#i will add to this - IF I CAN !!!! - when/if stuff changes

[twig-gy]

[bolts up in bed] HOW DARE YOU ACT LIKE YOU CAN’T CHANGE OCTAVES IN BEEPBOX

this is the beepbox preferences dropdown (on mobile). the options shown are:

show and play the same bar: when On the bar on screen will automatically change to the bar being played, when Off the screen will stay on the bar you picked

hear preview of added notes: when On when you place a note down you will hear it

show piano keys: when On at the left edge there are piano keys (presumably idk i don’t have perfect pitch) telling you what the notes’ names are

highlight ‘fifth’ of song key

allow adding notes not in scale: when On you can add notes that aren’t of the scale you’re using, the blacked out notes

use current scale as default

show notes from all channels: when On displays the notes of the other channels, helpful if you want to match the notes to them

show octave scroll bar: when On shows a scroll bar so you can Change Octaves

customize all instruments: when On you don’t have to press the customize instrument button you just have all the things already there

instrument copy/paste buttons: when On, adds copy/paste buttons, useful specifically whenever you’ve customized the instruments so you can copy them and paste them in other songs to use

enable channel muting: when On adds buttons which let you mute channels and it’s the best one here imo

those are, like, all of them that affect the song making process besides note recording but i have no idea what that does

other important things can be found in edit, which is right above preferences and has typical stuff like copy and paste but also some of the most important things:

change beats per bar, which lets you make bars (which is one of the squares with a number inside you see below the song making thing) shorter or longer

change song length, which does what it says (it counts by bars btw): it also lets you choose whether you want the change applied at the start or end, which is niceys

and, the most important one, channel settings, which lets you choose how many channels (or instruments) there are and how many patterns you get!!!!!!!!!

anyway goodbye go make a song Right Neow with Beepbox my Beloved and <nonserious>don’t listen to what anyone else is saying about any other software or website cause that’s not the point of the post</nonserious>

people NEED to stop gatekeeping making music like ohhhh i don’t have an instrument ohhhhh i don’t know music theory ohhhhh i’m not gonna pay for some program. SHUT UP. take my hand.

you need NONE of that shit!!!!! there’s a website called beepbox.co. literally all you have to do is press things until it sounds a modicum of nice. it’s easy it’s free and it works on anything which has a browser because it’s a website.

if even ONE person starts making music bc of this post it will be worth it.

making bad music is just as important and okay as it is to write badly or draw badly or sing badly. you AREN’T BEHOLDEN TO MAKE GOOD MUSIC. making music is not utilitarian HAVE FUN. HAVE FUN!!!!!!!!!

[simblrcc-site]

Simblr.cc - but better!

A lot has changed! Not only does it have a new lick of paint, it comes with way more features now!

Psst! If you are new to the site, please read this post first: Click me!

✨New Features

There are a lot of exciting new features:

An improved (Tumblr) importer.

A better Stories uploader.

A new lightweight uploader for quick, small posts.

A completely redesigned projects page with a fresh, modern look!

A redesign of the feed page + being able to like posts on said feed

You can now upload stories as "scenes" that appear on the feed, while still being part of a full, easily navigable story!

A new "Welcome" page, giving more people exposure to their stuff!

And... of course some bug fixes and teeny tiny User experience issues. 😉

🐦Lightweight Uploader

Something I'm super proud of putting together, the Lightweight uploader!

It streamlines the process of uploading simple pictures—no more navigating through multiple pages. Everything is on one easy-to-use page.

If you're logged in, you can access it directly from the Feed or via the "Upload/Post" option in the navbar.

Compatible Post Types:

WIPs

Gameplay

Personal

Lookbook

Familiar and Intuitive Features

If you're used to Tumblr's posting mechanism, you'll notice some recognizable elements:

Drag and Drop Images: Arrange your pictures to create collages! Each row holds up to 3 images, and you can add as many rows as you want.

Simpler Tagging: Tags are now easier to select.

Optional Titles and Descriptions: For WIPs and Personal Posts, titles and descriptions are optional. For other posts, they're still available but not required.

Streamlined and intuitive, the Lightweight Uploader makes sharing your content easier than ever!

📥 Improved Importer:

What's New?

New Importer: Pillowfort! We’ve added a brand-new import option: Pillowfort!

Tumblr Importer:

Previously, the Tumblr Importer relied heavily on your theme, which often caused errors if your theme wasn’t quite right. Fixing those errors was frustrating for both of us!

What’s changed? The importer now uses the official Tumblr API to grab your posts. This means imports will work flawlessly 99% of the time.

Plus, when you share a post on Simblr.cc, the importer will reblog it on Simblr.cc's Tumblr, giving you more exposure—that’s what Simblr.cc is all about!

What about past uploads?

I'm working to have the importer recognize whether your upload is CC or a Gameplay item (not live yet).

Support is being added to reblog posts from the old Tumblr Importer, so those uploads can still shine!

More import options are on the way in the future!

🖊 Improved Stories Uploader

Easier for Writers and readers! 😉

When creating a new story or legacy, you now have three options:

Chapter-Only Story

Chapters & Scenes Story

Scenes-Only Story

Important: All stories created before this update are currently set to Chapters-Only.

What’s the Difference Between a Chapter and a Scene?

Introducing Scenes! Previously, stories and legacies were strictly chapter-based, meaning you could only release a full chapter at a time. Now, with scenes, you have more flexibility!

A scene works like a storyteller’s post on Tumblr—it appears on your feed. This means your scenes can be shared on Simblr.cc’s Feed (but not the Stories browse page) even before the full chapter is published, making it easier for readers to discover your story.

Note: A "Scenes-Only" story works just like a "Chapters & Scenes" story—just without the chapters! 😉

Can I Change My Story Type?

You can change a Chapters-Only Story to a Chapters & Scenes Story. However, you cannot switch from Chapters-Only to Scenes-Only or any other combination.

Though, you will have to ask me to do this for you, due to the way it's currently set up.

Afterwords:

Note: Since this entire platform was built by just one person (me!), it might still have some bugs I haven’t come across yet. Please understand that most social media platforms have entire teams working on features like this, and therefore I can't promise a super "bug free" experience.

So, If you spot any bugs, please don’t hesitate to report them—it’ll help make the platform even better, and it also helps me out! Thanks for your support! 😊

[luvergirl-866]

something like love

part - 4

pairing - paige bueckers x azzi fudd

word count - 5.3k

c/w - language, small amount of angst, some hurt/comfort. also kinda problematic paige but i get her

a/n - guess who’s endo cramps are killing her!! that’s right, me! fml. as usual this is unedited but i’ll come back to edit later! also, i changed paige’s step-dad’s name from tim to dean because i remembered that azzi’s dad is named tim and i felt like that would be confusing lol. also, thank you so much for all the fic recs i got! i’m so excited to start working on them :3

They’re ten minutes into the thirty-minute car ride and nobody has said a word. Country music is playing quietly over the radio, and Dean and Amy keep glancing at each other. But the awkward silence is deadly.

Nobody spoke earlier, either. After Paige dropped the bomb. It was silent for a good minute before Dean had coughed loudly and turned back to the car, getting wordlessly into the driver’s seat. Amy stared at them for another minute or so, giving them no clue as to what was going on in her head other than her ears, which rapidly turned bright red. Finally, she’d shook her head and said, “We will talk about this when we get home,” before following her husband into the car.

As soon as they were both out of hearing range, Paige had sagged, and Azzi’d looked over at her, concerned. Usually, she’d lay a hand on her arm but she wasn’t sure if Paige wanted to be touched, especially by her, so instead she’d said, “Remember, we can leave anytime.”

Paige had nodded stiffly. And then, without looking at Azzi, she’d gotten into the car as well, leaving the door open for Azzi to follow suit.

And now they’re on the road, Paige and Azzi sitting in the back seat like two little kids in trouble. Azzi wants to go on her phone to avoid the awkwardness but her parents raised her to be polite, no matter the circumstances, so here she sits, stiff and awkward while she rides in this car that smells new and fancy and she hates it.

Chancing a glance over, Azzi sees that Paige is still staring out the window, the same thing she’s been doing the whole car ride, and Azzi hates that, too, because Paige only ever gets quiet when she’s bone-tired or truly upset. And Paige got a pretty good nap on the plane.

Based off the way she acted to Azzi’s words before they got on the road, Azzi’s pretty sure she’s doing that thing where she shuts people out because she’s mad or on the verge of tears or thinking too hard. And when she does this she can get mean, because she’s trying to protect herself, and it comes out all wrong.

She’s always done this, been reluctant to open up about the hard stuff, shut out the people who care about her. She and Azzi have talked about it a lot. She once admitted that Azzi was the first person to get her to actually talk about her feelings. But despite Azzi’s way with Paige, and despite the fact that they just get each other in a way no one else ever has, they still have their flaws. Azzi still doesn’t always know the right thing to say. And Paige still gets mean.

This fact keeps Azzi glued to her seat, thinking sidling closer and trying to comfort her best friend would only end badly. Azzi acts like she has a tough skin but often, the things Paige says when she gets like this cut deep, and it ends with both of them hurt. She’s scared to add a fight between the two of them onto whatever will surely go on with Paige and her parents later. So she stays put, even though every bone in her body is telling her to make Paige better.

Azzi has only managed this for maybe five minutes when she glances over again and notices that this time, Paige’s hand is splayed over the middle seat, fingers tapping anxiously, almost like she’s subconsciously reaching over. And that sight alone is enough to get Azzi sliding over, moving Paige’s hand so she doesn’t sit on it. Dean looks at her through the rearview, but Azzi pretends not to notice.

Paige doesn’t look over when Azzi settles in beside her. But she does reach blindly for her hand before taking it and placing it in her own lap, playing with the fingers nervously. Azzi breathes in relief. Paige hasn’t rejected her outright—she can’t be too upset. At least not yet.

They sit like that for the remainder of the ride.

When they pull into the driveway, Paige gives Azzi’s hand a squeeze before subtly shaking herself out and exiting the car. Azzi follows, afraid to be alone with Paige’s parents for even a second.

Before Paige can close the door, Amy calls, “Bring your bags into your room, Paige. And when you’re done come down and talk to us in the kitchen.” There’s a weighted pause. “Alone.”

Paige doesn’t answer, just slams the door shut. Azzi winces.

Azzi doesn’t say anything while Paige opens the trunk, or when she starts aggressively pulling their things out, or even when she slams the trunk shut. No, Azzi keeps her mouth shut, wanting to allow her best friend to seethe in peace, but when Paige slams into her shoulder when she passes her, Azzi doesn’t want to let it slide. “Ow! Paige, what the fuck?”

“Get your bags,” Paige responds gruffly.

Okay, so it’s gonna be one of those times. Perfect.

Despite not wanting to, Azzi does as she’s told, gathering her bags and following Paige to the front porch. She tries not to think about how usually Paige would’ve carried her things for her.

Paige opens the door without a word and they walk inside. The house is nice, open, smells of cedarwood. Paige doesn’t give Azzi a chance to look around, though, instead walking briskly to the staircase, lugging her shit upstairs with impressive strength, and Azzi thanks God she’s in such good shape because she’s practically jogging by the time they arrive at a room at the end of the hall.

“Paige—“ Azzi starts to stay, but Paige cuts her off by throwing her own backpack off her shoulder and dropping her suitcases, as if she’s trying her hardest to make as much a ruckus as possible.

Azzi places her things much more nicely on her usual side of the bed, eyeing Paige cautiously the entire time. It’s the only reason she’s able to catch her before she leaves, anticipating her movements just like she does on the court and darting between her best friend and the door, blocking her.

For the first time in nearly an hour, Paige looks her in the eye, and there’s fire there. “Move, Azzi.”

“No.”

“God,” Paige sighs, “seriously, don’t piss me off. Get outta my way.”

“No, Paige,” Azzi repeats, keeping her feet planted.

Paige stares at her and then shakes her head. “Why are you being so fuckin’ annoying?”

“Don’t,” Azzi says, trying to stop her before she gets too fired up, but it’s already started.

“No, Azzi, you don’t,” Paige snaps. “I knew you were gonna get like this, do your fuckin’ peace and love shit that you think will solve everyone’s fucking problems.”

Azzi swallows hard. It’s been years since Paige went on a rampage like this, and she opens her mouth to stop her, but is quickly interrupted.

“It doesn’t solve anything, dawg. It actually makes shit worse, because it’s so motherfucking annoying having you acting like everything’s fine when you don’t even know.” Paige shakes her head, taking a step towards her. “And that’s the thing, is you really don’t know but you wanna pretend like you do. You don’t know what it’s like to have your mom fuckin’ leave you for some fuckass guy, for her to have new kids outta state and raise them to be hateful just like her. Just like him.”

At this point, Azzi has tears in her eyes, and she attempts desperately to swallow them down. “Did you forget that my dad fucking left me when I was a baby? I’ve never even fucking talked to him, Paige. He doesn’t want shit to do with me.”

“That’s not the same and you know it.” Paige sends her a withering glare, so different from the way she usually looks at Azzi. “You have Tim. You have your mom and your brothers and they all love you so fucking much.”

“You have your dad!” Azzi responds, throwing her hands in the air. “You have Drew, you have Alora!” A tear escapes, against her will, and she wipes it furiously away. “You have me, Paige,” she says, more quietly now. “I love you so fucking much. So you don’t get to take this shit out on me and say mean things to hurt my feelings. That’s not—it’s not fair.”

As soon as she sees the tears welling in Azzi’s eyes, Paige softens, her shoulders slumping, eyes turning on her with guilt rather than venom. “Az, don’t cry.”

For some reason, this makes Azzi more mad, and she turns away to face the door, always having hated crying in front of others. “Well if you say mean shit to me, I’m gonna cry, Paige,” she mumbles, though there’s not much fire to her weak, shaky tone.

“Hey, no, you’re right,” Paige reaches for Azzi’s shoulder, trying to turn her around, but the tears have started now and they’re not going to stop anytime soon so Azzi stays turned firmly away. “Azzi, I’m sorry, I didn’t—“ Paige cuts herself off on a sigh. Her hand falls off Azzi’s shoulder, and for a second Azzi thinks she’s going to walk away, but then a pair of arms wrap tenderly around her waist and Paige’s chin is wresting on her shoulder. “I’m sorry, I shouldn’t have—I was wrong for that, I shouldnt’ve said any of that shit.” When Azzi doesn’t respond, instead burying her face in her hands to try and hide what she’s sure is an ugly cry, Paige squeezes her tighter. “Azzi, please don’t cry, I’m really sorry. Fuck, I’m sorry, for real. I didn’t mean any of it, I was just so scared about my parents and I took it out on you, I fucked up.”

Azzi nods into her hands, taking a deep breath to try and stop the embarrassing flow of emotion. “I know, Paige,” she tries, but it comes out sort of as a whimper and this only makes Paige circle around to stand in front of her, full-on hugging her now, burying her face in her neck and rubbing her back soothingly.

They’re silent for another moment before Paige says, “I’m serious, Az. I didn’t mean any of it.”

Azzi knows this, fundamentally, but there’s still a part of her that sort of cracked at hearing her best friend tell her that she was annoying, that her efforts to help always fall flat. “You shouldn’t have said it, then,” she stutters, letting Paige hold her close even as her face doesn’t come out of its hiding spot.

“I know, I know, I shouldn’t have. You’re the only person who can ever make me feel better and I—fuck. Azzi, I’m sorry, I can’t believe—I never wanna hurt you.” Paige lifts her head out of her neck to nuzzle into Azzi’s hair, pressing a kiss to the spot just behind her ear. “Never wanna make you cry.” She plants another kiss there, and Azzi’s breath hitches. From the crying or from something else, she doesn’t know.

Sighing shakily, Azzi finally pulls her head out of her hands to look up at Paige, placing her hands at her chest almost as if she’s about to push her away. She’s sure her mascara is ruined by now but she can’t bring herself to care too much. “It really hurt when you shoved me outside, too.”

A pained expression flits over Paige’s face, and she nods, looking almost sick. “Fuck. I’m—I’m sorry, Azzi. I’m so sorry. Is your arm okay? Does it still hurt?”

Azzi can’t take the guilty look on Paige’s face and shakes her head no. It doesn’t seem to relieve much of anything.

Breathing deeply, Paige closes her eyes and then leans her forehead against Azzi’s, bringing her hands up from her waist to stroke over her tear-stained cheeks. “I’m sorry, baby,” she whispers, and Azzi’s knows that the nickname wasn’t a slip-up this time, wasn’t just a habit from their pretending. “I’m really fuckin’ sorry.”

And with that, Azzi isn’t mad anymore. Her feelings are still hurt and the things Paige said are still going to replay in her head for quite some time, but at least for now, Azzi just can’t be mad. Because Paige is going through something she could never imagine going through.

“I’m sorry, too,” Azzi breathes, and Paige rears back, but before she can protest, Azzi says, “about your parents. About this whole…situation.” She looks down at her hands on Paige’s chest, and, deciding she won’t be needing to push her away anymore, she slides them up to her shoulders. “It’s shitty and you’re right, I don’t know what it’s like to be in your position.” She shrugs, swallowing back the last couple tears that threaten to fall, trying to regain at least some of her composure. “I’m going to be here for you, okay? I always am.”

Paige nods. “I know you will.”

“And that means,” Azzi goes on, “you can’t do this again. You can’t take it out on me. You can’t push me away. Because that makes it really fucking hard for me to help you, and I want to help you.”

Paige nods again, more solemnly this time, moving her hands back to circle her waist. “Yeah, yeah, I know, and I’m so sorry for—“

Azzi holds a hand up to Paige’s lips, effectively shutting her up. “Okay, stop. I accept your apology, I promise. Just, show me you’re sorry and don’t do it again, yeah?”

“Yeah,” Paige says. “‘Course.”

“Good.” Breathing mostly even now, Azzi pulls Paige in for another hug.

With a heavy sigh, Paige hugs her back. “We’re in it together, hm? From now on, together.”

Azzi rests her cheek on Paige’s shoulder, the weight of her arms around her, the feeling of her skin and bones, so familiar. “Yeah. Together.”

Paige pulls back just enough to look at her, and when Azzi reciprocates, she’s uneasy to find that Paige is giving her that same new look. The perplexed, maybe enthralled?, almost worried look that has taken over her face more often than can be explained ever since the first time after their kiss. Azzi really wants to work out what it means.

But, as always, Paige corrects herself and it’s gone as fast as it arrived. “We’re good?”

Azzi nods, smiling softly despite herself. “Yeah, P. We’re good.”

—————————————

Paige has been downstairs with her parents for nearly an hour.

From what Azzi can hear from her spot at the top of the stairs, it doesn’t sound to be going too well. The three of them keep going from yelling to whisper-yelling to yelling again, and Azzi swears Amy has cried like five times at this point.

When Azzi hears Dean say, “We just don’t allow sinners in this house, Paige,” and Paige snap back, “Do not use God against me right now!” Azzi figures it might be time to intervene.

Trying to come up with something quickly, she pulls out her phone and dials Paige’s number. She hears Paige’s phone ring downstairs, and the three of them go quiet before Paige says, “Just—one second,” and then there’s a click on the other line and she’s answering. “Um, hi?”

“Pretend I’m your dad,” Azzi says, hoping she’s not on speaker.

“What?”

“Just pretend I’m your dad, Paige. Seriously.”

“Uh, okay.” The line gets a little muffled and Paige says, “It’s dad.” Azzi can hear both Amy and Dean let out audible groans downstairs.

“Okay, now tell them that I—your dad—am offering to fly you home.”

“I…wha—“ Azzi can tell Paige wants to argue but can’t with her parents right in front of her, so instead she sighs and the line goes muffled again. “He’s, um, he’s offering to fly me home.”

Azzi only has a second to hope and pray that Amy shares Paige’s competitive nature before Amy is saying, “What? You told him about this?”

“No,” Paige answers, “he just knows how you’re like now. And he wants Azzi and I to have a good summer, not a shitty one with shitty people.”

“If you want to go back to your dad’s, go,” Dean says, and Azzi’s heart sinks. Maybe this won’t work.

But then, bless her evil, horrible soul, Amy is stepping in. “No. Absolutely not. I will never hear the end of it if we send you to your father after inviting you over. We just…” Amy sighs, and Azzi thinks she can hear her start crying again. “We want what’s best for you, Paige.”

It’s silent for a moment. And then, “Let me be happy, Mom. Let me see my siblings. Let me and my girlfriend have a good trip with y’all.”

Dean interjects. “We really don’t believe in this kind of stuff.”

“I don’t care,” Paige replies viciously. “I love Azzi. It doesn’t matter that she’s a fuckin’ girl. I…” Paige pauses, quite abruptly, and Azzi wonders if something happened. But then she hears a heavy inhalation and a quiet, “I love her, Mom.”

Azzi knows it’s for the act, but she can’t help the way her stomach somersaults, hearing the words she’s always wished Paige would say.

“And it doesn’t matter what you think of it,” Paige continues. “I’m happy. My faith is strong. And what goes on between me and God isn’t your fucking business.”

“Language,” Amy says immediately. But then it’s silent for another weighted moment and Azzi can imagine Amy and Dean sharing that knowing, judgmental look of theirs. Her heart races while she waits for a consensus, and she’s sure it’s 100 times worse for Paige. But after a few moments, Amy says, “Tell your father that you’re staying here with us. Your siblings will be home tomorrow morning. The four of us adults have a reservation at a restaurant tonight, and we’re all going to go.”

“Mom—“

“We will try,” Amy sighs. “Azzi’s a nice girl. We will—we’ll try.” There’s something tired in her voice when she says, “Right, Dean?”

No answer. But Azzi can imagine him nodding gruffly, and a moment later, with no more words from any of them, Paige appears at the bottom of the stairs. She startles a little when she sees Azzi sitting there at the top.

“Hi,” Azzi says sheepishly, finally disconnecting their call. “I was eavesdropping.”

Paige stares at her, and then starts climbing the stairs, a small smile overtaking their face. “Thanks for saving me.”

“I told you I would,” Azzi replies, waiting for Paige at the top. “So. Dinner with your parents tonight.”

“Yeah. I guess.” Paige gets to the second-top step and stays there, so she’s just a little shorter than Azzi.

“Dinner as a fake lesbian couple with your homophobic parents,” Azzi clarifies, and Paige laughs nervously.

“Uh-huh,” she responds. “I think we needa nap before that.”

“Oh, yeah,” Azzi agrees, pulling Paige up to stand with her. “That is an amazing idea.”

——————————————

Azzi is rudely awoken to none other than an old Tyler, The Creator song blasting through the tinny speakers of Paige’s phone. Azzi groans, and she blindly reaches out for Paige to turn the damn thing off, but her hands only find cold bedsheets. Annoyed, Azzi cracks her eyes open and tries desperately to find Paige’s phone, realizing in the process that Paige’s side of the bed is cold. Strange, considering they still have two hours until dinner.

Finally, after probably thirty seconds of this stupid song playing over and over again, Azzi finds the phone tangled up in the bedsheets and slams the off button. It’s sort of pointless, though, because now she’s very much awake and will not be going back to bed.

She sits up in Paige’s bed, rubbing her eyes and looking around the room. The sun is shining through the curtains, reflecting off the mirror above the vanity and showcasing the off-white walls, the pink door to the adjoining bathroom—which Azzi now realizes is in use, the sound of the shower muffled through the door. She hadn’t noticed before because Paige isn’t awfully singing to some Mariah Carey song. Other than the water, it’s dead quiet in there. She must be nervous.

Fiddling with the pink sheets, Azzi feels nervous, too. Usually, merely being in Paige’s space comforts her, but this room—it doesn’t feel like Paige. It doesn’t smell like her, and it’s too pink. There’s no purple at all, actually. And the vanity—Paige has never known how to do much else other than mascara. In high school, she needed Azzi to tell her what concealer was for, and to teach her how to curl her lashes. She certainly wouldn’t have use for an entire vanity dedicated to makeup. The walls are also decorated with cringy, sort of Bible-thumping quotes and paintings of flowers. There’s not a single basketball poster.

No, this room isn’t Paige at all and Azzi feels an ache in her heart, thinking about how out-of-place she must have felt whenever she came to visit as a kid. How out-of-place she must feel now.

Without Paige to talk to, and without her room to comfort her, Azzi settles for laying on Paige’s side of the bed, burying her face in the blankets, and there she is—vanilla, like her hair products, and lavender, like the lotion she wears and the linen spray she uses, because it calms her down.

Azzi thinks she just might fall back asleep, enveloped in Paige’s scent, but then the door to the bathroom opens and steam billows out just before Paige does, wrapped in a towel, hair wet down her shoulders. Azzi only has a second to ogle the water drops adorning Paige’s collarbones before she’s spotted, and Paige gives her a curious look. “You still sleep? I left my phone here so the alarm would wake you up.”

“Yeah, no, it did,” Azzi says, sitting up quickly, before she looks like a weirdo snuggling up in Paige’s spot. “Just tryin’ to hype myself up for dinner.”

Paige gives her a commiserating look. “Me too. I’m shitting my pants, for real.”

“That why you couldn’t sleep?” Azzi asks, stretching out her back and swinging her legs over the side of the bed.

Paige hums, bending down to rifle around in her suitcase. “I’on even know what to wear. Apparently it’s some fancy restaurant but I’m not wearing a fucking dress.”

Azzi laughs at that, lifting her hands when Paige shoots a glare over her shoulder. “I’m serious, dawg! And it’s not like I brought a suit or nothing.”

“I think you’re overthinking it,” Azzi says, standing up. “Just wear jeans and tuck a t-shirt or something. You’ll look cute no matter what.”

Paige straights up and gives her a cocky grin. “You think all that?”

“Chill, P,” Azzi rolls her eyes, shoving Paige’s shoulder a little.

“What were you doing on my side of the bed, anyway?” Paige asks, and Azzi can’t help the way she freezes. She’d thought Paige hadn’t noticed.

Trying to cover her reaction, she shrugs casually. “I didn’t know you owned the right side of the bed.”

“Nah, we’ve always had our sides,” Paige shakes her head, taking a step closer. “Why was you all cuddled up in mine?”

“Oh, I dunno,” Azzi says, trying for sarcastic but she can’t even really make eye contact, “maybe I rolled over or something.”

“Please. You don’t move in your sleep.”

“Maybe I do. You don’t know.”

“I think I’ve slept with you more often than I’ve slept alone,” Paige scoffs, taking a step even closer so that they’re practically chest-to-chest. “I know damn well.”

“Okay, seriously,” Azzi says, taking a small step back and stumbling when her thighs hit the bed, “go get dressed, you weirdo.”

“Mm,” Paige says, pretending to think about it. But before Azzi can move away, she grabs her waist and they both fall onto the bed while Paige starts to tickle her like crazy.

“Paige!” Azzi screams, laughing so hard she almost can’t breathe. “Get—off, oh my God!”

Paige is laughing right along with her, and it’s a miracle her towel hasn’t dropped yet. “Tell me the truth!”

“What the…” Azzi giggles and squeals when Paige goes for her armpit, “fuck!”

“I won’t stop ‘till you admit it!”

“Okay, fuck, okay!” Azzi pushes Paige off her, and Paige lets up just enough for her to gasp and say, “It smelled like you, okay? The sheets, they…” Paige has stopped completely now, staring at her with a shit-eating grin on her stupid face, “they smell like you.”

“Uh-huh,” Paige replies, “and you missed me so much while I was in the shower that you needed to smell my sheets?” She jabs her one more time in the ribs, making Azzi shriek, before rolling off her. “You lil creep.”

“It wasn’t like that!” Azzi insists, even though that’s exactly what it was like. “Now, seriously, go get dressed. You got me all wet.”

What Azzi means by that, of course, is that Paige’s damp towel and sopping hair had transferred to Azzi’s own clothes and hair. But Paige can’t be normal about anything, so she looks over and grins slyly.

“Don’t,” Azzi sighs.

“Oh, no, it’s okay,” Paige says, sitting up in bed and pulling Azzi up with her. “You don’t gotta be embarrassed. I know I make a lotta girls wet.”

“Stop being weird,” Azzi says, as Paige bends down once again to pull an outfit from her suitcase.

She begins walking back to the bathroom. “I’m not the one who gets turned on by tickling,” Paige calls over her shoulder. Just before she closes the bathroom door behind her, she says, “Don’t worry, we can take care of you after dinner, mama,” and winks at her.

Azzi’s shoe hits the door just as it clicks shut.

—————————————

They drive to the restaurant in silence.

It’s similar to their car ride from the airport, though it is a little less tense than before. Paige isn’t fidgeting too much beside her and her parents aren’t giving each other looks the entire time. That’s gotta be a good sign.

When they arrive at the restaurant, Amy and Dean start chatting idly, Paige and Azzi trailing behind when they walk inside the fancy building and give the hostess their reservation.

It’s only when they’re finally seated that they are addressed.

“So, girls,” Amy says, her voice all forced cheerfulness, “what looks good?”

“I dunno,” Paige mumbles, and Azzi kicks her under the table before saying, “Have you guys ever been here before?”

Amy looks a little startled at Azzi’s voice, but she recovers quickly, looking over at Dean with a forced smile. “Oh, yeah, we come here sometimes.”

Azzi smiles politely. “What do you suggest, then?”

“Um,” Amy says, and then she sort of jerks and Dean winces, and Azzi’s sure Amy has also just kicked him under the table.

Apparently well-trained, he speaks immediately. “We love the spinach ricotta.”

Azzi hums, then nudges Paige. “That sounds good, right?”

“Uh…” Paige looks like she wants to be difficult, but then she sees the warning stare Azzi is giving her and straightens up a little, “yeah, yeah. Sounds good.”

“Wanna share?”

Paige sighs, but luckily it’s barely audible. “Yeah, sure. Let’s share.”

Azzi leaves herself out of the conversation after that, letting Paige answer her parents’ conversation starters. When the waitress comes to take their orders, Paige gets a glass of wine for the both of them. Neither of them really like wine, but it seems classy enough and it might take the edge off just enough that they can actually get through the night unscathed.

It’s not until their dinner arrives that Azzi is addressed again.

“So, Azzi,” Dean says, out of nowhere, “How’s the knee?”

Azzi’s hand goes subconsciously to her surgery scars. “Doing better. PT’s been going good.”

“Good, good.” He leans back in his seat, and Azzi senses trouble. Something about the way Paige protectively rests her arm across the back of Azzi’s seat makes her think she senses it, too.

“You get injured a lot, huh?” He asks.

Azzi sort of hates the way her face gets hot, hoping it doesn’t show up on her brown skin. “I’ve torn my ACL twice, yeah.”

“And your meniscus, right?” he prods.

Without really noticing it, Azzi looks over to Paige, and that’s apparently all Paige needs to jump in. “Hey, let’s not talk about it.”

“Why not?” Dean asks, scoffing. Amy is looking between the three of them nervously. “It’s hard not to talk about. Azzi, you don’t even play basketball at this point.”

“Um,” Azzi replies, her instincts telling her to get hot-headed but with the way Paige is buzzing beside her, she’s gonna need to keep her cool.

“What the hell?” Paige says, her hand going from the chair to Azzi’s shoulder. She looks at Amy. “Mom, you said this wouldn’t happen.”

“Your father is just asking a few questions—“

“He’s not my fucking dad!” Paige exclaims, and Azzi jerks as she’s pulled into Paige’s side. “I already have a dad! He raised me, he loves me, Mom, and he’d never say this shit about Azzi.” Angrily, Paige stands up, tossing a few bills onto the counter and helping Azzi to stand beside her.

“Sweetheart,” Amy says, reaching limply for her daughter while Dean sits beside her looking far too smug. “Paige, where are you going? We’re your ride.”

“We’ll Uber,” Paige responds, wrapping an arm around Azzi’s waist. “I’m not gonna make her sit through your bullshit because you don’t know how to act like a decent fucking human being.”

“He was just asking—,” Any starts, sounding exasperated, but Paige cuts her off.

“You know what he was doing.” She glares at Dean, who shakes his head, smirking. “We’ll go back to the house,” she sneers. “But if this doesn’t change by tomorrow we’re leaving.”

And with that, she takes Azzi hands and leads them both out into the night.

—————————————

Paige keeps it together until they get to the house.

As soon as they’re stepping through the door, she turns away from Azzi and leans down to untie her shoes. Azzi does the same, but she doesn’t miss the sniffling sounds coming from her best friend.

Paige refuses to look at her when they start heading upstairs, and she tries to make a beeline for the bathroom once they close her bedroom door shut behind them. But Azzi stops her, placing a gentle hand on her arm. “P?”

Another sniffle. And then a quick wipe at her face before she’s turning around, trying to look nonchalant but her eyes are red and her lip is trembling. “Yeah?”

“Paige,” Azzi says softly, and Paige crumbles, hands coming up to her face as she starts crying.

Azzi steps forward to hug her, pulling her down to hide in her chest. “I’m sorry, P. I’m so sorry, this—this sucks.”

“I’m sorry,” Paige replies, voice all small and muffled in a way that makes Azzi’s heart hurt. “I thought they were gonna try…I wouldn’t have taken you out with them if I knew…”

“Hey, it’s all good,” Azzi responds, running a hand through Paige’s hair. “I didn’t mind, really. I’ve heard worse.”

This is apparently the wrong thing to say, because Paige just cries harder. “Fuck, Az, you shouldn’t have to do this.” She lifts her head up to look at her, and Azzi absently wipes her face. “This sucks. It’s the first week of summer and I—I was shitty to you and now my parents, and I—“

“Paige,” Azzi says sternly. “I wouldn’t have agreed to this if I couldn’t handle it. I can handle it. It’s you that I’m worried about.”

Paige nods, sniffling again. “You don’t gotta worry. I’m fine.”

“You’re obviously not fine, P,” Azzi says, and Paige winces, wiping her nose with the sleeve of her shirt.

“I’m okay,” Paige insists. “Really. As long as we do this together, I’m okay.”

She straightens up like she’s steeling herself, and Azzi thinks maybe she should do the same.

This is only the first day of their two-week stay.

It’s going to be a long trip.

@azzibuckets @smiths-fan--13 @ch12334 @makethemhoesmad @the-other-half @rosemariiaa

[magesforthedas]

Hearing Lucanis talk about why the Crows aren't active in Fereldan anymore, that "House Arainai embarrassed itself so badly", I don't know if that's necessarily talking about Zevran. Some people have speculated on why the Crows are so different in this game. Lucanis says they can be picky with contracts. We find a memento, Contract: The Next Blight, which is from the Fourth Blight; meaning the Crows should have been helping with the Fifth Blight anyways. Maybe the embarrassment the House suffered wasn't Zevran's failure to kill the HoF, but moreso that House Arainai accepted a contract for the HoF, whom they would have been obligated to aid. I might be misremembering, but I feel like I got the impression that Zevran was told to take the contract because of other Crows? Like they sent him to do it, after his last mission, to "prove himself"? It's been a while... But we know afterwards if he's alive, Zevran goes to take down the Crows; he may be focusing on the Arainai House, which would also explain the "embarrassment" of them going through six Eighth Talons. That they were then brought down by one of their "failures". Or if he dies, one of the other Houses might take that responsibility, to clean out the more corrupt Crows.

Feel free to add your thoughts 🤔

EDIT: Ahhhh okay I have to add to this now, thank you so much for the hashtags and replies (and Zevran lovers!) because I'm thinking of all these things I forgot to say AND other things that have occurred (and that I looked up bc I had to go down the rabbit hole):

-Zevran decided to take the contract on the HoF. Now, corruption and politics already play into that. Rinna, Zevran, and Taliesin worked together, and were involved. Rinna was a bastard child, and joined a group intending to put her forward as an heir. A different prince, not her father, heard of this and struck a deal with Master Eoman Arainai: in exchange for having her killed, House Arainai would gain Eighth Talon and Eoman would be a Grandmaster. Zevran didn't know that whole story. He knows Taliesan convinced him to kill her, later found out she was innocent, the master knew this and he felt it was a way for them to show him his place of insignificance. So, he took the contract against the HoF, intending to die.

-Contract: The Next Blight says it was taken out after the FOURTH Blight, that the wardens had treaties with Kings, Queens, and Crows. Now considering how seriously the Crows take their contracts, you would think once they heard about the Wardens and the Blight (which they must've, they're spies) that they should have jumped to help. "A Crow always completes their contract". But did they send help? No, in fact they allowed one of their own to go directly against it.

-Zevran, by taking the contract and WHETHER OR NOT he lived, highlighted for the world (and most importantly to them, the other Crows) to see that the Crows had not changed for the better over the years, becoming more and more wrapped in politics and status. "House Arainai is an embarrassment" because of the contract on the HoF, NOT because he failed, but because he showed them how much of an embarrassment the Crows as a whole had become. It would be easy to point fingers and say it was all that one House, and I'm sure then they had to "save face" and send assassins after him if he lived. But whether it was Zevran or another Crow, how far they had fallen had become clear.

-When I say reformed... Whichever Crow started cleaning house 20 years ago obviously didn't change the entire organization. There's a lot of bad stuff, starting in how people like Zevran, and then Lucanis are trained. Catarina would fall in that older group that would cling to the "old" cruel ways of the Crows. But as Lucanis grew into it, as Catarina found herself acknowledging her love for her grandson, as people like Jacobus were being trained (and it could still definitely be Not Great™ , but it seems to me like there's been some possible improvement), and people like Viago and Teiea gained more power, perhaps things have started to shift. There's always been some good, among the bad, among the death, in the Crows. Contracts on murderers, tyrants, slave owners. Their pride and loyalty, to a contract if not each other.

-and THEN to top it off, the Antaam invade and the world goes to shit a bit more. That would cause the Crows to pull together even more internally, so combining the 20 years of change from Origins, and the World-Ending circumstances, I think that could pretty well explain the vast difference in dynamic seen in DAV

-Also, when people, like Lucanis, say "Embarrassment of House Arainai" , they could totally, 100% be talking about Zevran... But does that change anything else? If Zevran lives, he goes on to kill enough people to enact change. If he dies... Someone else sees what happened and enacts that change instead. That's my theory anyways!

I may have forgotten some thoughts still, but... Long story short, maybe it's me, but I would fully stand by the statement that Zevran is, if to a bigger or smaller degree dependant on his survival, directly responsible for the fact that the Crows were a reasonable enough and good-aligned-enough group that they were as helpful in DAV as they were. And that I do think there is a reasonable explanation for how the Crows present, even with it being so different from previous games. Thank you Zevran ☺️

[yali-the-sloth]

I thought I had nothing of substance to add to this post. However, after internally seething about it for the whole day, I actually have stuff to say.

I take great offense at the stance some people in the fandom take on how ‘BioWare delivered what the fans were asking for all along’. You’ll have to thrust my face into it directly because after spending nearly 50 hours in the game I see none of the ‘narrative’ which is supposed to drive me through it. This game is a hollow husk with none of the substance of the previous entries, a mediocre candy wrapped up in a really pretty cover.

And the worst part? The writing team is not the victim here, they are complicit! They knew what the approach to the writing will be from the get-go - see Gaider’s tweets on why he left. What we got with the veilguard’s writing now in 2024? Exactly the reason he left back in 2016.

8 years, 2 reboots and nothing’s changed. And these people sat through it all and then had the gall to try to actively lie when promoting the game in order to try and appeal to the older fans. Nothing about this game is about the narrative, the quests feel like there were stripped out of like 3/4 of the lines that were initially written for them, characters are one dimensional and are never ever allowed to have any sort of strong opinions and reactions, the world, writing wise, never reacts to anything that is happening on the screen. Don’t even get me started on how they treated the foundation left by the previous games.

And why should I be happy about receiving the single player game? Duh, it should have been like that from the very beginning! The one and only reason we got it is because EA saw that it’s gonna be more profitable than the life service shit they wanted initially! It was a purely business decision on their part and I don’t see why I should be thankful to the team for it.

The writers left on the team knew what it would be like, accepted it and then tried to sell it as their best work possible. Moreover, they already got paid, nothing I can say on social media will ever change that. And I already paid 60$ for this game so I’m not gonna pretend I got my money’s worth. They can just ignore all the criticism like they’ve always done, it’s none skin off their backs.

We’re not in kindergarten, they do not get a golden star for ‘trying’.

Reminder to be kind to the writers/devs as they’re beholden to a much larger company that makes the big choices as far as what they do with the final product. Don’t forget, we almost got live-service online multiplayer DAV. They remade it from scratch, YEARS into the production just to give us what we actually wanted, a single player narrative-driven game.

[hvseung]

favourite (l.hs) - teaser !

release date: saturday, november 16th. 8pm BST.

you weren't afraid of a joint every now and then. in-fact, you were very good friends with your dealer, Heeseung. Your good friend Heeseung who's just so hard to resist when he flirts the way he does.

──────────────────────

pairing: dealer!heeseung x f!reader

genre: smut

warnings: explicit smut, profanity, nipple play, fingering (?), unprotected sex🥸, minors DNI !

wc: 2.0k

🎵now playing: high for this by the weeknd

✦　.　　. 　 ˚　.　　. ✦　.　　. 　 ˚　.　　. ✦　.　　. 　 ˚

heeseung: “yo, im outside.”

The quick bzzt pulled your mind out of your study-filled daze. He was here. You quickly throw on your slippers and a jacket, not having the energy nor time to change out of your pyjamas, before locking your front door and making your way to his car.

Heeseung parked right outside your apartment complex. Usually, he wouldn’t make late night house calls, especially when the call was at 12am, but for you; he would do it without a second thought.

He would watch from his rear view mirror as you drew near to the sleek car, so he leans over to the passenger side and rolls the window down. You eye’d his attire as you approach; tight black tee, cargo pants and his deep red hair styled in his iconic mullet.

“Hey, pretty.”

“What did I tell you about calling me that?”

“Can’t I compliment my favourite customer?” he teases, a cheeky grin across his face as he glances you up and down. “what ya need?”

“Just the usual.” You stuff your hands in your pockets, shielding your blushing knuckles from the biting air. He hums.

“Get in whilst I sort it, your freezing.” He leans over once again, this time to unlock the passenger door - an invitation.

“Heeseung, its late.”

“And it’s cold.” He had a point. “Come on, we can smoke together.” He adds, his voice softer as he pats the empty seat.

Heeseungs grin grows ever so slightly as you open the car door and slide yourself inside. He watches your every move – even down to the small shiver that accompanies your adjustment to the sudden change in temperature. “Better?”

You nod.

He reaches into his centre console and pulls out a pre-rolled joint and a lighter. “Good. Can’t have a pretty girl like you catching a cold, can we?”

He began lighting the joint between his lips. He enjoyed your company, he always did. That’s why you’re his favourite… and the only person he was willing to drive this late to see. He takes a drag, leaning back and exhaling the thick smoke. He passes the joint to you after a moment, his eyes ever leaving yours as you take it with a soft smile.

His eyes flicker downwards, watching intently as your lips rap around the end of the joint. The only light in the car comes from outside, the dim street-lamps illuminating your face perfectly. Heeseung would never admit it, but it was one of his favourite sights. He couldn’t explain it, but it was oddly alluring.

He takes the spent joint from your fingers, throwing the butt out the window. He sees the way you’ve relaxed; your shoulder no longer tense and your eye half-lidded. His senses were dulled, and in moments like this theres only ever one thing on his mind:

You.

──────────────────────

@ hvseung, 2024. do not repost or reuse in anyway. thankyou :)

──────────────────────

[lover-of-mine]

hi! let me just start by saying I've been seeing your posts about wardrobe and color theory a lot lately and i LOVE them so thank you for posting!

you mentioned, in a reply to an ask, that white is Eddie's color when he's going through emotional moments. i was wondering if those are usually negative (maybe the white shirt from the birthday video will be about something related to chris?) or does he ever wear white in other moments? sorry if it's a bit of a complicated question 😅

Hi!! Okay, first of all, thank you for reading!! The white with Eddie is interesting, they're not negative as a rule, but they are usually transformative in a sense. A white moment I didn't add to the other post, mostly because I already had this image, is right before the tsunami.

I personally think they are using white with Eddie for beginnings, in a sense. Eddie was always written as a widow archetype in mind, even when Shannon was still alive, so I think her funeral is a beginning for Eddie since her death defines his character. The tsunami is a beginning because it kickstart buddie the way we know it, he's is starting the arc that makes Buck his coparent. The outside looking in dinner kickstarts his breakdown arc. The scene with Kim kickstarts him deconstructing himself. The scene with Weston's dad is the start of Eddie's arc starting to figure out who he is. Is about beginning to change.

White is used for simplicity, purity, honesty, stuff like that. But I think they use the way they use it with Eddie is about the ending of a cycle and the beginning of the next, kinda like the way we use white for new years for example. It's a clean slate for Eddie to be built upon. And that pairs with my theory that Eddie is finding his yellow (you can read about that here), they are playing with lighter shades with him, until he figures himself out.

I will taglist this one (interact with this post if you wanna get tagged)

@sparkedblaze @caw-salem @dreamofsomepiphany @100ceruleaneyes @linus-lucy @chaosqueery @gina-spike @chimchiminie98 @elvensorceress @singitforthegirls @dangerpronebuddie @182daysof @steadfastsaturnsrings @sparklespiff @inell @miles--to--go @jesuisici33 @wolfdeans @lunarsolar1 @joshwritesfics @glasscities @kejfeblintz @stagefoureddiediaz @mosaicstardust @eddiedisasterdiaz @hermioneindisguise @queerprincesseddiediaz @lookforanewangle @becausebuckley @lemotmo @thenainitaldisaster @epiaphany @trudayss @shelfthe-reader @alliaskisthepossibilityoflove @buckgettingstruck @scoupsahoy @the-whispers-of-death @iced-coffee-jesus @izzysbeans

@dingdongfries @angelcamael

[sluckythewizard]

'I wont cry for you, I wont crucify the things you do. I wont cry for you, see, when you're gone, I'll still be BLOODY MARY'

[cartwheellou]

He looks so charming and curious! I can tell you put a lot of effort into the coloring, what with all the scale detailing. I think the scale patterns look very nice, especially on his face.

Digital art can be a very different beast from traditional. Sorry in advance if anything I’m about to say is obvious, or you’re already doing it. Theyre all things I didnt know to do when I started transitioning from traditional to digital art.

Sometimes, the lines you draw on the traditional version look great as is, but when you digitize it, it just feels so wonk. Treat your traditional drawing as a rough draft. Focus less on tracing the traditional art, and spend more time looking only at what you have digitized and going, ‘do i like how this looks?’ It can help you from, at the end of the process, from going, ‘why did it turn out like that?’ And if its still not working out, turn off the traditional art layer and try freehanding it.

Inverse advice, while still making sure you spend time zoomed out looking at the whole piece, zoom in to draw lines. Yes, even further. It will make your lines straighter and help you bend that curve in the direction you want it to go. Then you zoom out and check it looks like you thought it would. It will also help you add detail where you would otherwise be afraid to put it in a traditional piece, like adding lots of detail in a folded wing.

What drawing app are you using, and what hardware do you have access to? Its stupid how much my art improved leaps and bounds when I switched to a better app and got a second hand tablet instead of using my laptop trackpad (if you can, use literally anything besides a laptop trackpad.)

Explore whatever app youre using a little more. Find a different brush, or at the very least, change the brush thickness depending on what youre drawing. It can be nice to have big, bold lines around the edge of the form, or to define his head from his body, but they suddenly seem clunkier when detailing his wing shoulder. A brush that changes thickness based on pressure is great for that, but again, just making the brush smaller does the trick too. The smaller brush will also help make added detail feel less clunky.

And whatever you do, dont berate your artistic skill if you dont like your digitized stuff. Its a different skill that you havent built yet. I can tell from this drawing that youre a good traditional artist, and you can be a good digital artist as well (after a series of what feels like failures but is actually just part of a learning process). Most of the stuff that Id pick on in this drawing are the product of unfamiliarity with digital art, and not having access to a tablet with a great drawing app and a pressure sensitive stylus. You can do great digital art without it, but it is harder and it does restrict your style.

Once you feel comfortable with it, try drawing something digitally without uploading a traditional rough draft. I actually found it a little easier!

I did a traditional drawing a few weeks ago and I decided to turn it into a piece of digital art :D

I would really appreciate some advice on how I could improve this :)

(yes I know he isn't grey idk what I was doing)

[synthshenanigans]

this is a fair bit older but i just remembered it existed so take this while i doodle stuff of the new song

chonny gaming

taken from this post v

funni markiplre funaf

[obsob]

do you make enough money from selling prints in etsy to sustain your life? how are you able to afford this beautiful house and time to crochet and go on walks and all of that? i’m not asking for nosiness but because i’m trying to figure out what i would need to do in order to make my life financially sustainable… is art an option… etc

short answer i mooch off my bf <333333333333333

[lyxchen]

FRIENDS, I MADE A SWEATSHIRT!!!!! WITH THUMBHOLES!!!!!!!

[pathetichoney]

[Image ID: A drawing of a selfie taken by Sam Manson with Damian Wayne. They are both dressed up in formal attire, Damian in a black/dark grey suit with a red tie, and Sam in a purple topped off the shoulder dress with black straps. She is wearing a variety of jewelry, a necklace with a bat pendant, a black choker with a star of david in a circle pendant and cartoonish spider shaped earrings. Her hair is reminiscent in her half-up hairstyle, but with two ponytails rather than one. The background is a dark wall, a white collumn and white tile flooring. There is a window in the back, with green curtains, and outside the window is a cityscape of Gotham at night. There is a watermark of the artist’s username in the top left corner @pathetichoney​. End ID.]

i am back on my bullshit this time with a v special new way that i’m drawing bc i got a new phone that i am paying out the wazoo for, however i can draw on it so my art has gotten significantly better. though of course i had to test myself and do both 1. a full background 2. a character who wears lipstick which i always struggle with unless their mouth is in a particular position and 3. a character that i have never ever tried to draw.

so like. rip me lol.

anyways i am back on my bullshit bc this is fanart of fanfic!!!! i always feel exactly in my element when i do this, it’s just always so good??? and fun?? and when i first read this fic, i mean oh god i just fell for it so hard. i ended up rereading it again like barely 48 hours after i’d finished reading it the first time lol

the fic in question is a damian and danny are twins au! it’s called Leap Before You Think by TourettesDog and i just-- the characterisations are just so well done it all feels incredibly natural especially with the merging of the two different universes into one cohesively and seamlessly it’s wonderful. there are a few faults with this pic i think, however i am still incredibly proud of it. as a bonus, here’s a better view of the window scene because i’m still really proud of that one:

[frankenfossil]

Oh! I nearly forgot, but can I ask the significance of this panel?

It comes directly after Dee explains that he can’t come and see her from the future whenever he wants. (Which is one of my favorite moments where Dee’s true eldritch horror leaks in to the story), so I assume it’s… sort of a metaphor? How Emily finds herself at the foot of something she realizes is much, much bigger than she contemplated before?

(Also, I just wanted to compliment you for this panel)

(The first time I saw it, I imagined Dee was showing her this on purpose, time traveling from sometime the same day to really show her what it would be like. An object lesson.

The second time I saw it, I started to wonder

Because Dee himself doesn’t really look aware of what is going on behind him.

And maybe, just maybe, this one moment in time has become the only moment that Dee allows himself to come back to to see Emily, the one moment where he can get lost in the crowd with every other time he came back to look. The one moment where he’s explaining why he can’t come back.

Just… Makes me sad, and I wanted to say thank you for that too, because I love these characters and the story they tell, the sweet and bitter.)

Oh!!!

(Quick test of my ability to find which chapter stuff happens in)

I love your reading of that Uluru panel!! I think I probably didn’t intend anything that deep with it; these time skip montage style chapters are pretty choppy and I’m usually trying to figure out a way to touch on all these brief scenes or moments that I don’t want to spend a whole chapter on for whatever reason, and arrange them in a way where the cuts aren’t too hideously abrupt. For visual reasons I try to contrast different locations and not put 2 dialogue heavy moments directly next to each other. Mood wise, I don’t really want to cut from something serious and angsty to something that’s a complete backflip on that. I also sometimes just feel like drawing a nice landscape and hope it achieves my aims on these fronts haha.

I think also here I was trying to move from that final sentence, “The present is more than enough”, to demonstrating them appreciating having that present together - being able to go do cool and enriching stuff, something not completely mundane but not completely fantastical either. (I mean... sightseeing within your own country is extremely normal, but going to Uluru from Melbourne... not a convenient day trip, since it’s 2000km; 25 hour solid driving, or you can fly in a few hours but I think you have to go via Sydney, so that makes it take at least twice as long I guess. Not that it's specified how long they're there for. I haven’t been myself but I’d love to one day...)

So, yeah!! More of a mechanical/compositional rationale than an intentional metaphor, but I think your reading makes complete sense and actually improves the page! (Sometimes I do intend visual metaphors... but sometimes they’re just happy accidents.)

And thanks for the compliment re the crowd of Dees!! I also love the moments I can lean into his eldritch qualities... they’re sadly few and far between but maybe that helps them be more surprising?? Definitely your first reading was what I intended, that he zigzagged back pretty quickly, probably even from within the conversation, but there is an inherent ambiguity to Dee’s time travelling where unless I take pains to spell it out, there really is no way to know when he’s come from. Even if he can be assumed to be taking every interaction chronologically, there’s no knowing how much time has passed for him between each visit. I don’t even know how to estimate how long his experience of time is, when he’s zigzagging back so densely all the time; even the number of living things on Earth any moment is an incomprehensibly mind-boggling number. That eldritch horror again!

Truth be told I hadn’t thought of him coming back to this moment and blending in with the crowd for the rest of the future ;_; but that’s so real... he could well be, the sad sack...

I had a different sillier thought from slightly misreading your question on first pass, which is that maybe he doesn’t originally know what’s going on behind him, but then later on as he’s just going about his business he goes “oh I know exactly how to punctuate that thing I said earlier!!!” and then does it as an afterthought. Oh to have the ability to add the things you wish you’d said to an earlier conversation 😂

[sincerely-sofie]

I’m the anon that sent in all the Ruby stuff! It makes me so happy that you love her so much. I didn’t expect her to be such a beloved character to you and I was kind of nervous that you would have hated her tbh. ^^;

Something Ruby related — I had a fic about Twig and co. confronting the siblings before I ultimately scrapped it because I could not write villainous characters without making them feel cliché. I do remember this one line said by Ruby’s sister when she lashes out towards Twig:

“You wouldn’t get it. You have a cushy life style and you baby your daughter instead of actually raising her. We’re doing that ungrateful, spoiled brat a favor — we’re teaching her how to survive. You wouldn’t know the meaning of that with that silver spoon in your mouth.”

I don’t blame you for struggling with not making the siblings feel cliché— writing villainous characters gets 900x more difficult the second you don’t want to make them sympathetic. Ark was fairly simple for me to write, even in scrapped scenes where he was all-in with his villainous role during the events of the post-game. Twig’s aunt, meanwhile, gave me a heck of a hard time while I was developing her backstory.

[front-facing-pokemon]