#i want my memory to be immortal. to last forever

[thoughts-and-all-that]

you gave me the best weekend of my life, you know.

my dad was going on a business trip in a state that was right next to yours, though i remember it still took you guys 5 hours to drive to the city, and 9 hours for me and my family. isnt it crazy how big this country is? we arent even on the larger half of it, either.

when i first saw you, i was scared. i was paranoid and young, and you were the first person from online i had ever met in person, despite my years of befriending people online. im glad it was you. it couldnt have ever been anyone else.

i was scared maybe i was lied to, that somehow it wasnt you, but i knew it was. i was a scared mentally ill kid and i was in the beginnings of something we both know got worse, and ill never stop being sorry for how i treated you when it did. you never deserved that, and it was never your fault. i shouldnt have done what i did, i shouldnt have.

i remember that first while was awkward, but itd be weird if it wasnt, right?

our first stop had to have been the bird sanctuary, i believe. so many birds of all kinds, and there was even bats! both of our favorite animals in one building, though i dont think the specific breeds we loved. that was okay. it was my first and only time seeing my favorite animal in person, it was amazing.

i remember there was a flying simulator in there, a both high budget and low budget game, if that makes sense. i mean, we had to lay on a t shaped person sized controller, which was wild! but the actual graphics of the cityscape we were meant to fly through were low quality. it was amazing. i remember you crashed, but i didnt. ive always dreamt of being able to fly.

and i remember that the penguin habitat had a dome in the middle that people could climb through a small tunnel into, and we were in there together, and looking at the penguins.

it mustve been that night that you came back to my hotel room, and we watched my favorite show on the couch, using my much too expensive laptop. i remember the deal we made that i didnt keep up my end of, where we watched eachothers favorite shows. im sorry i didnt like yours. i was glad you loved mine.

i dont remember if we saw eachother for most of the next day, i hope we did. the timeline blurs for me, but thats okay, because the timeline isnt what matters.

the boat ride matters. i know i wasnt originally meant to go on it with you guys, but i hope you think of it fondly like i do regardless.

i didnt like really any of the food they put in front of us, but thats not new for me. it only mattered in that single moment when it happened. when dinner was over and everyone was free to go about the boat, we mustve seen so much of it.

your mom and my mom were talking the whole time, trying to keep an eye on us, and taking pictures of us. i hope my mom enjoyed the boat ride, she didnt get to have many experiences like that the last few years of her life. i hate that that only happened 3 years before she died, and its been almost 6 years for me. time is a curse.

we kept trying to avoid them at the time, of course. we were teenagers on a trip away from our homes on a boat ride together down a river, we didnt want our moms watching us. we had to keep traveling about until they finally stopped watching, and it led us to sitting on the top deck, staring off of into the beautiful night lights of that mountain city.

i even remember that at some point the announcer pointed out an abandoned asylum against the river, and we thought it was one that was featured on our favorite ghost hunting show, though i now believe that it wasnt, as when i tried to find it later, i couldnt find that episode. i love the excitement we had, though.

we talked so much, in our special way. i remember i even asked you such a silly question, if people could walk on water when time is stopped. they definitely cant, but we made a whole thing of it.

we even kissed a few times.

at some point we traveled back to the main hall, and it was empty except for the guy in charge of the music. we cuddled together on a seat against the window, watching the city go by. i remember i had you ask if he had any songs from one of my favorite artists, though he only had her most popular song, which i guess makes sense.

i dont think my mom wouldve been upset if she had seen us, but i know your mom wouldve been. does she still not know youre queer? she doesnt need to know, anyway.

you had to go back home after that night, and thats okay. i missed you so much when you did, and all i did for the remainder of the trip was sit in my hotel room and play on my laptop.

maybe its simple looking back, maybe youve had better times since, but for me it was everything. it still is, but only because ive never had better.

i still think of you when i hear breakup songs and think of relationships, even though we never dated. never the angry ones, i promise.

i know youve moved on, and im glad you have. youve been with him for a while, and i hope that means he treats you well. you deserve to be treated well.

i havent moved on because ive been stuck in the past in so many ways for years. when you started talking to me again a few months ago, it drove me insane for the first few weeks, but ive gotten better since. ive been dealing with my past a lot lately, trying to heal.

not heal from you, of course. you never did really anything to hurt me, it was all me. there was only one thing you ever said, but it was my fault it even came up. i know you dont even feel that way anymore.

i feel bad for my future partners, i wonder if they can even top that, honestly. i hope they do, because it would be weird if i constantly compared them to a relationship i had when i was a teenager, but i just wonder. i also dont want to have peaked back then.

but really, regardless of all of that, im glad it happened. ive had good memories and ive had tons of bad, but you gave me my best. youre the person ive been closest to in my life, ever. we arent close anymore, and we never can be again the way we used to be, but thats okay. as long as youre happy, thats okay. i hope i can be happy too.

thank you. for everything.

[majorblinks]

DOWNRIGHT ICONIC (aespa karina)

(smut, male reader, screenwriter you, stranger karina, public sex, rough sex [choking/slapping/biting/spanking/hair-pulling etc], oral, anal, facefucking, titfucking, facial, bondage, degradation, name-calling, other weird stuff, 26k words, it's been 1 million years..., BUT WE'RE SO BACK BABY <3)

Hey, turns out the critics really are onto something:

You’re going to win an Oscar for this.

You aren’t surprised when the nominations are announced. It’s all anyone’s been talking about. You’re this up-and-coming screenwriter, this newly-minted visionary, and - cue the applause - you’ve just made the movie of the year. Clips go viral everywhere; the reviews are calling it extraordinary. They all want to know how you - a relative nobody - managed to pull it off. What’s your secret? What’s your inspiration? Where’d you get this billion-dollar box office idea? 

And here’s one version of the truth:

“Well,” you’re quoted saying in every single interview: “honestly, it’s about a girl.”

Everyone eats this up, of course. It’s so fucking romantic.

You’ll tell an abridged version of this story for the rest of your life. A blip in time in early January - a certified slow-motion movie moment. You’ll say things like she was the most beautiful girl you’ve ever seen. You’ll say things like, I know it sounds lame, but that’s how it went. She took my breath away. She fascinated me. I saw her and I don’t think my life has ever been the same. 

You’ll never once say her name. 

“It’s weird, actually,” you’ll say in an interview after the news of the nominations drops. “Making this movie about her. She’ll last forever there, you know? She’ll always exist in this film, in this one moment in time. She’s in all of it, basically - every scene, every line. It’s all her.”

“You make it sound like she’s dead,” the interviewer will say, all open-mouthed melodrama.

You’ll laugh. “Oh, God, no,” you’ll say. “She’s alive and well.” As if it hasn’t been years since you last saw her face, watching you from down the corridor, looking lost and torn apart and very, very small. “She’s okay. I mean - I think - yeah, she’s okay.”

As if you’d know. 

Because here’s another version of the truth:

You’re going to win an Oscar for this. You’re going to stand up on that stage and thank your family and your friends. You’re going to stare at all those faces until they swim together into one golden, glittering blur, and then all you’ll see is her - her dark eyes, her glossy hair, her wrist in your grip, her throat between your fingers - her in your sheets, her smiling in your doorway, her shivering in your shower, her sobbing into her hands, her bleeding in your bed, her walking away. Her, her, her. Immortalized forever in this perfect thing you made, winning awards off the reconstruction of a memory. Art imitating life; reality warped into something magnificent, and beautiful, and better. 

And the only thing you’ll feel like doing is throwing up. 

Sure, you’ll bask for decades in the thrill of it: the fame, the fortune, the glory; the adoration, the worship, the attention; the eternal, endless love. You’ll be able to look back on your life when you’re decrepit on your deathbed and know that you - brilliant you, utterly superior you - were divinely blessed with earth-shattering success, and no one will ever be able to take that away from you. You made your mark. You meant something. You were the best, for fuck’s sake, and you have the accolades to prove it - you really, really were. 

So here’s the full truth - the final bottom line:

You’re going to win an Oscar for this. You’ll live the kind of life people beg God for. You’ll get everything you ever wanted. 

It won’t be worth it at all. 

-

First, though, there’s this. 

-

Disturbingly enough, you’re in the romance section of a bookstore when everything starts. 

This is really not your genre - that’s the funniest part. Historically, you’re bored to death by the cartoonish pastel covers; you don’t get your kicks from seeing the same delightfully quirky heroines fall for brooding bad boys, or whatever the fuck goes on in those books. You have your standards. You prefer your art a little gritty, a little fucked up, a little more interesting - the kind of thing that can leave you shellshocked in a movie theater, overcome with the sort of full-body, lightning-struck epiphany only truly good work can manage. It’s not a judgment call - you’re not trying to be pretentious. It’s just that you prefer something with some fucking bite.

The second funniest part is this: 

You’re pressed against the shelves, surrounded by the cutest, chastest love stories ever told-

“Are you serious?” 

-and Karina’s on her knees, about to take your cock down her throat. 

Maybe this is what your contemporaries call cinematic irony.

That’s gotta be the only phrase for it, really. The scene itself dripping with classless, crude, erotic filth - the way she ducks her chin to spit on her hand, the slow pump of her fist around you, the rough hum in her mouth at how achingly hard you are - nasty and irredeemable, too fast and too loud. The gross lack of subtlety in her sex appeal: all pale thighs and porn-star tits, the wet pink flash of tongue. Seductive in a way that screams at you. It’d be so easy to write this off as some deliberately controversial opening scene, gory shock value, horror-film suspense - starring you and the slut you’re about to ravage and ruin and potentially leave for dead. 

���Baby - are you sure?” 

It’d be so easy, if Karina didn’t look like an angel incarnate.

“I mean, you-” You’re stammering. You’ve got both hands in her hair, fingers sliding through the glossy black in petting, soothing motions - your clumsy attempt at reassurance. “You don’t have to, if you don’t - we’re in public - I’m not expecting you to - I don’t need it-” 

Karina’s fine, sculpted eyebrows twitch upwards. Her lips are a twist of scarlet, distinct and amused. She doesn’t quite smirk, doesn’t give a voice to the sarcasm, but the sentiment is the same - yeah, right. 

And then she lowers her mouth to lick. 

“Jesus fucking Christ-” 

Scratch that, then. This is the funniest part. The most inhumanly beautiful girl you’ve ever seen, debasing herself in public like some sort of desperate common whore - come on, bring in the laugh track. 

Not that anyone’s laughing now. 

You’re no poet - they’re a few sections over, Plath and Yeats and Dickinson - but Karina’s the kind of thing that makes you understand the motivation completely: only capable of being captured in metaphor, without context, painstakingly interpreted hundreds of years from now by people who will never get this right. All carved-out cheekbones, fluttering lashes; tight fuckable body clad in a little low-cut dress, feet tucked neatly behind her like she’s simulating worship. Dirty and religiously devoted in how she stretches her full glossed lips around your cock and lets your grip tangle in her hair and- 

“Karina,” you get out, but her only response is to blink sweetly up at you and suck. 

Well, who gives a shit about the poets, anyway? You doubt any of them ever got to fuck a mouth like this. 

There’s an unfamiliar caution to the rut of your hips, a wincing fascination every time she gags - and she gags loud, choking and heaving, saliva dripping slick around you and down her chin - that seems to both entertain and confuse Karina. A skeptical crease in her forehead, saying everything she can’t: you don’t wanna fuck me up? Ruin me? Cloudy spit falling in strands to her tits, seeping into the crimson fabric of her dress; she’s wearing a worn black sweatshirt that’s slipping off one shoulder, exposing the clean line of her collarbone. The hollow of her cheeks, the obscene painful sound of your cock clogging her throat - it’s subtext, explicit suggestion. A preternatural understanding. I know what this is. I know what you want from me. 

Which - she couldn’t possibly. 

“Baby.” You sound so wretched that it’s humiliating. Karina’s sharply lined eyes seem to flash with humor, smug and lazily self-satisfied. “You’re gonna make me fucking cum.” 

The thick, sloppy, choked noise she makes is the closest she’s gonna get to a laugh. 

Oh, sure, whatever, it’s not like you’re not thinking about it: digging your fingertips into her scalp and really fucking her face, relishing in the way those eyes would go wide and glassy with unshed tears; refusing to let her have control, to let her lick and lap and breathe. You’re scripting it in your head already. You’d strip her bare and make her sob. You’d wreck her throat and cum all over her face and force her to walk out like that: coated in the sticky, filthy evidence of everything you’ve made her - look at this, you’d say, look at what I have. Look at what I did - all this, all me. 

“God.” Your thumb braces against Karina’s temple, like the gentle stroke of a brush, like you’re painting her right into existence. “You’re just-” A harsh gag; a fall of dirty, drooling spit. “You’re really enjoying this, huh? Getting on your knees in public for a fucking stranger?” 

That’s why the fantasy of fucking her into brutal submission is actually so understandable. You don’t know her. You don’t owe her shit. You could destroy her and it’s not like she could do anything to fight back - not when she’s already below you, looking up. When she asked for this. 

Except-

“Karina.” You can’t stop saying her name. “You’re - fucking perfect.” 

And it’s true.

So you cum. 

Karina swallows it all with the same amount of sultry grace she seems to do everything - how she laughs and walks and talks and takes your cock like a fucking professional - languishing in the practiced bob of her throat, the preening flicker of her eyelids, her face shiny and pale. It tugs the same feeling out of you as a flawless shot in a film, a well-timed bit of dialogue: watching an expert at work, pulling out all their stops. One hand through her hair. Her nails the same rich color as her mouth and her dress. Nasty, slutty, impressive attention to detail - Christ, get this girl in front of a camera, get the moon to be her limelight - you’re breathless, you’re enthralled, you’re so fucking far gone. 

Then: the sticky retreating glide of her pouty mouth, lipstick smeared badly down her chin, stark and arresting as blood. 

“In my experience,” Karina says, finally, “being perfect’s never gotten me anywhere good.” 

She pulls the sleeve of her sweatshirt up and wipes her face with her wrist. 

“You’re unbelievable,” you say, dizzy.

“Thank you,” Karina says, sweet like she means it, and sits back on her heels. 

You can’t help yourself; you’re petting back her hair again, cupping her face softly in your hand, caught on the dark glint of her irises. Angel was an understatement. She looks more than that - looks like something holy and all-powerful, something omniscient and blindingly beautiful, something who knows exactly what you need and knows exactly how to follow through. Something worthy of mythology. Something like a god.

And any sort of rough, ruthless, fucked-up fantasy - it’s never going to happen. 

You just can’t ruin a girl like her. 

“So?” Karina’s voice is a smoky bombshell lilt, like she’s just stepped out of some film noir from the 1950s. Hands folded primly in her lap, fingers interlocked like a lady. She could be a pop culture icon, an eternal sex symbol - a Marilyn, a Bond girl, a timeless universal beauty. “What now?” 

You think your brain actually short-circuits. “Sorry?” 

Head tilted, lids dropped low. Smirk still sharp and scarlet. “Are you gonna take me home?” 

You open your mouth to respond, but then a customer walks by the aisle. 

You’re a panicked flurry of motion - zipping up your pants, turning away, frantically patting down your clothes - but Karina just stays kneeling on the floor, little chin on an incline, utterly incriminating. It doesn’t matter. The customer passes you by. The world returns to the way it should be: just the two of you.

“Karina,” you say, flabbergasted by her composure. 

Karina’s lips quirk. “What?” 

You shake your head and offer your hand to help her up, but Karina laughs instead - actually laughs. It’s peculiar, beautiful: raspy like a chronic chainsmoker, as though there’s something foreign she’s trying to dislodge. The raw, gravelly aftermath of a skinned knee, a grisly scrape over skin. 

“Wow,” she says, and stands all on her own, tugs the sleeves of her sweatshirt over her fingers. “That’s a yes to taking me home, then?” 

“What are you doing?” You’re laughing too - you can’t help it - reaching for Karina’s tiny waist to pull her in. “What are you - what do you want?” 

When Karina smiles, it seems to set her eyes aflame. Bright and dancing, lashes like a shroud of smoke. “What do you mean?” 

“You just met me.” It sounds feeble, somehow: a thin, useless excuse. Nothing against the way her body slots between your hands, a smooth effortless fit; nothing compared to how she kisses you between sentences, so quick and easy it already feels like a habit. “You don’t - you don’t know me.” 

Karina’s mouth puckers, coy. “No?” 

“No,” you shoot back, grinning, but it doesn’t sound convincing at all. “Come on, baby, seriously. What do you want?” 

There’s gotta be some motive, you’re thinking. There’s gotta be a reason. Karina is so still, so soft and pliant under your hands, all the carved porcelain perfection of a marble sculpture but with none of the cold stiffness. Spine curving under your fingertips, jaw tilting into your touch. 

A complete stranger, maybe - but every part of her body is begging to be known. 

“Don’t you get it?” Karina says. “I want whatever you want.” 

It’s so simple and earnest it takes your breath away. 

“I - Jesus.” You’re biting on the inside of your cheek, drinking her in. “What if I told you I don’t know what I want?”

Another rasp of a laugh, sound like the serrated edge of a blade. “I’d say fine, okay.” Karina’s voice is low, conspiratorial. “But I’d think you’re lying.” 

And here’s the thing you know for sure:

The very second you saw Karina you swear you saw the next hundred pages of a manuscript unfurling in front of you, lines and themes and gorgeous dark-eyed heroines, tragically beautiful endings and stunning cinematography - infinite narratives in the glossy sweep of her hair, in the seductive stretch of her legs, in the way she looked at you in a crowded room and smiled a lovely, secret smile and told you she’d follow you anywhere. She’s worth making art about. She’s worth devoting lifetimes to. The most honest thing you could say to her right now is baby, I’m writing a movie about this one day, and I think you’re really gonna like it.

Karina couldn’t possibly know any of this, but it still feels like she does - impractical knowledge in how she loops one arm around your neck and kisses you again, no hesitation. Like she actually knows you. 

“I want to fuck you,” you murmur against her mouth, because it’s the next most honest thing. “Is that enough for you?”

You’re a screenwriter. You know your horror movies. A small part of you recognizes that this is precisely how they start: fanged vampires, wicked succubi, femme fatales out for blood. Karina’s so gorgeous she can’t be human - teeth so sharp there’s no way her intentions are pure.

“Sure,” Karina says, smirk glimmering like starlight. “Then I want that, too.” 

It’s a murder plot waiting to happen. 

You take her home anyway. 

-

(Oh, and about your Oscar-winning script-

In theory, this is how it begins.

It’s classic. There’s a stranger and there’s a beautiful girl and they’re both sitting at a bar, talking for the very first time. The girl has a rose tucked behind her ear; it matches the crimson color of her lipstick perfectly. The stranger had asked her what the deal with it was, but she’d said something vague and nonsensical about it being a gift, so now they’re talking about normal, average things. Jobs, names, flirtatious pickup lines. It’s obvious because it’s meant to be, like a set-up to some predictable porn - everyone watching knows they’re going to fuck. 

She keeps getting closer to him. At one point he thinks she’s going in for a kiss.

Instead, all she does is pluck the rose from behind her ear, and hand it to him. 

It’s okay, she says. No thorns. 

He stares at the rich furled petals and the whittled-down stem. 

Thanks, he says, amused, charmed. He thinks there’s something odd about her. He likes it, though; if she were as beautiful as she is - which is very beautiful, exquisitely fucking beautiful - and she behaved like most people do, he’d find her terribly boring. 

He takes it from her. Turns over the rose in his hands absentmindedly as she keeps talking. She’s got all this hair: wild and glossy black, pouring over her thin shoulders, her ribs, her tiny waist. After a moment he feels the sharp prick of a thorn against his fingertip and releases the rose in surprise. 

You said there weren’t thorns, he tells her, laughing. Ow. 

Whoops, she says. Then: Did it get me too? 

She turns her head, pulls her hair out of the way. There’s a scarlet bead of blood trickling down the side of her perfect pale neck. He can’t quite tell where the point of entry was, where the thorn had dug in and broken skin. It’s bleeding a bit too heavily. Covering its tracks. 

She swivels, slightly. She sees the look on his face. Is it bad? she asks.

No, he says, though he can’t really tell. But - couldn’t you feel it, though? The thorn? 

The girl presses her hand to the side of her throat. It comes back bloodstained, a neat smear of red along the lifeline of her palm. 

No, she echoes, though this can’t possibly be true. Hey, you wanna get out of here or something? 

Alright, he says, smiling. They both stand. They leave the rose where it is. Let’s go. 

He cups her cheek instead of her neck when he kisses her for the first time, so he doesn’t have her blood on his hands.

It starts simple like that.) 

-

Karina’s so out of place in your apartment that it’s almost laughable - or it would be, if you were capable of thinking about anything but her mouth and her hands and her tits crushed up against your chest as you pin her to the doorframe. She keeps making these little sounds into your mouth: low and throaty, almost agonized. You swallow all her moans off her lips - oh, baby, you’re okay - and you only kiss her harder. She doesn’t belong, among your carpet worn-down from pacing and your laptop still open and idling and the mess of incoherent colorful post-it notes pasted to your fridge. She doesn’t fit here. Here kissing your mouth, here in your arms, here on fucking earth with the rest of you heathens-

“You wanna fuck me so bad,” murmurs Karina, chin on an incline, staring up at you, “then do it already.” 

She doesn’t squirm or fidget; she doesn’t get needy or start begging. She stays pinned down by your body, lips parted, and stands completely still. 

It’s like she’s telling you to make your move. Waiting for something inevitable. 

“What happened to patience?” you say, anyway. 

Karina’s mouth curls. She palms your cock through your pants. “What the fuck is that?”

You try to laugh, breathless and turned on, but all she does is kiss you again.

You’re a creative - you’re ready to attribute meaning to every movement - but there’s nothing so profound about it when you get Karina on your bed, all that thick black hair fanned out on your sheets, her hands grasping to get your shirt off - off, she murmurs, off. Even that comes out measured. She never shakes. She’s so sure. You kiss her everywhere you can reach, her face and her neck and her collarbone and her tits, drunk on the soft, humming sounds she makes when you do. You’re so fucking gorgeous, you can’t stop saying, and Karina keeps laughing that same raspy laugh, like it’s the most hilarious thing she’s ever heard. 

“You told me you already know that, right?” You’ve got her face cupped in one of your hands and your other one at the neckline of her scarlet dress. “So what’s so funny?” 

“Everything.” Her teeth glint the way fangs would, a deliberate trick of the light. She’d be villainous if she weren’t so content to be trapped underneath you. “All of it.” She presses her palm to the side of your neck. “You’re too nice.” 

“Fuck.” Your thumb accidentally digs too hard into her cheek. She doesn’t wince, but you feel it - the stomach-turning thrill, the possibility of leaving a bruise. Your hand drops low - lower, down her throat and her tits and her flat midriff - and slips between her thighs, up her dress. It feels safer, somehow. “How do you manage to make the word nice sound like an insult?” 

“It’s not,” she says, simply, and spreads her legs. 

And it must not be - because Karina’s so wet. 

She makes another low velvety sound when you first touch her, seems to melt into the stretch of your finger in her cunt - just one finger, and her back arches faintly, prettily, hips lifting to take more. “Jesus,” you mutter, but Karina’s not looking at you: her eyes are shut tight, lashes fluttering black, tits heaving in her dress with each draw of breath. You’ve fucked girls who’ve seemed unsure of themselves - embarrassed by their own wantonness, how wet they are, how bad they want it - but all Karina does is wrap her hand around your wrist and tug, once: a clear soundless plea for more.

For a second you’re actually, positively certain that you’ve lost it. 

It’s abject fantasy. It can’t be real. You in your apartment with the dream girl - the personal Aphrodite - the muse; God, if anyone was ever made to be a fucking muse, it’s her - underneath you with her ridiculous tits and her tight little pussy, face like a Hollywood dream. Ludicrous. Impossible. Bucking as she tries to fuck herself deeper on your fingers, all the way to the knuckle - slowing down only to say you wanna fuck my cunt open with your big fat cock or what? 

“I,” you try to say, strangled - her mouth’s so fucking filthy. “I was - I mean - we could take it slow-”

“How romantic,” says Karina - and this, too, sounds like a heinous insult coming from her - but she drags your wrist to her lips and sucks her own slick off your hand anyway. 

You choke on your next breath. “Karina-” 

She looks up at you, unflinching, tits half out of her dress and cunt dripping down her thighs. Lipstick worn-down, kissed-off. All over your mouth, or your throat, or your shirt. Mouth chapped from the cold and stained marvelously pink. There’s something in the way her smile forms slight and crooked every time you say her name, as if there’s some private joke you’re not in on. 

“You’re such a gentleman,” Karina purrs, all syrupy-sweet condescension. Then: “You really don’t have to be.” 

She licks the pad of your finger. She’s so completely shameless. You feel monstrous on top of her, in this sick, superior way, like she’s just too small to be so sopping wet and slutty and fuckable - too beautiful to be anything but treated just right. 

“If you want me to fuck you like a whore, baby,” you tell her, half-joking, “then just say that.” 

It’s a mistake the moment it leaves your mouth - a line crossed. Because all Karina does is cock her head, your wrist gripped delicately in her hand, her legs parted underneath you, and stares. Almost droll, bemused. Like you’re so goddamn predictable.  

“Didn’t you hear me?” That perfect face sears right through you. You’d nearly fucked that face. Not quite. Not yet. “I want whatever you want.” 

She’s even tinier than you originally thought she was. You only realize this now, tracing her stomach under your fingertips, feeling the sharp relief of each rib straining beneath her skin. You don’t know it until you touch her, but you can span the width of her thigh under one hand. It sends a strange shiver through you: mapping every jut of bone, every startling edge. She’s tiny. Breakable, practically. Men meaner than you have probably thrown her around, fucked her up against walls, used her like a toy. 

“So,” says Karina. “What do you want?” 

Your fist clenches tight in her grasp, right in front of her face, knuckles going horrifically white.

Like you - like you’re going to-

An accident. A primal sort of gesture, like you’re less than human, turned under her touch into some feral hot-blooded animal who can’t control itself: carnivorous, predatory. You stare at your own hand and then the sharp scythelike curve of her mouth and feel revolted embarrassment crawl straight up your spine. 

It’s abhorrent. 

It also doesn’t even seem to matter.

Karina doesn’t go wide-eyed and nervous; she doesn’t look at your wound fist like she’s scared of what it could do to her. She clicks her tongue, once. Like this, too, is something she already saw coming.

“I thought so,” she says, anyway. Maybe this is it, what does it for her; looking the devil full in the face and begging to be burned. “Then do it.” 

“I can’t do that to you,” you mutter, but you tug her dress up, and you fuck her anyway. 

-

She’s a stranger. This is the point of fucking strangers. To do things to them that you’d never do to anyone else - to take out your worst impulses and tell your best lies and know that none of it matters, in the end. Because they’re nobody, and because you’ll never see them again. 

But you just can’t. 

She’s too indulgent and stunning and soft, with her low moans and the addicting drenched heat of her cunt, hand gentle and careful on the nape of your neck so she can keep pulling you into a kiss. She’s made up of curves, delicate edges - those hips and those tits you can’t keep your hands off of and her lips in a dreamy smile - and you find yourself stroking her hair back from her face so you can drink it all in: the blush in her cheeks, the almost serene way she lets her eyes slip shut and her mouth drop open, slack and enticingly wet. So good, baby, you keep telling her, because she is, her entire body warm and wanting and so easily fucked open, little pussy swallowing your cock right up. She doesn’t fidget or plead. She’s so sweet, such a perfect fit, humming into your mouth as your cock eases her open; so wet you can hear it, the sloppy squelch of her cunt when you bottom out. Your voice comes out coaxing. You like that? That feel good? Taking my cock so nicely, huh?

“Mmm,” Karina breathes, in an exhilarating moan, right into your mouth, against your tongue. “Mm, mm-”

She never quite manages full sentences. Never finds it in herself to make any more obscene demands. Just gets all small and soaking underneath you, licks messily at your bottom lip, and lets you do all the talking - lets you draw a careful hand through her hair and drop your other one between her thighs, clenches tight around your cock when you rub at her clit, keens low in her throat and listens. To the good girl, to the I got you, baby, to the that’s it, there you go, this is what you wanted - I know, honey, I know, you just needed to get this cunt fucked right, you just needed to cum real bad. I know what this is. I know what you need. 

“Fuck.” She’s flushed pink to her chest, delightfully ineloquent. “Yes-” 

Well - good thing you’re decent with your words, when it counts. Let Karina blush and drool and slick up your cock with every stroke. That’ll work just fine with you.

It’s the kind of juxtaposition you’d really lean into - the kind of thing you’d write just to get so self-indulgent with, a personalized note to the director, a wink and a nudge to every audience member. Look at that. Look at her eyes like something straight out of poetry. Look at her body like a pornographic fantasy. Look at how she gets so tamed and docile and compliant when she gets her tiny pussy stuffed full, creaming all over that cock, huge tits bouncing - look, that’s art, isn’t it? What else would you call it? What else could it be?

“You gonna cum, baby?” She’s so fragile underneath you. Color staining her cheeks apple-red; lips swollen and begging to be kissed. Fictive little fairy tale. “You gonna cum for me?”

“Yeah.” It’s breathy and barely-there. Her chin trembles, jerks in a weak nod. “I’m - I - fuck-” 

See: you just can’t rough her up. It’d be blasphemous. Sacrilege. Taking one single look at the stained-glass windows of a church and tearing it all to the ground.

Still, you’re mesmerized by how utterly vulnerable she looks: the glossy shine to her irises; the way she inhales all slow and shaky, body slipping from some sort of precipice. Not just like she’s near-tears, but like she’s stunned - struck dumb from a violent blow, mouth wide open in the aftermath. And it’s just sex - and, fuck, you’ve said it, you see things the way every obsessive artist does; sex is never just sex. Every one thing means something more. A metaphor. An allegory. You get nasty and debauched and dirty because you know exactly what you can spin it into. Put the entire scene in a silent film and everyone can swoon about the things you might be saying to her, this impossibly captivating stranger in your bed with her graceful name, her dizzying moans, her shuddering frame in her orgasm. Don’t you get it? you could be telling her, hand brushing gently over her sweat-damp hairline. Don’t you feel that? You’re a stranger to me, baby, but you don’t have to be. There’s a reason we met. There’s a meant-to-be here, somewhere. I’m not a believer, sweetheart, but you could make one out of me - I swear you could, I promise-

But that’s the reason why these things are best left to the imagination, anyway. 

A million scripted sweet nothings - and none of them manage to make it out of your mouth. 

“Karina.” Your hips jerk hard. You sound half-possessed. “So pretty, cumming all over my cock like that. Such a perfect little cunt, baby - so fucking good-”

Her eyes suddenly shut tight; her body arcs into your touch, lips parted in a silent gasp. And for a second it seems like such a snapshot of innocence, like she’s brand-new to getting fucked quick and rough and dirty - though you know this can’t possibly be the truth, not with the way she flirts and whines and drips for more like she’s made for it - but she’s trembling under your fingertips, and you can dream. She’s your beautiful stranger, your pristine muse; you can pretend she’s whatever the fuck you want. 

“God,” Karina murmurs, so soft and weak it makes your head spin. 

Before you know what you’re doing - before you can even think twice about it - you’re pulling out, and cumming all over her stomach. 

You can’t help it. You shouldn’t have had that thought about innocence. Jesus. This is what you mean, about you and your own painful humanity; you’ve got all the same vile desires. When you see a pure thing - all that porcelain skin, all that thick glossy black hair, all those gleaming white teeth in her open mouth - your very first instinct is to fuck it up bad.

You’d do worse, if you were worse - you’d make a real fucking disaster out of her. 

“Baby,” you say, breathlessly. “Are you…”

And Karina, then, does something truly evil: 

Sighs luxuriously, stretches her arms above her head, eases those gorgeous eyes open, and smiles. 

As if she’s reveling in it. The scent of sex - the defiled tautness of her tummy - the way you’re not sure where her little red dress or her shoes or her panties are, how her cunt’s dripping wet onto your sheets, her hair a glorious mess. Grinning in the face of utter filth. 

“You,” you exhale, running your palm down her side. “You’re so…” 

Karina’s mouth pulls up at a corner, like she’s daring you to finish the sentence, but you never do. 

You can’t stop staring at the stretch of cum-covered skin before you. Coating her belly, pooling into her navel. You realize with a start that there’s a new bruise blooming on her chest, a vicious sort of bite mark. You can’t remember when you did that. You’d been kissing her - of course you kissed her - her mouth and her neck and her tits, but you’d been so gentle, sucking light and soothing her skin with your tongue after-

“You didn’t want to cum inside me?” Karina asks, hoarsely. 

You blink so hard your vision blurs. “What?” 

“Right.” Her eyeshadow’s smudged dark underneath her eyes, making her look deliciously used up. “You did want to cum inside me.” 

“Karina,” you warn - or, at least, you mean to make it sound like a warning - but her name comes out too faint. It’s horrific. Your hand traces her hipbone so reverently. You’re no match for her. 

Karina arches a brow in unhurried challenge, ghosts her hand across her tummy. Takes two fingers and drags them through the cum you spilled, pulls back with it clinging thickly to her skin. Drifts down, down, down. 

“Karina,” you try to say again, even more pathetic than last time. “Jesus-” 

But you saying her name holds no weight here; she’s made that more than obvious. Nothing to stop her as she smears her cum-slick fingers across her glistening pussy, gaze locked amusedly on your face, tracking your reaction. She’s still so fucking wet - she rubs your cum in circles across her clit - tossing her head back a little, chest heaving and falling, fingertips just barely dipping inside her cunt-

“I can’t.” Karina lifts her hand to pop her fingers in her mouth, sucks them clean. Pointedly flashes her too-sharp nails at you like she’s unsheathing claws. “If you want it, you’re gonna have to do it yourself.”

“You,” you say, though your hand’s already pressing hard into her ribs, “are fucking cruel, baby.” 

“And you,” replies Karina, head tilting, “just want to see my cunt all filled up and leaking your cum.” 

Oh, she hasn’t been wrong about you all night. She certainly won’t start now. 

“What?” A sly, languid smirk tugs at her lips. “Afraid you’re gonna knock me up or something?” 

Your breath halts right in your lungs.

You’d been right about her too, it seems. Succubus. Vampire. She must be; she’s bloodthirsty. Tits gleaming with sweat, the scarlet stain of that bite mark you can’t remember leaving, cunt all dripping wet and desperately empty - body like a fatal fucking blow. 

Karina’s eyes glint. I want what you want, she’d said. 

With the way she spreads her legs, she’s gotta be ready to prove it.

So you never stood a chance. You give in and scoop up cum with one finger and sink it deep inside her aching cunt, feeling as she clenches down, as she takes it so well; like a good girl, you tell her, letting me do whatever I want with this needy little cunt; that’s my good girl. Karina lifts her hips - goes so still and so obedient - and lets you repeat it over and over again, fucking into her with your fingers until the plane of her stomach is bare and sticky and her cunt’s dribbling your cum onto your sheets. It’s completely nasty. It’s hot. It’s Karina craning her neck back and shutting her eyes as you bury three fingers inside of her and fill her with your cum, every part of her in utter surrender, entirely at your mercy, breathing out hard through her nose until your thumb rubs at her clit and she’s cumming again, all over your hand. She gets this look on her face, afterwards - exhausted, every line of her face gentle and lax - staring up at you like you’re the only person still left on this planet. Adoring, almost. As if you’re something out of another world. 

It’s an expression too sweet for a scene like this - and it’s exactly what men like you make art about. 

“There,” you say, soft and mesmerized, wiping your hand across her chest. “Satisfied?” 

Karina laughs her strange, gravelly, gorgeous laugh. 

“No,” she says, shamelessly. “But that’s not your fault.” 

Your fingers curl around the curve of her jaw. “No?”

She barely looks like she belongs in your bed - she must be something divine, lit from within, god-blessedly gorgeous. She’s a fucking fever dream: stunning eyes and the bob of her throat and her tits and her curves and all that hair. Stay, you think of telling her. Let me see what I can make of you. I don’t know you yet but I could, baby, I really could. 

“Nope.” Karina smiles, and somewhere, soliloquies are writing themselves. “I always want more.”

“Okay,” you say, mouth hovering over hers. “Then stay.” 

-

So she stays.

-

(An update on your script:

The stranger and the girl are back at his place. They’re sitting on his couch. Nobody has cleaned off her neck. He’s been too busy pawing at her: at her face, between her legs, at her tits in her tight dress. I need you, he’s been murmuring to her, and it feels like he really means it: like he’ll die if he doesn’t get her desperate and whining underneath him, his cock stretching her tight little cunt wide open. He doesn’t feel too bad about it. She’s a dirty slut. She’s said as much. She’s got her own needs, too. 

What happened to your window? she asks, suddenly.

He pulls back from her chest, his spit clinging shiny to her skin. 

She isn’t looking at him. He has the sudden, unnerving feeling that she hasn’t been looking at him the whole time. Not like she’s had her eyes closed in blinding, overwhelming pleasure - but like she’s deliberately been trying to look at anything else. 

But his hand falls between her thighs, and he realizes she’s already wet. 

A bird flew into it, probably, he says. That happens, sometimes. 

They’re talking about the stain on the once-clean glass of his window. The backdrop of the night sky behind means it’s barely visible, but the suggestion of it is enough. Implicit gore. Tiny little black feathers, caked in blood from the impact, dark and dried. It’ll be scrubbed off soon enough, he knows. It’ll be all gone eventually. 

Oh, she says. She doesn’t apologize for potentially killing the mood. She hasn’t, anyway, not really. She’s still wet and small underneath him, begging for it. Poor thing. 

Yeah, he says. 

She turns back to him. Her hair’s everywhere, all over the arm of his couch, wayward strands beneath his fingers. She’s clearly expecting something - to be kissed, to be fucked hard, to be called baby and angel and good girl. It doesn’t really matter either way. Those are the only things he can give her. 

He stares at the blood on her neck. 

Let me clean that off for you, actually, he says, and goes to the kitchen to get a washcloth.)

-

Much, much later:

“I admire you,” Karina says, all tucked up in your bed, underneath your sheets, half-buried into your side. Moonlight bleeds into the room. Her eyes gleam like galaxies. “For showing some self-control.” 

“What?” 

Karina’s hair pours over your pillowcase. She takes your hand and brings it close to her face, working your fingers into a tight fist. 

“Fucking bitch,” you mutter, and then regret it immediately. It lands too harshly, too strange and serious. “Sorry. I didn’t - that came out weird. I don’t think you’re a bitch.” 

Karina’s lips brush your knuckles. “Not the meanest thing I’ve been called.” Her voice twists with humor. She shouldn’t be so comfortable curled up with a man she doesn’t know in the middle of the night. You think of kissing her hard, of scraping her neck with your teeth, of warning her about self-preservation - sweetheart, you could tell her, this is how people end up dead. “Not the meanest thing I’ll be called, either.” 

You shift. Your fist, unconsciously, goes tense in her hand. “What’s your deal?” 

Her mouth tilts. “What’s yours?” 

You huff out a laugh. “You’re unbearable,” you say softly, which feels much kinder than calling her a bitch. “What are you - what do you mean?” 

I’m not hard to figure out, you want to tell her. I’ll let you in if you ask me to. But you - you, you imagine saying, cupping Karina’s face in your hands and saying her name like you’re praying to her, drafting scenes in your head with each whispered syllable - you. Look at you. I’d fill a thousand pages trying to find a way to understand you. 

“If you want to hurt me,” Karina says, “then hurt me.” 

Your throat dries up. Your fist falls open. “What?” 

“I wouldn’t blame you.” Her voice is matter-of-fact. You see her tongue dart over her bottom lip, the slick glimmer of spit. “If that’s what you wanted.” 

You stare at her, hard. 

It’s not difficult to make out her silhouette in the dark; she’s illuminated so distinctly by the moon, like it’s her own on-set spotlight, professionally arranged - she’s got the cosmos calling her shots. You think about how careful you’d been with her: doing what she wanted and making her cum and kissing her like you have history and maybe fucking her like you love her, just a little.

You think about that bruise you left on her chest, her skin between your teeth, the feeling of biting down. 

“It’s not,” you say, and the lie tastes acrid in your mouth. “It’s - it’s not, Karina.” 

“You fucked my face in public within like an hour of meeting me. And fucked me and came on my stomach. And fingered your cum inside of me.” It’s far past midnight. She sounds more alert than she should. “You’re gonna start being polite now?”

It sends an odd knot to your gut, the way she puts it. Equating all of that to hurting her. Laughing in the face of your clenched fist - not because she thinks you won’t do it, but because she knows how bad you want it. 

Hurt me. She says it like it’s so easy. Fuck me. Let me stay the night. Hurt me; you’ve earned it. 

“I’m not polite.” The truth doesn’t taste much better. “I just have, you know, common fucking decency.” 

“Hm,” Karina says, a nonchalant little noise, and nothing else.

You brush her hair off her neck and your fingertips graze the hollow of her throat. You feel her swallow under your touch. You open your mouth, though you’re not sure what you’re about to say - Karina, like a chant, like she’s consumed you in a matter of moments, Karina - but she shuts her eyes delicately, and curls close to you, and just like that the moment is over. 

I have common decency, you’d said. I won’t hurt you. I promise. I can control myself.

So maybe you weren’t right about everything. You’re not the devil. That’d be a delusion of grandeur - the idea that you’d ever have that kind of power over a girl like her. 

Not for long, she’d replied, in the knowing tilt of her smile. Not if I can help it.

-

In the morning, it’s a picture of crime-scene proportions. It takes a little work to piece it all together.

Karina’s not in bed when you wake up, but there are traces of her everywhere - telltale, incriminating bits of evidence. Strands of her hair on the pillow. Blood-red lipstick stains on the fabric. Her crimson dress crumpled on your bedroom floor, sporting a tiny tear in the hem that you don’t remember leaving; you can still smell her perfume all over your sheets, like a calling card. If this was a TV drama - a clichéd police procedural - she’d probably be dead in your living room right now, blank-eyed and beyond saving, rigor mortis deforming her perfect body into something grotesque. 

This is also probably not a thought you should ever relay to Karina, but you do anyway.

“Sorry to disappoint,” she replies. She’s perched on your kitchen counter, dressed in one of your t-shirts, bare legs swinging. “I’m very much alive.”

“I was being dramatic,” you try to say, gesturing with your hands to set the scene - the lighting, the fake blood and the special effects, the potential pallor of her face. “I’m - I’m a screenwriter. It’s in my nature. I didn’t mean I wanted to find your fucking corpse out here-”

“It’s okay if you did.”

You choke. “What?”

“I’m right with you, babe.” Karina leans forward conspiratorially. There’s a sharpness to the dark glint in her eyes that kind of makes you think she really does understand: that she has the same tendency to jump to the worst possible conclusions. A kindred, morbid spirit. “I get it. I’m pretty devastated that I’m still breathing, too.”

She says this all in a scratchy, sultry voice, hoarse as though she’s been sleeping for years instead of hours. Lashes fluttering like she’s just told you something very adorable and sweet.

“God,” you say, desperately charmed, and laugh until you feel light-headed. “You’re sick.”

Karina’s mouth curls. “Right.”

“I’m serious.” It’s surreal: her wearing your clothes and sitting on your counter like this is an everyday occurrence, indulging every fucked-up thing you say to her. Maybe you’re still caught somewhere in a dream, just waiting to wake up. “You’re, like - not normal.” 

“Hey.” A light, careless shrug; her palm rests over the back of her neck. “No arguments here.”

You rub a hand over your eyes, smiling like an idiot, and take a breath. 

It’s late January, and cool sunlight drips into the room, over your furniture and your floors and the angel right in the middle of your kitchen. It should wash her out, blur her at the edges; it doesn’t even come close. Turns her to a freeze frame instead, carefully color-graded, every hue just a bit too intense: skin ghost-pale, lips pouty and pink, hair jet-black and tangled to her waist. Your shirt hangs off of her slender frame like it aims to swallow her up. You thought you’d been stunned by Karina before, lulled by the late night, the electric rush of touching her - you’d assumed you could blame it on the alcohol, the slutty dress and the sultry makeup and the long-held habit of artistic romanticization-

But it’s nothing compared to seeing her now. 

Karina crosses one leg over the other, and waits as though expecting a rating: to be starred out of five like a film. 

Face scrubbed clean. Bone structure a study of faultless symmetry, delicate in a way that feels both inhuman and invulnerable. She’s so classically breathtaking - a miraculous second coming of a tragic, iconic movie star, a phenomenon back from the grave; jaw and nose and mouth all clean lines, aesthetically precise art - but God, those eyes. Enormous without the thick liner, suggestive only of impossible innocence. Like some darling baby animal, some long-lashed lamb to the slaughter - something pristine and completely untouched. 

The morning after, the direct light, the exposed behind-the-scenes - she’s still beyond beautiful. 

And somehow she’s still here with you. 

“That’s insane, by the way,” you say, unable to stop yourself. “That you stayed.” 

There’s a loud cracking sound. 

You squint, disoriented. “What-” 

Karina blinks at you, wide-eyed; her jaw shifts. The sound echoes again, startling and sudden. “What?” 

“Are-” You step closer. “Are you chewing on fucking glass or something?” 

“Or something,” Karina replies, smile’s tiny and closed-off. She gestures to the cup next to her. “It’s just ice.” 

She’s so calm watching you approach her. You’re waiting for the other shoe to drop, for the freakout, for the breakdown - or, at the very least, the scrambling excuses before the walk of shame. Here’s the truth: she doesn’t know you. Here’s an even worse truth: judging by her hickey that looks like you might’ve tried to rip her throat out earlier, she’d have every right to take one look at you and run. 

Karina doesn’t do any of it. Just raises her cup to her lips and tips it back, the arc of her neck so inviting. 

“That’s so fucking bad for your enamel.” You’re laughing again. You’re in front of her now, settled between her legs. “You’re gonna break a tooth.” 

Karina sets her glass down. Wipes the corner of her mouth with her wrist, eyes locked amusedly on yours - heavy-lidded enough to seem lazy, but pupils blown enough to be a siren call, a deliberate suggestion.

“Oh, no,” she says, all smoky sarcasm. “Who’d ever want me then?” 

She parts her thighs the second you touch them; her body’s so obedient under your fingertips, like a doll’s, something to be dressed up and posed and played with. Daring you to do everything you’re already thinking about doing. 

“You’re ridiculous,” you murmur, and give in completely.

So:

Look, you know exactly how the movies would frame this. Pandering to the wide-eyed teenagers and hopeless romantics; adding the swell of strings every time your eyes or hands or lips meet, each motion accompanied with unsubtle cues - there’s the meet-cute, there’s the moment, there’s the love-at-first-sight. It’s ridiculous to drag any of that into your real life, of course. It’d be like believing in God. Giving up logic to put your faith in something silly and mythic and implausible - to follow true love like a religion, expecting it to save your soul; to pray to the one like a healing property, a benevolent higher power. 

You can’t believe in that. You can’t. 

But-

Karina pulls back the barest amount, eyelids fluttering open like a new day dawning, and smiles when she sees the look on your face. So sweet and gorgeous; so struck and adoring. So comfortable wrapped up in your arms.

“Hi,” she murmurs. 

And - as though it’s some bone-deep instinct, saturating your bloodstream - you just have to kiss her again. 

Don’t you feel that? you think of telling her again, your hand slipping to cup her cheek - the sentiment always seems to come back around. You swear you can see scenes flashing behind your eyelids, the beginnings of a creative epiphany; it must be seeping through your fingers, staining her skin with ink, every possible action depicted neatly between brackets. A laugh, a look, a touch. A version of Karina projected across the silver screen to a wild, wanting audience. Don’t you see what you could do for me? What you’re capable of becoming? 

You can’t believe in any of this, but it’s gotta be something close. 

The feeling doesn’t end when the kiss does: only intensifies, made tangible somehow. Sculpted into the spit-slick curve of her lips, the flinty gleam in her eye. Like she feels it too. Like she knows. 

“And it’s not insane that I stayed,” Karina says, belatedly. “You asked me to.” 

For a moment you just stare at her, seconds from her mouth and speechless. 

It’s the truth without difficulty. It’s a confession with no strings attached. It’s the fucking dangerous way she says it - as if whatever you want extends to a lot more than sex. 

“And you don’t-” Your throat closes over a swallow; you find your eyes darting between hers, searching for anything but honesty. “You don’t think that’s insane? Doing whatever a stranger tells you to?”

Karina only laughs her strange laugh, gritty the way good music is, demanding to be heard.

“Nope,” she says, like this is all so simple. “That’s just what I do.”

It’s unbearably filthy in its implication - and it’s exactly what you need. 

The room seems to fill with potential, fantasies pouring in from the ceiling, enough to bloat any manuscript to its breaking point. You let out a breathless laugh, loud and unabashed. You think of pushing for even more, pressing your nails in and digging deeper - why me, why this, why now - but Karina leans in close before you can and slots her mouth to yours, and you’re no fool: there’s no line of questioning worth giving that up. 

Seems like you’ll have to come up with this character motivation all on your own. 

-

“Look at us,” she murmurs against your lips - meaning this very minute, the chemistry, how every glittering star must’ve conspired to get you here. “Kinda feels like this was meant to be, huh?” 

She’s clearly kidding, because it’s too soon and too fucking crazy, but-

Well, the way you kiss her then is absolutely your version of a yes. 

-

Here’s something people should probably know about artists like you:

You’re rather enamored with the idea of a magnum opus. 

It’s a natural thing to reach for, to visualize - the concept of your one great masterpiece. Something you can pour years and years into, water into roaring reckless oceans; time transforming the things you make into something worth remembering forever. Everyone you know - your sculptors, your songwriters - has their own version of this, somewhere. When I finally create this one perfect thing I’ll be - go on, fill in the blank. Fulfilled. Gratified. Happy. When I finally do this, I’ll feel whole. 

It’s strangely fantastical. A lifelong dream a kid would have - a childlike, storybook aspiration. 

Yours - as far as you’ve figured out - looks a little like this:

“It’s not as romantic as it should be,” you admit, now. “I’m not really into that as a theme. True love, I mean. Or optimism. Or hope. I want something more…” Something rougher, you mean. Something with pain. Something with blood and bruises. “Nuanced, you know? Complicated, messy.” 

“I get it,” replies Karina. She has her hands twisted in her lap, watching you very closely. You’re obsessed with the way she looks at you - like she’s drinking every word in with those smoldering dark eyes, greedy for more. For you. “All the best art is about pain, huh?” 

You snap your fingers, pleased to be understood. “Exactly.” 

Karina smiles, small and knowing, and gestures you on. 

In your vision, your magnum opus is always about a girl. Like you said, it’s the way it goes with all the best films ever made: not about love, but the futility of it lasting. Think of all the famed examples - think of the filmmakers and their obsessions, sneaking the great loves of their lives between each line: there’s something she said, there’s a dress she wore, there’s a conversation they had in the middle of the night, tangled up in sheets and whispering against skin. Your future muse will be just like that. A reincarnation of the infamous women who haunt all the greatest artists - an amalgamation of their bodies contorted into narratives and replicated in loving, graphic detail. Someone with skin like marble, a statue you could take a sledgehammer to. Someone who looks unfathomably pretty when she cries. 

Someone like-

“Uh-huh,” says Karina. She must’ve just gotten out of the shower before you found her, because her hair’s damp enough to have left wet patches on your t-shirt. She licks her bottom lip, once. “Sure.” 

Someone to be what you’ve always wanted: a flawless girl to fall from the sky into your lap. To fulfill your promise to yourself: when I meet her, I’ll know. I’ll be able to make this movie. When I meet her, everything will slip exactly into place. 

Karina cracks another ice cube between her teeth.

“So,” she says, low with insinuation. “When you told me last night that you found me inspiring…”

She doesn’t need to finish the question. She knows exactly what you want.

“You’re…” You shake your head. “You’re the most beautiful girl I’ve ever seen. I saw you and I just - I felt like I knew. I knew. I wanted you.” You shrug helplessly, smiling. “Do you think I’m nuts?” 

She should, probably. You’re a total stranger, a practical lunatic, an artist talking of your visions like you’re possessed. You don’t know her - that’s the reality of the situation. You don’t know her. 

But then there’s everything else.

The unbelievable sex, the staying the night; the way she lets you touch her, blinking slow and subservient, like you already have a claim to her body. You think muse and you think in abstract concepts, glittering stars, guiding lights; you think of skin cut up and sewn together, of creators and their finest monsters, of the implicit poetry in the undoing. You think muse and you think of the way Karina smiles at you now, full lips and frail bones, a painter’s portrait reference. Unmoving, unafraid. Too otherworldly for your day-to-day but just right when she’s in your arms, like a trial-run demonstration: this is what we’re capable of. You could make it happen. You could make me fit.

You swear you’ve been dreaming of someone like her your whole fucking life. 

You think muse, and now you can only think of her. 

It’s a sign. It must be. And this, the next one:

“No,” Karina says, easily. “I think you’re just like everyone else.” But she raises an eyebrow, so you know it’s a joke. “I think you’re all the same.” 

You laugh, delighted; Karina’s smile widens, shows her teeth. “Shut up.” 

Karina acquiesces immediately - claps a hand over her mouth like it’ll keep any other words from escaping. It’s so adorable that you can’t keep yourself from pouncing, suddenly all over her like an animal: wrenching her thin wrist down, fingers threading through her hair, tugging her lips to yours as if you’ve been starved and she’s something to devour. She’s so cold, ice still melting on her tongue; even her body feels glacial, more porcelain than real. It drives you wild - the stunning impossibility of her. The desire to see it all reworked, unwound, shattered. 

“So,” you breathe over her mouth. “I can write about you?” 

“Babe.” Karina’s dark eyes sparkle, frozen-over streets in the mid-winter sun. “You can do anything you want with me.” 

That’s the whole point of having a muse, after all. Everything they are becomes yours. 

-

“But,” you can’t help saying right after: “you don’t have to be, like - concerned. About what I said. About art and pain. I mean…” You falter. You’re standing in between her spread legs now, thumbing the sharp curve of her jaw. “It’s fiction. I’m not that kind of guy in real life - I’m not going to hurt you.” 

Karina just stares at you, sentiment clear and unspoken. 

“Not like - not seriously.” You roll your eyes, laughing it off. “Not like that.” 

“Not like that,” Karina echoes. The hickey on her neck seems to flush redder every time you look at it - a photograph in a darkroom, developing. “But in other ways.”

Your mouth opens, but whatever defense you might’ve had gets traitorously stuck in your throat.

Karina laughs hoarsely, lets you trace her bottom lip with a finger. She seems to get the picture - that you’d love to see it bitten and bloody, but only ever in the name of art. There’s a kind of sick, sadistic beauty in destruction, battles waged and lost. She leans into your touch like she’s seen all the war films and knows precisely why they’re so well-loved. 

“For the record,” she tells you, arms looped loosely around your neck: “I look very pretty when I cry.” 

“Jesus Christ.” You’re smiling. She couldn’t be more perfect if you’d dreamt her up yourself. “Then I guess I’ll have to make it happen.” 

-

It’s like fate, probably. 

-

(Up next in your script:

The girl is standing in the stranger’s bathroom. She’s turning a little glass perfume bottle over in her hands when he stops in the doorway. He’s perfectly content to watch her; she’s the kind of beautiful that deserves to be observed, like some exotic wild animal caged between four walls in an elaborate exhibit, mildly unaware of all the attention. Her hair is messy; her head is tilted down. Unseeing. 

Oh, he says. That was my-

Except he doesn’t even get the rest of the sentence out before the girl whirls around, and the bottle slips from her hand and shatters on the floor. 

Jesus. The stranger jolts back. Jumpy. He’s not too concerned about the broken bottle; it’s not his, anyway. Why the fuck did you do that? 

Sorry, the girl says. She’s leaning rather casually against the counter, observing the glass covering the ground, the sickly-sweet smell of the perfume sticking to the tile. Honeysuckle and the sharp note of alcohol, rendered unrecognizable. You scared me. 

He looks down. A crystalline stretch of tiny little shards - if she tried to move she’d slice her foot open. 

No worries, he says. Hold on. 

He ducks into the kitchen to get a broom and when he comes back he stops in his tracks. There’s something slightly off about the picture in front of him. She’s small against the background counter, frozen, barely blinking. Everything about her looks suddenly frail, fair skin ghostly underneath shitty bathroom lighting, cheekbones gaunt and sunken-in, hair pouring ink-black in endless waves. A vengeful spirit. An incorporeal haunting. 

Did you…? he starts to say, thrown. 

She blinks, finally. Did I what? 

He pauses, reassesses. She’s gorgeous. She’s art. She’s vibrantly alive. 

Never mind, he says. 

It seems kind of like she’d moved, but he can’t tell. He forgets about it. She’s still beautiful and she seems okay and so he steps forward and clears the worst of the glass out of the way. 

It’s silly, she says, watching him. I used to know someone who wore that perfume. 

It was my ex-girlfriend’s, he says. She left it here a while back. I think it’s a common brand or whatever. Hey, let me help you. 

He’s very chivalrous about it, sweeping her off her feet, cradling her bridal-style across the possible remnants of glass. She laughs all the while, playing into it - a princess out of a fairy tale, being carried to safety by some gallant knight. But then he sets her down and cups her ass and says, You gonna pay me back for the property damage or what? and she laughs harder, because there’s nothing funnier than that: sweet moments turned filthy, a startling hairpin turn in intention. 

Or - conversely - a revelation of the absolute truth. Because what else could he ever want from her?

So she says, Yeah, sure, take everything, and leans in to kiss him.

It’s a normal kiss, mostly. It’s just that it begins pointedly erotic but seems to turn strange after a second, like he might be gripping her hair too hard, like she might be corpse-limp in his arms, like at any moment he could unhinge his jaw and sprout fangs and swallow her whole, cannibalistic, viperous. There’s too much spit and sound. There’s too much teeth and selfishness. It stretches on too long and lingers where it shouldn’t and overstays its welcome terribly - the score seems to fall off-beat, the lighting seems to shift dark and discolored-

But then the kiss breaks, and it’s over. 

When he pulls off of her she looks like the perfect picture of flushed contentment. Eyes half-lidded and lashes fluttering, her pouty lips swollen and rosy. Smiling like she wants more, like she wants it so, so bad. 

It didn’t get you? he asks finally, looking at her neck, thinking of thorns and pinprick pain and the rivulet of crimson that’d decorated her throat. The glass? 

No, she says. Don’t you wanna fuck me now? 

Oh, God, he says, grinning, and every other thought melts away into nothing. He likes how she doesn’t play coy. He likes how she’s smaller and has to tilt her chin up to look at him. He wants to fuck her, so he does. 

It’s excellent sex. The blood on the tile doesn’t really matter.)

-

Before you really start writing, there’s just one singular problem: you don’t know anything about her. 

“That’s not true,” Karina replies, right away. 

You open your mouth, then close it, because - okay, she’s not completely wrong. 

For about an hour now you just haven’t been able to stop talking to her. About anything, everything: your start into screenwriting, your favorite novels, your greatest inspirations, your neverending passion for eerie, erotic art. You can’t seem to shut up. And it would be bad - would be making you feel self-conscious right now, if it were anyone else - but it’s just not. Because it’s, well-

It’s you, you told her, thoughtfully, watching as the sun climbed higher into the sky, golden light grazing each scalpel-sharp edge of Karina’s body. You’re easy to talk to. Has anyone ever told you that?

Karina blinked at you. Tucked a strand of silky hair behind her ear and looked away, considering it. 

She has this way about her: this serene openness to her big eyes, her body language. Leaning back on her hands, humming and nodding and saying I get it, I feel that way too, I understand with such sweet sincerity that you can’t help but believe her. Like a Catholic confessional, a pristinely blank page - something you could pour hours and hours of words into that would never, ever complain. 

Yeah, Karina said, finally. She pulled one leg up to her chest; you could see the lacy black of her panties. I get that all the time. 

Just one of those people, huh? Her character was taking shape already. A vault for everyone else’s thoughts and ideas, cradling them between her fingers like something infinitely precious. A listener. Such a lovely trait; a perfect protagonist characteristic. An observer. 

Yeah. Her cheek rested gently against a knobby knee. Exactly. 

It’s something of an art study. You’ve been filing away these details about Karina since the moment you met her, unraveling her bit by bit.

She always seems to think deeply before she speaks, a sort of charming self-scripting, like she wants to make sure she gets every sentence just right. She makes silence seem like the most natural thing in the world. She doesn’t laugh nervously or blush or get embarrassed, ever. She’d mentioned offhand during one of your tangents about your most beloved movies that she tends to like films about gorgeous, dangerous, scarily self-possessed girls: Thirteen and Black Swan and Girl, Interrupted. She seems both intensely present and consistently lost in thought, there one moment and gone the next, her long-lashed gaze falling in and out of focus like a camera lens. A contradiction, you think to yourself. An enigma, even. Profoundly complicated. Not just a girl but something more. 

Art in and of itself, displayed deliberately on your kitchen counter, waiting to be understood. 

“No, you’re right.” Your fingers have strayed to your open laptop; you’re seconds from typing Karina’s name like a title, something you’ve created all on your own. “I know…”

You’re trying to think of something nonchalant to say and failing. I know you - the first instinct, somehow. I know you’re something brilliant and remarkable and new. I know I’ve never felt this way before about anyone. I know there’s something here, I know what I feel, I know what I want - you, you, you. 

Karina stares at the ice melting in her glass. 

Then she says, mouth tripping up at a corner: “You know I’m a world-class fuck.” 

“Jesus.” You laugh out loud, surprised. “Okay, yeah. That.” A pause. “And, obviously-” 

“Obviously,” Karina echoes, like she knows where this is going. 

“I know that you’re, like - outrageously fucking beautiful.” 

Karina hums once, letting the compliment wash over her, and turns to look out the window. 

You bite down on your lip - bite back all the other too-soon things you could say about her, threatening to claw their way out of your mouth - and go in on your script instead. 

It’s shockingly easy to write with her in the room. The details seem to stitch themselves together on-page, the restorative aftermath of an autopsy: sealing the slit chest cavity back up, prepping a corpse for an open casket, making something disconnected whole and beautiful again. You’d pulled these specifics from her like pulsing, throbbing organs - her tits, her tone, her tiny waist - and now all you’re doing is repurposing them. You know her body now. You turn stretches of pale, bruised-pink skin into prose, the curl of her little fingers around her thigh into dialogue. You imagine taking that perfect frame and picking it apart again, bit by bit; not just undressing her but peeling back layers of flesh, familiarizing yourself with the stark scarlet of her bloodstream. Until there’s nothing to hide and you can finally say it - I know you - and it’ll feel earned, and real, and honest. 

All very melodramatic, of course. It’s just the process: the natural consequence of being a writer. 

Your eyes trace the jutting protrusion of muscle in Karina’s throat, and you think about fucking her again. 

“Also,” you say, as though your earlier conversation isn’t long over. “I want to know-”

Karina makes a huffy, half-impatient noise.

You grin, gaze flicking back to her face. “What?” 

“You want to know more?” Her brows furrow in exaggerated confusion; her smile is absurdly self-deprecating. As if there’s anything she could possibly be insecure about. “You already got the two most interesting things about me, babe.” 

“Stop.” Your mouth twitches. “No way.” 

Karina’s smile stills in place, expectant. “No?”

“Come on.” Your hand slips from the keyboard to trace her knee. “I’m sure there’s all kinds of interesting things about you I haven’t learned yet.” 

The laugh she lets out is quiet and nearly secretive, legs parting to let you touch her. You’re already half in some faraway daydream, wondering if you can bottle the color of her eyes and turn it loose on the page.

“Okay,” Karina says, easily. She nudges your laptop away, scoots closer to you, her sharp chin pointed down at you. “Come and learn them, then.” 

“God.” As if that’s what you’re doing. Memorizing her body as some private education; taking her apart in a classroom dissection. “Can I - I’m trying to write, Karina. I’m being productive. I…” You’re shaking your head as though you’re not already giving in, fingers slipping up her thighs - she’s smirking at you like she knows it. “You’re fucking insatiable, you know that?”

“Then satiate me.” Karina’s head tilts, lids heavy. “Fuck me. Use me.” She leans down like she’s telling you a filthy, sordid secret. “Cum in me like I know you want to.” 

There’s something surreal about how certain she is: never tripping over her words or waffling over intentions, the most practiced actress you’ve ever seen. Every move - her tongue wetting her bottom lip, her hand sliding gracefully through her hair, her mouth forming a sweet little pout - all clean, choreographed precision. 

I know you, she says - like it’s earned, real, honest. Inexplicable, but there anyway. I know you want to. 

“Karina.” Her name comes out embarrassingly strangled. You’re pulling her thighs further apart, toying with the edge of her underwear. “You’re such a fucking - you’re so needy.” 

Her smirk sharpens even as you tug her panties roughly to the side. “I’m what?” 

“Needy.” 

“No.” She’s so wet - she’s probably seconds from dissolving into a whimpering breathless thing, begging to be underneath you, begging for more. That damn smirk is probably seconds from shattering completely. “What were you going to call me?” 

“Nothing.” You drag a finger down the slick drenched heat of her cunt.

“A slut.” Her voice is a purr, gravelly and sensual. “You think I’m just this fucking slut who needs your cock all the time, huh?” 

But it’s the kind of question that you already both know the answer to. Karina takes your finger-fucking so well, hips raised and rutting, hair cutting across her cheekbones - seems to give herself over to desire so fucking easily, with her whole body, back arching and neck craned and hot little cunt a sloppy mess. Never puts up a fight, never demures or acts shy; never says wait or don’t or stop. Only spreads her legs, and drips down your hand, and waits to be fucked good and hard.

And - hey, there’s one dirty word for a girl like that. 

“Well.” You raise your eyebrows at her: a challenge. “Are you?”

It’s dangerous. This is all dangerous. Stumbling down a treacherous path, asking a stranger something like this. Are you what I think you are? Do I know you? Do I really? 

Karina makes a low, luxurious noise at the stretch of your fingers in her cunt, buried to the knuckle. 

“Sure,” she says - and the gleam in her eye tells you she knows exactly what she’s getting herself into. “I’m whatever you want me to be.” 

-

So, it’s possible this is really the most interesting thing about her: she’s the kind of girl who never says no. 

-

That scene goes down how all scenes should:

“Fuck, fuck, fuck-” 

Karina’s choking out curses like she can’t recall any other words, head lolling back to expose the pretty bob of her throat. You thrust deep right then and she lets out a sound like an aching gasp, like you’ve doubled down with a fist to her gut, like you’re knocking the the air right out of her; you might as well be - oh, she moans, like she could be in shock or awe or pain - with the way you’ve got one of her thighs pulled up so you can fuck deep into her tight dripping cunt. It’s not nice, not really. Her back keeps hitting your counter. You keep staring at her neck and her hair and her face: the faint flush of her cheeks, the flawless construction of her bones underneath - there’s so much unmarked skin - God, she’s so clean, it’s like she’s never been fucking touched-

“You gonna cum for me?” you murmur, voice coming out thick and half-animalistic. 

She has one hand curled around the back of your neck. She’s got those ridiculous clawed nails on her but she never presses down. Her pussy can’t stop clenching around your cock but she takes it so well, lets you make room inside her little cunt, shuts her eyes and trips over her own breath as you force her spine hard against your counter over and over again. 

“Karina.” 

“Yeah,” she exhales, raspy and strained, as your cock stretches her out. “Fuck, yeah-” 

“Cum for me, honey. Cum all over my cock - oh, there you go, good girl-” 

It’s hypnotic. The tiny bitten-off sounds spilling from her ice-cold mouth - that small pristine face and all that hair tangled to her waist, just available to be knotted and tugged and fucked all the way up - Karina clings to you when she cums, and you feel so much bigger than her when she does, like you’ve got her sloppy and open around your cock and you could do anything to her, that’s what she told you, and even if she hadn’t, it’s not like she could stop you - she’s gorgeous but she doesn’t have it in her - she’s just too fucking delicate-

It happens too fast to process. 

One minute you’re buried inside her pussy and the next Karina’s on her knees, on the ground, and you’re jerking your cock until you’re cumming all over her. 

It’s obscene. It’s fucking inevitable. Thick ropes of creamy cum coating her forehead, her cheekbone, her nose and mouth and getting all in that hair-

Her hair. You don’t realize how hard you’re gripping her hair with one hand - balled in a brutal fist at the back of her head - until you disentangle your fingers from it and Karina sinks to the floor like she’s just been cut loose from marionette strings, breathing fast and hard. She doesn’t even say anything: doesn’t comment on the fact that you’d just shoved her straight to the ground or complain when the head of your cock smears cum across her jaw. Doesn’t even flinch when your cock slaps heavy across her cheek, at the indecent sound of the impact. 

You’re staring at her, open-mouthed. At her gorgeous, breathtaking, defiled face. 

Karina’s not looking at you. Instead, she’s preening in the most lewd, pornographic way possible: swiping her thumb through the cum streaking across her forehead, popping it into her mouth to suck. Halfway through she seems to remember you’re still in the room - seems to recall the value of a performance - and she redirects her gaze up at you, lids heavy, and smirks. 

“Did I…” you start, without knowing how the sentence will end. “Did I - was I-”

Karina lifts a cum-covered eyebrow. Her mouth’s an arresting pink, puckering around her thumb like it puckered around the cubes of ice, how her lips formed a ring around your cock back in the bookstore yesterday. She lets it slip free, shiny with spit. 

“No,” she says. “You’re good.” 

You can’t stop looking at the cum caught in her hairline. She’d been so fucking clean. 

You glance down and realize there are strands of black hair broken off in your clenched fist. 

Karina’s looking at her hair in your hand too, now, but with a sort of amused detachment. She stands shakily, using the counter for support. There’s cum all over her. Her knees are red from how hard she’d been pushed down.

“You’re so cute,” she tells you, grazing the side of your neck with her fingertips. “There’s no shame in being rough with me, babe.” 

“Right.” There’s an unnamed pressure coiling in your chest. “But - but you-” 

“Hey.” The word comes out in a rasp, and then Karina laughs, pushing the low hoarse lilt of her voice to its limits. She steps closer, angles her little cum-stained chin up at you. “Are you really gonna tell me you don’t like seeing me covered in your cum?” She’s tonguing the corner of her mouth. “Turning me into a-” her smirk pulls wicked; your next breath hitches so badly- “messy fucking whore for your cock?” 

“God,” you get out, because she’s winding an arm around your neck, and her pretty face is still sticky with your cum. “I-” 

“It’s what you wanted.” Karina blinks, in a show of such doe-eyed naïveté that saliva begins pooling hot in your mouth - like you’re feral, like you’re rabid. “Isn’t it?” 

You’re looking down again. Her knees are going to bruise. Black and blue, as if someone’s bullied her in the schoolyard, pulled her pigtails and knocked her to the asphalt. An echo of something teachers could’ve told her years ago: oh, look, he’s mean to you because he’s got a crush. It’s okay, really - he only hurts you because he likes you.  

“You like me like this,” Karina murmurs, dangerously low. “All sloppy and slutty for you.” Her gaze is trained on your mouth. “Marking me up.” Her hair slips from your hand. “Owning me.” 

Her name clogs your throat, cloying and candy-sweet. “Karina-”

Karina’s head tilts. “Yes or no?” 

She’s too close to you. She’s so filthily beautiful she seems somewhat alien, some kind of foreign invention. Her jaw is smeared with your cum and her flawless teeth shine like jewels and she’s like every creative vision you’ve ever had cut in clips and playing back in a movie theater, made to be scrutinized. 

“Yes,” you tell her, winded. “You’re fucking - you’re unreal, you know that?”

You’re smiling like it’s flattery, like it’s an exaggeration. Like she’s not living, breathing, visionary art. 

She smiles back, like she knows just how much you really mean it.

“So I’ve been told,” Karina says, and taps your neck, lightly. “Go make breakfast.” She shakes her hair out; some of it gets stuck to the cum on her cheekbone. “I’m taking another shower.” 

“Right.” You bite into your bottom lip, hand skimming down her side. “Go get clean.” 

“Clean?” She steps back and flashes a disbelieving grin, gestures pointedly at herself - her creamy thighs, her porn star tits in your t-shirt, her body like sex itself. Dirty by design. “Never happening.”

Some cynical part of you keeps waiting for a slip-up, some mistake in a masterfully crafted script - no one can be that gorgeous and still be here with you. But Karina moves and your eyes are hopelessly drawn to the disheveled curtain of her hair spiraling down her back, the sharp distinct lines of her calves, the flex of muscle in her thighs. Her hands, balled into little fists. She’s alluring as if manufactured that way: engineered to be perfectly bruisable, ruinable. It defies logic. It’s movie magic.

“Well.” You snort with laughter, swat at Karina’s ass as she turns to go. “At least you can try.”

You don’t even think she can help it - that’s the thing. It’s just what she was made for. 

-

“What would you have done if I said no, though?” you ask after a moment, as she wavers in the doorway. “Like - what if I told you I didn’t like you like this?” 

Karina shrugs.

“I would’ve been something else,” she says, and closes the bathroom door behind her. 

-

(Next:

The stranger and the girl fuck and afterwards he promises her breakfast and then he realizes his cabinets are bare, his fridge painfully unstocked. Sorry, he says, as she pokes around his kitchen. I don’t know how that happened. I usually have something to eat here, I swear. 

I don’t mind, she says. Her fingertips sweep his shelves. She seems fascinated by the emptiness, admiring the vacancy. Oh, wait, look. 

She finds a half-eaten jar of honey that she ends up scooping up crudely with her fingers, dripping sticky amber down her hand. He’d tell her that’s disgusting but she makes it - as she seems to make everything - into a pointed seduction, her tongue pink and wetly visible, her skin gleaming as she licks it off. It’s funny. He’d never thought it possible to turn eating into some sort of sexual performance but she manages it anyway: meets his eyes, sucks loud and lewd, smacks her lips and wipes her mouth with her thumb, ill-mannered and stunning. 

I can’t imagine that’s very filling, he says, delighted by her commitment. 

Yeah, well, she says. It’s a good thing I hate feeling full. 

But it seems like a moment of hilarious irony when ten minutes later he’s got her bent over his kitchen counter, tits pressed punishingly to the flat surface, honey stuck to her neck and collarbone as she’s fucked hard again and again, stuffed with his cock, his fingers everywhere, like her own body barely even belongs to her - all mine, he keeps saying, and means it; you’re all mine. All filled up. Overfed. Bursting. 

Sex is a manner of consuming, it seems. He might as well be eating her alive.)

-

“Do you do this a lot?”

Eventually, it turns into one of those lazy Saturdays. An afternoon of sitcom plot points. 

It’s just so easy to fill the time, the space, the page - you tell Karina some inane story from your college years and she reacts in all the right places like your own built-in studio audience; she says something off-handed and enticingly vague and suddenly you have a new thread of dialogue to explore. You’re both sprawled out over your couch, Karina’s got her thighs tucked over your legs, wearing another one of your t-shirts, a fresh hickey bruising over her throat. There’s something delightfully domestic about it - like you’ve been doing it for a lot longer than you have, or like you could do it eternally if given the chance, holding all the silken comfort of an old routine. When you’d mentioned it - I kind of feel like I could do this forever - she’d laughed her scratchy laugh and said forever’s nowhere near as long as you think it is, babe. A perfectly cinematic line. You stared at her, leaned over, and added it immediately to your draft. 

“This whole…” You’re trying to elaborate now, staring at the blinking cursor on your laptop screen. Your knuckles skim her bare, bony knees. “You know.” 

“Eloquent.” 

“Shut up.” 

“I thought you were a writer.” 

“Karina.” You’re charmed by the drawl of her voice, the raspy roll of sarcasm. “I’m just wondering.”

Karina shifts in your lap. You’ve got one hand sneaking up the hem of her shirt - your shirt - skating up her tummy, her ribs. You’re probably about five minutes from snapping your laptop shut and pulling her on top of you and saying something crass about her tits and passing it off as a character study. 

“What do you mean?” She’s as close to clean as she can be. You made sure of it - licked the hollow of her collarbone earlier after she got out of the shower, tasted nothing but soap and skin. “Do I have a lot of sex with strangers? Or do I stay the night a lot after I have sex with strangers?”

“Both.” You think of taking her hair down, sifting your hand through it, wrapping the strands around your fingers. “All of the above.” 

Karina shoots you a look, fluttered lashes, suggestive understanding. You hear it without her having to say it. You want me to tell you that you’re special. 

“I’ve kind of been going through a phase,” she says instead, nonchalantly. 

Your eyebrows fly up. “A phase?” 

“I’ve been, you know.” She gives an airy sigh. “Trying to find myself in the big city. Running wild. Terrified of monogamy but being very brave and quirky about it. Sordid past with love and romance and general human connection. Doing the whole manic pixie dream girl thing.” Her eyes flick to your open laptop, abruptly too wide and innocent. “That sound about right?” 

“Fuck off.” It’s a complete non-answer. You run a hand past her stomach, laughing. “You’re fucking with me.”

“What?” Karina inches closer. “Isn’t that what you wanted? Your textbook rom-com love interest?”

You make a rather disparaging sound in the back of your throat. “Ugh.” 

“Oh, my bad.” Her mouth curls, contradictory. There’s nothing apologetic about her. “I forgot. You don’t believe in art about love. You wanna see broken people and broken people only.” 

“See?” You’re obsessed with her tone; all flirtation, some distorted version of come-hither charm. Talking of suffering like it’s a seduction tactic. “You get it.” 

Karina rakes a hand through her hair; her fingers fall to the back of her neck and linger there. She pulls herself out of your lap and turns, hooks one bare long leg over you until she’s straddling you. Your hands find her hips. You’re disarmed by her strange weightlessness, like she’s seconds from either shattering or taking flight.  

Then she asks, “Is that what you’re doing with me?”

It’s gotta be a very roundabout request to fuck her stupid, because she follows it up torturously: ducks her chin, parts her lips, rocks her hips down until you groan. You watch her throat, the way muscle works over bone, picturing unspeakable things: taking her by that pretty neck and pinning her to the wall, ripping your shirt right off of her with your fingertips leaving bruises - bending her over to fuck her fast and cruel until her cunt’s raw and aching and leaking your cum - until she’s begging pathetically, saying please, God, please - and you’re triumphant, victorious. Telling her you asked for this, didn’t you? You said anything. You said anything I want. 

“Depends,” you reply, when you can breathe again. “Are you a broken person?” 

Karina stops, moments from your mouth. 

“Depends,” she echoes. “Is that what you want from me?”

It actually takes a beat for the question to sink in. Then two, then-

“No,” you say, loudly. “Obviously not, Karina, Jesus. Why would I…”

You falter. 

Karina only looks back at you, patient, tolerant. Like if right now you said that’s exactly it: I want you broken, I want you ruined, I want you decaying and dead and buried, she’d smile and say do your worst. Flashing those white, white teeth, perfect like pearls, ready to be knocked right out and strung together. 

You blink the bloody vision away. “Why would I ever want that?”

Karina studies you for a second longer, expression indecipherable. 

“Okay,” she agrees, breezily. “Then I’m not broken. I’m just going through a phase, like I said. I don’t like being tied down.” Her shirt rides tantalizingly high up her thighs; her hand slips down to palm your cock. There’s a twist to her lips, a dirty sort of smirk. “You understand that, right?”

You stare at her.

“Right?” Karina prods, again, low and sultry. 

“Right,” you say, unable to fight your sudden smile. 

The pout of her mouth’s an inevitability; her little body in your lap’s a seductive form of foreshadowing. You dig your fingers into her protruding ribs, playful, and you don’t quite get the squeal of laughter you were expecting - all Karina does is curl closer, expecting more, expecting harder. She knows what you’re capable of. You’re both just biding your time until you cross the same line you’ve been crossing and you fall back into bed again.

“A phase,” you add, considering. It intrigues you, anyway - the casualness, the connotation. “So - I’m not special, then. That’s the moral of this story.” 

Karina’s fingers sift gently through your hair. “You wanna be special?”

“I mean, yeah.” Your palm falls to her neck, presses down. She doesn’t seem to mind. “Doesn’t everyone?” 

Her eyebrows rise in vague, unconvinced amusement. It makes sense: she’s the most special of all, a cosmic glitch, an angelic fluke. Someone like Karina wouldn’t understand the aching, clawing, consuming desire to be extraordinary. She’s already there. 

Your hand on her throat looks even bigger now, tendons straining from underneath skin.

“I think we all want to feel important,” you mumble, thumb grazing gently across her jaw. “Don’t you?” 

You’re pretty sure the wry, glittering smile that sits at Karina’s mouth is an answer in itself. 

-

Alright, forget your television metaphors - you’re not sure there’s any sitcom out there that goes quite like this.

“By the way,” you say, grinning against her hair as you pull her to the bedroom. “Did you say you don’t like being tied down?” 

Karina turns in your arms and doesn’t even flinch when you force her too hard against the doorframe and its edge smacks into her shoulder blade, digging in hard. You should apologize but you don’t; the possibility of her in pain seems laughable, a distant fantasy. This is how it goes, fucking a girl who looks like a god - your brain is convinced she’s wholly immune to hurt. The universe wouldn’t actually let someone so pretty bleed. 

“Oh, sorry,” she says, voice raspy with insinuation. “Let me rephrase.” 

“Karina,” you say, not really like a warning - more like you’ve got something to prove. This is real. You’re really here. You’re really this perfect, gorgeous, greedy thing. You’re really made for me. 

Karina only lets her lips tilt in a smirk, devilish and knowing.

“I meant that I don’t like commitment,” she says. “I love being tied down.”

She’s still smiling when you shove her through the doorway, across the threshold - across that same old fucking line.

-

Not that it makes a difference now, but one of the reasons you and your most recent ex-girlfriend broke up was because of what you’d both referred to as sexual incompatibility. Actually, there were about fourteen other things, too - she was a trainwreck and a textbook attention whore; you spent all your time writing and she took offense to the fact that you found your scripts more interesting than her - but the crux of the sex problem between the two of you was that she thought you wanted too much power over her. She seemed to assume that was the point of potentially tying her up and shit like that: to exert power. To put you and only you in control. To make her into this helpless little toy - and I hate that, she’d said, working herself into a fit, I hate feeling helpless. 

You hadn’t pushed her. You’d also tried to justify it in a number of ways. It isn’t about that. It’s not about control. I’m not trying to make you feel bad. But it hadn’t made a difference and she hadn’t believed you and you’d come to the reluctant, inevitable conclusion that that particular dream would never actually get fulfilled. 

Until-

“Look at you, baby.” 

Until now, when you’ve got Karina stripped bare and tied to your bed, thighs parted as you kneel over her, pretty little cunt glistening wet and tits heaving with every breath as she waits, and waits, and waits. 

Eyes half-lidded. Utterly fuckable. A curated collection of every salacious desire you’ve ever had. 

“You’ve been looking at me forever,” murmurs Karina, her tone still humorous, like the reason her voice is run so ragged is because she’s holding back a fit of giggles. “You gonna fuck me anytime soon?” 

To Karina’s credit, the idea of tying her up didn’t seem to bother her one bit. She’d let you knot her wrists to your bedframe and only grinned sharply when you asked her if it was too much. She didn’t seem to care about feeling helpless or feeling bad. Actually - judging from the wetness that collects on your fingers as you rub two of them over her cunt - it all seemed to turn her on either way. 

“You’re so fucking mouthy.” You lift your hand only to ghost it over her stomach, leaving a lewd shiny streak across her skin. “It’s like you want to be punished.” 

“Well, you put in all this work.” Karina yanks at the ropes tethering her wrists to the bedframe until they bite so severely into her skin that it turns white. “I’d hate to see it go to waste.” 

“Not a waste.” 

“No?” She’s got that seductive little smirk on, legs spread shamelessly, head back and throat bared. 

“Nope.” Your eyes rove down her body. “It’s a great view, actually.”

You’re shocked by the sound Karina makes, then: harsh and derisive, scratchy and painful, like she’s choking badly around some injury in her throat. You’re half-expecting her to turn her face and spit blood onto your sheets - all murder-scene evidence, horrifically vibrant gore. Coughing up her own vocal chords. 

It’s so awful it actually takes you a minute to realize that she’s laughing. 

“Karina?” you say, perturbed.

“Oh, please.” Karina hacks out one more horrid laugh. “Cut the shit.” 

You draw your hand back uncertainly. “What are you-”

“Come on, man.” There’s a glint to Karina’s gaze as she looks up at you: bored, mocking, infuriating. Irises flashing like the darkest corners of haunted houses, set-ups for a summoning; lashes like cobwebs, self-spun and delicate. “Fuck me or leave me alone.”

For a second you just stare at her, unmoving, something caustic and furious threading up your spine. 

And then-

Look, none of this next part is on you. You can’t blame yourself. It’s her - her tiny hands in tight clenched fists, tummy so flat it seems caved-in, hollowed-out; her own glimmer of slick smeared on her belly, physical proof of how desperately slutty she really is. The bruise on her chest; the one on her throat. Her goddamn eyes. Her lazy, lilting drawl, the exact matter-of-fact casualness she’d had last night when she’d told you to hurt her - fuck me or leave me alone. 

It’s so obvious what she’s trying to do - provoke a reaction out of you. It’s gotta be the only reason she’s talking to you like that. Like, what else are we here for? Like, what else could I possibly want from you? 

So - no, God, it’s not your fault. 

But-

It’s over before you can even think about it. Before you’ve even rationalized doing it, before you recognize the sound ricocheting through the room as the perfect violent land of a blow, the hot whiplash of skin on skin, your palm connecting with its target. Before you blink, and recalibrate, and you take in the rapid reddening of her cheek, and her angled jaw, and her hair falling starkly past her chin - it’s too late. It’s already done. 

Because you’ve just slapped Karina clean across the face - hard. 

“Oh.” You’re babbling as if on autopilot, all your nerves on shutdown. “Oh. Oh, God. Karina-” 

Karina licks the corner of her lip, like she can taste the impact. 

“Jesus Christ,” you’re saying, panicking; you can’t shut up. You don’t know what to do with your hands; you find yourself kneeling carefully in front of her, cupping her face, stroking her temples with your thumbs like it’ll soothe the sting. You can’t believe you hit her. All the things you could do to a girl like that, and you - “I’m sorry. I didn’t - fuck, baby. I’m sorry.”

Karina blinks up at you, expression placid and blank, porcelain-doll cool. 

“For what?” she asks. 

You freeze, her face still between your palms. “For-”

But the serene tilt of her mouth makes the words die in your throat. 

“Seriously.” Karina’s voice is softer now, a kind twist of mirth. “Isn’t that what you wanted to do with me this whole time?” 

Her features seem to fall out of alignment, occurring to you in cut, edited fragments - the baby-animal eyes, the bone-white glint of teeth, the pretty blooming flush of her cheek, blood rising underneath skin but never breaking through. No evidence of a limit breached; she doesn’t wince or wail or cry. She wears the hit so well. She’s smiling. A you-don’t-need-to-be-sorry smile, a you’re-forgiven smile: I’m strong, I’m good, I can take it. Whatever you need. Whatever you have to give. 

You blink and Karina reassembles, stitched up at the seams, beautiful and uninjured and intact.

“You want this,” you exhale, a wondrous revelation.

“Of course.” Karina’s shoulders rise as much as they can with her arms so tightly tied back. “You do, don’t you?” 

The panic recedes, and something else - something electric and brutal, visceral, intoxicating - takes its place instead. 

It’s the way she says it: rhetorical, all-knowing. As if she’s seen exactly what’s in your mind - what repulsive daydreams have settled right behind your ribcage, clawing to be set free - and she’s offering her own body in sacrifice. Saying here, put them here. 

So you do. 

She doesn’t even look surprised when you slap her again. 

“See?” Karina’s chin tips upwards in delicious, submissive invitation: eyes darkly pleased, pale skin a burning wildfire, curled mouth a beckoning. Like it’s been what she’s waiting for, all along. “There you are.” 

And when you’re finally able to catch your breath:

Oh, you think, in some exhilarating epiphany. Here I am. 

Every single reservation falls out the window. Karina’s smirk slants viciously and then you’ve got your hands all over her, on her shoulders and her tits and her hips and her throat and her face, thumb digging hard into her cheekbone. Any sort of gentle caution is gone when you’re getting on top of her and burying your cock deep inside the suffocating vice of her aching little cunt, half-drunk on the high mewling moans you’re forcing out of her, head swimming at the drenched audible sound of her pussy every time you fuck into her - at how tight she clenches down around your cock. Fuck it all, then, it’s not like it means anything - hurt me, she’d said, running through your head on loop; I want it so bad, I need it, hurt me - and so you do, wrapping a hand around her delicate neck and pressing down, slapping hard against her heaving tits, salivating over the marks that you leave. She doesn’t even struggle. Takes it like a good girl, an obedient girl: something meant to be hit and torn up and pulled apart. A hands-on art piece. A disassembling, made purely for audience consumption; a sign hung around her neck that says leave your mark, that’s the point. You’d been so naïve, thinking of being careful with her - like she’d ever even fucking want that-

“You like it like this.” Your voice sounds raw, almost unrecognizable; your fingers press into the base of her throat. “This is all you needed, huh? You just needed to be roughed up real hard.” Your hand trails up to grip a fistful of her hair, merciless. Karina shuts her eyes. “Like you’re just a slutty fucktoy-” 

Karina chokes out a small, wet gasp.

“Oh, baby.” You yank harder at her hair. “It’s okay to admit it.”

But in a way, she already is. Doesn’t fight against the restraints tying her wrists, doesn’t flinch at how rough you’re fucking her, doesn’t whine or blink back tears at the harsh graze of your thumbnail against her nipple. Like she’s a plaything, here in your bed for your pleasure alone. Like-

“Like you were just fucking made for this, yeah?” She comes undone so easily: cunt a wet sticky mess when you reach down to rub her clit, teeth pearly-white where they’re caught on her bottom lip - though nothing can hold back the anguished noise Karina lets out at your pace, the thick stretch of your cock, your palm smacking at her tits over and over. “Look at you. That face, these tits, this little fucking cunt-”

Like it’s her one and only purpose - to have all her fair skin turned searing red and bruised under someone else’s hands. Her cunt just begging to be split open and stuffed full, railed so hard she could break. It’s gotta be what she was created for. She’s more than mortal, so above the concept of imperfection; a nasty little fuckdoll of a girl, meant to be used hard and licked clean. She looks too irresistible all fucked-out and ruined. It has to be in her nature. Made for this, you keep telling her: to be fucked until she can’t walk. To be treated forever how you’re treating her now. 

Your ex-girlfriend couldn’t have been more wrong. It’s not about power or control at all.

“You’d really just let me do anything to you, huh?” you murmur, awed, but you’re holding her throat too hard for her to reply. 

You fuck her, and fuck her, and fuck her. Rub at her clit until she clamps down and cums around you, until you can really get on top of her, force her to hold those huge tits together so you can fuck them. You can’t handle how tiny she is underneath you, her face and her mouth slack with lust, eyes glazed over entirely. She squeezes her tits around your cock. She’s hardly even human. It’s the best thing about her. 

“That’s how I know you’re a fucking whore.” Your grin feels wide and manic on your face. You’re gonna cum all over her - again. “None of this even matters.” 

And it’s only after - after you’ve painted her collarbone and chest creamy white and let up on her throat so she can fight for air; after you’ve groped her tits and grabbed her face after just to see your cum glistening all over her perfect slap-marred cheeks; after you’ve rolled off of her and you finally leave her alone - that Karina gives you a response. 

“No,” she says, hoarsely, staring up at the ceiling. “It really, really doesn’t.” 

-

Power just isn’t the right word for it. It’s something much more beautiful than that. 

Desire. You’re dozing off, halfway in a sleepy fantasy. You imagine rolling the word around in your mouth, using it in speeches, citing it as an obvious central theme. It’s about desire, you’d say, in interviews, at film festivals, patiently explaining your motivations to the masses. That irrational animal instinct. That innate human greediness. You’ll maybe even throw in some fun anecdote about how people in past relationships never agreed with you. It’s never been about power, though, you’d explain: how foolish, how crude. It’s about the ache of truly wanting something. Isn’t that so much more romantic?

So you’ll make a movie about this one day. So you tied Karina to the bed and slapped her hard and fucked her senseless. Actually, you picture yourself explaining, foggy and on verge of falling asleep: actually, it’s about hunger. Irrepressible, all-consuming hunger. That’s why I did this. That’s why I’ll keep doing it. You’re all like me; you get it. That makes sense, doesn’t it? 

And it will, to raucous, riotous applause.

Good. You’ll laugh so hard. You’re dreaming, now; you can’t tell if you’re talking about the sex or the hypothetical future movie. I’m glad you understand. Anyone would’ve done what I did. 

Because - honestly - what’s the point of starving yourself of something that’s right in front of you?

-

(Let’s pull back from your script for a second. Here’s a real story:

A few months back you were visiting a museum with one of your friends when you got into this conversation about performance art. He’d told you about a woman back in the seventies who walked into a gallery and laid out various objects and let the audience do whatever they wanted to her for six whole hours. Her as the artist, in title only; herself as the art. A free, untethered canvas. 

And what happened? you asked, morbidly curious. 

Your friend grimaced. What do you think happened? 

It was a rhetorical question. The performance had been a test of what the general public was capable of - a reflection of their moral compass, of what they’d do if left unchecked. The setup spoke for itself. You didn’t have to get all the gory details in order to understand. 

Seriously, though, your friend said, about the artist: I don’t know what’d compel someone to do something like that to themselves. He’d shaken his head, baffled. Like - I think it takes a deeply fucked up person to just give up their body like that. Like it doesn’t even matter to them. 

It’s strange. It’s an almost universally accepted fact that, at least on some level, artists are inclined to put pieces of themselves into the things they create. A memory; a feeling. Condensing twenty different emotions into a single acrylic painting, or a lyrical reenactment of heartbreak into a song - something personal and unique and lovely. Often inspired, sure, but yours. 

I think that’s what’s funny about it, you told your friend, before you realized that funny was a fucked up word to use here. There’s nothing personal about that. It’s so detached. It’s about the rest of the world, whatever they might make of her - it’s not about her at all. 

You were both quiet, thinking. Visualizing what it might’ve been like. To be there, one of many in the audience, watching this woman who had thrown herself to the wolves and asked to be ripped apart. 

She’s just - material for them to use, I guess, you said, after a moment. A blank page. 

Removing her own identity; becoming nothing, no one. A ghost. An empty vessel. A slab of clay, taking on the impression of everyone who’s ever touched her: the ridges of fingerprints, the half-moon cuts of nails, molding her into something new. Even if it took some force. Even if it hurt. 

Still, it’s what she’d asked for. 

You can’t imagine she’d ever expected anything else.)

-

There’s this fascinating complaint people have about films these days, you’ve found. It’s actually quite the phenomenon. You talk to your colleagues and scroll through social media and read comments on movie trailers trying to get a grasp on it all: market research. This isn’t realistic, people gripe. It’d never sound like that. She’d never look like that. This would never, ever happen - God, are you kidding? Who are they trying to fool? As if they’ve somehow missed the point of fiction - of a sweet, escapist fantasy. As if they’ve convinced themselves that the real world is better. 

Which is moronic, obviously. 

“So what’s the solution?” Karina asks.

Well, you’re no expert; it’s been a while since you’d finished your last movie.

“But you have an idea,” Karina interpets. She’s perched on the edge of your coffee table, nursing a new glass of ice. She’s watching you with her head at an angle, eyes shrewd. “Otherwise you wouldn’t be telling me this.” 

As with most of her guesses about you, she’s right. 

“It’s all about the details,” you say, after a moment. “It humanizes a person. Having little bits and pieces about who they are - it makes them alive. Their likes, their dislikes. Embarrassing stories. Things that make them laugh. Diary entries, favorite foods - first loves, first heartbreaks. So on and so forth.” You’ve got one of Karina’s ankles between your hands; your thumb brushes against the bulbous protrusion of bone. “It’s what makes people real.” 

Karina’s mouth twists, sharp and strange; it takes a second for you to realize that she’s grinning. 

“Oh, right,” she says. “You want me to spill my guts to you.” She pushes her ankle further into your grip. Her legs are just like the rest of her: thin and pale, waifish. Like a nineties catwalk model. “That’s how you’re gonna make me real. In your movie.” 

You pull a face, letting her ankle slip from your hands. Spill her guts; what an ugly figure of speech. As if you’re doing something much more invasive and violent than just writing about her. 

“Basically,” you agree, anyway. “I mean, it helps that you’re already, you know - a real, whole, living person.” 

“Ugh,” says Karina, dry and amused. “Barely.” 

You wonder if she’s also thinking about this morning; you, stunned and staring at her cum-streaked hair, calling her unreal.

She’s got a point, in a way. There’s something slightly uncanny about her sitting in front of you, as if she’s been taken straight out of some wildly different scene - some spotlit stage, some movie set, some glossy high-budget existence - and haphazardly edited into your life. You reach out and press two fingers to the side of her neck, like they do on television if they think someone’s bleeding out. 

Karina tips her head to allow you access. Her pulse throbs hotly under your touch. 

“I don’t know,” you say, smiling at the swanlike line of her throat. “You seem pretty alive to me.” 

“Sure.” Her hair tickles your wrist. “But you want more.”

She says it like it’s this given - as if she’s always faced with people wanting more from her. You wouldn’t doubt it, little tease she is. You can picture her in motion so easily. Always running. Letting people pine and plead for more. 

“Yeah,” you say. It seems pointless to lie to her. “I want more.” 

Karina leans in closer. She reaches up and touches one of your knuckles with the pad of her thumb. Without makeup, you can see the shadows of dark circles underneath her eyes, but even those look painted-on, pre-planned; a study on the aesthetic allure of bruises. She lets her gaze drop to your mouth, then bites down on her bottom lip. Impish.

“Karina,” you say, grinning wider now. 

It’s one of those unspoken things: the translation of body language, the transcription of the tilt of her mouth. Then have me, she’s saying, almost certainly - like a swooning melodramatic heroine, throwing herself into your lap, wanting to be saved. You want more? You want me? I’m right here. I’m yours.

“Fine,” Karina purrs, and kisses you again, like sealing a contract. “Take it all.” 

-

You don’t fuck her again - not at first. There’s more than one way to take someone apart. 

Karina says she’s got a story for you and then she pulls out her phone. 

“This was back in high school,” she explains, scrolling back through her photo gallery. There don’t seem to be a lot of recent additions to it; you’d expected selfies, pictures of her with friends. There are more photos of food than anything: plates of pasta and donuts and burgers and pastries piled with whipped cream. It’s cute. It makes you laugh. “When I won prom queen.” 

You splutter. “When you what?” 

“What?” Karina gives you a bemused, sideways look. “Does that surprise you?” 

It floors you, actually. At first you can’t quite put your finger on why, but then you look at Karina again - at her intense dark eyes and pouty fuckdoll lips and the exaggerated pinup proportions of her body - and you realize you’re making that mistake writers often do: buying into archetypes. It just makes sense that she’d be some kind of brooding bad girl. Mysterious, promiscuous; in your creative vision she’s probably cutting classes and chainsmoking in the girls’ bathroom. A favorite of the rumor mill. A pretty little delinquent.

“Wow.” Karina makes a funny noise in the back of her throat when you tell her this. “No. I was - I did fine in school. Perfect attendance, almost. And I can’t stand the smell of cigarettes.” But she doesn’t look offended, either; you imagine people make these assumptions about her all the time. “The prom queen thing - it wasn’t my idea, though. My best friend did all the campaigning for me.” 

“That’s sweet.” You watch as she reaches the year she’s looking for. Flashes of her in a sparkly dress with her arms thrown around another girl - a tiny doe-eyed brunette - slide by. In one of them, Karina’s got her head tipped back, clearly mid-laugh; in another, she and the girl have their heads bent close together as if they’re trading secrets, unaware that they’re being photographed. “Well - I think it’s sweet.” 

Karina’s fingers stall. “Why wouldn’t it be?” 

“I’m just saying-” You shrug. “It’s a nice gesture if it’s something you wanted, I guess. Seems like a lot of attention, otherwise.” 

“Oh.” There’s a pause. “Yeah. It was - I didn’t get to go to junior prom, so it was kind of - this was - senior year. Senior prom.” Another pause. “Yeah. She did it to make me happy.”

“And did it?” She passes by pictures that fill up with more people: friends with big grins who stick close to her side, wrapping her up in an embrace. “Make you happy?” 

“Of course.” Karina’s thumb pauses on a video, the preview dark and unfocused. She says it like she doesn’t even have to think about it. “She was my best friend. She always knew what I wanted. Hey, look at this.” 

The video’s of her in the back of someone’s car, prom queen tiara askew on her head, satiny sash falling off one shoulder. She’s yelling, laughing; the sound isn’t on, but her mouth’s wide open and her dark eyes are crinkled to half-moons, creased underneath heavy false lashes and glittery makeup that’s begun to smudge and fade. It makes her whole face look very soft. Young, too - cheeks full and flushed pink with excitement, hair blown-out and everywhere, glossed black. As if she’s having the time of her life. 

“How old were you here?” you ask, in awe. 

“Eighteen. Just turned, I think.” 

“You look-” Like a baby, you almost want to say. It’s true, though. Big brown eyes, scrunched little nose - grinning like the rest of the world hasn’t quite dug its claws into her yet. Skin unmarred and infant-smooth. “You look pretty.” 

Karina doesn’t look at you, but you can see the slight, entertained upturn of her lips. All the nasty things you’ve called her - all the irredeemable ways you’ve touched her - and now, inexplicably, you’re going for pretty. 

“Thanks,” she says, and clicks the volume up.

“Shut the fuck up,” baby Karina is saying, delightedly. Her voice sounds high, childish and carefree. “You’re so dumb. It wasn’t - it wasn’t even like that, I swear!” She flaps one hand in the air, her nails all short and painted the same rich deep maroon as her dress. “No - you’re just saying that because you’re jealous, you idiot, I know you - you just-”

The person behind the camera says something that you can’t quite make out. 

Baby Karina presses one hand to her sternum, pearl-clutching, and gasps. 

“I would never,” she admonishes - over-the-top like an actress from a movie - before she throws her head back and laughs. 

It’s a startling, wonderful laugh. A little-kid laugh. A mess of wild, unabashed giggles, hiccupy and sweet, so loud and infectious you can hear the other people in the car start cracking up with her; out of frame, someone reaches out to interlace their fingers with Karina’s, waving their joined hands until they smack against the car window and Karina only laughs harder. With her whole body, shoulders shaking and all. Streetlights flashing across her face, making her look sort of blurry and surreal, like something out of a painting. 

“Your laugh,” you find yourself saying, stunned. 

Karina’s touching the back of her neck, completely engrossed in the video. “My what?” 

You don’t laugh like that anymore. That’s what you mean to say. That scratchy, almost painful laugh that she’s been gracing you with since the moment you met her - there’s no trace of that in how baby Karina wriggles with laughter in the backseat of the car until her happy, breathless blush spreads to her neck and her chest. Head tipping back against the seat, like she’s all tuckered out. 

“Um,” you say, voice caught in your throat. 

On the screen, her eyes fall shut, lashes fluttering so delicately. 

You can’t do anything but stare. Brilliant, past-life, prom-queen Karina - grinning at nothing, and sleepy from a perfect night, and laughing as if she’ll exist as this version of herself forever. As if she just doesn’t know any better, yet. 

“You,” you start to say, again-

Karina shuts her phone off, and turns.

And you’re about to say something - something about the gnawing, uncertain feeling you get when you watch this former self of hers. It’s on the tip of your tongue. You don’t laugh like that. Something happened to you. For a moment the whole image just seems off - like the way people make posthumous holograms of pop stars, superimpose faces of long-dead actors on stunt doubles. A kind of intense wrongness. A murmured, uncomfortable: that’s not really you, is it? It can’t be. I barely recognize her. 

“What?” Karina asks. Her smile reveals her teeth. “Why are you looking at me like that?” 

Then reality hits you, all at once. 

“Sorry.” Your hand finds her thigh. You laugh because you’re being ridiculous - how would you know who she really is, anyway? “I was just thinking - I don’t know. Never mind.”

She seems to take that at face value. You like that about her. How she seems to trust so easily - going home with you, winding up in your bed, staying when you ask her to stay. Giving you whatever you want: her body, her story.

“So,” you say, eventually. “I can put in my movie that you totally peaked in high school, huh?” 

Karina snorts. “Yeah,” she says, playing along, and taps her dark phone screen with a clawed nail. “Say it was the last time I was happy.” She pulls a face, like the thought of it is just unspeakably pathetic. “That’s a tragedy if I’ve ever heard one.” 

“Shakespearean,” you agree, and let her clamber into your lap. “It’s perfect.” 

But you know she’s kidding. You’d like to think that you understand girls like her. They live in a different world than the rest of you - the kind of world where every person on earth looks at them and falls to their feet, falls madly in love. You’ll write about it one day; you’ll feel out the narrative for her, a curious exploration. That rose-tinted life she must flourish in, closed-off and flawless like a snow globe, her spinning and protected in the glass.

“Perfect,” echoes Karina, and kisses you - like she’s proving she really means it. 

That’s the reality, here. That’s it. This is all there is. 

-

Well, almost.

-

Karina lets you scroll through the rest of her photo gallery, front to back. You take the opportunity, because you’re greedy for as much as you can get. 

There’s a lot of photos that are just her, funnily enough - selfies posed in front of the same full-length mirror, over and over again, clad in unholy outfits. Swimsuits, sports bras and little running shorts, lingerie: shit that makes your mouth water, eyes lingering, groaning out loud as she laughs at you. But it’s also her in faded old t-shirts, holding the hem up to expose her stomach. Body angled to the side in girlish sundresses. Hair pulled up, showing off her neck, her gorgeously sharp collarbone - in makeup or out of it, stare intensely focused and sultry. 

“That’s hot,” you comment. “Self-obsessed as fuck, but hot.” 

Karina smiles - her tiny private-joke smile - and doesn’t say anything at all. 

There’s one video in particular that catches your eye. It’s recent, relatively - the date reads late December, last year. Less than a month ago. Christmastime. You click on it, curious. 

Karina’s immediately recognizable in it, black hair winding past her shoulders, drowning in a large black sweatshirt. She’s smiling, but it looks sort of tense and tired - bags under her eyes, like she hasn’t slept in a while. She’s got both hands balled up into fists, held close and protective to her chest; her sharp chin rests on her pale knuckles. There’s a tiny smear of red across her mouth, lower lip bitten bloody. 

“You just got here,” she says. She’s looking at something behind the camera. “The first thing you wanna do is hear me sing?” She laughs once, scratchy and hoarse. “Why are you even filming this?” 

The answering strum of guitar strings, a pretty, perfect chord. An invitation, or a demand.

“You’re kidding.” Karina’s voice is flat.

Another chord - evidently not. 

“Wow,” says Karina. Her smile, out of nowhere, goes very soft at the edges. “You just do this because you know I can’t say no to you.”

“What?” you ask Karina now, laughing. “Is this - what is this? Do you - are you really going to sing?” 

And then - crazily enough - she does. 

“Oh,” you say out loud, adoring, and Karina turns her face into your shoulder. 

Her voice in the video is breathy, sweet. Shyly unpracticed, raspy from disuse, completely and utterly gorgeous; lids slipping shut and open again, laugh leaking into her melody line in lyrics about black eyes and kisses and wanting someone who’s just so, so bad for you. But what surprises you more than anything is the look that dawns on her blurry on-screen face - irises sparkling and smile bashful, hiding her mouth behind the sleeve of her sweatshirt, curled up with her knees to her chest. You see now that she’s wearing pajama pants, fuzzy and patterned with snowflakes. 

She looks radiantly pretty. She looks vulnerable. And not even in a sweaty, satiated, filthy post-fuck kind of way - actually, genuinely vulnerable. Soft and wide-eyed and tender.

Suddenly, you just can’t tear your gaze away. 

“Stop.” 

The song’s over. On-screen Karina’s fully grinning now. Porcelain-fragile, but undeniably happy, too. 

“I hate you,” she says. “Baby, I really do.” 

“You love me,” says the person behind the camera. “You’ll love me for the rest of your life and you know it.” 

And in the video - in vivid, fluid motion - Karina laughs. 

Whole-hearted, lovely. Familiar. For a moment, you swear she’s still that girl sitting in the backseat of a car with her prom queen tiara on, giggling free and uninhibited, unhurt, untouched. A month ago - less than that, even - looking like she’s coming back to life. 

That’s where the clip ends. 

It doesn’t change anything, if you actually think about it. It’s just another version of reality. A Karina from a whole other universe, laughing like a child, and so, so far away from whoever she is now. 

-

(Back between the lines of your script-

The stranger and the girl drink to get drunk and that’s about it. She reads the label of his wine; he makes fun of her for being a snob. She doesn’t really drink, she says at first, but he laughs like this is a challenge, and pours her a glass anyway. She flushes pink and fidgets around. She seems to shed hair like a cat and he thinks this is the most hilarious thing he’s ever seen, picking up thin black strands off of the arm of his couch, teasing her about girls and how they really like to leave their mark, huh?

Leave their mark, she repeats. There’s some trick of the lens here, some sort of strategic camera work - he’s in the forefront and she’s in the background, and she looks so much smaller than him. Why do you say that? 

He still had his ex-girlfriend’s perfume in his cabinet. He probably still has some of her clothes in his closet. Not out of any particular emotional attachment, but sometimes this is just the way things are: when you spend years intertwining your whole existence with someone else’s, it’s hard to rid yourself of that connection. You’ve grown into each other’s spaces, tangling limbs and heart lines, putting down roots. It’s gonna take a little force to get them out. 

They’re just so much, he says, gesticulating with his hands. And they affect everything in your life, like a fucking infection. And then it doesn’t work out, and you - he makes a wide, sweeping motion here, attempting to encompass the wreckage. You have to fix everything they broke. Purge them from your system and all that. It’s so fucked up. 

It’s like this, he means to say - you love someone and then they leave you behind and you’re left staring at the blown-up decimated crater that used to be your life together. You love someone and they don’t love you back and all you have now is the debris.

They’re both drunk. There should be music here and there isn’t. It’s only eerie, too-still silence, suffocating the both of them with every passing second. 

Well, she says, laughing, and takes another sip. You and I can agree on that, at least.)

-

It happens like this:

There’s a monologue you want to write. 

You tell Karina this after you’re finally fucking her again, when she’s balanced on the edge of your glass coffee table with her legs spread and your mouth slick with her cum. Well - not after, technically. She’s between orgasms and you have your thumb on her clit, tracking the expression on her face, the split-second moment where she comes apart. It’s then when you realize so badly that you want to write some great speech for your heroine - something about the sweat beading on Karina’s midriff and her tits that you can’t stop touching and the jerky movements of her hips, trying to get your tongue back on her clit, panting and delightfully desperate. Something about desire. 

“Desire,” repeats Karina, voice halfway into a raspy, worked-up moan. 

“Yeah.” You’ve replaced your mouth with your fingers, fucking up into the obscene tight heat of her cunt. She’s trembling, dripping everywhere; she’s the very picture of what it means to want, probably. “But I just can’t figure it out.” 

Karina laughs roughly, and then she cums. 

“Is that funny?” you ask her, after, when you’re wiping your wet mouth with your wrist and she’s sucking on your glistening fingers, licking the taste of her own cunt off your skin. Her eyes big, lips all full and pink - slutty angel on her pedestal, perched above you. “Me writing about desire?” 

Karina lets your fingers free with a loud pop. She’s still clutching your hand close to her mouth, thumb dragging through the sticky gleam of her spit. “No,” she says, eyes distant. “It just reminded me of something. There’s this Anne Carson quote, about men and desire…” She shakes her head. Presses her lips once to your fingertips in a small, startlingly sweet kiss. “It doesn’t matter. Tell me more.” 

There isn’t much to tell, truthfully. Except that you’ve got this love for movie lines that are just so utterly quotable - things that make their way into the pop culture consciousness. That’s the kind of work you want to be doing: creating something that has an impact, something that’ll exist long after you’re gone. Everlasting. If you had to pull for an example, you’d say-

“You ever seen Closer?” 

“Yeah.” Karina drops your elbow into her lap. “Oh, I get it. He tastes like you but sweeter. Lying’s the most fun a girl can have without taking her clothes off - et cetera.” She hums the melody line. “So you want an early 2000s pop-punk band to make a song about your movie? Ambitious.” 

“More or less,” you say as she shimmies her shirt back down, hem falling back over her midriff. “But like I said, I’m kind of stuck.”

Karina rolls her neck. Her hair is everywhere, sweet-smelling; snapped-off strands decorate your table, looking like cracks in the glass. 

“Any suggestions?” you ask, thumb skimming along the pale bruised inside of her thigh. 

She smiles, mischievous. “Maybe.” 

That’s how you both end up curled on your couch together with your laptop in front of you, Karina’s eyes glued to the movie playing on the screen, watching as the four main characters fuck and flirt and cheat on each other and scream at the top of their lungs. Melodramatic dialogue. How do you feel about him using your life? You’re lying; I’ve been you. This will hurt, which Karina laughs at - as if announcing the pain will make it better, playacting at exoneration. 

It’s also - predictably - how you end up fucking again. You barely make it an hour in, and then-

“Hey.” Karina’s breath tickles your ear. She’s already seconds from climbing in your lap already; her thigh is hooked over yours, bare and inviting. “Are you inspired?” 

You’re swallowing back a grin. “Sure.” 

“Oh. Great.” She’s no actress herself, clearly. She couldn’t be subtle if she tried. “Do you wanna be more inspired?” 

And - whatever. It’s a movie about sex. If anything, at least you’re sticking to the theme. 

The dialogue plays in the background as Karina rocks her hips down on your lap - you can feel how wet she is again, like she never stops wanting to be fucked. You’re telling her something about how she’s the most insatiable girl you’ve ever met; the sound of the film saturates the room, setting the tone like it knows its purpose. How? How does it work? How do you do this to someone? This big, infidelity-ridden confrontation. Did you phone her? Beg her to come back? Asking him why he falls for another girl, getting this ridiculous answer - it’s because she doesn’t need me.

“Huh.” You smile into the curve of Karina’s neck, already palming her ass. “That one’s funny.”

“Is it funny?” Karina’s sharp jaw brushes against your cheekbone. Her eyes are so dark, shadowed by her long lashes. “I think it’s pretty realistic. People don’t like needy girls. It’s a burden to be loved so hard.” Her tongue darts across her teeth; her smile’s somewhat caustic. “Too much to handle, I guess.” 

“What are you talking about?” This strikes you as fairly fucking ridiculous, too. “What men have you met who don’t like needy girls?” 

Karina just laughs and leans in for another kiss. 

It’s easy to let the rest of the film float away in the background, the lines coming disjointed, unconnected. A spoken-word soundtrack, tone perfuming the air: the angst and pain and eroticism seeping into your clothing. Once in a while you’ll pull back from kissing Karina’s neck or tits or mouth and see a thoughtful little quirk to her mouth. Like she’s genuinely listening, even as you’re taking off her shirt, slipping a hand back between her legs. Where will you go? Disappear. I can’t still see you - if I see you, I’ll never leave you. I amuse you, but I bore you. 

“I bet you’ve never felt that,” you say, half into the silk of her hair. 

Karina pauses. Her shirt’s on the floor; she’s gloriously naked on top of you. “Felt what?” 

“I amuse you, but I bore you,” you recite. You already sound sort of fuck-drunk, far gone. “You’re the farthest thing from boring.”

Back in the movie, the female lead sobs into her fists. Karina studies you, fingertips grazing the nape of your neck. You try to imagine it - her as one of those heartsick heroines, crying herself to pieces, begging a man not to leave her - but you draw an utter blank. Some people just aren’t breakable in that way. 

“You’d be surprised,” Karina says, after a moment. “People get bored of me all the time.”

“Oh, please.” Even when she’s the one top of you, you can’t help feeling so completely in control. It’s gotta be the look in her eyes, dying to be obedient. “I bet you have lots of ways of keeping guys interested in you.” You smack her ass hard just to make a mark. “I bet you let them fuck you however they want.” 

“Exactly,” Karina agrees, without missing a beat. She moves in close until your noses bump together. Lets her voice go all smoky and suggestive. “Wherever they want, too.” 

You open your mouth - probably about to say something very rude about what a dirty whore she is and how you should’ve realized it the second you saw her; I knew it, I know you - but then your hands slip lower and Karina presses her lips to yours and licks into your mouth, over your teeth, making you swallow your words. Filling you up until there’s nothing but her and the movie, playing on.

I think I’ll be happier with her. 

You won’t. You’ll miss me. No one will ever love you as much as I do. Why isn’t love enough? 

“Romantic, right?” murmurs Karina, sweet against your tongue. 

“Shut up,” you say, and grab her by the hair, tugging her off your lap as you stand. “Bedroom. Now.” 

Later, you’ll take the time to consider the different ways filmmakers illustrate a power dynamic - it’s playing on your laptop screen right now. The heroine’s sitting on the arm of the couch, clutching desperately at the hero’s jacket. Gorgeously emotional and pleading for another chance, her tiny chin tilted up, eyes so large and watery. Made fragile and fearful by everyone: the protagonist, the narrative, the director, the audience beyond. By herself, even. It’s a stylistic choice - she wants to look that pathetic.

And you-

Well, you’ve got Karina’s long hair wrapped up in your fist, tits bouncing as she stumbles to her feet, ankle knocking hard and horribly loud against the leg of your table. Cute little ass all red from your hand. Thighs shimmering from how drenched she is, cunt dripping from how you’ve treated her. She hasn’t managed to work her mouth into a trademark smirk fast enough: when she looks at you over her shoulder, her eyes are abyss-dark and bottomless, crease between her brows, lips parted in pained surprise. 

The definition of pathetic, too - but that’s exactly the point. She’s just so much more fuckable like that. 

“Ouch,” you say, touching her hurt ankle with the side of your foot. 

“It’s fine.” Karina’s skin feels clammy and cold. Her smirk’s intact now, camera-ready. “I’ve been through worse.” 

Her ankle throbs under the pressure of your touch; you still haven’t let up on her hair. You’ll go through worse, too, you think of telling her: a sly comment about how rough you’re about to fuck her, what vicious marks you’re about to leave. How you’re gonna hurt her exactly like she asked you to. 

You don’t say a thing.

She must already know all of that, anyway.

-

So, Karina’s not breakable like the helpless, weepy, soft-hearted girls in the movies - but that’s alright. She’s breakable in much more enticing ways.

Case in point:

“Oh, get real, baby. Don’t pretend you don’t love it.”

Well, breaking someone down doesn’t really get better than this.

It’s all a scene of your own making, a perfect pre-arrangement. You on your bed, Karina limp and bent belly-down over your lap - you in control and Karina as the most impressive toy you’ve ever gotten your hands on, creamy ass and needy cunt and skin that turns bruises to artwork. You’re goading her and failing - trying to get her to just admit to what she is, what a filthy slut, what a nasty eager fuckdoll - but it’s hard to get a response when even breathing seems to be a chore for her right now. Every noise out of her mouth is nothing but a gasping, choked-out whimper. Her face is buried in her forearm, hidden. And through the shine of lube dribbling down your hand and her ass and into the sticky wetness of her cunt, you’ve got two fingers stretching out her little asshole - and you’re just getting started.

“I know you fucking need this.” Your other hand slides up her back, slips to tangle in her hair. “You’re just too good at it.” You pull hard, wrenching her head from the crook of her elbow. “Too good at being an obedient fucking whore for me, huh?”

Karina’s whole body stiffens when you fuck your fingers deeper, as if tugged taut on a string: the flex of her feet in the air, shoulder blades straining, neck craned back almost painfully. You pull harder. It’s a buzz at the base of your skull, live-wire thrilling: the knowledge that you can yank her into whatever position you want - fuck her anywhere, work her ass open with your cock, fill her up with cum - and she’s just going to have to take it. Like she’s this pliant, powerless thing. Like she’s yours. 

Your self-satisfaction seeps right into your voice. “Answer me.” 

You hear Karina gulp down a breath. “I,” Karina mumbles, but she can’t do anything but babble. “I - fuck-” All teeth-clenching nonsense; she shoots a baleful glance over her shoulder, desperation clawing its way into every word. “Please-”

Your fingers pause. “You want more?” 

Her cheeks are splotchy and pink; you swear there are tears wobbling in those big dark eyes. The heavy arousal in your stomach turns to violent hunger, as though your mouth could start watering at any second. You can’t help it. The thought of seeing her cry is fucking exhilirating. “You - oh-” 

“Answer me. You want my cock?” You’re waiting for the breaking point. “You want me to really fuck your ass?” 

“Fuck-” 

But that’s not a proper reply and Karina knows it, so she doesn’t protest when you pull your glistening fingers out of her and smack your palm hard across her ass. Once, then twice, and then you just don’t stop. She yelps like a hurt animal - trembles uncontrollably, her thighs and her shoulders and her quivering bottom lip - and makes a sound in the back of her throat that might be a sob, but she still lets you hit her: gives into the harsh crack of skin on skin, over and over again. Listens as you tell her that she deserves this, that she wanted this, that you’re making her into a good girl and this is what good girls get when they’re too cock-hungry to follow orders or answer a fucking question, you know that - you know I’m this rough for a reason. It should hurt. It’s so much more fun that way.  

“I’ve been too fucking nice to you,” you mutter, teeth gritted in an effort to hide your grin - as if you even need to. It’s obvious how much you enjoy this. It’s the point. “That’s the problem with girls like you - you never learned your fucking place, huh? Never really been punished for anything?”

Karina mumbles out something unintelligible, slurring from her drooling mouth to the sheets.

“Yeah.” Your hand comes down again - she flinches just before her body goes slack. “That’s what I thought.” 

And after you’ve spanked her so hard that her fair skin is ravaged and raised with goosebumps along the slope of her back - her whole body in revolt - you finally, finally stop. 

Karina doesn’t budge except to breathe, and even that releases shallow, unsteady. You read it all in the shaky lift and fall of her thin shoulders, her hands in white-knuckled fists, her face pressed to your sheets and hidden - her hair coats everything, all ink, all words written but left unsaid. She shivers beneath your fingers. Her cunt’s dripping all over your lap. She’s a masterpiece. She’s a wreck. 

You’re filled up with thick, swollen pride. “Karina.” 

Karina. Your own personal creation, transformed under your touch. Might as well have your name carved into her, too. A brand right across her back, slicing through tissue, scarring to seal her fate - this is who you fucking belong to. 

“Poor baby.” You follow the sharp ridges of her spine, tracking notches, keeping a tally: counting how many times you’ll hit her, how many days she’ll stay in your bed. How many movies she’ll let you make out of her, being your brilliant muse for decades. “It’s painful when you don’t listen to me, huh?”

But then - inexplicably - you think of her bruising ankle. Her twist of a smirk, detached and humorless. I’ve been through worse. 

You’re abruptly glad you can’t see the look on her face. 

“Come on, sweet girl.” You dig the heel of your palm into her lower back, half a warning. “Pull it together.” 

Between the strands of glossy hair tumbling over Karina’s skin and your sheets, you spot a reddish mark on the back of her neck. Like the impression of a thumbprint, small and round. Blurry enough in the dim light that your brain starts conjuring up strange theories; an old wound, maybe. A birthmark or a burn, a childhood injury.

You graze her shoulder blades with your fingertips, exploratory. She feels so small draped over you like this, a tiny wet wisp of a girl. A doll. 

She still hasn’t moved.

“Karina.”

Nothing.

“Karina,” you say again, suddenly uneasy. Your hand stops. “Are you-”

For a few terrible seconds, you can’t even hear her breathing. 

But then Karina shifts. Slow, sensual, deliberate. Pushing herself up off your lap, arching her back, the slick pucker of her asshole obscene from where you fucked it open with your fingers. Her bruised knees dig into your mattress as she straightens up, and her gorgeous pale face seems to glow in the midday light - heavy dark eyes, bitten-pink mouth, black hair curtaining her cheeks like a frame to a portrait.

“You,” you start to say, feeling suddenly like you’re looking at her for the first time. 

“I’m really sorry,” Karina murmurs.

She doesn’t look close to tears at all. She’s so unfazed, as if having her ass spanked punishingly raw is something that happens to a girl like her on the daily. A run-of-the-mill occurrence - a consequence of having a body like that, made to be brutalized. She’s already reaching towards the nightstand for the lube. 

“I just wanted it so bad I couldn’t think straight,” Karina tells you, with erotic-film certainty - reciting all the lines that’ll make her seem the most insatiably slutty. “I’m sorry. I’m sorry.” Her lips form a pout; she leans down to press them to the tip of your cock, all sweet and demure, like she thinks she needs to convince you. Eyes flicking up at you through her thick lashes, molten-hot. “I should’ve listened.” It’s only a breath, warm and torturous. “I deserved that, I know.” 

Your hand winds tight in her hair. You want to force your cock down her pretty throat, make her gag and choke over her simpering apologies, spitting up your cum until it trickles down her chin, her tits, her tummy. Both a game and a power play: prove how sorry you are. 

Karina pulls back before you can, and holds up the lube. 

“Babe,” she says, the term of endearment almost a singsong - a lilting reminder. “I thought you wanted to really fuck me now.” 

“Uh-huh.” Her tits heave as she moves, crawling closer, offering herself up. “And I always get what I want, right?” 

You feel drunk with power. You forget that this isn’t supposed to be about power. You watch as Karina coats her palm with lube and pumps your cock, her fingers slick and hot, her veins starkly blue at her delicate wrists. Expression delighted at how hard you are, pink little tongue poking out between her teeth - seduction down to an art form, meticulously calculated. 

“With me?” Her smile burns. “Obviously.” 

You pull her in by the neck to kiss the smirk off her mouth. 

It’s interesting. There’s this other thing regular critics and moviegoers have been saying about films these days: sex scenes need to have a purpose. Some sort of coherent motivation. Strip your lead actress down to nothing and get her keening and moaning and you’ve got to explain it away somehow. It forwards the plot, you could insist, pitching it to producers and directors. It does something for the character dynamics. It’ll draw in just the right audience, the ones dying to see their favorite celebrity debauched and getting dirty on-screen - they’ll see it over and over just to get a taste. Isn’t that enough? To satisfy the masses? Isn’t that why we’re all here?

Because otherwise all people are staring at is a play at pornography: useless half-convincing make-believe. The heroine can writhe and whine and arch her back all she wants. Everyone knows she doesn’t feel anything. 

“Tell me the truth.” 

Oh, if you two were a movie - you don’t know how anyone could justify a sex scene quite like this. 

It doesn’t matter what artsy angle you take. It all comes down to the same unforgivable details: Karina face-down ass-up on your bed, the perfect bowed curve of her spine, the depraved wide stretch of her asshole around your cock - the sweat shining along her shoulder blades, the hard smack of your palm against the red raw skin of her ass, your other hand at the crown of her skull with your fingers wrapped entirely in her tangled hair - her cunt fucking ruining your sheets, wet all the way down her thighs, each brutal shift of your hips sending her little body into full-blown shudders-

“Tell me that you fucking love it.” Your hand slips lower until you’ve got her pinned down by the back of the neck, fingers pushing down: a grip she couldn’t escape even if she wanted to. “Whoring out your slutty little ass like this for a stranger. Getting on your hands and knees for me just because you’re so fucking needy for cock, baby - don’t even try to deny it, you’re so wet, nasty fucking girl-”

You just can’t stop yourself. It’s so easy. She really is so fucking pathetic. Too fragile to get free - too easily manipulated and manhandled. Trembling and drenched and giving way as you make room inside her, forcing space. She’s just so tight - it’s godless, how you make your cock fit in her lube-slicked asshole, how she moans like a bona fide bitch in heat over it: needing faster, needing harder, needing more. Cheek pink and pressed hard to your mattress, sharp nails digging into the sheets rough enough to tear through the fabric. Giving herself up to be fucked cruelly and stupid and senseless. 

Like she’s a real-

“Natural fucking cockslut, huh?” 

Look, seriously - you can’t be held accountable for the things you say to her here. 

Because when you say shit like you’d just let me do anything - like you’d let me fucking tie you up and keep you here forever, be an eager fucking cumdump for me whenever I want you, I know it, I know you - that’s just the moment talking. The circumstances. The pretty arch of her back and the drooling wetness of her cunt and the indecent tightness of her ass, conspiring to make you lose your mind mid-fuck - that’s the whole reason you even tell her any of it. You think you’re good for anything else? Right at her ear, your body covering hers, your cock buried deep. You’re not. Just made to get this slutty ass fucked open, and your mouth, and your cunt - this is all anyone’s ever gonna want from you and you know it - better get used to it now, baby. This is all you got. This is all you are. 

It’s Karina’s fault, really. She just takes it - all of it. She doesn’t even try to fight it. 

“But that’s okay,” you murmur, as she gasps and squirms and cries out like you’re killing her. “I’m still gonna make you cum.” 

And with your cock filling her ass and your hand between her legs, slapping hard at her sopping cunt until she can’t do anything but collapse - shaking, shattered - her whimpers fucked-out and drool-soaked and bleeding into one big nonsensical mess, everything about her used and ruined-

“You’re mine,” you tell her, laughing as she falls apart. “You get that? You’re mine.” 

-then, you do.

When it’s all over, Karina rolls over to face the wall, breathing hard. She’s slick everywhere, sweat and saliva and lube, your creamy cum dripping out of her well-fucked asshole and trickling down her thigh. You trace her lower back and grin at the way her skin seems to give into you, turning pink with a press of your fingertips. You’ve come to realize you adore her like this, the fugue state after you fuck her: utterly dead to the world. 

Like she could become a permanent fixture in your bed. Too tired to move. Too tired to ever leave. 

“Mine,” you say again, softer.

Karina doesn’t argue. 

It’s basically all the confirmation you need. 

-

So, really, if you two were a movie-

It goes like this: life can imitate art, too. It happens all the time. The line between fiction and reality blurs together until it’s indistinguishable - until you can’t tell where the fantasy ends, or if it ever did at all. 

-

(It goes like this: the heroine smiles sleepily and tells the hero he’s the best she’s ever had. You’ve seen this film before. The movie stars with their fake on-screen fucks might not feel a damn thing, but at least it’s still fun to pretend.)

-

Also, the mark you saw on the back of her neck isn’t actually what you thought it was. 

“It’s a tattoo,” you realize out loud, drowsily awed, brushing her hair away so you can get a better look. You’re both tuckered out, an inevitability when you fuck like you do; you’re seconds from dozing off. Karina’s looking away from you, on her side to escape the soreness of her ass, sheets loose across her chest. She lets you touch her wherever. “I can’t believe I didn’t notice that before.” 

“You don’t know me,” mumbles Karina, half into your pillow. “It’s not your job to notice anything about me.” 

The tattoo’s crimson-red, all delicate linework. It really does look like it hurts: like someone painstakingly cut the shape into her skin. It’s of a heart, rendered in anatomical detail - valves and ventricles and arteries. It’s beautiful, you realize belatedly. Bright instead of faded, and obviously cared for. Lovely. 

The only permanent stain on her perfect body. You press your thumb against the ink, fascinated. 

“What does it mean?” you ask, but Karina’s already fallen asleep. 

-

(In your script, the girl and the stranger watch some gory crime show, except they don’t pay very close attention and he tugs her into his lap and makes her ride his thigh. The episode they’ve got on is about a serial killer who murders so-called sinners - liars, adulterers, the like. Slaughters them like sacrifices, cutting their throats with vicious efficiency. Fake blood drenches the screen with every crime scene: a form of fucked-up baptism, a psuedo-religious cleansing. 

The girl’s putting on an equally decent show on top of the stranger: head thrown back, eyelids fluttering, high-pitched little moans. He sinks his teeth into her shoulder and keeps watching the TV.

Hey, he says, a murmur against her skin, a close-up on his mouth. You’re a sinner, right?

She’s got her hands on his shoulders, hips rolling. Sure am. 

How do you think this guy would kill you? 

He thinks this’ll shock her, but she doesn’t even pause. Like he kills all the rest, she says. Like an animal.

I think he’d be more careful with you, the stranger muses. You’re too gorgeous. He’d have to use, like - a scalpel, or something. Something cleaner. Something that’d keep you intact. 

It’s no use. Nothing he says seems to scare her. Her eyes are far-off, almost glazed in recollection. Like she’s thought about it too - her own untimely end. Her own vivisection, skin flayed and organs visible, viscera and bone. There, hold the shot: now the audience can consider it with her, ponder all the ways she could be torn apart, all the repulsive things they could do with her desiccated body. All the ways flesh can warp under a human touch: the blue-black yellow-green purpling of bruises, a whole palette on one tiny girl. There’s value in that, isn’t there? There’s something intimately, incomparably beautiful in suffering. There’s art. 

Isn’t that why everyone’s watching? 

I get it, the girl says, still soaking his thigh, smiling as if it’s an inside joke between them. You want me dead. That’s been obvious since the moment you met me. 

I don’t want you dead, he says, and grabs her by the jaw. I just want to fuck you. 

Okay, she says, uncaring, like there’s barely a difference. Fine. Whatever you want. 

They don’t turn the TV off. They let the characters scream and bleed out in the background; he fucks her like she’s got a death wish. It’s funny - he expects her to get louder the harder he fucks her, ruthlessly working over the tight clench of her cunt - but she keeps getting less and less responsive, as if he’s pushing her little body into some sort of trance: expression vacant and blank, body limp and lifeless, mouth open and speechless. It makes him angry. Give me something, he’s saying, frustrated, clawing at her hair: baby, it’s not fair, it’s no fun like this. The on-screen shrieks aren’t enough - he wants it from her. Actually, he keeps saying he needs it - as if fulfilling desire is on the same level as food or air, as if he’ll drop dead in seconds if he doesn’t get her sobbing. He gets his overlarge hands on her face and starts contorting it, pushing her mouth open, her eyes wider, his fingers down her throat until she spits and gags and chokes. Oh, the audience will love this one: it’s reminiscent of those filthy exploitation films with their cult followings, so cleverly referential. Look at her pathetic and pinned down. Look at her helpless and struggling. Think of your favorite on-screen murder scenes, and then think of this.

Anything I want, the stranger reminds her, yanking back her hair as she drools down his wrist. You asked for this, didn’t you? You said anything I want. 

Except now the girl can’t say anything at all. 

This moment will start rumors, invite horrified scandal the same way some purposefully marketed horror movies are passed off as snuff films - that really went down, they really died like that. This scene’ll get a similar response. Did he actually fuck her? Did he actually hurt her? Did everyone - the writer, the director, the crew, the captive audience - actually just stand by and let that happen? 

Sure. Or she might just be a really, really good actress.

There. The stranger’s murmuring to her now, watching her manufactured expression, watching the tears fill her eyes. There you go. There’s my girl. And she is his, she really is - transformed into something all beautiful and new under his clumsy fingertips, molded right into art. The camera will zoom in close on her gorgeous, cadaverous face, a perverse little gift for the audience: here, have this, take a look. She’s all yours now. 

There’s something to be said here about the manmade link between sex and violence - inescapable, brutal, primeval; bodies in all shades of red - but he forgets it the second he touches her, and she’s being fucked too hard to remember.

Maybe they’ll get to it next time.) 

-

AND WE'RE BACK!!!!!!!!!!! <33333

all my luv ever to @capslocked @worldsover @passingnotions @braaan for beta reading my dumbass shenanigans and also for being the best ever I LOVE U!!!!!! AND ANYONE WHO IS READING THIS I LOVE YALL TOO.................. PART 2 COMING SOON!!!!!!!!!!!

[edible-emerald]

Ok so PVP civilization??? I HAVE SOME THOUGHTS???

Spoilers for episode 5 btw

So first off the REVEALS THIS EPISODE??? And the fact that most of them were to the viewer and not to Evbo???

The first reveal I want to talk about is PRINCEZAM REVIVING. HE CAN REVIVE TOO. This means WAY MORE THAN YOU MIGHT INITIALLY THINK.

Princezam's character, in nature, is selfish. He talks highly about how Evbo repeatedly dying is heroic, and while he may be subjecting himself to endless torture, he's saving so many lives, he's a hero, he's a good person. It's implied that Zam believes, if he were in Evbo's position, he would do the same; that he would let himself die to save others. But it's a lie. Because he IS in Evbo's position. HE CAN REVIVE TOO. But he kept it a better secret than Evbo, which is the only reason why he hasn't been endlessly farmed yet.

The second reveal Princezam gives that also shows more about his character and motives is that Evbo has a limited number of revives. He isn't immortal. He's on his last life. If he dies again, he'd be gone forever. And Zam knew this.

And I think something is really, really interesting about this. Because in episode 4, Zam's motive is to make Evbo die over and over indefinitely so he can keep increasing durability of the iron swords and increasing life span. Still an interesting character, but him KNOWING that this solution is temporary, and him KNOWING that Evbo will die permanently soon, changes everything. His motive wasn't to save the iron swords, I actually think he couldn't care less about them. His motive was to kill Evbo.

What else would it be? Why else would Zam KNOWINGLY make Evbo die over and over with every death coming closer to permanent death? Because for whatever reason, Zam wanted to get rid of Evbo. But why? Yes, it's true he was the chosen one. But that leads me into my next point:

Is he?

The only real thing that made Evbo special enough to be the chosen one is that he could revive himself after dying. But he isn't the only one who can. Zam can too; and I believe Tabi and a few other people can as well. So IS he the chosen one? Personally, I don't think he is. I think that someone else is the chosen one, but I'll get to who eventually. What possible motive could Zam have for wanting Evbo dead, if he isn't the chosen one?

Evbo was a diamond sword.

OKOKOK HEAR ME OUT

Evbo was a diamond sword who's memories were erased. He was threatening to like do something (maybe become a netherite sword?) that Zam and others didn't approve of and maybe he was working with Tabi, so both of them were killed and revived in the wooden sword level. But Evbo's memories were erased in the process so Tabi decided to manipulate him and get to the top without him this time. That brings me to the next point.

Tabi has history with some of the diamond swords. Specifically, Ferre. We don't know what yet, but I believe like I said above that she and Evbo were previously diamond swords, and were trying to do something and ended up being killed. Evbo's memories were erased but Tabi's weren't.

I think the reason the diamond swords were willing to let Evbo back in and not Tabi is because he lost all his memories. Maybe, he'll get some back and realize that the diamond layer is corrupt or evil in some way, and team up with Tabi to defeat them. But I don't think so. I think Tabi is evil and had either roped in Evbo, or worked with Evbo but losing his memories made him change.

Anyways, on the topic of reviving, I think it's also safe to say Zam was a diamond sword. First off, he seemed to know the diamond swords personally and disliked them, calling them 'bottom feeders' (which by the way is so fucking funny I giggled so much at that line) also we know he can revive as well so safe to say he was killed and revived there. Maybe he was in the plan (that may or may not exist idfk) with Tabi and Evbo and was killed as well. But I doubt it, considering how he treats Evbo, but then again, his character is very selfish and antagonistic. I think his ultimate motive is to rank up to a netherite sword (which may be godhood like in parkciv?? but we don't know) and he's trying to kill Evbo to take out the competition.

Also this is a minor thing but now we finally know why Zam kept his door closed in episode two, because he had an armor stand too and didn't want the secret to come out.

Now for the final reveal: Parrot has a backstory. And I think I know what it is.

Parrot is the real chosen one.

Ok my evidence for this is mostly speculation but also if Evbo isn't the chosen one than who?? Parrot is a really odd character, like every time he talks it just feels like there's something off about him. He talks a lot about the chosen one, but he acts. Weird. Around Evbo when he finds out that he's the chosen one. Also, for someone so devoted to the chosen one, he's still very much alive; and I point this out because he has a mansion AND a video journaling machine. That costs a lot of swings and I have a feeling he hasn't really ever paid respects to it. Even though he says he has. And why would he? BECAUSE HE'S THE CHOSEN ONE.

If Parrot isn't the chosen one, either one of two things are probably true:

he was a diamond sword

he was a/the netherite sword

I don't really know how these would work in the story the same way the chosen one theory would, but yeah

Thank you for reading my ramblings :33 hopefully I didn't miss anything lmao

ALSO??? WEMMBU AND MINUTE IN A EVBO VIDEO???? HELLO???? IS THIS REAL LIFE????????

[serawritesthings]

SPELLBOUND

Pairing | Legolas x Reader Summary | Your bittersweet love will surely endure until the last of your days. Word Count | 1.1k A/N | Hello lovelies! Ever since I was young, my love for Tolkien has been my greatest inspiration when it came to writing and world-building. But, also all the fantastic writers out there that had me plastered to my computer at 4 in the morning, staying up all night reading wonderfully written stories about all the characters. So, because of this, I am taking a tiiiiiiny step into the community with this short story, hoping some of you will enjoy it. If you do, I'll happily write some more, and if you have an idea you would like me to write, feel free to send me a message!

“Our love cannot be.” 

Her words had echoed in his mind since the moment they left her blushed lips, at first only mindless words lingering in his mind as he stared thoughtlessly, then excessively nagging at him with every chance. Obsessively and utterly spellbound, he could only stare into your teary eyes that never hid from him, taking your trembling lips to his longing ones in a silent protest and carefully surrendering to the prospect of a love that might be possible if you loved hard enough. 

How naive you were, for you said the words too late. What good did it bring to only now speak of what you should have said a long time ago?  Perhaps it could be a testament to yourself that you at least tried to cease what you had, however weak the attempt might have been. Furthermore, you might have wished for him to be stronger than you, more sensible–but perhaps you were too alike in that sense.

“How can you say those words when you already know how my heart longs for you?” You could only close your eyes as he spoke, words dripping like honey over your troubled mind. Momentarily, you bathed in the golden glow, feeling the tenderness soothe the aches and hurt. How could you give him an answer that wouldn’t cause pain when his very words pierced you so–when his care for you extended further than you could have ever expected?

Devastated by the uncertainty that clouded your mind, shaking fingers jerked away from their hold on the silk that covered his forearms. You gasped when his hands didn’t hesitate to grasp yours, placing your palms against his heart that thumped heavily beneath the layers of fabric. 

“Do you feel that?” He spoke softly, leaning his head down to try and meet your avoidant eyes as his other hand found your cheek. “It does not beat like this for anyone but you.”

Unshed tears gathered in the corner of your eyes at his confession, overwhelmed by the idea of being loved by someone who would surpass the short time you had yet to live. Time was a cruel hand, one you couldn’t help but fear deeply, for he, bound to centuries, had a timeless plight while you were made to fade in the fleeting light.

“Our love is naught but a flame caught between two winds,” you say in sorrow, eyes closed to spare yourself the guilt you would feel if you gazed into his sky-blue eyes, the usual vibrancy muted–as if the stars that danced within them had momentarily dimmed. “It’s fragile and fleeting, how will it last?”

“Have I not pledged my heart to you?” Legolas implored, his words dulled with sorrow at the distress residing in your eyes. “Have I not deserved to relish in the warmth you bring me?” 

“Legolas…” He heard you whisper, a gentle plea that fell on deaf ears as he drew you closer, meeting your lips in a longing kiss. In a stolen breath, he reveled in the taste as his forever gentle hands cradled your face, fingers tracing the delicate contours as if to etch it into memory–into the fabric of his immortal being. 

With each passing heartbeat, the glade witnessed two souls so desperate yet unsure, and as it held its breath, the air shimmered around them in the quiet night. Like a silent whisper on your skin, his fingers lighted a path like fire as they caressed, refusing to let you pull away. Oh, how you wanted to. Yet, your heart clamped something so fiercely when the thought passed through your mind, the feeling not far from making you double over in anguish from having to be apart. 

The desperation in his embrace pulled at your heartstrings, urging you to cast away the dark thoughts that rained over you endlessly and lose yourself in his arms that wound their way around you–shielding you from hesitation and fear.

Yet tentative, your response wasn’t passive; fingers seeking refuge in the strands of his silken hair, and with each strand that slipped through your touch, only felt all the more consumed.

“You say it can’t be, yet why can’t my body stop aching for your touch even though you are right here, already in my arms?” His voice was a soft murmur in the night, lips parting for only a moment when speaking to find yours, then again, refusing to let you protest. “Mortal you may be, yet my heart yearning does not know the confines of time.”

Your gaze softened by his sincerity, voiced by her uncertainty. “I can not help but worry about what happens when my time passes. What aching memories will it leave you with…” You trailed off as the thought crossed your mind, but as you felt Legolas brush a strand of hair away from your tear-stained cheek, a soft determination shone through his glossy eyes. 

“Then surely I will pass, for I couldn’t bear to spend the rest of my life in a world where I can not gaze upon the wonders of your spirit that light up the darkest corners of my soul.” Yet melancholy, the words rang true as his voice had a slight undertone of acceptance that confused you. 

He knew that when the burden of your parting would become too heavy, he would transcend the sorrow that bound him to this earthy realm and leave all behind in hopes of once more feeling your touch on his graying skin. He came to welcome the idea a long time ago. Yet, the sadness in your eyes hurt him terribly, and his mind didn’t know how to lessen your anguish and recover the gleam that continuously resided deep within them, at times almost bursting with wonder.

“Why do you speak so indifferently? The thought does nothing but pains me something so fiercely.” He only gave you a soft smile in return, grasping your cheeks between his palms, thumbs tenderly caressing the soft skin underneath it.

“Can you not see, my love?” Placing his forehead against yours, his eyes pierced yours warmly, reassuring you that he only spoke of the truth. “In the realm beyond, we will once more find the embrace of one another, and I will continue to love you as I do now."

“Fret not, meleth nín.” Placing a tender kiss on your teary cheek, he whispered in your ear, bringing your head to rest wearily in the crook of his neck. “For you shall have me for the remaining part of your days, and when your departure becomes a burden too heavy to bear, I shall find you amidst the stars.”

[desparaic]

To Hearken that Dreadful Silence - Muzan X Reader

Short drabble, somewhat of a sequel to "To Kill My Melody" but can be read as a standalone. Reincarnation AU.

Read To Kill My Melody here

TW: Angst, self-unalive, death, canon divergent where Muzan wins

You have lost.

The demon slayer corps have lost.

Here you were, legs trembling from exhaustion and endless injuries, knees and tip of sword digging into the bloodied dirt, all before the fully awakened demon king, his body spasming, dark blood coursing visibly through his veins, as he relish the newfound power of conquering the sun after eating the younger Kamado sibling.

You couldn't take your eyes off him. Not because you don't want to— rather that if you do, you'll have to face countless bodies of your comrades scattered around you. You still vividly remember the head of the water hashira, who you considered as your friend once upon a time, flying across your sight. The last time you've seen Sanemi, and that Kamado boy, they were missing limbs, and losing blood on parts that shouldn't be hit or punctured at all.

All you could hear was silence.

You're the only one left alive.

Someone? Anyone? Please, even just a groan of pain, a shallow breath— anything to indicate you're not the only one alive.

But as you hear the grotesque shifting of that…— that monster's body, adapting to the newly acquired power—

All you could hear was despair.

"Finally... Finally..."

... That monster finally spoke up, grinning and reveling in the moment. A ray of orange came out from the sky, bringing light. Then another. That used to bring you hope, relief, knowing that the fight would finally be over but—

"Aahh... To conquer the light of the sun... To walk in the day once again...!"

That hope is long gone.

He laughs. Laughs maniacally. Laughs so much it made your ears bleed. How dare he. How dare he stand tall and proud among the corpses of your comrades, of your allies. How dare he laugh at your misery. The mere sight of him, the mere sound of his breathing disgusts you.

And yet you can't take your eyes off him.

You've failed. Your sword cannot take his life, your only hope was the sun to burn him alive, but now that he has conquered it, he truly has become immortal.

His piercing red eyes turned to you, a foreign emotion swimming within.

"My love, oh my love, how I've waited for you to come back to me..."

He walked toward you, arms wide open as if he was awaiting a hug from you, "Finally... I have everything I have been waiting for, been looking for. I have achieved immortality and perfection..."

He stops at a distance away.

"and I finally have you by my side again."

Nausea builds up your throat. How dare he. How dare he even look at your way— how dare he utter even a single word right at you. He deserved to die in the worst way, boiled alive in acid, have his limbs torn to shreds—

In your blinding anger, you failed to register the hand resting on your cheek.

"So long I have waited for you to come back to me... I knew you wouldn't leave me all alone forever..."

What is he even talking about.

"Of course... You'll come back to me. You always do. You love me, after all."

Why is he lying. Why does he act as if he knows you.

"I'm sorry, (Y/n). I was a fool not to give you the love you deserved."

How does he know your name.

"But now we can finally be together forever. I can give you my blood! We will be equal!"

Why is he still talking to you. Stop talking, stop breathing. Just drop dead, die, die, die—

Wait— is he touching you?

Finally, you notice the ever-freezing, yet burning, touch on your cheek. You smacked it away, daring to challenge the devil of death before you with that bold act.

Yet, he remained unfazed, though his smile dropped, "I understand this may seem confusing. You don't remember, do you? That's fine. Once I share my blood with you, I'll make you remember with my memories. Perhaps I can even dig into your brain to stimulate it, maybe then it will uncover the memories of your past life— our shared life."

You jumped back, while slashing your sword across his abdomen. But of course, that is but a mere scratch, perhaps even less, to him. Even before you finished your attack, it had already healed.

There's truly no hope for you.

"Come now. It'll only be a while. It will hurt, that I cannot deny, but it is for the better," he stated, slowly walking toward you.

No. No. Whatever he was spewing about— that past life or whatnot— you don't care. All you care about is not falling into the hands of this monster. It's clear to you now he won't kill you, but rather to keep you by his side for whatever sick reasons he has.

That, you argue, is worse than death.

Perhaps, in another life, you would avenge your comrades, you would inflict every pain, every suffering that the monster has caused back to him. In another life.

But for now…

With no hesitation, with firm resolve, you smiled. A venomous, bitter smile— one that is alien to Muzan, so much so that he froze.

What a horrible expression painted on a canva he knew to be so innocent and beautiful long ago.

"I hope life gives you far worse torture than death, Kibutsuji Muzan. I will make sure your wish for immortality becomes your curse."

And with that, with the last of your strength as a hashira, you sliced your sword through your neck.

And for some reason, death sounds like a familiar tune to you.

[moistvonlipwig]

Eternity, Growing Up, and Why Buffy Keeps Dating Vampires

Vampires in Buffy the Vampire Slayer, on a most basic level, represent stagnation, a desire to stay young forever, the refusal to grow up. The show emphasizes this several times: in the show's very first episode, Buffy recognizes a vampire by his outdated outfit, and in 2.07 "Lie to Me," Ford claims that becoming a vampire will allow him to "die young and stay pretty," the dream of "every American teen." Buffy's role as the titular vampire slayer can thus be read as a metaphor for her choosing to grow up and become an adult in the face of temptations to do otherwise. So what does it mean, then, that Buffy's two most narratively significant love interests are vampires -- that she repeatedly, across seven seasons, courts eternal immaturity? I would argue that Buffy's relationships with Angel and Spike represent her inner struggle to accept the reality of growing up and getting older.

Buffy and Angel's relationship is marked by repeated references to the concept of "forever" or an eternal relationship: "When I look into the future, all I see is you" (2.12 "Bad Eggs"); "Love is forever" (2.19 "I Only Have Eyes For You"); "Forever. That's the whole point" (3.01 "Anne"); "You still my girl?" / "Always" (3.17 "Enemies"); Buffy's "Buffy & Angel 4ever!" doodle on her notebook (3.20 "The Prom"); "How's forever? Does forever work for you?" (5.17 "Forever"). At first glance, this may appear to be a romantic cliche, but taken in context of what vampires represent, the motif takes on new meaning. To be eternal is to be like a vampire -- to stagnate, to never change or grow or mature. Indeed, Angel's final line on the entire show, in his and Buffy's last scene together, is, "I ain't getting any older" (7.22 "Chosen"). In Buffy the Vampire Slayer, immortality is synonymous with immaturity. To want a "forever" relationship, then, is to want to never grow up.

(This idea is revisited in the Angel episode 2.13 "Happy Anniversary," a disturbing tale about a man who responds to his impending breakup with his girlfriend Denise by attempting to freeze them both in time mid-coitus forever. Lorne's response -- "I can hold a note forever. But eventually that's just noise. It's the change we're listening for. The note coming after, and the one after that. That's what makes it music." -- is a perfect summation of the Buffyverse's stance on the concept of eternity. To last "forever" is not romantic or beautiful; it is simply to be in stasis.)

Buffy and Angel's relationship is also frequently associated with death, and Buffy's death in particular: "When you kiss me, I wanna die" (2.05 "Reptile Boy"); kissing against a gravestone reading "In Loving Memory" ("Bad Eggs"); Angel's dream of Buffy bursting into flames in the sunlight like a vampire after marrying him ("The Prom"). The implication is that, if Buffy stays in the relationship, it will metaphorically kill her, cut off her future, freeze her in this moment of teenage love until the end of time, like the first episode's vampire whose fashion sense was stuck in the past or, indeed, like the fate that almost befell poor Denise. To borrow a metaphor from Revolutionary Girl Utena (another show very concerned with the dichotomy of eternity vs. growing up), Angel and Buffy's relationship is their coffin. They can choose to stay trapped in it forever, to never grow or change, and thus to metaphorically die; or they can choose to leave, to grow and change and mature, to gain "the power to imagine the future" (Ikuhara Kunihiko, Utena DVD commentary), where before they could only imagine each other.

It's no coincidence that the second season's finale, an episode all about "becoming," about growing up and maturing, is when Buffy finally finds the strength to kill Angel in order to save the world. In doing so, she rejects her desire to stay young forever, trapped in her coffin with Angel for all of eternity, and chooses to continue to grow up instead. But, of course, growing up is never quite so simple; Angel comes back, and Buffy falls back into her relationship with him, falls back into her desire to pretend the events of the second season never happened and she is still the same young girl who never lost her "innocence" at his hands. Even when we consciously choose to grow up, it is all too easy to seek comfort in the idea that maybe, if we try hard enough, we won't have to. In the end, it is Angel who recognizes the harm their relationship is doing to Buffy, and he departs, taking Buffy's childhood with him. Her youth leaves her, as it leaves us all, whether she wants it to or not.

But Angel is not the last vampire she has a relationship with. In the show's sixth season, Buffy emerges from her literal coffin only to climb right back into a metaphorical one. In the time since she said goodbye to Angel, Buffy has attended college, had to drop out of college, had another romantic relationship fail, lost her mother, essentially become a parent to her newly-acquired sister, died through suicidal self-sacrifice, and been resurrected only to find that she is still just as depressed as she was before dying and is now swamped with bills she cannot pay. Her problems are firmly in the realm of adulthood, and at many points throughout the first half of the season, she longs for the grave she left instead of the life she has: "I was happy. [...] I think I was in heaven. [...] This is hell" (6.03 "After Life"); "There was no pain / no fear, no doubt / 'til they pulled me out / of heaven" (6.07 "Once More, with Feeling").

It is at this point that she begins a sexual relationship with Spike, her second dalliance with eternal immaturity. Buffy and Spike's relationship is also marked by references to death, with an emphasis this time on graves: Spike notices and verbalizes the shared experience they have of clawing their way out of their graves ("After Life"); Spike and Buffy fall into a grave together during Spike's song, during which he beseeches her to "let [him] rest in peace" ("Once More, with Feeling"); several of their sexual encounters literally occur inside the crypt Spike lives in; this crypt is brought into focus especially in 6.13 "Dead Things," in which Buffy and Spike place their hands on either side of its door, separated by her status as living and his as dead. Buffy additionally uses Spike as a proxy to call herself "dead inside" ("Dead Things"). Buffy may have literally risen from the dead, but in a metaphorical sense, she is still trapped in her coffin, unwilling to leave it.

There are, of course, multiple layers to the grave and coffin motif in Buffy the Vampire Slayer's sixth season. But I would argue that one such layer is that it serves as an extension of the death metaphor from Buffy and Angel's relationship, in which death signified Buffy never growing up. In this reading, Buffy's longing for the "heaven" granted to her by the grave is really a longing for the innocence of youth, now lost to her as she must continue to grow up. In Buffy's confession to Spike in "After Life" about where she was in death, she makes particular note of how "time didn't mean anything" in the place she labels "heaven," whereas in the real world, it's hellish "just getting through the next moment, and the one after that." Unlike Lorne, who saw beauty in the progression of time, Buffy sees only suffering, and longs for a time in her life when time itself seemed not to march forward at all.

It is no wonder, then, that she seeks comfort in someone who is frozen in time, who can never grow up. If Buffy's relationship with Angel represented her childhood desire to stay young forever and never face the hardships of adulthood, her relationship with Spike represents her adulthood desire to return to that period of youth and never leave it, to curl up in her coffin and close the lid. But unlike Buffy and Angel's relationship, which is littered with references to eternity, Buffy repeatedly insists on the temporary nature of her dalliance with Spike: "What we did is done. But I will never kiss you, Spike. Never touch you, ever, ever again" (6.08 "Tabula Rasa"); "Not gonna happen. Last night was the end of this freak show" (6.10 "Wrecked"). Buffy is furious with Spike for his hold over her and hates herself for wanting him, but returns to him again and again. She believes she shouldn't want to return to her unattainable youth, she knows she should accept her adult life and face its difficulties head-on, yet when confronted with its difficulties, she repeatedly goes to Spike to escape them, as in 6.11 "Gone," 6.12 "Doublemeat Palace," and 6.15 "As You Were."

If Angel represents Buffy's youth and Spike her nostalgia for that youth, then of course it follows that Angel must leave Buffy, but Buffy must leave Spike. Nostalgia, unlike youth, does not depart from us so easily. But she does leave him, and in the sixth season's finale, she finally crawls out of the grave she's been trapped in, represented by her leading her sister out of a literal grave and smiling at the world before her. As Buffy tells Dawn: "Things have really sucked lately, but it's all gonna change. And I wanna be there when it does. [...] And I want to see you grow up" (6.22 "Grave"). Change, the inevitable forward march of time, the reality of growing up -- these things no longer strike Buffy as hellish, but rather beautiful. She is an adult, and she is living in this ever-changing world, and she embraces that reality fully, leaving the coffin of youth behind for good.

What to make, then, of Buffy's relationship with Spike in the show's seventh season? I would argue that her evolving feelings towards Spike in the final season represent her reconciling with and forgiving her past self, the Buffy that didn't want to grow up, before finally letting that part of her go. She comes to recognize that Spike, like her past self, was capable of change, eternally immature though he may seem. She forgives herself for wanting him. When he offers to leave, she tells him she is "not ready for [him] to not be here" (7.14 "First Date"). She has already chosen to embrace and accept her adulthood, and she no longer resents her desire to return to childhood, but she still needs her inner eternal child with her.

It is in the very last episode of the series that she lets go, demonstrating her full-hearted and joyful acceptance of ephemerality in the process. Buffy has not told a romantic partner she loves them since Angel, although she told Angel she loved Riley in Angel 1.19 "Sanctuary," and from episodes like 4.03 "The Harsh Light of Day," it is clear how much the unexpected transience of her supposed-to-be-forever relationship with Angel has haunted her. But in 7.22 "Chosen," Buffy tells Spike she loves him in a moment when she knows for sure that his death is imminent and that their joint existence together is temporary. She no longer fears a love that is not eternal. Through Spike, she expresses her love for her past self and for the part of her that never quite grew up, and then she lets that part die with him, and with Sunnydale itself, the place where she spent her adolescence, another representation of the grave that was her dream of forever childhood. Despite this destruction and loss, Buffy only smiles in its face, and it is this smile we leave her on. She has grown up, she has forgiven herself for not wanting to grow up, she has let go of the last remnants of the childhood she once hoped would be eternal, and she has come to not only accept the ephemeral, ever-changing nature of life, but to meet it with love and joy. "The power to imagine the future" is hers to wield. And her smile tells us that she is finally ready to wield it.

[furiarossa]

"Danny looked down, thinking. Only then did he notice an inscription on the pedestal holding the three statues. “Madeline Walker | Vlad Masters | Jack Fenton The ghost friends honor them, April the 3rd, 1983: For the heroic saving of our lives" «They… they never told me anything» Danny looked at the statue, then at Skulker, then back at the statue «Why?»."

Okay, this lineart is so good that inspired a scene in me (I wrote it, even though I practically never write in English) and TWO different color versions.

7th submission for the @green-with-envy-phandom-event! This is a collab: the lineart was created by the awesome @ecto-stone, while we did the color. 

Alternative (golden) version + ficlet under the cut!

Danny approached the sculptural group, vaguely in disbelief. At first he didn't really understand what he was seeing... he just had the feeling that it was something familiar, that the shapes of those greenish bodies reminded him of something. There were three people, dressed like ghostbusters, with tools and protective goggles. There were also other details, rays and small figures.

Danny squinted. One of the three was too similar to his father... but younger, with more hair, with a cheeky smile. So the other two, they were... yes, he had only seen them like this one other time, in a photograph from their college days, but... they must have been his mother Maddie and Vlad Masters.

It was quite impressive, to see a statue of three people he knew so well as adults, but immortalized forever, frozen in time, as the version of them that had been real only years before.

«Why is there a statue of them in this place?» He asked Skulker «They are ghostbusters, why did you immortalize them here, in the Ghost Zone?».

Skulker looked up at the sculptural group, his gaze unreadable, machine-like. But his silence, which lasted a few moments too long, spoke for him.

«It's a celebration» He said «From the times of the ectoquake. We all risked dying... or losing all the information in our cores, due to altered magnetism» he touched his chest with his large gloved hand «We would have forgotten who we are, we would have become a bunch of babbling ectoplasms devouring each other to survive, unable to recognize ourselves. A fate worse than death».

Danny looked down, thinking. Only then did he notice an inscription on the pedestal holding the three statues.

“Madeline Walker | Vlad Masters | Jack Fenton

The ghost friends honor them, April the 3rd, 1983:

For the heroic saving of our lives"

«They… they never told me anything» Danny looked at the statue, then at Skulker, then back at the statue «Why?».

Skulker pulled his gun from the holster, a handkerchief from his back pocket, and began cleaning it. That gesture worried Danny, but the other ghost didn't seem to want to attack him.

«They never told you anything because they don't know anything» Skulker revealed, speaking in a low voice «They themselves asked for their memories to be erased»

«Why?» Danny shook his head «Vlad certainly wouldn't have thrown away the opportunity to be adored as someone's savior»

«You know nothing about Vlad» Skulker's voice was thick, sticky, full of menace. Danny realized that they had never talked about Vlad before: how had he and Skulker met? What did they think of each other?

«Vlad wouldn't let anyone, not even himself, see him as a hero» The ghost hunter continued, moving the cloth more rapidly on the butt of the gun, as if he was trying to remove a stain «That's not what he does. But on that distant day… he and your parents saved the lives of all of us. They saved the entire Ghost Zone ecosystem»

«My parents probably did all the work and he joined the group only to take the glory» Danny snorted

«You don't know anything» Skulker said slowly

«I know Vlad quite a bit»

«No. You are a fourteen years old boy who thinks he knows how things go, but he doesn't. I've known him for twenty years, and you for... how long? Less than a year? And most of the time you just argue like two children»

«The fact that he fights with a fourteen year old» Danny pointed to his chest «I think already says a lot about him»

«He's training you, brat. For my part, if I could I would have taken your head off a long time ago... but he saved you, remember?».

Danny blinked. Yes, the first time they had seen each other… he had been trapped in the cube, powerless, with only his head sticking out, like a trophy. And Skulker would have gladly used his new blade on him, if it hadn't been for Vlad, who had stopped him.

«He's only doing it because he wants to have me as his son» Danny muttered

«Doesn't sound like a bad reason to me» Skulker growled.

For a few moments, there was silence. Only the movement of the ectoplasm could be heard, like the riptide of the sea in a bay, there wasn’t even the sound of breathing.

«So...» Danny, who had no intention of arguing with Skulker, continued «What's this about the ectoquake?»

«It's something that... happens» explained the ghost hunter «Every now and then. It's not exactly cyclical, but almost. And anyway, you can predict it, but you can't stop it. An ectoquake is the most terrible circumstance the community can experience: it not only destroys the lairs, but also the physical forms of the ghosts and their memories. It is a magnetic storm of such magnitude that it destroys everything it touches, rearranges it and turns it into something different. Every time an ectoquake occurs, thousands of species disappear forever and those who survive become mindless cannibals. It takes years for species to re-evolve and for ghosts to regain a minimum of reasoning»

«Wow. It really sucks...»

«Indeed. Usually very few ghosts survive: those who have access to a portal and can escape into the material world, for example. You get out of here» Skulker pointed up, as if there was a ceiling (which wasn't there) «The ectoquake can't get you. But the problem is that ectoquakes can also be predicted by humans»

«And so?»

«And so the ghost slayers remain stationed outside any natural portal, trying to kill every ghost that is escaping. It's a sealed fate»

«The ghost slayers?» Danny wrinkled his nose «I've never heard of them...»

«You're used to seeing those ridiculous ghostbusters... the Guys in White, those bad copies of Mystery Incorporated, your parents... but there are real monster hunters out there, with real weapons capable of blowing your head off. They don't go hunting for flying kids, they want to collect large quantities of ectoplasm at once, and to do so they predict ectoquakes and capture and kill those who escape»

«Terrifying».

Even though he was in his ghost form at the moment, Danny still felt goosebumps. Perhaps his ectoplasmic body simply remembered the reactions of his flesh body, or perhaps the idea disgusted him enough to change the surface composition of his ghost.

«At that time I was… little. Small. In the physical sense of the term» Skulker seemed a little embarrassed at this revelation, but he didn't stop recounting «I didn't have the armor yet, I was a small and defenseless body, and I managed to get out early, without the ghost slayers noticing. The ectoquake was a month away. But I was captured by them» he pointed to the three statues «They were in college and still studying, they weren't dangerous. Maddie and Jack wanted to dissect me, study me and then kill me» Skulker's voice softened «Vlad begged them not to do it. He saved my life»

«I can't imagine it»

«Too bad for you, kid. Too bad that you can't imagine that your parents, exactly as they do today, try to destroy the ghosts, while Vlad, exactly as he does today, helps me»

«Touché»

«I told them about the ectoquake. And they did something incredible: they built a portal for the first time. Not that little thing that would later destroy Vlad's life: a real portal, bigger than all the others. Huge, inside an abandoned building. Six meters in diameter, so that ghosts of any size could fit through. No ghost slayer expected us to escape from there, because they didn't know that portal existed. And then they invented something else, the Fenton thermos, a device capable of capturing ghosts, with which I was able to collect and transport the slowest or weakest ghosts, or those who were too afraid, into the material world» Skulker frowned «When the ectoquake came, the damage to the Ghost Zone was incalculable, but… but we didn't have to start from scratch. There had been many casualties, but many of the plants and animals were safe, my friends and I were still sane, we were fine. We had spent all the necessary time inside the abandoned building. Some inside the thermos, others free… we were all alive. Thanks to them: Madeline, Jack, Vlad»

«I… I didn't know. Why didn't I know?»

«I’m telling you, they don't remember anything»

«Why?»

«They knew ghost slayers were dangerous, boy. They knew they might have let some information slip: how to build the portals, where the escape route they'd created for us was. They decided together that they would forget it. There is one of us who can make wishes come true...»

«Desiree»

«Yes, exactly, Desiree. To protect us all, they wanted to forget what happened»

«Couldn't you just wish the ghost slayers would stop hunting you? Or that ectoquakes didn't exist?»

«You have a skull as thick as a bison's» Skulker placed his index finger on Danny's forehead «Do you really think ghost slayers are stupid? They are protected by amulets, ghost powers do not work on them. As for ectoquakes, they cannot be avoided in any way, they are an integral part of the Ghost Zone!»

«Well, yeah, I didn't know» Danny's cheeks turned a light shade of green.

Skulker withdrew his hand and approached the sculptural group, placing his hands on the pedestal. «Their heroism, their intelligence, their sacrifice… we will never forget them. They have already forgotten them» He sighed «It's a real shame that Madeline and Jack betrayed him and abandoned him like this. He didn't deserve it. Together they could have conquered the world, obtained everthing, but instead...»

«They didn't betray and abandon him!» Danny exclaimed

«You weren't there, ghost boy. How would you know?» Skulker looked at him over his shoulder, a single green eye visible, luminescent like a light bulb «You should listen to the story as told by others too. And maybe even your stupid parents would be ready to admit what they did to him. You weren't there, but I was. And I don't wish for anyone to see what I saw».

Danny looked up at the statue, feeling a myriad of emotions boiling inside him. An invisible hand squeezed his stomach. He didn't know about this, about how they had become heroes of the Ghost Zone… what was there that he still didn't know about them?

---------------------------------------------------

(I will definitely expand this thing later... for now, you got the idea XD).

Aaand here there is the golden version (of course there are gold statues of the saviors, somewhere!):

[Oh, and a lot more of our Danny Phantom fanarts: Here’s our tag!]

★ Instagram|Facebook|FurAffinity|Deviantart|Commission prices|★

[lexsssu]

Good Little Girl (Marshall Lee)

TAGS: Mashall/F!Reader, Original child character, parenthood, fluff Ao3 ver.

“Mishael Linus Abadeer, get your sorry butt down here already before your dinner gets cold!”

“Jeez, I’m coming down already, Ma”

“If you don’t hurry up I’ll eat your portion of fresh strawberries, kid~”

“Dad, don’t be so unfair when you already have your own portion!”

“Not my fault if you’re a slowpoke”

A handsome dark-haired youth flew into the humble dining room hurriedly, seating himself at his designated chair and clutching the small bowl of strawberries to his chest as if they were a priceless treasure. His skin had a grayish hue to them, pointed ears peaked from his ebony tufts of luscious hair while a pair of sharp fangs poked from his lips. The scowl he wore didn’t make him look menacing, but rather even more attractive than he already was in the first place.

“Now, now, now. Stop teasing our son already, Marsh. You know how he gets when it comes to his strawberries and besides, aren’t you already too old to be competing with him over food?” You stifled a laugh as you raised an eyebrow at your husband who merely grinned, shrugging in response.

“It’s survival of the fittest, babe. If our own kid doesn’t understand that then he doesn’t deserve the plump and juicy fresh strawberries you’ve painstakingly grown, picked, and washed straight from our garden”

The vampire king wrapped his arm around your waist and pulled you closer, landing a quick kiss to your hair as your preteen son gagged at the public display of affection. “No spawn of mine will grow up ungrateful to their beautiful, amazing, spectacular, wonderful mama~”

Dinner passed by without much fanfare aside from the playful teasing your family generally engaged one another with. Though mainly it was just Marshall being the big bully that he was, something Mishael had already grown used to ever since he was young.

While you washed the dishes, you spotted your son fumbling with his phone as he floated back up to his room. A bright smile lit up his face as a tinge of red gave his cheeks some much needed color and contrast from the grayish hue he’d inherited from his father.

“Lemme guess, he’s probably hung up on Fiona & Evan’s kid...Evie, right?”

Years of being with Marshall had trained you to anticipate his sudden appearance at all possible times that you didn’t even flinch anymore when you hear his voice and feel the warmth of his breath on the back of your neck.

“Mhmm, he’s got it quite bad from the looks of it. Kinda reminds me of another lovesick vampire I knew back in the day…” The corners of your lips quirked upwards in a smile as memories of a time not so long ago flashed in your mind like a cinematic movie.

“Whaddya mean you ‘knew’ back in the day? I’m still very much YOUR lovesick vampire until the universe itself collapses and time ceases to exist, thank you very much”

Placing the last plate upon the dish rack, you wipe your hands dry on the dry dish cloth before gingerly taking the raven-haired male’s face into your hands and pecking his nose. “And I wouldn’t have it any other way, my bad little boy~”

A tender looked slithered its way onto the hybrid’s face, snaking his arms around you until your front was pressed flush against his own. You both floated a few feet off the ground, arms around your waist and your own around his neck as you stared into each other’s eyes.

Marshall Lee had his fair share of relationships over the course of his immortal life, but none had ever enamored him the way you do. None had ever made him want to come home so desperately, even if you were the one who gave him all the freedom he wanted to go off on adventures while waiting patiently for him. His once cold, unbeating heart felt the warmest, the liveliest as long as he was with you.

“Forever’s a long time, ‘ya know? But I’ll be more than happy to let you feel why being MY good little girl is worth it~”

[cosmicasteroids]

Qsmp lore hcs and thoughts !

This is mostly character techno based so I’ll use Q!techno and also based around chayanne and some other things.

Phil mentioned that techno helped guide chayanne in the fight against ender!phil that lasted for like three days and I already had some like small lore on where technos been in the events of the qsmp character wise. Techno was a conduit for the blood god due to this the voices and everything onlt got worse with time and even healthy outlets fell through. Techno took this as a personal mission to bring his fight to the blood god in the spirit realm and left his own cloak and a note behind for Phil before leaving to go fight the gods themselves.

Thing is when techno won that fight and the blood god was slain there was now a new champion to take on the rule of blood and war kind of like a, ‘you kill the king you now are the new ruler situation’, you topple the god off his tower and now the realms deem you to be that god. Techno didn’t anticipate this and now is bound to be and become the new blood god and carry out his tasks and deeds and keep the realms in balance as the other gods. Bros just kind of winging being a god he didn’t come out here to be trapped in the spirit realm forever and become a immortal being, tis was not the plan.

In present day techno uses his god hood to watch over Phil and the his new family he has when the fight with the enderking happened between Phil and chay techno stood in to help guide chayanne through the whole fight where to stand how to hold his sword what to dodge when to strike he knew Phil better then anyone after all. Thing is after days and nights of this fight techno accidentally claimed chayanne to be the new blood god conduit a little soldier much how he was his entire life. Techno tried to speak with the gods saying it must be some sort of mistake but the gods told him it was simply fate. So techno took it in his hands to try to make chayanne better, stronger, and of more sound mind then he ever was using his mistakes of his past as simple warnings.

Of course when chayanne says he hears voices and has nightmares of war and slaughter and has this terrible need for violence Phil freaks out a bit. He’s seen all of this before he had a kid much the same toiled by blood and he’s watching closely to help like he did in the past nothing has changed.

Anyways besides story lore there’s also smaller bits of other little fun facts hc lore !

Only conduits of gods can see other gods, Phil is more likely to be able to see techno if he wakes up for a second during ender kings possession, unlike chay who can see him all the time. Phil is less blessed by a god and more being used like a puppet so he doesn’t have the luxury to see the gods as easily as chay would be able too. Chay can see the enderking wrapping himself around Phil and he hates it.

Techno is the new blood god but as such he kind of claimed the blood gods old memories from thousands of years and his powers making techno not the most sound of mind 24/7 he tries to be generally calm and teach about protection and defense but sometimes the voices beg for war and he can’t help the things he’s becoming (aka techno angst is real)

Will emerald duo ever reunite stay tuned cause gods can’t keep promises and even if the gods reach out and hold tight sometimes words can’t be reached by mortals of light.

Anyways I will make concepts of techno and chay for my lil hc lore au qsmp thing lol but I wanted to shout my thoughts into the void even if no one sees them. And if you do hope you enjoyed my ramble hope it made sense. If you have any questions you are free to ask but no pressure.

[ink-perfect]

Hi Aspen. Can you write an romantic hurt and comfort (by comfort=bittersweet) of Zoro as the god of war. Who was in love with a mortal. Prince Sanji of the baratie, however the blonde died during the titan war. Letting the god of war grief and rage end the war in a single day.

Thousands years has passed since then. As the empty throne of the god of love were filled. And Zoro was suprise when he find out it was sanji- sanji who assesended to be the god of love.. however the blonde loses all of his memories about his mortal life. (Is a test from Luffy (king of god). Wether do he and Zoro love could withstand everything. Including a memory wipe)

back to you.

## request!

─ about: animanga/live action zoro x sanji ft. a lil luffy at the end⋆. romantic, fluff, angst-ish (?), 3rd person ⋆. gods au, established relationship, memory loss ─ a/n: thank you for the request!!!!! 🤍 this is my very first time writing character x character or a fantasy au, i hope it's semi-decent 😭

the battlefield was a graveyard, bathed in carmine under the dark sky.

the once proud fields of lush green, where the sun had shone down with warmth and peace, was reduced to a wasteland of blood and ruin. bodies littered the ground, crimson running down to nest in the cracks of the earth.

and at the centre of it all stood roronoa zoro, god of war.

the scent of iron filled his nostrils as he sheathed his swords, the thick silence pressing against him like a vice. his muscles, though worn and aching, held their strength, but his heart - his heart had long since shattered.

prince sanji was dead.

the war god had lived for countless years, fought innumerable battles, and defeated legion enemies, but nothing had ever hurt like this. zoro’s love for sanji, a mere mortal, had been the one light in a life filled with conflict, and now it had been extinguished. the blond prince, who had stood beside zoro against the titans, who had defied the gods themselves to fight for his people, was gone. taken by the very war zoro had sworn to end.

it had been a blur - the final battle against the titans. the cries of war, the clash of steel, the earth shaking beneath their feet. zoro had fought like a demon, tearing through enemies without hesitation, knowing sanji was close by, fighting his own battle. but then, there had been a scream, high and filled with a terror zoro had never heard from him before. he had turned to see the prince fall, his body crumpling to the ground, blood spilling from a wound too deep for any mortal to survive.

zoro had felt something inside him break at that moment: a sensation that he had never experienced before. he was a god - he was supposed to be invincible, untouchable, yet the pain of losing sanji had brought him to his knees. his heart had shattered, rage and grief twisting together into a firestorm that consumed him. the world became a haze of blood and fury as he did what no god had ever before - he ended the war in a single day. titans fell before him like leaves in the wind, their ancient power crumbling under the weight of his sorrow.

but even as the final titan drew its last breath, there had been no satisfaction. no victory. all zoro had felt was an empty, hollow ache in his heart where sanji had once been.

he had stood there for hours, cradling the prince’s body, his golden hair matted with blood, soulful eyes forever closed. he had wanted to scream, to beg the fates to give him back. but no one answered. no one ever answered.

that was thousands of years ago.

now, the gods had moved on. time had passed in a blur, the once monumental loss fading into myth. the world changed, new gods rose, and the titan war became nothing more than a story, a distant memory etched into the minds of the immortal. but zoro had never moved on. he never allowed himself to. his heart had become a fortress, a cold, impenetrable place where nothing else could enter. the god of war had become a legend in his own right - feared, respected, and utterly untouchable.

he had fought for millennia, leading armies, defending the heavens from any threat that dared challenge them. but all of it felt meaningless now. he was a god without purpose, without the one thing that had given him reason to fight.

zoro would catch himself at random times - on the battlefield, in the dead of night - thinking of sanji. he’d recall the way sanji’s eyes would spark with anger whenever they argued, the way his lips would curve into that smug grin whenever he teased zoro, or the way his body had felt against his, warm and alive, in those rare moments of tenderness. he had loved sanji, more deeply than he had ever allowed himself to love anyone. but that love had died the day sanji had fallen.

or so he thought.

the news spread like wildfire through the heavens - the empty throne of the god of love had been filled.

it was a matter that zoro cared little for. the god of love had been absent for as long as he could remember. the seat had been empty, and no one had seemed in a rush to fill it. love, after all, was fickle, fleeting - especially to the gods. zoro had scoffed at the idea of anyone taking on the role. love, to him, was nothing but a distant memory, a dream that had died with a mortal prince long ago.

but when he heard the name, everything stopped.

it had been spoken so casually, the news brought to him by one of the lesser gods as if it were just another trivial update, but the words hit him like a blade to the heart. it was a name he hadn’t heard in so long, it had become a ghost in his mind. zoro froze, his hand tightening on the hilt of his sword as the god spoke.

“vinsmoke sanji has ascended to the throne of love,” the god had said, oblivious to the storm brewing in zoro’s chest. “it’s been a long time since we had someone take that seat. king luffy must’ve had a hand in it - no one else would’ve chosen someone so...unconventional.”

sanji. ascended?

zoro had barely heard the rest. he left immediately, his mind racing with disbelief, with fear, with something that felt almost like hope, though he tried to crush it before it could take root.

sanji, his sanji, the prince who had died in his arms, was now a god? how could that be? how could someone mortal ascend to such a place, to the very seat of love itself, after so many years? zoro’s heart pounded in his chest as he made his way to the grand hall of the gods, the place where the god of love resided.

he arrived at the hall, hiding behind the towering white pillars, his breath shallow as he took in the sight before him.

there, sitting on the throne of the god of love, was sanji.

his sanji.

zoro’s heart lurched at the sight. the former prince looked exactly as he remembered - his golden hair gleamed in the divine light, framing a face that had haunted the war god's dreams for centuries. his sharp blue eyes flickered with intelligence, with that same fire, that same spirit that had drawn zoro to him so long ago.

but something was missing.

sanji’s gaze swept over the room, eyes passing over zoro without a flicker of memory. those eyes - once filled with love and laughter and defiance - held no warmth, no recognition.

zoro’s heart dropped as he realised what was wrong. the man before him was sanji, but at the same time, it wasn’t. he had ascended, but the man zoro had loved, the man who had fought and bled and died beside him, was gone.

sanji had no memory of his mortal life.

the god’s fists clenched at his sides, his jaw tightening as the cogs turned in his head. he realised something yet again: this was no miracle. this was a test.

he could see the hand of luffy, the king of the gods, all over this cruel twist of fate. luffy, with his relentless optimism, believed in love as the most powerful force in existence. he believed that even death could not destroy it. this scenario had to be one of his experiments stemming from this obsession.

and it was torture.

zoro wanted to scream. to grab sanji and force him to remember, to shake him until the light came back into his eyes, until he looked at him the way he had all those years ago. but he couldn’t. not yet.

instead, he watched from the shadows, his heart aching in ways he thought he had long since buried. the sight was almost unbearable - the prince looked the same as he had all those years ago, every detail of him painfully perfect. and yet, nothing about the way he held himself, the way he looked at the world, was the same.

what was zoro to do?

several days had passed with zoro lingering in the hall, his gaze fixed on the god who bore the face of his lost prince. sanji moved among the other deities with familiar ease, his sharp tongue and fiery spirit intact. yet, a steely air clung to him - a wall that hadn't existed before. zoro's heart wrenched each time their paths crossed, each time sanji's empty, unknowing eyes swept over him. they were strangers now. the irony wasn't lost on zoro: the new god of love had no love left within him, not as he once did. it was a cruel cosmic joke, taunting him with what he'd lost.

on the seventh day of his silent vigil, zoro could take no more.

he approached sanji’s throne on impulse, his heart pounding in his chest, each step heavy with the weight of centuries of grief and unspoken longing. the hall was empty, save for the two of them - sanji, draped in the pristine robes of a god, and zoro, still clad in his war armor, hands fiddling with the swords strapped to his side as a safety mechanism. sanji looked up as zoro neared, his expression unreadable as he placed him.

“roronoa zoro, god of war.” he spoke after a moment, his voice smooth. “to what do i owe the pleasure?”

the words were so formal, so cold, goddamnit. it took everything in zoro not to flinch.

“i-” zoro hesitated, his mouth suddenly dry. how could he even begin to explain?

“y’know, you’ve been hanging around an awful lot, war god.” sanji helped him out, his tone light but unmistakably edged with irritation. “do you have a reason for hovering, or are you just enjoying the view?”

zoro’s lips twitched at that - a spark of something familiar in sanji’s teasing, though it wasn’t directed at him the way it used to be. the banter between them had always been a fond memory of zoro’s, but now, sanji’s words were just that - words. detached and impersonal.

zoro crossed his arms, his gaze locking with sanji’s. he took a deep breath in. “i came to tell you that...you remind me of someone,” he spoke carefully, keeping his voice steady despite the roaring storm in his chest.

sanji raised a brow, leaning back in his throne. “do i, now?”

“yes,” zoro smirked back, hoping this would mask the flips his stomach was doing.

“someone i once loved.”

the silence that followed was deafening. sanji’s teasing expression faltered, just for a moment, but he recovered quickly, shrugging as if zoro’s words meant nothing. “i see. well, i’m afraid you’re mistaken. i don’t know anything about you, or whoever it is you’ve lost.”

zoro’s fists tightened at his sides, a surge of frustration beginning to boil under his skin. he had known this would happen - that sanji wouldn’t remember - but it still hurt like hell to hear him dismiss it so easily. zoro couldn’t just tell him everything; he couldn’t throw all their history at sanji’s feet and expect him to understand. this was more than a simple loss of memory - this was a divine test. sanji had been brought back, in a form zoro needed to ease into and figure out how to reach.

the war god took a slow breath and shook his head, forcing himself to stay calm. “you may not remember,” he said quietly, “but that doesn’t change what happened.”

sanji’s eyes narrowed, suspicion creeping into his gaze. “what exactly do you think happened, then? what is it you’re waiting for? some kind of…memory?”

zoro wasn’t even sure what he was waiting for himself. was it a sign that the man he loved was still there, beneath the godly mask of indifference?

“i’m not waiting for anything,” zoro said finally, his voice rough. “i just… wanted to see for myself.”

sanji tilted his head, his gaze and tone hardening. “see what?”

zoro’s chest ached. he couldn’t put it into words. instead, he searched sanji’s eyes, now desperately hoping for something, anything, to show that the connection between them wasn’t completely lost. he almost considered praying, but quickly thought better of it.

the god of love was already busy enough.

zoro's jaw clenched. "you've changed," he muttered, his voice barely above a whisper.

sanji gave a short, humourless laugh, running a hand through his golden hair. "i’d hope so. becoming a god tends to have that effect."

zoro stared at him, every fiber of his being resisting the urge to shout, to demand, to fight for what they had lost. but he couldn't - not yet. he needed to wait, to let things unfold slowly as he had promised himself he would earlier. it was a test, after all, and zoro wasn't one to fail a challenge, no matter how impossible it seemed.

"i guess it does," zoro murmured, his voice softer than he intended.

sanji’s eyes lingered on zoro for a moment longer than necessary, something unspoken passing between them, but whatever it was vanished as quickly as it had come. this was the final straw for zoro, and he turned around to leave.

sanji shook his head, the frustration clear in his voice as he called out to the war god’s turned back. “wait.”

zoro turned instantly, eyes ablaze with sheer hope.

“why don’t you just say it outright? you keep coming here, talking in riddles, expecting me to…what? suddenly understand something i never lived?”

zoro tried to hold back the surge of emotion that threatened to spill out. “because i don’t know if you can remember. but i do know you feel it. you have to feel it.”

sanji’s eyes snapped up to meet zoro’s at these words, the distance between them suddenly shrinking as the intensity of zoro's words hung in the air.

“feel…what?” sanji leaned in, his voice almost a whisper, as if he wasn’t sure he even wanted the answer.

zoro took a step closer, the words coming from a place deep inside him, where centuries of grief, rage, and love had been buried. he couldn’t hold it back anymore. there was no other route. he let the floodgates open.

“you and i - we fought together, side by side. we saved each other countless times. you were the prince of the baratie, and i was the god of war. we loved each other… fiercely. you died in my arms during the titan war.” he rambled.

sanji flinched as if struck, his eyes widening slightly. he opened his mouth to protest, but zoro pressed on, his voice growing softer, more desperate. “i couldn’t save you. and i’ve lived with that pain for thousands of years. but now…you’re here. you’ve been given a second chance, but you don’t remember. and i don’t know how to make you see it.”

the silence that followed was suffocating. sanji sat frozen, his eyes locked on zoro’s as though trying to process the weight of what had just been said. his brow furrowed, and for the first time since his ascension, zoro saw a flicker of something raw and real behind his eyes.

“i…” sanji began, his voice shaky. “i don’t remember any of that. i don’t know who you think i am, but-”

zoro interrupted, his voice breaking slightly. “it’s not about the memories, sanji. it’s about what you feel. deep down, do you really think i’m lying? that i’m just some crazed god trying to torment you?”

sanji hesitated. his lips parted as if to respond, but no words came out. instead, his gaze dropped to the floor, his fingers curling tightly around the armrests of his throne. zoro watched him struggle, knowing that the truth was buried somewhere deep within him, hidden under layers of divinity, under the weight of his new life as a god.

for a long moment, neither of them spoke. zoro’s heart pounded, his pulse echoing in his ears as he waited, hoping, praying that some part of sanji would break through. he couldn’t lose him again. not like this.

then, finally, sanji spoke, his voice barely above a whisper. “when i look at you… i feel something. but it doesn’t make sense. it’s like…something is missing. like i should know you, but i can’t place why.”

zoro’s breath caught in his throat. he took another step closer, closing the distance between them. “that’s because you do know me. you know me better than anyone ever has. your brain might not, but your heart…it remembers.”

for a moment, the silence stretched again, but this time it was different. it was filled with unspoken understanding, with a quiet, fragile connection that hadn’t been there before. sanji looked up at zoro, his eyes searching for something, and for the first time since their reunion, he saw a glimpse of the man he had once known.

“i don’t understand why i feel like this,” sanji murmured quietly, almost to himself. “but i trust you.”

zoro’s heart swelled, a flicker of hope stirring deep within him. he hadn’t realised how much he needed to hear those words until now.

sanji stood slowly, stepping down from his throne, his movements tentative. he was still the regal, newly ascended god of love, but in this moment, he was also sanji - his sanji, the man who had once fought by his side, laughed in the face of danger, and loved with a fierceness that somehow rivalled zoro’s own.

zoro didn’t move, afraid that any sudden gesture might shatter this fragile moment. sanji stopped in front of him, his eyes still searching, still unsure, but there was something in his expression that wasn’t there before - trust, as thin as it was, beginning to take root.

“tell me more,” sanji whispered, his voice low. “about…us. about who i was. maybe if i hear it, it’ll come back.”

zoro’s throat tightened, but he nodded, his gaze never leaving sanji’s. he had waited centuries for this chance, and though he knew it wouldn’t be easy, the spark of hope flickering between them was enough to give him strength.

“you were a prince,” zoro began, his voice soft yet steady, the memories rushing back to him as though no time had passed at all. “you had your whole life ahead of you, but you gave it all up to fight in the titan war. you stood by my side when no one else would. you were stubborn, and a real pain in the ass sometimes, but…you were loyal. you always had my back, no matter what.”

sanji’s lips twitched into the faintest of smiles, his eyes softening as he listened.

zoro continued, the words flowing freely now, as though the dam of centuries-old grief had finally cracked. “we fought together, lived together…and we…we loved each other. you drove me crazy, and i wouldn’t have had it any other way. you were the best damn thing that ever happened to me, sanji.”

sanji’s breath hitched, his eyes widening as zoro spoke. he opened his mouth to say something, but his voice faltered. instead, he took a shaky step forward, his hand reaching out hesitantly toward zoro’s chest, as if drawn to him by instinct alone. the touch was tentative at first - sanji’s fingers brushing against the fabric of zoro’s cloak - but it was enough. zoro’s heart pounded in his chest as sanji’s hand rested over his heart, the warmth of his touch sending a wave of emotion crashing over him.

“i… i don’t remember everything,” sanji murmured, his voice trembling. “but when you talk like that… it feels real. it feels like i’m missing something, like there’s a piece of me that’s been locked away.”

zoro swallowed hard, his voice rough with emotion. “it’s real, sanji. it’s always been real.”

sanji’s gaze lifted to meet zoro’s, his eyes filled with something zoro hadn’t seen since the war - vulnerability, hope, and a glimmer of the love that had once burned so fiercely between them.

“then…i want to remember,” sanji whispered, his voice thick with emotion.

zoro’s hand came up, gently covering sanji’s where it rested on his heart. his touch was steady, his grip firm but careful, as if afraid that the moment might dissolve if he held on too tightly. “you will,” zoro said, his voice low, almost a vow. “i’ll make sure of it.”

sanji’s gaze wavered, and for a moment, he looked like the prince zoro had fallen in love with those many years ago - a little lost, but still brave enough to face the unknown. “i don’t know how,” sanji admitted, his voice cracking slightly. “but…if what you’re saying is true, if i was that person, then i can’t just walk away from this.”

zoro gave a small, bittersweet smile, the tension in his chest easing slightly for the first time in millennia. “walking away never really was your thing, even back then. you always came back to me no matter what.”

sanji’s lips quirked into a half-smile, but the weight of the unknown still hung between them. “then i guess i’ll have to trust you,” he said softly, his voice laced with uncertainty, but also with a quiet determination.

the silence between them wasn’t uncomfortable now - it was filled with the promise of something rekindling, waiting to be found again.

suddenly, the grand hall shifted. a bright, golden light filled the room, and zoro knew what it meant before the booming voice even spoke.

“oi, you two!” luffy, the king of the gods, appeared at the entrance to the hall, his wide grin practically glowing as he bounded toward them. his eyes sparkled with delight, as if watching the two of them like this was the best entertainment he’d had in centuries. “looks like things are finally getting interesting, huh?”

sanji blinked, clearly startled by luffy’s sudden appearance, but zoro just sighed, his annoyance thinly veiled. “what do you want, luffy?” he grumbled, though his tone lacked any real heat.

luffy bounced in place, his grin never fading. “i’ve been waiting for you two to figure it out! man, this was harder than i thought it’d be, but it looks like you’re almost there!”

sanji’s eyes narrowed in confusion, turning to zoro. “what’s he talking about?”

zoro exhaled deeply, ready to get everything off his chest. “this was all his idea. the memory wipe, bringing you back as a god…it was a test.”

sanji’s brows furrowed, his confusion deepening. “a test?”

luffy clapped his hands together, still beaming. “yup! i wanted to see if your love could survive anything, even time, even losing all your memories! you guys were always such a strong pair, so i figured, why not make it interesting?”

sanji blinked, looking between zoro and luffy, clearly trying to process everything. “so you…tested us? but why?”

luffy’s grin softened, his tone uncharacteristically sincere. “because i believe in love. and i believe in you two.”

zoro’s gaze met sanji’s as soon as those words were spoken, and in that moment, something seemed to shift. sanji’s eyes widened slightly as the pieces began to click into place. his fingers tightened around zoro’s hand, his grip no longer hesitant.

luffy’s smile grew even wider when he noticed this, if that was possible. “i thought this would happen,” he said with an excited bounce. “you’re starting to remember, aren’t you?”

sanji’s breath caught in his throat. he looked at zoro again, something breaking free within him, like the floodgates of memory had finally begun to open. flashes of battles, laughter, and shared moments flickered in his mind - moments that felt distant yet so familiar. the feel of zoro’s hand in his, the sound of his voice…it all started to make sense.

“i…” sanji’s voice was shaky, but there was a spark in his eyes now, a light that hadn’t been there before. “i think…”

zoro’s heart raced. he took a step closer, their faces only inches apart now, his voice trembling with hope. “sanji?”

sanji’s brows relaxed, his fingers interlocking with zoro’s in a swift movement. “you idiot…i never could get rid of you, could i?”

it was like a dam had broken inside zoro, a rush of emotion that was nearly too good to be true. the man standing before him was no longer the distant, cold god of love - he was sanji, the same sanji who had loved him in life, who had fought by his side, and who had died in his arms all those years ago. he was back. zoro’s throat tightened, and for a moment, he couldn’t find the words. instead, he pulled sanji closer, pressing their foreheads together.

“you’re back,” he whispered, his voice hoarse with emotion. “you’re really back.”

sanji let out a shaky laugh, his breath warm against zoro’s skin. “took me long enough, huh?”

zoro couldn’t hold back anymore. he closed the remaining distance between them, capturing sanji’s lips in a kiss that was desperate, tender, and filled with all the love and pain that had been torturing him for millennia. sanji responded immediately, his hand gripping zoro’s armor, pulling him closer as if afraid to let go again.

the kiss was the culmination of countless years of longing, of love that had transcended death and time itself. it was bittersweet, but it was also healing, a reunion of two souls who had always found their way back to each other.

when they finally pulled away, breathless, sanji rested his forehead against zoro’s, a small smile playing on his lips. “i’m not going anywhere this time,” he whispered, his voice firm, a promise.

zoro chuckled softly, his heart lighter than it had been in thousands of years. “good. because i’m not letting you go.”

from behind them, luffy whooped in delight, clapping his hands loudly. “see? i knew it! you guys passed the test! love wins!”

zoro rolled his eyes but couldn’t hide the smile tugging at his lips. he glanced at sanji, who was looking at him with the same fond exasperation he had worn so often in their past lives.

“love wins, huh?” sanji muttered, shaking his head. “you’re a real piece of work, luffy.”

zoro just smirked. “but he’s right this time.”

sanji chuckled softly, then leaned in, his lips brushing against zoro’s again, softer this time, but just as full of promise. “yeah. i guess he is.”

and so, as the world shifted around them, zoro knew that no matter what obstacles awaited them in the future, he and sanji would get through them together. they had conquered death, survived the loss of memories, and stood the test of time itself. whatever came next, zoro knew one thing for certain:

they would always find their way back to each other.

── ౨ৎ masterlist

[daydreaming-paradies]

Shine In My Memories

ᡣ𐭩 Summary: Loving an immortal is what people say is an wonderful feeling and experience but…Will it last long when you are just a mortal?

ᡣ𐭩pairings: Zhongli x Gn!Reader

ᡣ𐭩 Warnings: Angst, Reader died, Zhongli’s POV, having memories of you in his mind

How long was it? The last time I hear your voice, calling out my name with such fondness. How you tackle me in a hug. It has been years. Meeting you is a blessing. We have met in such interesting circumstances. You were a citizen from Fontaine. A strong yet hard working person..the type to never let not one mistake bring you down. You were friendly yet tended to get sassy when you want to be. 

You were straight to business but when it came to me, you seemed to lose your words and that strong personality of yours. I always knew that you had a crush on me…you are not very subtle about it. Huo Tao kept teasing me about you even if she was a bit of a handful, she was right. I slowly yet surely grew feelings for you. Every day, we hang out when we are free..whenever you vent to me about your promises and how I always comfort you. The day when I asked you out, you were so red in the face that I thought that you were having a fever but thankfully you accepted my confession. Having you as my lover is a wonderful thing, making sure that you were treated right, making your days on this earth memorable.

Until...that day, when you were killed during a mission by your former friend who grew jealous of you. The news of your death was delivered to me by Xiao and I was heartbroken. Why have they killed you like this? Why do they take you away from me? I remember needing space to myself...and just broke down. You, my feisty lover is now gone. I will never hear your voice, laughter…seeing you flustered...seeing those beautiful eyes shine and that smile…the warm genuine smile. I will never forget it. 

After your funeral, I have not dated anyone else. Why would I?...All my memories with you are still fresh in my mind. I have always visited your grave and placed your favorite flowers there because I know you love them dearly..every day…every night, I think of you. I dream of you. I can’t move from you. Everything reminds me of you. I know that I cannot do anything to get you back but you are forever my muse. You always shine in my memories. 

Maybe in another life, we can start over and I vow to protect you. Rest in peace, my darling.

~Taglist: @areislol @mikashisus @wystiix @dailypenpen @phinbie @yuan4i @husky-studies @worldsxtar @yoghurtsan @windblume-wishes

[joshsindigostreak]

I See Hell in Your Eyes

Chapter Nine

“Your pretty face and electric soul.”

Vampire!Josh x Vampire!Reader

Authors Note: Good morning, readers! Sorry for putting yall through the wringer in Chapter Eight. It will happen again, but not in this chapter! This one is a lot sweeter. If you haven’t read Chapter Eight yet I highly suggest you do so because this chapter won’t make a lot of sense without it. Also as always my inbox and DMs are always open so if you want to come scream at me after a chapter feel free to do so! Every single one of y'alls comments and thoughts means the world to me and I love hearing what you think. 😘😘😘

Word Count: 7310

Warnings: Graphic descriptions of blood, allusions to violence, SMUT, 18+, minors DNI, blood play, teasing, brat taming if you squint, fang play(?), I think that’s it. :)

Sixteen hours. That's how long Josh had been asleep. The first two hours, you didn’t even move. You just held him as he slept, gently cleaning up any blood with a towel and running your fingers through his hair. Eventually, you shifted from behind him and got him properly tucked in. But you kept your promise, your eyes never left him for a second. After redressing you laid down next to him on the bed over the duvet. 

You were so focused on him that you didn’t even hear the door open, or notice Dimitri standing next to the bed. 

“How is our dear Joshua?”

Without looking up, you say,, “he’s fine.”

“How long has it been?”

“Sixteen hours.”

Dimitri hummed in response, “how long did it take for you to wake up?”

“Two nights.”

“Typically it's around the same amount of time for a Maker and their new Vampire,” he paused and said, “have you slept at all, darling?”

Ignoring his question you replied, “some people don’t wake up at all…”

“Oh that's very rare, and you know that-”

“Rare, but not impossible.” 

“I knew someone who took six nights to come back, and do you remember that Mary girl who lived with us during the twenties? She took over a week. It all just depends, darling.” 

“How long did you take?”

He looked off in the distance for a moment, “roughly three nights. Woke up in the basement of a church of all places.”

“I was in a carriage,” you said softly, the memories floating back to you, “in the middle of the day, no less. He was inside, sleeping.” For a moment, you were back in that carriage, terrified and unsure of where you were. You had made the mistake of pulling one of the curtains to the side to look out the window, only to be immediately met with searing pain on your hand from the sun. It was hours before your Maker came back to check on you. 

Dimitri shook his head, “Isaac wasn’t the most…thoughtful of Maker’s.”

You sat up on the bed, laughing a little, “that's putting it mildly.” 

“Have you heard from him at all?”

“Not since ‘84, and even that was too much.” 

Dimitri chuckled slightly before turning towards the door, “you should come downstairs, Portia and Magnus are finally back from their holiday. They’d love to see you.”

You shook your head and looked back at Josh, “no, I’m good…I’m staying up here.”

He smiled warmly, “I meant what I said last night, that you must mean a lot to him. Some people beg to be turned for other reasons, power, immortality, staying young forever, but he simply didn’t want to see you hurt. He didn’t even hesitate once he heard the terms. Love like that is rare.” 

The l-word caught you off guard and you sputtered, “I don’t know…I mean…we’ve barely even…it's kind of soon for that.”

“We’re Vampires, darling, since when do we care about time?” You were silent, trying to will the blush away from your skin. Before he left the room, he said, “if you need anything, just call for Phillip. He’ll bring you anything you need.” 

You resisted the urge to make a smartass comment about Phillip, “thank you, Dimitri.”

“Any time, darling,” he said before disappearing down the hall. 

Josh remained still in the bed, having not moved very much at all in the last few hours. You reached over and brushed his curls back again, and you weren’t sure if you were soothing Josh or soothing yourself. 

As the hours passed, you could not fight off sleep any longer, eventually letting it wash over you as you laid beside your lover. It wasn’t a restful sleep, in fact you found yourself waking up every other hour or so. Each time you’d sit up and check the time, noting how long it had been. You were still so full from the draining that you couldn’t even fathom feeding for at least a couple more days. Dimitri had checked in a few more times, sitting beside the bed to keep you company, but you turned down any invitation to come downstairs. You couldn’t risk it. You couldn’t miss him waking up, you were not going to chance Josh waking up frightened and alone. You wouldn’t let history repeat itself. 

~!~

Miles away, a now solitary hunter paced around his brother’s apartment. He had not felt ‘right’ in hours. Specifically, sixteen hours and five minutes. His Witch had tried to calm him down several times, but this was something she couldn’t fix. Not with her words, not with her love, and not with her magic.

~!~

It was the second night now, and you were dozing next to him. Movement next to you had you snapping your eyes open, and you saw Josh had rolled over on his side, facing you. His eyes were still closed, but his brows were knitted tightly together, and a frown was fixed on his face. 

You reached out, wanting to smooth your hand over his face, but his hand shot out from under the covers and snatched your wrist midair. The reflex was too fast, and his grip was too hard to be…human. Your entire body froze. 

Suddenly his eyes snapped open, his brown eyes staring at you, but not seeing you. You were flipped onto your back as he hovered over you, hand still gripping your wrist next to your head. He was still looking at you as if he didn’t recognize you. That was common after a Vampire wakes up, as the adjustment period was far longer than the movies and books would lead you to believe. 

“Boy Scout…,” you whispered slightly, hoping to jog his memory.

A low rumble came from his chest in response. That was another thing, it often took Vampires a little while to regain the ability to speak. 

Breathing heavily over you, his eyes raked down your form and his other hand reached towards your face. Those soft fingertips of his grazed your cheek, tracing your bone structure, your nose, and down your neck. His hand curled around your neck, his thumb slid across your jaw and landed on your lips, a familiar move he had done many times. 

You remained stock still, letting him explore. His eyes hadn’t met yours again, instead he was staring down at your lips while his thumb rubbed your bottom lip a few times. Taking a chance, you slightly puckered your lips to kiss the pad of his thumb. He blinked several times before finally looking up and into your eyes. There he was. His eyes softened immediately and he opened his mouth to speak but no sound came out. He tried again, but it wasn’t happening for now. 

“It’s ok…you don’t have to talk right now, Josh,” you whispered. 

Instead, he crashed his lips onto yours, and sank his body down to rest fully on top of you. The hand wrapped around your wrist let go and slid up to thread his fingers in yours, which you gladly squeezed back. Now it was your turn to reach up and cup his face, feeling his muscles move as he tilted his head to get a better angle. 

But the sweet moment was cut short by him wrenching away from your face in pain. He sat up and straddled your waist, hands covering his mouth as he groaned into his palms. His fangs. They were trying to come down but he didn’t know how to relax and let it happen. Contrary to how they’re depicted in various forms of media, fangs don’t just instantly ‘click’ down. It's a skill. A skill one has to learn and hone in order to be able to feed properly and efficiently. 

You carefully sat up and gently took his hands away from his face. His eyes looked scared again, and you quickly shushed him and softly spread your thumbs across his upper lip where his gums were. He winced a little at the sensitivity as his hands rested on your forearms. 

“It's your fangs trying to come out for the first time. You have to relax, Josh,” he looked at you skeptically, “they can’t come down until you relax. Breathe through your nose for me? Yeah?” 

He fully sat down on your thighs, and did what he was told and took deep breaths through his nose. His eyes were trained on you the entire time. He could feel his teeth begin to move, his canine teeth especially. It felt like an invisible force was prying them out of his mouth. 

“I know it hurts, it always does the first few times, but soon you won’t even feel it happening, I promise,” your thumbs moved to his cheeks, your right one resting where his dimple normally was. 

He nodded slightly and leaned into your hand, trying to stay relaxed. 

“Watch me, ok?” You opened your mouth, baring your teeth and took a few deep breaths and slowly let down your own fangs. After over 350 years, it was hard to slow down the process, as you could complete the action as fast as blinking at this point, but you tried your best so your hunter-turned-Vampire could see it for himself. He studied the movement as it happened, finally having a proper visual to mentally focus on. 

After a few more deep breaths, his teeth shifted again, this time down, but not all the way. A smile lit up your face as he parted his lips to show you, and you whispered praises to him as he continued breathing. With a slight groan, his teeth descended all the way, and you saw his fangs for the first time. 

You stared in awe. While you met him as a human, seeing fangs in his mouth looked so…natural on him, as if they had always been there. Unexpected tears formed in your eyes, as it really hit you that he was a Vampire now, he was like you, and the two of you were the same. 

“Beautiful…,” you mused while touching one with your thumb, “do you want to see them?”

He nodded, and you looked around to see if there was a mirror. The closest thing you had was your phone, and you quickly snatched it off the nightstand and turned the camera on, flipping it to selfie-mode and handing it to Josh. He turned the phone over in his hands and held it in front of his face. It was definitely strange to see protruding fangs in his mouth, but they didn’t feel out of place. He ran his tongue over them a few times, feeling how sharp they were, how much longer they were from his other teeth, and he turned his head back and forth to see them at different angles. Satisfied, he tossed your phone to the side on the bed before turning back to you and cupping your face once more to collide his lips to yours, this time smiling into the kiss. 

It had been so long since you’ve kissed a fellow Vampire, especially one you lov- had feelings for. Your tongue slid across his teeth, feeling the contours and length of his fangs, and it was your turn to smile against his lips. He laid you back down onto the bed, shifting his legs so that he was between yours. His lips were everywhere, kissing all over your face and playfully scraping the tips against your skin. 

But the urge to drive them into your neck, to fully taste you in a way he couldn’t when he was human, was reaching a boiling point in his system. He was putting more and more pressure against your neck, but not breaking the skin…yet.

You quickly recognized what he was doing, what he wanted, and you pushed him away so that he was back over your face instead. 

“As much…as much as I’d love for you to do that…your first feed has to be with human blood…,” you were almost sad in telling him no, but this was a process that wasn’t fully complete until he tasted human blood for himself. It was what fully sealed a Vampire in their new form of existence, the full stop at the end of a sentence. Sheepishly, he closed his lips over his teeth, feeling like he had done something wrong. You caught the look in his eyes and quickly reassured him, “no no, it's ok, we’ll have plenty of time to do that afterwards, I promise.” You figured Dimitri himself would have a human or two on hand for feeding, as he was never a fan of blood bags. 

As if on cue, the older Vampire in question rapped his knuckles on the door as he opened it.

“Is our dear-,” before he could finish his sentence Josh immediately shifted on the bed and practically shielded you from Dimitri, his instincts taking over briefly. Dimitri held up his hands in truce, “now now, Joshua I’m not going to do anything. It's wonderful to see you awake and back with us.” 

You sat up behind Josh, looking at Dimitri over his shoulder, “you wouldn’t happen to have a human on hand? Please?”

“About that…after we talked earlier I let the Council know about your decision and that you were handling it yourself. They insisted on sending a representative here to make sure it actually happened.” He sighed before continuing, “Judith…is downstairs in the conservatory waiting for you.”

“Right now? He still can’t talk! He needs to have his first feed.” 

“I know, darling, I didn't expect them to send her this quickly,” he rolled his eyes as he said ‘her’, letting you know that Judith was not one of his friends on the Council. “I’ll give you a few minutes, but it’ll be better for everyone if you don’t keep her waiting.” With a sympathetic look, he closed the door behind him, leaving the two of you alone. 

“I’m so sorry, Josh, I didn’t kn-,” he turned and pressed a finger to your lips and shook his head, shushing you and letting you know that he understood. He got off the bed and collected his clothes from earlier that you had folded and placed on the couch. He threw his shirt on as he walked towards the ensuite at the far end of the room. You had already dressed while you had waited for him to wake up, so you sat at the edge of the bed and let him get ready. As he walked to the ensuite, you couldn’t help but notice that his walk was slightly different. His shoulders were straighter, his strides were quieter but more deliberate. You wondered if he himself even noticed the changes yet. From the angle of where you were sitting, you could just barely see himself checking his teeth out in the mirror again. His fangs had retreated back into his gums, and now his top row of teeth looked completely normal. 

His eyes looked at you through the mirror, catching your gaze. He smirked at you, before turning to finish getting dressed. As he exited the ensuite he locked eyes with you again and in an attempt at his new speed, he tried to race over to you. However, stopping was a completely different story, and he ended up tackling you onto the bed. 

Giggling, you reached up and traced his nose with your finger, “don’t worry, you’ll get there, Boy Scout.” You lifted your head to kiss him, and whispered against his lips, “come on, let's get this over with.” 

It wasn’t hard to find the conservatory, all you had to do was follow the classical music being played. Just like the rest of the manor, Dimitri spared no expense in this room either. It was a massive space, with a complete wall of windows that went from the floor all the way into the ceiling, creating a dome-like appearance. It was a perfect view of the stars at night, and a perfectly lethal place for a Vampire to be in after sunrise. He also had so many plants in the room it almost looked like a small forest in the room. Most of the flowering plants had closed their blooms for the night, and the evergreens sat peacefully in their pots. The main source of light in the room were the various lanterns that were strategically placed among the greenery. It created such an intimate atmosphere, especially with the light of the Waning Moon filtering in from the windows above. 

The beauty of the room stopped when you spotted the Council member sitting rather stiffly on the couch towards the middle of the room. Judith, as Dimitri called her, was a Vampire who appeared to be in her late fifties, with blonde hair that was so faded it almost looked gray at certain angles. She had it in a tight ponytail, making her sharp cheekbones the main feature of her face. Her eyes were equally gray, and they narrowed at the sight of Josh. 

“Ah, finally, there they are,” she said in mock enthusiasm. 

“Judith please,” Dimitri said with a sigh while nursing a drink in his hand.

Josh’s hand slid into yours as you made your way to the center of the room. His expression was neutral, but you knew his mind was full of thoughts and words for the snotty Vampire in front of him. 

Judith uncrossed her ankles and stood up, clipboard firmly in the crook of her arm. She gave you a look that let you know to let her look at Josh alone, and you reluctantly let go of his hand and went over to stand next to Dimitri. Her back was to you now, but you were still able to maintain eye contact with Josh.  

“Open your mouth,” she commanded flatly. She wanted to see his fangs. 

Josh looked at you briefly over her shoulder, starting to panic because he had only made his fangs come down once at this point, and was still getting the hang of it. He put his hands behind his back and wrung his wrists, trying to remember what you had told him. 

You kept eye contact with him, and motioned for him to take some deep breaths and to relax. Dimitri nodded along next to you; he wanted Josh to succeed almost as much as you did. 

Josh’s Adams apple bobbed a little before he opened his mouth. He closed his eyes and took a few deep breaths, trying to replicate how he had done it upstairs less than an hour ago. Judith stood there, staring at his teeth with an unimpressed look on her face. But after a few tense minutes, his fangs descended and locked in place. 

Judith made a small “hmph” sound and reached into the pocket of her skirt to fish out a measuring tape. She held the tape next to one of his fangs, and wrote down the measurement on the clipboard. She switched to the other side to get the other’s measurement, before mumbling loud enough for everyone to hear, “it's ok they’ll get longer in time.” 

Josh clamped his mouth shut and gave her a look that was so pointed, you were glad he wasn’t able to actually speak. But the way his eyes glared at her spoke volumes on their own. 

Judith ignored him while she made notes on the clipboard, scribbling away her thoughts and observations. 

“Has he fed yet,” she said without looking up.

“Umm…no, not yet-”

“Excellent. Bring in one of your humans, Dimitris,” she commanded as she finished her notes and looked back up at Josh. 

Dimitri sighed and took a long sip of his drink before motioning to one of his staff to fetch one of his human companions. He always had a steady supply of willing humans who were into being fed on. He had a knack for finding them in the haystack that was humanity. 

Josh looked at you again over Judith’s shoulder, the same panicky look from before had returned on his face. 

You mouthed, it's going to be ok, at him as the door opened and a woman in her mid twenties entered the room. 

Her eyes lit up when she saw Dimitri, “hi Dimitri…,” she gave him a flirty wave with her fingers. 

“Pleasure as always, Rebeckah,” he said with a small smile. She already knew where to go and dutifully went over to the couch and sat down, keeping her eyes on Dimitri the whole time. 

Judith motioned for Josh to join Rebeckah, and made his way over to the couch and sat down. You started to follow him before she barked, “I’d like to witness this alone, actually.” 

Something in you snapped, “the fuck you wi-”

Dimitri quickly stepped in, “what she’s trying to say is, as his Maker, I think it’s more than fair for her to be in the room for his first feed? Since he doesn’t know what he’s doing, she has a right to be here. In fact it would be the responsible thing to do, don’t you agree?”

Judith rolled her eyes, “fine, but she can’t interfere. The Council wants to see how he does on his own.” 

The Council didn’t want to see shit, you thought, they wanted him to fail. They wanted the ‘I told you so.’ 

Dimitri’s large hand landed on your shoulder, giving you a comforting squeeze. 

“Very well,” he said in a clipped tone. 

You looked up at Dimitri, the worry written all over your face. He gave your shoulder another squeeze. 

Tentatively, Josh reached over and took Rebeckah’s wrist in his hand, figuring that would be the best place. He could feel her pulse through her arm, and it made his gums above his fangs throb. He felt is instincts trying to guide him, which was a good sign until-

“Oh not the wrist, it's your first feed after all, I know you really want the neck deep down,” she was practically taunting him at this point, and turned back to the older Vampire and used his own words against him, “don’t you agree, Dimitris?” 

Dimitri’s mouth twisted into a frown, “it is the ideal spot I suppose…”

You were practically vibrating with rage right now, and you wanted to physically rip Judith’s head off her body yourself. This wasn’t how it was supposed to go. You were supposed to be right there with him, guiding him through it and making sure he didn’t take too much. 

“Don’t be shy, get closer to her,” Judith said while flicking her wrist at Josh. 

Rebeckah obliged first and scooted close to him, angling her head to expose her neck. The smell of her blood filled his nostrils, and at first he thought he was hallucinating. He knew his senses would be stronger, but actually experiencing it was completely different. 

Judith had her back to you and Dimitri once again, and you used this to your advantage as you looked at Josh over her shoulder. You feigned scratching your neck to show him where to put his hand, which he immediately copied. 

He lowered his face to her neck, the scent of her blood was almost overwhelming to him now and it was still safely in her body. Part of him was running on pure instinct, and getting impatient that he hadn’t sunk his teeth into her yet, whereas the other part of him was having an out of body experience as the reality of the situation hit him. He was really about to drink blood, as a Vampire, for the first time. However, the instinctual side of him won out and he pressed his new fangs against her neck. He could feel her pulse against his teeth, and with the same ‘fuck it’ mentality one has before a shot of tequila, he pierced her flesh and her blood began flowing into his mouth. 

Rebeckah made a small squeak, but she relaxed in his hold and a serene smile spread across her face. 

Josh breathed through his nose and took his first real pull from her, and the sudden burst of flavor nearly had his eyes rolling back. He never expected blood to taste this good, let alone have a flavor profile. He recalled the taste of blood as he remembered it from his youth, that gross metallic flavor that would fill his mouth whenever he’d lose a tooth, or that one time Jake hit him in the mouth while they were fighting and cut his lip open. But now? Now he was getting notes of…lilies? Lavender maybe? It was all so overwhelming he wasn’t sure, he just knew that it was good. He kept pulling and pulling, feeling it run out of his mouth a little and down his chin. 

You on the other hand were watching him like a hawk, and listening to Rebeckah’s heartbeat even closer. It was still steady and normal, but you knew it wouldn’t be that way for much longer. The way Josh was pulling was very deep, but he didn’t understand that yet. If you hadn’t been so stressed about your lack of involvement, you would’ve noted how absolutely gorgeous he looked while feeding. He needed to slow down, if not stop completely. You thought back to your first feed, and it didn’t end well for the human involved because you had zero guidance. Isaac had just let you do what you wanted and cleaned up the mess later. But you didn’t want that for Josh, he didn’t deserve to be traumatized right out of the gate like that. 

He didn’t want this to end, part of him wanted to keep going until he couldn’t anymore. But this low thumping noise in his head got slower, and it was then he realized he had been hearing her heartbeat the entire time. It was slowing down, and he had just enough wherewithal to know he needed to let go. But knowing and doing were two different things. 

You were starting to panic, and you looked at Josh, hoping he’d look up just long enough to make eye contact with you. Judith started scribbling notes again, and you wanted to crack that entire clipboard over her head. You thought about faking a cough, making some sort of noise, but you didn’t want her to send you out of the room for ‘interfering.’ 

Josh wrenched his eyes open, and looked up to find you. He saw your eyes were watery and filled with panic, and he understood why. From your vantage point, you mouthed the words, “you need to let go,” to him, and he wanted to listen, he really did, but it was as if his mouth and his brain weren’t working together. But, he tried anyway, and loosened his grip on Rebeckah’s neck and slowly worked at dislodging his fangs from her neck. He fought the urge that was screaming at him to keep going, to drain her dry like a juice box, but he refused to let that voice win. With more force than he would’ve liked, he pulled his teeth from her neck, and let go of her completely. 

Before he could fully relax, he saw you point at your teeth, and then patted the side of your neck with those same fingers, silently telling him to use his blood to heal the bite. Josh sprung into action, quickly and hastily biting his index finger, breaking the skin and rubbing his own blood amongst her own on her neck along the puncture wounds. Within seconds they began to close and he was able to lean back on the couch, out of breath. 

Judith paused for a second in her scribbling, and looked at her watch on her wrist and wrote down the time. She observed Rebeckah for another minute, who seemed completely fine with the situation and was only slightly miffed she had blood on her dress. 

Dimitri gestured at the staff member standing by the door, “please take Miss Rebeckah to the kitchens to get her something to eat. Have the chef make her whatever she wants.” 

Rebeckah smiled and stood up from the couch, “and what about my dress?”

“I’ll get you a new one, as always,” this made her smile as she made her way out of the room. 

Without a second glance at Josh, Judith turned back to Dimitri and sighed, “I’ll give my observations to the Council but everything seems to be fine.” She looked at Josh over her shoulder, “welcome to your new life, don’t fuck up. We know who your family is, after all.” 

Josh glared at her as she exited the room. Dimitri gave you a nod and left as well, leaving the two of you alone. 

As soon as the door shut you rushed over to Josh, your hands immediately took his, as apologies fell from your mouth, “I’m so fucking sorry I didn’t know that was going to happen, you weren’t supposed to be alone like that-”

“...sw-sweetheart…,” his voice was so faint, but it was there. He was gaining his voice back. Relief flooded through you, you didn’t realize just how much you missed his voice until he spoke again. You couldn’t take it anymore and practically lept into his lap and wrapped your arms around him, burying your face in his neck. His arms instantly wrapped around your waist, pulling you closer. He was so thankful to finally get his hands on you. 

After spending several minutes just lying in his arms and breathing him in, you pulled back and said, “are you ok? How do you feel?”

A dreamy smile spread across his face, “honestly? I feel fucking incredible right now.” His voice was still scratchy, but it was gradually getting stronger.

You smiled back, “yeah? You did so good earlier, I want you to know that. They were setting you up to screw up but you didn’t. It's so difficult to stop like you did the first few times, let alone the first time. I’m so proud of you, Boy Scout.”

His cheeks reddened at the praise, “Ah, I just…I just remembered what you told me about listening for the heartbeat…had to force myself off though.” 

You were beaming at him now, “I’m not saying it's going to be easy, but I just know you’re going to be so good at it in no time. Next time I’ll be right there with you, I promise. I won’t let anyone get in the way of that again.”

His hands slipped under your shirt and rubbed the skin of your back, “I know you wanted to be there, it wasn’t your fault…” 

“But I-”

“I don’t want you to beat yourself up over this, it happened, but all we can do is move forward.”

You knew he was right, but you still felt bad, “I know I just-”

“Next time we can share, yeah?”

That surprised you, and you smirked at him, “Boy Scout…” 

He glanced out the wall of windows, and noticed the dark blue sky was starting to get lighter, “I think…I think we need to go back upstairs…and shut the windows…,” the suggestion dripped from his voice.

“Race you there?”

“You better get started, sweetheart…,” his eyes bore into yours before you took off from the conservatory. The two of you were a pair of giggling blurs rushing up the stairs to the third floor. He caught up to you at the door, and lurched to a halt while pressing you up against the solid wood. You reached behind you to start twisting the doorknob as he snaked an arm around your waist. His eyes looked even darker in the dim lighting of the corridor, but his smile was sweet, a combination that only he could pull off. 

Stumbling into the room, Josh locked the door behind him before reaching down and firmly gripping your thighs and wrapping them around his waist. He carried you backwards to the bed, while you stripped your shirt off and threw it blindly to the side. Your hands instantly returned to his cheeks as he laid you on the bed. He stood up momentarily to throw off his own shirt, before crawling up the bed and getting on top of you. The rest of your clothes were quickly shed, leaving the both of you naked. 

Josh’s mouth devoured yours, sucking on your bottom lip before he slipped his tongue inside and tangled it with your own. You moaned into his mouth, the relief of him being okay and back in your arms spurring you on. He groaned and lifted off your lips slightly, running his tongue along his top teeth. He looked at you, a little annoyed at his own body as his fangs tried to descend again. 

You recognized the look, and you smiled, “don’t fight it, Josh. Let them down, I wanna see them again…” 

He closed his eyes for a few seconds and concentrated. They came down ever so slightly faster this time, but he still winced at the pain. 

Staring at him, you reached up and gently touched one with your finger, “I just can’t get over how beautiful they look on you…” 

His cheeks reddened before he started working his way down your body, kissing every bit of skin he could reach. Every so often he’d drag his fangs across your skin, causing you to arch your back. As he made his way down to your core, he deliberately skipped where you needed him most to pay attention to your thighs. 

You sat up on your elbows and made a noise in protest, which made him chuckle against your skin. One of the few downsides (at least to him) to you being a supernatural creature was that any hickey’s he made would heal within minutes, but he loved littering your skin with them anyway. The way you arched towards him, trying to get him where you needed him only made him tease you further. Every time you thought he was going to put that perfect mouth of his against your core, he’d switch to the other thigh to nip and suck at your skin. 

“If you don’t-”

Before you could finish your sentence your lover latched onto your core, flattening out his tongue and licking a stripe from your entrance to just below your clit. A frustrated noise escaped you, and his eyes met yours with the most mischievous energy behind them. Those pools of molten molasses seemed to darken even more. Tilting his head slightly and curling his lip up to show you his teeth, he drug one of his new fangs over the edges of your lips, up and up, and slowly circled your clit. He put just enough pressure for you to feel the sharp edge against your sensitive flesh, before diving in and sharply sucking your clit into his mouth. You cried out, loud enough to echo around the room, and you couldn’t give a shit if anyone in this fortress of a house could hear you. 

Two of his fingers teased your entrance before plunging in, curling upwards and giving that spot inside you all the attention they could. His pace was quick and brutal, spurred on but the grip you had in in his hair and how you were practically fucking his mouth. He grinded his own need onto the mattress, desperate for some friction of his own. 

It wasn’t long before your first orgasm of the night washed over you, making you shake beneath him while grinding on his face. His fingers worked even harder to ride it out, drawing it out as long as possible for you. But he didn’t give you a chance to fully still. Placing one final kiss to your clit, he crawled up your body to claim your mouth, letting you taste yourself all over him. 

You were far from done when you flipped him over, straddling his hips and grinding against his cock. He threw his head back and made the sexiest whining sound you had heard in a long time. He sat up and gripped your ass, lifting you up to wrap your legs around his waist. 

“Tell me what you want…,” he whispered against your mouth while keeping you hovered just above his cock.

“Josh please-”

“Josh please, what, sweetheart?” 

“I need you, don’t be mean,” your voice was nearly an octave higher than normal, and now it was your turn to sound whiny. 

“...and what do you need?”

Your nails dug into the skin at the base of his neck, not caring if they broke skin a little now, he could handle it. 

“Your cock, Josh, I need your cock.”

His eyebrows raised in the cockiest manner, “oh? This? This cock?” Before you could answer he pulled you down onto him, plunging him deep inside as he bottomed out. His eyes rolled back at finally being inside you, and you used this distraction to tighten your pussy around him as revenge. A strangled noise left his throat, “you are…such…a little brat…” 

You smirked as you started to work yourself on his cock, relishing in every ridge and vein he had to offer you. He kept one arm around your ass, guiding you and gripping you as he leaned back on his other hand. As your pace quickened, you felt your own gums start to itch and move. You let your fangs descend, not wanting or needing to hold back anymore while with your lover. He was kissing your shoulder, and you leaned your head down to graze your teeth against the shell of his ear. 

He lifted his head, and gave you an equally toothy grin, both of you baring your fangs at each other. 

“Boy Scout…,” you started, nearly breathless, “remember earlier when I told you to wait?” He instantly caught on to what you were referring to, when he had almost bit you earlier. His Adam's apple bobbed as he nodded. “If I let you do that…can I bite you too?” 

His cock twitched inside you at the question, “please, please do…”

“Taste me, Josh, show me you know how,” you whispered. 

Another strangled sound escaped him before he lowered his head and pierced your neck with his fangs. It had been…a long time, decades even, since you had had a Vampire taste you. It was such an intimate act, most considered it almost sacred. 

Josh took a long pull off of you, and the first note that hit his tongue was a distinct cherry flavor, tart but sweet, along with a distinct undercurrent of sea salt. He could practically smell the ocean. Flashes and sounds started to flood his mind, swirling around in his mind's eye. They focused, and he saw you, as a teen in Jamestown, scrubbing the floors of the house you used to live in. A second flash, it's the Victorian era, and you’re giggling in bed with another man. You called him Colin before it dissipated. Another flash, it’s twenties and you look sad as you sipped your drink. You were surrounded by people partying, but you weren’t matching the energy. A final flash, this time it's the seventies and you look darling in your bell bottoms and feathered hair. You seemed happier then, laughing with a few girlfriends in a bar. 

The feeling of his fangs in your skin hurtled you toward your second orgasm. Before you could reach your high, you bit down on your lover's flesh. His taste…his taste was the same, but it was so much more vibrant? As if it had been turned up several notches. That orangey citrus flooded your senses, and as the vanilla showed itself to you, flashes started behind your eyes too. A small, scared, seven year old Josh scrambled to stab a rogue Vampire in the leg with a knife from under his bed. Another flash, this time Josh was older, late teens at best, getting lectured by his father about a hunting job gone wrong. The importance of his responsibility as the “oldest” was being drilled into his head. Flash number three, Josh is sitting next to his twin in front of a fire, laughing at some inside joke as he brings his beer to his lips. Who knew Jake Kiszka was capable of smiling? The final flash was him gathering some files on a table, the one on top had your name clearly on the tab. He wasn’t in his apartment, but in a room that looked like an office. 

Your vision went dark as your high overtook you, making you shake and pulse around him. His cock twitched inside you again, and a muffled groan shuddered against your skin letting you know he had reached his own high. Carefully, you each withdrew your teeth and lapped at the fresh blood on your skin as your wounds healed. 

Josh kissed you softly, mixing your blood with his, enjoying the taste. He opened his eyes and smiled at you, feeling more content and happy than he had in days. The stress from the past week had completely evaporated, and in this moment, all he saw, all he cared about, was you. 

His Vampire. 

The adoration for him was written all over your face, and you silently noted the blood smeared all over him. You looked over your shoulder at the ensuite, and could see the edge of a clawfoot tub from the doorway. 

“Lets get cleaned up, Boy Scout…”

His grin widened and he looked over your shoulder, seeing what you were looking at. He also saw the first light of the day start to filter in through the windows. Thankfully the bed was positioned in a way that didn’t put it anywhere near them, but in order to get the ensuite they’d have to cross them. Carefully he kept you in place as he reached for the remote on the nightstand. 

He punched the buttons, and the shades came down. His hand squeezed the flesh of your ass, “only the moon gets a free show, sweetheart…” 

You gave him a quick kiss before crawling off of him and leading him into the bathroom. Soon, the both of you were situated in the hot water, enjoying the extra wide clawfoot tub. 

Josh tried to take the lead in cleaning  up, but you stopped him and took it upon yourself to clean the blood off of his skin. He relaxed into the water as you swept the rag over his skin. Meticulously you cleaned any dry blood out of his beard and mustache, kissing him as you went. It had been a long time since someone had properly taken care of him afterwards. 

It was clear to you that the new-Vampire exhaustion was creeping up on your lover, and you worked a little faster to get him cleaned up so the two of you could return to bed. He would probably have another long sleep again, but not nearly as long as that first one. The process of becoming a Vampire was complete, but it still took time for the body to adjust.

Soon you were back in bed with him, the covers pulled over your exhausted bodies as you wrapped yourselves around each other. His ear was on your chest, and you were softly grazing your nails against his scalp. His eyes were closed, and sleep was well on its way. 

He pressed a soft kiss against your skin before mumbling, “...love you…” 

You stared at him as he completely stilled in your arms, eyes welling up, 

“Love you too, Boy Scout,” but you weren’t sure he heard it. 

To be continued…

Tag List:  @dannyandthekiszkas , @readyforthegarden  , @sinners-go-to-drink-the-wine , @wideminded-dreamer , @runwayblues , @wildbluesorbit , @llightmyllovee , @rhythm-of-space , @sacredthefran , @writingcold , @alwaysonthemend , @wetkleenex-gvf , @josh-iamyour-mama , @lightsofthe-living-gvf , @gvfcinema , @sacredthethreadgvf , @losfacedevil , @jakekiszkasbuttsweat , @shutupdevvie , @hearts-hunger , @gretavanfleetposts , @ascendingtostardust , @mackalah , @andromeda-raine-gvf , @jake-kiszkas-smirk , @gracev0609 , @sacredjake , @earthlysorrows , @gvfpal , @myownparadise96 , @itsafullmoon , @gvfmelbourne , @twistedmelodies , @that-witchy-pan , @gold-mines-melting , @texas-bbq-pringles , @jakekiszkapunchmeintheface , @sadiechar , @char289 , @stardustvanfleet ,

[melkyt]

Been crying alot about the idea of the immortality surgery in the context of LawLu.

The vibes are immaculate for the angst xd

Say the side effect of the immortality surgery is that while Luffy exists forever, Law's soul is tied to his existence.

Say maybe Luffy's death was not some dramatic thing that happened in battle, no, he just used up the last of his life force by using the gears too often, and it presented itself as a disease sometime in his late twenties.

Law has gotten used to having him around, having a semblance of a family together, picking up orphan kids here and there. Luffy still goes on adventures and travels the world, but he always comes back.

Then he stops going out as he gets sick, on some days he can't even get out of bed.

Law hates watching the man he loves, the man who burns so brightly wither away. So despite his promise, Law can't do it. He does the surgery.

Luffy finds him in the garden, seemingly asleep, peaceful, and gone. His heart shatters and it takes weeks for him to recover, but eventually, he manages to keep going, as he has things to keep going for. Their children, his crew.

He does not know that he is immortal, and does not know what Law did until everyone starts dying around him.

Luffy slowly breaks as he loses everything, everyone he loves. It's when the last of his mortal friends dies, Zoro, who was determined to not go before Luffy, not to leave him alone.

That is when Luffy decides that he has had enough life. That he wants to be with everyone again. Brook once told him that immortality can be a curse. It's worse. Brook is still alive and they sometimes talk, the only thing that keeps Luffy's sanity together as the years pass and stop having any meaning.

He travels the world, looking for a way to break the curse, learning more than he has in years of adventure, still keeping his smile and finding joy but it gets harder, the more things seem to repeat. The world begins to feel small, and sometimes he still imagines Law or his crew being around. The hallucinations do not make life easier.

So when he sees a man who looks and sounds exactly like Law on the island where Law was once born. He brushes it off as another hallucination. "Can't get enough of me, huh Traffy? It's the third time this week" He sighs, running a finger over the rim of his glass.

The man just stares in something akin to shock. He blinks as if not quite believing his eyes.

Luffy tilts his head. The hallucinations usually have some witty rebuke. They don't just stare.

"Luffy?" The man's voice is shaky, he stumbles back, breath coming in quick huffs. "How did I..." Law grabs his head as a splitting headache brings memories with it.

It's Luffy's turn to stare in disbelief. It's been hundreds of years, he may come by the place once in awhile, this is the island where Law was born, its familiar, the little things that never change but he never expected to see the man again. "Don't joke like that" Voice low, a threat on his lips. "Traffy's dead"

"I, yes." The man's knuckles are white around his whiskey glass. "I was... I do... How am I here Luffy?

"If you're fake, I'm gonna kill you" Luffy gingerly approaches, poking the man on the arm. "My hallucinations usually don't feel like nothing"

"Hallucinations? Are there side effects to the surgery?" Law gets over some of his confusion, placing his hands on either side of Luffy's face, feeling his pulse. It beats like a drum, as it has since he awakened Nika. "Weird but normal for you"

Luffy chuckles "Only Traffy would go all doctor mode right now" he wraps both arms around Law, "I'm not letting you go this time." Now that's a promise he will not let either of them break, no matter what.

Luffy uses his willpower and gear 5 to keep Law alive out of determination and to spite whatever force tries to take him.

[daemon-in-my-head]

Just my opinion, but the reason why I love durgetash is simply because they're fucked. It doesn't matter what they do, they will never have a happy end. They've had a horrible life and even their death and afterlife will be anything but peaceful or nice. They're screwed, as screwed as someone can be.

But regardless of that they still want to be together. They're still a ride or die for each other, and it's not even romantic, it can be 1000% platonic, but at the end of the day they are each others main priority. And that's beautiful, even more so when you take into account that it's the worst they could do in their situation. Having these feelings for anybody makes their situation 10x worse and harder on themselves. And yet they still do it.

Even redeemed durge. They may have gotten rid of the urge and bhaals blood but their body was still crafted from Bhaals flesh and that's something they can not escape. They will forever be a bhaalspawn and Bhaal will never be something they can truly put to rest, and now they're potentially even immortal. And one day the memories of Gortash will probably come back, long after he's gone, but now durge is forced to lament what has been until the end of time.

It doesn't matter if platonic or romantic; the two people that have never been given love or affection by anyone very consciously chose to love each other. Even if it's pointless. Even if all its gonna do is hurt them so much worse down the line. And that's beautiful, in a tragic, my heart is ripping apart sort of way.

It's like someone's dying, but in their last minute, this dream they always had finally comes to fruition, and instead of being bitter, they're just glad it happened. After all, the moment they became their gods chosen, they signed their own death sentence. And that just hurts so very nicely.

[arachnixe]

Permanent

The witch who planned so hard to achieve immortality did not plan for the end of the world.

Her magic—the magic of permanence—proved itself more durable in the end than the clockwork of life itself.

Small consolation, she felt, bound forever to her own buried bones.

It was something of a surprise when her millenia of silent rumination about her own life were interrupted by a shifting of dirt and rubble.

Her eyes had long since rotted away, but senses beyond sight alerted her to the impossible touch of sunlight on her remains.

Her mind stirred. She shifted from her reverie to contemplation of the outside world again. With great effort, she cast awareness outward to bring her surroundings into focus and perceive the cause of this unexpected shift in circumstance.

She felt no life. But not nothing.

A small figure stood over the dead witch’s body, scrutinizing her in silence. A painted face that should have been bleached to nothing from years of sun stared at her bones. Limbs which should have seized up and rotted were covered in dirt from its labors.

She knew this doll.

A distant memory surfaced, summoned by that unforgettable face. Years of toil on this one culminating in failure. Early experiments in imbuing a form with permanence which disappointingly ruined a perfectly good doll. It was discarded with the other unsalvageable mistakes.

It should not have been moving at all. It should not have known where to find her. It should not have survived the ages with its body intact in a way her own was not.

It was unmistakably standing before her, having dug through the ruined remains of her tomb to find her.

“You are still here, aren’t you?” the doll asked at last. “None of the others are. You’re just a skeleton, but I can tell you're inside.”

It approached, limbs creaking slightly until it could touch her ribcage for confirmation with a dirt-covered hand.

The witch no longer possessed a voice with which to speak, but the doll answered for her anyway.

“Yes! Thank you for saving me! You’re the best doll I ever had, and I’m sorry I forgot that when I left you behind!”

“Oh, you’re very welcome, Miss. Let’s get you out of here.”

It should have been humiliating to be spoken for in such a way, but there was such wonderful novelty in hearing someone else speak at all after so long.

Her spirit was still too weak to reach out and make her own true words known, which did not faze the doll in the slightest.

“Be careful with my skeleton, Dolly. I’m very old and fragile!”

“Yes, Miss. I’m being super extra careful, see?”

It scooped up the skeleton with feather-touch gentleness and—careful not to hit her skull on any rubble—picked its way out of the hole back to the surface.

“You’re my only friend left, Miss, and I don’t want to accidentally hurt you like I did the others,” the doll continued. “I think all that napping made me real strong like you and now I gotta be extra gentle so I don’t hurt anyone any more.”

“You’re doing so good, Dolly.”

Come to think of it, the witch didn’t think she’d ever given such praise to her dolls before. Correct behavior was to be expected of them, after all. What strange side effects had her experiments on this one had on it?

What strength did it think it had?

The doll continued to converse with itself, speaking on the witch’s behalf in a way the witch never would have on her own. It propped her bones up against some surface rubble in a mockery of a sitting position and continued chatting away with barely contained delight.

It was nice, actually. Even when the doll put words in her mouth that she never would have spoken.

“You’re so good at stories, Dolly!”

“Thank you, Miss! I’ve been practicing!”

“You’re so pretty, Dolly!”

“Thank you, Miss! You made me this way!”

The happiness she felt from “her” words pleasing the doll was completely unfamiliar. She had been so much lonelier than she had let herself believe, and she found herself content to be in the company of such a chatterbox and pleased that the comfort it offered was mutual.

The world on the surface was so empty. The landscape was barren. Even the night sky had somehow died and become featureless.

But the witch’s heart was warmed by Dolly’s endless imagination and friendly conversation. She had come to think of the doll as a genuine friend too.

When Dolly held her bones and slept, the witch wished she could hold her back.

The first time Dolly whispered, “I love you, Miss,” the witch’s thoughts responded in unison with her doll’s narration, “I love you too, Dolly.”

[seiya-starsniper]

Dreamling Week Day 5 & 6 (Soulmates/Monochromatic)

This one is more of an idea for now, versus a full on fic, but when I saw the prompts for Days 5 and 6, my brain ran away with this concept. I honestly don't know if I'll ever get around to writing it myself, so if someone else wants to give a go, be my guest 😄

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Soulmate AU where Hob sees color for the first time when he meets Dream in 1389. 

In this AU, due to their initially short lifespans, nearly all humans believe that you can only have One Soulmate. When you meet your soulmate, you'll immediately know, because that is when your vision goes from black and white to seeing in color.

Immortal beings however, such as the Endless, along with gods, the fae, etc., know that a "soulmate" is just a person with whom you can form a deep and life changing bond with. Most beings have multiple soul bonds, sometimes simultaneously, though only the first one grants you the power to see color, while any subsequent soul bond grants its own gift, depending on the nature of the relationship.

Because humans have such short lifespans at first, most humans don’t even meet someone with whom they can form a soul bond with before they die. There is also religious rhetoric that claims soulmates must be romantic in nature, or at least married.

When Death takes Dream to the White Horse, Dream senses his potential connection with Hob immediately. He is disinterested in forming a bond at first (his last human soul bond was Nada, and that left a poor taste in his mouth for obvious reasons), but then he hears Hob brag about never dying, and suddenly Dream is interested in his new potential soul bond.

Hob, at this point in time, has been told his entire life that his soulmate would be his future wife, so imagine his utter SHOCK when Dream appears. At first, he thinks he's going to Hell for having a man as a soulmate, but then he stops caring as they talk more, and then he's hopelessly charmed. They agree to meet in 100 years as normal, but then Dream leaves without giving Hob his name, and Hob's too drunk to notice he just let his soulmate get away.

Hob spends the next few years looking for Dream, mourning that he was too drunk to really have a properly conversation with his soulmate, but then 100 years go by, and now Hob thinks he's soulmates with the Devil so 1489 goes something like this:

“Why can I see color? Am I really soulmates with the devil?” “I am no devil.” “Then what are you? And why aren't I long dead?” “You said you wanted to live forever. So you shall. And I am interested.” “In me?” “In your experience.” “My…experience?” *lightbulb moment* “You want to know what it's like.”

Their meetings go much the same way, with Hob thinking for a bit that in order for him to continue being immortal, he has to prove himself "worthy" of his soul bond with Dream, whose name he still doesn't know. He meets his other soul bonds (Peggy, Eleanor, etc) over those centuries, and he loves each and every one of them, but Dream, the one who gave him colors, will always be the one that means the most to him. He realizes that maybe he no longer needs to prove himself to his first soul bond, maybe they can have something more than just a conversation one every 100 years.

Dream naturally, gets upset at the very notion (he's still reeling from how poorly everything with Nada ended) and so he storms out in 1889 as usual. When he gets capture by Burgess in 1916, Dream is not only cut off from The Dreaming, but from Hob as well, and so Hob loses the ability to see color. Hob, not knowing what's happened to Dream, thinks that somehow, Dream has died, even though soulmate gifts don't leave upon death. His fears are confirmed in 1989 when Dream doesn't show up for their meeting. Hob mourns, but he can't forget Dream, so when the White Horse is shuttered, he buys out The New Inn anyways, so that there's always some sort of memorial for Dream near the place where they first met.

Then 2022 rolls around and Dream walks into The New Inn and BOOM, Hob can see colors again. Cue a very romantic reunion 💖