you. 
Judai’s regularly called out for his superficiality. Judai is only a hero because he’s strong and wins fight, he doesn’t feel any responsibility towards other people, and in fact he loathes having to feel responsible for others. Judai isn’t just naive, he deliberately chooses to remain ignorant. Since he’s ignorant of his own faults, he makes awful decisions when it comes time for him to lead, and his friends die because of choices he made. We are told that Deku doesn’t want to remain ignorant, that he wants to understand villains, but Deku’s actual actions are him continuing to ignore society’s ills and the suffering of victims. In fact if you take away Deku’s internal monologue and the narration, Deku’s actions almost exactly mirror Judai’s.
Deku is just as superficial as Judai, and he also doesn't want to spend any time thinking about what kind of hero he wants to be, but the narrative never punishes him for it.
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Judai is asked what burdens he has to bear and he has to meaningfull answer that question, Deku is allowed to get away with not having to think about anything. Deku remains superficial. Both Judai and Deku spend the entire arc running away from their villain rather than confronting them in any meaningful way. They both never express out loud any sympathy for their villain, or try to empathize. THey both never step down from the role of hero, and only confront their villain as a hero, because they don’t want to think about themselves as complicit or in the wrong. Shigaraki and Deku’s final confrontation mirrors Judai and Yubel’s but without the same clear framing. THe entire time Yubel is trying to get Judai to empathize with them, and Judai only responds with physical violence, because they don’t want to stop being the hero and because they can’t see Yubel as anything other than the villain.  As soon as Deku arrives on the battlefield (by the way everyone else and their mom pointed this out, but Deku who doesn’t think OFA is a power for killing, is completely okay with a plan called the “Sky coffin plan” where every other hero was clearly trying to murder Shigaraki).
When Deku arrives he asks if Shigaraki is still in there, but he doesn’t do anything to try to reach Shigaraki, he jumps right to punching him. In fact he never tries anything besides punching him as hard as possible. How is punching Shigaraki with the force of a thousand suns saving him exactly? How is that different from how he tried to defeat Shigaraki the last war arc, before he saw the image of the crying child that made him want to try a different approach in saving Shigaraki?  In Judai’s final fight with Yubel, it’s made explicitly clear that Judai is not trying to save Yubel, and that’s a fault on his part. In fact Judai gives the traditional “I have friends, and you don’t” speech to Yubel but it’s a subversion of how that speech is usually used. Usually that speech is used to show that the protagonist won because of they valued friendship,while the villain treated their friends poorly and only cared about power. However, it’s ironic in this case because Judai got all of his friends killed. Judai treats his friends like garbage. This speech isn’t used to show that Judai is winning because he values his friends more than Yubel does, it shows that Judai is a hypocrite, playing the hero in this situation where they are just as bad as Yubel. Judai’s not morally superior, he’s just lucky that he has good friends. Friends that were willing to save him. The only connection Yubel has to anyone else, Yubel’s only friend is Judai and Judai is a shit friend. 
In fact, Mirio tries to give a version of the “You don’t have any friends” speech to Shigarkai, only for Shigaraki to get mad and tell Mirio that he does have friends and people he wants to protect. 
This fact is also something that is blatantly ignored by Deku, even though Mirio tells him about it… even though we are told that Deku is trying his best to see the humanity in Shigaraki. 
Judai blatantly admits they’re trying to kill Yubel. Which makes them a worse person, but a better character than Deku, because their actions are clearly framed by the narrative and consistent. 
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On the other hand we are told that Deku doesn’t want to kill Shigaraki, and yet everything Deku does makes it look like he’s just trying to kill Shigaraki and put him out of its misery. If we didn’t have Deku stating out loud that he wants to save Shigaraki and wants to see him as a human, there’d be nothing in his actions to indicate that he’s trying to avoid killing Shigaraki. Deku says he can’t pretend he didn’t see Shigaraki crying, but like, does he ever hesitate to punch Shigaraki, does he ever think that causing Shigaraki more harm is wrong when he’s already suffered so much? Deku says that Shigaraki is a person but does he treat him like a person? Does he try to talk to him like a person? To use avatar again, Aang does talk to Zuko pretty early on. Deku doesn’t even give the classic “We could have been friends under different circumstances” speech. When Shigaraki resists Deku’s attempts to see him as a person or emapthize with him, Deku’s response is to just resort to punching harder. 
Which is in effect the same thing Judai does to Yubel, just kill them as a villain so they don’t hurt anybody else, but framed in an entirely different light. Judai is shown to be ruthless, and cold in his attempt to only settle the conflict with Yubel by violently putting them down. On the other hand we’re being told that Deku is compassionate and empathic while he punches Shigaraki with the force of a thousand suns. 
There’s another eerie similarity between both of these final confrontations. At the climax of the confrontation, both Judai and Deku have a psychic vision where they see events from Yubel and Shigaraki’s childhood. This vision is supposed to help both characters understand the good in the villain they’re facing.
Let’s see the contents of this vision and how the visions change each character. Judai is shown a vision of his past life where Yubel sacrifices their entire body, and even their humanity to go through painful surgery to turn into an ugly dragon, all for the sake of protecting Judai in a previous life. 
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Judai is then forced to witness the good side of Yubel they’ve been ignoring all along to paint them as a villain. Yubel is simultaneously extremely selfish and willing to hurt people Judai cares about, but they’re also extremely selfless and will do anything to protect Judai and have made great sacrifices in the past for Judai’s sake. Deku gives lip service to not ignoring the humanity in Shigaraki, but Judai is literally forced to acknowledge the humanity in Yubel. Not only that, but Judai changes his behavior immediately after learning this new information. After seing the sacrifice that Yubel made for him in the past, Judai responds with a sacrifice of his own. A sacrifice that perfectly mirrors the sacrifice that Yubel once made for him. Yubel gave up their humanity for Judai, so Judai fuses his spirit to Yubel’s, becoming a human / spirit hybrid so Yubel no longer has to be alone. 
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Judai also doesn’t just fuse their soul with Yubel’s in order to stop Yubel from destroying everything, it’s because both of them at this point need to atone together, and Judai is fulfilling his responsibility of watching over his friend until the end to prove that you care about them - as he said to Sho. Judai’s also fulfilling Johan’s dream of helping repair the bonds between spirits and humans, by reconciling with Yubel and repairing their bond. It’s also Judai atoning for his previous behavior of abandoning Yubel, by choosing to stay alongside them as they both atone together. Deku does sacrifice OFA during the fight against Shigaraki, but their sacrifice isn’t to help Shigaraki, but rather doing psychic damage to Shigaraki by using OFA is the only way to defeat them. He transfers OFA in order to break Shigaraki’s brain so he’ll stop reissting and Deku can beat him down. Judai fuses their soul together with Yubel out of empathy and a responsibility they feel to help their friend fater abandoning them, Deku transfers One for All to Shigaraki in order to hurt him and make him easier to punch. It's funny that Deku doesn't travel to Shigaraki's mind to learn more about him, but instead with the specific intent of harming him.
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Once he's inside Shigaraki's mind, he doesn't take time to reflect on how Shigaraki used to stand up for bullied kids, or how he wants to be a hero to villains because no one else will stick up for the outcasts in society. No, he only care about Shigaraki when he takes the form of a child crying for help.
In the aftermath of the psychic vision Deku’s behavior doesn’t change towards Shigaraki in any way either. You could say he sacrificed his own arms in order to try to comfort Shigaraki within the depths of his own mind - but that’s not a real sacrifice either because his arms immediately come back.  When Judai learns about the sacrifice that Yubel made in a previous life towards him, he stops seeing Yubel as an enemy and finds a way to resolve things peacefully between them. When Deku lanterns that Shigaraki’s a victim of All for One, and that his entire life was a lie, when he sees Shigaraki’s suffering first hand does his beavior twoards Shigaraki change in any way? 
When he sees Afo has taken over Shigaraki’s body again, does he try to shout for Shigaraki, to tell Shigaraki to fight from the inside, to reassure Shigaraki that he’s still in there that there’s still good in him? Nope. He just punches Shigaraki some more.
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What Deku needed to tell Shigaraki is so obviously set up by the narrative too. Shigaraki wanted just one person in that house to tell him he could be a hero. Deku wanted his mother to tell him he could be a hero if he was quirkless. Deku sees that Shigaraki started out as a boy who wanted to be a hero, and who was manipulated into being a villain but does he try to appeal to the boy inside of Shigaraki by telling him he can still be a hero? Does he now see the good in Shigaraki? Nope, he just tries to kill him by punching him really hard. 
I purposefully chose the images for the banner of this post, because it shows how differently MHA and GX treated its villains in the end. Yubel is embraced by Judai in the end, Shigaraki evaporates into dust.
"Judai, now that our souls have become one we will never be separated again. I have now been filled with your love and power. Let us fight together, against the wave of light leading this universe to destruction!"
Shigaraki could so easily have been given the love and empathy that Yubel was shown, but instead their life ends with no show of empathy from Deku, and with them dying believing that their long life of tragedy meant nothing in the end. Shigaraki realizes he's a crying kid, but he's never comforted.
Shigaraki: I only stole my body back from Master, and I didn't destroy anything. "In the end, I was just as you said... A crying kid, huh?"
Yubel is embraced and comforted, Shigaraki disintegrates into nothing.
One of these stories is apparently an optimistic story about heroes saving people, but it ends with the lifelong victim being killed in the most nihilistic manner possible, never receiving comfort, and never achieving anything with his long life.
The other story is a silly anime about card games, shows that when people are alone and suffering they can lash out and do terrible things. That all people are weak especially when they're alone, but the solution isn't to abandon them, or condemn them for their faults, but to believe in them and help uplift them the same way that Judai decides to uplift Yubel so they can atone together.
Which is why Deku gets an F in being a hero. Go directly to summer school. Do not pass Go. Do not collect $100. 
682 notes · View notes
felinecyan · 2 months
Text
Wonders of the Skies
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[Keigo Takami x Female!Reader]
Synopsis: When he finds himself bored, stressed, or tired… he seeks comfort in not only the stars, but his favorite spot to relax, right on your balcony.
WC: 3634
Category: Fluff, Pre-Rise of Villains arc
Since my other fics are filled with angsty drama (and my birthday is officially four days away 🗣️), I decided to be nice and drop one that’s full-on fluff. Enjoy ☺️
『••✎••』
The stars being out should've been his first sign. The clouds were thin, the night sky clear of any smog, and the wind was still. A beautiful night. The perfect night for such a tiring day.
He was all over the place with his schedule. Between patrolling his section of Musutafu, taking reports from his informants, and training his little fledgling, he could barely catch a breath. Not to mention, he had to deal with the paperwork that came from the Hero Commission.
So he was exhausted. He needed a breather—something to make his body relax after being worked so hard. So, wishful thinking and a bit of insomnia were the perfect excuse for him not to enter the warmth of his apartment.
And there you were. Standing on your balcony, leaning against the railing as the soft breeze of the night blew. The moon's soft glow reflected against your skin and hair. The way the light framed your face and illuminated your skin was nothing short of beautiful.
You had no idea he was there, standing on the rooftop just above your apartment building. He always did this. On nights when he felt the weight of his responsibilities too much, he would come to you.
Your apartment was one of the tallest buildings in his area. It gave him a bird's eye view of everything below, the perfect vantage point for him to keep a watchful eye out for anything suspicious.
It was just an added bonus that you were here.
The first time he came here, he only stayed for a couple of minutes before returning home. He was just checking the place out and getting familiar with the area. Then, he found you.
He saw how you leaned on the railing of the balcony, gazing at the night sky and humming along to a tune only you knew. It was something he was familiar with, something that soothed his mind, but he couldn't figure out where he had heard it before.
So, he asked you in the most subtle way possible.
"What are you humming?"
And the reaction you had was enough to make his forced smile genuine.
Thinking back on it, he probably shouldn't have popped up like a damn jack-in-the-box. You were peacefully enjoying the night sky until you looked up into his upside-down face and nearly had a heart attack.
His first meeting with you was definitely memorable.
He remembered the look of absolute shock and fear as you stared into his face. And then he remembered the moment your expression shifted into one of irritation as you scolded him for scaring the hell out of you.
You, scolding the number three hero for scaring you. You had some serious guts to do something like that.
That's what intrigued him about you in the first place. It was a nice refresher when comparing you to his... "fanbase."
But he was getting off-topic.
As he gazed at you from the rooftop, he felt his eyes soften. It was odd how you had this effect on him.
Just looking at you made him feel relaxed. Not to mention your voice, how sweet and comforting it sounded. Even if you were just humming, you still held his attention.
He could listen to your voice all day.
He let out a quiet sigh as he leaned on the railing of the roof. From up here, you seemed so small, almost insignificant compared to the size of his city. But, in his mind, you were much bigger than the city itself.
He couldn't quite explain why, but there was something about you that made him feel comfortable. Your presence alone was enough to make him feel at peace.
With one final sigh, he hopped down from the rooftop. He wasn't properly wearing his headpiece, but it was fine. He didn't mind the whistle of the wind in his ears. It was only for a few seconds, anyway.
In no time at all, right before he hit the ground, he snapped open his wings and caught the wind. He watched as you nearly jumped out of your skin at the sound of his boots thudding against your metal railing. You spun around, looking like a deer caught in headlights, only to glare at him when you realized who was the cause of your heart stopping.
"Jeez, Hawks," You placed a hand over your chest. "A warning would be nice."
He chuckled as he landed in front of you. His wings were open wide, the tips of his feathers brushing against the edges of the railing. "But then I wouldn't get to see that adorable look on your face."
You huffed and crossed your arms, your glare still in place. It didn't seem like you were really mad, though. There was a twitch in your lips that made him smirk.
There were some things he could really struggle with, but deciphering all the emotions and expressions on people's faces? That was easy. It was something he needed to learn when he was younger, and while he might not use the skill often, he was still happy to have it.
It helped him get a read on people, and more importantly, it helped him know villains and criminals.
And, occasionally, it helped him figure out what the hell you were thinking.
"How was work today?" You asked, already forgiving him for scaring the shit out of you. "Busy?"
"Eh, the usual," he waved off. "Patrol was a breeze. A couple of muggers were caught stealing purses, but that's about it."
He watched as you tilted your head, your brow raised. "You're not telling me the whole story."
"Well, what can I say?" He shrugged, finally hopping down from the railing. He stretched out his wings and folded them against his back. "I'm a man of many talents. Gotta keep some of the fun parts to myself, right?"
You scoffed, opting to stare at the city below rather than give him a response. He didn't mind, though. He liked looking at you, whether it was your face or the scenery.
"What about you?" He asked, stepping beside you. "How was your day?"
"Good." You sighed. "I'm happy it's Friday. I needed this break."
He chuckled. "Don't we all?"
Though, he never really took breaks. Well, not proper ones, at least. The closest he got to a vacation was going undercover for an extended period of time. But that was far from relaxing.
"I had to set up a surprise party for one of my friends," you said, a tired smile on your face. "Well, technically, I didn't have to, but I wanted to. He's been through a lot recently, so I thought it would help lift his spirits a bit."
"Sounds like a fun time," Keigo mused, a smile on his face. "What's the occasion?"
"Oh, his birthday," you answered, your gaze shifting back to the city. "I've never celebrated his birthday, so this is the first time I've ever thrown a party for him. I'm honestly a bit worried that it won't be good."
Keigo hummed and turned to face the city. "I'm sure he'll love it. It's the thought that counts, right?"
"Yeah." You laughed quietly, looking at the sky. "I just hope he'll enjoy it."
For a few moments, silence enveloped the two of you. A comfortable one, but still silence. It gave him the time to appreciate the view in front of him.
Sure, the city lights were bright, and the air was a little stuffy, but the moon's light and the stars' glittering made it worth it, especially when they were reflected in your eyes.
You looked ethereal.
"I've always wondered what it would be like to fly," you said softly as if the sound of your voice would disturb the stars. "What it would feel like to soar through the sky. Just imagine the view."
He looked at you, watching your expression carefully. You didn't notice his eyes on you. Instead, your attention was on the sky, your gaze full of wonder.
He hummed, a mischievous smirk on his face. "Want a demonstration?"
You snapped your head towards him, your eyes wide. "What?"
Without saying a word, he removed the headset against his neck and slid it back where it belonged. He turned his body towards yours and spread his wings, stretching them out. He then reached his hands out to you, his smile growing wider.
"What are you doing?" You asked, eyeing his hands cautiously.
"What do you think?" He retorted. "Come on, take my hands. I won't drop you."
Your expression didn't change. If anything, your wariness grew.
"What?" He teased. "Scared? You don't trust me?"
You narrowed your eyes at him. "You know, it's times like these that make me question our friendship."
He scoffed and rolled his eyes, his smile remaining. "Just take my hands. It'll be fun."
For a second, you continued to stare at him. And then you let out a sigh.
"Okay, fine," you muttered, grabbing onto his hands. He figured you probably thought you'd have time to relax and prep yourself, but no. He couldn't be here for too long, and this bird never liked being cooped up.
He only waited long enough to ensure you wouldn't fly out of his arms. Then, with a mighty flap of his wings, he pushed the two of you into the air.
The look on your face was priceless.
He'd seen fear before. Hell, he'd experienced it plenty of times. But seeing it on you? It was hilarious.
Your grip on his arms tightened, and your legs flailed around in a desperate attempt to find something to hold onto. And even though he couldn't hear you, the way your mouth opened was enough to tell him that you were screaming.
His stomach hurt from how hard he was laughing. He wanted to look at your face again, but he didn't want to kill the two of you. So, he opted to keep his focus on the sky above and the city below.
He made sure to avoid the clouds and kept his wings steady. You wanted a demonstration, right? Well, a demonstration you'd get.
He glided through the sky, letting his feathers do the hard work. And while he had been in the air countless times, this felt different.
Usually, when he was flying, it was because he had to save someone. He didn't have time to appreciate the view or take in the fresh air. And even when he had some spare time, he would spend it napping or taking reports from his informants.
But now, he could relax. No emergencies, no patrols, no paperwork, and no informants. It was just him, the stars, and you.
And for once, he felt like a regular guy.
He wasn't Hawks, the number two hero, or the kid with too many feathers and not enough time. He was just a regular guy—someone who could fly and who could show the wonders of the skies.
"You can open your eyes now," he called out, making sure his voice was loud enough to be heard. Of course, he wasn't completely sure they were even closed in the first place, but you were clutching his arms pretty tightly, so he figured it was safe to assume they were.
Slowly, he felt your grip loosen. Your legs stopped moving, and your head turned away from him. Your eyes were closed, and he watched as you hesitantly cracked them open.
He didn't say anything as you stared at the sky, your eyes wide. The look on your face was one he would treasure forever.
Your mouth was parted slightly, your gaze was full of wonder and amazement, and your expression was a mixture of surprise and joy.
It was like a child seeing a new toy.
"Woah," you breathed out, your grip loosening more. "This is... wow."
"Right?" He laughed. "Oh, here, let me lend you some help."
Before you could ask what he meant, the pair of visors against his head detached themselves and flew in front of you. As quickly as they were removed, they were replaced, and he smiled at the gasp that left your lips.
"The wind gets annoying," he explained, a smirk on his face. "This makes it easier to enjoy the view."
"Don't you need them? To see, I mean."
Aw, concerned for his safety. How cute.
"Nah," he waved off, "I've done this plenty of times. My eyes are used to the wind."
You hummed, and then your arms moved up and rested on his shoulders. Your legs stopped flailing around, and your body leaned closer to his. He was glad you did. You were starting to slip.
"Is this better?" He teased, a grin on his face. "No more screaming, I hope?"
You glared at him, though there was no heat behind it. "You know what? Yes, it is. Now, can we please focus on the view?"
He chuckled. "Yeah, yeah. We can."
After a few minutes, your gaze finally left him and settled on the view. He took the chance to look at you, to memorize your features, and to burn the image of you in his mind.
He didn't need the view you needed; he's seen it plenty of times. Instead, he wanted the view he'd never get a chance to see—the one where you were enjoying yourself.
He wished the moment would last longer so that he would have more time to put a smile on your face, but the time flew by. Plus, he needed at least two hours of rest, and it was already close to midnight.
So, he slowly descended back onto the balcony, landing softly and gently. Disappointment was clear on your face as you gave him back his visors and looked at the sky longingly.
He understood. It was the same feeling he had whenever he landed. It was nice being in the sky. It was nice not having a care in the world.
It was nice being free.
"Thanks for that," you said, turning to him with a small smile. "That was amazing."
"You're welcome," he smiled, taking off his headset and resting it against his neck once again. "Hate to ruin the mood, but unfortunately, duty calls."
"Already?" You frowned, "At least stay for some tea."
He would love to, but he really shouldn't. He was already pushing his limit as it was.
"Sorry, doll," he sighed. "Another time, okay?"
You let out a quiet hum and looked at the city. He followed your gaze, and for a second, the two of you stood in silence.
He couldn't believe it's been three months.
It felt like yesterday that he found you on the balcony. Now, you were standing in front of him, offering him a drink, and he was about to reject it.
But he couldn't, not today. Today, he needed to leave.
With a sigh, he turned towards the railing and stretched his wings. His boots scraped against the metal bars as he climbed up, his feet finding purchase on the railing. He looked back at you, his wings twitching as he prepared to take flight.
"Wait!"
He froze, his body turning towards you. He cocked his head to the side and watched as you walked towards him.
"Before you go," you said, a hand reaching into your pocket. You pulled out a key, its surface shining brightly from the moon's light. "I wanted to give you this."
He felt his heart drop as he took the key. He looked down at it, his fingers grazing over the metal.
"That... surprise party I mentioned earlier? I'm going to change it to a dinner," you said, giving him a gentle smile. "I feel it aligns with your schedule better; more of a chance for you to drop by, you know?"
He felt his eyes soften, and a small smile formed on his face.
"Why change the entire birthday party because of me?" He asked, raising a brow. "Shouldn't it be what your friend wants? Since it's his special day and all that?"
"Well, yeah, but—" You hesitated. "I mean... don't you look at dates? You know what date it's going to be in... I don't know, five minutes?"
He raised a brow, the smile on his face widening.
"It's going to be the 28th of December."
"Yes, and...?"
You blinked.
"What do you mean, and?"
"Do you want the exact time and minute, too?"
Your lips were parted, and your eyes were wide. He couldn't help but laugh at the look on your face. You looked so shocked, so surprised.
"I can't believe it," you mumbled, your mouth finally closing. "So, you're telling me that it is so insignificant that you can't even remember the date of your own birthday?"
That smile of his... faltered.
His heart dropped.
His stomach twisted.
His blood turned cold.
What did you just say?
"My birthday?" He croaked, his voice barely above a whisper. Oh, how his voice shook.
"Yes, your birthday," you replied. "When's the last time you celebrated it?"
He opened his mouth, but nothing came out. His mind was blank. He couldn't remember. Of course, he knew what tomorrow was; he always made himself aware of the date, but what about the day itself? He didn't have a clue.
He'd never celebrated his birthday, not since the Commission took him. There wasn't a reason to, and there wasn't a need for it. You had asked him when it was three weeks ago, and he remembered every conversation and figured it was plain curiosity.
He thought you'd forgotten.
"Are you okay?"
His eyes snapped towards yours, and the concern in them almost made him fall. Almost.
"I... got it right, didn't I?" You whispered, taking a step towards him. "I didn't just mess up your date, did I?"
"No, no, you didn't." He cleared his throat and took a deep breath. "It's just that... well, I haven't celebrated my birthday in a long time. I... honestly didn't think I was missing out on much."
You hummed and nodded to the key in his hand. "Well, how about we start now?"
He looked down at the object in his hands. His fingers brushed over the smooth surface. It felt warm against his skin, almost as if it were inviting him.
"Tomorrow, we'll celebrate your birthday," you continued, your voice soft and comforting. "Whenever you can. I'm not sure if you're going to be able to make it, and I'm okay with that, but if you can, then that's great."
"I—" He looked at you, his eyes shining. "How'd you know I'd visit tonight?"
You snorted, a small smile on your face. "You always visit on Tuesdays. I didn't have high hopes, but I'm glad I did it anyway."
He was stunned. Speechless, even. He didn't even realize every time he visited was on a Tuesday. Hell, he didn't even know he had a schedule.
"Well, what are you waiting for?" You nudged him gently. "Go home. Get some rest. Stop by tomorrow if you can, or just enjoy the day. Either way, happy birthday, Hawks."
His wings twitched, and a warmth filled his chest. His eyes softened, and his lips curved upwards.
"Keigo."
You faltered, your brows furrowed in confusion.
"Huh? You want me to leave?"
"...What?"
"You said 'okay go' so—"
"No, no, that's not what I—" He let out a groan and pinched the bridge of his nose. "I'm saying, Keigo. Call me Keigo."
"...what?"
He was starting to regret this.
"My name," he clarified, looking at you. "Keigo Takami. That's my name. You don't have to call me Hawks, not if I can call you by your name. Just... uh, don't go around calling me that, you know? Keep it a secret. Between us. Yeah?"
He cringed. God, he sounded so awkward.
But it didn't matter because you evidently didn't hear the stutters and the hesitation in his voice. Or maybe you did and were nice enough not to point it out.
Either way, a wide smile was on your face, and your eyes were bright.
"Happy birthday then, Keigo."
Oh, he wasn't used to this. Hearing his name was a new experience. It's been so long, so, so long since he heard it. Honestly, it's been so long, and his brain was trying so hard to connect his name to him.
He missed hearing his name.
He loved his name.
"Thank you," he smiled, and it was the most genuine smile he's ever made.
And then he jumped. His wings spread, and he took off into the night. But unlike the other times, he didn't go straight home.
Instead, he went higher, higher, higher. Until he couldn't, and then he stopped, his gaze fixed on the sky.
There were so many stars, and the moon was big and bright. The wind was harsh, but he didn't mind. He was used to it, after all.
But what he wasn't used to was the warmth in his chest. It was foreign and strange, but he liked it. He liked the way it made him feel, and he wanted to keep it forever.
And so, he closed his eyes and took a deep breath. And, without a doubt in his mind, he said the words that were stuck in his throat for so long.
"Happy birthday to me."
Because not even two minutes after he left, on the 28th of December, 00:01 AM, he received a text from you:
The key wasn't your actual gift, by the way, so make sure you eventually swing by, whether it be tomorrow or next week.
Again, happy birthday!
And then warm feeling in his chest only grew
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celestialtarot11 · 10 days
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Astro Post 🪽
Hi lovelies! A new astro post for ya’ll! Hope ya’ll enjoy! Feel free to like comment and reblog with your feedback, or thoughts. I would love to hear! 🤍
divider creds: @fairytopea
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Cap moon babies…it takes us a while to figure out who we are amongst the chaos. I think its important for Cap moons to experience living alone, outside of trauma because its necessary for our development. We crave stability and order, and when we live in an environment that isn’t conducive to that, we get unstable within ourselves. That being said: cap moons need to be alone at some point to figure out who they are instead of constantly saving people around them, or adjusting their personality to reduce backlash. Love you cap moons 🤍 (including me)
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Pisces moon, ya’ll be similar to cap moons too. Its easy for yall to get stuck to your environment because it feels safe. It feels like its your only “checkpoint” to everything feeling real. So much that when you enter the real world it feels like a dream. Doing day to day things can trigger dissociation, because you only really felt alive during the traumatic moments. Pisces babes, please if you can create a safe space for yourself to grow outside of trauma. Just like cap moon.
And I think this goes for everyone regardless of astrology.
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Aquarius placements, the need to feel unique and special can become tedious. Aquarius placements feel this way to feel chosen, and validated in their community after being neglected. Sometimes perfectionism can get in the way of Aquarius loving themselves truthfully, because they want to project an image of accuracy. So much that people can’t make out anything wrong about them. If they have neptune affliction to their personal placements, its almost about: “an illusion,” “i was never really there,” “and you cant find anything wrong with me if i never existed.” And some of them own this insecurity and work with it. Aqua placements, regardless of your past you will always be chosen by your higher self and spirit 🤍 you have someone rooting for you: you. Your future self.
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Leo sun women, you don’t have to dim your light to seem more “mature,” “smart,” and “poised.” You are the light your inner child needs and anyone who stifles that, is also stifling the love you share to your inner child. Think about it. Your joy is your inner child, you get excitement from the littlest of things and having someone constrict that: means they are lessening the relationship you have with yourself. Don’t stick around with people who rain on your shine! Stick with others who shine with you. Leo sun women are so connected with their heart and inner child, that relationship is strong. Of course it can be weakened with trauma and pain, but Leo sun women need to be surrounded by those who uplift them!
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Virgo placements knowing when something isn’t right and then dissing their intuition. Virgo pls, in esoteric astrology you’re known as the messenger of intuition and divine order! Gemini is the process of expressing it, but Virgo is the vessel to receive it. You guys know whats up immediately, and have a strong sense of internal navigation. You guys know where to find and create safe spaces if theres none, and your intuition knows if someone isn’t up to any good. Save yourself the villain arc, and trust yourself babes 🤍
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Aries rising libra on the descendant, many others expected you to be poised, graceful, and humble to the point of neglecting who you are to fit in. Aries rising I think, always knew they weren’t the type to just “fit in,” since they were young. They knew they’d be open, outspoken, authentic and honest. Even if it shook people, which isn’t the same as being blunt: it’s called being truthful. And the truth scares people who avoid it. As Aries rising grows older they hone their personality that is honest, bold and confident, and releases the codependent part of them. 🪽🤍
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Extra 🤍
Paid Readings 🪽
PAC Readings 🪽
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fizzyorange-v2 · 1 year
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just talking to my friend in dms about how at first when q!charlie started calming down from his rampage i was kinda upset cause i WANTED a full villain arc i wanted blood and rage and a massacre but then I kept watching and realised how much of a fucking idiot I was to underestimate charlie slimecicle’s rp skills like that. because charlie isn’t just playing a character hell bent on righteous revenge for his daughter, he’s playing a character actually grieving that daughter.
it’s obvious now that i think about it that the initial revenge plot to kill all the eggs and his repeated self affirmations that juanaflippa isn’t gone and that it can all just be reset are clearly just him entering the denial and anger stages. and that later scenes after the rest of the server finally backed him into a corner and calmed him down and he had that heart wrenching scene looking at juanaflippa’s photo, asking for a literal trial for her life and soul back and then that whooooole bar scene, that he has then entered the bargaining and depression stages.
Because the truth is, q!charlie doesn’t actually want to kill anyone (except Mariana lolll), he especially doesn’t want to kill any of the eggs! All he wanted was to be a good dad. And I think that that’s part of the reason he as a character failed so hard to actually tangibly hurt anyone during this stream. He was a mess, crying screaming yelling clawing trying to do something, anything to save his daughter. Anything to fix it all. That scene of him failing to break into Phil’s house haunts me.
But I think there’s something especially tragic that before Juanaflippa, q!charlie probably was the kind of character to hurt others without caring, he seemed to have no idea about empathy or healthy relationships before her thats for sure. He’s literally already killed TWO eggs before this, so causally and with such ease. But his love for his daughter improved him, and it changed him, and it made him just enough of a better person that when that daughter was taken from him, suddenly even to save her he can’t fucking do it anymore.
I also really appreciate how everyone else on the server reacted to him too. They didn’t at all treat him like some big bad scary villain like I originally would I’ve expected. Sure they were understandably wary and protective, but every single one of them weren’t so much angry at him as… WORRIED for him. And it really helped put it in perspective that this isn’t some guy going on a hashtag villain arc, but immersed me in oh fuck. This is a guy that just lost his daughter. And all his friends and fellow parents know. And they aren’t scared of him, they’re concerned for him. They aren’t full of fear… but pity. Because they know. They know what he’s just lost. And they understand. And they’re trying to be there for him.
And Charlie despite all the grand speeches and diabolical plots and not so carefully placed land mines… doesn’t really care how he gets Juanaflippa back, as long as she’s with him again.
Just man,,,, the way Charlie performed this character’s grief is so fucking stellar and SO fucking excruciating. The part that genuinely broke me was in that photo scene when he said: “i'm sorry flippa... i thought i could change something- i thought i could undo it, thought i could make it right... now i see that there's no way this can be made right...” which already fucking ow ow OW and clearly him finally exiting denial/anger straight into depression but then he whispers THIS FUCKING BIT: “it wasnt even on purpose… i know that... it doesnt make it better… what do i do juanaflippa?” LIKE FUCK!!!! FUCK!!!! OKAY!!!!!
Anyway massive props to everyone for the rp today but ESPECIALLY charlie for this agonisingly accurate and visceral depiction of grief that I somehow was NOT expecting. I thought we were going to get villain arc egg massacre angst and instead we got father mourning his daughter trying futilely to do anything to bring her back angst. I’m never fucking recovering from this one.
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radiance1 · 11 months
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Inspired by this post.
So, we have Danny, who outlived his friends and family (none of them became ghosts.) is the prince of the Infinite Realms.
As soon as he didn't have any ties to the living world anymore, at the young age of 114 was Danny scooped up and taken to the ghost zone for royal tutelage.
Things like balance training, how to carry himself prim and proper, how to invoke power with his voice (not literally, mostly how to sound commanding at stuff), what he should wear, knowledge about the ghost zone etc, etc.
Although, History beyond a certain point had to be taught exclusively by Clockwork, since the only other person who could teach him about the Infinite Realms' full History would be Pariah Dark, who was the first ghost ever to have been conceived by the Realms, and no one really wanted to wake up him.
Of course, that would mean there would be a void where Clockwork can't teach, but that knowledge is.... not necessary for the young prince to learn.
[It was really just about Pariah acquiring the ring and crown, the rest is uh, cough the lovey-dovey arc of Pariah Dark and Clockwork that will stay lost to time if Clockwork has anything to say about. Look, they were babies then compared to now, no one needs to know what happened back then alright?]
So, after all this I imagine him wearing something like this, staff and all.
However, Danny has an arch-nemesis.
Dark Danny.
Who somehow managed to escape from his imprisonment and causes havoc and chaos wherever he goes. His thing to do was to escape to the living world to make it befall the same fate he caused to his own.
He, however, probably did not expect for Danny to be more experienced, and his skills more honed than 100 years ago. Not that Dark Danny knew such time had passed, as he went through the trouble of trying to locate Danny's parents, sister, and best friends to make try and set him on the path to become him.
He failed, obviously, as they were already long gone.
His next thing to do? Locate Vlad and consume his ghost half. However, Danny made it just in time before he could do so.
However, Dark Danny's sheer, raw power, still eclipsed his own. However, while his raw power may be superior, he had something that would let him reliably go head-to-head in a fight with his alternate self and not win due to being underestimated and the sudden appearance of the ghost wail.
A staff, one naturally formed when he was crowned as Prince. An artifact that granted him a boost in power, and furthered his strengths regarding magic, giving him a roughly equal playing field when he confronts Dan.
It by itself may have only been equal to that of the Ring of Rage or Crown of Fire individually, but the fact it could compare to either one when not paired together spoke well of its power.
Dark Danny was, obviously, not expecting him to be as well-equipped and powerful as he was now. So, he underestimated him yet again, and almost led to his defeat and subsequent containment. However, Danny didn't expect for him to escape as he did, and run into another dimension.
Danny, both as himself and Prince of the Ghost Zone, has the responsibility to go after his evil self. So, he entered the portal, with some equipment made by Vlad as both a thanks and silent 'Find him as quickly as possible', which was a device meant to track Dark Danny's energy whenever he uses a good amount of it.
He... didn't expect, to land in a dimension of Superheroes and Villains.
However, he could let such things distract him from the task at hand, Dark Danny was surprisingly laying low for some reason. Probably to recuperate the damage Danny managed to do to him, so that left him a while to get familiar enough with this dimension.
He got a few odd looks here and there, mostly due to how he was dressed. He was worried about it for a while, before overhearing others calling him a cosplayer and him, suddenly remembering that those do indeed exist, decides to use that as a cover for how he dresses.
A month later, still with no sign of his alternate self, and making Danny worry about if he wasn't in this dimension at all. The device finally picked up Dark Danny's signature, and he hurried to said location, when he arrived, the place was not in the best of shape.
Upturned cars, broken buildings, rubble on the street, fire here and there. Not the best welcome party.
There were multiple other villains than just his future self there, but he didn't put them in mind. He was here for one, and one alone.
A few members of what he believes to be Young Justice took to fighting his alternate self, while other members of their team and the Justice League fight the other villains. He saw what could only be the start of a ghost wail, and hurried over.
In front of them, he slammed the butt of his staff on the ground and conjured a shield, which took the entirety of the attack with a few cracks.
"Still as strong as ever, I see." Danny said, lowering the shield as his twin rings run up and down his body respectively, hair turning a white glow and eyes as green as toxic waste. He raised his staff, pointing it at his future self, who looked none too pleased to see him at all. "Now then, shall we continue our fight you so rudely left unfinished?"
Of course, Danny no longer had the card of underestimation, but he could do well without it. Unfortunately, after quite the battle, Dark Danny managed to escape once again, due to some kind of teleport spell of another magic user.
Danny didn't escape unscathed from the fight, but nothing that couldn't be healed in time.
Of course, then he had to interact with both the Justice League, and Young Justice after his sudden introduction.
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kikis-writing-service · 8 months
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Spicy Curry (Bakugou Katsuki x F!Reader) Chapter 5
Summary: Pro-hero Dynamight hides his developing hearing loss from the public. He doesn’t want them or the villains to know about what he considers his only weakness. His family knows. His best friends know. And now you, the owner of his favorite little curry shop, know. You want to live a quiet life & to protect your son. The last thing you want is to draw attention to yourself. You hide your identity, you hide your scars, and you hide your quirk. And then Bakugou, Katsuki walks in one day with dried blood on his ears, and you can’t help but help him.
Parts: 1 2 3 4 5 ? ? ? ? ?
🖤 🖤 🖤 🖤 🖤 🖤 🖤 🖤 🖤 🖤
Content Warning: This fic will contain mentions of past abuse from a “partner”, including sexual assault.
🖤 🖤 🖤 🖤 🖤 🖤 🖤 🖤 🖤 🖤
In the golden glow of the late afternoon sun, Kouichi and Katsuki walk side by side. Their steps sync as they stroll side by side, your silhouette casting a gentle glow ahead, like a beacon guiding their path. Kouichi’s hands dance through the air with a graceful flurry of gestures—palms closing, then flinging open with a snap, his eyes aglow with endless curiosity. Meanwhile, Katsuki’s larger hands fumble, struggling to keep pace with the boy’s animated movements.
“Ever accidentally blown someone up?” Kouichi’s question hangs in the air, his hands brushing against his chest in a hesitant mimic of a heartbeat, fingers trembling before folding back. His gaze dips, then rises to meet Katsuki’s again.
“Yeah, happens sometimes,” Katsuki signs, hands rising a few inches, palms open. Echoes of singed collars, the acrid scent of burnt fabric, and a childhood friend’s laughter play behind his eyes. “Gotta be careful and have control.” His hands flutter gently, settling back down.
“How?” Kouichi’s brows shoot up, hands tracing a graceful arc in the air, fingers lingering. “Your quirk is so strong, so dangerous!” Awe flickers in his eyes as he tilts his head. Katsuki’s chest swells with a hint of pride, swiftly subdued by a wry smile. Kouichi’s innocence mirrors a younger version of himself, full of bravado and reckless curiosity.
“Training, kid,” Katsuki signs, tapping his forehead repeatedly. His hands spread open, facing forward, then push against an invisible force, arms slightly bent. Each motion conveys the sheer practice it took to control his quirk.
Katsuki tilts his head, brows raised in a silent question. “You? Got a strong quirk too?” His fingers splay briefly, then draw back, mirroring Kouichi’s earlier gesture.
Kouichi nods, his answer unspoken, hanging heavily in the air between them.
In the rhythmic hum of the laundromat, Katsuki’s imposing figure stands out against the serenity of the nearly empty space. Like a silent guardian, Kouichi claims his post before the churning waters, watching over your laundry. A playful sign from you directs him to keep an eye on the clothes as you drift toward a weathered bench, Katsuki following like a wolf shadowing a rabbit. The bench groans beneath his weight, his silent presence a reassuring anchor beside you.
His sharp, assessing gaze softens as it meets yours. “Didn’t expect you to have a kid,” his fingers sign, tapping his forehead twice, a hint of surprise lingering in the air. Even as he leans back, the tension in his shoulders refuses to fully unravel.
Your lips curve into a knowing smile. “Life’s full of surprises,” you chuckle, the vibration sending a comforting warmth through him. For a fleeting moment, he wishes to be even closer. A playful gleam enters your eyes. “How old do you think I am?” Your thumb and index finger meet, gliding straight down towards your stomach, a playful challenge dancing on your fingers.
Katsuki falters, caught between the unexpected jest and the truth shimmering in your smile. “Twenty-four,” he finally signs, hands forming the numbers, his gaze searching yours for the punchline.
The laugh that bubbles up from you seems to dance across his chest, a soft vibration against his skin. “Twenty-nine,” you confess, fingers shaping the numbers, your gaze meeting his with a playful tilt of your head. “A few years your senior, it seems,” you sign, a mischievous grin playing on your lips. Your fingers playfully count, then tap your forehead with a single finger, a silent challenge in your eyes.
The admission hangs in the air, a tangible presence filling the space between you. The washing machine’s steady thrumming echoes the beat of his suddenly racing heart. A few years? He chews on the words, surprised by the unexpected twist. It isn’t a vast difference, not to most, but in the whirlwind of emotions you provoke, it feels like a chasm.
“Really?” he manages, too shocked to use sign language, the word coming out a touch sharper than intended. The self-consciousness, that familiar foe, creeps up his neck, burning his cheeks. Is that disappointment he sees in your eyes or just a mirrored echo of his own surprise?
You lean in, a single strand of hair brushing the edge of his shoulder. His body shivers involuntarily at the warm breath against his ear and neck. “Not a bad thing, is it?” Your voice, a soft whisper against the machine’s hum, carries a hint of amusement. The warmth of your presence radiates against him, a comforting counterpoint to the cool bench.
“Not bad,” he echoes, his voice husky. “Just… unexpected.” The unspoken truth hangs heavy, a storm brewing behind his eyes. He’s not sure he’s ready to face it, let alone navigate the currents of attraction pulling him closer.
You pull back, creating a deliberate but gentle distance between you. The warmth that had enveloped him now dissipates, leaving a void filled with unspoken tension. In the quiet embrace of the laundromat’s hum, Katsuki allows the tide of his emotions to carry him, a question lingering on his tongue like an elusive catch. Curiosity and concern weave within him, creating a knot impossible to untangle.
“What about his dad?” he signs, fist-bumping his forehead twice before opening it in a silent query.
Your smile wavers, a fleeting tremor before steadying back into place. Katsuki’s gut tightens, sensing he has touched a delicate chord. “He’s not in the picture,” you respond, fist clutched near your chest, palm facing away. A swift flick sends it outward, like a discarded portrait beyond reach. Your brows furrow, a subtle head shake carrying the weight of unspoken words.
Katsuki swallows the apology forming on his tongue, aware of the pain swirling within you. He yearns to delve deeper, to inquire about Kouichi and you, but the storm cloud of your hurt lingers. Instead, he opts for silence, finding solace in the warmth pressed against his side. It seeps into the cracks of his unease, offering a shared refuge in the hushed ambiance of the laundromat.
His fingers itch with the desire to ask, the question a barbed hook caught in his throat. Torn between respecting your privacy and the burning need to understand, his hands finally articulate the words: “How did he lose his hearing?” he signs, fingers intertwining like vines seeking solace. His earnest gaze searches yours for an answer.
You pause, a flicker of something—guilt?—passing through your eyes. “He was born that way,” you sign, tracing a path from stomach to heart. “It was…hard.”
Katsuki’s gaze steadies on your hands, a familiar pang in his chest twisting in a different way. He comprehends the feeling of being outside the box, constantly challenging a world that demands conformity. In your eyes, he glimpses a rawness, a vulnerability that tugs at his rough exterior.
Aching to offer comfort, to utter a soothing word, he finds his tongue feeling clumsy, the words caught between pride and the newfound awareness of your fragility. Softness has never been his forte; he’s a bull in a China shop, built for explosions, not delicacy. Yet, an unfamiliar urge to shield someone from the world’s rough edges envelops him. Fumbling with it, he settles for a subtle shift closer, his presence a silent, rumbling reassurance. No words needed, just the weight of his frame, a shield against the world’s harsh edges.
“Kouichi seems… secretive about his quirk,” Katsuki signs, hands forming the familiar shape near his chest, brow furrowed in a mix of curiosity and concern. His gaze flickers to yours, a hint of protectiveness glinting beneath the usual fiery intensity. “What’s up with that?”
You sigh, a flicker of worry flitting across your face. “He’s had… difficulties,” you sign, your brows mirroring his furrow. One of your hands forms a fist, resting heavily on your chest. “There was an incident at his school.”
Katsuki felt the irritation bubble in his throat when he saw the look of frustration flit across your face. His brow furrowed, mirroring yours. The sharp edge of his posture softened as he leaned back, elbows finding purchase on the worn wood. “Incident?” he signed, the question still holding its edge, but his gaze holding a curious glint.
The air thickens with unspoken memories, a tangible presence you can almost taste. You take a deep breath, the scent of fabric softener doing little to mask the phantom smell of burnt flesh clinging to the edges of your mind. “His quirk…it just manifested,” you signed, hands mimicking the familiar shape for power near your chest. You lingered a beat longer than usual, the weight of the event hanging heavy in the air. A grimace played across your face, your gaze hardening for a fleeting moment before softening. “He can raise his body temperature. Like a furnace.” Your hands wrap around an invisible heat source near your chest, then your fingers spread outwards rapidly.
A jolt of realization struck Katsuki. The singed hand you’d tried to hide–it all clicked into place. “That’s why your hand…,” he began, his voice rough with concern, lines etching themselves into his face.
Your fingertips caress Katsuki’s lips, silencing him mid-sentence. The warmth of his breath dances across your skin, sending a tingling sensation down your spine. You hesitate, your hand hovering near his face, captured by the intensity of his gaze. Your heart races as you gulp and slowly withdraw your hand, allowing it to rest on your lap. His piercing eyes follow the movement, lingering on the bandage adorning your palm. The one he’d wrapped clumsily but carefully just a few nights ago, the one you haven’t bothered to change. It’s a mess, wrinkled, and slightly stained from the spices you’ve been handling.
His brow furrowed, and his jaw tightened, a storm brewing in his gaze. He reached out, his rough, calloused fingers hesitantly brushing against yours before firmly taking hold of your hand.
“What the hell,” he mutters, his voice rough but laced with something that feels like…care? He grabs your hand, his grip firm but gentle. “You still haven’t changed this?”
Your body instinctively recoils, muscles tensing and heart racing at the slightest indication of danger. A memory flashes before your eyes: rough hands gripping you tightly, a frigid gaze piercing into your very soul, a menacing voice whispering threats that still echo in your ears. It all disappears in an instant, but the fear lingers on like a heavy fog. Your throat tightens, stifling a scream that never escapes. Instead, a meek apology slips out of your trembling lips.
Katsuki’s body tenses, his fists clenching tightly as he feels his frustration melt away like wisps of smoke. His eyebrows knit together in a mixture of concern and confusion, the two emotions warring for dominance in his stormy gaze. As a hero, he knows this reaction all too well. It’s the response of someone who longs to flee but is paralyzed by fear. The response of a person who has tried to escape before and learned the harsh lesson that it’s safer to stay put.
He reels you back in, his voice softening. “Hey,” he murmurs, his thumb gently tracing the lines of the bandage, his gaze lingering on the tremor in your hand. “’Sokay, alright? Just…take care of yourself, yeah?” You feel a prickle of warmth, a mixture of guilt, and the unfamiliar comfort of his protectiveness.
His words wash over you, each syllable a soothing balm. It doesn’t erase the memory but pushes it back, a tide receding from a battered shore. His touch, gentle yet firm, feels like a grounding anchor, tethering you to the present where the air is warm and the hum of the washing machines a steady beat. You take a deep breath and force yourself to meet his gaze, the intensity of it almost overwhelming. The fear that had threatened to consume you recedes, replaced by a wave of relief so potent it makes your head spin. It’s like stepping out of a suffocating darkness into the unexpected glow of a red sun.
“Yeah. I’ll change it,” you promise, your voice soft but determined. It’s been so long since anyone has shown any concern for your well-being. So long since someone has offered their help expecting nothing in return. You can’t help but wonder why Katsuki is being so kind to you. Sure, he may have a rough exterior and a sharp tongue, but there’s something about him that makes your heart ache with an unexplainable longing. Katsuki’s concern feels like a forbidden oasis, a shimmering pool of hope beckoning you closer.
And just like that, his warmth suddenly feels reminiscent of a ghost—like a brand against your skin. Your fingers twitch against his grip, the urge to flee as strong as the fear that had consumed you moments ago. The cruel joke of the universe hangs heavy in your mind, a bitter taste on your tongue. Why him? Why now? Why offer you this unexpected kindness, only to remind you of what you can never have? You inch your hand back, drawing a thin line of space between you and him. The worn bandage scrapes against his calloused thumb.
Katsuki senses the shift, his sharp gaze darting from your retreating hand to your now-averted face. A quiet tension hangs in the air between you, a palpable unease that he can almost taste on his tongue. A silent conversation plays out in the furrow of his brow, his hero instincts battling with the unspoken fragility he sees in your posture. He knows prying wouldn’t help, not yet. A sense of powerlessness grips his heart as he imagines you bearing this unseen weight all on your own. His hero instincts scream at him to protect you from the unknown source of your panic. He huffs quietly, frustrated at his own inability. That seems to be the trend these days, he thinks bitterly. Unable to hear, unable to be a hero, unable to help anyone around him. He’s become so damn useless, and it eats away at him like a festering wound.
His eyes trace the delicate curve of your profile, taking in the subtle changes—your eyes now lighter, fixed on Kouichi as he leans against the porthole of the washing machine. Your words from a few days ago echo in his head: “You’re Dynamight, the goddamn explosion hero. I’ve seen you blast through villains on TV. And no matter how bad things look, you always pull through, right?” His cheeks warm. He huffs again, but this time, it’s a defiant puff. A consequence of the determination bubbling up his gut. He squares his shoulders, the frustration morphing into a quiet resolve. He knows pushing you won’t help. He needs to find another way.
“Maybe I can help.” The words tumble out of Katsuki’s mouth before he has time to process it. He hadn’t meant to say it, not yet. The impulse, fueled by a potent mix of hero instincts and a strange, unfamiliar warmth towards you, simply overrides his usual caution. You turn your head, a sliver of surprise cracking through your curious expression.
Katsuki’s heart catches in his throat for a second. He’s not used to this—not used to the way you look at him with bright expectant eyes like you truly believe he could level mountains and tame storms if he sets his mind to it. He wasn’t used to the way his breath hitches when your eyes meet his, igniting a flicker of something dangerous and unfamiliar in his chest. He wasn’t used to feeling this vulnerable, so desperately in need of proving his worth, this damn human.
He signs, his fingers tracing the familiar symbols against his chest, a desperate attempt to ground himself. “I know our quirks are different,” he gestures between Kouichi and himself. “But I’ve wrestled with a powerhouse quirk myself for a while now,” he continues, his voice gruffer than usual.
You blink repeatedly, shock clear across your face. His confident gaze holds yours in place. “Besides, I’m kinda free for the foreseeable future.” With a relaxed shrug, his hands open and brush downwards. “Got nothing better to do.”
Hope blooms on your face, a delicate flower unfurling in the sun that makes Katsuki’s insides light on fire. “Really? Are you sure?” your hands sign, trembling slightly with disbelief. Your brows shoot up, mirroring the question mark your fingers form near your chin. Your hands repeat the sign for power, mimicking Katsuki’s, lingering on it a beat longer than necessary.
“I couldn’t possibly repay you,” you sign, hands open and palms up near your chest, fingers spread.
Katsuki scoffs, dismissing the notion with a careless wave. “You still owe me some curry,” he signs, a mischievous glint in his eyes. His fingers tap the palm of his hand twice, a smirk dancing on his lips.
A blush creeps up your cheeks at the unintentional implication given the sign name he gave you. “Curry on the house, forever, if you can help Kouichi,” you sign, fingers shoveling imaginary food into your mouth before tapping your chest twice. A radiant smile blossoms on your face, catching Katsuki off guard. He’s sure his face is on fire now.
Standing up as the machines finish their cycle, Katsuki feels a phantom warmth press against his side, a lingering reminder of your absence. He glances towards the washers, a flicker of loneliness crossing his face before you return, your smile radiating excitement that crackles through the air.
“Guess what?” you sign, your eyes sparkling with mischief. “Kouichi wants you to come see something.” Your hands mime holding an unseen object and thrust it playfully towards him, an unspoken invitation to share in Kouichi’s secret discovery.
Katsuki joins Kouichi, who bursts into an enthusiastic explanation of his love for the laundromat. “I like the way the machines vibrate!” he signs, forming the sign for a “washing machine” and mimicking a gentle shaking motion. His eyes sparkle with wonder, the hum of the machines his personal symphony.
Katsuki, though unfamiliar with the sign, easily catches his drift. He can hear the low rumble, but a pang of nostalgia tugs at him. He used to hear the water sloshing inside, too, a memory from a life that feels like a lifetime ago.
Kouichi glances at you, then back at Katsuki, urgency flashing in his eyes. He signs rapidly, shielding his movements from your sight. “Please don’t tell Mom what I’m going to ask.” His right palm pressed flat against closed lips, then quickly flicked down and away, fingers snapping open. Katsuki, sharp as ever, sees the cleverness in his plea.
“Sure,” Katsuki signs, a relaxed confidence in his posture. “Ask away.”
The hum of the machines fills the silence, a comfortable rhythm that underscores their budding understanding. Katsuki looks at Kouichi, his powerful quirk a hidden force within, then at you, offering a soft smile as you watch them from the bench. He takes a deep breath, gathering his thoughts.
Kouichi leans in, his next question breaking the quiet. “Mom said not to ask about your hearing, but…” He signs, fingers brushing across his lips, then miming zipping a zipper shut across his chest. “Can I still be a strong hero like you, even though I’m deaf?” His hopeful eyes plead for validation, his vulnerability raw and exposed.
The question strikes a chord deep within Katsuki, stirring memories of his own struggles with insecurity. He nods slowly, the gesture heavy with meaning. “A badass hero doesn’t let something like that stop him from kicking ass.” His dominant hand forms a fist, then explodes open, fingers spread wide, mimicking his signature explosive power. He repeats the movement, each strike a testament to his conviction.
Kouichi’s face explodes with joy, his eyes mirroring the admiration Katsuki usually sees directed at heroes like Deku. Only this time, it’s for him.
The intensity in his eyes holds Katsuki’s attention. Surprise flickers across his face, genuine and unexpected. He sees a reflection of himself in Kouichi’s unwavering determination, a boy bursting with the same youthful fire that once burned within him.
A playful glint sparks in Katsuki’s eyes as he signs, “Like me, huh?” His eyebrows rise, curiosity mirrored in his hands that rise in unison, palm to palm. “Then you better train hard.” He throws a fist forward, fingers snapping open like a detonation.
“Dynamight,” Kouichi signs, his eyes blazing with ambition, “I’m gonna be even better than you!” His hands explode outwards, mimicking blasts even greater than Katsuki’s, a silent promise carried in the air.
A surprised laugh bursts from Katsuki, echoing through the laundromat. The audacity takes him off guard, reminiscent of his own brash younger self. But beneath Kouichi’s confidence, he sees a quiet strength, a determination that resonates even in the silence.
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