#i want to print it all out and make it into a book

[featureenvyproductions]

This post touched on physical media for drawing which is good but I want to add my ramblings about physical drawings as well because these days there's a lot of emphasis on drawing digitally, to the point where I think it's been an actual decade since I've come across a tutorial where someone has drawn things physically on paper....Like, don't underestimate the power of drawing on paper and learning to use physical media. Yeah it's not going to do anything in terms of your popularity 👀👀💧 but at the moment, you've also got an extra layer of protection between you and AI since the best physical art AI could probably do with current technology is something akin to "printing" out a picture with a writing utensil of some sort since mimicking real physical technique from photos of paintings or drawings is quite a bit harder than weighting pixels and outputting them into a file.

I'm also telling you this for corporate reasons. The way the world is going, there's going to come a day when there are no free programs for drawing, and certainly tablets and computers won't be free or cheap, and they're going to demand all your personal information to even boot up. You'll be locked into selling all your data and locking yourself into subscriptions just to have some artistic expression. Do you want that? Adobe and apple can do a lot but they can't fucking take away your paper and pencil. You should learn to use them if only to take back power from corporations. It's why even though I do use digital tools a lot for comic color because it's faster and I'm just one person, I still do almost everything else physically (ink/pencil/layouts/etc). I have a box the size of a large coffin with all the comic book pages I've drawn in my adult life, and the only way Adobe is getting their hands on them or removing my access to them is by banging down my front door or burning my house down.

Sure, technology makes our lives easier, but if you learn to use physical mediums, no one can ever take art away from you or keep you from creating it (at least not EASILY without some seriously oppressive changes) and it's going to be a very long time (maybe not even in our lifetimes) that the corporate ability to do so is finally nerfed.

And yeah you don't need fancy shit. I do all my rough sketching on printer paper with a mechanical pencil, or with a cheap ass sketch book I carry around. Especially if it's just for you practicing and no one is going to see it, you do not need fancy things. Your ancestors ground stuff up and dipped their hands in it and smacked a cave wall. This is your RIGHT to make shit by whatever means necessary whether you think it's instagram worthy or not. (I even outlined what you can use for animation from dollar tree if you're broke in a series of posts if that's a thing you want to do https://www.tumblr.com/featureenvyproductions/752966738522619904/my-thoughts-on-how-to-do-basically-kinda-cel?source=share)

And that's another thing too, don't worry if it sucks. I promise it doesn't, because you made something. And also even if you think it does because you're not meeting your goal or whatever, you have to shake the 10000 bad drawings out of your wrist before you get to the good stuff. Even someone like me who's been drawing [seriously anyway] for 25+ years has to warm up a bit before churning out something serious. Just do it I promise it's fine. (And also if you have the ability to take a figure drawing and/or life drawing class do that because in my experience it helps)

(Also not that I'm that great at art still compared to a lot of artists, I have been at it for a long long time, so if anyone who sees my stuff ever wants to know how I did something, please ask me, I will tell you free tips, I love info dumping, there is no such thing as a stupid question,,,,the greatest compliment is being asked how I did something,,,you do not understand,,,,to me democratizing art means ensuring YOU no matter who you are, can make some of it)

Can't afford art school?

After seeing post like this 👇

And this gem 👇

As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.

Here is the first one ART TEACHERS! There are plenty online and in places like youtube.

📺Here is my list:

Proko (Free)

Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard)

Aaron Rutten (free)

BoroCG (free)

Jesse J. Jones (free, talks about animating)

Jesus Conde (free)

Mohammed Agbadi (free, he gives some advice in some videos and talks about art)

Ross Draws (free, he does have other classes for a good price)

SamDoesArts (free, gives good advice and critiques)

Drawfee Show (free, they do give some good advice and great inspiration)

The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney)

Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)

Second part BOOKS, I have collected some books that have helped me and might help others.

📚Here is my list:

The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.

"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.

"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.

"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.

"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.

"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.

"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.

"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.

"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.

Etherington Brothers, they make books and have a free blog with art tips.

As for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. For digital art, I recommend not starting with a screen art drawing tablet as they are more expensive.

For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.

💻As for art programs here is a list of Free to pay.

Clip Studio paint ( you can choose to pay once or sub and get updates)

Procreate ( pay once for $9.99)

Blender (for 3D modules/sculpting, ect Free)

PaintTool SAI (pay but has a 31 day free trail)

Krita (Free)

mypaint (free)

FireAlpaca (free)

Libresprite (free, for pixel art)

Those are the ones I can recall.

So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.

I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.

Hope this was helpful and have a great day.

[covenofagatha]

A dance with death (and her wife) (Part 2)

A look into Agatha and Rio's home life, and you are reeling from having The Witch and Lady Death in your motel room

Word count: 4200

Warnings: mentions of murder, manipulativeness, light gaslighting

The same morning you get called to Westview, Agatha Harkness wakes up to find her wife, Rio Vidal, staring at her. 

“If you were going to kill me, how would you do it?” Rio asks, and Agatha raises an eyebrow. 

“Good morning to you, too,” she groans, propping herself up on her elbows to get a better look at Rio, who is lounging in the chair in the corner. “How long have you been watching me sleep?” 

Rio shrugs. “You make it sound like I’m some serial killer who’s about to murder you.” Her eyes widen conspiratorially and Agatha snorts before plopping back down. 

“She’s getting here today, you know,” Agatha says and she can hear Rio’s breath hitch. 

She leans forward in the chair. “When do you think she’ll come see me?” The eagerness is evident in her voice, and Agatha knows how she feels. 

“Once we pull off our little ‘Welcome to Westview’ stunt tonight? I bet no time at all,” Agatha answers. 

Rio grins, seemingly satisfied with the answer, and picks up the skeleton mask sitting on the dresser. She fiddles with the strings and holds it up to her face. “I wouldn’t be surprised if that Miami director books the appointment himself. Do police detectives usually include a business card to their wife’s therapy practice in their information file to the FBI?” 

“Better hope he doesn’t just pull her off the case,” Agatha remarks, ignoring the question, and finally gets up out of bed and walks past the bouquet of purple azaleas on the vanity. “He’s pretty serious when it comes to protecting her. Especially after…” 

“No,” Rio cuts her off and Agatha looks at her wife in surprise. Rio puts her mask down, stands up, and walks over so she’s face-to-face with the older woman. She reaches a hand out to put it gently around Agatha’s throat, who doesn’t even flinch. Rio smirks and drags her hand downward so it’s resting over her heart. “We’re finally getting what we want. Do you know how long we’ve been waiting for this? For her? I’m not letting her go.”

Agatha tilts her head to the side, thinking for a second. “If I were going to kill you, I’d fill a syringe with air and inject it into your bloodstream under your toenail. The death would mimic a heart attack and the track mark would be almost impossible to find. I’d tell the authorities that you were under so much stress as a therapist that it eventually took a toll on your body,” she says slowly, clinically even, watching Rio’s hazel eyes get dark. 

She hums and looks down at Agatha’s lips. “You really know how to make a lady swoon.” Rio gives her a quick peck and leaves the room so her wife can get ready for work. 

On her way to the kitchen, Rio steps into the spare room in the hallway and takes a deep breath, feeling the tension seeping from her muscles. The table in the middle of the room is covered in vials, all Agatha’s doing. They don’t call her The Witch for nothing, Rio thinks. She picks up her own dagger and twirls it between her practiced fingers while she admires the handiwork on the left side of the room. 

From ceiling to floor, the wall is completely covered with you. Every single case file you’ve profiled for, pictures of you from now all the way back to your childhood, transcripts from Quantico and college. Rio’s favorite photo hangs front and center, the one of the scar you got from dealing with the Scarlet Killer, all rough and jagged. 

Rio would’ve made it prettier. 

Patience, she reminds herself. 

The trap has been laid. All that’s left to do is wait. 

***

You turn the entire motel room upside down, scourging for anything else the killers may have left behind: a camera or a listening device, or maybe even a clue. 

Nothing. 

And then you kick yourself for touching everything because now you can’t even test for prints. Plus, it’s a motel room so you’re not sure you’d be able to narrow it down. 

The phone is in your hand dialing Tony back before you can think. He doesn’t answer and you slam it down on the bed in frustration. 

They were here. The Witch and Lady Death were in your room. 

You draw the blinds and deadbolt the door, making a mental note to ask the front desk to change the locks. How did they get in? How did they know you were going to get food? 

A cold feeling sinks into your bones. They must be watching you. 

And what’s to stop them from coming back? This time though, when you’re in the room? 

Anyone could be next. Agatha’s words echo around in your head and you didn’t realize just how true they are until now. 

You don’t realize you’re hyperventilating until you feel dizzy and gag. Then you run to the bathroom and puke into the toilet. Wiping a hand across your sweaty forehead, your mind spins with what to do. 

You could call the police, but you don’t think they would do any good, especially after you’ve tampered with evidence. There were no cameras in this motel, you had already checked. 

Pacing back and forth, head in your hands, you try and try and try to think of what to do. 

And finally you think of something. 

You punch in the number and hold the phone up to your ear. 

It rings three times and then there’s a click. 

“Dr. Rio Vidal’s office, if this is an emergency please hang up the phone and call 911. If not, this is Dr. Vidal, how can I help you?” 

You take a shaky breath and press your fingers to your forehead to stave off the incoming headache. “Um, yes, hi, I was calling to see if I could make an appointment? The sooner, the better.” 

There’s shuffling and then tapping of keys on a computer. “What’s your name?” When you say it, you hear a sharp inhale and then a cough. “Sorry about that. How does 1 pm tomorrow sound?” 

You blink. You didn’t realize you’d be able to get in that fast, but you suppose in a small town like Westview, not many people are going to therapy. “Yeah, that would be great. I’ll see you tomorrow then. Thank you.” 

“Bye, Agent Y/L/N,” she says. You frown. You never told her you were an agent. But you figure it’s been announced that you’re coming, so you brush it off. 

You take a quick shower and then get into bed, trying to relax and maybe get some sleep. You promised Tony you’d get five hours a night, but you’ll be lucky if you even get one. 

At every groan and creak, you jump and grab your gun, sitting up completely alert. It’s always the wind or a tree branch or the building settling. 

You lay under the sheets, hand gripped around your weapon, and you don’t sleep a wink. 

When you get to the station the next morning, the first person you see is Agatha. She looks up at you, takes in your new outfit, and smiles brightly. 

The killers replaced all your clothes so you had no choice but to wear the new ones until you’re able to go shopping. You wouldn’t be surprised if they laced the fabric with something and you end up dead before lunch, but it’s snowing today and you had nothing else to wear. 

“Have a good first night in Westview?” She asks and you cautiously glance around the room. 

“Can I talk to you for a minute?” You ask urgently, voice low. Concern flits onto her face and she nods and stands up. She pulls you into the evidence locker. “They were at my motel last night,” you hiss. 

Agatha’s hand flies to her mouth. “The killers? Are you sure?” 

You nod furiously. “I had left to get food and when I came back, the door was open and they had packed my suitcase with all new stuff—” You motion down at your body and she checks you out again. “—and perfume and then they circled ‘lovers’ on a sticky note I had to tell me their relationship and they left the flower on my table!” 

“Slow down,” Agatha says and you realize you’ve been talking so fast that you haven’t taken a breath. She puts her hands on your shoulders. “Did you see them? Did they come back?” 

“No, not yet at least. I don’t understand, if they wanted to kill me, why not just wait until I was there? Or asleep?” 

“Maybe they didn’t want to kill you,” Agatha suggests. “Maybe they just wanted to send you a message or something. It’s pretty big news that we have a profiler from the FBI here to help stop them.” 

You frown. “So they wanted to let me know they’re not scared of me?” 

She shrugs. “Maybe, maybe not. Who knows what they’re thinking. But the most important thing is that you’re okay. We can send over some officers later to test for evidence, if you want.” 

“It’s no use, I tore the place apart last night,” you say, shaking your head at your own stupidity. She squeezes your shoulders. 

“Hey, don’t worry. Like you said, if they wanted you dead, you’d be dead. Let’s go out there and work on catching them so you and everyone else in Westview can sleep easy, yeah?” 

You nod, feeling a little better but then you pause. “Agatha, are you afraid?”

Something flickers in her eyes before it's quickly replaced by humor. “I think they know better than to break into the home of a decorated detective such as myself,” she says haughtily and you can’t help but to laugh. She chuckles too, but then something in her face changes. 

Before you can ask what’s wrong, she leans in and sniffs up your neck. You freeze and find all the air in your lungs gone. 

“New perfume?” She mutters. 

You had put it on this morning without even thinking about it as your usual had also been taken. Thanatos. The Greek personification of death. 

Or as Freud defined it, a person’s urge to die. 

“Yeah,” you stutter. Agatha finally pulls back and her blue eyes are dilated. You find your gaze dropping down to her mouth again and you want to feel her lips on yours. 

“You said they packed your suitcase with all new stuff,” she says in a hushed voice and your heartbeat picks up. “Did they give you that too?” 

“Yes,” you whisper, and instead of looking disgusted, like you thought she would, she looks excited. 

She leans back in and presses her face into your neck and are you imagining her lips ghosting against your skin or is that really happening? It feels like your entire body is on fire. 

They trail up, light as a feather against your jugular vein, and she’s at your chin when the door slams open and you jump back. She winks and then she’s turning on her heel and walking out. It’s an officer, trying to book evidence, looking very confused. 

“Making friends, Miami?” He jokes and your face flushes before you quickly leave the room before finding Agatha and the rest of the detectives back in the room with the case information. 

You tirelessly pour over every single detail for the next few hours to no avail. You toss out theories but Agatha always finds something that doesn’t add up and you’re always back to square one. 

But then it’s time for your therapy appointment, so you drop your pen down to the table and gather the pages of your chicken scratch to throw in your bag. 

“I have to head out,” you say hastily and Agatha glances up. 

“Hot date, superstar?” She teases and the memory of her mouth on your neck burns through you. 

You shake your head. “Just uh, going to the doctor.” 

She raises an eyebrow daringly and smirks. “Have fun.” 

You give her a tight smile and then you’re in your car driving to the office. There’s people walking on the street on your route and you can’t help but wonder which of them might be the next victim. 

It’s always been hard to not get too attached to the people in the towns you work at. Looking at them, knowing tomorrow they might not be alive, it takes a toll on you. 

That’s part of the reason you get so attached. The waiting, the not knowing. It eats away at you. 

Dr. Vidal’s office is tucked away in the corner of a string of workspaces in a building, and you feel something weird in your stomach as you walk up the steps. For the third time in the past 24 hours, your scar sears with a pain you haven’t felt since right after. You have to stop and breathe deeply before opening the door. 

A woman sits at the front desk typing on her computer. She barely even looks at you and you stand at the desk for a moment before clearing your throat. 

“Um, hi, I have an appointment for one? I’m Y/N,” you say and it’s like she’s finally realized someone’s standing there. 

She hums in acknowledgement and scrolls until she finds your name and clicks. “The doctor will be with you shortly.” 

You tap the desk and go sit down, wiping your palms on your pants. It’s only a few minutes before a door opens and your name is called. 

Walking into the room, the first thing you notice is the thick smell of nature. And then you see plants everywhere. Bookshelves line the walls, full with books and pots of every type of plant and flower you’ve ever seen. Your eyes narrow, but you don’t see anything purple. 

And then you see Dr. Vidal sitting behind a large desk. You tentatively take a seat in one of the chairs across from her, squirming under her intense gaze. She’s an attractive woman, hair pulled back into a tight bun and brown eyes that seem to stare into your soul. There’s not a hair out of place on her desk; everything is meticulously organized and right where she needs it. 

You clear your throat. “Big plant lover?” You say, and it’s an incredibly awkward way to make a first impression. You’ve never been good at therapy, or with uncomfortable silences. 

But she doesn’t seem to care, finds it almost amusing. Her tongue pushes against the inside of her cheek and she settles forward. “So, what brings you to therapy?” 

You don’t even know where to start. “I just got to town, and um, oh – I’m a profiler, by the way, for the FBI. I’m here working on the case with The Witch and Lady Death.” 

“Lady Death?” Dr. Vidal asks, giving you an intrigued look. 

“Oh, we figured out that there’s actually two killers. That’s what I nicknamed the other one, because apparently she’s been seen with the bottom half of a skeleton mask on her face. Wait, this is all confidential right?” 

“Of course,” she assures you, voice smooth as honey. “Anything you say here doesn’t leave this room unless you threaten to hurt yourself or someone else. So, you’re here about the case?” 

You nod, playing with the hem of your sweater. “Yeah, you could say that. I sort of have some obsessive tendencies when it comes to cases like these, and I just wanted to get ahead of them before I spiraled again.” 

“What does a spiral look like for you?” 

Chewing on your nail, your gut twists and you can feel Wanda’s knife jabbing into you. “I stop eating, stop sleeping. The work consumes me, I can’t take a break. I don’t want to take a break. There’s just this overwhelming need to catch the killer and I won’t stop – I can’t stop – until I find them. It can be dangerous.” 

She nods and writes something down in her notebook. “Why did you become a profiler?” 

“To help people,” you answer immediately. “I like reading the killers, figuring out what they’re thinking, getting inside their heads and beating them at their own game.” 

“When did you start knowing you wanted to do this? Why not just become a detective or something?” 

This one takes a bit longer to think about. “I don’t know, I just remember being a kid and wanting to…” You trail off, suddenly feeling confused. “I’m sorry, I don’t really know what I was going to say.” Something is weird, wrong even. What were you thinking of? 

“No, don’t apologize,” Dr. Vidal says, laying her hands on the desk with wide eyes. “You wanted to what as a kid? What happened that made you want to think like a killer?” 

A dull ache starts to throb against your skull the harder you try and think about it. “I don’t know,” you repeat, pinching the bridge of your nose. “I’m not thinking like a killer, I’m figuring out the way their brain works. So I can catch them.” 

She leans back and crosses her arms. “What do you feel when you think like them?” 

“What does this have to do with–” But you’re cut off by a blinding burst of pain and then glimpses of something you can’t quite explain flash through your mind. 

Snow. 

Trees. 

A clearing in the woods. 

Red birds flutter from the branches, startled by something. 

You hear your name and the images are gone. Dr. Vidal is watching you closely, breathing heavily. “What was that?” 

Shaking your head, you try to make sense of what just happened. Memories or hallucinations? “Um, sorry, I don’t know. What was the question?” 

Her eyes are dark and they remind you of Agatha’s in the evidence locker. How she had leaned down and smelled the perfume you were wearing. You shift in your chair. 

“I was asking what your coping mechanisms are for when you start to feel yourself spiraling,” she says, and you’re still a little foggy, but you’re pretty sure that’s not what she asked. 

You think you might be going crazy. “My boss back in Miami was pretty good about recognizing when I needed to take a step back. I’m trying to not get too involved and make sure I’m eating and staying hydrated and sleeping enough. And I’m here, so I think this should help.” 

“That’s what I’m here for,” Dr. Vidal says with a smile. “If you ever start to feel too drawn in, take three deep breaths and then do the 5-4-3-2-1 technique. Are you familiar?” 

You almost roll your eyes. That’s exactly what they told you to do during your mandated therapy. Name five things you can see, four things you can touch, three things you can hear, two things you can smell, and one thing you can taste. It was meant to ground you and reduce your anxiety. 

“Yeah, I’ve tried it a few times, but it didn’t really work for me,” you admit and she waves dismissively. 

She quickly scribbles something down and rips out a chunk of paper, sliding it across to you. “This is my cell,” she says. “Call me anytime, day or night, if you ever need to talk. Sometimes that’s the best way to calm down. I know you’re new here, but do you have anyone else, maybe someone you’ve been working with that you could talk to if you need to?” 

“There’s this one woman I work with that’s pretty nice. She’s the main detective on the case, so I think I could reach out if I really needed to,” you say and she looks pleased. 

“Detective Harkness?” Dr. Vidal asks. 

In a small town, people are bound to be familiar with each other. “Um, yeah, do you know her?” 

She smirks. “Very well. She’s quite attractive, don’t you think?” 

The question catches you off-guard. Is everyone in this place weird? “I mean, sure, of course. Are you allowed to say that?” 

“Well, she’s my wife so I would hope so.” 

Your mouth drops open. Her lips on your skin, ghosting along your neck, filling you with heat and a need for more. “Oh, I’m so sorry for saying that, I had no idea, obviously. We just work together.” 

“Don’t be, doll. I’m sure the two of you would make quite the pair,” Dr. Vidal says, and you ignore the possible unprofessionalism at the pet name. She doesn’t seem offended at all, only fascinated. 

You shift in your seat again while trying to figure out what to say. “Well–” you start, but she cuts you off. 

“Let me guess, she’s been flirting?” 

Fuck. What do you even say? Is Dr. Vidal going to be mad, say she can’t treat you anymore? It’s not your fault, you hadn’t done anything. 

She scoffs. “You’re such a pretty young thing, I can’t blame her. You’ll have to come over for dinner with us some night.” 

“Um, is that allowed?” You ask, blinking slowly. You have absolutely no idea what is going on. Is your therapist suggesting a threesome with you and her wife and woman you’re working with? 

“Getting a meal with your support system? Why wouldn’t it be?” When she phrases it like that, it’s hard to find an error with her logic. 

You shrug. It would be nice to be able to talk freely about things. And you’re sure Agatha has told her about the case already. “Yeah, okay.”

“Is there anything else you want to talk about?” 

The question weighs on your mind as you chew on your lip and debate whether or not to tell her about the images you just saw. You don’t remember ever being in those woods. “Do patients ever, I don’t know, see things while they talk to you? Like false memories or something?” 

This gets her attention. “What did you see?” 

“Snow, and woods, and a flock of birds. I don’t know, it felt familiar but I’ve never…” You try to put it into words, but you don’t know how. 

“What happens when you try to follow that memory?” She asks and you close your eyes, but there’s nothing. 

“I–I can’t. There was like a pain in my head when you asked about what made me want to think like a killer, and then I saw it, but it’s not happening now.” You sound defeated, a testament to your frustration. 

Dr. Vidal frowns. “Do you know what repressed memories are? And I never asked you that.” 

It’s like the floor tilts under you and you stare blankly at her. You can only focus on the latter part. “No, you did, I remember…” You start to breathe heavily, panic rising in your chest, and she comes over to rub at your back. “I don’t understand.” 

“It’s possible you’re feeling a little overwhelmed by all this. I think you need to go home and get some rest. Did you sleep last night?” 

It makes sense to you now. You didn’t sleep at all, your brain is just playing tricks on you. “No.” 

She nods. “Go home. Take a nap. Let’s book a follow up, though. See if we can get to the bottom of those images.” 

You choose to come back in three days in the afternoon again and then you drive back to the motel. Your exhaustion suddenly weighs a ton and all you have to do is stumble in your room, collapse on the bed, and you pass out. 

The snow crunches underneath your boots as you trode through it. Branches claw at your legs through your pants and the wind whips your cheeks. 

It’s cold, but you can’t feel it. 

Where are you going? You don’t know, but your legs do. They take you through the woods into the clearing. 

You stand alone for a few minutes and then you hear someone – something? – approaching. 

A purple wolf. 

You crouch down to your knees and it saunters up to you. One eye is a piercing blue, the other is hazel. 

So familiar, yet otherworldly. You don’t understand. 

It opens its mouth to say something, and you’re leaning in to make sure you hear it, when –

Your phone rings and it jolts you awake in a cold sweat. You roll over in bed to find you’ve been asleep for hours. You reach for your phone when you realize that you’re completely naked. 

How did that happen? 

When you were younger, you know you had problems with sleep-walking, but you would always keep your clothes on. You file that away to talk to Dr. Vidal about next time. 

“Hello?” You say groggily, not even checking who’s on the other line. 

“It’s Agatha,” the voice says and it’s like a bucket of cold water gets thrown on you. “There’s been another murder.”

[simper-maximus]

just found out the best valdemar fanfic got deleted a while ago. rip "A Long Journey" you'll be missed with all your 200k words

BurgundyDahlia_ed if you see this i'm willing to pay to read it again please im starving for content

[fictionadventurer]

Potential November Reads

In This House of Brede by Rumer Godden

The Everlasting Man by G.K. Chesterton

Something by Charles Dickens

A nonfiction book

A piece of classic Russian literature

[chiropteracupola]

took the chance to scribble up a plague pigeon for @quezify's dtiys...

[always-a-slut-4-ghouls]

I just looked at the price on the back of a book I’ve had for a bit over a decade and it was four. fucking. dollars. Just four with no taxes. No extra 97cents or something before taxes. Just a round number that you would add taxes to.

I googled the price of a new edition and it was almost thirteen! Not an even thirteen, it was like 12.96 or something. Close enough that it’s basically thirteen but if you’re adding multiple items together to try and get the price on a purchase with more items it would add more confusion.

[sysig]

Can’t talk now, I’m making Pokéballs

[dbphantom]

maybe i should have gone into practical effects instead of computer science...

[sparkly-skies]

This one is titled "I needed to urgently work on a presentation* so instead**, I somehow spent my whole day doing fuck all instead and the evening listening to Laura's Buam and consequently experiencing the whole spectrum of human emotions over the span of like, four to six songs" and goes out to @mondscheinprinzessin, naturally, for dragging me into this band.

[bending-sickle]

if i had a printer i would be unstoppable

[just-rogi]

The unexpected side effect of spending a week around other mature secure adults who have healthy boundaries and communication and have been hand picked by my closest friends to be the best and healthiest people they can be, all of whom genuinely like me and communicate their needs, is returning back to my apartment and realizing just how different shit is here…. Like damn I know I’m moving out in ten days and so so so happy but wow, it was fucking NIGHT and DAY seeing how people are supposed to act I didn’t realize how different my college friends were, it makes me so much more excited for this next leg of my life and my move!

[altruistic-meme]

learning new skills is FUN. (<- actively banging head on table)

[someone-always-cares]

chapter 5, page 41

first - previous - next

[image description: an sac webcomic page. “i was literally mid-sentance, what was that for- and they’re gone. great” jade says, turns around to face where split was, angrily. “...woah” says lewis, looking back. “Well that's the second time we've been booted out of a place by a friend with some weird eye thing going on, and hopefully that's not a sign.” jade says, turned back over to lewis. “was that, uh, fast travel?” lewis asks, holding the not bloody corner of the business card in his mouth to sign. “no, she can’t teleport, he just pauses time. lucky bastard. what was faer deal anyway? we don’t have time for this shit!” she continues. “actually i... i got the address” lewis responds, handing over the business card. “the creepy guy in the back gave it to me after i bit him”. he continues. “that’s great! no time to waste, let’s- i’m sorry, you bit him??” end id]

I so badly want to print this comic but there’s so many things i need to do first and the start of that list is “figure out what things i need to do”.

also looking into making washi tape, pins, and keychains which are much simpler to make but still kinda pricy.

[fictionadventurer]

August: Day 8

Adventures

Went to a thrift store and the library's used bookshop.

Bought a copy of Around the World in 80 Days that looks more readable than my current copy (so long as it's not an abridged children's edition). May make a new cover for it.

Bought a book about the basics of astronomy. If I'm going to write about an astronomer, I need to know a tiny bit, and this looks like it's written for idiots with short attention spans, so it'll be great for me.

Bought the coolest pop-up book I've ever seen. For a quarter. I'll have to show you guys pictures.

Treated myself to Youtube videos about Victorian literature. Indulged in a few Gutenberg downloads. Read the first chapter of Lady Audley's Secret and this may derail all my reading plans until I finish.

Accomplishments

Read a few chapters of Heretics. Am now halfway done.

Tire. Twice.

Signed up for a CPR refresher course

[stiles-o-dylan24]

If you ever decide to make iaby into an actual book, I will totally buy it like no matter what! 💛

I want to smother you with cuddles🥺

Sooooo I’m actually in the process of going through the chapters with a proper editing process for the entire series fixing grammar, flow of sentences/scenes, and adding in more scenes I wish I had to begin with and once I’m done I will absolutely be uploading it to be printed into a book with Lulu. No idea how that process will be but I will be updating on here when I’m ready for it to be printed and see about how to get copies to people who want them.

Also means I will need to figure out a cover… which I’m totally at a loss with what to do for that

[chantalstacys]

my bf after reading one romance novel