#i watched everything up to the end of s2 just as the finale came out. and i purposefully avoided all the fandom tags for spoiler reasons

[crimeronan]

I'm wildly curious, which if any of the big TOH twists did you see coming? Philip, Lilith as the one who cursed Eda, King's memories being fake, the Titan-Trappers being cosplayers, that sort of thing… (and of course the big one re: Hunter & Grimwalkers.)

i saw lilith cursing eda 100%. i knew that philip was going to end up Relevant to the main plot in some way, but i didn't clock exactly How until elsewhere and elsewhen. i guessed that belos might be human based on his cut ears in eclipse lake.... i didn't put together or understand the grimwalker thing (or the philip-and-his-brother thing) until rafi explained it to me after we watched hollow mind, EVEN THOUGH my brother had been texting me telling me to "pay attention" to the clues at the beginning of eclipse lake and at other points in the series. absolutely didn't even QUESTION that tarrlok was king's dad (or at least related to him).

there WERE a lot of other things i predicted.... except they were all related to characterization, not plot. i'd written fanfic scenes with luz calling hunter family and promising to protect him LOOOONG before TTT or any TTT previews came out. i predicted that luz and hunter were going to switch archetypes & that luz was going to have negative character development between s2 and TTT. i clocked REALLY early that amity's parents were abusive and that she missed willow & didn't actually have ill will toward her. i remember thinking "oh, i'd love to see willow fall apart, but i know she's the Support Friend so they won't actually go there" and then they went there.

when it comes to characterization, character arcs, and relationship dynamics, i'm Really Good at guessing where things are going. just based on the clues we've seen in the canon.

when it comes to plot elements based on similarly obvious clues?? Hopeless. Absolutely Hopeless.

[tryingonametaphor]

Why Will Byers?

An analysis and theory on why Henry/Vecna targeted Will first in season 1 and his plans for Will in season 5

‼️Contains The First Shadow (TFS) spoilers so please proceed with caution.‼️

This is going to be a little long but I’ve tried to give as much context as I can without actually being able to show snippets from the stage play. This is my interpretation of everything that went down as a member of the audience and not as someone who has read up any theories about TFS before. To understand why Henry took Will first in 1983, we have to start with -

Henry and Joyce

From all the times I’ve watched TFS, the one thing that has stuck with me is the final conversation Henry has with Joyce. It’s just before his last confrontation with Patty Newby and before he joins Brenner for good. Joyce is the last person (who doesn’t know about Henry’s powers) that he canonically talks to.

Throughout the entire play Joyce, Hopper, and Bob are investigating the animals dying at the hands of Henry and come to the conclusion that Victor Creel has been the one doing the killing. They get so close to solving the case. In her last conversation with Henry, Joyce tries to comfort him by saying that Victor will pay for his crimes - which makes Henry laugh because she’s so close yet so far from the truth. He gets a little frustrated and says something along the lines of “You don’t get it. But someday you will.” (edit 28/9: the exact dialogue is [Henry: you’re too nice. that is how they’ll get you. you have to learn to do anything you can to protect the ones you love] [Joyce: I don’t understand.] [Henry: You will.]) The next time we see Henry make a reappearance in Joyce’s life is during -

The Vanishing of Will Byers

Will is taken into the Upside Down (UD) by Henry. It’s not even a question anymore. All of the context clues from 1x1 lead us to believe that Will’s kidnapping was not by a demogorgon. Will - a 12 year old - miraculously survives a week in the upside down with no food or water. Will is even around the demogorgon a few times in the Upside Down. (Joyce communicating with Will through the lights and then the demogorgon coming after her immediately).

Barb dies the night she is taken but Will stays alive and also somehow manages to talk to Joyce through the wall. Joyce is led exactly to where Will was held at the end of s1 and he makes it out alive. It’s almost as if Henry knew all along that Joyce was the most capable of never giving up on finding her son. Like Henry took Will Byers because he was Joyce’s son. And like he was giving her just enough to know that Will was alive. Even when Joyce and Hopper find him at the end in a state of near death, he’s not injured by a creature. He was being prepared for the next stage of Vecna’s plan -

The Possession of Will Byers

The origins of Henry’s powers happen as such - As a kid, he is transported into the UD (originally coined Dimension X by the government) for a few hours because he touched something he wasn’t meant to touch. During his time in there, he came in contact with the Mind Flayer (MF). According to TFS this is the point in his life when he started getting “corrupted”. Brenner’s dad - who was one of the first people to enter dimension X - had mutated blood after but no powers. Henry was the first person to come in contact with the MF and it’s highly likely he got his powers because of this (This would also track considering how most of the party has been in the UD now but show no signs of having powers). The MF controls Henry for the rest of TFS and Henry grows more power hungry the more he kills.

In S2, Henry presumably sends the MF after Will - who has now had a year to heal from the events of 1983. Will is the only other person in all of ST to have had direct contact with the MF and survived it. Henry didn’t hesitate to kill Billy in S3, but he always gives everyone just enough to keep Will safe. Will himself tells Owens in S2 that the MF wants to kill everyone except him. Will once again survives the entire ordeal and is given a “break” for the next 2 seasons. Except I don’t believe he’s been just given a break. I think Will is -

Henry’s Sleeper Agent.

Ready to awaken in s5. I undoubtedly think that Will is going to have powers. And I don’t think they’re going to be the same as Henry and El. El and the other lab kids get their powers directly from Henry. Will’s powers will be directly from the MF like Henry. I believe this has been Henry’s plan all along and it’s further affirmed by what he tells Will in the recent VR game. That Will will be the key to Henry being able to infiltrate his friends’ minds. Jamie Campbell-Bower also mentioned during the S4 press that to get in character, he set up a display with all of Henry’s victims and targets’ faces on his wall(?), and Will was in the center.

Henry is going to use his connection with Will sneakily and midway through S5 he’s going to awaken Will’s powers (maybe in ep4 - which is said to be titled ‘Sorcerer’ and has young Will in it). Henry is going to try and manipulate his way into making an ally out of Will, and it’s not going to work because -

Will is the Perfect Character Foil.

Will is everything Henry could have been if he had a better support system. He is the perfect character foil. Unlike Henry, Will has a mother who loves him unconditionally and more importantly, believes him. Unlike Henry, the person who Will loves the most (the Patty to Will’s Henry: Mike) is going to love him back and stay by his side all season. No one is going to force them to be apart the way Henry was told to stay away from Patty. Will is not going to be easily swayed even though Henry has spent years crafting him into the perfect soldier. Sure, Henry has seen him heartbroken and sad, but that comes nowhere near to the amount of love and support Will is going to get from his people next season. And they’re going to quite literally defeat Vecna with the power of love and friendship. After that, Will Byers is getting the happy ending that Henry could have gotten.

[dalliancekay]

I'm just gonna write out what I think cos if someone sends me this again for the 113th time, I'm gonna snap. Look. Interviews (months!) before a premiere of something are tricky. You gotta be careful and VAGUE with what you say and what you want people to expect. Mostly creators focus on the themes in the first, maybe second episodes or so too trying not to give away much. Just the bare bones, what is already expected anyway. After all, they want you to watch it and go: "Ahhhh...." It was the same in S2 as well. (David describing in interviews how unmoored Crowley was in S2, how kind of disappointed etc and Michael how Az is also a bit disconcerted by not having a job, something big to belong to). But that's a description of - how we find the Ineffables in ep1, rather than describing the whole of Season 2. And there was a book first before the series and you must admit Aziraphale and Crowley are a bit different in the series than they are in the book. So caution was needed. PLUS their story has evolved again. It doesn't now end in the Ritz (I know it never really did for Neil and Terry who clearly wanted them to deal with the whole system somehow). The husbands have more trouble ahead. More details were added. We got more of their story, their journeys. Crowley doesn't change and is just waiting for Aziraphale to catch up with him is not much of a story, don't you think? Aziraphale is a naïve goody two shoes angel who has to realise Heaven is bad - is just so simple I'd be angry if I was Neil and read that. Well, okay, I AM angry.

And I'm sorry but Aziraphale has not lived a guarded life. He has lived a life of fear and anxiety with bosses who underestimate, belittle and laugh at him and think he's soft and rather pointless. Does anyone know what the question was Neil answers?

Yeah, Aziraphale changes a lot in S1 (esp first 2 eps, he's kind of forced to think about the stuff that was always kinda there but swept under a rug a bit in is mind). Crowley throws out - we should do something. This whole Armageddon thing, I don't like it. He is so much a questioner of everything, isn't he. Why does it have to be tis way. Makes no sense, what if... And generally, he doesn't have much to lose. If Hell wins, well, he knows what it's like. If Heaven wins, well, it'd be marginally better? Just about? If he survives to see it? Still sucks balls tho. So yes, David is right that Crowley NEEDS Aziraphale to see things his way and quickly. Cos EARTH.

Aziraphale knows the Earth came with a manual and an expiry date. He even told this to Angel!Crowley aeons ago.

So Aziraphale's journey (is not stopping believing Heaven is good and truth and light) is believing that he has choices. That the Plan might be Ineffable but it doesn't have to follow what he was told it must follow.

Crowley says, look, let's try, what do we have to lose. You like Earth as much as I do. And he gets Aziraphale to agree, they hatch a plan.

We watch Crowley come to love and trust Aziraphale through the ages after all he has been through. We watch Aziraphale to guard their little existence and carefully push at boundaries of what he thinks he can get away with. He wonders at what things are really like. What do they mean.

Their journey, is towards each other.

I don't know how they will smash the System before they fall into a tight embrace and never let go, but I know they will. Even if they have no idea yet that that is even possible. How could they.

And if I see one more post about how Aziraphale was backsliding and choosing his ‘faith’ over Crowley in the Final 15, I will set the internet on fire.

I can never decide if Heaven and Hell are more like mafia or like a dictatorship. Maybe a mix of both. Just cos they couldn't be killed, they were left alone for a bit. Didn't last long though, did it. They needed to be separated so they don't stop another go at destroying the little Universe project God started. I guess the Archangels are quite fed up with it.

Remember. Aziraphale and Crowley have nowhere to go. They never had. The best they could do was keep their little places on Earth. For themselves. For each other. Until they couldn't.

If you thought Aziraphale won't take the chance to have a tiny glimmer of an opportunity to destroy the fucking system in whatever way he can come up with (instead of what, being downmoted, having his memory erased too?), than you don't get him at all. Did he want to stay? You heard him say it. Was he allowed to? (No, really Metatron, nice chat but do fuck off for real now, I have a date with my demon). If you think Metatron wouldn't be back with a punishment for helping Gabriel than I don't know what to tell you.

Remember this?

And then they threatened the demon he loves.

ALSO Why do people keep bringing this back to justify their vague (or not so vague) dislike of Az (but but Neil said "I think Aziraphale needs to learn") cos they think Az betrayed Crowley by leaving or something. The angel is just so stubborn. And he just won't listen to Crowley... right? /s And they ignore all the other wonderful things Neil says about Aziraphale. Especially pointing out again and again and again how smart Aziraphale is. And you can see this. In canon. On screen. In the words and scenes of what Neil wrote. You can see Aziraphale's struggles - he is a part of something he disagrees with and has no way out (Hell is not a way out btw) and tries to live in his existence in the little bubble with Crowley while being extremely careful not to have it burst. Until it inevitably does. Just as he always knew it would. But okay, if you want to have Good Omens be about a demon who figured everything out and is now waiting for his fluffy little angel to catch up and apologise to him (a million times) for being stupid so they can finally ride into the sunset, have at it. TL;DR - Heaven is good and Heaven should/could be good are two different things - Aziraphale is not an idiot; whether he still believes God is good/neutral/whatever and just the management bad or not is up in the air, we can't know unless we ask him, but it's definitely not so simple as he needs to see it's bad, like Crowley did, end of story - The Ineffables HAVE NOWHERE TO GO. There isn't a secret third option where they can leave for and be happy if only Aziraphale opened his eyes - it's what the story is about - Crowley left Heaven for an even worse place. It would make zero sense for Aziraphale to follow his journey. Crowley is not free and doesn't have all the answers - I bet it has never occurred to either of them the whole System can be ever changed (we don't even know if it can be. The System is bigger than the UNIVERSE) - But I think that's what they'll do in S3

[water-lemon-alex]

objects in mirror.

inanimate insanity s2, episode 18.

(sequel to my “through no choice of “their” own” art.)

The end result of Inanimate Insanovember! Thank you for sticking with me on this journey!

I drew EVERY SINGLE CONTESTANT (and i hope i didn’t forget ANY) including our co-hosts and our very own MePhone4!

( VERSION 2 BELOW ; II18 SPOILERS ) + my special message!

I’ve known Inanimate Insanity since around 2021? Around the same year when I discovered BFDI. I got introduced to it because a lot of people in the BFDI community talks about the show, so I watched it for myself. And boy, I enjoyed it!

I was around when Hatching the Plan recently came out, and it looked great, so I watched it from the start. I was around during II’s 10th anniversary celebration; including the start of Season 3! So I watched most of the Invitational episodes when they first released.

But then I took a break from the fandom after Friend or Froze’s release, you know how stuff happened in the fandom during that time…Until one day, I got a lot of posts in my feed about the II movie, and the events of II16. When I heard my favorite character in the show (OJ) literally DIED, I HAD to go rewatch the whole show!

I binge-watched II up until II16, caught up with Invitational— things were wild. Listening to Taco’s Tirade for the first time (where I didn’t know it would become my favorite song), watching the entirety of II16 and finding out the big reveal…

Then I decided to draw some art for the show, and it got really popular! So I drew more, and they gained lots of traction. I took a liking for Season 1’s final four— OJ, Paper, Pickle and Taco! I gave them a cool name— the Menu Squad! Made headcanon designs for them, memes, doodles, everything. Just to show my love for them. Heck, I called myself the “Self-Proclaimed Menu Squad CEO”.

Then a cool AU idea appeared in my head before II17 released: the Welcome to Insanity survival AU! It was inspired by some lines from II16, then my intro post to the AU gained A LOT OF NOTES and it made me so happy when I found out people were INSPIRED by my AU! And so I drew more, and more, and now I’m here.

This community is full of wonderful creators big and small. I’m still really proud on how far we’ve come! I think there’s no other object show that could bring me such a wild experience! So thank you for all your support! And thank you to the II team for making this possible! I enjoyed the finale so much!

- With love, Lemi. 🍉🍋

[rafesgoldrings]

after rewatching most of s2, I noticed that rafe always ends his sentences with “okay” for like reassurance or to see if they understand him and it honestly makes me feel bad. so may I request like the reader reassuring rafe? doesn’t matter the plot tbh

(it can angst-y or light hearted, i’m just in the mood to be sad😭)

It was getting exhausting being with Rafe. You loved him so much, but ever since all the shit with Ward went down he changed. All he cared about was the gold, Barry had started coming around more and the two of them would disappear for hours, days even. Then they’d come back and throw a party, get drunk and high off their asses, and Rafe would act like nothing was wrong in your relationship. Each time you tried talking to him about it, he’d just brush you off and tell you he was handling shit. But that wasn’t enough anymore, you couldn’t keep doing this with no proper explanation.

“Rafe” he’d come home late again, not even saying hello to you as he walked into your bedroom, pinning you down and kissing up and down your neck trying to take off your shirt. Acting like sex would magically fix whatever was going on, but not this time. He kept kissing up your neck, not paying any mind to your solemn tone.

“Rafe, stop” your hands moved to push him away, watching his face screw up in confusion. “What? What’s wrong?” how one person could be so oblivious was beyond you. What wasn’t wrong?

“We need to talk, please. I’m begging you to just talk to me” the pure pleading tone you spoke with broke his heart. He knew that he’d been absent, had been pushing you away, but talking about it made everything going on real, and making it real meant he had to deal with the emotions and consequences that came with that.

“Look, I-I’m trying to take care of us okay? I’m trying to take care of you” he rubbed at his temples frustrated, you didn’t understand. Why did nobody understand that he was just trying to take care of shit?

“But you take care of me other ways Rafe. Like when you acknowledge my existence as more than just sex on legs. When you actually talk to me and treat me like your girlfriend, when you take me on dates, when you come home and we take turns cooking dinner. That’s taking care of me” you shook your head, you knew this was a 50/50 scenario. He was going to either actually listen to you and the two of you would work on it, or pick a fight that would be the final blow to your already fragile relationship.

“No no no no…listen to me! I’m the one taking care of all this, me okay? Y-you just wouldn’t understand, you don’t know how much shit I have to deal with, how fucking hard it is” his voice was slightly raised now, standing in front of you pacing back and forth, but as soon as you flinched when he pointed his finger in your face, he broke.

Tears streaming down his face, sobs wracking his body making it hard for him to breathe, arms wrapping around you as he collapsed to the ground and placed his head in your lap. It broke your heart seeing him this way, seeing the strong tough exterior he put on finally crack, the way he was being so vulnerable with you. You placed your hands on his head, cradling it, telling him it was okay. You were here, he was okay, he could trust you.

“It’s too much. I don’t know how much more of this shit I can take” it came out muffled, but you heard. You swear you could hear your heart shatter.

“Then stop trying to do it alone. Stop trying to act like you’re okay, you’re not okay Rafe. It’s going to take time before everything is going to be alright, you just have to let me in Rafe, let me help you” he raised his head from your lap, his sad eyes staring directly into your pleading one’s

“Okay” it sounded so defeated, but also like relief. Relief he had someone who cared about him for once, who wanted to make sure he knew he wasn’t alone in this, who loved him enough to call out his bullshit.

You pulled him into a gentle kiss, hands cupping his cheeks as you felt him gently push you back into the bed. He crawled on top of you and peppered kisses down your jaw and neck before you pushed him away again.

“Let me take care of you tonight. Let me show you how much I love you” flipping the two of you over so you were now on top. Gently undoing the buttons on his shirt, you bent your head down to gently kiss the exposed skin.

“Going to make you feel so good baby. Help you forget all your problems tonight”

Tag List: @sweetestdesire @congratsloserr @xyzstar @dreamingwithrafe @madelynie @outerbankspov

[shebeafancyflapjack]

What I love about Ghosts is how much of a slow burn the enemies to found family is. Yes there's a pretty big leap from "tried to kill her" to "forced allies of convenience" in the first two episodes, there needs to be to set up the premise, but after that there's such a gradual build up to a real cosy feel in the group.

It would have been so easy to have this dynamic reach its peak by the end of S1. There's a few soft moments like Alison talking to Pat's family and the Friends sofa bit outside but only after Pat explains to her how important the moonah ritual is to Robin. But it's not enough to make them that close yet and in the finale the ghosts mostly want Alison to stay for their own convenience, except Kitty and Thomas, with Fanny only just beginning to accept Alison is part of her bloodline. Captain still wants them gone but concedes to help them stay more for the others. Alison is touched by the gesture of the jewel but still admits that it's a nightmare living with them and wants to leave - and only stays because Captain screws her over via manipulating Kitty.

S2 starts with her waking up and sighing about how she's still "living the dream" (aka her nightmare). However, so we're not quite on the same page as last season, she has now established a routine with the ghosts and knows what each of them need. There's a feeling of comfort beginning to creep its way in, even if they still annoy her. And they're still not willing to help her at the drop of a hat, especially Julian unless he can get something in return, and some will go as far as to work against her when she's trying to make the house look haunted. Had the Grey Lady episode took place in S5 you know they would have all jumped at the chance to help Alison whatever she asked. But this series has a lot more episode focused on Alison connecting with the group like learning about how Thomas died and the Captain's past and Kitty's kinda sad childhood, so it feels natural and heartwarming when they all come together to help protect the house from burglars for her and she appreciates out loud how they're not as selfish as when she first came there. And they all do what they can to help with the wedding, partly for it to be a success for Alison but also just to help. Honestly on my first watch, with the snow and everything, I thought that was the Christmas special! So it lead in nicely to the actual one. Because the gang are finally at the stage where Alison would be comfortable spending Christmas with them and they all come together to sing with her to make her happy, even Robin who thinks Christmas is just a recent fad.

Series 3 is where that leap from friends to family happens and is contrasted with Alison thinking she's found a long lost blood relative, which she confesses is something she's wanted as she never had a lot of family around her. I like that they didn't have Lucy be her actual sister that turned out to be a villain, as we already have an abusive sister with Eleanor, but it still serves as a parallel between her and Kitty to make Alison realise that she has found a sister, and more. Robin saying "welcome home" and the look on Alison's face is enough to let us know this is no longer just a project for her with some annoying pests to deal with. And the final shot of them all "eating" together is one of my favorites.

The show could have easily ended there if it wanted to. Or it could have gone on another two seasons with everything being perfect and wholesome. But it doesn't; because families are not perfect. We still have an episode centered around the ghosts trying to apologise for upsetting Alison, much like a bunch of kids with an overworked mother, and they want to make it up to her not for their benefits but because of what she means to them. Episode 2 also has Alison missing feeling needed by the ghosts when they're busy doing their own thing and realising she just wants to spend time with them, even if it's just something as simple as a walk with Robin. And when Mary passes on, Alison is absolutely devastated and puts aside her work duties to prioritise helping the other ghosts grieve. Then there's her joining (evil) forces with Julian to take on Barclay together. And the series ends with Robin, who began the show just enjoying scaring the shit out of Alison for the lulz, confronting his ten thousand years old ptsd and taking a bolt of lightning to save her husband.

That's four years of development. Compare this to the CBS version where they all click together a lot faster and we don't see nearly as much of Sam losing her temper with the ghosts, and plots always seem to be wrapped up so much quicker (the fact there was no apology from Thor for possessing her still irks me). This isn't necessarily a knock against the American version, their episodes are ten minutes shorter because of ads, and it's more of a style choice as well as Sam just being a far more patient character than Alison. I know a lot of people prefer that the show begins a lot more wholesome to start with so it's down to taste. For me the heartwarming moments mean so much more when they've been earned over a lot of struggle.

Take the climax of Series 5. It's one of the few moments of TV that have made me gasp out loud. I genuinely forgot that we never saw Alison find out Julian pushed her. I guess I assumed she found out off screen or worked it out when she realised Julian's ghost power. But it really was the perfect point for her to find out; because had it happened any earlier then she wouldn't have hesitated to leave with no amount of speech able to change her mind, and likewise Julian wouldn't have had anything to say to her. But as someone else pointed out, it's much more difficult to forgive someone you love for doing something truly evil, even if at the time you were less than strangers. It's a crushing betrayal for Alison to find out that someone she thought as family once tried to kill her but also that the rest of them kept it secret. There's no obligation or pressure for her to forgive them; but she chooses to, because it's been earned over more than three years. And to parallel the S1 finale, the other ghosts are desperate for her to stay (including Cap this time), no longer for their own convenience but just because they love her.

And now we wait in terror for the Christmas episode to rip all of it to pieces. 🥺

[midnightstar16]

I am done with this show.

I came into season 2 with hope and excitement. Season 1 ended so shockingly, and I was curious how it would play out in the next season with all these complex characters. Would Rhaenyra finally become the book Rhaenyra who fought her brother and kin for the throne? Would Aegon finally embrace his role as king? Would Aemond work with his brother to plot and defeat the blacks?

It is safe to say I was disappointed. As the show progressed, I felt my enthusiasm falter and destroy. From the top of my head, I can only remember episodes 2 and 7 living up to their expectations. Why is this? If they couldn't make a book-accurate show, they should never have thought to make one in the first place.

They've omitted characters (nettles) and ruined others. Somehow sheepstealer is in the vale?

The above picture is from Martin's blog posted this month. It is obvious that the writers think that they can do whatever they want.

Rhaenyra who was supposed to be ready for war, is suddenly against war again. Alicent, who wanted her son on the throne and hated Rhaenyra, is suddenly yearning for her. Daemon is in his "haunting of Harrenhal" era. Criston Cole, who was named Kingmaker is such a useless shit in the show. He sits around, has s*x with alicent and then sulks.

I will not say that they butchered everyone. Aemond and Aegon's writing was done nicely. Leaving the rook's rest part. That didn't make sense in many ways.

This show has just become men bad, women good. It is obvious. Aemond, Aegon, Cole, Daemon, heck- even Jace; they're all portrayed as insecure, abusive and bad.

It was jace who came up with the idea to get Targaryen bastards to claim Dragons but they made him insecure and gave his plot to Mysaria. Oh and talking about Mysaria... She was talking about her abusive father and how he r*****d her and Rhaenyra became horny and kissed her? That scene was actually suggested by Emma Darcy, Rhaenyra's actor and it shows. But the fact that the writers actually allowed it shows their naivety.

Criston was a GOATed character in the book, he was a father figure to Aegon and Aemond but he acts and looks younger than them.

Daemon is in his haunted movies era. After laena showing up in s2, I predicted we'd get Viserys all rotten up and we did.

The set is amazing, the dragons are amazing, the characters are supposed to be amazing and so is the writing, but it is not. Season 8's cinematography, music, set, everything was groundbreaking but its writing was bad. This is exactly the same.

From what I've seen so far, episodes 2 and 7 were amazing, I can't lie, episodes 1, 3 and 4 were on the average side. For episode 4, many might criticise me because it was rook's rest, but this was a huge battle that shook the ground. It was downplayed to what? 10-15 minutes? As for episodes 5 and 6, I don't even remember what happened in them, because there was nothing to remember.

Episode 7 was good indeed. I thought they finally redeemed themselves. Until episode 8 leaked. Indeed. Last time, about 2-3 episodes leaked and this time was no different. The finale leaked.

While I will not talk about it until Monday, I will say this: I, who watched season 8 twice, who is a huge a song of ice and fire fan, will most probably not watch this show from now onward.

[allthefakepeople]

ok ok

i have thoughts about the four football field scenes and how they interact with the story as a whole

s1 ep2

this is the first time we see wille really let go and even though they didn't say it was, it had all the feelings of a first date with a crush, complete with the simon's teasing friends and both wille and simon being nervous. there was stuttering and cheering and they both clearly hold it in their hearts as a special night

wille lets go and allows himself to have fun, not thinking about who is watching him or why and he gets to see what simon is like when he's not at Hillerska and when they're on the back of the bikes and their hands are brushing, nothing has felt like that since wille got to hillerska

s1 ep4

THE scene of Young Royals. why is this where wille ended up? how did he end up here? these questions aren't super important but everything wille talks about in this scene about everything being fake except for his feelings for simon, which are very very real, almost gives you the sense that the last time wille felt *real* was when he had been at the football field with simon

then simon shows up and wille can barely believe it because everything has felt hopeless and everyone is being fake but simon is here and he's so beautiful and "you're really here" (there's a reason why he keeps trying to touch simon's face, he's gotta make sure it's real) and he just keeps repeating "you came!" because he can't believe it

s2 ep 3

this one seems less significant in the grand scheme of the show and maybe it is but we're at the point in s2 where simon has been trying to get space from wille and is trying to see where this thing with marcus is going (he's wearing purple) and saying things like he thinks marcus likes him for real it's not working and simon just doesn't know his feelings and "i don't understand why i can't fall in love with him" and he's fighting with pushing away his very real feelings for wille with the feelings he thinks he should have for marcus

and he's having this discussion with ayub and rosh on the football field where wille talked about how real his feelings for simon were and simon might be able be able to convince himself marcus is what he wants but that's not real

s3 ep 6

this final football field scene was basically a way to show the audience that simon was struggling with how hard it's been since he broke it off with wilhelm. he still has very real feelings for wille and it was super difficult for him to see wille at school that day and he's at this field basically to avoid going to a party where he thinks he might see wille

the second rosh starts talking about closure, simon starts fiddling with the rocks in the grass and you can almost see how he's struggling with the idea of letting go of wille and you could almost see the thoughts about wilhelm and what's real and what should be pushed away rushing through his head

this is where he ultimately decides he has not had the closure he wants to

in conclusion the second two scenes don't have as much of a punch as the first two but i think it's interesting that simon has two conversations about figuring out how he's feeling about wilhelm when they're spending time apart when he's on the exact field where he and wilhelm really connected for the first time

[steviesbicrisis]

Stranger Things S2 rewatch thoughts

I finally finished rewatching S2 and this is everything I've written down as I was watching lmao

KEITH USED TO WORK AT THE ARCADE?? Also the arcade is right next to family video so Keith just moved next door in season 3 lmao

Steve omg you’re so cute stop

FINALLY MAX IS HERE

Okay Billie is bad, yes? We all agree Billie is bad, right? But Dacre IS SO HOT I CANNOT HE TOOK A “PORCA TROIA” OUT OF ME LIKE IT WAS NOTHING

Honestly they’re so dope for dressing up as ghostbusters and going to school with matching outfits

Ugh Nancy and Steve are so terrible for each other

Steve’s face during the bullshit scene really broke my heart 🥺

People being annoyed at Joyce for being super protective of Will like what?? That boy was proclaimed dead, they had a funeral and he turned out to be in another dimension??? I dare you to not be at least a little paranoid

I’m getting the gayest vibes ever from this basketball + shower scene I’m not even joking, Harrington 100% felt what it is like to be a girl objectified in a nightclub

Billy calling Steve pretty boy is so fucked up like are you Eddie Munson? No so imma need you to back off ✋

Jfc no wonder Vecna chose max she’s a walking gold mine for therapists

One drive with Billy would be enough for me to become a target for Vecna I swear

A part of me will always blame Dustin for the cat’s death 🥲

Stranger things is so good I cannot fucking believe my eyes sometimes

First Nancy, now Hopper… can they like, stop going inside creepy ass portals all by themselves? FFS

OH MY GOD ERICA WAS SO SMALL HOW CUTE SINDFKJDF

Lucas telling Max “if I tell you the truth, you could be arrested or killed. Do you accept the risk?” Hits different now

FINALLY THE DUSTIN/STEVE DUO IS BORN

I was today years old when I realized Nancy broke up with Steve in S1 for a month but then she got back with him because she got tired of waiting for Jonathan

Dustin’s proud smile when Steve told him “good call dude” I CANT IM WEEK IM CRYING ON THE FLOOR

I will never get over Dustin’s pure adoration for Steve in this season

JUSTICE FOR BOB

BOB NEWBY THE SUPERHERO 😭😭😭

Everyone: it’s like the mind flyer! Steve&Max: don’t speak nerd in my presence pls

I’m sorry but Mike holding that small trophy as a weapon LOL

I CANNOT BELIEVE THE KIDS WERE AT THE WINDOW WHEN BILLY CAME ARE STUPID

I cannot believe they wanted to leave a beaten-up and concussed Steve behind, are you crazy???

I totally forgot that Steve, in a span of a couple of hours, pushed his girlfriend to be with another guy, got beaten up defending kids he barely knows and then went down - all beaten up and concussed - the upside down tunnels just for said kids?? ARE U EVEN REAL MAN?

Will turning to Mike when that girl asked him to dance 🥺

Nancy is so fucking right, those girls are so stupid turning Dustin down like fuck you who do you think you are????

Jopper at the end, I love my parents so much

Here my thoughts on S1!

[mdhwrites]

In your opinion does "The Owl House" have any re-watch value? Does the story, characters, characterization, writing, etc. hold up over repeated viewings or is the show played out after the first time through the series?

So I want to acknowledge that this is actually an awkward question. Not with how you phrased it or anything just... Period? Because whether something is rewatchable will mostly come down to personal taste and enjoyment. Some people find Horror movies to be great fun to rewatch while others may not see the point because you already know all the scare moments or answers to creeping dread. Some might find action movies exciting to rewatch while others need the novelty of a first rewatch. As such, my answer is very much so is going to be biased by the fact that I ended up not liking the show.

But... I broke essentially on rewatch in a way. A lot of people have shattered on TOH essentially from having to reconcile what it says versus what it does. A lot of this because TOH constantly kicks payoffs down the line and hints at potential it will reach. It is constantly making the journey suffer for the promise of a grand finale. And, well... A lot of people have agreed that the shortening did not force their hand to break multiple themes in the finale, or take Amity's character or a bunch of other things that bloated the series and never got a proper payoff, such as the Collector.

This format of TOH I think is actually what makes it so hard to rewatch unless you are the ultimate fan of it who will notice nothing. S1 is labeled as boring, a complaint I even agree with as someone who mostly likes S1 still. It spends the most time setting up plot lines though in episodes that are a pretty safe seven out of ten, or worse. Amity episodes can escape this problem decently often, being fun in their own right, but that's why the fandom only acts like half, at best, of S1 even exists. Most of it is easily forgotten because it's very forgettable. Not like in a S1 of Amphibia way where it's all so much fun but also so much of it that they can blur and be hard to separate but just in a "I just wasted 20 minutes of my life watching an okay kids cartoon" way. The only thing that helped those episodes not feel that way was this idea that it was building towards something with these characters.

And... After the shock of things like the Lumity Kiss being real, I don't think S2 holds up for being the majority of those payoffs. Amity and Willow? One of the most explicitly kicked cans? Seen interacting on the same side before either addresses the "We're not friends' thing because of Eclipse Lake, so that's pre-shortening and they still didn't decide to address and then address it badly. Luz's magic is wrapped in a plotline she's not a part of and has no real reaction to even. It's just "Oh, we're just making bullshit up now instead of finding glyphs? K." Amity's parents are wrapped up, in the same episode, early S2, in a very similar way where Amity is barely a part of that episode but now her core angst and excuse for being a bad person? Dealt with and out of the way, at least until they randomly decide to try and say Alador TOOOOOTALLY wasn't a bad guy. That he hated Odalia too. Totally doesn't contradict literally everything that came before, something that would be much more sharply noticed on a binge rewatch. Like... It cannot be understated that by the point most plot threads in TOH wrap up, they were introduced and left to rot for so long that half the time, the fandom was starting to get UPSET during the runtime for the lack of any exploration or conclusion. Long hiatuses didn't help but at its core, even when it was running people were wondering when we would get satisfying answers to thing and rarely were they happy about it.

I think this is a core part of why ONLY the shipping community seems to have clung to TOH. That or people who are exploring the show's missed potential with characters like Belos or the Blights. The fandom has had to either commit to the one thing TOH did do well, its shipping (that comes with so many fucking asterisks) and its potential baiting. But the latter also means you have to recognize why it failed in the process of doing your exploration of the work.

So will some people enjoy rewatching it? Of course. There are people who probably like rewatching the AtLA movie though because the die hards are die hards. Do I think from a casual perspective you get much out of rewatching a random episode, let alone binging the series again?

No. I just think disappointment that the main series will leave you, which will eventually no longer be tempered by the reputation of it having been shortened, will only get worse. It is not a tale worth seeing again, so I hope I see you in the next one.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[galvanizedfriend]

do you recommend watching The Originals?

Nonnie, you're out with the tough questions 😂

I've been here thinking about this for a few minutes. The answer is... depends? lol I know some people who really like The Originals, so it's hard to say that you should or shouldn't watch it. It really depends on what kind of thing you're looking for and where do you draw a line.

Personally, I have a lot of issues with TO lol And back when it was still airing and I was watching it as the episodes came out, I abandoned it halfway through S3 because I got to a point where the very far and few good parts were no longer making it worth my while. A lot of people think S3 is the best season, I think it's by far the worst one lol So you see how it really depends.

But I do like it that I watched it in end, even though it took me a few years. It gives me authority that I know exactly what I'm talking about when I shit talk it lol also whenever people who can't stand the show have a canon-related question, they come to me because I watched it some 200 times so other people don't have to suffer through it, and I think that's beautiful 😂😂

Here's a simple pros vs cons list *in my opinion*: Pros: it's more Mikaelson screen time, so there's that. That are some plot lines that had potential, although almost none of them are well executed. Seasons 1 and 2 are actually kind of ok. S3 and 4 Klaus hair is 🤌🤌🤌 The WILD CURLS ERA! I'm a simple girl, you give me Klaus in tight Henley shirts with curly curls, I'm in. There are some great family moments scattered throughout the seasons, some really cool scenes that make you think 'wow, this could've been a great show' (right before you get pissed off that it wasn't). Daniel Sharman's Kol is, IMHO, the superior Kol (I don't like Nate Buzz's acting). Jomo really delivers as Klaus regardless the whole bullshittery around him and gets some great chances to just be a little shit, which I love. There are some great Klaroline moments (and not just in S5). And in spite of my overall feelings for TO, one of my favorite all-time TVDverse characters is from there: Vincent Griffith. I love him to bits. I also really like Marcel, even though he becomes a glorified extra after S1, and Jackson. Also, if you're really into werewolves, this is really the show where they get any screen time. I'm not saying it's good, but at least it's there (and no, Klaus never turns into a wolf, it makes no sense).

Cons: Really bad, inconsistent writing. Some seasons have storylines that just die out of nowhere for no reason (*cough*season 3*cough*). The whole premise of the show is insane (there was absolutely no need for Hope when Marcel is right there). The crossovers with TVD are very poorly done and very glaring opportunities go unexplored (like at the end of S1). Rebekah drops out pretty soon into the show. Elijah changes personality at least once every season to the point where, by the end of the show, they just retcon him completely. The finale is RIDICULOUS. Season 4 was written by someone on a wild acid trip, season 5 is really not worth your time AT ALL (except for the Klaroline moments). Female characters are very badly treated (pretty standard in the TVDverse, but anyway). Klamille is a thing, although, as with everything else, it's so badly done it's only marginally there. There are a lot of retcons and rewritings of the show's own mythology, which is annoying. And it's just... Bad. I don't know what to say, it just never lived up to the hype of what a show about the Original family could've been or what TVD had been at its peak. It's never, ever even remotely as good as TVD was around S2-3, not even at its best moments.

Those are my personal opinions, anyway. I'm sure others might feel different, but each to their own. It's really about you considering whether or not that's something you might enjoy or if it will at least be worth your time. Maybe start it and see how you feel? Worst case scenario, at least you get to see more of Klaus prancing around New Orleans.

Also, the first episode of TO is different from the backdoor pilot in TVD. That's more of a Klaus POV one, while the one in TO is more an Elijah POV.

hope my TED Talk helps you! 😂

[lifeisasham]

my understanding of the character progression on number five

preface: i don't ship five with lila and think it more along the lines of forbidden love. what happened in season 4 is something i wish didn’t happen but could understand what was likely plotted out by the writers.

five from pre-s1: he was surviving a post-apocalyptic wasteland where he should’ve died for all intents and purposes. however, he did survive against all odds with his family as his guiding lights. or rather the idealised versions of his family that he envisioned in his head and what was written in viktor’s autobiography. while he may have also seen some of their exploits and characters through the infinity switchboard, those were probably more of snippets that served to reinforce his illusions of them. he can’t possibly watch what he missed of his family’s lives because the infinity switchboard would be very tightly guarded, especially if five is around; he would probably escorted and shown those snippets rather than allowed control over it.

five from s1: the first disillusionment that was blatantly presented in the show was when viktor dismissed his trauma. five expected viktor to go along with the revelation of the world ending, likely not even expectecting help to figure out what causes it, but that viktor would listen, at least. another disillusionment is likely that klaus was, unexpectedly, better in reality than five had imagined him to be; more than just a junkie and the family’s disappointment.

five from s2: another disillusionment with viktor was when they came to a head, with five seeing viktor if free of the drugs and the memories of the umbrella academy. there was also another disillusionment with mostly everyone when they failed to arrive within that hour he set for them, just expecting everyone to drop everything they’re doing and the lives they’ve built.

five from s3: here, we see five finally showing signs and effects of being disillusioned from s1 and s2, willingly giving up trying to save them. by this point, he was already so tired and had retired before being pulled back into the thick of things. we also see his relationship with lila progressing from enemies to frenemies to neutral or even cordial.

five from post-s3 pre-s4: from an interview with the actor, we learn five is lost in life and without purpose, disillusioned with his scattered family living their new lives, no longer seeing them as his guiding light.

five from s4: we see his relationship with lila has already become at the same level as his family’s. five and lila just diving into the multiversal subway and getting lost in it together wasn’t really how i would’ve wanted that relationship culminating but i find more potential for them together than with lila and diego due to an understanding of their shared trauma that they would likely have kept sealed and hidden away.

side note: i think that, if she wasn’t pregnant from s2, lila and diego wouldn’t have lasted one year and that she would’ve been on the wind.

another side note: on the fandom, i think most people idealizing five as this immutable and unchanging character focused solely, tunnel-visioned on and can only live for his family, just as five was idealizing what he remembered and what was written of his family. this likely stems from all the fanfictions that writes him as such, disregarding the fact that, just like the other characters in the show (except reginald, abigail, grace and pogo), he is, in fact, human. he should be allowed to be selfish, to live for himself, to seek and accept love from others (platonic, romantic, etc.) he already tried to seek love from his siblings and where did that get him? he likely won't be able form any sort of lasting romantic relationships with anyone else other than lila (and isn't that just sad?) unless most his memories were removed (even then, there is still the possibility he would regain those).

[lanbichenbunny]

Pitbabe S2-Trailer - possible spoilers

If you didn’t watch it you so wouldn’t have anything spoiled. Scroll past this post. I’m finally going to say what I think and give my own possible theories.

First theory- Dean will possibly becoming the head of their group. After the whole jail scene. (Himself, Winner and Kenta.)

(I want Kenta to become good so bad, I don’t know if it will happen though.)

I think Tony most likely will be getting the out of jail, could be Way though but I think there’s only an outside chance of that.

Babe’s nightmare

First, I love Supanuts line delivery when he turns around it just really got to me.

Way seems to paralyse Babe and make him in capable of speech when he touches him.

Theory Two- (I have to say I hope it isn’t proved right. After everything Tony did in S1)

After Babe is paralysed, Tony tells Babe “If you want to get good at it you have to try harder.”

It feels like he could be saying if you want to beat Way you have to be stronger. Possibly a suggestion he’s at least trying to do something good as I said I don’t like it just a thought.

Whatever Babe’s nightmare is, I don’t think it’s just a regular nightmare. I think it’s some kind of warning or related to a special ability somehow.

Sweet Charlie x Babe

Babe’s words: “kissing is better than before.”

Me: better than before? What do you mean? Please tell me.

This has to be significant, it can’t be just a line that means nothing. I really can’t wait to find out what he means by it.

Anniversary of Ways Death?

We see Way from one side of the screen, all the leafs fall in slow motion.

Tony from the other side of the group by the trees.

Theory three (this I like more than Tony being good. I came up with this partly on how the characters are positioned.)

Way on one side of the screen is possibly getting stronger the leafs falling in slow motion are some kind of extension of his power. He intends to take Tony on and get rid of him for good.

I feel like Way and Tony are having a stand off at the end of the trailer. Tony is the closest to the camera directly facing where Way is on the other side.

The other characters are n the middle, oblivious to Tony and Way, which might represent them getting caught up in the middle of a fight between the two and everyone else having to pick a side.

[basimdasasonst]

ofmd s2 rant

so, this is my first post, and I have @ketamoru to thank for corralling (gently suggesting) me into making this. we watched season 2 of our flag means death a while back when it first came out, and i wrote this huge long rant (that I just finished editing) about it, intending to post it to twitter or imdb or something. but. due to the sheer nature of the word length, i couldn't. so, here it is.

On OFMD S2: as a viewer, I’m appalled at the season. As a writer, I could feel my soul escaping my mouth with each cringed breath I took, escaping my pores every time I had to hit the spacebar to pause and bury my head in my hands. I’ve read and written bad stories in my past, I've been on both ends of a shitty narrative, but my god. 

There's three core tenets to a story: plot, world, and characters. You can lean on one if another is lacking, absolutely, BUT YOU CANNOT SACRIFICE TWO OF THEM AND EXPECT THE OTHER TO BE ALRIGHT. THEY ARE CONNECTED. THEY INFLUENCE EACH OTHER. GOOD CHARACTERS HELP A GOOD PLOT, A GOOD WORLD HELPS A GOOD PLOT. BUT A HALF DECENT WORLD CANNOT HELP SHITTY CHARACTERS AND PLOT!!!!!!!!!!

Let me start with the simplest to talk about: the plot.

In an introductory college level physics course without calculus (bare with me), you occasionally do problems with a pulley. If you account for the mass of the pulley and the string in calculations, the problem simply becomes too complex to deal with for an introductory course. So, you call the string massless, and move on with your life. Every single episode's plot was tied together by this massless string. As in, THERE WAS NO INTERCONNECTIVITY BETWEEN EPISODES.

The three sections of plot development are (as highlighted by Brandon Sanderson, who is not writing-Jesus, but is pretty accomplished in the fantasy genre, which should speak for itself) promise, progress, and payoff. Promises are made at the beginning of a story's plot arc. They hint towards the greater plot and arcs, and promise readers a story filled with [x]. For example, if you're going to write a comedy, your opening scene (the promises) should be comedic. You don't start a comedic novel out with a tear-jerker. This is arguably the only part, in my opinion, that OFMD gets right. The opening episode is, to give credit where credits due, pretty comedic for a comedic season. The tone is set properly. 

Here come the problems: Progress. THERE IS NO PROGRESS. Stede and Ed make up WITHIN THE SAME EPISODE THEY MEET AGAIN. And then they break up in episode 7. AND THEN THEY MAKE UP AGAIN IN EPISODE 8. There is no conflict between the pairing. There is no conceivable sense of tension or drama or ANYTHING that builds up to a climax. THERE IS NO CLIMAX. It’s just a bunch of minisodes strung together by a massless string. Villains come and go within the same episode (I'm looking specifically at Ned Low). The only one that comes back is Prince whatever-his-name-is (I'll get to him in a second), and we don't see much of him. He's introduced to us as a bumbling fool in the beginning, we lose him for a long while while Ed frolics around (again, I'll talk about Ed's character too in a second), and then he's suddenly a prince (episode 6, I believe) needing to take revenge. He makes a cursory deal with Zheng, we see him for 5 more minutes, and then he blows everything up in a totally-not-seen-coming betrayal. Boring. No progress, no payoff. 

Which leads me into the final part I have to say about the plot: payoff. WITHOUT PROGRESS THERE IS NO PAYOFF. Because of the nature of the season, with things just thrown at you with no cohesive narrative the season felt like a continuous dopamine rush with no need to work for anything in return. (What was the ultimate goal of the season, do you think? Ed's reconciliation? The prince's revenge? Stede's path to being a pirate? Do you think any of them were explored? Think about it, for a second.) The climax of Izzy's death (boy do I have some key words to say about that, but that's not the point of this review, far from it) didn't feel...worth it. In fact, I'm not even sure if that was the climax, or maybe it was Ed leaving (and coming back 30 minutes later … ) or maybe it was the bombing. Who knows? I don't. You can have subplots. You can't just treat them all equally. There has to be a point to a story, and you have to favour that point over mindless adrenaline rushes. There was a point to season 1: Stede's growth as a character as he realises piracy isn't all he thinks it is, and eventually falling in love with Ed. There is no point to this season. Or if there is, it's muddled by the 20 other things happening all at once, always. There is no progress, so there is no payoff. 

2. Next, the world.

In this case, the physical scenery, the props, the costumes, the music, etc. I'm not a costumer, nor a musician, nor a lighting director, I’m just a viewer with a basic high school understanding of world history – but nothing ... changed about the world in this season. When you establish a world in the first act of a book, do you just stop establishing it in the second act? No! Of course not! You keep building it, because the world changes too. 

Every single new town the ship visited, every time they docked or got off a ship, the scenery looked and felt the same. How many times are they stranded in the exact same kind of underbrush? The exact same biome, with the exact same kinds of plants? Do they ever go further inland? Is there more to the world than just two ships, one established town and then the shoreline? Of course there isn't! Because that means worldbuilding more than what season 1 did, and that's too terrifying to think about! 

And the music. Christ, I'm no musician but did the music feel, to anyone else, passive? In season 1, at least the last time I watched it, the music fit the scene. It wasn't just there because there needed to be music. It spoke to the world, it said something about the scenery. This music, by comparison, is so tame. It's not noticeable. The only part I did like was when Izzy died in silence, because that silence let the death settle with the viewers as Ed weeps openly and – oh, here's the mindless royalty-free music again. 

3. And finally, the characters. 

Jesus Christ where do I even start with this? Let me start from the foundation of storytelling as any amateur writer understands. YOUR CHARACTERS ARE YOUR MOST IMPORTANT ASSET IN A STORY. I am physically unable to stress this enough. I DON'T CARE IF YOUR WORLD SUCKS MAJOR SHIT. YOUR CHARACTERS CANNOT SUCK. WE STICK WITH THEM THE ENTIRE WAY THROUGH. IF WE CANT STICK WITH THE CHARACTERS, WE CAN'T STICK WITH THE STORY. 

(Note: You can write characters with obviously terrible personalities, and that are meant to be disliked, without them sucking. It's about intentionality. If you write a character, and they’re meant to be likeable, and nobody likes them, that character sucks, and you’ve failed. You’ve also (usually, but not always) failed if your viewers hate your character for a different reason than intended. If you write a character you’re supposed to hate for [x] reason, and people hate them for [x] reason, you’ve succeeded. There is a difference between a bad character, and a character with an intentionally flawed personality that you're not supposed to sympathise with.)

Next question: why is everyone in a romantic relationship? The day people realise that platonic relationships are just as important as romantic ones is the day I'm allowed to rest. (I say this beyond just the fact that I'm aroace. I say this as an exhausted reader.) There were not one, not two, not three, not four, but FIVE relationships that were given significant (well, as significant as it gets with 8 30-minute-episodes) screen time. Except, none of them were developed. Not even Ed and Stede's. What was the point in breaking up Jim and Olu, pray tell? Their conflicting personalities were what made them so interesting – to see two opposing forces find ridges where one slots into the other, where two people so different find solace in the other? Now Jim's just got over Olu in a third of an episode and they're kissing that other person. No, I don't even remember their name, because their personality was just Jim's in a different font. You paired two similar people up with each other. Why? Not sure. (I hesitate to chalk it up to some weird exoticism going on behind the scenes, but.) Now I'm bored. There's no tension in that, no story to tell, no good reason for it happening. And Olu with Zheng. NO BUILDUP. Zheng stares at Olu working on scrolls for a little while. That's it. THAT'S NOT BUILDUP, THAT'S JUST WASTING TIME. Her relationship with Olu is so unbelievably forced. (I could feel the crickets of the writers room permeating through my screen – that one stray writer going “well, if nobody else has any ideas, then idk maybe we could … “) They share nothing in common, her "you're the break in my day," is completely unfounded (I’ll get to this when i talk about her character outside of Olu in a sec), it irritates me to no end. 

I don't have anything to say about Swede and Jackie, or Black Pete and Lucius, because nothing fucking happens. Black Pete and Lucius make up, after a little bit of progress I will say, and then it's ... a few episodes of them loving each other unconditionally as if nothing happened. It's boring. I'm bored. 

Stede and Ed. Oh boy. Ed is clearly not ready for a romantic relationship in this season, despite whatever work he did last season. (Thrown out the window by this season! Who’s ever heard of setting up future seasons in your earlier seasons? Not the OFMD writers room!) He grapples (barely) with the idea of not being a necessarily good person, and tries (in heavy quotation marks, more on that below) to redeem himself, but ultimately just ends up right where he started: Blackbeard. He ends up reversing all of his progress in terms of his character arc. Right back where he started. Christ. And he's clearly too busy grappling with this to be conceivably ready for a romantic relationship with Stede. But Stede and Ed happen anyway. If handled by someone who wanted to comment on the nature of toxic relationships and wrote this intentionally, this would have been a GOOD PLOT. But it was clearly not intentional, as nothing seemed to flow together, characters spoke like robots, and I could feel the fact that the script was obviously just a shitty first draft. Not to mention the fact that Ed doesn't ACTUALLY do any thinking on what he's supposed to be. That purgatory thing was the best we get – and it was damn good in comparison to the rest of the season where he doesn't really reflect on his actions. He has one conversation, decides he's a changed man, then goes straight back to his previous actions. 

And STEDE – man. They DECIMATED his character this season. In the beginning, in the first season, he was the gentleman pirate – two juxtaposing adjectives. WHICH IS CENTRAL TO CREATING A CHARACTER. No real person is one track (even the most stubborn of us), no real person can be effectively summed up in a few words like a bad character creation sheet. The conflicts that we deal with as humans are what make us human. Flaws, in no small part, are part of the human experience. (I could get into this, but if you’ve ever looked at AI art and felt its soullessness staring back at you, then you know. It’s too perfect. Too lifeless. Too flawless.) Every single person deals with layers and layers of complexity. Two completely opposing things can be true at the same time and that is a VERY REAL THING that we must grapple with as humans. There is no such thing as black and white on issues. Stede as a gentleman pirate was this COMPLEX LAYER that made him such an interesting character to begin with because “gentleman” and “pirate” are two very different things with two very different histories and connotations. To see the intersectionality of where these worlds collide and where they conflict was what made him so interesting in the first place. 

In this season, he’s just a bumbling fool that calls himself a pirate. His backstory isn’t mentioned. He’s stupid in a cringe-ing way (not even comedic), and is just no longer a gentleman. He’s just a bad pirate. It’s so boring in comparison to the complex characterization we got last season, that every time he spoke I had to physically restrain myself from petulantly clogging my ears and going “lalalalala!” to pretend that he wasn’t really saying half the things he was saying. He’s just a puppet, waving around in the wind, contributing nothing to conversations and existing without complexity. It makes me want to bash my head into a table. 

Zheng. Why? What was her purpose? I’m white, I should note, so I’m not entirely qualified to talk on this subject from an experiential perspective, but a great big part of her character felt like something I wrote my end of high-school thesis on: orientalism in science fiction, and specifically the pervasive notion of the “submissive eastern woman”. This isn’t science fiction, but it does employ (subtly, might I add, but still noticeable) tropes that Edward Said wrote about in his work “Orientalism” (1990) -- stuff, specifically in OFMD S2, like being the "other" (in particular, viewing the east as a "backwards west" that requires a "western touch" to correct) in the way that Zheng's ship was clearly portrayed as "abnormal" to us in every way -- the all female crew, the rigidity, the organization, etc. We were told repeatedly, time and time again, that she is powerful. But think about it for a moment, did you ever really feel like she was powerful? When she revealed she was an infamous pirate lord that made people cower, did you feel it? We saw some displays of power – but only deep into getting to know her. We never really felt this power that we were told repeatedly that she had, this fear of being some pirate queen. No, she was just a pirate with money.

(As an aside: the theme of power is notoriously difficult to get right in fiction, because it's so multifaceted. If you want my professional opinion (as some random internet nerd who spends time in a weird mix of fandoms) on who gets it right in modern fiction: I think JJK does it really well. I could go on about JJK for hours, both its rights and wrongs, but it gets the notion of power right if nothing else. For those unfamiliar, the “mentor character”s name is Gojo, who is a sorcerer born with a rare combination of techniques that makes him incredibly powerful – almost completely untouchable. To the viewer, he is silly, aloof, and overall goofy as a character (it’s actually a front, but this is an OFMD essay, not a JJK essay) which allows us to get to know him beyond his power level – but when he’s not acting aloof, when his smile deepends (or worse, when it drops) we can feel the power emanating from him. From impact frames, to the fact he’s constantly unserious, to enemies cowering at the mere mention of his name – his entire thing is that he’s the strongest sorcerer alive. Curses (evil spirits) quite literally can’t do anything while he’s around – so much so, that when he gets sealed in a prison dimension in s2 of the anime, the effects are felt quite literally all over Japan. With one simple action (the sound of the cube sealing him hitting the floor of the train station) an entire nation’s power has turned on its head – every curse, every sorcerer feels it. When his power is gone, there is such a large disparity between the protagonists and the antagonists, you can feel it through your screen.)

Zheng does not have this. She does not have the luxury of being in a story where the writers care about making her a threat. I could extend this to Blackbeard too to a lesser extent, but I won't. OFMD is a comedy. But being a comedy doesn’t mean you can’t tackle heavy topics – you can, and should tackle the heavy stuff in your comedic show. Repeatedly we were told that Zheng is powerful – but nobody treated her like that. Hell, the show didn’t give her the power that it claimed she had. We only ever saw the safe side of her, the kind side of her that (for no reason) liked and cared about Olu. Complex female character? Nah. Random romantic love interest for Olu? Hell yeah.

Fucking Christ. And don’t get me started on the costuming choices. Pigtails? Really? You had no other options? You couldn’t have dipped your fingers into any historical media for reference, like you’ve been keen to do with European references in the show? Alright man. 

Finally, Izzy. WHY did they kill him? Probably my least favourite trope in modern media is when a character finally gets some closure towards the end of their arc, starts becoming a truly better character/dragging themselves up out of a deep pit – only for them to die mid arc. COME ON. If you wanted shock value it would've made more sense for ED to die because he’s, at least, stuck in his old ways. That could’ve been interesting, seeing him stick to his old ways to his detriment. Not to toot my own horn, but in the story I’m writing (shoot me if I mention it again) one of the primary main character’s whole theme is centred around desperation, and his eventual death as a direct result of it. His death is not just for "shock value" it serves a purpose. It's to further the commentary I'm trying to speak on about how far we’ll go to live in an idea rather than the present. I really, truly, honestly think that if they did that with Ed the story could’ve been so much better; and I say this having experienced the difficulties with writing out a central character. But again, this season lacks intentionality. Ed doesn’t die, and instead Izzy does after being the only character with any sort of redeeming qualities this season. I get, to some degree, it’s supposed to be a metaphor for Ed leaving behind his past but, does he really even do that? He’s Blackbeard when we end season 2. Izzy’s death didn’t mean anything to me beyond just wishing the season ended quicker, because (as we witness with Ed’s rebounding) concrete decisions made by characters can be reversed in the flip of a second thanks to Plot™! There is no permanence to the story’s cohesion, and Izzy’s death just doesn't stick. “Okay,” you say, exhausted. Nothing feels real. Nothing is internally or externally consistent. It's just a mess of ideas poorly strung together, and that's being nice about it.

I wont say much about craft because this is getting long winded but. Fuck me, dude. Why does every dialogue happen in a vacuum? NOBODY IS EVER DOING ANYTHING INTERESTING. a lot of scenes felt like filler -- there only to extend the series' runtime. I’m tired, man. It’s sloppy writing. I'd almost give it a better rating if Season 1 wasn't so much better by comparison. Instead of just being a bad season, it now also ruins what the show built up in the first season. I'm beyond disappointed. 

TL;DR: please for the love of god start loving the stories you're writing. the future generations deserve more than money-laundering garbage edit: whoops got her name wrong halfway through its zheng not zhen my b lol

[loveislandthegame]

my overall thoughts on season 7, writing edition: what in the world ? 😭 i cannot believe i thought this season was gonna be good. i’ll be joining rohan & S2 MC in the circus, since FB made me look like a damn clown. i don't even know where to begin

being a casa girl had so much potential, and it was something that a lot of players actually wanted, even before FB started doing these themed seasons. they really fumbled the bag here

i enjoyed casa amor. the guys were all unique, had their own dialogue, and it was cool to see their pre-established relationships (alex being the villa dad, bryson and rafa being partners in chaos, the beef between bryson & joyo) then we arrived in the villa, and it all went downhill from there:

everybody became an empty husk, so they could be forced into interchangeable roles: uma’s partner, bonnie’s partner, OG LI’s ex, loved up couple (summer/joyo or #rafne) to name a few. FB’s lazy asses ruined their own characters . why is alex, the supposed level-headed & mature one, being petty & childish af in my playthrough? 😭

MC literally had no thoughts, head empty. we barely participated in any of the challenges and games. it felt like we didn't do anything besides "get pulled for a chat" by your LI or the girls

the LI personality merge in this season was the worst it has ever been. all they do is agree with whatever you say, or tell you how great you are (gone are the days of LIs having their own interests, & getting extra dialogue because of that, like levi with artist MCs)

same problem as the most recent seasons, where MC doesn’t have friendships. she has a forced bestie, then potential LIs that sit around waiting for you to pick them, choose them, love them (they immediately disappear if you don’t pick them)

the plot made no sense at all. being a casa girl means we miss out on the first half of the season, but there were many different ways they could've shown what happened before we arrived (it couldve been something as simple as MC watching the show at home or during the jeep ride to the villa. lol) the timeline was inconsistent, so much important information was paywalled, and i’m pretty sure FB was just making shit up as they went along, since the drama with stephen and OG LI's ex genuinely came out of nowhere . he wasn’t previously mentioned in the beach hut, casa amor, nothing . his only purpose was to make the OG girl look bad.

speaking of the OG girls, what a disappointment . before we got to the villa, i honestly thought they were hinting at estelle and/or willow being LIs . even if they were forced to be our rival, they still could’ve had an interesting character arc . it would've been a lot more fun if she was like allegra, rather than OG LI's equivalent of suresh

i was gonna write, "why tf did she even make it to the finale?" but the answer is obvious : for the gem scenes. every damn volume, it's pay diamonds to upstage her, pay diamonds to clapback, pay diamonds so “your man” doesn't turn his head 🙄 it's already stupid enough, but it makes even less sense if you're not pursuing your OG LI

which leads me to the biggest problem of this season, the lack of branching. you're given the illusion of choice, everything leads to the same outcome . i didn't think it could get any worse, until i saw what happens when you choose the money . does your LI storm off? nope. they make you do the treasure hunt anyways...to win you back ??😭 MC should've called security on their ass

s7 had a promising start but ended up being a flop. it was better than s5, but that's really not saying much . i wish FB would just take their time—s1 and 2 had a whole year long gap between them. but it's clear that rushed seasons are gonna be the norm, season 8 is dropping in february . capitalism ruins everything luv x

[maestro04yayyy]

Ended up thinking on that scattered Miraculous, multi faction idea a bit and here's the gist of how I think it'd start at least.

So, regardless of what came before it, Juleka has the tiger in secret, & Hawk Moth opts to do his big Heroes Day, Scarlet Moth Strategy. The big difference is, rather than just sending Sabrina to spy on ladybug he also sends Lila and Marinette only picks up on the former.

Aside: I should note, I love including this idea that Lila actually did have the Fox Miraculous & was "Volpina" in AUs, but she mostly used the powers for like, juvenile mischief making and petty theft, Trixx is up for this cos fun. But then she sees ladybug & Chat and tries to do the hero thing, but is so desperate to be "The" main event and hero that she ends up revealing too much to be 'cool' and trying too hard to engineer scenarios to be heroic and loses the Fox. A fact she is deeply bitter over, which makes her easy ground for Hawk Moth.

So its that version of Lila who's sent after the Miraculous, though the canon version (at the time of S2) probably works just well.

Regardless, Marinette arrives, but Fu senses she's been followed (The same way he senses someone was using Noroo for evil) and Lila busts through the windows and a fight begins.

Exactly how it goes down is up in the air to me, like Lila could arrive after Marinette's picked some of the traditional Miraculous but then claims the rest, or she arrives before that and Fu transforms & they use Kaalki to bail out. Or some combination there-of.

I think regardless of what happens, this might lead to an early Guardian-ship, though Fu may not renounce his own roll. & it would regardless effect the overall battle extensively.

I think the main thing that'd be a total blindside for Gabriel would be Juleka with the tiger cos he has no idea the tiger is even an option, so when a giant violet meteor of deadly explosive fire comes out of nowhere, that is what knocks him & his forces off balance and also likely serves to scatter the Miraculous.

As a result, who ends up with what is rather nebulous and open to interpretation and alternate avenues ya know?

So many options XD

Ohhh yes i love that idea!!!!!!

Also yep finally lila is a bit more flashed out as a character!!!!! And is actually important!!! Beside the mastermind stuff they decided to do in canon that really don't have too much sense when you lookbat it for more than 5 seconds!!!!

Also I just love how you described juleka!!!! I just imagined juleka junping from the eifell tower ehile using her power and just make everything go boom on top of hawkmoth!!!!

Also it's so nice how violet is so close to violent!!!!!

Ohhh and chloe is watching all of this(either as civilian or a hero, because chloe sure as hell would be fighting even as a civilian mayne stole a sword or even an armor decorating the hotel, because there always are armor decorating stuff when you are rich and is fighting) and just has the most loving gaze and says: that's my girlfriend.

Also yep!!!! There are so many possibilities!!!! Maybe some are found my random people and they get recruited by one of the three side, maybe a fourt side get started by those or maybe some are found by noone and the sides fight eachother when finding and trying to retrive one of those!!!! Or all of those option toghter!!!!!!

Also lets say the third side is chloe with the bee and juleka with the tiger, I can actually see them being ok with letting lila join them and just teaching her how it's ok to not be the protagonist, but just have fun breaking the law with magical super powers!!!! Also maybe lila has the fox or maybe she doesn't!!! It kinda depends a bit on how her fight goes!! But she could also use a different one!!!!

Soo yeah so maybe possibilities!!!!!!