#i want to make it very clear that once i'm put into a situation where i have to say no - or i don't have a script to follow -

[bluesquaress]

conquering social anixety one street vendor at a time

[charminglygrouped]

For the past several years (and perhaps longer) in the P&P fandom I've seen a lot of people who want to rehabilitate Mrs. Bennet: like, sure, she's uncouth and seems greedy, but it's because she cares so much about her daughters' futures; her situation is actually really stressful and uncertain and she's powerless to change it and her husband makes fun of her, and so it's natural that it would cause her to be anxious all the time; maybe she doesn't have the intelligence or social awareness to understand that her behaviour is actually harming her daughters' prospects, but at least her heart is in the right place.

I'm usually not the type of person who argues that fandom is actually being too nice to a female character, but in this case I don't buy the counter-narrative (which I think is popular enough at this point to be fanon / a narrative in itself) about Mrs. Bennet.

For one thing, she was never really powerless in this situation. These people are rich even for gentry. Mr. Bennet's income was always good, at 2,000 pounds per annum (even though I can't believe he isn't neglecting some practices that could raise it higher). Mrs. Bennet had 4,000 pounds from her parents and a further 1,000 from Mr. Bennet. Invested in the 4 per cents (for example), this is 200 pounds per year in pin money that Mrs. Bennet could spend without touching the principle of her dowry, and without affecting Mr. Bennet's income. This is more than some people's entire yearly incomes.

The picture of Mr. and Mrs. Bennet that we get in P&P is not of people who are helpless against their circumstances, but of people who are extraordinarily neglectful. We're told that:

Mr. Bennet had very often wished, before this period of his life, that, instead of spending his whole income, he had laid by an annual sum, for the better provision of his children, and of his wife, if she survived him. [...] When first Mr. Bennet had married, economy was held to be perfectly useless; for, of course, they were to have a son. This son was to join in cutting off the entail, as soon as he should be of age, and the widow and younger children would by that means be provided for. Five daughters successively entered the world, but yet the son was to come; and Mrs. Bennet, for many years after Lydia’s birth, had been certain that he would. This event had at last been despaired of, but it was then too late to be saving. Mrs. Bennet had no turn for economy; and her husband’s love of independence had alone prevented their exceeding their income.

We also know that the "continual presents in money which passed to [Lydia] through her mother’s hands," plus her allowance and food, amount to about 90 pounds per year. Rather than saving up from the beginning in case the entail is not broken, rather than beginning to save once it's clear a son will not arrive, rather than making Jane's dowry the full 5,000 from her mother (which would be something) and saving up for the younger girls' dowries thereafter—which is what would be typical, and that's why Lady Catherine was so shocked that all the girls were out at once—Mrs. Bennet's housekeeping, dress, the girls' allowance, presents of money over and above their allowance, plus whatever Mr. Bennet is spending money on (and other expenses relating to servants, carriages, maintenance &c. which are unavoidable), add up to their entire income. The only reason why Mrs. Bennet doesn't overspend even that is that that's where Mr. Bennet puts his foot down.

Mrs. Bennet is actively harming her daughters' prospects, not even of marriage, but of living respectably if they don't marry, because she doesn't have the temperance not to spend all of the income that is allotted to her. It is the role of the woman in a marriage to take charge of the housekeeping, servants, cooking, furniture, and all expenses relating thereto (plus certain attentions to her tenants and any living in genteel poverty in the area, though presumably this will depend on her income and whether there's a parish church with a parson's wife who's doing some of these things). She's an adult who should be competent to manage these things in a reasoned way without needing to be dictated to.

It is supposed to be the role of the woman in a marriage to take charge of her daughters' education—and yet Mrs. Bennet did not hire a governess, and Elizabeth says that she didn't spend much time teaching her daughters anything (it's not clear to what degree she's educated herself). Granted, the girls did have masters—but, from the sounds of things, that was only if they requested them. No one was required to learn much of anything, which will probably further harm the marriage prospects of the girls who "chose to be idle."

I think the "point" of Mrs. Bennet is that she is one half of one type of bad marriage which the novel illustrates, in contrast with the Gardiners' marriage. These marriages are two possible models for the Bennet daughters to look to. At one point, Elizabeth's prospective marriage is explicitly compared to her parents', with her in the role of her father: Mr. Bennet says "My child, let me not have the grief of seeing you unable to respect your partner in life" (emphasis original).

We might wonder whether Elizabeth saw herself potentially in the role of her father, in a marriage that was very intellectually unequal, when she rejected Mr. Collins; or whether she also saw herself in the role of her mother, married to a man who insults and doesn't respect her, when she rejected Mr. Darcy. Ultimately, she accepts Mr. Darcy after she realises that he is nothing like her father; that he is diligent in attending to his responsibilities, and that he does evidently respect her mind.

This isn't me defending Mr. Bennet, who is also a bad parent and a bad spouse. I do, however, find it a little disturbing when people suggest that Mr. Bennet is at fault for not controlling or curtailing his wife. His wife is a grown woman. Surely we don't actually believe that a situation where a man is legally in complete control over his wife, merely because he is a man and she is a woman, is in any way natural, moral, or just? (This also goes for people who suggest that Mr. Bingley needs to get his sister 'in line' 😬😬😬.)

Mrs. Bennet should be competent to manage her household and her daughters. Given that she's not, yes, Mr. Bennet, according to Georgian and Victorian ideas of the role of a man in a marriage, "should" have stepped in and started dictating to her. But I don't really think that's what Austen is suggesting went wrong here. The models of good marriages we have—the Gardiners, the Bingleys and Darcys after their weddings—are all ones in which the women were basically sensible people to begin with. In the latter two cases, we are told of particular ways in which the men stand to benefit from some mental quality of their future spouse (Elizabeth's good humour and ease in company; Jane's steadiness and determination).

The ideal which some Georgians had of a husband's role being to shape his wife's intellect doesn't seem to be what's being advocated here. If Mr. Bennet made a mistake, it was in marrying a silly, selfish, ill-tempered woman to begin with, not in failing to browbeat her into submission once he found out that she was silly, selfish, and ill-tempered. The idea is that you should choose your spouse carefully. But that message doesn't work if Mrs. Bennet is just a woman in a difficult situation who has her heart in the right place.

[adripakoffee]

I don't post on here often and by that I mean I'm on here once a month to look at writing prompts but right now I'm thinking of Anya from Mouthwashing, and Tumblr is better for long form posts. Apologies if this rant isn't super clear, I'm on pain meds right now.

CW: S/A, SUICIDE, OVERDOSE, MOUTHWASHING SPOILERS

Anyway, Anya very well may be one of the most doomed characters to ever doom. Firstly she's trapped in a relatively small space ship with 4 men, who she has to keep alive and healthy along with giving them periodic mental wellness checks (which she, herself never gets). Two of these men don't take her seriously at all because she probably doesn't actually have a medical degree and is just someone the company hired to cut corners. If that wasn't all ready awful, the co-captain, Jimmy, has been assaulting her since at least the start of this voyage that's been going on for 100+ days. She falls pregnant because of this and while this isn't where her spiral started, this is where it gets worse. She originally plans to kill herself with the Captain's gun, but decides against it since she can't get to the gun without Curly's help anyway.

Speaking of Curly, he knows what's been going on, she told him about Jimmy a while before the crash. Every time, Curly says "I'll do something about it," or "I'll fix this," but the most he does is keep Jimmy away from Anya when they're working. Anya seems fine with that for the most part because I think she assumes Curly will report Jimmy and have him arrested when they land (he won't, at this point in the game he'd defend Jimmy for anything because "he sees the best in people. He loves to say "our worst moments don't define us" and apparently that extends to r@pe). So at this point, she's biding her time until they land.

Back to the gun, when Curly finds her holed up in the cockpit, she tells him she's pregnant. He's a little taken aback but he tries to reassure her that it's fine and he'll fix the "situation" with Jimmy. He says he can't let her kill herself because he does actually care about her. One of his flaws is he cares about everyone so much he can't imagine compromising one of them for any reason. Anya tells him she wasn't going to hurt herself, though she thought about it, she just hid the gun case so Jimmy couldn't kill her instead. She's so convinced Jimmy just wants to kill and torment her when the sad truth is, he couldn’t care less.

In all of Jimmy's "take responsibility" hallucinations, Anya barely shows up. Swansea, Curly, and Daisuke do, but he can't bring himself to even recognize what's happened to Anya is also solely his fault. He doesn't care at all.

Speaking of which, what seems the straw that breaks the camel's back for Jimmy is Anya telling him that she's pregnant because he crashes the ship pretty sure after. And this really seems like a spur of the moment action because if he'd planned this he could've done it much earlier after the news of the company closing reached them.

Curly says Anya should've waited for him to help her tell Jimmy about the pregnancy, but that doesn't matter because he is put out of commission like (I forgot if it's a day later or the same day) later because he's in the cockpit when the ship crashes.

Now Anya has no hope, Jimmy knows she's pregnant, the seemingly one line of defense she has against him can't leave his bed, and they're stuck in space. She's terrified because not only because of that, but because Jimmy is captain now and because of the way the ship is set up, you need the captain for a lot of things. Jimmy being captain also means if he finds the gun case, he now has the code to open it.

Anya, being the ships medic, is tasked with keeping Curly alive and giving him his meds. It's really difficult for her, A. because Curly is hard to look at, B. because unless he's full of pain meds, he's making noise, and C. because that was her friend and one of the only people she felt safe around and he's been reduced to this. And from her perspective, this is his fault, Curly crashed the ship.

This situation is stressful for everyone, Swansea has reverted back to alcoholism and never drops the ax he has, Daisuke is slowly losing hope and also starts drinking, and Jimmy won't stop yelling at her. He's so pissed at her the entire game, more so than everyone else. She was already scared of him but before there was at least a light at the end of the tunnel. Now there's nothing to look forward to because she doesn't think there's any way out.

She, at some point when he's sober enough, confides in Swansea who then tells her that she's gonna be the one to get out of here. He has the one last working cryo pod set aside for her specifically and refuses to let anyone into the room where it is. Unfortunately, at this point, her anxiety concerning Jimmy is so bad, she's convinced he'd do something to the pod too.

So then Anya locks herself in the med bay with Curly and all the rest of the ships medicine (- minus the Isopropyl which she probably left for Daisuke and Swansea) and overdoses by Curly's bed. Curly was awake the whole time she went through a probably painful death. She also, as maybe a final revenge, took the last of the pain meds that were meant for Curly. And she dies right next to him.

That's where her story ends. She felt so trapped and scared by her r@pist that got her pregnant that she killed herself next to the one person who could've done something, but instead, from her perspective, trapped her with said r@pist.

She died probably hoping that Daisuke or Swansea would make it out, not knowing they died soon after.

TLDR;

So from her perspective: A guy she's been friends with for years starts repeatedly assaulting her and she's stuck with him, then he gets her pregnant. Her other friend who she tells says he'll do something about it (he won't) and she has no choice but to trust him. Then the guy she told crashes the ship they're all on and fails in taking himself out. Now she's trapped with her r@pist and she tells someone else who does actually try to do something but she kills herself instead.

Anyways guys, I'm just missing my wife, the end.

[bonefall]

if you're stretching for shadowclan cats to use:

antpelt is mistakenly listed as from shadowclan in battles of the clans, and the wiki had him as a different character for a while. he also has an unnamed apprentice

shredtail is also mistakenly listed in shadowclan during bramblestar's storm

I am absolutely at the point where I'm willing to make absolutely ABSURD stretches. I'm affectionately calling all the extra cats I'm scrounging up from writer mistakes and background scenes "ShadowClan's Glitch Warriors." Thank you so much for pointing these three out, they're going in the list.

Suddenly, I was struck with an absolutely hilarious idea. Partner wanted something fun to draw but still has read absolutely nothing about Warriors, so I pitched;

"I will tell you nothing about these characters or who they are except their names. Draw a Shredtail, an Antpelt, and Antpelt's apprentice. TOTAL freedom over the designs here."

First they drew this lmao,

"This is a joke," they clarified

"NO I LOVE IT," I said, "KEEP GOING"

So we got Dollar Tree Shredtail, Great Value Antpelt, and the best thing I've ever seen in my life. Once they put these designs down, we talked personality and differentiators from the canon counterparts while they colored and refined them;

I loved the bushy gaster tail so much that I swore on the spot I was going to work it upwards into a whole bloodline, including the very obscure background warrior in AVOS, Wasptail. So even though they're mentor and apprentice in BOTC, I've decided these two will also be related. Probably siblings, or auncle/nespring.

The little black one is based off an Admiral Butterfly (it was my idea to make the little spots on their chest look like medals), so the name seems clear to me. Admiralpaw. Xey'll be meewa unless another gender works better; and I'm planning for xem to go out during a bloody battle against The Kin in true admiral style.

(funfact; admiral butterflies are extremely territorial. Males fight each other for control of a plant to attract females to.)

Warrior name is still undecided, though. Open to suggestions, leaning towards Admiralflight or Admiralflower.

Not-Antpelt I'm having name troubles with. I REALLY wanted to name them Majorheart, after a major ant, to keep the "military ranking + bug" pun that Addy's got... but it seems that none of the ants in this area would have a major caste. B'awww.

In the meanwhile, Antspot works fine. Alatefang or Dronepelt could work, too. Feel free to shout out suggestions, this guy's name and gender aren't set in stone.

Lastly, here's Diet Shreddy. Girl now <3

She is 100% going to be killed during The Battle of the True Eclipse, keeping consistent with the mistake in Bramblestar's Storm where Blackstar mournfully calls out the name of a Dark Forest warrior. I'm also undecided on if the actual Shredtail himself dies during that battle in BB, it might just be her.

In any case, she's probably going to be a TPB girl. If she's born during Brokenstar's time, she's one of the younger ShadowClan cats to take part in the WindClan Massacre. Might even be an early apprentice at the time, in a similar situation to Badgerfang (though in BB this was a one-time thing). If not during Brokenstar, then sometime during Nightstar's brief reign.

Right now she has no family, she's in my "reserves" at the side to use as a patch between generations. Her name is probably going to be either Tattertail or Shredclaw, given as an Honor Title after the Battle of BloodClan.

So she had a previous warrior name as well. She seems like the kind of troublemaker who would have the prefix Sike-- a small stream that dries up in summer. Sikestripe, if her name was given by Nightstar, or Sikestrike, if it was given by Tigerstar. Maybe it was one and then the other, in a sign of disrespect to his predecessor's lie.

[itgirlgyu]

ꢾ𓍢ִ໋　‎ ‎‎ ‎ : ‎ how would enhypen react to you farting?

‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎enha x 𝒢en!reader. ⠀𓈒 ◌⠀humor! headcanons. 🗯 wc ˒ 0654! warnings── ✩͏ this isn't even my fault if you really think about it. it's actually heeseungs fault. ever since he said he liked when engenes fart it has been on my head constantly. ︶ིྀᩧ 𝒫 ls don't read it if you're sensitive. ༄

──HEESEUNG ˒

looks at you with so much shock that you feel like you've done extremely something wrong to him.

but then breaks out in the biggest grin ever.

gets cozy and clingy to you while pulling out an air freshener out of nowhere.

“I've always kept this on me dreaming of day, you've made me the happiest man ever.”

and you're like… okay? but you don't hate it of course.

“that means you eat well silly, I'm so happy. “

sets this as an anniversary date in his phone as "fartversary" in front of you to celebrate and then skips away to reserve dinner reservation to celebrate it further.

──JAY ˒

gazes at you with his eyes brimming with understanding and acceptance.

places his band on top of yours in a silent acknowledgement and you almost tear up with embarrassment but he thinks it's out of love so it works out fine.

says he's going to get the air freshener but comes back with a cake and party poppers.

he really wants to celebrate this new step into the relationship with you

and who are you to deny him.

you see him crossing out something in his phone but you don't dare question the rest of the relationship steps.

──JAKE ˒

you blame it on his dog.

and he's like, “damn i gotta focus on her diet what is she eating to stink up the house like that.“

it makes you want to cry but at least he doesn't pry about it further.

but snowballs into him taking his dog to the vet to see what changes need to made into its diet and you're biting your nails in horror.

you don't know if you should come clean or not.

the fear slowly begins to draw its claw into your skin as you tether on the edge of over thinking that jake is already aware of it.

you let it fester until you can't take it anymore and confess it to him one day.

jake: oh okay.

──SUNGHOON ˒

knows you did it but he doesn't want to embarrass you so he doesn't even mention it.

but you can see him struggling

his eyeballs are shaking rapidly as he tries to talk while holding his breath to make it seem like he really didn't hear or smell anything.

although he's not breathing until all of the smell goes away

he may love you enough not to mention your stink attack but there's no way he's inhaling your toxic fumes.

──SUNOO ˒

looks at you in shock while you're in the middle of ripping it out.

frozen in shock, but in a demure way, through the whole thing.

when you try to make a joke about it, he tells you to cut it out.

it was very traumatic for him to hear you fart for more than fifteen seconds

and he'd like forget about it.

you don't know if you should try your luck or not but meekly you put forth the suggestion that he can do it as well.

but the look of horror and contempt he throws your way makes it clear he would actually break up if you bring it up again once more.

──JUNGWON ˒

does not mention it, doesn't acknowledge it, doesn't even move an inch.

you might think he turned into a statue due to shock.

so you try to ease the situation.

“jungwon i think I did i—”

“no you did not.”

although he's concerned about your stomach so after a while he's like, why don't we try to drink antacid for fun?

──RIKI ˒

gets scared at the sound but then tries to play it off because he's a tough guy.

but he's also a softie inside.

so to make you feel at ease he rips one as well.

looks at you with a generous smile like damn where will you find a man like that?

it may or may not develop into a farting competition.

© ITGIRLGYU⠀⠀. feedbacks and reblogs are appreciated!

TAGLiST @ox1-lovesick @jisungsdaydreamer @wonioml @1921choi @forever-in-the-sky2 @beoms-sugar @gyuletters

[cozycottagetarot]

The Next Chapter Of Your Life

How To Pick A Pile:

Everyone has their own technique for choosing a 'pile'. My recommendation is to clear your mind and focus on each image for a few seconds. The image you find yourself coming back to even when you focus on the other images is the pile for you.

Quick notes on this reading:

It's a long one -- This reading is a lot longer (I think) than what I typically post. I'd appreciate any feedback on the length since it's something I'm experimenting with. The pile titles are colour-coded -- Hopefully, it helps make scrolling to the next section quicker.

Each pile references multiple scenarios -- some scenarios came through stronger than others, but I did my best to write what I was getting to be applied to situations not mentioned.

‼️ THIS READING IS MEANT FOR SELF-REFLECTION AND ENTERTAINMENT PURPOSES ONLY -- While this reading does contain a bit of advice and reflective questions, IT'S IN NO WAY SHAPE OR FORM MEANT TO REPLACE PROFESSIONAL ADVICE OF ANY KIND. Please use your discretion, think carefully before you act and only take what resonates be it a little, some or none at all. (The usual disclaimer is at the bottom).

Reading Masterlist | Patreon | Paid Readings -- Open 🥂

PILE 1 (Scrapbook)

Who are you? Cards: The Poet, The Founder rev, The Queen of Roses

This pile may be the pile for you if any of the following resonates:

Wanting to connect or being very connected to your loving, nurturing and supportive side. You've been receiving messages or sensing that a new connection is on the horizon. Motherhood/parenthood or marriage. Seeking resolutions to a relationship. Leaving behind relationships that have been in your life forever. Giving too much to others. Ending toxic relationships. Finding or wanting freedom. Finding your voice. Finding you. Tapping into your creative side. A quest for happiness.

If none of these individual sentences resonate feel free to check out a different pile.

Who will you become throughout this next chapter? Cards: The Muse, The Gambler

You will begin to bloom. Maybe not fully, but you’ll be more open to taking the necessary steps (which may feel like risk) to flourish. The end result will be you tapping into your creativity and creator energy. But also putting in the work, and changing your approach. I pulled all the cards at once so being able to take in all the cards at once, it’s this sense of making you happen. Gone will be the sense of being who you think you should or are expected to be. You’ll be gaining a new sense of self that is brighter and more wild. The risk is non-existent. It’s more perceived. It seems like a risk to indulge in the aspects of yourself that may seem like they’re more whimsy, but by actually making those things happen, you will transform into someone who can inspire themself. You won’t have to look for inspiration elsewhere, you’ll have it there within you.

How will you find success? Cards: 3 of Keys (The Chess Game), The King rev

Through changing your tactic. This chapter won’t necessarily be easy. There will be conflict with those around or above you, especially if this relates to career or relationships, possibly even both. Detach from the situation and be objective. Waiting for your opening will be the key to your success. For some, it’s a situation where everyone is only looking out for themself and I’m picking up that it's creating a stalemate. With the king reversed, you know what’s best in the situation but someone with more authority than you or a level of seniority if this is a personal relationship thinks they know better but they don’t. It’s about being firm and holding your own as well as not letting your emotions, or the part of you that’s super connected to the situation, get the best of you and influence you to make rash decisions.

Challenges you may meet: Cards: The Astronomer, The Orator, Reflection rev.

I see the biggest challenge here for you being one of mastering yourself in this next chapter. There’s a battle between your emotions and your intuition. To navigate this you need to have a conversation with yourself and determine why you’re having such strong emotions. Where are these feelings stemming from? The astronomer card is here to remind you that whatever the situation is, it’s not really about the past-- it’s not going to help you navigate this chapter. Especially if you’ve been acting according to what’s expected of you when the current/upcoming situation(s) requires you to do what is true to you. I hope I'm not repeating myself too much here, but the challenge becomes exploring the why behind the emotions so you can better make decisions and listen to your intuition. BUT, keep in mind that it doesn’t mean not to listen to your emotions at all.

Another message here is that working with other people may also show up as a challenge. There's a reminder to listen to other people's perspectives but also know that choosing to hear someone’s POV doesn’t mean you have to absorb it as yours either.

Finally, even when it gets tough, don’t doubt yourself. Take your time. It may seem like you have to have it all figured out and know what to say and which decision to make, but not really. It’s easy to feel that way when it feels like everything is at stake, but again, if you feel that way, pause and ask yourself why? Once you have your why, you can take on the world.

Lessons To Be Learned: Cards: The Painter, 8 of keys (the master artisan)

This definitely feels like it relates to career or passion projects, but of course, just adjust to your individual situation. It may or may not mean anything, but your cards have lots of florals.

Your lessons in this next chapter of life relate to learning to connect with yourself, speaking up and putting yourself out there. Your energy is one that makes me feel like you have such an amazing talent you're hesitant to embrace. You have so much to learn and just as much to offer... this is the beginning of that journey. Don’t be shy. There are opportunities out there waiting, you just have to figure out the way to pursue them that is most authentic to you. Even if it’s simply an opportunity to give love and kindness. I know I focused a lot on career and creativty, but this goes for relationships too. There is a lot of heavy energy covering this beautiful light-hearted one that just wants to break free. If you are considering going into teaching or taking up a teaching opportunity (not necessarily even in a formal education system) or enrolling in a course of some kind, I feel like this is a nod to say go for it. Especially pottery or beadwork? Trade work as well, maybe even culinary school or food-related skills. (I could be projecting there on the culinary aspect though as that's what I did and the imagery on the card reminds me of it).

Advice to take with you in this next chapter: The hound and pear (loyalty) — This card is always a bittersweet card whenever I see it. The message here is one of loyalty and friendship. A new relationship (of any kind), one founded on friendship, is precious but also delicate. Don't make irrevocable decisions based on conclusions. It must be treated with care on both sides because it can be damaged easily.

The deer and oat (healing) — Rest and recharge. Moderation and mindfulness are also key for recovering from difficult or intense situations. Ask yourself, how you can rest and nurture yourself?

The snake and fern (starting over) — it’s time to finish breaking free from the past so you can become something new. So you can return to your true self. What has protected you and brought you to this point? Are you in a position to release it? Are there any parts of your past self that you can regrow from (like snipping off part of a plant that may be unhealthy and leaving the rest so it can re-catch itself, not sure why I picked that analogy) or must you grow anew? (Planting a new seed, from the old plant. The essence is still there but a completely new plant will grow)

If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!

Pile 2 (Compass)

If you’re drawn to pile 1 feel free to check that out as well.

Who are you? Cards: The Oracle of Delphi, the Sentinel, the Forgotten

This pile may be the pile for you if any of the following resonates:

Intuitive. Connected to a higher power. Diety work. Past lives. Psychic powers. Perseverance. Fighting back. Confidence threatening to become arrogance. Dominance dancing on the lines of domineering. A force to be reckoned with. Someone who's sometimes brash. Amor fati (love of fate). An academic. Dreamlight Valley. Self-esteem issues (past or present). Someone who was looked past and from it learned not to try. Fear. Anxiety. A lost soul stumbling in the dark. Chaos. Morally grey. *You may be an avid reader or enjoy fantasy media as well.

My Overall Impression: You’re a force to be reckoned with and reckon you will. Your energy is just pure power and chaos. I low-key feel like you’re battling with life/the universe (call it what you prefer, that’s just how I prefer to call it). There’s this energy of "Try me" and the universe is like "I got one for you, watch and see". But there’s no malice. I just get fed-up vibes from you and the response from life is like "Okay 👀, but chill." Enemies to lovers with life itself.

Who will you become throughout this next chapter? Cards: The Ark of the Covenant, Beith — Birth, The Queen, The Assassin

The Queen and The Assassin flew out with such fury! You’re going to become someone worthy of wearing a crown. But it comes at a price, though it’s not one you can sit around and sulk about. The next chapter of your life reminds me of being forged in fire. Now you’re stepping into the role and identity of someone who can achieve your goals. It’s dark at times, but you’re gaining the skills to do what you want to do and I get the feeling this "thing" you're meant to do is one you may feel on a deep or soul level. (It is) fulfilling a higher calling or purpose. At the very least, you’re becoming someone who has decided that this is the last time they repeat a cycle.

You’re working towards something more and it feels like by the end of this chapter, you’ll be granted a brief reprieve. There’s still more work to be done though. You’re stepping into a new era where so much will grow from you. For some of you, a new romantic relationship is coming in and/or you're expanding your family-- that includes found family as well.

How will you find success?

Cards: 4 of Roses (views of the ego) the Witch. Rev

The first message that comes through is that your success lies in cutting someone off. Someone selfish and self-absorbed to be exact. It’s a relationship you’ve stayed in too long... they could have had some kind of hold over you, not necessarily in a controlling way, but they could have meant something on a deep level which could have been why you held on. You may have done a lot you’re not happy with because you’ve done it with this person in mind. Cutting ties with them grants you success as it allows you to focus on what’s truly important to you.

The other message with the witch reversed is the importance of remembering that while you’re forging your own path, it’s okay to look to others who have made it or 'gotten out'. Maybe they haven’t gone through the exact same thing, but it doesn’t mean there isn’t wisdom in the stories of others who’ve forged through and paved their own way as well. Pile one was about breaking away from the expected, but you’re being called to review what is expected and see if there’s anything worth considering. Kind of like shopping around for inspiration? You might come across someone else's story and it might spark an idea within you on how to navigate your own.

Challenges you may meet-- Cards: The Tailor Rev, The Scribe

Your challenges in this next chapter involve trying not to force your will upon the flow of your life and refining your focus. I know, I said forged in fire. There’s an imbalance of sorts... instead of firing and hoping you hit the target (your goal), you need to pause and take a good look at what’s working vs what isn’t. The 'wheel of life' worksheet/exercise comes to mind but I personally hate that exercise so much. I bring it up because it allows you to get a visual of what areas of your life you've been focusing on vs neglecting and pinpoint which areas of your life you’re lacking in. From there you can further assess and gain a better grasp on what you should be focusing on. After all, you can do anything, but you can’t do everything.

With the scribe, you may need to study or fine-tune your skills regarding a specific matter more. Here, there's something you need to learn to influence your life in the way you want, but you have to take the time to figure out what it is that you need to learn. It doesn’t have to be formal learning either. It could be something such watch a YouTube video, reading a book or article, or even taking a free online course or masterclass. Nothing is too big or too small here, as long as it's helping you to develop to get from point A to B.

Lessons To Be Learned:

Cards: 8 or scrolls (path unknown), the diviner, the puppeteer

The 8 of scrolls here reminds you that you’ve been travelling on a path where you know the outcomes, but to get to where you want to be sometimes requires walking down paths that may mean you don’t know what’s going to happen until it happens. At the same time, that’s how opportunities we didn’t know we needed arise. In the card imagery, there’s a basket next to the girl filled with scrolls, the same type of scrolls pictured in the scribe card. I think for you it’s learning the skill or information I mentioned that is going to help you feel more confident and assured on this path you’re following. You’ve got the energy of the queen archetype (regardless of gender), and though it may be a challenge, you’ve equipped yourself with the skills necessary to go after what you want. You’ll have what it takes 100% to move on to the next phase (after this one we're talking about).

The Diviner is about divine timing and evaluation. Here you’ve done all that you can with what is in your control. What’s left now is waiting for your desires outcomes to come to fruition. While you can’t rush or force things, you can make sure you set yourself up for success when you get it. So let's say you're waiting on receiving a sum of money, in the meantime you can learn/brush up on the skills to manage money etc.

Finally with the puppeteer, mending relationships could also be a lesson. Although I think it’s more about learning to interact with others better? But also remembering that sometimes apologies can mend relationships and other times they can’t. Going back to that relationship mentioned way before, it could be a matter of "are you willing to forgive the other person if they were to apologise and see the error of their ways?" (Though with the type of person mentioned that may be unlikely but, who knows).

Another possibility with the assassin card is that you may ruffle feathers at some point, so you may learn the power or limits of an apology in that sense as well.

Advice to take with you in this next chapter:

The Finch and Peach (romance) — romance is on its way to you. Things to ponder on could be: do you feel ready to welcome love into your life? What are some things that make you feel loved/how do you like to receive love?

The Marten and Foxglove (mischief) — this card asks you to stay open to opportunities that allow you to tap into your playful side, be spontaneous or travel. Ask yourself how can you make room for spontaneity? (It could be through trying new foods, reading a different genre, visiting a place you wouldn’t typically visit, changing up your daily routine etc). Also are you at a point where you can open yourself to new adventures, big or small?

The Boar and Pumpkin (confidence) — You’re not wrong to be confident in yourself, don’t let anyone tell you otherwise. Take a moment to acknowledge your accomplishments and think about what you’ve done that you’re proud of (doesn’t always have to be tangible, it can also be mindsets, situations you’ve walked from etc).

The Snake and Fern (starting over) — Again, if you were drawn to pile one, I suggest you check that out. Here this card nods to beginning a new and asks you to see if there are any parts of yourself you can return to, or if it’s time to completely start anew and discover yourself from scratch.

If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!

Pile 3 (The Trunks/Suitcase)

Who are you? Cards: The Smith, The Twins, The Lookout, The Askashic Library, 3 of Forces (Bird’s Nest)

This pile may be the pile for you if any of the following resonates:

The overthinker. Having a twin or prominent Gemini placements. If you're considering something you’ve been wanting to do for a while but keep putting off. A relationship with someone in which you both started on the same path but they went in another direction. Holding onto resentment. Feel like everything is up in flames. Writing. Seeking self-awareness. Manifesting. Intuitive. *Read that book you’ve been meaning to read. Needing a backup plan. Expanding. Hopeful prospects.

*If this doesn't feel like your pile, and you were eyeing pile 4, definitely check it out. This pile was actually the last I pulled and the hardest to read for and it felt like many aspects of it related to other piles as well. I recommend checking out a secondary pile in general if you were drawn to one.

Who will you become throughout this next chapter? Cards: The Waker, The Runaway, The Warrior (Sorry, I forgot to write down some of the cards 🤦‍♀️, I believe it was 'Fated Meeting' and 'Queen of Scrolls')

You’re becoming someone who is becoming centred/aligned and more intuitive. Your internal world and external world are going to become more connected. Connected to your ‘higher self’ as well, it’s going to be you vs you (levelling up). You’re going to become someone who can face the things you’ve been running from head-on.

That thing you’ve been putting off, you’re going to be able to finally put into action. Coming into being filled with inspiration, clarity and direction. This is especially if you’re considering careers/education, or projects in the fields of writing, publishing, marketing, communication, counselling or teaching. If you’re seeking a mentor, this person could help guide you to becoming this way. It could also be someone in your life already that may help you who is in one of these fields.

For a select few of you, you’re becoming the version of you that was meant to meet your person. If it’s not a romantic partner, then you’re coming into contact with a soulmate (meant as someone you have a ‘soul bond’ with).

Where Will You Find Success? Cards: 4 of Keys (Clearing The Way), Reflection, The Cartographer rev, The Weaver

If you find yourself prone to many different avenues of ideas and project but never settling on one, you’re going to find your success through settling on one thing and focusing on it. It’s time for you stop buckle down and stick with one of those brilliant ideas of yours and make it happen.

Also while it may be time for you to focus on one thing professionally or creatively, when it comes to yourself, it’s time to embrace all the pieces of you that seem random. It reminds me of this post I saw a couple of days ago about how we don't have to force ourselves fit perfectly into an aesthetic... that it's okay to have and embrace parts of your personality that are completely left field of the other bits that go hand in hand. So for some of you, maybe it’s time to embrace all the pieces of you that don’t go together neatly. Maybe that’s why you have these ideas and start them and then ditch them, because you’re a multifaceted being and you’re not allowing yourself to be so and that is the way it manifests in your life? Maybe it’s time to learn how to let all the sides of you coexist without getting lost. Food for thought maybe?

Regardless, it’s time to remove distractions that are holding you back. Tap into your intuition. Become more aware of your emotions. There's a sense of self-mastery is needed here.

Challenges You May Meet? Cards: The Pathless, The Miser, 1 of Scrolls (On Track), Up In The Air, 6 of Forces (The Waterfall) rev

Your challenges kind of relate to the things that were mentioned already. Being in your head, overthinking things, being unable to settle, but also trying to avoid falling into a headspace where you’re being pessimistic and stubborn. Just because you stick to one thing doesn’t mean you can’t shift and adjust your approach. And if you find that you’re really stuck don’t be afraid to just take a step back. If this is all relating to something where other people are giving you their unsolicited advice, don’t be afraid to brush it off and say “Hey, I might have hit a block but trust that I know what I’m doing”. Another scenario is to not internalise any unsolicited advice or opinions because I feel like that could be a trigger for getting lost in your head for some of you.

For overthinking, it'll be about learning to accept that you won’t be able to know the exact outcome of certain things. If you’re working with someone else, then feeling like you are in control or that you have a say may be the challenge. For others, the challenge may simply be making the decision or committing. It could also be coming to terms with the fact that you waited so long to pursue this goal.

Lessons To Be Learned: Cards: The Brawler, The Forgotten, 2 of Roses (The Winged Messengers), Uriel and the Sphinx, the king of roses

With the Forgotten you’ll learn that you can’t be afraid of mistakes. Mistakes help you grow. You'll come to realise how much fear has been holding you back. There's also learning how to make something out of your anxiety. Learning not to run from conflict or maybe how to properly address it could also be another lesson. This could be regarding internal conflict or conflict with another person as I am getting multiple scenarios come up.

Again there's a message here that for some of a romantic suitor specifically coming in. Overall for everyone there’s an important relationship making its way into your life. The mentor shows up as a neutral energy throughout the reading (or balanced feminine and masculine). Their energy is thoughtful, nurturing/comforting and supportive.

Advice — The Goat and Willow (overdoing obstacle) — even though there are losses to suffer, you can overcome them with renewed energy and the right balance. When obstacles appear, prioritise realigning yourself with your goals. You can even get ahead of the game and brainstorm ways to handle potential obstacles before they arise. The Chipmunk and Laurel (success) — Your path to success will be a unique one, one you have to create on your own, but there will be adventures along the way. The Elk and Ash (strength) — Don’t be afraid to fight back when met with a challenge.

If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!

Pile 4 (The plane around the world)

CW: Brief implication of strong language

Who are you? Cards: The storyteller, the mascareri, 1 of roses (commitment), 6 of roses (the war of roses)

This pile may be the pile for you if any of the following resonates:

Someone who struggles with the 'self'. You may hide your true self and struggle to accept others' true selves. For you, you could spend a lot of time crafting your persona. For some of you you maybe in positions where you delegate to others or are responsible for others' behaviour (managerial or boss positions). Some of you could work with kids or want to work with kids. Putting on a mask. Neurodivergence. You could enjoy writing or be a writer of some kind. The arts. Struggling with a partnership (romantic or business), trying to balance honouring yourself and their wishes? Conflicted about a relationship. Feeling like there's a battle between your head vs your heart.

Who will you become throughout this next chapter? Cards: 4 of Scrolls rev (The Karmic Trenches), The Patron rev, The poet You’re becoming someone with so much to offer and is still looking to grow. However, people may want to take advantage of that. Becoming someone who doesn’t hesitate and is in love with life. Embracing that life is imperfect. Becoming more vulnerable. Finding like-minded people. Embracing happiness. Tapping into your creative spirit. There could be an ending of some kind, though you didn’t want it, it brought a world full of new opportunities. You're finally breaking a pattern but also having the awareness to know when you’re tip-toeing along the lines of going back. Coming out of the dark. This sense of being healed on multiple levels and being able to finally experience joy.

Where will you find success? Cards: The Astronomer Rev, The Hound, 5 of forces (summer/winter), 7 of keys (The Ascent) You’re going to be finding success through setting long-term goals. If this is about a financial situation especially, then also finding a balance between focusing on what is necessary and not letting the 'wishlist' desires lead you astray. It can apply to any situation in general though. Focusing on what’s necessary and the things you would like to do coming afterwards.

There's also a matter of assessing where your loyalties or priorities lie and releasing habits, relationships, and ideas that are no longer serving you. Loyalty and staying true to your word might be something you value heavily and stand by, but I also see you finding success in this next chapter of your life by realising, you know what, sometimes you have to cut your ties, count any losses and move on because staying is only doing more harm than good. For some of you who have a relationship in mind or the relationship part resonated with you, this is especially true.

Taking action in general will bring success. This chapter could either close out or begin in the summer, or summer will mark an important time for you. With the 7 of keys, your success is guaranteed as long as you put in the work.

Challenges You May Meet: Cards: The Founder, The Shepard, 3 of Scrolls (Setting Your Course), Caught in The Ruins With The Founder, a challenge you might run into is needing to put yourself before someone else who is asking you for your help, although I'm also feeling it maybe asking you to put them first. You might struggle to determine whether or not you should offer them your help. The Shepard urges you to step up and take the lead when others need guidance. However, I think the best question to ask is what kind of person do you have to show up as in order to offer them your support? And also what type of person do you have to show up as to meet your goals? I’d say make a decision on how to proceed based on whether the two can successfully coincide or not.

A lot of different situations come up in this pile— relationships, career/finance, behaviours… but the common theme here seems to come down to mindset. Whatever the situation is that has you feeling trapped, you have to realise that it’s not definitive, even if it seems that way in your head. It seems like a lot of what is going on, and what you have to overcome, is self-sabotage and realising that just because you’ve always done something a certain way or a situation has always played out that way, doesn’t mean it will always be that way. You have the power to change; the challenge here simply lies in picking yourself up and dusting yourself off. There’s so much more out there for you than what you’re seeing right now. If relocating or travelling, especially where you have to cross the ocean, is something you’re hoping to do, then the end of this chapter we’re discussing in this reading might be the beginning of that next chapter in your life.

Lessons To Be Learned: Cards: 3 of Roses (Loving Elementals), 5 of Roses (The Garden)

The lessons here are about having a sense of child like wonder, and learning to find joy and exploration in life. Being able to laugh and play and find inspiration once more. If any of you have been thinking about starting a family (not necessarily right away) then it’s likely that this chapter will set you up for that. If not then I think a matter of legacy here. Being exposed to opportunities to nurture and grow the future you desire.

You’ll learn that sometimes you are the one who has to be the catalyst to change your life. I love this line from the guidebook of my Citadel Orcale cards regarding the catalyst. It says “ You are the bolt of lightning that topples the tower”. If you think about the Tower card in the traditional tarot deck, there’s lightning striking the tower and setting it on fire. Whenever it comes up it talks about upheaval and there’s often a sense of “oh great, something’s about to come **** up my life” but maybe [we] should consider that we’re not always the tower, but instead, we are the lightning. You have to make the decision to do or become something different, even if goes against what you've always known or what everyone tells you you should do.

What’s also important is not dwelling on past mistakes or regrets, it’s about learning from what happened and using it to make a better decision. Stop doubting yourself and overthink until your head hurts. Give yourself some grace and self-compassion. Take your time, changing isn’t going to happen overnight and often times we have to adjust to who we’re allowing ourselves to become.

Advice to take with you in this next chapter:

The Bee and Pomegranate (productivity) rev — If you find yourself struggling with procrastination, don’t be afraid to rest a while before giving whatever it is another go. Consider what makes you productive as well as what you can do to change why you’re not feeling productive towards another task.

The Racoon and Sycamore (curiosity) — The time is now to do some self-exploration. Explore new interests and hobbies as well as take time to think about how you’ve evolved and how you’d like to further evolve.

The Finch and Peach (romance) — Love is on its way to you. (I did kind of feel like it’s romantic love but it wasn't a prominent message in the reading.)

The Bear and Cedar (leadership) — You’re being guided towards leadership opportunities but remember to ‘rule’ with fairness and care. Ask yourself how can you be a better leader? Who can benefit from your knowledge and experience?

If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!

*** Disclaimer: All readings and tarot/blog games are for fun and entertainment purposes only. It is in no way meant to act as or replace professional advice of any kind. You know yourself and what’s going on in your life best so I ask that you trust yourself above all else. Finally please take only what resonates from the reading which may be some of it, all of it, or none at all.

[harleehazbinfics]

Cannibal Overlord!Reader [Cannibal Chef!Reader Spin-off!]

Cannibal chef! reader m.list | Author profile

a/n: I've seen a few fics about reader owning Alastor's soul, so I'm gonna put my own spin on it in Cannibal Chef. >:]

"Madam, the table is ready."

"Oh, thank you Alastor!" You groan, leaning against your chair clutching your aching head.

"These demons can't do anything right!" you roared slamming your fist down on the table sending papers flying, which Alastor calmly collected and places back on the table.

He smiles and waits for you to stand. On your own two feet, you latch onto him and whined, "You won't leave me won't you, Alastor? I'd hate for my most important and capable person to leave!"

"I wouldn't dare think of it, Madam," he replies as he covers your hand with his as he guides you to the dinner table, where several plates of food you loved was presented so fancily. You gushed at the food, and gave him a quick peck on the cheek before sitting down and tasting a few pieces of everything.

Alastor recovers from your affectionate gesture and pushes your chair in and drapes a napkin over you to not soil your clothes that he meticulously picked.

This was (Y/n), one of the most powerful overlords who reigned over Pentagram City. She controls quite a number of souls from decades of ruling. They say she manifested in hell, seemingly overnight, toppling overlords who were once held an iron grip over the denizens of hell. Tall tales were spread about your fearsome power and your signature cleaver. After establishing your position, you opened a meat shop and restaurant. Cannibal and non-cannibal options of course. You were crazy, but you had class, okay?

Many are frightened at just the thought of you alone, some sinners say that all demons that crossed you would end up on their plate. To set a clear stance what would happen if they dared question her power.

"Oh, Calastor! Good morning, my love! Did you have a good nap?" you ask picking up the red cat who gave you kitten licks on your face.

However, all Alastor could see was a very cheerful and clumsy woman. He recalls the first time he met you. He was roaming and analyzing where he was and how the power was at play arriving here shortly in hell. Unexpectedly, he got caught in a crossfire between you and large dinosaur like demon. When he saw you transform into your larger demon form, he was mesmerized at such power. You didn't hesitate for a second to go for the kill.

After capturing the dinosaur demon and keeping him in your inventory to make a meal out of later. He failed to dodge the hand that grabbed him and pulled him closer to your face.

"And who might you be?" you asked sultrily with a dissonant voice that overlapped with each other making him gulp at the wonders it was doing for his body to react a certain way towards the sound.

"Alastor, Madam. Pleasure to be meeting you!" he replies with his usual transatlantic tone, keeping composure despite seconds away from being crushed in your hand.

You smile and replied, "You're polite, how cute. You wouldn't mind if I keep you right?"

Without even a chance to reply, you return to your castle where you changed him into a butler uniform and bombarded him with your troubles and how you were so lonely that no one wanted to be friends with you. So, when you saw him ogling you, you couldn't help but keep him to yourself. You couldn't bear the thought of someone else picking him up other than you.

Alastor, in all his years, didn't once try to escape despite his situation. Sure, it was peculiar and sudden, but he never once felt uncomfortable in his setting. On the contrary, he felt very much at home with you, and even accepting your affectionate gestures.

A few pecks on the lips, cheek and neck wasn't disgusting when it was from you. He enjoyed your warm hugs where you'd eventually fall asleep on him and have him take you to your room. Only for you to pout and pull him on the bed with you and sleep with him.

He just couldn't say no to you. After all. He did love you. He was yours, as you were his.

IM TAKING ASKS FOR THIS ONE TOO

🔗Cannibal Chef! Reader TAGLIST:

@bonnie-02, @marxo5, @whaatttlaufey, @froggybich, @rybunnie, @midorichoco, @lucifers-silhouette, @kimmis-stuff, @bontensbabygirl, @janey, @akiqvq, @wonderlandangelsposts, @spoiled-slutt, @roboticsuccubus83, @atlas-rin, @yuriohoe04, @azullynxx, @milk-bulb, @rainynyy, @s2tng, @aria-tempest, @speedycoffeedelight, @0strawberrysorbet0, @amitiel-truth, @corvid007, @kaminarithebest, @enby-goblin

[befuddledcinnamonroll]

We Are and the evolution of Thai BL tropes

The QL discord started a rewatch of My Engineer a few weeks ago, and damn, has it been an interesting experience. At the time I originally watched My Engineer, there was little that stuck out to me, because so much of what happened felt so incredibly common in a lot of the (admittedly rather limited) number of BLs being produced. It felt like pretty standard fare.

But going back and watching it in juxtaposition with We Are airing has been so fascinating. This genre has been evolving, y'all.

As much as we all joke about always getting more university BLs, there is something to be said for a format that can be used as something of a metric for the genre. And though there's only four years between My Engineer and We Are, seeing them both at once gives me such an incredible appreciation for the direction the genre is going in, the impact of having more queer voices involved in the creation of QLs, and how there's a lot of good we can find in seemingly simple spaces.

Obligatory disclaimer: This is just my perspective and subjective interpretation of what I have seen as a BL viewer of some time; also I don't have time to go in and do a university deep dive, so this isn't a real analysis, but more of a brief writeup of observations.

Trends are not black and white, of course, there is a spectrum. I'm sure we'll suffer through more Dinosaur Loves. At the same time, having such predominant production companies as GMMTV putting effort into hiring queer creatives and subverting old cliche tropes is an encouraging thing. (Especially as they were the creators of the original university trendsetting BL with Sotus).

Note: For newer QL viewers, I highly recommend @absolutebl for brushing up on trope history. For university BLs in particular, this post and this post are great starting primers.

Let's talk tropes!

Ok, one more note - some tropes are being what I would consider subverted, some more adapted to a newer framework, and some just played with - I'm going to talk about how they appear to me, but I'm not going to be super pedantic over it, because this is just for fun.

Trope: Bullying/hazing behavior

This did not age well in My Engineer, and I would guess hasn't aged well in a number of BLs (and other media, because the whole "he's mean to you because he likes you" bullshit has been around forever). Not just because the behavior was shitty, but because it was played off in the script as cute, and implied that it was completely justified for the seme to do whatever he wanted in his pursuit of his uke.

(There was also quite a strong tone of internalized homophobia, with the lead feeling more comfortable in expressing his interest through harassment than honest emotion, but the show never actually engaged with that in any meaningful way.)

We Are sets up a very traditional enemies to lovers/bullying start to the story, with Phum taking advantage of Peem's economic situation to make him his "slave".

And yet... there's some important elements here that make this more than the standard use of the trope.

Phum keeps it pretty light in his bullying behavior, and clearly is using it more to keep Peem around as company, versus the kind of bullying in My Engineer, where Duen is literally hit by a car, and yet still expected to keep jumping to Bohn's whims.

As soon as Phum realizes he really upset Peem by leaving him waiting at the mall, he genuinely feels awful about it. It's clear that his intent is not to cause harm, and that he has a conscience. He wrestles with his feelings on it quite a bit, and it ends up being the thing that gets Phum to finally express an honest emotion with Peem.

And most importantly, the script does not let him off the hook. His behavior is bad, and is identified as such by the writing. Peem pushes back and is shown to be right to do so, Beer openly says he disapproves.

So instead of a cliche story beat that's used just to start the action, or a seme who's allowed to do whatever he wants because "passion" (blech), we're seeing it used for characterization, giving us important beats about who both Phum and Peem are in how they engage with each other through the use of the trope.

Trope: Obsessive/jealous behavior

Oh, this one was painful in My Engineer. Duen couldn't even talk to another human being without Bohn getting jealous and angry and dragging him away.

Phum gets jealous, particularly around Kluen, but what makes it feel so subversive here are two key things.

Phum's jealousy has a purpose here, it's not just for drama's sake. It's not the cliche seme doing whatever he wants and being treated as justified. It's deliberately being used to explore his insecurities, and give him a challenge to overcome. Phum doesn't stomp over and drag Peem away, he retreats, he hides. When his jealousy causes him to lash out at Peem, he is immediately aware he fucked up.

And again, the script is making it clear that this behavior is not ok. Peem chides Phum when he acts unkind to Kluen, and Beer makes it clear that the solution is not petty behavior, but actually figuring out a way to communicate his feelings with Peem before he misses his chance. This is portrayed as a barrier for Phum to overcome in order to be with Peem, not an expected part of a romantic relationship.

Trope: Friendship group

There are not enough words to express how much I love the friendship group in We Are. To be fair, this is one of the better historical tropes. We've gotten a lot of amazing friend groups, even in mediocre BLs.

But it's still different in We Are, for one simple reason. In most university BLs, the friend group is a supporting structure. But here?

The story lines may be about the romance, but the point of We Are is the friendship.

I will die on this hill, y'all.

I don't have enough time to go into it fully here, but this show is a love letter to friends. It's a tribute to finding the people who see the real you and have your back unconditionally. Who cheer your successes and commiserate over your defeats, who pick you up when the world knocks you down, who call you out when you make mistakes, and push you to be better.

And romance is lovely, but all of these budding relationships are about being friends first, and then lovers, because that friendship is just as important as everything else, if not more.

Trope: Pink milk

Lol, ok, kinda kidding, kinda not. I know we all got mad over the drink wastage, but also check out these visuals - it's about diversity baby!!

TanFang speed round

My two little trope-busting bebes. These two are already so beautifully non-traditional in their composition, but I love how frequently they are used to make fun of and play with tropes just on their own.

Introduced as pining crush/friend's older brother pair, but actually secret enemies to lovers.

Grumpy/sunshine pairing, where the sunshine used to be a fighter, and grumpy smiles when he thinks no one is watching.

Wound-tending where they keep poking each other instead of acting soft.

Openly mocking the jealous boyfriend trope.

Setting up the possessive trope when Tan doesn't pick up Fang's calls, only to immediately have Fang question if he's being unreasonable.

Setting up their own cute eating scene for kicks.

"First time" sex scene making it clear this is anything but their first time.

Tan holding Fang down in the cliche possessive pose, only for Fang to take the agency of kissing Tan. (And overall saying eff off at the cliche top/bottom roles old BLs were such a fan of).

In Summary

I'm sure there are more tropes that will come to me, and we do still have 5 episodes left of We Are, so there are some potential trope uses that I am keeping an eye on. This is by no means an all-inclusive list.

But I wanted to write this, because I was genuinely shocked to realize how different my My Engineer watching experience was this time compared to my first time. How over the last few years I'd come to expect more thoughtfulness in my QL media, even in the ones that seem shallow on the surface.

Considering how fast and furious the QLs are coming these days, it's easy to forget how recent it was that we were much more starved of content. And I think sometimes we forget to take in the big picture, of how far we've come in just a few years.

Critique is always going to be important, of course, it's part of what helps us make progress. At the same time, it doesn't hurt to take a moment to look around and see some good in where we are.

@sailorbryant thanks for the push to get this written! Feel free to add thoughts!

[genericpuff]

wait wait wait, regarding that Minthe post, you're telling me that Rachel literally wrote the character as having BPD.....and portrayed her as an abusive mean piece of shit??? WOW. fucking WOW. sorry for being so angry, but even if she "retconned" that - it's still so god damn disrespective. as someone who has BPD it hurts so much to see my mental illness villanised :(

ugh I'm so sorry pal. and I don't blame you for being angry about it, like I don't even have BPD and I'M fucking pissed LOL like I can understand why Rachel might have wanted to backtrack from that knowing fully well that Minthe's story wasn't gonna have a happy ending, but writing her with BPD in the first place and then BACKTRACKING from it as soon as she likely got heat for it (or just realized it wasn't a good look) isn't much better because it means now all she's done is written the stigmatized negative effects of BPD into her character without showing the more positive outlooks of healing and managing. Maybe that was doomed to happen considering Minthe is someone who doesn't get a happy ending in the myths, but it begs the question of why she'd write her with BPD to begin with because in hindsight it really does seem like she just wanted to use it as a way to make her "evil".

But like, when you read the actual episode, you can SEE the potential there for character growth, you can SEE that she's aware of her actions - but doesn't understand why she's "like that" which is a VERY common feeling among people with undiagnosed mental illnesses - but it was never meant to be.

Like jfc not only is it HEAVILY IMPLIED, but again, the episode is literally called "Splitting". And we see exactly that with Minthe, who can't seem to rationalize with herself that she messed up.

But... that leads me to another point that I failed to mention in that first ask response: she DIDN'T mess up. Like, yes, she messed up by escalating it to the point of slapping Hades, but it wasn't her fault that she didn't make it to her date with Hades. Whose fault was it?

Continuously throughout the first season we see Thetis being an awful influence who manipulates and gaslights Minthe. They're "friends", but it's clear Thetis does not have Minthe's best interests in mind. In this very scene we see Thetis manipulate Minthe and even attempt to get her so drunk that she won't be able to show up to her date. And then of course when that plan works and Minthe freaks out, Thetis spins it around on Minthe in a very passive-aggressive way.

But of course, the narrative has to find a way to turn this whole thing on Minthe being the bad guy. Hence we get the slap which shifts the focus entirely away from what led up to it back onto Hades who has, in a lot of ways, put her in a situation that she can't control. And of course, being in those kinds of situations does not help with mental health.

Like, sorry, I'm really going off here now, but... the slap happens in Episode 76.

When is it finally addressed again? Episode 103.

It took Rachel nearly THIRTY EPISODES to finally bring it back to Minthe, and in that time the reader has spent SEVERAL EPISODES reading about how sad and lonely Hades is, and about how cute and lovey he is with Persephone. The reader has not had ANY time to reflect on Minthe's circumstances, because it completely pivots away from her to focus on H x P as a sort of distraction from the fact that Minthe is a victim in her own right.

And when it DOES return to Minthe in 103, we get this harrowing reminder that her entire life is dependent on Hades-

And once again, here comes Thetis to the "rescue", reinforcing the negative feedback loop that Minthe is trapped in where she's put in unhealthy situations. She drags her to a bar and the whole time Minthe is not having fun because she's understandably still reeling from what happened.

Now we DO get some character development here, where Minthe realizes exactly what I've just finished explaining, that Thetis isn't her friend, that she'd rather not have Thetis as a friend than continue being talked down to and manipulated.

But then, as we know, because Rachel still needs Minthe to be the "bad guy", the breakup between Hades and Minthe winds up being all about Persephone from a POV that attempts to villainize Minthe for being "jealous" (rather than focusing on how shitty Hades actually is for having an emotional affair with Persephone to begin with) and then Minthe goes right back to hanging out with Thetis anyways for the sake of having the "evil other girl" who wants to "ruin" H x P's relationship.

It's not until Season 3 that we finally see Minthe tell Thetis to fuck off for good, but by then it's too little too late, and Minthe has lost an entire character arc. Rachel tries to go "see! Minthe's life is so much better now that she's taking care of children!" but that's an entirely different solution to a problem Minthe never had. She never got treatment for her BPD. She just got away from H x P which, while is a good thing, isn't actually analyzed as such. It's treated more as a "good thing" for H x P and the readers, because now they don't have to be subjected to Minthe's evil scheming anymore, something something "the evil is defeated". And don't even get me started on this comic's problem with constantly resolving female characters' story arcs through motherhood.

It bums me out so fucking much. Minthe deserved so much better. She's one of the many characters in LO who make it so painfully ironic when they're done dirty, because despite Rachel's attempts to write a "feminist retelling" that focuses on "moving on from trauma", she's inadvertently done more damage to feminism and the stigmas around mental health and trauma through her assassination of grounded and realistic and relatable characters like Minthe and Demeter who are shown ZERO empathy or understanding for their actions (unless it can be done so by making Persephone and Hades into the heroes). It happens so often throughout the comic it almost feels like how the comic markets itself as a "progressive feminist retelling" is some sick joke that I'm just not getting.

[pinkgy]

how would the kings from whb react to mc wanting to have kids with them?

Hi ! Thank you so much for your request and here it is, sorry for taking so long, I got a terrible writer's block again :(

Sorry if there's any typos, I'm sleepy af right now while editing this.

𝗪𝗛𝗕 𝗞𝗜𝗡𝗚𝗦 "𝗔 𝗟𝗜𝗙𝗘 𝗪𝗜𝗧𝗛 𝗬𝗢𝗨"

GN!Reader but a bit Fem!Reader Coded in some parts + Parenting.

𝖲𝖠𝖳𝖠𝖭

YES

In his bath card he already mentioned something about having kids with you, so just say the word and he'll get to work immediately.

He would unintentionally rush you, but once he realizes he's being too intense he would calm down, don't blame him tho, just the mere thought of being a parent gets him excited, but being a parent with YOU gets him kicking his feet.

Satan gives off that vibe of being a great dad and he knows it, so while you're waiting for your baby to arrive He Will Not Shut Up about his abilities as a parent and how amazing he is at changing diapers, putting them to sleep, preparing a bottle, etc.

Very deep inside he would be anxious about it, he knows how much of a responsibility it is to become a parent, and with the current situation between hell and heaven he gets a bit paranoid thinking about their safety and if he will be capable of protecting them.

Overall he thinks it's your decision, and he'll be more than honored to make it reality with you.

𝖬𝖠𝖬𝖬𝖮𝖭

Just say the word, when, where, how, anything, Mammon exists to grant you any wish, there's no way in the world he would say no to you.

And no, he's not doing it impulsively, in fact, he's been thinking about it too, and you just happened to have that same thought and the perfect time.

Later he'll take the time to think about it responsibly, the only thing that Mammon is perfectly clear about is that he wants to, and for the rest, there will be time, for him those are only details.

Mammon is super respectful tho, is he excited? Yes, Is he in a rush? No. When you feel ready and both of you have everything planned, you will do it, there's no need to hurry because if there's something you have more than enough of it's time together.

Internally he's the happiest demon alive, he literally can't wait, Mammon has never slept so peacefully since you both got the idea of having kids, I swear nothing can get this man sad anymore if he gets happy just by thinking about it, imagine how he would get if he actually became a dad.

Just because he doesn't pressure you about it does not mean he won't use any chance he gets to make a comment about kids, you were checking your socials and a video of a baby showed up? He says you both would have a cuter one. You're both having lunch together and he sees a small golden plate? He says it looks like a kid's plate. In fact, he would associate anything he considered too small with children's or baby things, and would immediately assume that it's cute and that his future child would use something like that.

(He would be the best dad between the kings ngl)

𝖡𝖤𝖤𝖫𝖹𝖤𝖡𝖴𝖡

Well.

I mean, he would be excited, but just because he has no idea about what it means to be a DAD, a PATERNAL FIGURE, A FATHER.

For one moment you actually believe he's actually being serious because he gets invested, he would straight up spend the whole day talking about it, baby names, room decorations, their future plans, if they will look more like you or him, everything.

Give him two days and the information will strike him, he finally processes everything you said, and when he remembers your expression when you talked to him about your idea of having kids with him, he realizes you were dead serious.

One day out of the blue he shows up in front of you and drags you somewhere you both can be alone, and just to be sure, he asks you if you were being serious, once you tell him that you in fact were, he shuts up and leans back, you both sit there in uncomfortable silence for some minutes until he finally says that right now it's not the right time with all the mess going on in hell.

Beelzebub clarifies that he's not saying no, but he knows that it would be hard to take care of both of you while he's dealing with the angel attacks or the angels in question, he says once everything is done you both can have the biggest family on hell if you want to.

𝖫𝖤𝖵𝖨𝖠𝖳𝖧𝖠𝖭

You loving someone else and taking care of them? no wtf

That would be his first reaction, and expect him to glare at you and walk away ending the interaction, but again, that’s just at the beginning, give Leviathan a few days to process your proposal so you can have a proper conversation with him.

You will have to look for him to talk about it because Leviathan will talk to you about ANYTHING but that, just catch him off guard and sit him down so you can know what's in his mind.

On the one hand, he thinks it would be nice to be a dad and have a baby that he can give the childhood he couldn't have, plus he wouldn't share this with just anyone, it would be with you, and that's something that inevitably makes him smile when no one sees him, but on the other hand, babies are dirty, they're noisy, they need a lot of care, they're delicate, and most importantly, they take all your attention.

Everything he suffered during his childhood does not necessarily make him afraid of being a father, on the contrary, it makes him want to be the best father possible, his refusal is mostly because of all the inconveniences of bringing a baby into the world and having the constant fear of something happening to them because of the angels' attacks.

Give him time, he needs to think about it for a while so he can sort up his thoughts, Levi isn't going to say no, but he's not going to say yes either, in fact, he's not going to say anything but it'll be very clear what he needs, and he hopes you can understand him.

𝖫𝖴𝖢𝖨𝖥𝖤𝖱

He wouldn't be against it, but he would have his doubts.

Sits you down and gives you a lecture of +2 hours about how much of a responsibility it is to bring a kid into this world, he might as well bring one of the healers so they can give you a list of how delicate babies are, the amount of things they can get ill from and how careful you gotta be with them.

If you accepted even after Marbas most definitely didn't try to traumatize you, Lucifer would just slightly smile at you and hold your hand in reassurance.

We love a planned man, he already has everything perfectly planned even before they both decide it's time, he doesn't miss a single detail, and there's not a single parenting book that he doesn't have, Lucifer could be a pediatrician if he wanted to, you might think it's impossible that so much information can fit in his head.

Lucifer's doubts wouldn't be because of the security issue, he knows that he's more than capable of protecting his kid in such a way that they would never even know what a scratch is, his insecurity would be mostly because of his abilities as a father, it's not easy for him to generate attachment to someone, much less affection, and he feels that precisely because of that he feels that he may not be the ideal father for something as precious as your child.

Even though he's very confident, that thought may never leave his mind until you are both parents and at some point, he can look at his kid and feel genuine affection for them.

(He would be an amazing dad and no one can tell me otherwise)

[i-ate-your-dog-srry]

●COMMISSIONS OPEN

ALL OF THE MONEY IS GOING TWARDS A DOG!

Update! The money will no longer be of use for woody. I'm sorry I haven't been taking this well and will be taking some time off for myself. :)

Explanation and more about the commissions ⬇️

Explanation/situation

This is a very complicated situation, sadly! For why I am suddenly in more need of money for the dog will probably get a bit personal.

I have been calling the dog Woody. He is the sweetest boy I have ever met, but sadly, Woody is in a neglectful situation. Borderline animal abuse. The man who currently owns Woody is to put it lightly, a huge piece of shit. Woody is currently starving and malnutritioned. Ontop of that, he has a BAD case of untreated arthritis and fleas. His owner doesn't care about him. He is left outside in cold weather (winter in CANADA). The owner doesn't care about where Woody goes, and he doesn't care to feed Woody. Woody is an old dog who can not care for himself. He is in constant pain/discomfort, and I haven't seen his tail wag ONCE. even at food and attention.

I'll try to make this quick, but it's hard to do so. My apologies in advance.

Woody is currently in my dad's garage. I am a minor, and I don't have much power to help Woody, but I'm doing all I can. I really love him. My dad is not a good person, and I want to take Woody to my mom's and let him live the life he deserves in a warm home with love and food. The garage is not heated, and my dad has no real concern for Woodys life. In order to help Woody, we would need to steal him from his owner. I have considered animal control, but sadly, this is a small, old-fashioned town. There isn't real animal control here. Only a pound, and they will not care. If they do take action (VERY unlikely), it will most likely lead to them putting him down. He deserves to live at least some of his life happily. Back on topic. At my mom's, we already have 4 animals And ontop of all the expenses that those animals come with, we would be adding more. We are not well off. Woody needs medical care for his arthritis and fleas, and we are already drained of extra cash from rescueing one of our other animals (Critter) recently. I don't want Woody to suffer anymore, and vet expenses are high. My mom has agreed to help Woody, but I can't just not help with the money. We are stuck in between a rock and a hard place, and the sooner I have money to help with the sooner, Woody is safe. I can only imagine how the cold temperatures are affecting his arthritis at this moment. I will keep this post updated.

Update/edit: Woody has put on some weight!! He is still underweight non the less but it is small progress! Sadly, I have found his ears are infested, but I am getting this handled! I finally have some pictures of him! <33 he also seems more happy!!! He is standing still more often, and he quite loves the attention.

Another edit/update: he is doing even better!! Even more meat on his bones, and he is so much happier!!! His tail is wagging, and he seems to be in so much less pain!! <3 he's also jogging around and trotting! .. it's still a task to get up the stairs, though...

Commission info

I am a minor!! If this makes you uncomfortable, I completely understand!!! I am a teenager in my much younger years. I just wanted to make that clear <3

A fully rendered art piece: $20.00

A flat colored and hard lined art piece: $15.00

A Hard lined art piece: $10.00

A sketch art piece is: $5.00

Bust, half-body, and full body choices add no charge it's simply an option :)

Adding another character to the art piece will add $10.00 onto the commissions price, and the price can be debated and talked about! :] If you are interested, please send me a DM, or if you have any questions about any of this, you can contact me any way you wish!

I do!

OC's, characters, light gore, Oc/Sona + Character, Oc/Sona x Character, lightly romantic settings/interacts.

I Dont do!

Heavy gore, NSFW, suggestive drawings, humans.

The human rule can be broken, but I can not draw humans well at all. So there is a large chance you will not get a very pretty drawing. I mostly draw things more like monsters/puppets/furrys, etc.

I only use PayPal and e-Transfer . D:

Please contact me in any way if you have any questions whatsoever about what was said or mentioned in this post! :3

Edit: DONT FEEL BAD IF YOU CAN'T DONATE!!! even a like is appreciated!! Thank you guys so SOSOSOSO SO MUCH!!!<3333

[a-confused-spoon]

So about Caitvi...

I'm no one to judge whether or not caitvi is good representation. As far as I'm concerned, I'm happy if the lesbians watching the show are happy.

...you know what does piss me off though? A teeny tiny bit more than just "a little"?

Seeing some people defend the absence of a conversation between Caitlyn and Vi with "actions matter more than words".

Like...okay, first thing first, season 2 makes it pretty clear that's bullshit given how every other pairing previously at odds resolved things through the almighty power of talking things out: Vander wrote a letter to Silco and they became gay dads in the au, Ekko went through all possible combinations of words to convince Jinx not to blow herself up, and whatever the fuck Viktor and Jayce had going on in the finale... So yeah, crazy thing to say about this season;

Secondly, when we say "actions matter more than words", are we just not counting the verbal promise of not changing followed by abuse/ pain caused by the very much action of hitting a victim of police brutality who has utterly betrayed herself and her people for the sake of helping the same exact person who hit her because she pointed out "hey, maybe don't risk shooting a child"?

GRANTED this and most of what I'll say next is applicable to most of season 2 imo- we barely get to sit with the seriousness of a situation we just have to skip to the next one, so I wouldn't say it's a caitvi thing alone... nevertheless it's present there too, so back to the main conversation-

We know Caitlyn regrets it, but does she ever understand why it's so fucked up that she did that? Vi has a rush of emotions after realizing what Cait has done and is happy to stay with her, but once they... finish in that prison, does Vi really respect herself as an individual who has gone through some tough shit or is it a passive "fuck it we ball" attitude all the way to the finale where she wears once again the enforcer badge?

Caitlyn's personal character development (one that has to do with seemingly grief alone and nothing to do with classism and power dynamics which are a massive part of the problem both on a micro and macro level) shouldn't be something that "makes up" for what she did to Vi in episode 3, and because Vi's character was criminally neglected we never really get to see her actually give a shit about herself beyond, allegedly, her relationship with Cait- which is fucked, considering Vi always ever only sees herself in relation to others (Cait or Jinx for the most part) and never as a stand alone person.

That's why that conversation was pretty much needed here.

Aside from the fact that having a conversation with a partner isn't just saying "sorry", it's about being vulnerable, letting them know you see them, telling them where you stand, being just openly honest with one another etc. (aka is an integral part of the relationship itself), it also would've been an excellent way to let all the development they couldn't show for a lack of time still shine through dialogue.

No, it's not a "wanting things spelled out", it's a "they quite literally did that a bunch of times already in this very season, so they might as well do it for the main romance too since a conversation would also be fitting for the current situation"; examples might include that one scene with Silco and Ekko in episode 7 about forgiveness, or that one scene of Isha and Jinx where Jinx literally spells out "hey you remind me of Powder, meaning myself when I was younger, the younger self I thought I left behind-" (insert that one clip of Kronk from The Emperor's New Groove).

And before anyone puts words in my mouth, this isn't coming from a place of hate for either Caitlyn and Vi or Caitvi as a ship; engaging in criticism isn't hate for what's being critiqued, so please don't assume that some conversations don't come from a place of love for the show and the characters just because they don't openly praise every bit of what we got.

edit: ...tell you what, the more I think about it the more it seems that the issues I have with how this ship comes to be aren't even super specific to these characters and their relationship, but are actually the same exact things I don't love about the general writing of season 2 on a bigger scale (lack of commentary on class oppression, character arcs that feel unfinished or cut short, the theme of love and forgiveness ending up undermining the seriousness of some situations- I'm not complaining about the theme itself nor I'm saying it comes out of nowhere, I'm saying that probably due to the pacing/lack of time we can't sit with how fucked up some stuff is before getting to the point of "love > anything else"... which isn't a wrong sentiment, I'm just talking about the journey to get there)

[cjrae]

Tragedy of the Jade Nightingale. Or: My thoughts on Vol. 11 of the Apothecary Diaries.

Given that this volume just came out in English a few days ago, spoilers under the cut!

I usually think of the Apothecary Diaries volumes as pairs - usually two volumes make up an arc. If so, Volume 11 will be the first half of the arc with 12, but it also functions beautifully as a tragedy in it's own right.

** I will be only discussing information appearing officially through Vol. 11. Yes, I have read the fan translations of the web novels, but given that details can change, until it appears in official English translation, I won't yet be including it here.

The Hero

Gyoku-ou. Talk about someone who thinks he's smarter than he actually is. We knew this guy was a threat all the way back in Vol. 8, with how Gyokuyou reacted to her brother's letter and his veiled insult of sending a younger version of herself to catch either her husband's attention or the Imperial Brother's. Now we get to see him in action and he's scary - right up until he's not.

This man is charismatic as anything - he understands what makes people tick on both an individual level as well as a social level. His ability to wield a mob effectively makes him extremely dangerous, but I'm oddly put in mind of Lakan's initial impression of Fengxian. "This woman is strong, but she only knows how to fight in her own, small world."

The world Gyoku-ou inhabits is a very small, petty one. You can see it in his conspiracy theory about Jinshi's birth.

Jinshi is one of two people Gyoku-ou fails to read. When he brings Lakan and Jinshi to his puppet council to gauge support for attacking Shaoh, he thinks he's got a young malcontent in his hands, someone who wants power and is prone to the flashes of temper and insult that often drive young men. Someone who is easily manipulated. Instead, Jinshi mops the floor with him in that meeting, cutting Lakan's support out from under Gyoku-ou and making it clear that his priority is peace above war.

This doesn't take away from Gyoku-ou's political genius - this meeting teaches him that Jinshi has to be maneuvered around, rather than maneuvered directly. If the Imperial Brother doesn't want to play his part, then too bad. Gyoku-ou will see to it that Jinshi is hedged in all directions except where he wants him to go - which is to war. And even then, he's got a fight on his hands as Jinshi fully takes advantage of Empress Gyokuyou's information to undercut Gyoku-ou's support within his own family.

It's a mark of Jinshi's political skill that Gyoku-ou's move in that family council is to flirt with treason. If he can't maneuver the Imperial family through Jinshi, then he shifts tactics to turn Jinshi (and the rest of the Imperial Family) into the villain of his piece - a prince born and raised into utter depravity.

Let's just sit with what Gyoku-ou suggests to the rest of his siblings (minus the Empress) in that meeting. He implies that the Emperor impregnated his own mother in order to produce an heir. A son that he loves so dearly (and unnaturally) that he would willingly look the other way while Jinshi murders his other children in order to make sure that his brother-son-lover succeeds the throne.

This is a brilliant examination of how the bare facts of the situation can be construed by people with very different motivations to fit whatever worldview is most convenient for them. I'm a fan of the palace politics in this series because they feel very real.

Gyoku-ou doesn't lie once. But boy does he create a narrative that suits his purposes and dares anyone (namely Rikuson) to tell Jinshi. He is escalating the situation and he's doing it fast, while also challenging the legitimacy of the Imperial Family. A fact which, if it does get back to Jinshi (or the Emperor), could get the entire new You Clan wiped out just as fast as the Yi Clan was. This scene functions as a microcosm of Gyoku-ou's two fundamental character flaws; his short term thinking and his utter self-absorption.

Becoming The Wind

Since Rikuson was introduced in Vol. 5, he's been a mirror for Jinshi. He's a "pretty boy," calm under pressure, fundamentally kind and decent to other people while also being extremely competent at his job. Unlike Jinshi, he's also a bit older and more mature. He also clearly admires Maomao and sees the qualities that make her exceptional, despite her various masks.

As it turns out, Rikuson mirrors Jinshi in another important sense too - he also has a secret identity. The Yi Clan were the de facto royalty of the Western Capital and Rikuson is one of the direct survivors of the clan. He was never in the line of succession given the Yi Clan's matrilineal structure. But they were quick enough to save some of the children, namely Rikuson and Empress Gyokuyou's three ladies in waiting, Haku'u, Koku'u and Seki'u.

Rikuson, who was Gyoku-ou's excuse to trick His Former Majesty into giving him the authorization to destroy the Yi Clan. Rather than truly being an bastard Imperial prince, he's a young pawn in Gyoku-ou's hands to whip up an armed mob to hunt Rikuson down - and his mother and sister give their lives to ensure his survival - not for vengeance, but so that the Yi Clan's mission of protecting the west will live on even if the named clan itself dies. So, like Jinshi, he is dedicated to the welfare of the people above all else.

The trouble with relying on an unruly mob is that it's sloppy. Gyoku-ou left multiple survivors and they have absolutely no love for him. He's left weapons at his back.

Rikuson is the other person Gyoku-ou utterly fails to read. He spends well over a year back in his homeland, working for Gyoku-ou as an aide ostensibly from the central region, patiently waiting for an opening - even as Gyoku-ou, who knows that Rikuson has to be assigned to the west with some kind of ulterior motive, is so blind that he thinks he must be a secret member of the La Clan, rather than the Yi boy he tried to kill seventeen years earlier.

Rikuson represents the culmination Gyoku-ou's short term thinking in that he doesn't bother to think about the threat of any surviving Yi clan might pose to him.

He will not insult his mother's memory, or his sister's. But if his mission of protecting the west coincides with vengeance for his family? Sure enough, Gyoku-ou's insistence on going to war (and dragging the Imperial family's legitimacy into his motivations) gives Rikuson his opening; especially because he isn't a vigilante.

He is acting under orders.

The New You

Rikuson's point about Gyoku-ou's life being a tragedy hits home when you consider Gyokuyou's thoughts of how she knows her father loves her - but would also abandon her in a heartbeat if she is no longer valuable to him. Unlike her older brother, she has a very clear-eyed view of how their father operates and focuses on making sure that her value never drops in his eyes.

Gyoku-ou's value to Gyoku'en plummeted the day he destroyed the Yi Clan - Gyoku'en's family. He was given a second chance to show that he could still perform the single function of the men of the Yi Clan - to protect the west. When he endangered it instead, Gyoku'en sent the weapon he'd spent seventeen years preparing (Rikuson) with an execution order.

By first destroying the Yi Clan and then following it up with a proposed invasion of Shaoh, Gyoku-ou proved to Gyoku'en that he was no son of his. Given how desperate he was to be his father's son, this whole book is a tragedy in the classic sense. The Jade Nightingale was so desperate to reinvent himself as a Jade Eagle that he destroyed himself in pursuit of the one thing he never lost - his father's love. But, to be his father's heir, what he needed was Gyoku'en's trust and respect, not his love.

And he killed that seventeen years ago along with the Yi Clan.

Ironically, the foreign born girl that he despised and attempted to undermine at every opportunity, emerges as their father's true heir and mother of the nation, with the rest of the surviving Yi clan as part of her loyal retinue.

In her triumph, the Yi Clan is reborn as the You Clan as Gyoku'en, a Yi man, is given a clan name on the strength of Gyokuyou's role as Empress. So much of their history has been lost, down to the matrilineal succession and family records, but their mission lives on through the Yi men who will continue to protect the west, no matter the personal cost to themselves. There is no room for self-absorption here, therefore Gyoku-ou has no place in their new clan.

Also, a parallel to pay attention to is how the destruction of the Yi Clan and the Shi Clan are mirroring each other with the children being saved. The Yi Clan is reborn with a new name, which leads one to wonder what the consequences of saving those Shi children will be long term.

A Dagger In The Dark

Gyoku-ou sucks up a lot of air in Vol. 11 because he is driving the action - Jinshi, Maomao and their party are all stuck reacting to him, except for one character; Chue.

We see Chue attach herself to Maomao starting with the ship and it's not difficult to guess that just as Lihaku is serving as a discreet bodyguard for Maomao on Jinshi's orders, Chue is also there as protection. Chue doesn't try to conceal that she is clearly trained in espionage either.

Rikuson's proposal to Maomao is not a serious bid for her hand, but nor is it a joke - it's a message to Chue that Jinshi needs to tighten security around Maomao. As he puts it, he knows the "hyper protective" elements around her will close ranks. Because he's foreseen a strategy that may not have yet occurred to Gyoku-ou (who tends not to pay attention to the bit parts of the play), but if it does would almost certainly push the country into war.

Maomao is the lever that could move both Lakan and Jinshi.

All he has to do is kill her and make it look like a foreign attack. Lakan's instinctive ability to read a situation and Jinshi's formidable investigative skills would likely be dulled in the face of their rage and grief. Especially since they are technically Gyoku-ou's guests and don't have freedom of movement to push the issue.

Rikuson seizes his opportunity before Gyoku-ou can continue to escalate, but he realizes quickly that Chue arranged the stage and was there as both spy and backup assassin. (I think it's safe to say that Gyoku-ou's conspiracy theory AND that Yi family ledger will be reported, given that we know there were ladies-in-waiting at the meeting and that's how Chue was disguised - and she didn't actually promise to dispose of it).

Gyoku-ou doesn't bother to think that while the Emperor may be far away and the Imperial Brother is a manageable threat, that the people surrounding Jinshi may not be bound by his strictures. Hence, Chue was on standby. No matter what, Gyoku-ou was never going to make it to that ritual. He was never smart enough to realize that his crossing the line would be never be forgiven.

While Jinshi would order an execution if necessary (and has in the past), he would never order an assassination. Therefore, it's evident that Chue reports to someone else. Who that someone is, we don't know, but there's only one person further up the Imperial tree than Jinshi, so it would be reasonable for Rikuson to assume that the Emperor has placed additional protection around not just Jinshi, but Maomao.

Exclusive: Baby Swap!

Jinshi's birth is not a secret to the audience and while Maomao doesn't have confirmation, she's pretty certain of her suspicion. This volume made it patently obvious that there are others out there who are perfectly capable of putting the pieces together, even if the details are twisted.

Let's return to Gyoku-ou's conspiracy theory.

He's put together all the correct pieces. The Emperor's attitude toward Jinshi makes no sense in a traditional palace setting - a much younger, handsome, charismatic and competent brother? That's a threat to the Emperor and his direct line. But Jinshi is never treated that way - instead he's indulged on many fronts.

He's allowed to duck most of his official duties as Ka Zuigetsu (except for a few he can't, where he appears masked).

He's allowed to pretend to be a eunuch for six years and run the Rear Palace.

When he finally reveals himself to the court to put down the Shi Rebellion, he's described as "hale" and "just as proficient in the military arts as the administrative." (More proof that Jinshi is NOT the best judge of his own abilities). He emerges fully formed into court politics - a perfectly trained Crown Prince - only to have a newborn given the title instead.

Gyoku-ou deliberately put the worst possible spin on these facts. I suspect the rest of the You siblings are going to keep their mouths shut about Gyoku-ou's ugly theory, but if he could think of it, if Maomao could think of it with just seeing Jinshi standing next to Lady Ah-Duo, then so can others.

Maomao can be mad about Jinshi branding himself all she wants, but it's currently looking like an absolutely BRILLIANT move on Jinshi's part. Whatever doubts Gyoku-ou managed to plant about Jinshi and the Emperor's motives with the rest of the You clan siblings, Empress Gyokuyou is not likely to entertain it.

Also, it got the Emperor to essentially "banish" Jinshi to the edges of the Empire shortly after his new Crown Prince was born, which makes it look to other members of the court like the Emperor is taking steps to rein in his younger brother and balances the factions that have to be forming back in the capital.

This is not a secret that can be kept forever. No matter how careful Ah-Duo and Anshi were, the information is starting to leak out around the edges, as we see that the Empress' ladies in waiting that were dismissed clearly had eyes and ears - and in at least one case, a loose tongue.

The next arc is being seeded and Jinshi is inching closer and closer to that throne. He ran the Rear Palace for years (essentially managing the nation in microcosm) and as of the end of Vol. 11, he's now stepping up to govern a province and gain actual ruling experience while also having suppressed a war.

I've said before that Jinshi ascending the throne is the bad ending - if there is a single person who is more trapped by the palace than the prince, it's the emperor. We'll see what happens!

[pepperf]

Genuinely can't decide if the writers intended the Five and Lila relationship to be toxic, or if that's just their idea of romance - just like Rochester, Heathcliff, Darcy, and that dude from Twilight, right???

Okay, let's have a readmore. Note tags, ppl, and curate your experience.

Lila has a relatively sensible approach to relationships, which is consistent, despite her somewhat Machiavellian approach to getting what she wants out of them - she put Diego in his place about having realistic expectations back in s3. She's pretty clear about who she is and where her lines are drawn, and is "weirdly self-actualised", according to Klaus. And Five - romantically inexperienced, thinks everyone should do what he says at all times - tries to impose his notion of How This Should Go onto her, from nearly the start of their brief romance, but leaning hard into it once it starts going sour - which also checks out: he was alone for 45 years and his previous relationship was all in his head, giving him full control, so that's what he's used to. But I couldn't tell if they genuinely intended to show it as him being incredibly selfish in prioritising his feelings over her wishes, or if they honestly thought it was romantic. I mean, the barbed wire-style bracelet is a little on the nose, and there's some symbolism that I'll get into in a sec. Truthfully, I'm not inclined to give them the benefit of the doubt - I think SB at least thought it was hot, judging by what he's said about identifying with Five, and about how he finally gets to have a romance. This seems to have been his pet project for the season, blergh.

It's that tedious old misogynist chestnut, that all women secretly want A Man to take control. It's frustrating, because they already established that Lila likes to be in charge, she wants to be free to make her own choices, she'd already had twenty-plus years of being told what to think and do. And yet she has to remind Five, who really ought to know her better by now, "You do not get to decide what I do with my life!" It's also very disconnected from reality. It's not actually fun or sexy to be gaslighted, to be lied to by some insecure asshole who thinks they know better about what's good for you, that they have a right to stick their nose into your personal relationships or keep you away from your kids. Not cool, Five, not cool. He's lucky she didn't kick him in the nuts on the way out. But another reason I think they didn't do this consciously is that Five doesn't seem to realise his assholery - there's no hint that he's regretting anything other than being dumped.

Lila was trapped for seven years in an intense, claustrophobic situation with Five - and if they'd continued to exist, she could have worked through the feelings that come out of that. Like Ritu said, of course there's going to be love there: they've spent seven years together, on the run. If nothing else, it would be a matter of survival - either you find a way to get along, or you kill each other. And they went in with a fair amount in common already (although being adopted by the Handler at age four is not at all the same as being recruited by her at age fifty-something). So I'm annoyed that Lila's whole arc this season is one of frustration about having to be the grown up in her relationship, taking a break to reassess, going off to do something a bit crazy and fun - and promptly getting stranded with someone considerably less emotionally competent.

Okay, I'm being somewhat harsh - Lila unexpectedly getting the timeout she wanted could've been a decent storyline, she could have some time to reflect, live the child-free life without consequences, and have some adventures (she actively enjoys danger!). And she and Five got to bond, that had lots of interesting potential, especially with their complicated history. But it tipped over from being a potential opportunity into an immensely over the top punishment for her impulsivity, and took them so far from where they'd started that there's a total emotional disconnect with the main story. Which is a fucking weird choice for one episode in such a short season, ngl.

And then, ugh, she's right back to dealing with the apocalypse, visibly thrown by a Diego who has unexpectedly thought about what she said and is trying to be a better husband, and dealing with a Five who has decided to get territorial. It's deeply uncomfortable, Five is gearing up to start trouble, so wrapped up in his own hurt feelings that he's functionally useless for the actual problem in front of them - leaving Lila to deal with the mess he creates, and then leverage said feelings to get him to put on his big boy pants and help. She still reaches out to him in the end, I think she knows him well enough by this point to understand what makes him tick...and she's having to be the sensible one up to the end of her existence. Can't she have someone who's willing to meet her halfway? The reflecting that Diego did, him making a start on making amends (given that it was only a few hours for him, that's about as much as they could squeeze in) was basically just wasted. They start to reconnect at the end, and mutually apologise for the damage they've done - but that's all they get, and it's a travesty.

Personally I think the whole storyline should have been cut, but if - if - they really felt it added something, they could have given it some time in the real world, see how this shaky new romance holds up against a serious relationship that's been massively fractured. In a different show, that might have been a fine story. But they don't do that. Whatever she might have wanted, Lila doesn't get time to even think about her choices. She gets to stop existing. (Or they could just have not gone there in the first place, god I hate love triangle plotlines, they do no favours for anyone involved!)

Given a continued existence in which to do so, I'm sure Five would have moved on pretty quickly. It's his first romance with a real person, he feels it intensely - but once the dust settled, he'd see that they were in very different emotional places (she wanted to get back to her family, the break from reality is way overdue to end - and he wanted to stay in their little bubble and leave all that behind). The actual romance part was actually pretty brief, and lacking in any deep communication - as Lila says, it wasn't real. They're playing house in an attempt to feel normal - in a greenhouse (a fragile structure, not a real home), eating strawberries (a treat more than real sustenance), like children...hey, maybe I'm wrong and the writers DID intend to do that, bc that's some choice visual metaphors. And they're playing roles: all their normal antagonism - what made them so fun and sparky in previous seasons, and even during the earlier part of their adventure! - disappears. Lila is a chameleon, taking on a character is her happy place - and this was how Five kept himself going, last time he was in this situation, so he's slipping back into that method of survival (although he's not as good as she is at separating reality from fiction). So while all that is totally understandable, it's insubstantial. If Five had the space to do some self-reflection, or if one of his more rational siblings (Luther maybe, or...um...or a friend, if he can make one...or maybe that dude in the Losers Department at the CIA...) sat down with him and explained that you need to treat a partner as an equal, maybe he could do better next time - or double down and keep being an asshole, that's also a strong possibility.

idk - I still don't honestly think the show intended it that way, unfortunately. I think they shoehorned the characters into the scenes they wanted, regardless of sense or even plot requirement. There are a LOT of badly-explained or badly-thought out moments in this season, and this whole mess just adds to the incoherency. Or maybe it's just a consequence of TV - you get multiple creative people involved, and the reasoning gets muddied, especially over time. Maybe it was SB's intention from the start, but he didn't inform the actors until the final season, so they've been playing it straight.

This show has an...interesting tendency to do something that you think is totally unacceptable and just gloss over it at the time, and then address it next season (like Luther apologising to Viktor), as if the writers all brought it up in their respective therapy sessions during the break, and worked through the issues - so maybe if they'd had another season, they would have gone into all that. Maybe. But we're clearly not going to get that, and they're all gone from existence so I can't headcanon that in this universe, they eventually sort it out. So I'm putting it down to one thing:

Break out the dodgy facial hair (I see you're ahead of me, Five) and let's get kicking babies!

[ryujenini]

hi author can u write ryu x karina smut?

Kinktober Day 30 (🔞)

Ryujin × Karina - Bestie

In hindsight Karina should've probably knocked but Ryujin knew that she was coming over today so the thought didn't really cross her mind, Yeji had let her in and said the Ryujin was in her room so Karina went off to find her best friend, opening the door to her dorm room and the sight that met her had her drooling

Ryujin was sat there in nothing but a pair of boxers sorting through clothes on her bed and Karina couldn't tear her eyes away staring at the way Ryujin's tits jiggled as she threw something into the pile the was accumulating on the floor

Karina was still frozen when Ryujin looked up and finally noticed her, not even bothering to cover herself when she saw the brunette oggling her body, Ryujin just smirked slightly before saying "oh hi rina, I'm just sorting through my clothes to see what I don't want anymore, you wanna help" , in Karina's state right now she had lost the filter from her brain to her mouth and ended up saying " may as well throw them all out when you look like that without them" only realising she'd said that out loud when she heard Ryujin's laugh who then beckoned her over to come and sit next to her on the bed

Karina shuffled towards the blonde, sitting down and once again not being able to look away from her chest, now up close Karina could see the way Ryujin's nipples poked out hardened due to the cold air and Karina wished to know how they'd feel in her mouth

This whole time Ryujin had been talking and Karina hadn't heard a single word too enamoured by her thoughts of what she wanted to do to the beautiful blonde in front of her, Ryujin cleared her throat trying to get her attention but it failed so Ryujin turned to Karina, softly grabbing her chin lifting her face up to make eye contact "Eyes up here Rina" Ryujin let out finding this whole situation very amusing

Karina shook her head finally coming back to the real world "oh um yeah sorry I got a bit um....distracted, what were you saying " she let out timidly and started blushing

Ryujin just smiled,  put her hand on Karina's knee and repeated herself " I said Yknow you can touch them if you want" this made Karina's eyes go wide only being able to let out a "huh" before Ryujin had lifting Karina's hand placing it on her right boob, seeing Karina lick her lips in response before looking at Ryujin again as if asking for further permission when she noticed Ryujin staring at her lips and leaning closer, Karina doing the same until hot lips were on her own

As they were making out Karina remembered where her had was and began tweaking at Ryujin's nipple pulling the hard bud between her fingers and swallowing the whine Ryujin had released into her mouth

They pulled apart to catch their breath, foreheads against eachother as Ryujin let out a breathless "fuck" and Karina pecked her lips before moving down kissing along Ryujin's collarbone trailing her tongue along the soft skin until she was living out her previous fantasy taking Ryujin's sensitive nipple into her mouth sucking harshly and letting go with a pop as Ryujin started moving her hips, her wetness growing every second until she had to beg

"Rina please,  I need you, please fuck me" upon hearing this the brunette felt like she was dreaming watching as her best friend pulled down her boxers revealing the glistening lips she'd dreamt about every night for months,  and Karina didn't need asking twice wasting no time diving into Ryujin's delicious pussy, lapping up her wetness that seemed to never end before worshipping the blondes now throbbing clit, taking the bundle of nerves into her mouth, sucking and lick like she was ravenous and would never get the chance to devour the girl ever again, feeling honoured to have been chosen

Due to Karina's new found skill Ryujin's didn't last very long, she quickly came crashing into her high, having the best orgasm she'd ever had

They lay there, Karina's head on Ryujin's still bare chest just soaking in the silence of the moment , that was until Yeji came knocking on the door "sorry to interrupt your "bestie" time or whatever but Ryujin our managers just let me know we need to be at the studio in an hour so get ready "

Ryujin sighed not wanting to leave and just stay like this forever, she pulled Karina closer reply with a quick "okay" to Yeji and placing a kiss to Karina's forehead before they both sat up Ryujin saying "yeah we should probably talk about the whole "bestie" thing now because that was just ....wow" this making Karina laugh before hugging Ryujin once again settling into her neck and whispering "I love you Ryu" making Ryujin reciprocate her actions gently stroking through Karina's hair and replying "I never thought this day would come but I love you too, I think I always have" and with that they shared one last passionate kiss before Ryujin had to get ready to leave

As Ryujin walked Karina to the door to leaver they kissed goodbye and heard Yuna and Yeji bickering in the background "See I told you Yuna, cough up, you owe me, I won the bet" making Yuna pout and shout out to Ryujin and Karina "WHY couldn't you two have kept it in your pants for 2 more months, Now I have to buy her food for a month" the younger girl let out with an eye roll making the 2 girls at the door laugh before Karina left promising to come back later that night , which turned into every night

[krispycreamcake]

Hello! I want to request a fluff headcanon of the Sakamaki! I want to see how they will act if their s/o missed her hometown and family, like they had the chance to meet their family not like Yui who has any idea where she is from and who are her family. Thank u so much for reading and doing my request! <3

Sakamakis reacting to a homesick s/o

Shu Sakamaki

🎻- You see the thing with Shu is, he's been through so much and lived for so long that it's hard to care

🎻- I'm not saying he doesn't want what's best for you and all and that he doesn't love you, but he's not fond of the idea of you leaving him to visit your family

🎻- The actuality of it is, it's just too bothersome for him and it's too bothersome for you to not be by his side

🎻- But as we all know, these vampiric brothers never actually show their true feelings

🎻- Suddenly you reuniting with them doesn't sound half bad when he hears you quietly crying or zoning out during conversations

🎻- Obviously he'll just say it's annoying for him to have you be this distracted when he's drinking your blood

🎻- But like I said, he just wants to see you happy and knowing that he's the one that's stopping you from being happy, it breaks his unbeating heart

🎻- He'll try to avoid visiting them of course, maybe try taking your mind off of it by going on dates more often

🎻- Hell, he'll even play you the violin to help you sleep better at night

🎻- "God will you quit crying already? You humans are so noisy and you're disturbing my sleep. I already booked the tickets so start thinking of ways to show your eternal greatness."

🎻- If you put that into Google Translate, you should get something like this: "Please stop crying, I can't sleep knowing you're in so much pain"

Reiji Sakamaki

☕- Reiji isn't unknown to how humans work

☕- Honestly it was just a matter of time before you started feeling not quite at home

☕- The truth is, he's been postponing this overdue conversation. In his mind, he'd preferably want you with him and only with him until the ends of time

☕- But being a man of logic and reasoning, get understands that it might sound unfair to ask that of you

☕- When you first brought up the idea, he was taken aback a bit

☕- He didn't know what he was supposed to say because he was very adamant on not letting you go

☕- Similar to Shu, he only wants what's best for you and while it doesn't take much convincing from your end, he's still not pleased with the decision he's made

☕- He'll briefly think about it, knowing his words will never convey the melody of his heart

☕- The reason he's so sensitive about this is simply because of his insecurities and inferiority complex

☕- Sure he was your boyfriend, but could he really beat the safety and comfort and love that these people held for you? How could he compete?

☕- Nonetheless, this is where I'd say his growth comes in. This is where he's able to put his feelings and thoughts aside for the person he loves and once you're back, he knows he'll treat you like there's no tomorrow

Ayato Sakamaki

🏀- Ayato is a man (boy) that is almost always constantly reliant on his feelings to decide how to go about a situation

🏀- This doesn't mean he's devoid of making logical decisions, it just means he chooses not to

🏀- So one could probably imagine his reaction when you first told him you wanted to visit your family because you were homesick

🏀- He was not very pleased to say the least and he made that abundantly clear. But it doesn't mean he wasn't mulling over the idea a million times

🏀- His thoughts often drift when he's thinking and sometimes, that aids him in making well thought out choices

🏀- After your little scuffle and it was time to go to sleep, he noticed you were still tense over the whole situation

🏀- Usually he loves sleeping next to you, your bodies flushed together, but he realizes that this might not be the best time

🏀- Seeing you upset like that and going to sleep without a word, he couldn't stand it

🏀- All you wanted to do was visit your hometown and here he was being all in his feelings like a kid

🏀- He eventually climbed in bed with you and relished in your body warmth since he never had any himself

🏀- He thought about how great life became once you entered it, but did you think the same about him?

🏀- He tucked your hair behind your ears before whispering that he'd be coming with you on your trip

Laito Sakamaki

🃏- Unlike the rest of his brothers, Laito is thrilled

🃏- You may be surprised at first due to how incessant he is about the whole thing

🃏- But to Laito, it's as clear as ever

🃏- He'll be accompanying you in this trip

🃏- Why you may ask?

🃏- He gets to be miles and miles away from his brothers and gets to spend some actual alone time with you

🃏- Other than the obvious hanky panky, Laito is a very cultured man and would genuinely enjoy seeing how the culture is like where you live

🃏- If he's been to that corner of the world before, he can't wait to see what they've done with the place

🃏- Human culture itself doesn't necessarily excite him, but seeing how your living conditions would've impacted the person you are today, that he can get behind

🃏- He obviously doesn't want you to be sad, but the only way you're going on that trip is if he comes

🃏- He genuinely can't wait and is counting down the days

🃏- There is a slight tiny condition however

🃏- You aren't allowed to come into contact with anyone you know, not even family

🃏- Laito's never had anything long term before and while it's nothing against you, he doesn't think he's quite ready to involve himself with your parents and old friends

🃏- He's honestly never had to cross that bridge before, and to him, it's a huge bridge

🃏- Still, he promises to make your trip fun as compensation and he never quite disappoints in that criteria

🃏- Of course he wants you to know he supports you and cares about you, but he also wants you to know he's just not ready to let you go, even if it's for a week or so

🃏- So expect him to get super sappy at times

Kanato Sakamaki

🧸- Well uhh

🧸-he cares about you in his own way for sure

🧸- Honestly when it comes to the idea that you don't want to be near him for an extended period of time, he's probably the most possessive of all his brothers

🧸- Eventually with time, your relationship will grow and his insecurities will fade away, just not completely

🧸- Similar to Shu, he'll need to know, or rather, see, that this is something you really want

🧸- Kanato cherishes every moment with you so you have to at least understand how big of a request this is for him

🧸- However, once he notices you aren't acting like yourself and you're a bit reserved, he'll soon start to realize that he's putting you through the kind of pain he doesn't like

🧸- This type of pain isn't pleasurable for either of you, and if anything, it reminds him of how his mom would lock him away in the dungeon, snatching his freedom from him

🧸- He doesn't want that for you, ever

🧸- So while he may not be completely supportive of this trip and there'd be a couple of rough waters to get through at first, eventually he'll plan am unexpected trip for you as if that was his intention this entire time

🧸- Obviously he's coming with you, and as a safety measure, you aren't to ever leave his side no matter what

Subaru Sakamaki

🥀- See, Subaru's a nice guy (nice enough anyways)

🥀- When he hears that you're feeling homesick, he completely understood since humans are fragile and emotional

🥀- Like Laito, he thinks it'd be a great idea to get away for a while

🥀- He'd have to think about it first

🥀- And since you guys are going on a trip together, he expects his bratty brothers to want to come along (they just love their little brother)

🥀- Obviously this depends on if you even want to be accompanied by the rest of the family

🥀- I lied. There's no escaping it.

🥀- As much as Subaru is rude and loud, they're his brothers and there's no getting through to them (aka the triplets)

🥀- And if the triplets are coming, we all know that means Reiji needs to accompany you all to make sure they don't wage war against the humans

🥀- And if Reiji's going, he's sure as hell NOT leaving Shu home alone

🥀- Nonetheless, Subaru's secretly glad you all came to visit your hometown as a family

🥀- It honestly just cements the fact that your place is next to him and you belong as a Sakamaki

🥀- Oh yeah, and expect a loooot of teasing from his brothers