#i want to keep it aziraphale-related probably

[neonvqmpire]

we need to talk about how close aziraphale actually was to saying no to the metatron after the kiss and why:

he's extremely conflicted and keeps looking out of the window to crowley in the car.

he previously said "nothing last forever" when crowley told him that he cant leave the bookshop (crowley also meant "you cant leave me"; the bookshop is a metaphor for their lives on earth for him) and he states exactly this as the first objection here. obviously the metatron shuts it down by appointing muriel as the next owner of the shop.

now he's stuck between wanting to be with the being he loves & who he now knows loves him back and his deep inner need/duty to do good. crowley's confession and kiss clearly made him question his decision and change his mind because here is when he actually decides for both.

you can see how he does not want to join heaven alone. he keeps looking out the window when asked if he needs anything to take with him.

he desperately needs crowley there but he can not have him so he lies and says no.

i this moment he tries to say no to heaven one last time. he starts saying "i think i-" and then looks out to crowley one last time. he's really considering crowleys offer here. i think the decision that he makes instead is actually FOR crowley as well.

he decides to join heaven not as he was previously convinced by the metatron to do good and rule together with crowley (which he did not want to do) but instead to go and keep a close eye on heaven FOR crowley.

aziraphale isnt stupid, he remembers what crowley said about heaven being toxic.

i think the confession and kiss makes him question heaven. crowley, who fell for asking questions made aziraphale question heaven too. something that he was always too scared to do. he has started to rebel in his head. he realised that something has to be up with heaven/the metatron bc they offered him the position. he decided to go but with a completely different purpose than before. 

he puts on a smile and it seems fake because it is. he wants to appear like he hasn't just fundamentally changed his position and decided to go against the one force who he was always afraid of yet dependent on. 

this is sth extremely relatable to someone who is queer and autistic and was raised by very conservative family members. even the thought of supporting queer people felt rebellious, terrifying but also extremely exiting and powerful because i knew it was the right thing to believe. 

aziraphale was being so brave here. he saw a glimpse of the life he wants and can have and choose to join heaven anyway to fight for this life. he is convinced it will not be possible for them to be together if heaven is still kicking about and making him feel powerless and scared. he wants to secure their future by changing or possibly even destroying the system from the inside out. 

unfortunately he didn't have time to tell crowley about his change of intention and i think it really breaks his heart. crowley would probably not understand it anyway. they still have a lot to work through and learn but ultimately they will find each other again. they always do.

i am so so interested to see where and how they meet again in s3, if we get it. after everything i just really want them to be happy and to spend their eternity together. they deserve it after all they went through.

[actual-changeling]

Welcome back to Alex's unhinged meta corner, and today I have something surprisingly not kiss-related—though it is still about the final fifteen because hey, gotta keep the brand image.

I read this post by @goodoldfashionednightingale and began typing a small response. Then I made the mistake of drinking half a litre of coffee on an empty stomach right after taking my adhd meds and my brain began vibrating at the speed of light.

But oh, have I discovered parallels. This, my friends, is about the nightingale, where it comes from, what it means, and what the fuck happened in part 3 of 1941.

Ready? Let's go.

Now, as OP said in her post, s1e3 is important. In the script book, Neil himself says that these flashbacks are where the producers would tell him to cut scenes to save money. They suggested every single one—except for the one he ended up taking out, which was the bookshop opening scene set in 1800. The others are building blocks, you need them to see how their relationship progressed and what kind of important milestones they had.

(side note: author is very miffed that english does not have a separate subjunctive form like german which makes quoting lines way more confusing than it has to be)

The one I want to mention is neither 1941 nor 1967. No, what I want to talk about is 1601. This might be about to get a bit rambly but I will do my best to keep it tidy.

The focus of that flashback is on the Arrangement, yes, but it gives us a lot more information than that.

they both see Shakespeare's plays regularly, maybe even meet in the crowd

Crowley prefers the comedies

Aziraphale does not seem to have a preference, he enjoys the tragedies and presumably the comedies too

there is an oyster woman selling food -> reference to their meeting in Rome when Aziraphale tempted him to try some oysters

Aziraphale reflexively denies their relationship

Crowley might say he is not worried but circles Aziraphale the entire time, keeping watch

they both ask favours of each other and both agree to do them

What stands out to me in relation to what I am about to expand on is the line that Crowley delivers after Aziraphale's little 'buck up'—which Crowley finds adorable btw but that's a post for another time.

"Age does not wither nor custom stale his infinite variety."

Why would he say that? What exactly is prompting this? WHY say that specific line?

At first I thought it might be to tempt Shakespeare because he does commit art theft by just copying that line down, BUT I think there is more to that. So much more, in fact. I am wiggling now because I am very excited about this and my adhd meds are kicking in anyway.

First things first: the line itself.

It appears in Shakespeare's play Antony and Cleopatra, a romantic tragedy, which was first performed in 1607 aka six years after this meeting. Enobarbus is talking about Cleopatra and describing why Antony won't leave her. Her.

Ccrowley uses his—again, who is he even talking about? Hamlet? Shakespeare? Random poetic quote?

No, I think this line is about Aziraphale and it's a code. Right after, the next line from Aziraphale is "What do you want?", meaning that this is their code phrase for 'I have a favour to ask of you'.

Age does not wither nor custom stale his infinite variety

Age will not affect his appearance nor will he ever become boring to Antony. Crowley, who later chooses the name Anthony for himself, tells Aziraphale, an immortal, that he will never age and that he will never grow bored of him.

It's flattery, pure and simple, and it's code at the same time. This establishes the important fact that they might use more of Shakespeare's work as code/already have a system in place (even though he steals Crowley's line for later).

They play their little morality game of back and forth, Aziraphale agrees, Crowley probably manipulates the coin toss, and THEN we find out that the oyster woman is called Juliet.

Why? What is the meaning of that? Why give her a name and that name in particular? Why bring the sexy oysters back into it?

Romeo and Juliet premiered in 1597, so it is safe to assume they have both seen it by 1601, but this is mostly for the audience, not for us-or is it?

Aziraphale gives Crowley puppy eyes until he agrees to make Hamlet popular, and while I don't think Juliet itself is a code word, although it's very interesting that the OYSTER woman is the one with that name (especially adding what we now know about Job), Romeo and Juliet might be.

Yes, the Nightingale song came out in 1940 but the bird has been around for much, much longer, and, as many probably know by now, also shows up in Romeo and Juliet.

This is where I am starting to vibrate at the speed of light because listen to me. Listen.

Crowley is Juliet. Anthony J. Crowley. Antony Juliet Crowley.

(side note: I'm not saying that Crowley chose it based on that—though I am not not saying that—but that it is a clue for us at the audience.)

Why do I think that? In the play, Romeo spends the night with Juliet and then goes to leave as the night begins to end. Juliet tries to stop him and tells him that the birds they are hearing aren't larks, which sing at dawn, but nightingales, which sing at night.

Who is the one always pushing for more? Crowley. He is the one trying to convince Aziraphale it's safe, they're safe to spend time together.

Romeo disagrees with Juliet and says 'I must be gone and live, or stay and die'.

Leave and stay alive, or stay and hell/heaven will punish us. It gets even better though.

We all know how Romeo and Juliet ends: Romeo thinks Juliet is dead, kills himself, Juliet finds him and then kills herself too.

Hey, do you know how Antony and Cleopatra ends?

Antony thinks Cleopatra is dead, kills himself and dies in her arms, then Cleopatra also kills herself—by snake poison; Romeo also died by poison.

The parallels are THERE. They are jumping down our throats! Two tragedies, two sides, several familiar names and phrases, same fear, same ending.

I think by now you can guess how this ties back to 1941.

We do not see how that night ends, but we know it ends. One of them wants to stretch it out, maybe even quotes Romeo and Juliet because look at the setting!

Candlelight, wonderful night they spend together, the threat of Crowley's early demise, and, to quote the play once more, this time Romeo: I have more care to stay than will to go.

Crowley thought it was his last night on earth and went with Aziraphale to his bookshop, to be with him, because he cares more about that than the fact that he will be dragged to hell come morning. Do you remember?

"Expect a legion to come for you first thing tomorrow" THAT is the threat. They have until dawn, just like Romeo and Juliet, which is why she is so desperate for the birds to be nightingales. Fortunately for them, Aziraphale saves the day, BUT there is NO SECURITY. They do not KNOW if a legion will still show up or not. If dawn is a deadline and they will need to fight.

Sure, they improved their chances, but who knows? Maybe they will come for him anyway, it's not like hell is all fair and square.

The best part: it gets even better.

Juliet eventually panics and tells him to go, and Romeo drops a line that huh, sounds oddly familiar, doesn't it?

'More light and light, more dark and dark our woes!'

Remind me, what does Aziraphale say again? Ah, yes. Perhaps there is something to be said for shades of grey.

There is more. Yes, even more. We know the whole rescue relies on a magic trick, a switch. Guess what Juliet yearns for while telling Romeo to go save himself?

Oh, now I would they had changed voices too. While they did not for Romeo and Juliet—they kiss and part—they did for our two. One fabulous switch and we're good.

(side note: Toads? Associated with hell. Larks? Associated with the dawn, yes, but also heaven since Romeo says 'Nor that is not the lark, whose notes do beat the vaulty heaven so high above our heads.')

So, this was a whole lot of information, let's see if I can summarize my thoughts.

I believe the nightingale is a code word that has existed even before 1941 and gained a lot of importance over the years. In 1941, the song is added to the meaning and whatever happened between the two that we have not seen yet, it fundamentally changed their relationship. Maybe they kissed, maybe one of them tried to convince the other to prolong the night but they parted on not-great terms.

The nightingale and the song become a symbol of hope, a goal to achieve, another uninterrupted night, maybe, or an uninterrupted life.

When they part in the final fifteen, it's morning. Crowley points at the sky and says "no nightingales", which at that point has several different layers to it.

No nightingales because their night is over, just like with Romeo and Juliet, and please, please allow me to add another detail, because I am frothing at the mouth over this. The scene I quoted, known as balcony scene, do you know what it is preceded by?

A ball.

Star-crossed lovers defying their sides, falling in love at a ball, getting a hurried, wonderful night together but torn apart by danger of punishment, the nightingale as a dream, as a wish for unhurried time together. Family rejection, torn apart by parents, willing to die for each other so they can reunite in death.

No nightingales. The ball, the romance, is over, their dancing is over, heaven is tearing them apart, and Aziraphale returns to heaven while they are both stuck in a pit of misunderstanding and miscommunication, all bound together by fear for each other.

The thing is, Crowley hates tragedies, he never liked the "gloomy ones", and he does not want them to end in one—luckily, this isn't the end. Yes, they kiss and part, but the play keeps going. We have an entire act 3 to fix what Romeo and Juliet couldn't, to ensure that this is a COMEDY, not a tragedy.

Both Antony & Cleopatra and Romeo & Juliet died out of fear, hurried into making bad decisions because they knew what would happen if their sides were to catch up with them.

Crowley and Aziraphale can reunite heaven and hell with love, not death. This is THEIR story and they are writing the ending. No more day and night, no more deadlines, no more hiding and sneaking about, no more fear of larks and sunshine.

Good Omens will end the way it began: In a garden with two no-longer-star-crossed lovers embracing the song of a lark as well as that of the nightingale.

I hope this made sense to everyone who was no present while my mind started to vibrate itself into a puddle because the thing is I can see Neil doing all of this completely on purpose.

Thoughts? Questions? Additions? Come and join me in my insanity and until next time I have a mental breakdown over this show (probably in like two hours).

[ineffable-suffering]

Re: "You go too fast for me, Crowley", because I think I finally figured out the real meaning behind that line

Naturally, this line of all lines, the most line of them all, is constantly circling around my rotten brain like a moth around a flame.

In addition, though, there's always been another Good Omen's line/exchange that has kept bothering me again lately. And literally until just about five minutes ago, I had never thought of relating them back to each other.

Now, five minutes later, I have and I think I just ... figured it out.

In case you were wondering: The second line that wouldn't leave my head is what Aziraphale says to Crowley during their clandestine meeting at St. James' Park in 1862 when Crowley asks him for Holy Water:

A: "I'm not bringing you a suicide pill, Crowley!"

And here's what bugs me about this: Why did Aziraphale, without a breath of hesitation, immediately assume Crowley wanted the Holy Water to commit suicide if things ever went wrong?

That's ... such a dark assumption to make. Especially because that is absolutely not what Crowley wanted it for, as he literally says himself:

C: "That's not what I want it for, just insurance."

And what does Aziraphale reply?

A: "I'm not an idiot, Crowley!"

Because he firmly, firmly believes that Crowley is asking him to bring him the Holy Water as a foolproof method of taking his own life in case Heaven and Hell ever find out about them.

To this day, that conversation gives me chills whenever I think about it. We so rarely get see what genuine emotions and thoughts for and about Crowley Aziraphale keeps neatly tucked away behind that tightly buttoned waistcoat of his. This moment in 1862 is one of the very rare ones where his façade slips a little – and the peak we get isn't a fun one. It's a very dark, scared and vulnerable one.

What am I on about and how does this all relate to the infamous "You go too fast for me, Crowley"-line? Let's look at it under the cut.

(Word count: 2560 | Reading time: ~10 min. | TW: mentions of suicide)

Like I mentioned up above, it always struck me to my core that Aziraphale very clearly immediately assumes Crowley wants the Holy Water for possible suicide. Not only is that a very dark and upsetting thought, it also poses the question: Why? Why is that the first place Aziraphale's mind goes to?

Crowley says at the very beginning of their conversation:

C: "We have a lot in common, you and me."

He's definitely referring to their (very mutual) relationship Arrangement and the fact that they both find themselves kept apart and watched by their respective head offices, not allowing them to ever misstep and give themselves away.

After bickering around a little like they do, Crowley asks his favour – and he makes it very clear in a quiet and serious voice that:

C: "This is something else. [...] For if it all goes wrong."

He's not just talking about Heaven or Hell finding out about some silly frivolous miracles, no. He's talking about them finding out about their Arrangement, their relationship. The worst of all worst case scenarios.

So bad, in fact, that he doesn't even ask his favour out loud but instead decided to write it down.

Aziraphale's reaction is ... severe.

We immediately see his face drop as, he too, realizes that this is all of a sudden a very serious conversation indeed. And he immediately and vigorously denies Crowley's request because he thinks it to be one for a suicide pill.

To understand how he could arrive at that lightning-quick (and also wrong) conclusion, we have to try and understand how Aziraphale sees Crowley and the threat that the angel himself as well as their relationship poses to Crowley.

Crowley can, at times, be a very self-deprecating and cynical character. He's without a doubt carrying a lot of trauma and unspoken fears and emotions with him at all times. Aziraphale at this point in their relationship probably has a good notion of what those are – but he doesn't know the whole depth of it because they've never been able to speak freely enough and Crowley has seemingly decided to keep many-a things to himself, still. They both tread the waters of plausible deniability very well.

So, to jump to the conclusion of Crowley entertaining suicidal thoughts in the face of unavoidable danger is ... quite a violent jump. And remember: "[...] underneath it all, Crowley was an optimist. If there was one rock-hard certainty that had sustained him through the bad times then it was utter surety that the universe would look after him."

So, what is it that Aziraphale does know that would drive him to such a drastic conclusion when, in reality, secret optimist Crowley only ever wanted the Holy Water to protect himself against Hell to come out safe on the other end of things?

2500 BC, Land of Uz: A: "That [going along with Heaven/Hell as far as you can] sounds, um ..." C: "Lonely? Yeah." A: "But you said it wasn‘t." C: "I‘m a demon. I lied."

After Crowley helps Aziraphale out in Edinburgh in 1827, Crowley is immediately sucked back down to Hell We don't know what exactly happened after that or just how long Crowley was gone. We also don't know if Crowley ever told Aziraphale what happened, once he returned. What we and Aziraphale do know, is that Crowley ends up asking him for Holy Water, out of the blue, only a couple of decades later.

1601, The Globe: A: "But if Hell finds out [about the Arrangement], they won't just be angry. They'll destroy you." (additionally, later in time, C: "My lot does not send rude notes.")

Ergo: It's very clear that Aziraphale seems to have put two and two together with his own angel math by what he has a) witnessed himself and b) what Crowley has said himself which equals: In going against Hell, Crowley has felt incredibly lonely before he had Aziraphale by his side and if Heaven and Hell were to ever find out about them, Hell's punishment would be a whole lot worse than Heaven's.

He thinks Hell would destroy Crowley.

So when Crowley, who so rarely says how he really feels and one of the few times he did, told Aziraphale he was lonely, says he wants the Holy Water, the immediate conclusion Aziraphale comes to is: He wants it as an emergency exit. In case things go pear-shaped. He wants it to escape whatever dreadful punishment Hell would have in stock for such a lonely traitor. He wants it as a suicide pill.

For Aziraphale to not even entertain the thought or believe that Crowley does indeed only want the Holy Water as a means of self-defense is, again, absolutely heartbreaking. Because it tells us a thing or two just how scared and desperate Aziraphale thinks Crowley to be. Something along the lines of: "If I myself am already so immensely terrified of Hell's punishment for Crowley, how terrified must Crowley be."

I think a whole lot of this is also very, very strong projection and shows us how Aziraphale himself feels about all of it. How scared he is for himself and Crowley. Of what would be done to them.

A: „Out of the question! Do you know what trouble I'd be in if they knew I‘d been ... fraternizing?“

He knows they would both suffer immense consequences and that Crowley‘s still would be worse. If anything, in a dark and twisted way, it shows that Aziraphale himself has definitely entertained the idea of suicide as a concept, at least. Maybe not for himself or Crowley, yet, but remember, he‘s awfully fond of Shakespeare‘s Hamlet.

A: „To be or not to be? Buck up, Hamlet!“

Yeah, buck up indeed. (By the way, there's a great meta by @greenthena on why Aziraphale likes Hamlet so much that kind of plays into my point a little. You can read it here).

And again, who knows what Aziraphale might have actually witnessed of Hell's cruel ways already in the past (Edinburgh of 1827, or at other times) that made him arrive at the conclusion that, ultimately, suicide would be the less painful choice for Crowley when faced with Hell's consequence for their relationship.

I told you this was gonna take a bit of a darker turn. So, here we are. At the turn. It doesn't get much lighter from here on out, I'm afraid.

Because all of this gives "You go too fast for me, Crowley" a whole new devastating meaning.

Personally, I always found it a teensy bit difficult to relate that line back to Aziraphale implying that Crowley was trying to push their relationship a little too fast for him.

Deducing that as the meaning of "You goo to fast for me" after we were shown in the montage of S1E3 that Aziraphale, from circa 1941 on, was undoubtedly fully aware of just how madly in love he was with Crowley, has always felt odd to me. And it continued to feel even odder after we got the whole story of 1941 in S2.

Because if that minisode showed us anything, it's that if you let Aziraphale take over the metaphorical wheel for about five minutes, "too fast" doesn't even match the astronomical speed with which he crashes head first into 15th base. Forget the hand holding and kissing, let's go straight to you shooting me on the first date I planned for us!

And they say romance is dead.

Now look, of course, Aziraphale is still keeping most of his romantic feelings and longing bottled up out of fear that Heaven and Hell could find out about them and have Crowley destroyed. We've established that this very big fear of his is the driving factor behind him never trying to overstep that invisible line.

But still, those feelings? They're there. Oh, Hell, they are t-h-e-r-e.

Our angel is a master of self-delusion but not even he is holy enough to deny the fact that, if he could, he'd want nothing more than to lock that demon down and elope together into their happily-ever-after.

So, when Aziraphale finally budges and hands over the Holy Water to Crowley in 1967, I've always had a hard time believing that that line coming from Mr. "I guess there's something to be said for shades of grey" himself actually meant: "I'm not ready yet, you want to go faster than I do."

Because really, apart from trying to convince Aziraphale of the Arrangement and rescuing him from every silly, coincidental predicament the angel has gotten himself into over the millennia, what exactly is it that Crowley did here to "go too fast"? Hell, he's been at it at the pace of a snail ever since, very well knowing that Aziraphale would take a lot of gentle nudging and lunch temptations invitations to agree with the Arrangement.

All Crowley does in that moment in the car is offer Aziraphale a lift, anywhere he wants to go. And yes, that is code their little dance, that is how he shows his love for Aziraphale. But Aziraphale has never before deemed that an issue or seen it as a too-fast progression of their relationship. He even suggests another date himself two seconds later, saying:

A: "Perhaps we could go for a picknick one day. Dine at the Ritz."

So, what, one sentence later he suddenly wants to hit the breaks again? After he literally looked like this the last time Crowley drove (literally way too fast) through burning London?

Nah, I'm not buying it.

Instead, here's what I think Aziraphale really means with this line that changed us all (and I'm sorry, but I'm about to one-up the sadness of the 1862 meeting):

I think Aziraphale is referring to what he thinks is the reason Crowley wants the Holy Water for.

Suicide.

And boy-fucking-howdy, does that change the game.

Because if we assume that Aziraphale, all throughout the one-century-long Holy Water standoff, thought Crowley wanted it as a quick, ahem, Escape From Everything, what I think Aziraphale really means with "You go too fast for me" is this:

To him, Crowley is asking the most cruel deed of him to bring him the one thing that could take Crowley away from Aziraphale for good. For ever. In case things go pear shaped. In case Hell finds out about them and comes after Crowley.

To Aziraphale, Crowley is asking him to load the bullet into his gun for the time it won't be a trick. So he can escape before Hell gets to him.

More devestatingly, I think Aziraphale even understands where that notion comes from. Aziraphale knows how dangerous their relationship is. And Hell does not send rude notes. So, I think after pondering on it for a good millennia, part of him has come to understand why Crowley would want an emergency exit.

Which is absolutely fucking heartbreaking.

Especially because that's not even what Crowley was thinking when he made his request. He truly only wanted it as a defense. But Aziraphale doesn't believe or fully realize that. Aziraphale believes the Holy Water is a suicide pill and to some extent even understands why Crowley might want that.

And yet, despite (wrongly, but well) understanding Crowley's intentions, Aziraphale is still deeply upset and terrified at the thought of Crowley taking his own life should they ever get caught. Which explains his extreme reaction all the way back at their clandestine meeting at St. James' Park.

Aziraphale assuming Crowley's way out of the most pear-shaped situation of them all would be suicide also means that Aziraphale would be the one who'd be ... well, left behind.

He recognises that choosing death over possible eternal punishment is maybe somewhat of an understandable choice. And yet, it's a choice that, to him, Crowley has made without him. Seemingly way before their first talk about it.

Aziraphale thinks Crowley seems to have made up his mind about his escape plan without him in it.

He thinks that if they were caught, Crowley would want some Holy Water around to quickly chug before he would be at Hell's mercy and that would be it.

Crowley would, for the first time ever, really leave. Not just for Alpha Centauri. But actually leave. Escape and run away to a point of no return. For good. Without Aziraphale. To a place where Aziraphale couldn't follow him, no matter how fast he tried to run himself.

It goes a little something like:

"If they found out about us, you would choose to go where I couldn't follow. And you're asking me to pave the road for you to walk there. Without me ever being able to get a say in walking alongside you. You want to go to places where I could never join you. You'd run away without me and I understand why but you didn't even give me a chance to catch up. You go too fast for me, Crowley."

F*ck, man. I think I need to lie down.

Y'know what else that gives new meaning to?

Alright, that's it, I'm out. Enough sad meta-ing for the day. See you all around once I've stopped slipping further into the void, folks. :')

[shadesofecclescakes]

Are you a big fanfic reader? What have you read lately and what's been your favourite fic so far?

Oh mannnnnnnnn. Why don't you ask me to pick a favourite child while you're at it???

Just kidding. I don't have kids. But I assume having to pick a favourite would be hard if I did.

So, am I a big fanfic reader? YES. And what haven't I read lately? We are lucky enough to have so many talented writers in this fandom that it's possible to subscribe to numerous multi-chapter fics to the point where you're just constantly getting update emails. Which I do. It's great. It gives me something to do at work aside from, y'know, work.

*Me at work being smug about being paid to read porn* (Also I just wanted to look at this gif)

So what is currently on my endless update list? Coming up after the cut!

I am an absolute whore for human AU, so if you like that then you will probably like:

The Cure for a Broken Heart by @rofell

a medical student AU based in the Canadian medical system (I'm a Canadian so I was pretty excited about that). It manages to tackle the continued systemic discrimination of Indigenous people in our medical system (and in general), homophobia and the ensuing trauma from those things all while also being informative, funny, sweet, romantic and hot af. Like. It's so good.

Free by @maaikeatthefullmoon

This is another one with with a heavy topic that also does a great job of making sure to break it up with some excellent fluff, hurt/comfort and humorous moments. And it's handled with the sensitivity and thoughtfulness necessary to write something that takes place in a mental health ward and deals with some intense situations. Definitely make sure to read those author notes before diving in. They lay it out very thoroughly.

The Sincere Way by @tsyvia48

A martial arts AU. Crowley is a karate sensei and Aziraphale is his student. Slow burn that keeps you on the edge. The screams I have scrumt at my screen over this one. Plus you learn a lot about karate (but it never gets boring or over-explainey. Excellently balanced) which is pretty cool. Mostly light (there is some angst. This is the Good Omens fandom. I think we are all sad, wet chihuahuas at heart). Funny and sweet.

Terminus by @emotional-support-demon-crowley

Plus One by @caedmonfaith

Astronaut AU. Aziraphale is an astronaut who meets his mission controller, Crowley, over the comms system when he finds himself in need of assistance.

Super cool concept and really well-done in my opinion. Like, I don't do any space or physics-related work (ok I straight-up failed math 9) but I find it entirely believable. And it's well-written which is the entire point. Cute, funny slow burn with an intriguing mystery happening in the background.

Aziraphale has family money but a shitty family (except for Muriel! Never Muriel!) and his shitty brother Gabriel is getting married to shitty Michael, an Earl's daughter.

Aziraphale's family disproves of his entire life pretty much and he has been lying to them about having a boyfriend. Now they are expecting him to bring said boyfriend to the wedding. His famous footballer friend sets him up with their mechanic, Crowley.

It starts as a slow-burn but becomes a hilarious, smutty romp that just gets more and more insane. The chapter titles alone have made me cackle out loud.

Some older human AUs I'm a huge fan of include Old Vines by @sevdrag. Crowley owns a vineyard and Aziraphale is a wine critic. It is so amazingly written. It makes me think of the author Joanna Harris (Chocolat, The Five Quarters of the Orange) because it's SO beautifully, vividly descriptive that I end up craaaaaving wine. So have a bottle on hand if you're giving this a read.

Also the love story in this. My god. I devoured it. The story and the (many bottles of) wine.

There is also Loosely Ballroom by marginalia_device and mortifyingideal. It's a Strictly Come Dancing (Dancing with the Stars in North America) AU and it is so. Fucking. Good.

But it comes with a disclaimer. It's unfinished and looks likely to stay that way. But honestly? Still worth it. It's nearly finished (I think) so you have most of the story. And it's just SO good. It's been a while since I read it but it was one of the first human AUs I read and what got me hooked on them.

If you're still with me...nice! Just know that was me holding back and that isn't my entire list by a long shot. If you want more recs, feel free to message me and also share your own!

I just finished Slow Show the actor AU by @mia-ugly and yes please.

Some serious angst, pining and hot hot smut.

There is another long-form multi-chapter actor au I loooved but I can't remember the name for the life of me. Just that the show they were on was basically good omens and that they swapped roles with great success (inspired by the whole Michael thinking Neil wanted him to play Crowley when he wanted Aziraphale thing).

Thanks for the ask! That was really fun!

[twelvemonkeyswere]

I re-read Good Omens via audiobook and I just collected my favorite details

"Crowley rather liked people" is a quote I still love so much. Even though he is a demon with the job of making people upset each other, he likes humans. The contrast between what they make him do and how he experiences Earth.

That scene with the ducks where Crowley almost drowns a duck and Aziraphale is like "I say, my dear" and Crowley is like "Oh yes I forgot myself" and allows the duck to return to the surface. Crowley is usually very polite about the most unhinged things which I just find endearing

All the times Aziraphale calls Crowley "dear boy"

The fact Aziraphale has "exquisitely manicured" hands lmao. I like to think he does go to the manicurist, same as he has a proper barber in the show

Aziraphale blushes sometimes and often gives mean looks to customers to push them out of shop

I like the on-going theme in the Good Omens universe of wanting to build a better world for loved ones, but how that drive, when taken to an extreme, is self destructive. Adam says he'll make the earth good for the Them, and will make sure the Them will be protected and happy in it. But the Them don't want it, they understand Adam is acting out and is not thinking things through. There is no point in trying to possess something and bend it to will forcefully. It wouldn't be good. It wouldn't be of free will. It would make them just another of his whims and no one, either the Them or Adam, actually want that

Aziraphale thinks Crowley is a creature of God when you "get right down to it", which is a thought both meaner and kinder than he realizes

Crowley is described to have "a voice so laid-back you could lay a carpet on it"and it's my most favorite thing ever lmaooo

"You're seducing women here!" /"I think perhaps you got the wrong shop" is always a brilliant line

Even though everything in the Bently turns into Queen's Greatest Hits, I love that Crowley actually loves music, and keeps his collection of records highly organized

Also love the fact that Crowley keeps his apartment orderly, though that's probably in big part because he doesn't really live there

I do appreciate that Crowley sleeps because he wants to, not because he needs to. Truly a relatable guy.

There's a big HOLY SHIT moment in the audiobook - the speech the American evangelist gives about the apocalypse. It's fucking incredible. The actor is amazing, delivering fire and brimstone and absolute hatred and certainty until Aziraphale pops inside of him.

Death really is Azrael, literally the angel of death

Aziraphale comes up with the solution at the end but ONLY because of Crowley, who challenged Aziraphale about the difference between the great plan and ineffable plan at the very beginning of the book

There are many moments where both Crowley and Aziraphale are thought to be a gay couple, but it really made me laugh that they are at the end of the world, telling each other it's been a pleasure to know each other all this time, and then Shadwell interrupts to call them "Nancy Boys"

Everyone in the Good Omens fandom is right, I do love that in the book, the wings of demons and angels are the same color

Crowley thinks the biggest battle will be heaven and hell vs humanity. This has got me thinking a lot. I figure this is because at some point humanity will rebel against any divine intervention, once we figure out that heaven and hell have been playing dice with us. But we'll see.

It does warm my heart that the story begins and ends with a garden and with the eating of the apple - Adam doesn't know why the old man hates people touching his apples so much, but the world would be a lot less interesting if he didn't. It's a fitting end for a fitting beginning.

[time-travelling-chaos]

Aziraphale and autism representation: episode 1

So, I was rewatching Good Omens recently, and I wanted to come back on how Aziraphale is represented as autistic in the show. I especially want to focus on the positive representation here, what makes me happy about it and how I see myself (and other autistic people can see themselves as well) in it. I'm probably going to go way too much into small details here, and end up analysing every scene where he is present (but to be fair, an autistic person is always autistic, whatever they are doing even if it's not always visible). And yeah, I'm probably going to be projecting a tiny bit here.

So, let's start with the first episode here, and especially, let's start at the beginning:

When we first see Aziraphale it is at the moment he meets Crowley and the conversation starts like this:

Crowley: That went down like a lead balloon Aziraphale: Yeah. *Laughs* Sorry what was that? Crowley: I said 'Well that went down like a lead balloon' Aziraphale: Yes, yes, it rather did.

There are two points that I find interesting here, about the way Aziraphale reacts to what Crowley says. He doesn't understand or hear the question right away, but still reacts to it before asking Crowley to repeat. One of the ways I read it is processing issues that often happen with autism. Sometimes, it simply takes time to process or to understand and information that has been given (and it has happened to me so many times, asking someone to repeat something to only realise what they have been saying when they start repeating it). Plus, here Aziraphale doesn't actually seems to realise that he has missed the information right away, it takes him a few seconds to do so. And sure, this can happen to everyone, but it happens more often with neurodivergent people, so it's a nice touch. The good thing about that as well, is the reaction of Crowley. He isn't upset, he simply repeats what he just said, and the conversation keeps going. This way of processing information is shown again later, when Crowley says 'it would be funny if we both got it wrong' and Aziraphale chuckles first (because it is objectively funny here) and only then realises the implications of it. [I'll insist here, but none of that means that Aziraphale is stupid. He is, it has been said over and over, a really intelligent being, I'll come back to it later.]

The second interesting point though is about masking. I'll come back to it later, because it's not the most interesting instance of it, but his first reaction to the question, is to pretend that he understood, to pretend that things are ok, and that he was following the conversation correctly, to not show that he didn't understand. And once again it's something that I do a lot. I miss pieces of information all of the time, because I didn't hear it properly, or wasn't focused or simply didn't understand something. And people get easily annoyed by that, plus it can be exhausting sometimes to ask to repeat all the time, so pretending to have heard something, and continuing like nothing happened is also a thing that I'll do quite often.

Now, one of the most visible things here, is the relation that Aziraphale has with eye contact. He makes eye contact with Crowley, plenty of times. But also (and this one also applies to Crowley to some extent), they spend a lot of the conversation not looking at each other.

And this is something that happens often in the show, when they are discussing, they don't always look at each other. It's more visible when Aziraphale is uncomfortable about something, or when he need time to think about something, he'll simply look away for some time, to give himself some time to rest and think properly.

Now, one of of the things I love about him, is his moral sense, and the way he cares. A common autistic trait is a strong sense of justice, but it means, most of the times, having your own sense of justice. And Aziraphale definitely has his own, that doesn't align with Heaven's one. He gives his flaming sword away to protect humanity, without hesitating a second. He doesn't want to kill anyone, not if he can avoid it. He is a strong character, and a protector and I love him for that.

Another thing about him, that can also be seen in that first scene, is that he has a tendency to overthink things. He clearly spent a lot of time worrying about the consequences of giving his sword away before talking to Crowley. While, that, by itself is not a positive trait, it is on that I love seeing in characters, because it is something that needs to be shown and discussed as well.

Now, the next scene where we see Aziraphale is the sushi scene, which shows a completely different side of him. Here, he is relaxed, and doing something he absolutely loves. I adore this part the way it shows the care he has for small things, the small ritual that he follows before eating, how it is shown that it is part of his habits/routine. It's a place he his familiar with, and that he loves. And the specific way he loves it. He takes time to do so, time to enjoy the smell, to care and love things slowly. And this is something I wish I'd let myself do more. Take the time to do things slowly, to fully appreciate them. And of course, that scene pictures the care and love for familiarity, for sameness, for small rituals, not in a boring way but in a caring and comforting way.

And then Gabriel arrives, and his expression changes, he becomes more nervous. And he stops talking freely. There is here a really nice parallel to make between autism masking and Aziraphale's relationship with Heaven. Autism masking is a way to protect yourself by trying to fit in a neurotypical society. And the way Aziraphale acts in Heaven, or in presence of Gabriel is extremely similar to that. He becomes nervous, and careful of what he is saying. Then we have this discussion

Gabriel: Why do you consume that? Aziraphale: It's sushi. It's nice. You dip it in soy sauce Aziraphale: It's what humans do.

And several things can be said about that. First, Gabriel's question wasn't really a question, more of a disguised insult here, to which Aziraphale replies as if it was a literal question from him, which does show some literal thinking. It's not the only instance of that, and a similar reaction will happen later in the discussion with Crowley about Warlock

Crowley: If there was no boy... Aziraphale: But there is a boy. He is right there.

Then, the way he talks about sushi. He is hurt that Gabriel doesn't like sushi, and he starts explaining what it is giving a tiny piece of information about it, and his face completely light up as he does. Food and especially certain type of food such as sushi are definitely one of his special interests, and it makes him really happy. He wants to talk about it, and he wants his interest to be appreciated. But then, he realises that it's not something Gabriel approves of, and hides his own feelings, stop talking about it, and try to justify it, to make his love acceptable (It's what humans do). And, ouch, this hurts. Having to mask your own interest when they are not deemed acceptable or, because you are talking 'too much' about it and it's 'not interesting' is absolutely a common experience of autism, and it is often heartbreaking.

Now, I don't really want to go into details in the relationship between Aziraphale and Heaven, because as I said I would like to focus more on the positive and on the parts that I find relatable, and also because it's a complex relationship and I'm not in Aziraphale's head, but I feel the need to say a few things about it.

Does Aziraphale have faith in Heaven? It's a bit of a complex question here. Plenty of times, he is shown talking about Heaven in what can be seen as positive (Heaven will finally triumph over Hell, we're the good guys). But he is also shown hating it, going directly against it (I don't like it anymore than you do...). He knows that the other Angels are, for most of them (not counting Muriel here), not good, and he is always careful around them. When we see him in Heaven, he has a tense face, makes small, constrained smiles, keeps masking and keeping his thoughts to himself, not trusting them. So where exactly does he stand with Heaven? I do believe that, at least in that season, he still has some faith in God, if not in any of the other angels, as he will end up praying to Her at some point, but there are other factors to take into account when analysing this relation. [Also I'm only focusing on the first season/ first episode here, I'm not going to the end of S2 at all here, which is a completely different topic]

First of all, liking the idea of something does not mean that you will like the thing as it is. To take a personal example here, I love academia. Except I don't. I love the idea of academia, the idea of public research, of being able to learn and to transmit knowledge. But academia is a shitty place. So, so much people are sexists and racists, (queerphobic as well, even if less perceived usually), and a lot of my friends have horror stories of their own about it. A lot of people are burnt-out, tired, it's a system that asks you to work relentlessly to get a chance to survive, in which a lot of people spend more time looking for money to work that actually working. Academia is absolutely awful but the idea of academia is amazing.

Then, as I mentioned it before -and this is the point that I really want to mention here- Heaven is associated to masking. And yeah, here, I know some people have mentioned that Heaven can check on him any time, meaning that he has to keep up appearances, but that's not exactly relevant to what I want to say here. Masking, when done for a long time, becomes a part of who you are, and you sometimes forget a part of who you are without it. For a long time, I used to go back home after my day and not being myself either, acting as if there was still people around me. Because, the rest of the time it's what keeps you safe. So you keep doing it without realising. Sometimes, I catch myself stimming or doing something I like when I'm alone, and I stop myself because it's not something you're supposed to be doing. Masking, when done for a long time, becomes somewhat a part of what you are, even when you are alone and safe.

And in a very similar fashion, it takes a lot of time to unlearn things. Not necessarily masking, but things that you learn from your family, you relatives, and you later realise were incorrect. I don't know how much (if to any extent) autism impacts that, but on some occasions, it had taken me years to manage to unlearn stuff (and some I still struggle with). And it's extraordinarily frustrating, both for you and for the people around you and sometimes hurtful as well. Now, Aziraphale has been with Heaven for thousand, even millions of years, it would make sense that some things stayed in his head. [Now, because I have seen that too many times, NO, he doesn't need to violently realise that Heaven is bad, he know it. In a similar way, I don't need to be let's say screamed at for masking, because it would only trigger the opposite effect. Aziraphale needs to be free from Heaven and some time to heal from it.]

Also, Aziraphale doesn't have any other option than Heaven at the moment (here in S1). Things are going to be destroyed and he will be stuck in Heaven, one way or another. So, maybe a part of it is simply him, trying to convince himself that there is good in Heaven because he doesn't have a choice.

Now, I don't want to say any of these are true, or try to analyse that relationship in more details, those are just a few points that I wanted to mention here, because they are (at least the part about masking) relevant to the rest of the discussion about autism so I'll stop there because there would be so much more to discuss and analyse, but that's not the topic of this post.

But as I was on the topic of Heaven, I'm going to do a small skip forward before going back to a linear discussion of the episode, and talk about that conversation:

I am an angel, you are a demon, we're hereditary ennemis. Get the behing me fool fiend! After you.

Now, I love this sentence, because it says a lot about his relationship with Heaven. He knows Heaven's rules, but he also knows when and when not to follow them. Of course, him and Crowley are enemies, that's how Heaven sees them. But they are also friends, that's how they constructed their own relationship. To some extend, it reminds me of the Don't Play With Liquid Nitrogen moment. [And before I go any further in my explanation, I'll emphasise on that: DO NOT PLAY WITH LIQUID NITROGEN, it doesn't matter whatever I say next, DO NOT PLAY WITH LIQUID NITROGEN GUYS].

When I was doing an internship in my second year of bachelor, one of the person I was working with started to show me and another student something, and told us that we were not supposed to play with liquid nitrogen, while himself splashing so of it around. The thing is, liquid nitrogen is dangerous, but when you know how to do it, you can touch it for a few seconds without getting burnt. And here it is a bit of a similar situation. By simply following the rules, they shouldn't interact, let alone be friends. But they've been there for long enough to properly understand the situation, and to know they can follow their own rules instead of Heaven and Hell's ones.

Now, back to the rest of the episode. After the scene with Gabriel, we next see Aziraphale in the bookshop. He is putting up his coat on the hanger, and while doing that, he is humming along with the classical music in the background. Here, he is at home, a place where he can be himself, do whatever he likes. And I love that we see him stim along with the music. We see him stim plenty of times during the show (with the music, when he eats...) and it shows that it's a part of who he is. And most importantly, it's never shown negatively or mocked, and yeah, it's just so great to see a character stimming (and I'll add: stimming in a non-cliché way. Everyone's stims are different and do not always fit the cliché representation that most people have of it) and enjoying doing so, in moments of relaxation and happiness.

And in the second part of that scene, the phone rings, and he is visibly annoyed. He likes the quiet, doesn't like been around people (even if he loves humanity and people themselves) and doesn't like unexpected things to happen. And thus, he also immediately goes to an automated script instead of starting a conversation (I'm afraid we're quite definitely closed).

Now, I'll take the opportunity to mention the bookshop itself, because I absolutely love it. To be fair, it would be one of my dream place in the world, but that's not the topic here.

The bookshop is such a comforting place. The lights are dim and it's quiet (despite the outside of it being in a crowded place, so that probably took a miracle), which makes it a dream to relax and avoid overstimulation. But also, it's a place where he stores everything related to another of his special interests: books (and also wines, and other things he loves). So books are a special interest that I share with him, so of course, it's something that I means a lot to be, but to be able to be surrounded by so much of things you love, with music you love in the background, it's simply amazing , and I'm repeating myself here, but it's absolutely a dream place to be. Plus, going back to the representation part, it's so, so important to see special interests shown as they are. Once again, not in a cliché way (and by saying that, I have absolutely nothing against special interests that can be considered more cliché (look a me right now, writing an essay on two of my current ones, autism and Good Omens)) but simply them being things that people can usually enjoy, but to a much strong extent in Aziraphale's case. And once again, it's never here to be made fun of, simply to be shared and appreciated.

Something notable as well about Aziraphale is his posture. He sits in a very straight way, that doesn't seems comfortable. Now, autistic people tend to have more the opposite problem, which is to have bad posture. But a usual one is also a notable sign as well. But also, his posture when walking is interesting.

He is holding his hands close to his body, and most of the time is stimming once more, with his hands (or perhaps with his ring as well). And this type of posture, is so, so nice to see. When I was younger, I had the tendency to hold my arms around my stomach, in a way that was a bit similar to the way Aziraphale is holding himself in the picture above. And, of course, I got scolded and criticised for it, until I stopped doing so. So seeing Aziraphale having a similar posture, and knowing the type of comfort it can bring, and how this type of contact is important, makes me really happy.

Now, I'm diverting a bit from the topic for a second here, but there is an interesting parallel to make between Aziraphale's posture, and the one of the other angels:

When we look at the angels in Heaven, they all hold their hands in front of them, but it's in a tense way trying to show authority and rigor, while for Aziraphale, it's in a more relaxed way, and the goal for him is comfort. It's similar, but it's also so different, and it creates and interesting contrast between Aziraphale and the other angels.

And when I'm talking about the posture, I'd also like to mention the vocabulary. Aziraphale's vocabulary is peculiar, old-fashioned, but it's also really precise. Now, that is not something I particularly relate to, but a lot of autistic people do tend to have a very specific and precise vocabulary to communicate their ideas in the clearest way possible, and I like that this is something we can find in Aziraphale as well.

Quickly after the discussion between Aziraphale and Crowley, they discuss going out for lunch, and mention the last time that happen, and start discussing the reign of terror, to which Aziraphale replies 'We had crepes'.

And while he does so, his face absolutely lights up. Now, I've seen people mentioning the fact that Aziraphale doesn't really show (or worst doesn't really have) emotions, but this scene is so much the opposite of that. When he is talking about something he love, he is so expressive and his love for it is so visible. And I love seeing that, seeing the love for special interests being accepted and represented in such a positive way. Now, when talking about emotions, there is a sharp contrast between this scene and the previous one, where they were discussing about Heaven where he kept his face neutral. Having a neutral face is something that is often seen as one of the characteristics of autism, but it's not fully true. First of all, it can be related to masking (and I've already discussed the relationship between Heaven and masking here) but also, it usually depends a lot on the situation, and when autistic people are talking about their interests, they can, in fact, be very expressive, as this can be seen here with Aziraphale.

Another thing that I love about that scene is how he connects the discussion to one of his interests. Now, another characteristic of autism is to see patterns between things, and for a long time, I thought this didn't quite applied to me. But it does, and usually in the way it's shown here with Aziraphale. When I have a special interest, I have a tendency to find way to connect everything to it, to make links between ordinary things and my interest, and that was a really cool thing to see here.

And now the dinner scene. I've mostly already discussed everything happening in the scene before, but I'll just say it again, because it shows that those things are constants in Aziraphale's character, and not a one time thing. First is his love for food, that we can see there once more. Then he is once more stimming after eating. And also, he is finishing eating much after Crowley already finished his meal. He takes his time, takes the time to really savour the things he loves, and I love that for him.

Another thing that I want to mention, is his gardener disguise (and much later in the show, his newspaperman disguise). It is, in both cases, so exaggerated, and shows a lot about how he comprehends the world. It's something that I can connect to the idea of learning how to be human only from what you see in shows and books, and that's something a lot of autistic people can related to. (And of course, this rarely works in real life, the same way that it seems odd in the show).

There is another interesting point to mention, and that's questions. When we think about Good Omens and questions, we directly think about Crowley, and him asking questions. But in the show, at least in that first episode, Aziraphale is the one asking a lot of questions. Especially about how precisely things will happen.

Won't people remark on the sudden appearance of a huge black dog? His parents for a start?

He needs precise information to know how things will happen and to be able to prepare for what will happen, and that, once again, is a strong autistic trait. (I could also discuss about the fact of Heaven not liking questions, and autistic people usually being criticise when asking questions to understand clearly what to do, but I think that would be going a bit too far in the analysis here.) Still, I love seeing the way he understands the world, and the way he sees the potential issues that could arise. And also, there is that scene with Crowley, that I particularly relate to.

Aziraphale: If he comes to his full powers, how will we stop him? Crowley: This won't happen. Aziraphale: *quick annoyed smile*

And this scene is important, because it shows the difference of what autistic people can expect when the ask a question, and what other people understand. Here Crowley tries to reassure him, and Aziraphale gets slightly annoyed, because it was not what he needed. This is a situation I've been here before, and when I ask this type of question (because at the same time I'm overthinking and I need to plan how I'll act and have a plan) people offer reassurance. And this is rarely helpful to handle the situation, because in that type of case, what I need is answers (or at least something like 'we'll figure it out'. Because things can go wrong, and I need to be prepared for this eventuality as well). And yeah, I really like the scene for showing that discrepancy between what is needed by autistic people, and the answer that other people usually provide.

One more of Aziraphale's special interests is magic, and it has quite an important part in the show.

As it's the case with all of the times we see special interest, we also see Aziraphale being extremely happy with it, and his face always lighting up. But this one is a bit different because he is bad at it. When he does magic, he is clumsy, and drops things and fails most of the time. And that's great, for two different reasons. First of all, clumsiness, and poor space management is often a part of autism, and it's one that is rarely shown or represented, so it's something that I like to see. But, and most importantly, it shows that you don't need to be good at something to enjoy it, and this, by itself is amazing. And it's especially great in the context of special interest, where once again, one of the clichés is that autistic people have to know everything and to excel at their interets, which can end up putting a lot of pressure on people (also as some autistic people, myself included, are extremely perfectionists). So seeing him simply enjoying it without being good at it is refreshing here, and helpful as well.

I'm now going to very quickly mention that conversation when the Hellhound doesn't arrive

Aziraphale: Wrong boy Crowley: Wrong boy

Simply because I've discussed earlier in the post about processing issues, and about how it had nothing to do about Aziraphale's intelligence. Well, here is a perfect example of it, because this time, just after learning about the situation he is able to have a good understanding of the situation, and, if that's completely obvious for us, it is much less to them.

And I'm now going to conclude with that sentence said by Aziraphale at the end of the episode: Welcome to the end times.

I don't have any specific analysis behind that one, I just happen to particularly love it and I wanted to share it once more.

And to conclude a bit more with that analysis of the first episode, I absolutely love how Aziraphale is depicted in the show. He is a strong and caring character, but also a very complex one. I find it really great that his character is able to show the good and the part parts of autism, and also, that it never turns any of it as a joke, nor goes strongly in the clichés. So, yeah, I absolutely love him.

So at first I was planning to do a similar analysis for every episode, but I had not realised how much time and energy this would cost me. I really loved doing it though, so I might continue, but I'm not making any promise here.

[dbacklot99]

Everything You Ever Wanted to Know About The Crow Road, But Couldn't Get Through it To Find Out

Co-written by dbacklot and cheeseplants

WARNING: SPOILERS EVERYWHERE!!

Overall Premise: Books are clearly important to Good Omens and Neil & team have left us Clues. In S2E2, the xray trivia highlights a list of books they would like the audience to read. But even more specifically, there are names of certain books on the back of the chairs in the theater in the opening credits. Those books are: The Tale of Two Cities, Pride & Prejudice, and The Crow Road - twice!

What might this mean? One theory is that the chairs represent the seasons. The body swap in S1 is similar to how Carton, in Tale of Two Cities, takes his doppleganger's place in jail, sacrificing his life so Darnay could go free and be with his family. Pride & Prejudice is clearly referenced in S2, with Crowley's proposal as a sort of mirror to Darcy's first proposal. (There's probably a whole lot more to unpack there - and if you like Austen, here are some thoughts about Aziraphale's favorite book, Persuasion, and how it may relate to the characters.)

BACK to The Crow Road. The title is shown on two chairs in the opening sequence, suggesting that it is related to both S2 and S3. Furthermore, we see the book multiple times in the show and it's the book Muriel reads at the end. As an aside, Neil Gaiman and Iain Banks were very good friends. Iain Banks died over a decade ago, so it is also likely a bit of a tribute to his friend.

So let's dig in and see why perhaps Neil keeps holding this book up and shouting Clue!

Side note: The book is long and most of the action happens in the final third, which can make it a hard read for folks. There's also a lot of characters and it can be tricky to remember how they are all related. There is a family tree BUT it has spoilers.

The Name: The Crow Road is a phrase used by the grandmother to indicate someone has died, ie - he's gone the crow road.

The Plot: This is the story of Prentice growing up with his immediate and extended family in Scotland. His Uncle Rory disappears in his early childhood. Some family members choose to believe Rory is still alive. After a hook-up with his Uncle Rory's former girlfriend as a young adult, Prentice starts gathering journals and writings from his missing Uncle Rory, who was (for a few years) a successful writer and traveler. Prentice eventually learns that 1) another Uncle, Fergus, had murdered his own wife and covered it up as a car accident and 2) Rory had figured this out and confronted him. Fergus then murdered Rory, hid all the evidence, and hired an acquaintance (who also traveled) to send matchboxes from bars across the world to Prentice's father, Kenneth. Kenneth, believed - as Fergus intended - that these were messages from Rory, indicating he was still alive. 

Stylistically, Prentice's childhood memories and fragments from Rory's journals are interspersed throughout the book, much like the minisodes are in S2. It can take the reader a while to figure out who is telling the story or where this information is coming from. It is also unclear how reliable Rory is as narrator - perhaps this also plays into S2.

What it Might Mean: 

Fergus could represent the Metatron. He is very powerful, rich, and conservative; he lives in a castle (Heaven?) and wants authority. Fergus also murders two relatives and hides those murders; the murder of his wife may have been inspired by jealousy over her sleeping with another man, an event which may or may not have happened.

Fergus also sets up fake messages!! The matchbooks are red herrings to make it look like Rory is still alive. As the Metatron relays messages from God, I can't get over the possibilities here. We have seen God speaking directly as recently as Job, but are the other messages real?

I can't help but wonder if the matchbooks and their use as messages inspired Neil to use the matchbook in S2. The matchbook in S2, incidentally, connects to all three minisodes - the quote from Job, 41:19 (reversed 1941), and the matchbox is from the Resurrectionists pub. So the matchbook contains not only Gabriel’s memories but refers to Azi’s as well?

Much of the book is about this missing uncle. Is a character (or their memory) missing in S3? I have theories, but its too soon to tell.

There's also an interesting theme of Prentice collecting his Uncle Rory's writings and records, including sending some corrupted computer discs to an expert in America to try to restore them. Given the emphasis on records ("It contains information in a tuneful way") and journals in S2, not to mention this trivia nugget ​​ - my brain is itching that there's a connection there.

Faith & Beliefs: The book talks about Faith a lot. Prentice believes in God and his father Kenneth doesn’t. And Kenneth doesn’t just reject religion, he wants his children to reject religion too. Prentice on the other hand desperately wants something to believe in - especially after a friend's death in an accident. This leads to a huge fall out - they end up not talking over it.

"'I mean, what's the big argument? Can't you just agree to disagree?' 'No; we disagree about that,' I shook my head. 'Seriously; it doesnt' work that way; neither of us can leave it alone. There's almost nothing either of us can say that can't be taken the wrong way, with a bit of imagination. It's like being married.'" (Ch 7)

Kennth seemingly taunts God - he climbs a church during a lightning storm and is struck dead. His uncle Hamish (one of Kenneth’s brothers) also represents the extreme version of Faith and ends up running a sort of cult, at least until Kenneth’s death.

What it Might Mean: The thread they pull through a lot is about meaning, and whether you can have meaning in life without God. Prentice gains Faith because his friend died senselessly; he wonders how can you have a world be so cruel. There must be a reason for it (this is sort of Az coded), and he turns to God to create the meaning for him. 

BUT Kenneth’s argument is that you don’t need Faith for the world to have meaning (or at least that is my reading). It is wonderful because it is inherently meaningless (this is very existentialist, but I do think that’s the point). That Faith doesn’t do that, and just means you are looking outwards without looking at what is right in front of you. Which again, could be a Crowley way of looking at it, or at least where he is headed. Life is good as life, and doesn’t need God to make it so. 

Hamish represents someone putting so much meaning into Faith that they lose all sense of Joy, he becomes distant.  (One of my favorite scenes is Hamish doing a jigsaw puzzle with the pieces upside down - and cutting the pieces with scissors if they don’t fit right!)

The Romantic Relationships: Prentice is infatuated with a cousin (second cousin?), Verity. She is described as beautiful, in white/light colors, pure, lives with Uncle Fergus in the castle. There are legends around her birth -  she was conceived under a tree during a storm. She is unattainable and eventually ends up with Prentice's older brother.

Ash, on the other hand, is almost literally the girl next door and Prentice’s long-term best friend. Her family is poorer and maybe has some domestic violence issues. She's always there for Prentice - literally a shoulder to cry on, sharing a bottle of whiskey, helping him sober up after said whiskey. There's obvious romantic tension from Ash’s side but she never pushes him and instead guides him along. And the book ends with a romantic resolution that feels very much like the final fifteen - except with a happier ending.

“- and I still didn’t feel I could tell her how I felt about her because she was going away now, and how could I suddenly say I love you when I’d never said it to anybody in my life before? How could I say it now especially, the night before she was due to leave? It would look like I was trying to make her stay, or just get her into bed. It would probably wreck this one precious evening that we did have, and upset her, confuse her, even hurt her, and I didn’t want to do any of that.” (Ch 13)

They finally kiss and spend the night together, both confessing their love. Ash has to leave the next morning to pursue a career opportunity in New York; Prentice is sad that she goes but re-dedicating himself to his studies and working towards a relationship together. 

What it Might Mean: To me, Verity is very Heaven-coded and Ash is very Hell-coded. A big part of Prentice's arc (Prentice may represent Azi here) is getting over his blind infatuation with Verity and realizing the value and love he has with Ash. However, they also need to be apart and grow a bit before they can be together.

Other thoughts? Connections? Would love to hear your theories!!

@cheeseplants

[waytoobitofunction]

My fav historically accurate Good Omens fics

Ps. I such at summaries or uh explanations. But I loved all of them. That's what I can say.

Aaand I'll keep this updated as I read more. As one should.

1. Do You Know What Eternity Is? By Elderly_Worm

Probably one of my all times favs. Maybe my all times fav. Soooo long, Words: 373,711 Chapters: 606/606, but sooo worth it. Basically Aziraphale and Crowley through the centuries. The historical research 👨‍🍳🤌💋 Didn't really like the end but oh well, felt too rushed, maybe because in the latest centuries so much stuff happens in little time; still 9,9/10

2. DYKWEI extras by Elderly_Worm

What the title says, extended version of some scenes. Can be read as standalones.

3. The Ways We Loved by doyouwannadance

Inspired by DYKWEI. Cute them chatting.

4. Ark Gallery by Olfactory_Ventriloquism

Don't even have words for this one. I mean I have them but they're mostly nonsense like AAAHH CROWLEY... AJVDOSBWP, RELATED TO HIM TOO MUCH, KIKKED MY FEET A LOT AND WANTED TO SCREAM WHILE READING THIS.

5. Quisquis Amat or How am I Going to be an Optimist About This? by Olfactory_Ventriloquism

Set in Pompeii. Uh. Crowley is good with kids. Most of these are btw lol. YEAH LOVELY GO READ IT IF YOU LOVE THE ROMAN ERA.

6. Not Fall But Disembark by Olfactory_Ventriloquism

Short, focused around Aziraphale, loved the writing and also during this one wanted to scream a lot.

7. Literature and Liquor by Tossukka

SO. GOOD. THE JANE AUSTEN MINISODE WE DESERVED.

I, carrion (icarian)

Found out that there are like 14 with the title inspired by this song, which fair, cuz, IT'S THEIR SONG I LOVE IT SM, but 14 is not so much ykwim...

1. don't fall away from me by cassieoh_draws (cassieoh), ilikeblue

AAAAAAAAAAAAAAHHHHH. If possible, made me want to scream and/or cry more than the others. Angsty.

Non historical ones:

1. Side Mission by KannaOphelia

Fake Marriage, Fake/Pretend Relationship. Basically they discover Warlock is not the antichrist two years before than in the serie aaaand go to Tadfield and stuff. I usually don't like this trope but this was cute.

2. Taking Steps by JoyAndOtherStories

Set in the modern day. Crowley and Aziraphale take dance lessons 🕺 💃 🕺 💃 🕺 💃

[skiptomyylu]

HAPPY FEMME AZIRAPHALE FRIIIIDAAYYYY ONCE AGAIN

Aziraphale lovers great and small! Welcome to yet another wonderful, incredible, magnificent: FEMME AZIRAPHALE FIRDAY!! If you aren't aware of what Femme Aziraphale Friday is, allow me to inform!

Every Friday, we take a little time to celebrate Aziraphale presenting more femme or with a more female aligned corporation! It's just for fun and definitely not required, but we'd love to see your beautiful works! Everyone is free to join in: Writers, Artists, Musicians, Poets, etc... The more the merrier!

If you'd like to share any of these works, all you've got to do is share whatever Femme Aziraphale related post you'd like using the tag #Femme Aziraphale Friday ! It'd be such a treat to see so many beautiful posts flood the tag :>

Every version of Aziraphale (femme or otherwise) is beautiful and valid, so don't be afraid to show yours! I'll probably fall in love with her (/gn) immediately heheheheurhhehfufeh

Unfortunately this week has been a bit busy busy busy, so I haven't been able to prepare anything for this Friday! So today I'll just be doing some highlighting of some previous Femme Aziraphale Friday posts!

:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ

Let's start off with a GORGEOUS art piece by the talented @fawnim

SAVE ME SINGER AZIRAPHALE SAAVEE MEEEEE!!! Goodness, this work is so gorgeous! The shimmer on the dress and the light reflecting off of Aziraphale really draws you in! 😫💕 Also please do consider buying Nim a Kofi!

:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ

Next up, the very FIRST official Femme Aziraphale Friday fic ever by the astounding @forsssnaken

Aziraphale experiments with a feminine form and the events that follow are both adorable and amusing! Honestly I wanted to give her a smooch through the screen as I read along omfgngirlhae

While you're add it, check him out on A03, and take a gander at its other works!

:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ

Finally...omg...it's me heuhehehheuehuheu

This is one of my own personal depictions on Femme Azira! I love her so very much and I think if I got to hug her just once, all my problems in life would be solved.

I actually do wanna start posting art more consistently, so keep an eye out for me heuheheheuhehheuheuheu!

:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ:･ﾟ✧:･ﾟ

Tis all for now my loves! Until next FAFriday!

Toodleooooo!

[hikarry]

Spencer Recommends #5 (?)

Title: It never hurts to keep looking for sunshine Author: elf_on_the_shelf Rating: Explicit Fandom: Good Omens Pairing: Crowley/Aziraphale Summary: After Adam's parents die in a car crash, Aziraphale is forced to start taking care of him as more than just an uncle. Don't get him wrong, he loves the little devil, it's just that he is completely clueless and could rather use some help. In comes Crowley, Adam's new nursery school teacher with his amazing skills in dealing with kids. Could he be the answer to all of Aziraphale's prayers - Adam-related and otherwise? Well, it looks like he might be just that, judging by the weird things Aziraphale's heart seems to be doing whenever he sets eyes on the man. Now, if only the tall ginger returned his feelings…

Did I lost count of how many fanfics I've recommended so I'm trying to pretend I know I'm on number 5? Perhaps, you will never know. So let's just take that as a fact, shall we?

Anyway

You guys

This was probably the first fanfic I read in the Good Omens fandom at least 2 years ago and it has had me in a chockhold ever since!

Do you want Crowley good with kids? Do you want genderfluid Crowley? Do you want Crowley with short hair? Do you want Anatema being a lil bitch? Do you want Aziraphale being an absolute simp but an adorable lil cookie as well?

This fic got it all!

Y'all know how much I love myself a good Crowley that's good with kids and this fanfic fed me like a royal banquet. And the romance? The romance is so healthy and sweet!

Give it a read yall, you're gonna love it!

[vidavalor]

Vidaaaaaaa be got another suggestion for youuuuuu... Ep5 at 20:19 Aziraphale says "if you're going to just stand here and carp"... Id love some analysis on that, especially as it's a fish 🐠🐠🐠

Hi @havemyheartaziraphale! 💕There are chocolate seashells tonight, if you would like some. Feels appropriate for your maritime-themed request. 🐟

As you pointed out, a carp is a kind of fish... but to carp is to complain incessantly. It's to stand around and grouch, basically. This would seem to automatically push it up the list of fish-related wordplay in Crowley & Aziraphale speak because Crowley has a tendency to gripe on occasion and Aziraphale likes gentle and amusing ways to tell him to quit complaining that also come with a promise of some mood-boosting fish in the near future.

In S2, I think when Aziraphale uses this word is part of the charm of his use of it. While The Meeting Ball is technically for Maggie and Nina to help with the Gabriel miracle situation, we all know Aziraphale has really set it up with a romantic gesture towards Crowley in mind. Aziraphale wants to dance with Crowley in the open while they have people over to their bookshop. This is a big deal, since they've been doing their best to hide their relationship for thousands of years. He's trying to keep parts of it a surprise for Crowley, though, so he sends him to go get Maggie and Nina but the using fish word of carp in reference to Crowley's crankiness while Aziraphale is trying to get him out of the way for this big step of a surprise in S2 is pretty cute, since it's also calling back to-- and an evolution from, a bit-- their fish origins in ancient Rome.

Crowley was carping like a total crab (I know, I know lol) that day and Aziraphale, to his credit, was pretty unfazed, already able to recognize Crowley's grouchiness for the anxiety it masks. He had Crowley smiling by the end of the scene-- and no doubt a lot cheerier on the other side of some oysters.

Making use of carp in S2 funnier is also the fact that the word contains the word car, about which Crowley has been carping a bit during the season.

Other, amusing reasons why S2 is likely not the only time that Aziraphale has ever used carp as one of their vocab words is the further marine life reference in the fact that an arp is the technical name for the bark of a seal... and that carp is also in the word pericarp, which is the name for the layers of walls protecting a piece of fruit-- like the fruit-happy Serpent of Eden's cranky exterior that Aziraphale can see past pretty easily.

Crowley wasn't even really carping that much in S2 but referring to fish while steering Crowley out to go get Maggie and Nina was also a way of promising some fish in Crowley's near future... which is probably why Crowley just put his glasses on and went without further comment. 😉🐟

[tehloserprince]

Everyone's entitled to their own views, but I feel like the folks who keep saying things like oh, Crowley must have felt so angry seeing Beelzebub with Gabriel, he must be so bitter about them, etc. are really underestimating how much Crowley loves love. In fact, that's probably one of his deepest "flaws" as a demon.

He can huff, puff, and deny it all he likes - because he's a demon and he's not nice - but we've seen him repeatedly acting on the notion of love. As an angel, he was so in love with his creations that he couldn't bear the idea of it all being destroyed in 6,000 years. Even after Falling, those feelings don't fade; he works with Aziraphale to prevent Armageddon from happening. He becomes enamored with Aziraphale when the latter commits what could be viewed as an act of love by gifting his flaming sword to Adam when he and Eve are cast out from the Garden of Eden. His general love of humanity sees him scolding Elspeth into living and "being properly good" rather than committing suicide over the loss of Wee Morag (an act that literally sees him dragged back to Hell and punished, no less). He's so excited when he thinks his rain plot is working on Maggie and Nina and they're about to vavoom. Those are a few of the examples my tired ass can come up with at the moment, and I'm sure there are other instances throughout history that we've never seen, too. But Crowley? Big fan of love.

Even if it's his former Horrible Boss and His Royal Smugness, Crowley isn't going to begrudge them being in love. He may have been shocked by the revelation, but if he had any lingering doubts about it being real, then Aziraphale's reaction would have confirmed it. Outside of Heaven and Hell, duties and titles, they're just Gabriel and Beelzebub, an angel and a demon. Knowing firsthand how love can change and impact people, Crowley may have also realized that Gabriel and Beelzebub were no longer the same angel and demon he'd known previously. Does that absolve them from their previous behavior and actions? No. But it does, perhaps, make them more relatable when viewed against the larger systems at play in the Good Omens universe. A little empathy can go a long way towards healing some resentment. I would even argue that Crowley had let go of some of his resentment towards Gabriel when he told him to jump out a window, but I digress.

Regardless, Crowley sure as hell wouldn't suggest his dream getaway (Alpha Centauri) to people that he despised or resented. Why would you want to risk ever being neighbors with beings you loathed? Having neighbors at all can be bad enough without all that nonsense.

Now, would Crowley feel bitter about not getting that same opportunity to run off with Aziraphale? Sure, that's possible. He made himself vulnerable and got rejected; that stings. But I think the majority of his resentment would be placed elsewhere: on himself, for what he may perceive as his poor timing ("it's always too late"); maybe a little bit towards Aziraphale, for being too wrapped up in the ideals of Heaven ("the side of truth, light, and good"); and almost certainly on Heaven and Hell in general, for being the larger systems behind this mess. Because really, all the angels and demons are victims of those systems in some way. Feeling some bitterness towards Aziraphale doesn't negate the love that he feels for him, either. It makes his heartbreak all the more human, really. "How can someone as clever as you be so stupid?"

But hating on people in love, even when you've had a turbulent history with those people? Nah. Anthony J Crowley, a Definitely Not-Nice Demon, is a simp for love, and I love him for that.

[inevitably-ineffable-husbands]

A Thought on AziraCrow from an A-Spec Perspective

On the Eve of Good Omens S2, I just wanted to put my two cents in about AziraCrow, before we see the outcome of S2, because it’s pretty clear from trailers and promotions that their relationship is a plot point in the season.

I started writing a ridiculously long post a week ago spurned on from this screenshot from Pride Magazine, and my being upset by the current discourse on Twitter about AziraCrow “being canon or not”, but decided to shorten it to just this little thought, because I feel like me writing a meta-style commentary (which I do have saved if you want a more long-form thought about it after the series airs) isn’t necessary right now.

And this is all despite Gaiman AND the cast AND crew basically confirming that it is in multiple interviews, discourse from people in the community that are supposed to understand the queer experience, completely disavowing its legitimacy unless “X” happens (where “x” usually is explicit confirmation of sex happening) so therefore it’s not valid (which is really bizarre).

But I digress.

This is just a bit of a thought that I think allos are COMPLETELY skimming over:

Crowley’s and Aziraphale’s relationship, as it currently stands now prior to S2, is representative of the beginnings of a (currently) queerplatonic asexual relationship, and as an ace who so desperately just wants to see a relationship that I can see myself in on screen, and lo and behold came Good Omens. I’m part of a demographic which I and a few of my real-life friends fall into and were so happy to see on-screen when we saw GO. A demographic that is ridiculously under-represented in media that it often is mistaken as “bromance” or “just besties”.

As it stands now, in act 1, it is the part before the romantic gestures and before the “I love you”’s, and the part before the moving in and committing your life to someone else. Very gentle and romantic, slow burn kind of stuff that I, as an ace, relate to so much.  

This relationship looks like what my best friends went through for YEARS before finally tying the knot in their queerplatonic relationship because they couldn’t imagine their lives without each other anyway and they loved each other fiercely. This relationship looks like the kind of relationship that doesn’t turn me off as an asexual: to share the ridiculous amounts of love I have, and be loved in return, despite my complete disinterest in having sex. The “you go to fast for me Crowley” was SO FELT in my soul as someone who needs a lot of time to feel comfortable in any relationship I’m in (like, Aziraphale is SO me, it’s ridiculous really), and me trying to explain to people that I need a lot of time to feel comfortable in a relationship and that sex may never happen, and me knowing that I’ll probably be turned down because of it. Me not wanting to hurt someone in a world where sex is an expected endgame, so I just... tend to keep to myself. I’m just as happy with my books and my video games and doing things on my own, but I long for a life partner to love and to experience my life with. And while can’t speak for what other aces and aros may relate to about the relationship, I like to hope that they can also see themselves in AziraCrow as well. 

And please don’t get me wrong: I WANT them together-together, in any or all ways that it means: committing to each other 100%, love confessions, declarations of forever, marriage, a cottage in Sussex, and yes, even sex if that’s who they are canonically... I do want that, because I want it for myself. I want to see a relationship blossom where sex isn’t the primary outcome of it, but more of an afterthought as a way to consummate their love and to FEEL loved by each other.

I think the beauty of Crowley and Aziraphale’s relationship is that because they are essentially supernatural beings, we as people can put ourselves in their places, and use them as placeholders for us to project our relationships and experiences onto them and in turn feel seen. 

AziraCrow gives me hope that I will find my Other Person someday, because there is unconditional love in the world for people like me, especially as I get older and more set in my ways. I only hope I find my own Crowley to make me feel loved.

I know my opinion isn’t popular about AziraCrow, but honestly, their relationship, and the way it’s progressing means SO much to me, as an asexual, anyway. I hope it’s important to others too. <3

[ineffablydelighted]

[How exploring the Ineffable Husbands' dynamic in Good Omens can help us figure out what the show/book is all about, Part 1/?]

Also called: This human has, apparently, too much time on her hands and will be trying to Effable the Ineffable for [...] hours.

Ah, Hello! 👋

I'm ineffably delighted to meet you all! 😇

Let's cut to the chase and bear with me as we try together to analyze further the subject of the day:

Aziraphale is in love with Crowley and I am pretty sure he is aware of that fact BUT 

[yes, there is a "but", do not erase me from the Book of Life just yet, let me explain first, homie 🥺] 

I do not believe he can comprehend WHY he is just yet, and what that would mean for him in terms of... well... EVERYTHING he ever stood for.

It will also be the perfect roots to answer the biggest question yet :

What is Good Omens all about, exactly?

[Yeah, it's a tough one. When I say "bear with me", I really insist on the fact that it will be LONG. I will try my best to make it fun to read and to allow some "natural breaks" but know that I would appreciate your unshared attention if you're willing to give it to me. 😇]

Although, would you have the chance to ask him about it (probably looking at a cup of tea as we would all do in Earthy fashion), Aziraphale would have somewhat of an answer to give you, probably in the range of:

"Because, deep down, Crowley is the nicest being I've ever known."

Is it false? No, Crowley IS nice. Swaggeringly nice, occasionally unhinged, but still. Nice.

And that is somewhat the core of the... "problem" for our soon-to-be Supreme Archangel [Yep, the pain is still fresh, thanks for asking, you're welcome for reminding you 😭👍] because, as much as Crowley learned nuances due to past experiences (Falling being, most likely, the most traumatic one,) Aziraphale remains bound to think in absolutes. And everything relates to THIS perfect meme right there:

[Whoever you are, person/entity who has done that, you have forever my utmost gratitude and respect]

I'm far from bringing anything new to the table here, but to Aziraphale, Crowley should NOT have fallen in the first place. Because of how nice he is. Crowley IS an angel, to him. In fact, I'll go even further by stating that, to Aziraphale,

Crowley is more of an Angel than ANY Angel in the "Main Office."

Let's present our other contestants, shall we?

When he ruled, Gabriel was an absolute a** and had an ego the size of, idk, at least A DOZEN GALAXIES. He made Aziraphale feel like... well... poop most of the time they interacted.

That is why, in S2 when Gabriel/Jim tells him "I love you", Aziraphale, even being and considering himself a "creature of love", happens to be utterly unable to either reciprocate or take the compliment. At this moment, later enhanced when he reminds himself of the Job case, he realizes he is able to feel, if not hatred, NOT love NOR admiration for somebody he should somewhat consider a role model.

That is very important for Aziraphale's present and future character development, especially considering Gabriel/Jim's own fate, so please keep that in mind.

Michael? Oh God, Same if not worse: too condescending and ambitious in the wrong way to inspire anything nice to anybody.

Sandalphon just does what they are told but can totally throw a punch if necessary.

Uriel is mostly cold, occasionally cruel, and can also be physically threatening.

[I love the actress, though. Gloria Obianyo deserves a Ph.D. in Resting Bitch Facing for her performance in Good Omens alone and I'm here for it.]

S2 Saraqael seems to be more layered but has also been hurtful to Aziraphale (especially when she ironized that he couldn't possibly be the 25-Lazarii-magnitude-miracle caster).

Overall, S1 Aziraphale refers to the "Main Office" Angels as "BAD ANGELS!" after their hostile encounter. We could see from his face he would have wanted to use harsher words but couldn't get past his forgiving, decent nature.

Before we talk any furfur-ther [Am I proud of this so-called pun? A-BSOLUTELEH 😎🤭], let's add a really important stone/layer to our favorite Angel's thinking: to him, it is simple maths:

GOOD = RIGHT, BAD = WRONG

And let's save it for later, shall we?

[Killgrave dear is just here to remind you you can take a break anytime to drink a glass of Talisker if you'd like, or, more so, if HE'd like. Also because that character is THE best David Tennant role on television - 10th Doctor being the worthy third, I let you guess which character is our second now - and I might have wanted to use this gif just to be able to say that, who knows? *whispers* Mysssteryyyy...]

Anyway.

To a being like Aziraphale, who mostly thinks in dichotomy, being an Angel requires one main requirement: being GOOD.

[Buy a farrrrrm and be good! Not just "pretendy" good but. properly. GOOD! - NO, I couldn't find the gif and YES, I'm mad about it, but since I'm also unable to make one myself, I'll just shut it.]

That is why he refers to the Main Office Archangels as simply being BAD.

At that moment, they had been mean to him, threatening, and, by doing so, they became somewhat active in Hell's Armageddon project. Making them "bad" angels, but, more so:

Bad at BEING Angels.

Aziraphale, on the other hand, is, at heart, the penultimate goody-two-shoes: he does feel bad about himself whenever he does something bad/wrong such as lying (it has started to change, and I'll nuance that statement another time, but you get the grip).

He is constantly scared he might fall whenever he somewhat defies God's will or the idea he built in his head of what an Angel should be(have).

But have you paid attention to how his "Angelmates" NEVER seem to CARE about their own displays of, let's say "unconventional characteristics" for what should be the highest "Representatives of the sole concept of Good"?

Have you ever seen Gabriel or Michael being self-conscious about their narcissism and condescending tendencies? Uriel about their coldness? Saraqael about their sarcastic nature? Any of them about their use of violence? Of course not! They seem to be perfectly fine with it!

They own their characteristics, good AND bad.

Aziraphale does not.

Aziraphale is... soft. Even if he, at times, expresses regrets to be just that, he also applies it to his Angelic nature.

You know who else is soft?

Crowley.

Crowley is soft because he cannot kill children and takes it upon himself to LITERALLY DEFY BOTH GOD AND SATAN'S WILL TO SAVE SAID CHILDREN, including two annoying ones [especially the one who DARED to hit on Aziraphale but that is a topic for another day]

[MASSIVE Bildad the Shuhite fangirl here, consider yourselves warned.]

Crowley is soft because he cannot even kill GOATS.

Defying both God's and Satan's will to save kids? Yeah, eventually, okay.

Defying God's and Satan's will to save goats? Man, that's so effingly. more. powerful.

[Oh, look! A bird flying, normal thingy, nothing to see here, buh-bye!]

Crowley is soft because he proposes/"tempts" Aziraphale to "eat a spot of lunch", especially whenever his Angel experiences stress.

We have barely seen him eat, which might indicate he does not have such a strong taste for it personally. He only goes to the Ritz to enjoy Aziraphale's company and to watch him happily eat scrumptious, comforting foods.

[Okay, also because it morphed into a proper kink at some point but that is NOT today's subject, so stop trying to make me deviate from it! 😣]

Oh, and, before you bring that up, no, the alcohol motive is not relevant since he can, in all probability have a glass of Talisker in ANY sort of pub/restaurant in London.

[As a proper peated whisky lover who happens to be French, let me tell you this is NOT the case in my country and I'm super duper jealous of you, lads.]

Crowley is soft because he takes care of both Gabriel and Aziraphale's bookshop, even if it is clear he loathes the first and expressingly said he would not be a bookseller "even at gunpoint."

And, by "taking care of", know that I MEAN IT: he kept an eye on Jim, didn't wake him up when he heard him snore, answered any question he had, no matter how seemingly stupid they were [Even if Crowley, of all beings, cannot be anything but a raging "There is no stupid question, only stupid answers" representative] and offered him hot cocoa. As for the Booksho-P[uhhhhh *exhales in asthma*], he attempted to repair Jim's messy ordering twice and meticulously rearranged the place after ✨the Ball✨

[What do you mean, "he also Killgraved him into jumping out of the window?" HE ALSO STOPPED HIM FROM DOING SO, THANK YOU VERY MUCH. #NotBiasedInTheSlghtestIndividual]

Crowley is soft because he shares his Bentley with Aziraphale. Which is a VERY. BIG. DEAL. considering it was, at the time, HIS LAST ONE AND ONLY PRIZED POSSESSION.

[Should I mention that the Bentley FALLS IN LOVE with Aziraphale or is debating on whether or not that falls into the Oedipian complex territory off-topic? Yes, I'll see myself out.]

Crowley is soft because he rescues Aziraphale on countless occasions, even though, 99% of the time, that is pretty much unnecessary.

For real, guys: if Aziraphale had been discorporated in the course of his 6000+ years on Earth at any other given moment BUT on the eve of THE WAR with a capital "W", nobody in Heaven would have flinched.

[I do have a theory, though: maybe being re-incorporated takes quite a long time, which would have meant too many years apart from each other, hence the growing Damsel in Distress kink in Aziraphale, idk THAT IS NOT TODAY's SUBJECT, OKAY?!]

Also, Crowley is soft because "doing that makes him so happy".

Do you know who is supposedly "so happy" to save living things, aka GOD'S CREATIONS? Angels.

Crowley is soft because he rescues Aziraphale even when it is ACTUALLY ENDANGERING for both of them

He risked: his life, his pretty comfortable position "he carved out for himself", both his Earthy and Infernal homes sort of speak, AND EVEN HIS CAR to save his Angel's bottom/help him out in the direst situations (like stopping time to stop SATAN HIMSELF.)

[Also his past/present/future existence altogether, but the Bentley is more important, as I'm sure we'll all agree.]

[That is a Class A Protective/Helpful Husband, right there.]

Crowley is soft because he encourages Aziraphale to follow his passion for ✨prestidigitation✨

Even though he is pretty... amateurish at it. Not only does he encourage him, but he also HELPS him when he accepts to be his dashing assistant on stage.

[Yes, he does tell S1 Aziraphale to stop doing magic because he "has no idea how demeaning that is" but I'm pretty sure it was BECAUSE of S2 1941's events. Also, #WeStan1941Crowley here.]

Crowley is soft because he works pretty hard to make two humans he barely knows fall in love.

Yes, he also does it to cover his and Aziraphale's 25-Lazarii-magnitude-miracle lie BUT don't tell me his amazed expression when he thought he was about to witness Nina and Maggie actually falling for each other was not the purest, sincerest of all.

Finally, even if I could come up with more examples,

Crowley is soft because he saved Aziraphale's books JUST because he KNEW and CARED that Aziraphale CARED about said books.

That also, in Michael Sheen's very own opinion [as stated by Neil Gaiman in S1 GO DVD commentary], shared by many fans, and myself very much included, marks the moment

Aziraphale falls in love with Crowley.

[I DARE you to tell me THIS is NOT THE LOOK OF LOVE PERSONIFIED, go on, fight meh.]

So. WHY did it happen at that moment in particular? Well, because, first of all:

As a proper Jane Austen fan, Aziraphale is a slow burner.

Also, to him, an actual Angel, love is everywhere, so differentiating one love from another might be more difficult for somebody who can feel it whether or not it is even their own.

BUT [have you started getting used to my "but"s yet or should I harass you some more?] Let's go back in time to see how every previous encounter (that we know of) led to that pinnacle, shall we?

[Oh and, YES, this sort of essay will be long, and NO, I had no idea how much it would be when I started writing it, and still haven't, tbh 🤷‍♀️]

During part 2, we will also dive a little bit deeper into what Good Omens is all about.

[Yeah... I figured we would all need a break at this point.]

More on that later, then!

Hope I kept your interest at a reasonable peak. See you soon, Angels ❤

Need help to find the rest of this analysis? I've got you covered! Follow me, Angel 😇

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[archangelween]

I never noticed before but... When you're doing the blowing away thing like the gif, aren't you supposed to open your fingers from the ones next to your face first? To give the illusion of blowing them out? Az does it the other way, from his pinky inwards towards his face. Not outwards.

He does it inwards... Because the trick is reeling in a kiss, "making the magic happen".

Crowley is doing the thing he likes best, standing around "carping", which is a fish, in the ocean, and all sea related things are sex metaphors between them. (That's a long read so let's summarize.)

Crowley's carping isn't him being mean. It's foreplay. He's literally begging Aziraphale. Get it? It's an iteration of the wall slam.

Carping about the magic act is Crowley's way of saying your magic is working on me and I want to ravish you.

"Retire" the magic act? You lay it to rest. To rest is to go to bed. To fuck around instead of working, which we know they're always doing, because they're NEVER working.

Also, one of Terry's famous wordplay quotes is about how elves are "terrible":

Elves are wonderful. They provoke wonder. Elves are marvellous. They cause marvels. Elves are fantastic. They create fantasies. Elves are glamorous. They project glamour. Elves are enchanting. They weave enchantment. Elves are terrific. They beget terror. The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning. No one ever said elves are nice. Elves are bad.

Aziraphale is "terrible at magic"?

The etymology of terrible: late Middle English (in the sense ‘causing terror’): via French from Latin terribilis, from terrere ‘frighten’. Literally terrific, lol. Same idea Azirahpale used when describing Crowley as a "wily adversary" who "keeps me on my toes", and the same kind of wordplay as Crowley's "see a wile, ya thwart": wiles meaning sexually attractive, and the old meaning of "thwart" as to cross over--see a sexy demon, you jump ship and straddle him.

If you look up the definition of terrible, you get the common "extremely bad", but also these:

2 a : difficult in a terrible bind b : formidable in nature : awesome a terrible responsibility c : exciting extreme alarm or intense fear : terrifying 3 : extreme, great a terrible disappointment

Frankly, all three apply, excusing parts of speech: magic is difficult; he's awesome and formidable at it, and the way he does it is terrifying; he's also great at it.

What Crowley just said is that you're keeping me on my toes, shall we lay down about it? Aziraphale's answer: Probably for the best.