#i want like 5 people to see this

[druid-for-hire]

[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]

a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”

[estrellami-1]

Steddie Week 2024

July 6th Prompt: Dizzy

Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 7

@steddie-week

Steve stands up, and that’s where it all goes wrong.

His intent was to grab more drinks from the fridge, but when he stood, he blinked a few times. “Whoa,” he murmurs.

“Steve?” Robin asks. She sounds like she’s at the end of a long tunnel.

“Steve?” Eddie asks. He sounds closer, but not as close as he should.

“‘M fine,” he says, “jus’ dizzy.”

Then he’s waking up in the hospital. “What,” he asks, then doesn’t complete the thought because Robin and Eddie are both standing over him, one on each side, holding each of his hands, and he’d feel so much love if he could feel anything besides general panic because- “I can’t hear you,” he says, breathing picking up. “I can’t- please, I- I need-”

Eddie shuts up, staring at him with wide eyes, and after a second of hesitation, places Steve’s hand, palm down, on his chest. He takes deep, purposeful breaths, and Steve can feel his hand moving, feel the breaths, feel his heartbeat-

He takes a breath. Another. Another. By that time, Nancy had gotten a doctor.

Later, he’ll learn this is something they’d been watching for, but couldn’t be sure of until he woke up. Later, he’ll learn that Eddie lays awake at night, sometimes, hearing the sound Robin makes.

All he knows right now is how to keep breathing, how to keep holding Robin’s hand, how to believe he’ll be okay, because he has to.

He has to.

He stays with Eddie upon his release, because they’re together most days anyways, and it’s a certain kind of torture on Steve’s heart because Eddie’s started carrying around a notebook and a pen just to write to Steve whatever he was gonna say, and Steve doesn’t think he could love another person more than he did, but here’s the proof, apparently.

They’re sharing a bed, because Wayne had previously called their couch “older than Jesus,” and Steve lasted for all of an hour on it before slipping into Eddie’s room.

The good thing about sharing a room is it helps curb the nightmares for a time.

Eventually, though, they come back with a vengeance.

Steve’s laying in bed, like he does every night, when he rolls over to face Eddie. “Eddie?” He asks. Eddie’s always last to sleep, so Steve’s not hesitant about asking, except Eddie doesn’t answer.

“Eddie?” He asks again, jostling Eddie’s shoulder a bit.

Suddenly he shoots up in the air, and Steve bites back a yell.

Suddenly there’s a voice that sounds like it’s coming from everywhere and nowhere, reverberating off the corners of the room, echoing louder and louder. You took everything from me. Eddie’s arms snap, and Steve yells, scrambles up, music, except what’s his favorite song—that puppet one, metal, come on brain, think—but there’s nothing here but country, bluegrass, stuff Wayne likes, and Steve turns to watch the blood drain from Eddie’s face as another gristly crunch echoes, louder than anything so far. So I’ll take everything from you!

Something reaches out for him, grabs his shoulder, and he yells, twists around, pushes away, hard enough he falls on the ground. He opens his eyes to see Eddie on his bed, Steve sitting just off it, eyes wide and hand reaching to help, stalled halfway. Illuminated by the lamp, too, which wasn’t on half a second ago.

Steve blinks at him, looks at the room. No floating Eddie in the middle of it.

“Dream?” He asks. Eddie nods. He stifles the sob and practically launches himself onto the bed, into Eddie’s arms, lets himself shake apart because he can.

Eventually he feels reverberating in Eddie’s chest that he knows means words, means speaking, so he looks up at Eddie, who’s looking at the door.

He turns to look, too, and sees Wayne. “S-sorry,” he tries, still sniffling.

Wayne shakes his head at him, walks into the room, sits on the edge of the bed. Offers his arms out in a hug.

Steve thought he was done crying. Trust Wayne to prove him wrong, because he’s tearing up all over again as he leans into Wayne.

His new position means he can see Eddie, who points at him, makes a talking motion with his hand, then points at himself and Wayne. Steve frowns. “You… want me to tell you?”

Eddie points at Steve again, insistently, and Steve understands: your choice.

“I can,” he agrees. “We were in bed and I was tryin’a talk to you, but you didn’t answer, and I kept trying to get your attention, but suddenly you- you were up in the air, and your arms and legs broke, and a voice—it was Vecna, I didn’t recognize it in the dream—said I’d taken everything from him so he was gonna take everything from me. And I was trying to find music, but I couldn’t remember the name of your favorite song, and the only stuff in here was Wayne’s stuff, country and bluegrass and stuff like that, and…” he sighs out a broken sob. “I couldn’t save you.”

Eddie reaches for his hand, but suddenly that’s not enough, he needs to be able to feel his heartbeat, have his breathing move Steve’s hand, so he tips over into Eddie again, gets his hand on his chest and his face in the side of his neck.

Eddie says something, but before Steve can move Wayne’s got a comforting hand on his back. He removes it after a minute, and Steve can feel the shift in the bed of him getting up, but before he can mourn the loss, Eddie’s got his arms wrapped around Steve as he carefully lowers them back down. He rubs a hand up and down Steve’s spine, slips the other into Steve’s hair.

Steve falls asleep like that.

He wakes up in almost the same position. He tries to apologize, but Eddie waves him off, hands him some clothes and points to the bathroom before pointing to himself and miming cooking.

Steve’s heart clenches at the thought. “Okay,” he whispers.

Robin comes over later, and they sit on the front steps as he recounts what had happened. “He’s just so sweet,” he sighs. “And I’m an idiot who’s letting my heart get involved.”

Robin wraps an arm around his shoulders and kisses his temple. It doesn’t help as much as he’d hoped it would, but he appreciates the gesture anyways.

Later she leaves, and Eddie pulls out his dedicated Steve Notebook.

I’ve got a friend in Indy who knows sign language. I could give her a call, if you want? He writes, and again Steve’s all but overcome with love for this man.

Instead of anything he wants to do, he just nods. Eddie grins and hops up to use the phone.

He’s back in a couple of minutes, collapses onto the couch with the notebook before furiously scribbling and handing it to Steve.

I spoke to my friend. She says sorry and it sucks, first of all. Steve snorts and nods. She’s willing to talk to you, get you started, maybe even get you some books. Does tomorrow work?

Steve gapes up at Eddie. “Tomorrow?”

Eddie nods and grins, then points at Steve in a gesture Steve knows has come to mean you decide.

“That would be great,” he says. “Seriously, I- thank you, Eddie.”

Eddie waves him off, but Steve can see the happy little blush on his cheeks.

They head out the next day. It’s probably twenty minutes into the drive, and even with Eddie sitting next to him in the driver’s seat, it feels lonely. He never realized how much he’d miss the sound of tires on asphalt. He wasn’t ever truly into music, like Eddie is, but he misses the radio. He misses the wind rushing past, the silence that’s possible to share when both people can hear-

He doesn’t realize he’s crying until Eddie’s pulled over, a hand on his cheek and a concerned expression on his face. “Sorry,” he tries. Eddie shakes his head, presses his palm more firmly to Steve’s cheek. “Fuck,” he mutters. “‘S stupid. Just… felt alone. I dunno. There’s, like, a million little things you hear every day that you don’t think about, like the way your hands tap the steering wheel when you turn, or the way your clothes shift and rub against each other, and it’s all silent now, and there’s not even music, and-” he takes a deep, shaky breath. Lets it out as evenly as he can. “I just… felt really alone all of a sudden.”

Eddie brushes his thumb along Steve’s cheekbone as he thinks. Suddenly, he grins and moves his hand, shoving a tape into the deck and cranking the sound. He demonstratively puts his hand on the door. Steve laughs and does the same, gasping when he feels the vibrations of the song move through him. He can’t tell notes, but it’s something, and then Eddie carefully reaches for his hand, keeps his grip relaxed until Steve smiles at him and tightens his own fingers around Eddie’s. “Thank you,” he whispers.

Eddie smiles, nods, and gets back on the road.

They arrive at his friend’s apartment in no time, and Steve would be jealous at the length of the hug if Eddie didn’t immediately step back to grab Steve’s hand again. Based on his hand motions, he’s introducing Steve.

She asks Eddie something, and he turns bright red, pulling a strand of hair across his face as he glances at Steve before looking back at her and answering.

She invites them in, scribbles on a little chalkboard, and hands it to Steve with a smile. Hi, Steve! My name is Nicole. It’s nice to meet you.

He grins up at her. “It’s nice to meet you, too.”

She takes the chalkboard back, scribbles something else. Eddie tells me you recently lost your hearing. Do you mind me asking about that?

“Not at all,” Steve says, then frowns, somehow just now realizing he doesn’t know the full extent of what happened. “Honestly, all I know is I stood up and got really dizzy, and then I was waking up in the hospital.” He shrugs. “I’ve had a couple of pretty bad concussions, and I guess whatever made me pass out also just… took my hearing.” He shrugs.

Eddie shakes his head, grabs for the chalkboard. Almost. He bites his lip. You passed out, and I wasn’t fast enough. You hit your head on the floor. He looks away, takes a deep breath. I’m sorry.

“That is not your fault, Eds,” Steve tells him firmly. Eddie won’t look him in the eyes, so Steve grabs his chin. “Hey, look at me. Not your fault. I don’t blame you. Okay?”

Eddie shrugs, pointing to himself with a self-deprecating smile, and Steve knows what he’s trying to say. I do.

“Well I don’t,” Steve says. “But if- if you need to hear it. I forgive you, okay?”

Eddie nods, eyes big and wet, and Steve pulls him into a hug.

Eddie suddenly laughs, pulling away to wipe his eyes before saying something to Nicole.

Right. They’re not alone. “Sorry,” he tells her, but she waves him off, handing over the chalkboard again. I think we’ll start on the alphabet today. That way you can at least finger spell what you need, even if it’s slow.

“Sounds good,” he says, and she nods, talking the chalkboard to write the alphabet.

Slowly but surely, she teaches Steve and Eddie the alphabet. They get a little tripped up on some of the letters, most noticeably p and q, until Nicole takes pity on them and makes a p. She uses her other hand to draw a line down both her extended fingers, then tracing her own legs. She taps her thumb, peeking out between the two, and with a mischievous grin, points between Steve and Eddie’s legs.

They share a look and burst out laughing, but they don’t forget those letters again.

By the end of the day, they’ve gotten through the alphabet with enough regularity that Nicole feels they can practice on each other.

Steve pauses before they leave. T-h-a-n-k, then a pause, then y-o-u.

Nicole smiles, presses her fingertips to her lips, then brings her hand down to chest height, palm up. She does the motion again, and Steve copies her, grinning when she nods excitedly.

“Thank you,” he signs and says, grinning even wider when she pulls him into a quick hug before waving at him and Eddie.

They wave back and pile into the van, Steve’s hand in Eddie’s before Steve can practically blink. He smiles, unbearably fond, and squeezes to get his attention before signing, “Thank you.”

Eddie just smiles back, throws the van into reverse, and starts home. 

They practice more while they make dinner, throwing words like spatula and stir and chop around, and Steve didn’t realize learning could be this fun.

He’s watching Eddie stir the broth, hips moving in a little dance to a song only Eddie knows, and his heart is so full, he has to say something before his heart bursts. “I’m gonna say something that’s gonna sound incredibly sappy,” he says. “But just… please just listen until the end? And try not to tease me too much.”

Eddie just smiles, grabs his hand and squeezes, and Steve takes a breath before starting.

“I’m glad it’s you. I’m glad you were there that day, I’m glad you were there when I woke up at the hospital, I’m glad you were there when I realized going home meant being completely alone. I’m glad you made a complete fool of yourself in the hospital lobby, doing charades to let me know I could stay here.” He takes a breath. “I’m glad you have Nicole, because it lets me talk with you easier. I’m glad you never once let me feel like I’m alone, or like I’m going through this alone. I’m glad you’re learning with me. I’m glad you’re making this fun. I didn’t know learning could be fun, but it is with you, and I-” he takes a breath, swallows the three words that want to come out. “I’m glad it’s you,” Steve whispers, “here, at the end of all things.”

He doesn’t realize he’s crying until Eddie’s hands are cradling his cheeks, wiping away tears. Eddie’s just as teary-eyed, though, and he pulls away, looking for the notebook. Please don’t punch me.

Steve looks up, brows furrowed, to watch Eddie spell something. I l-o-v-

That’s as far as he gets before Steve gasps, understanding, or hoping he understands, and pulls Eddie into a kiss.

He pulls back almost immediately to check that’s correct, that that is what Eddie was trying to say, when Eddie pulls him back in, dinner be damned, crowding him in against the counter and doing his best to lick into Steve’s mouth.

Steve lets him, pulling away for a sharp inhale before diving right back in, fingers tight in Eddie’s hair and the back of his shirt, and there’s a sudden vibration that he just knows means Eddie moans, and suddenly he’s dizzy again, but this time he welcomes it, because this time he’s not passing out; this time, he’s dizzy because he’s drunk on love.

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[greencarnation]

eleven is fascinating to me because he came right off the back of tens horrible traumatic breakdown after he lost everything and he immediately tried to establish himself as the opposite of that. he is funny and goofy and almost childlike, and he bulldozes on in his adventures with amy like nothing happened at all. but then something happens and his masks slips and it's like oh! the core of this man is still anger. he is so so angry all of the time and this façade is the only thing stopping him from being consumed by it. he isn't over any of it and he hasn't moved on. he is wearing a fez and laughing but under that all that exists is age old anger and grief and it is going to consume him

[itsaceokay]

I feel like people don't often fully appreciate how hard dating can be for demisexuals.

It just hit me the other day when I found out that most people are kissing by the first date and having sex by the third and to me that is just wild. And apparently, some people wait up to three months before having sex and that's seen as like a really long time and I'm sorry but is everyone okay???

After three dates a person is still a stranger and after three months they're at most an acquaintance - and people are not willing to wait longer and you'll be seen as unreasonable if you want to wait for a year or more??

[bizarrelittlemew]

calling it right now that season 3 starts like this

[rugwurm]

giant squid vs sperm whale

[idanit]

assorted Jeeves and Wooster sketches of various quality from the past six months, part 1

[raisedbythetv89]

Spike is the spark that brings Buffy’s fire (her ability to love) back

(stone - a notoriously non flammable material)

Buffy’s love is spoken about in relation to fire but even brighter and more intense

she sings of wanting the fire (her ability to love and feel as deeply as she once did) back - where once was a flame so bright it burned her - now there is nothing but black & cold

spike’s love for Buffy is also equated to fire showing how he matches her intensity with which she loves (love the use of the lighting in this shot he literally looks like he’s sitting back to back with his shadow as he wrestles for a moment of just letting Buffy die before ultimately going to help her) also this line is showing how much loving Buffy has cost him the burdens he’s carried, the pain and sacrifices he’s made and endured - “I have come to redefine the terms pain and suffering since falling in love with you” loving Buffy for Spike is painful AND HE STILL LOVES HER AND KEEPS TRYING TO DO AND BE BETTER FOR HER LITERALLY NO MATTER WHAT 😭🤚🏻

but this line from Giles foreshadows the need for Spike to get his soul (the spark) back in order for Buffy to get her fire back - soulless spike’s love is not enough because of the guilt and shame she feels loving a soulless demon

(thank you @spuffylatino for this spike screen grab)

e voila! Their joint hands burst into flames in the moment Buffy can finally say the words “I love you” which she hasn’t told a romantic partner that since Angel - representing Buffy getting her fire back and that she has found someone who not only won’t pull away from the intensity of her love but can match it

hands ablaze and neither pulls away until forced to by the collapsing hellmouth and Buffy gasps in relief because she did it, she got the fire back and now she can tell him with no fear or shame that she loves him before it’s too late

and after she says it she has sort of this “I know that’s pretty obvious given our joint hands are currently ablaze as our twin flame souls intertwine but you deserve to hear it and I wanted to and now CAN say it” look on her face like she’s really fucking proud of him but also herself that this is how far they’ve come both as individuals and a couple

When I say Spike is the best romantic partner for Buffy it’s not because it’s perfect - it’s because after she dates angel and riley she’s an emotionally devastated, vulnerable, heartbroken, abandoned YET AGAIN mess who can barely hold it together and gets more and more closed off each time. But THIS is the impact Spike has on her. Despite all they go through he is a catalyst for the return of her strength, confidence, healing, and emotional vulnerability. I love the overall impact he has on her as well as her on him!! They change each other for the better!! Through their love!!!! THAT’S AMAZING!!

[otaku553]

As it goes with every new brainrot I have, it’s time for Kirby crossover again :)

Kirby in one piece! With one piece’s strong focus on dreams and found family, I thought it would fit for Kirby to be a pirate that dreams of sailing to the stars and beyond. Not that this is very achievable by normal means, but we know that it’s at least possible with Eneru and the Skypiea arc :D

More notes in the read more!

Kirby has the devil fruit power of the copy-copy fruit! A paramecia activated by contact and only able to copy one fruit at a time. It can copy logias and paramecias with no problems, though actual ability using the fruit’s powers is up to Kirby to practice and figure out. Zoans can only be copied to partial transformations and cannot be awakened. Kirby doesn’t have much of a mind for haki but has a lot of latent conquerer’s haki that he doesn’t realize— it’s one of the reasons he’s able to make friends so effortlessly.

Meta Knight in this AU is a retired marine, between Captain and Rear Admiral level. He has a bat model zoan fruit that allows him to grow wings, and is a skilled swordsman. He’s retired from the marines but acts a his own separate party that is neither revolutionary, marine, nor pirate, keeping his own fleet known as the Meta-Knights. Their actions are similar to pirates despite not flying a Jolly Roger. They claim territory to protect and occasionally fight other pirate crews, and they claim no allegiance to the world government. They simply go where they are needed. Meta Knight will sometimes sail with Kirby on his small ship, the Popstar, just to keep Kirby out of trouble and make sure the ship is well stocked and well-maintained and able to be seaworthy.

Dedede is the king to one of the small countries that isn’t represented at the Reverie. That means he has a lot more freedom to do his own thing, including setting sail while taking a crew of Dees with him and leaving the country in the hands of some administrative Dees. Dedede splits his time between exploring and sailing and returning home to run his country, with the help of his trusty second in command, Bandanna Dee. Dedede has a penguin model Zoan fruit, and Bandanna doesn’t have any devil fruit but is proficient in coating their spear in haki. They’re the designated save-the-fruit-user-from-drowning person when they’re on deck.

Kirby’s crew changes because a lot of the people he recruits tend to have their own responsibilities. His crew is also full of people he’s beaten. It’s not uncommon for Kirby to sail alone, though he gets into more scrapes than usual with bad weather and rough waves. It can hardly be called a pirate crew, but Kirby has collected all the most heinous criminals under his banner and as such, the world government treats it as a threat.

[witherbythesword]

if the theory of sam reich being replaced by .. evil wizard dalton reich (and i cant believe i am partaking in this discurse) is true..

i've seen some people asking the question about what those childhood tapes mean. Well i am one of the ancient ones that owned vhs tapes and you know you could replace whats stored on those tapes with overwriting it with new material but it would slowly degrade the quality as the magnetic tape the information is stored on isn't necessarly made to be re-recorded on indefinetly which would also explain the degrading quality of the gamechanger episode.

So my theory is that dalton reich wants to erase sam from history and to do this he is slowly erasing any proof that could hint on sam and dalton being two different people. One thing he appearantly needed to do is overwrite these old vhs tapes of sams childhood.

[coffeeworldsasaki]

Gotta say people that throw a fit every time someone mentions the possibility of seeing some solavellan in datv are quickly becoming my least favorite people in a fandom filled with unpleasant people. Yes Solas is one of the main characters in datv, there should be more mentions of the romance thanks to that, maybe a 20 minutes romance will become a 25 minutes one should we call the police or can you shut the fuck up

[artsycooky13]

i peeked into the sonic fandom and this dynamic grew on me. also satbk was really cool

[exx-bee]

Great Fire of London .... 2!

[not-gray-politics]

Trans women. I'm grabbing you by the shoulders and yelling. YOU DO NOT HAVE TO BE SKINNY TO BE FEMININE AND PRETTY AND CUTE. PLEASE STOP MAKING DIETS PART OF YOUR TRANSITION GOALS. WEIGHT LOSS IS A SCAM. I LOVE YOU. TAKE CARE OF YOURSELVES. YOU'RE BEAUTIFUL.

[mikakuna]

the way people care more about jason fighting tim than like any other rogue fighting tim during his robin run is...!

"they're brothers! jason is so horrible to attack his little brother."

aside from the obvious twinkification of tim, stop pushing the family narrative on two people who did not see each other as siblings at that moment.