#i understand that it's not my place as a white person

[idkyetxoxo]

Cregan Stark - Northern Oaths

Summary - The fearless princess, captivated by the raw beauty of the North, faces a harrowing ordeal when abducted. Lord Cregan Stark, mesmerised by her charm and charisma, is driven by deep concern to rescue her, braving the dangers of the wild to save her.

Pairing - Cregan Stark x Velaryon reader

Warnings - Violence (injury)

Word count - 2698

Masterlist for Cregan • House of the Dragon General Masterlist.

"I am more than capable of completing the journey on horseback, just like the others," I declared confidently, my fingers gently tracing the silky mane of the horse before me.

"Princess, I only mean to suggest that a carriage might offer a more comfortable option," Lord Stark replied, a hint of concern in his voice. I couldn't help but laugh, shaking my head in amusement.

"Lord Stark, my title may be 'princess,' but that does not mean I shy away from riding such a magnificent creature," I said, smiling as I carefully wove a braid into the horse's white mane, mirroring the intricate braid that adorned my hair.

"Of course," he conceded with a respectful nod. "Though I can only hope this fine beast provides as satisfactory a ride as your dragon," he added, a twinkle of humour in his eyes.

I chuckled at his words. "We best not let Silverwing hear such talk—she's rather possessive," I teased, swinging myself gracefully into the saddle.

As we began our journey to the Wall, the cold Northern air filled my lungs, invigorating and fresh. The landscape around us was a vast canvas of snow-draped hills and ancient trees, their branches heavy with frost. 

The North was wild, untamed, and breathtakingly beautiful.

Cregan rode beside me, his horse moving with practised ease through the snow-covered terrain. I took in the landscape, the wild beauty stretching out before us. 

"There's something captivating about the North," I remarked, my voice thoughtful. "It's untamed, yet undeniably beautiful."

Cregan glanced over at me, a faint smile curving his lips. "The North's beauty isn't always apparent at first glance, but it reveals itself to those who take the time to understand it."

I nodded, feeling a quiet understanding in his words. "I can see why your people hold it so dearly. There's a raw honesty to the land, something that feels... unspoiled."

He regarded me with a look of quiet appreciation. "It's rare to meet someone who sees the North as more than just a harsh, cold place. You seem to understand its true nature."

I met his gaze, a small smile tugging at my lips. "Perhaps it takes a certain kind of person to appreciate it. Someone who doesn't mind looking a little deeper."

"Or someone who values strength and resilience," he added, his tone thoughtful. "The North may be unforgiving, but it has a way of revealing what truly matters."

I laughed softly, shaking my head. "Comfort is all well and good, but it's often overrated, don't you think? I've always believed that a challenge is where you find the most reward."

Cregan's eyes flickered with something unreadable, though his expression remained composed. "Then the North might be exactly where you belong, Princess."

His words were simple, but they carried a weight that made me pause. Our exchange was subtle, an unspoken understanding that lingered in the crisp air between us. 

We spoke of the land, but it was clear that our words carried another layer of meaning, one that neither of us needed to fully articulate.

As our conversation continued, one of Cregan's men, a younger rider with a mischievous glint in his eye, drew his horse closer to us. He had been listening quietly, but now a playful smile crossed his face. 

"Begging your pardon, Princess," he said, glancing between Cregan and me, "but it seems to me that you handle a horse as well as any Northern rider. Perhaps you'd care to prove it?"

Cregan's expression tightened ever so slightly, a flicker of concern in his eyes. "That's not necessary," he interjected smoothly. "The road ahead is treacherous, and a race could be dangerous in these conditions."

I scoffed lightly, meeting Cregan's gaze with a challenge of my own. 

"Lord Stark, do you truly believe I would back down from a bit of friendly competition?" I asked, my tone teasing but resolute. "I've faced worse than a little snow."

The young rider grinned, clearly pleased with my response. "A race it is then, Princess," he said, his enthusiasm infectious. "We'll start on your count."

Cregan sighed, his protective instinct warring with his knowledge that he couldn't stop me. "Very well," he said quietly, though the concern in his voice remained.

I turned my attention to the rider, feeling the thrill of the challenge stir within me. "On three, then," I said, my voice steady with anticipation. "One... two... three!"

In an instant, we were off. The cold air rushed past my face, and the snow crunched beneath the horses' hooves as we sped across the landscape. The thrill of the race consumed my focus. I urged my horse forward, feeling the powerful muscles move beneath me as we cut through the snow, the land itself almost falling away in the rush.

Beside me, the rider pushed his horse to match mine, his competitive spirit driving him forward. 

As we disappeared from their sight, the other men exchanged grins and murmurs of approval, but it was Cregan's gaze that lingered on me, a mixture of respect and something deeper.

I finally pulled my horse to a screeching halt when a group of men suddenly blocked our path. Their appearance was jarring, dressed in heavy, untamed furs that spoke of a life lived in the harshest of conditions. 

The young rider beside me did the same, his expression shifting from excitement to alarm as we realized we were no longer alone.

I cast a glance over my shoulder, noting with growing unease the considerable distance we had put between ourselves and the rest of our group. A cold dread began to seep into my bones, replacing the thrill of the race.

"Apologies," I said, trying to maintain my composure as one of the men stepped forward, his rough hand reaching for the reins of my horse.

"Princess," the rider beside me murmured, his voice low and tense. I frowned at the worry etched across his face.

"These men are wildlings," he explained, his voice barely above a whisper. The term meant little to me, but the fear in his eyes was unmistakable.

"Aye, we are," one of the wildlings confirmed, a dark grin spreading across his face. "And if such royalty is riding these roads, then I believe we deserve an introduction." 

His hand shot out, gripping my arm with a roughness that made my breath hitch. I recoiled, shaking him off with a sharp twist of my wrist. 

"Lord Stark will have your heads," the young rider beside me interjected, his voice filled with defiance as he dismounted his horse and moved protectively to my side. "She is his guest."

"Shut up, boy," the wildling snarled, shoving him aside with a brutal force that sent him stumbling.

Before I could react, more wildlings emerged from the shadows, surrounding us with predatory intent. Panic surged through me as the man who had grabbed my arm yanked me off my horse, his grip like iron as I struggled against him. 

"Let me go!" I shouted, thrashing wildly as they dragged me away from my horse.

The rider attempted to intervene but he was quickly overpowered by the wildlings, who struck him down with ruthless efficiency. I fought with every ounce of strength I had, but the wildlings were relentless, their hands bruising as they forced me through the snow-covered forest.

"Lord Stark will find you! He will—" My words were cut off as one of the wildlings, a hulking brute with a cruel sneer, struck me hard across the head. 

The world spun violently, my vision blurring as pain exploded in my skull. I tried to stay conscious, to fight, but darkness closed in, my strength fading with every passing second.

The last thing I heard was the distant sound of my screams, echoing through the cold, unforgiving wilderness as I was pulled further away from safety, until finally, everything went black.

Back with the others, Cregan kept his pace steady, though his thoughts lingered on the race ahead. He couldn't help but feel a nagging unease. The thrill of the race was one thing, but the North was unforgiving, its dangers lurking just out of sight.

It wasn't long before the silence of the snowy landscape was shattered by a distant, panicked shout. Cregan's heart dropped as he urged his horse forward, the other men quickly following suit.

As they rounded a bend in the trail, the sight that met them was chilling. My horse lay sprawled on the ground, its beautiful silver-braided mane stained with blood. 

The elegant creature that had carried me so effortlessly mere moments ago now struggled weakly, a painful whine escaping its throat. Blood soaked the snow beneath it, turning the pristine white ground into a gruesome scene of red.

Cregan dismounted in one fluid motion, his eyes scanning the scene with mounting dread. Near the fallen horse, the young rider who had joined in the race lay slumped, his body bruised and bloodied. 

His breath came in ragged gasps, each one a struggle. His hand pressed weakly against a gash on his side, blood seeping between his fingers.

Cregan rushed to his side, dropping to one knee as the men formed a protective circle around them, their eyes scanning the forest for any further danger. 

"Where is she?" Cregan demanded, his voice sharp with fear and urgency. "What happened?"

The rider coughed, blood staining his lips as he struggled to speak. "I tried...tried my best," he gasped, his voice filled with pain and guilt. "Wildlings... they ambushed us. They took her."

Cregan's heart pounded in his chest as the rider's words sank in. 

"They took her?" he repeated, his voice barely above a whisper as if saying it out loud would make it more real, more terrible.

The rider nodded weakly, his eyes clouded with pain and regret. "I fought... but there were too many. They overpowered us... they knocked her out and dragged her into the woods. I'm sorry, my lord, I—"

"Don't," Cregan interrupted, his voice firm but gentle. "You did what you could. We'll get her back."

He turned to his men, his expression hardening into one of grim determination. 

"Search the area," he ordered, his voice carrying the weight of authority. "We need to find their trail. They can't have gone far."

The men nodded, their faces set with resolve as they spread out. Cregan stayed beside the injured rider, his jaw clenched as he surveyed the bloodstained snow. The sight of my horse, now struggling to breathe, filled him with a cold, simmering rage. 

This was his fault, he should have insisted on staying close, should have anticipated the dangers. I was out there, in the hands of wildlings, and every moment that passed put me in greater danger.

I woke to the sharp sting of cold air against my face, my body aching from the rough treatment I'd endured. Disoriented, I tried to move, only to find my hands bound tightly behind my back and a coarse gag tied around my mouth. 

Panic flared as I struggled against the restraints, my breath coming in shallow, desperate gasps.

The dim light filtered through the rough walls of a small, makeshift shelter. The air inside was thick with the scent of damp earth and unwashed bodies. My head throbbed from where I'd been struck, the pain radiating down my neck with each movement.

A shadow loomed over me, and I froze, my eyes widening in fear. A man with tangled hair and a filthy beard was kneeling beside me, his rough fingers combing through my hair as if inspecting it. 

His touch was far from gentle, tugging at the braids with a crude fascination. I recoiled inwardly, a shudder of revulsion passing through me, but I was helpless to stop him.

"Pretty princess," he muttered, his voice low and gravelly. "Never seen hair like this. Like silver... like moonlight."

I squeezed my eyes shut, trying to block out the horror of the situation, but the terror gnawed at me, refusing to be ignored. My mind raced with thoughts of escape, but every idea crumbled against the reality of my bindings and the presence of the wildlings who had captured me. 

I could hear their voices outside, speaking in rough tones, the words indistinct but filled with a sinister edge.

Suddenly, the shelter was filled with the sounds of chaos, shouts, the clash of steel, and the unmistakable thud of bodies hitting the ground. My eyes snapped open as the wildling beside me stiffened, his hand falling away from my hair as he reached for his weapon.

The noise grew louder, closer, and I could hear the unmistakable sound of swords cutting through the air, of men fighting for their lives. My heart leapt with hope, even as fear clawed at me. 

Was it possible? Had Cregan and the others found me?

The wildling cursed under his breath, his attention now fully on the commotion outside. He scrambled to his feet, drawing a crude blade as he moved toward the entrance of the shelter. 

Before he could step outside, the flap was thrown open, and Cregan burst in, his sword dripping with blood, his eyes blazing with fury.

The wildling barely had time to react before Cregan's sword flashed in the dim light, striking him down with a swift, decisive blow. The man crumpled to the ground, lifeless, as Cregan turned his attention to me.

The fierce determination in his eyes softened the moment he saw me, bound and gagged on the cold ground. He dropped to his knees beside me, his hands trembling slightly as he quickly cut through the ropes that held me captive.

"Princess," he breathed, his voice thick with relief. "I'm here. You're safe now."

As the bindings fell away, I pulled the gag from my mouth, and a sob escaped my lips before I could stop it. The fear, the helplessness, the dark possibilities of what could have happened, it all overwhelmed me in that instant.

I looked up at him, seeing not just a lord, but the man who had risked everything to bring me back. Tears streamed down my face as I reached out for him, needing to feel something solid, something real.

Cregan gathered me into his arms, holding me tightly against his chest as if he could shield me from the horrors I had endured. 

"It's alright," he whispered, his voice raw with emotion. "You're safe, I swear it."

I clung to him, the sobs coming harder now, the terror of the past few hours releasing itself in waves. His presence was the only thing grounding me, keeping me from falling apart completely.

Cregan held me through it all, his hand gently stroking my hair as he murmured soft reassurances. The sounds of battle outside faded, replaced by the distant, muffled voices of his men securing the area. 

In that moment, all I could focus on was the steady rhythm of Cregan's heartbeat beneath my cheek, a reminder that I was no longer alone, no longer at the mercy of those who had taken me.

Finally, as the tears began to subside, I pulled back slightly, looking up at him through tear-blurred eyes. 

"I was so scared," I finally managed to whisper, my voice trembling and weak. "I—I thought..." My voice broke, and the words wouldn't come.

Cregan's thumb brushed away a tear from my cheek, his expression filled with a sorrow so deep it made my heart ache.

"I know," he said softly, his voice filled with a deep, unspoken regret. "And I apologise I wasn't there sooner."

I shook my head, my grip on his arms tightening. "You found me. That's all that matters."

He nodded, his gaze intense as he searched my face, as if reassuring himself that I was truly there, unharmed. 

"I won't let anything happen to you," he vowed, the weight of his words settling between us like a promise etched in stone. 

In that moment, surrounded by the remnants of the battle, the cold, and the lingering fear, I felt something else, an undeniable bond forged in the crucible of danger. 

I clung to the knowledge that Cregan had saved me but more than that, I held onto the realization that in his arms, the cold wilderness of the North didn't feel so wild anymore, it felt like home, like safety.

 After all, there has never lived a Stark who forgot an oath.

A/n - There was sm more I wanted to add and once it hit over 2.5k words I realised I had to reel it in lmaoo

[stagefoureddiediaz]

We’ve been looking at this all wrong the entire time...

So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!

This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!

Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.

Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past -  that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective. 

Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours. 

We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!) 

We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.

As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.

While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is  still reeling and incoherent so bear with me - I hope it all makes sense.

Right this post is super long so the rest is going below the cut! I hope you enjoy!

Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.

These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair) 

7x04 

at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans

at the court - light grey marl cut off hoodie and bright blue shorts

at Bucks loft - red/black short sleeve henley and stone wash jeans

7x05

at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)

coffee meet up - light grey henley and navy blue hoodie with mid wash jeans

7x06

karaoke club - navy blue short sleeved henley

7x10

light grey marl tee and greenish denim shirt 

So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.

Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!

Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)

Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.

Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different.  Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.

Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth  (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.

The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially. 

So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him -  but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life.  Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.

But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.

So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.

All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy. 

Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).

There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of. 

The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.

This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.

We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the  taylor ‘I kinda love you for it’ scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.

I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.

If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue.  Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer.  Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.

Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.  

Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.

The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.

At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post).  The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.

We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself.  He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.

Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.

Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.

We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season! 

The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.

Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.

Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there.  S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.

Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!). 

Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way.  This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!).  It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.

It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!

Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!! 

All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!

Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!

Tagging some people who asked (and some who didn’t but might be interested anyway!)

@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil

@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo

@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx

[rs-hawk]

So just saw your post about not voting for trump. Good post. He's not a white nationalist though. Real white nationalists respect indigenous people. Place for every race and all that. He's just the run of the mill politician who says what he thinks will give him the most voters. Anyway, you'd probably be better treated by a white nationalist government lol.

This has been sitting in my ask box for like a month but just... Damn. This is wild.

You're telling me that I, a queer mixed Indigenous AFAB person who technically can be considered disabled, am respected by... White Supremacists? White Supremacists want me dead. I live in Texas. I come in contact with White Supremacists literally on a near daily basis.

They are the first ones to throw slurs at me. They are the first to say I should go back to my own country (and then say Reservation when I say that this is my country). They are the first ones to literally throw things at me at my day job. I have had people who I know for a fact are literally, LITERALLY, in the KKK, come into my job and ask why someone like me is working up front in a public establishment.

Again, I am mixed race. White Supremacists often either hate me off the bat because they know I'm mixed or see me as a minority and me simply existing in the same space as them is an affront. However, when they think I'm full White (as I am Italian and have been told I pass as Italian), and then find out I'm mixed it's so much worse. They take it as I lied to them. I had one customer at work a few years ago that we kind of flirted, and he was talking about taking me out when my job slowed down. I mentioned something off handedly about turquoise jewelry a few visits later, and he asked if I was "Indian". When I said yes, a total 180. He started accusing me of lying to him, saying I wanted to taint his blood line, blah blah blah.

Here's what you need to understand, sticking up for White Supremacists is just as fucked as being one. White Supremacists don't respect Indigenous Peoples. They want us gone. They want us somewhere they never have to see us. Reservations are not something we got out of respect. We have Reservations because we were forced to and it was all we were allowed. This is my ancestral land, and they still think I should be forced to live in another state because the government decided over a century ago (as the Nation I'm registered with was one of the last to be forced onto a Reservation) because they want to live here, in America, on traditional land, without wanting to see us.

White Supremacists don't respect us or any minorities. They want us out of their face. "A place for all races" just means out of their face or in what they consider in our place. A White Supremacist government is what created Reservations in the first place. A White Supremacist government is what forced my great grandmother's grandfather to be born on the side of the road during the march to the Reservation.

I am a firm believer that America is a Melting Pot. I am mixed race. I am proud of every aspect of who I am. I can list every ethnicity/race I am as I and my family are firm believers in knowing where you come from. As a child, my mom would quiz me on what I was and what side of my family it came from. It is important to know who and what you are. I have no issue with people being proud of who they are. There is no issue with wanting to only date/marry inside your culture imo. I don't have a problem with that. What is a problem is that White Supremacists (which is what I was calling Trump in my previous post) don't do that. They think they are better than other races. They don't want to even interact with other races. They. Are. Racist. And so is Trump. He called on the Proud Boys, a known White Supremacist group. Be serious.

[fae-morrigan]

Someone put a post (where they admit they straight up dont know these characters lol, and also spell damian as 'damien' so like. yknow.) in the tags saying that if you're a fan of Jon & Jay, you shouldn't buy super son. Well, as the crowned CEO of Jay & Jon, I'm here to tell you guys that you absolutely should.

Super Son did the amazing thing of hitting several marks that I predicted while still managing to surprise me in how they hit them. Which is high praise for any story: A great narrative should be able to both meet reasonable audience expectations (i.e, staying in character, setup payoff) WHILE STILL throwing in curveballs that tell you something new.

There's a lot I want to analyze and get into, namely how I think the rooftop conversation between Jon & Nia is really brilliantly done in what it says about both characters, but mainly I've been thinking a lot about how great those last few pages were and how I think Sina absolutely nails how Jon & Jay's specific issues interact with each other.

Jay's always been a blunt person. From their first meeting back in SOKE 2, hes said what he thinks, and rarely does he try and soften himself. More than that, his bluntness is often a shield from vulnerability, which Jay struggles with the whole scene. It makes total sense, after what hes experienced (re-traumatization at the hands of a friend) that he's displaying that trait again.

Jon, however, is immediately vulnerable. This is the most poignant confession of the issue: Not even in the amazing sequence of Nia helping him make a place in the darkness (look, its back, thanks isabel!) do we get this admission of fear.

And Jay, like always, embraces him. Sidenote, LOVE how they got in the thing Jon does where he's constantly tucking his face in people's shoulders during hugs.

But the moment ends, and we get here. First of all, cold af. I could feel the aura before I turned the page.

Second of all: Jay is totally valid in feeling this way. And it makes perfect sense that he would.

Sara was his everything. Getting her back was one of his main motivations in SOKE. Because of Nia's actions, she died horribly (do you know what happens to a person when they fall from that sort of height? I do. Its AWFUL.) for an unjust cause. Of course he's glad she can't hurt anyone else!

And that's when we get to my FAVORITE PART! Oh how I love this bit. Because like. You understand why Jon's angry- Its a harsh thing for Jay to say! Nia was the one who kept him sane while he was trapped in his own mind! But Jay, like always, is RIGHT: Jon DOESN'T get it. How could he?

Jon Kent will NEVER, ever, be put in this position. Out of universe, his parents are Clark Kent and Lois Lane. They'll ALWAYS come back. Hell, the fact they'll always come back is something Ma LITERALLY says to Jon in SOKE. He will never, ever have to know this pain.

In universe, Jon's a white american. Despite being queer, despite being an alien, he'll never know what its like to be this kind of collateral, delegated as pawns in a greater war for 'freedom'. That is what killed Sara at the end of the day: imperialism.

This next bit hurts my heart. Great job, guys!

For one: Jon claims he's not excusing the mistakes Nia made, but by downplaying it like this... yes he is. But did you catch that part? Right at the start of that bubble?

"I'm going to fight every day to make up for my own part in this."

That's where it clicked for me. Something I had been hoping for since Nicole first called them twin flames.

He's projecting.

Of COURSE he's defending Nia. Of COURSE he wants Jay to forgive her. It isn't just about the fact that she gave him support, it isn't just the dreams, its the fact that... well. If Jay can't forgive her... how could he EVER forgive HIM?

THIS is where the fact that Jon and Nia are so similar as character SINGS. They become mirrors to each other, evaluating their own self worth through the other, at the unintentional expense of the people they've hurt.

Jay's right, though. Again. Its almost like he's the embodiment of the truth or something. He doesn't HAVE to do anything.

When he starts crying though, I immediately was RUINED. This is the first time we have EVER seen him cry before during his entire existence of a character. And its not really even because his mom is dead (though yes, that) and its not even because of the argument. Its because Jay fundamentally wants to be understood, and he's not getting that.

Which is important for the next bit:

I want to first backtrack a bit to Son of Kal El again, specifically, issue fourteen, right here.

Hello, two-panel sequence that succinctly describes these two as characters. How convenient you are for me, a guy analyzing a work that isn't written prose.

Jon isn't good at letting go, for better or for worse. The things he cares about stay with him, and when something or someone tries to exit his life, he clings to them with all his might.

Jay however, both selflessly and selfishly, is willing to let go first if he thinks its better for the other person. To me this line so effortlessly summarizes who Jay is- he's a person who's accustomed to not having things, and will leave before it hurts and he gets too attached.

And that thought is ALL over this scene. Jay, who begins to let go, Jon, who both literally and physically CLINGS to jay, practically begging him to stay.

(Sidenote. This is like, the third time Jay mentions breaking up when Jon starts acting up. Good for you king, keep that white boy on his toes, let him know he ain't all that.)

Every little detail of this four panel sequence is killing me. "My worst nightmare is not having a home with you in it." His greatest desire. The thing that kept tipping him off in every fake reality Nia constructed for him- Jay's absence. Him wiping the tear of Jay's cheek. Jay walking away from him.

But what really gets me is how on this page, Jon talks about them as 'we', while Jay is firmly stuck in 'I.'

This is what made me LOSE MY MARBLES at three in the morning. Just utterly fucking off my rocker in a straightjacket talking to myself.

Because this is what JON wants. But is it what JAY wants?

Jon never asks.

What about what Jay fears? What about the life that HE wants? What if he doesn't want San Francisco? What if the life he wants is the life he HAD before everything went wrong? Jon outright says he wants a fresh start. But Jay, Jay's someone with such deep connections to what he just lost, what he likely WANTS to get back. His country. His mother. His sense of self. But. He says yes.

(Sidenote. FIRST I LOVE YOU WOOOOOOOOOO) To quote my buddy Dami: Oh, the drama of needing a future with someone who can't get over the past.

It is left unclear, by the end, whether or not Jay is saying yes to this because he genuinely wants to, or if he's only saying yes because he doesn't want to lose Jon, too. Jon doesn't stop to question whether or not Jay's only reaching after him because Jon's walking away. We, the audience, are left to ponder that for ourselves.

How much of Jay saying yes is him just accepting that this is the best he's going to get? That he's never going to be understood because nobody wants to understand?

He's an afterthought to Nia, an obstacle at best, and to Jon he's a particularly handsome prop in this little fantasy he has of running away and starting new. He's either not thought of at all, or when he is thought about, it's in the context of how he can emotionally fulfill the other person And you get why Jon did this. He's desperate, he's hurting, he just got tangible evidence that the time he has with the people he loves isn't ever guaranteed. He's been needing space from Clark and Lois for MONTHS because god knows they haven't been fulfilling his emotional needs. In a very real sense, Jay is who he has.

But wanting someone to stay with you so much that you'll... Not even ignore, but just not ever consider what they may want. The intentional isolation, moving halfway across the country away from all support systems. The need to cling to someone.

It reminds me of... something. Someone.

Don't tell Jon I made this comparison. He'll kill himself. Jon and Ultraman ARE similar. They're both such deeply lonely people who cling very tightly and even though it manifests in different ways and even though they have different core thoughts about it. The effect at the end of the day is the same, isn't it?

Is loving Jay not a brutal act of destruction?

There's so many more details about this story I love. Jon & Nia's conversation being vague enough that you have no idea how Jon meant what he told her but you KNOW how NIA took it (girl you can do better hes literally ugly!). Jon breaking a pillar by bonking his head against it (LMFAO). The pretty lies vs ugly truth dichotomy of Jay vs Nia here.

But this one scene, man. This one fucking scene takes the cake. STELLAR work all around. Every panel counts.

This better lead into a full Superman & Gossamer run or SOMETHING or I'm going to have WORDS with DC's editorial staff.

[raiynnah]

Beast

@wolfstarmicrofic - word count: 827

In a world of black and white, starkly split between burning light and voracious darkness, there are only the gods and the god-fearing. With the inescapable tragedy of childhood as his shadow, Remus understands all too well that there are no shades between the sinless and the sin. There is no fall when there is an inherent corruption that ripples through his features, reflecting his soul and physical being. Like two mirrors facing each other in judgement, infinite depictions betray him through his looks.

Remus gazes into the water, which is pure and true and most importantly honest, his eyes cutting over the monstrosity that stains the river reflection like oil, forever separate. 

In a world of monsters and gods, the beast does not notice the deity behind him, caught up in his cage. Instead he sighs, defeated, not snarling at his prison like his nature deems he would.

“Careful,” warns a voice, sweeter than the honey that kings delight in, sweeter even than the ambrosia the gods hoard. “We don't want another Narcissus, do we?” Remus startles, confused at the spoonful of genuine conversation offered to him when he grew up licking any sweetness off knives. He knows the sweetness of pain, of the ache in his muscles and the blood in his mouth when he bites his tongue, and not much more.

“You must be blind if you think that to be currently possible,” Remus answers bitterly. A delighted laugh erupts from the person behind him.

“I see more than you ever will, mortal.” Remus stills, thoughts freezing over, and turns to face the stranger.

There stands the shape of a man, blurry at the edges like light when it fades out, tall, proud and amused. Leaning on one foot, arms crossed, with a smile on his face, he looks human. But it does not distract Remus’ attention from the way that impossibly black strands of hair—the colour of the distance between stars—spill delicately over his shoulders, curving like the familiar blades of enemies or Remus’ hands around water as he scoops it up to drink. His skin glows like the moon; smooth, pale, and as cold-looking as marble. He is beautiful, made up of contrasts of death and life.

“I am no mortal, my lord.” Without a name, Remus treads carefully, relying on a title he’s unsure of. The god tilts his head the way dogs do, yet his stare remains that of a wolf.

“You are no god either.” It’s not said like a question but rings faintly like one anyway.

“I am cursed by one of your own, my lord.” The silver in the god’s eyes as they narrow reminds Remus of his father’s swords, displayed proudly to visitors, and the coins his mother counted after each fight, leaving behind a frustrated opponent that promised to win next time.

“Do you not know who I am? As much as I find it pleasant to be called yours, I have a name like most others.” When he winks, Remus thinks he must have slipped into the realm of dreams unknowingly, because surely this could not be real.

“I…apologise,” he starts, scratching the scar on his skin self-consciously. “I have not been allowed into temples since I was four. My name is Remus Lupin.”

“Sirius, god of souls.” Prince of the Underworld, guide to the dead when he leads them into his father Orion’s domain. It clicks into place in Remus’ mind so easily he wonders if the knowledge comes from him or Sirius. “What did you do wrong at four to be cursed?”

“Be born to a woman who married a man whose hubris had no limits.” It’s not a unique story, a son punished for his father’s mistakes, so he does not go into detail of his father’s strength in battle and weakness in wisdom. “So now I am a monster, inside and out.”

“I know monsters, Remus. I am even fated to marry one, or so they say. Trust me on the fact that they may know appearances but I know souls. They may paint you as a beast but a painting is a reflection of the artist, not the subject.” Remus is quiet for a moment.

“Thank you,” he whispers, his words stolen by the wind. Sirius smiles, somehow still having heard it.

Sirius goes to sit next to Remus, eyes never leaving the river. When their reflections shudder with the current, he wonders what Sirius sees. A monster and a saviour? (Sirius sees a man glowing faintly, animalistic features fading in the warm light, next to empty space, but he will not share that for many years, not until the titles my mortal, love, and soul become a daily blessing. Gods have only appearances and divinity.)

“Your soul is purer than mine could ever be, Remus Lupin.” It sounds like an apology and a promise, it sounds like the rustle of hands as the fates weave two strings together.

[gilverrwrites]

A kiss for the caged bird

Tim Drake/Reader, 4.6K

AN: Please don't think too hard into any of the science-y crap I wrote, I was pulling it all out of my butt. Anyway, this was supposed to be a quick 500-1000 thing to clear up my writer’s block and here we are. Bon appetit my loves, I hope you enjoy ♥︎ Warnings: Dub-con (purely by the nature of sex pollen) | voyeurism | swearing | dirty talk | mean-ish Tim | minor slut-shaming ♥︎

His normally tender blue eyes are completely saturated with a dense shade of green. From the whites, to his pupils, they almost seem to be glowing. They've also been watching you like a hawk with a heated intensity that puts your hairs on edge from behind the glass of his cell since you’d entered the cave.

“It's just a shame the one person who could probably crack this in no time is the one person who can't help us right now.” Dick laments as he adjusts his bootstraps. “But I have complete faith that Oracle has got this.”

“Me too.” You agree as you stare at the projected screen, all of Barbara’s research thus far. Most of it made little sense to you but it all seemed technical enough, like she was on the right track.

“Right, so she's gonna keep working on that, Spoiler and Orphan are following the Narrows lead while Red Hood and I check out the Reservoir.” The words breeze through your head, you know you should be paying more attention but you're only half listening. Tim has taken his shirt off and is leaning against the cell door. His toned body gleaning under a layer of perspiration, as his venomous green eyes stay locked onto your frame, in all of its dragged-out-of-bed-at-2 AM-after-a-looonnnnngggggg-day-patrol glory. Seemingly noticing your distraction, Nightwing steps into your line of sight as he continues to relay the plan. “You just have to make sure he doesn't hurt himself or do anything stupid until we figure this out.”

“I know, I got it.” Dick doesn’t seem convinced, frowning as his eyes dart between you and Tim. Ignoring his doubts, you settle into the chair at the centre of the console, clicking away until you pull up the live feed from inside Tims's 6x8 prison. You can understand Dicks caution, the undeniable chemistry you and Tim shared had been evident to everyone for a long time, impeached only by your mutual reluctance to date on the job. If Bruce were here, he’d never allow for this, but Dick is doing the best he can with the resources available. Regardless, all doubts aside, you won’t allow your feelings to cause problems, not when lives hang in the balance. “Just go.”

“You’re sure?” He tries to place a reassuring arm on your shoulder but you both jump at the sudden sound of Tim’s fist needlessly hitting the wall. He’d need superstrength to break out of that thing, you're not concerned. Maybe a little more roused by the lack of restraint than you’d like to admit, but no less confident in your ability to babysit than you had been moments ago.

“Certain.” You wave off Dick when he turns back to you, lips still pursed. “Go. Who knows what that crap is doing to him, the sooner you find Ivy, the better.”

He knows it, probably better than you do.

“Buzz if you need anything.” At once you're relieved by his departure, and concerned for his safety, for everyone’s safety.

“Be safe.” You bid, watching as he straddles the Wingcycle.

“Be safe.” He echoes and without another word he's gone, leaving you alone to care for your caged Red Robin.

For a long time, you stare at the empty space Dick left behind, all too aware of Tim and the way his hot-blooded stare makes your skin burn but eventually you have to face him. Can’t monitor him without looking at him after all.

In an attempt to ease the mood, you offer him a smile. Apparently, it does nothing to reassure him or ease his tensions. He simply continues to glower at you. When that doesn’t work you play up your preceding frown, playfully pouting the way you would when you’re teasing his mid-mission stresses, but that fails too. Finally, you curve your left hand in a half heart shape, a common greeting between the two of you from rooftop to rooftop and for a moment you think it might work. He pulls the hand he has pressed to the glass back for a moment, but all he does is clench his fingers back and forth a few times before letting it fall to his side.

At a loss you spin around to the computer, tapping your fingertips on the desk as you consider Barbara’s research once more. The chances of becoming a forensic palynologist within a few hours with nothing but google and whatever research Bruce has backed up in the archives is slim, but it saves twiddling your thumbs, so you start by looking up any chemicals identified by the forensic scanner that you’re not familiar with.

It’s hard to sit still, knowing your every move is being scrutinised but by far the worst part is the silence. Tim and you are muted to each other unless you’re pressing the comms link located on the keypad by the cell door. The only sounds you can make out are the far away screeches of real-life bats located further into the cavern, and the drip, drip, dripping of the wet walls. It’s downright eerie when you’re practically alone, so when Oracle buzzes in about an hour later you jump to answer it, eager to hear another human, and anxious to find out if she has any updates.

“How’s he holding up?” She asks, and you’re glad she can’t see your worried expression. Tim hasn’t moved since Dick left. Except for when you’d crossed the bullpen to look for a fresh pen after the one you’d been using ran out of ink. You exclude that last part from your update, however.

“Okay, just tell him to hang tight, I'm getting closer.” You can tell she’s trying to sound more hopeful than she actually is, and your suspicions are confirmed when she begins to ramble about her findings. She often uses the team as a sounding board when she’s trying to wrap her head around something. “The pollen he inhaled is decreasing his plasma levels and increasing his testosterone.”

“If he’d touched the plant like she’d wanted him too it would re-level those hormones, presumably she was relying on him needing that to keep him under her control.”

“Right.” You’ll pat yourself on the back for impressing her at a more appropriate time. “And if that were it, we could just pump a bunch of oxytocins into him and voilà! But something else is messing with his nociceptors. Not to mention this stuff is packed with things I’ve never even heard of. Have you heard of horny goat weed?”

“Yeah, epi-me-di-um.” You sound the word out from your notes. “Only since tonight.”

“Where do people get these names from?” Babs groans, you can hear her tapping away at her keyboard. “I’m close though, I know it.”

“I believe in you.” She ‘awhs’ at your encouragement.

“Until I’ve got this, there is one thing he can try.” She trails off at the end. Her hesitation strikes you as odd. Surely whatever it is, it can’t be that bad. “If he’s really suffering… ejaculating might help ease any pain if only temporarily. Masturbatory only, obviously, this stuff can and will spread like hot gossip at one of Bruce’s galas.”

“Ah, okay.” You understand her aversion now, looking over at Tim as you consider how you’re going to tell him that. “I will pass the information along.”

The line goes quiet, Babs clearly sensing your discomfort, but however you’re feeling, Tim is likely feeling one thousand times worse.

Habitually, you tell each other good luck and be safe before hanging up, promising to get back to each other ASAP should anything change.

As you pass by the glass of his cubicle to reach the control panel on the other side Tim follows, falling into stride with you like a mirror image. When you stop, he stops, pressing his forearm to the glass and leaning his weight against it as he awaits your next move. Tilting closer when your fingers graze the comms button. Up close you can see that actually his irises are still blue, they’re just almost non-existent, drowned out by his green sclera’s and the sheer size of his impossibly blown-out pupils. 

Bzzt. The mic crackles as you activate it.

“Hi.” You test the waters, but when he doesn’t respond you press on. “Are you in pain?”

He silently gazes at you for so long that you start to think he’s never going to answer you. Dumbly, you tap your finger on the plane to try and coax him out of his head, instantly feeling bad as you remember all those signs in zoos ‘PLEASE DON’T TAP THE GLASS, IT MAY CAUSE STRESS OR HARM TO THE ANIMALS’.

Tim must feel the same, like a caged beast, because the seething in his response startles you. 

“No.” He taunts mockingly, mouth still twisted into a tight snarl. “I feel fantastic.”

At least his sharp humour is unaffected.

“Oracle said… that…” You can’t help allowing your eyes to trail down his body, shamelessly locking onto the subject matter, due to the distance and the darkness of his tights you’d hadn’t noticed until now that he’s rock hard, the length of his erection straining against the close-fitting fabric. Your face burns at the realisation, at your obliviousness. Of course he was, that’s what aphrodisiacs do. But mostly you're ashamed of how much you enjoy looking at it.  

“Wh-” Tim's voice makes you jump. Embarrassed, you inadvertently take your hand off the switch. An uninfected Tim would have rolled his eyes at that, would have laughed at you good-naturedly, but this Tim just tilts his head like he’s cracking his neck, eye still on you. It’s like he physically can’t look at anything else, can’t stop drinking in every inch and crevice of you, cuts and moles and all. When you push down the button again, he repeats himself impatiently. Bzzt. “What did Oracle say?”

You take a deep breath, staring at the wall behind his head to help you concentrate, determined to get the words out no matter how awkward you feel saying it. “She said that masturbating, specifically ejaculating, won’t fix things, but it should… alleviate some of your discomfort, for a while.”

It’s his turn to drum his fingers on the glass, jaw growing tight as he seems to mull on what you’ve just told him. You chance a glance back down to his crotch just long enough to see him palm his hard-on through his pants. You’re unable to keep from imagining what he looks like down there or how he might go about pleasuring himself. Feeling bad for having such depraved thoughts about him while he’s suffering and vulnerable, you remind yourself not to gawk at him.

“No, I’m not doing that.” He states sternly.

“It might help.” Your objection comes purely from a place of concern.

“What would help me is if you’d fuck off.” His response is like a slap in the face, hitting you out of nowhere. You’re only trying to help, had your wondering eyes really prompted this level of ire?

“Wh- “

“It’s bad enough that I can’t control my body and that I’m stuck in here unable to do anything worth doing, but I have to watch you fucking slutting around in those f-.” Shocked by his sudden outburst, you instinctively pull your hand back. You know he’s just trying to let off his frustrations, but it still stings a little. Feeling bad for silencing his partly warranted rant, you tune back in, unable to keep yourself from flinching and jumpily flailing your hands around every time he gets under your skin. Bzzt. “Should be making an antidote or tracking down Ivy but instead all I can think about is bending you over that-”

Bzzt. “-out there trying to help me and I wanted to punch him for touching you like some macho i-” For the first time since you’d started supervising him, Tim finally looks away from you. Throwing his head back and tugging on his own hair as he tries to compose himself. It doesn’t work. You hadn’t thought it possible but when he finally comes back to you, his face is flooded with even more ferocity, like he wants to eat you alive. Bzzt.“-elp me, if you want to help me then fuck me yourself or get out of my sight!”

There's no way you’ll let him get away with talking to you like this, but now is not the time. Swallowing your pride and clenching your fists, you leave him be, hurrying back to the desk, cursing him under your breath as you pull your feet up into the chair and turn your back to him in order to try and make yourself as small as possible. You hate to admit it, but if it weren’t for the risk of infection, his parting words might have worked. Fuck. The thought of opening that door and letting him bend you over whatever he’d had in mind makes your blood rush. 

To distract from the thought of Tim’s cock being buried tight in your walls, or how hot he’d look, panting and red faced beneath you as you fucked yourself on his length, you return to your research, glancing at the live feed to Tim’s cell every few minutes purely to confirm that he’s still alive. 

You consider changing into something more conservative, this might be the one and only time you could consider slut-shaming somewhat okay, but to do that he'll be forced to look at you, so ultimately you elect not to.

Filthy thoughts continue to plague your imagination as you try to work, and the knowledge that Tim is thinking them too, only makes it worse. You’re so tired and tense and horny that after a while it becomes difficult to focus. You’re pressing your palms into your eyes when you hear a ping; A message from Spoiler to say that The Narrows was a bust, they’re moving on to another location. Another ping from Red Hood reporting a similar issue with their own intel. One more from Oracle to say that she’s pinpointed 90% of the formula and should be able to start reverse engineering soon. 

You chime in to state that Tim is holding up. The computer pings once more, a private message from Oracle asking if it helped. You’re part way through typing that he refused when you glance at the video feed, Tim still has his back to the camera, his body pointed toward you the same way he had been all night. You freeze as you notice his bare ass.

His hose are around his knees, back bent in a hunched position, one arm jerking rapidly to and throw as he presumably strokes his cock. Without thinking you turn to face him, and he brazenly stares back at you. Once your suspicions are confirmed, you rapidly swing back. 

He’s working on it. You amend. Unsure what to do from there you needlessly stare at the jagged ceiling, restlessly pulling at your fingers as you try to calm and distract yourself from the fact that Tim is currently playing with himself, and using whatever 2-inches of your skin he can see to fuel his fire. Brain and libido at odds, you force yourself not to look at the spectacle he’s putting on.

He’ll be mortified when he’s cured, don’t make it worse, you think. Yet ultimately you crack, too intrigued not to sneak another peek and once you give in to the temptation it becomes impossible to stop.

You could watch him like that all day. Watch the fierce look of concentration on his face, the bulge in his cheek where he’s biting his tongue. Watch the pink crown of his cock, and the way his balls tighten with each brutal thrust of his fist. Watch the way every lean muscle in his body tenses and twitches as waves of pleasure roll though his body. The way his green veins grow more pronounced as he chases his climax? Wait. That can’t be good. 

Had they been green this whole time and you just hadn’t noticed? You've only seen one thing like this before. Venom. Could that be the missing 10%?

As though you hadn’t just been ogling him, you cover your eyes as you approach. This time he doesn’t follow you, legs firmly planted on the ground, but when you glimpse through the cracks in your fingers his head is turned to watch you still and you hastily snap your digits closed again before you speak to him.

Bzzt. “Tim, your veins are turning green.”

At the sound of your voice his knees buckle, your hand falls away to watch as his weakened muscles cause him to fall forward. His weight rests precariously against the glass as he hangs between standing and kneeling.

“Tim. Y- “

“I know.” The aggressiveness in which he snaps at you makes your skin run cold, but he follows it with the most pained, puppy dog eyes that you immediately forgive him. As if you have ever been able to hold anything against him for a substantial period of time.

“It hurts.” His teeth are gritted as he explains. “Hurts when I stop.”

You’ve no idea what to say. You wonder if there’s a painkiller on earth that could help him right now but he speaks again before you can suggest it.

“Help me.” He sounds so solemn, despite the fact that he hasn’t once stopped stroking his dick, closely staring at every curve of your body.

“We’re trying.” Your words barely seem to register with him. “It won’t be much longer.”

“No. Help me.” The repeated instruction does nothing to clarify what else he could mean until he continues. “Your voice sounds so sexy, fuck. Talk to me.”

Oh. “And say what?”

“God, fuck. Do I have to spell it out for you? Anything!” He barks, simultaneously carnal and irritable. Each word out of his mouth is more breathless and desperate than the last.  “Fucking anything. Tell me you want me, that you want me to fuck you. Come on, please do this for me.”

“Okay, okay.” You can do this. “I do want you. I want to fuck- I want you to fuck me so bad, Tim.”

Despite it being true, you feel lame, clumsily parroting him, but Tims full bodied reaction spurs you on. He takes the final plunge, dropping onto his knees, leaning back on his haunches and practically presenting his engorged shaft to you. From here you can see how his skin is tinted several shades of pink and red. His blush seems to stem from his chest, running along his neck and shoulders, highlighting his cheekbones and the tips of his ears. You’ve never seen a prettier sight. It’s so enchanting, it almost diverts from his unnerving blood vessels.

“You’re so beautiful.” You purr, finding more confidence with every quiet huff and moan that spills from his lips. “I wish I could do this for you. I want to make you feel so good, I’d let you fuck me anywhere.”

He nods rapidly at you, encouraging you to continue while bucking his hips forward.

“I know your cock would fit just right in my mouth and feel so good, would make me gag until you came down my throat.” You open your mouth and stick your tongue out to show him, feeling silly until he replies.

“Fuck. Yeah. You’d look good sucking on my cock.”

“Yeah!” You agree, just the sight of him is enough to make your heartbeat race. But the thought of taking him in your mouth, slobbering all over his cock and watching him enjoy every second of it makes you rub your thighs together. You want so badly to get yourself off too but the little voice of conscience in the back of your brain is telling you not to, that it would be taking advantage. “Or you could bend me over, rip off my clothes and fuck me. I’d love to feel you pounding into my tight pussy.”

“Oh, pleasepleaseplease.” The words are slurred as he sinks his teeth hard into his tongue.

“You don’t have to beg, Timmy.” He hangs on your every word as you vocalise the thoughts and fantasies you’ve only ever indulge in when you’re alone at night. “You can have whatever you want. Fuck me however you want, you can fill me up over and over. We’ll make sure everyone knows who my pussy belongs to. Would you like that?”

“Yes.” The confirmation is instant, no-nonsense. Followed by him closing his eyes and slamming his spare hand against the window to steady himself. 

“Mine…” When he opens his eyes again, they unsurprisingly immediately lock onto you once more, zeroing in on your throbbing centre as he tells you. “Let me see it.”

“What?” The saliva in your mouth turns dry in an instant. Despite Tim baring all to you the thought of getting your whole pussy out in the Batcave scares you. In a strangely invigorating way.

“Need to cum and I fucking can’t.” Tim explains weakly, punching the wall again, this time with less vigour. “Show me your cunt.”

The c-word sounds so strange on Tims lips, so filthy. He’s frantic. You’re no closer to understanding how to cure him, and apparently your presence has only made things worse but maybe this is how you help him.

Hurriedly, you scurry over to the Batcomputer, Tim asserting his discontent by hammering his open palm on the wall repeatedly until you return moments later with the desk chair.

You waste little time shimmying out of your sleep shorts before you lose your bravado. Falling back into the chair, you adjust the height until your now exposed pussy is level with Tims eyeline. His demeanour changes in an instant, lips morphing into the first semblance of a smile he’d given you all night as he shifts closer.

Emboldened by his enthusiasm you spread your legs wide, resting your feet on the glass and using your fingers to spread apart your folds for him to get a real look. You’re not sure how he’ll feel about the shameful amount of moisture you’ve produced later, but for now his mouth very visibly waters. You don’t think he’s blinked since you sat down.

Uncurbed, you brush your finger over your sensitive clit, toes curling in response. You’d love to say you did it to put on a show for Tim, to help him find relief but in actuality it’s entirely self-serving. Unable to resist touching yourself at the sight of him on his knees for you, mercilessly fisting his cock in frenzied, rhymeless strokes. Regardless of your motivation, Tim seems to appreciate it.

Strands of his dark hair fall into his face as he leans forward, partly hiding his glassy eyes and reddened cheeks, but he quickly whips them back once more ensuring he maintains an uninhibited view of your fingers as they rapidly paw at your sex. Angling yourself so that Tim can see every minute detail, every roll of your hips as you lower your hand and sink two fingers into yourself. All the while you keep massaging your sensitive bud, Tim’s name a prayer on your lips as you watch him, watching you, fevered and hungry. 

It comes as a surprise when your orgasm hits first, walls convulsing and spasming as you objectify yourself for Tim, acting like his personal pornstar. It’s a shame he can’t hear the wetness of your hole or the strangled, lewd gasps and moans that escape your throat as your body trembles from the intensity of your climax.

The slick of your release leaks from your sex, trickling between your legs, down the chair, and onto the metal floor. Like a man starved, Tim slams his face into the glass, finally closing his eyes and lapping at the pane with a flattened tongue.

Whatever vision he’s conjuring works, his lids twitch, eyes darting open to watch your panting frame. He looks sacrilegious, full body blushed and sweating. His face softens, mouth slack and drooling as rope after rope of cum spills from his reddened tip and hits the pane.

You’re only able to enjoy the sight of him coming apart for a moment before you notice that the viscous fluid is unsettlingly coloured. Not milky white as it should be, but a strange, luminous green colour.

Tim slumps downward once he’s spent, and you watch the rapid rise and fall of his chest while he comes down from his high. Your heart aching as you wonder whether his pain has been even slightly alleviated. The fact that the swelling of his veins seems to have subsided bodes well. Eventually he comes too, enough to also notice the puddle of green excrement between his legs and it’s your turn to all but lunch yourself at him. You shout falls on deaf ears until your kick’s echoes into his cell. His hand freezes and he watches, still hunched as you stumble to the control panel on unsteady legs.

“Don’t touch it.” Tim nods sheepishly in agreement. It probably won’t hurt him, having come from inside him, but better safe than sorry. “I’m gonna grab you some gloves and slides to take samples with.”

Before he can concur, you’re gone, inelegantly hiking your bottoms back on as you go. You feel bad, jumping straight back into business without so much of a ‘how was that for you?’ but these are strange circumstances, and whatever freaky substance he just shot out of his balls might be the missing puzzle piece in treating him.

Eventually, once you’d collected everything you’ll need and updated the Team, you do ask, holding the mic down with your elbow as you pull on a pair of rubber gloves, waiting to take the samples from him. “How do you feel?”

“Hot, and sore.” He tells you. He’s pulled his trousers back up, but you can still see the outline of his half-hard penis. “It’s still in me, I can feel it, but it doesn’t hurt as much. I can think. Which is something.”

“I’m glad it helped. Hopefully we’ll get you back to normal before it gets bad again.” He offers you a smile then. A genuine, none-hedonic one that makes you feel fuzzy. You’ve missed that smile.

“Yeah, hopefully.” He places the slides, tools, and used gloves in the containment slot and closes his side of the two-way mechanism. You offer him a half heart which he returns before you start sorting and bagging everything.

You’re about to turn your back when he taps gently on the glass, gesturing for you to open the comms line again and you oblige with your elbow once more.

“Listen, I’m really sorry for being an ass earlier. You didn’t deserve what I said to you.”

You can tell he’s stressing about it from the gloomy look in his blue-green eyes and the way he tugs at his waistband. Normally he fidgets with his gloves or his collar, but needs must an’ all. You’d give anything to be able to hug him right now.

“Don’t worry, I know you didn’t really mean it.” Admittedly it had shaken you, for all of five minutes, but you’ve never been able to stay mad at Tim, even at his worst, and you’ve seen him do far worse. “You weren’t really mad at me, right? Just the situation?”

“Yeah. Mostly myself but that doesn’t make it okay.” He’s still fiddling, still looking at you mournfully. It means a lot that it bothers him so much, but you need that to stop. You need him to be normal for like half an hour so you can get some work done without worrying. And you need to get the work done so you can make up for your own misdeeds.

“No really, it’s fine I don’t care.” You stress, hoping if you chide him a little it will absolve him of his guilt. “Just don’t do it again.”

“I’ll try not to.” He promises. You can tell by the way he works his jaw back and forth that he’s working up to say something else, something that has his ears and cheeks turning pink. That or the absolved symptoms are coming back already. “And thank you. For the other stuff.”

“Oh good, I was worried you might regret that part.” You hadn’t realised how badly you needed to hear him say that until it happened. It’d kill you and whatever situationship you have going on if he’d considered your actions exploitative.

“No! Not at all. I mean, I always kind of hoped that one day we might end up…” He vaguely gestures into the air which doesn’t help his point, but you understand what he’s getting at and nod, urging him to continue. “You know? But I never would have imagined it happening like this.”

“I know what you mean. I always figured something might…” You’re floundering. This is not the time or place for this conversation, you’re completely unprepared and as badly as this conversation needs to be had, you really don’t have time. “I mean, I wouldn’t wish what’s happening on anyone, but if it had to happen, I’m glad it was you. Because you’re the only person I would have done that for.”  

You can’t imagine having done that for Dick, or Barbara, or God forbid Bruce. Just thinking about it makes your stomach churn.

“Good.” He seems more relieved now than he had when he’d cum. “I’d hate it if you’d done that with anyone else.”

If this were a movie or an action-romance novel, this is the part where you’d kiss, you think. But it’s not, and every second the two of you spend stammering about your feelings and making go-go eyes at each other is a second that could be spent on finding an antidote.

“We’ll talk, later.” You promise.

“I’d like that.” Tim replies before you pull away from the keypad. In a moment of whimsy, you blow your hot breath against the glass until it’s steamed up before pressing your puckered lips on it. No sound escapes the barrier between you, but you can see Tim laughing, his cheeks still palpably pink. He returns the gesture just moments before the Batcomputer begins to buzz.

Hi friend! I just wanted to let you know that I'm glad you exist. ♥︎

[dairyfreenugget]

(Going insane boinkinh one AU in my head)

Hey hey hey

May I interest you in

(Slowly slides my FaaF AU towards you but void just Disappears without a trace one day before the accolade)

Teehee

[vulpixhoney]

(hot?) take but I prefer black Annabeth more than blonde Annabeth because I didn't like blonde Annabeth as a kid. Percy was very me-coded and having some blonde white girl call him stupid for things he has no reason knowing was upsetting to me. BUT Annabeth as a little black girl who is trying to prove how capable and smart she actually is, instead of being undervalued in favor of other (white) people, is faaarrr more relatable and likeable to me personally

[ocdhuacheng]

I have… lots of thoughts on milsiril and kabru and the commentary on mixed-race family/adoption, in particular white parents with children of color. I think it’s really cool kui incorporated this into the story because lots of (particularly white) people just think adoption is this pure altruistic thing and don’t think about the negative affects it has on kids (again, kids of color) to not have people of their own culture to grow up with.

[nullcoast]

Why can't we just love eachother and help eachother and cry for eachother when we hurt and laugh for eachother when we're happy. What happened to radical acceptance and beauty. Why are we self-separating using white suppremist ideas about identity. The idea someone needs some pure property to be worthy of adopting a community is point blank a white suprematist idea. Where is the understanding of mistake and pain.

We are so alone and isolated in this generation and we are playing directly into the interests of those in power by further self-separating. Focus on some important fucking shit.

[singingachorus]

forest makes my heart hurt. like bad.

[tkbrokkoli]

been scrubbing these damn shoes w the white soles for eternity

[tenok]

.

[turtlemagnum]

when i was younger and hung out around my uncle a lot more than i do now, i remember whenever he referred to things regarding his native heritage, he always just called it "indian". called himself an indian, called the words he taught us indian, so on. since i was a little kid who didn't know any better, i didn't know that "indian" in the context of indigenous americans was a very broad, frankly bastardized term to paint a vast variety of cultures spanning two whole damn continents with one brush. it only occurred to me as i got much older than i was at the time that there'd be more than one "indian" language, and up until now since i had no idea what tribe(s) he even is i couldn't even begin to know where to look unless i found a download of every goddamn interlingual dictionary available and painstakingly checked every godddamn one for what their word for "thunder" is

the word he taught us meant thunder was hiloha. i didn't even know how to spell it until now, because he only ever said it aloud. literally just a few minutes ago, i decided to ask my grandma (his sister) if we knew what tribe(s) he belonged to. and apparently he's a mix of choctaw and makah. which gave me a lead, which led to me finding a dictionary on libgen, which led to me word searching "thunder" in the choctaw to english dictionary. it's the only word i remember him teaching us, and i'm unsure if he ever tried teaching us others. but it was his dogs name, and he was a damn good boy, so i remembered it clear as day. though, they normally shortened it to "hilo".

so, i guess what came out of this is that i now know a bit more about my uncle's heritage, and where to look for more research. so, if you're gonna have a takeaway from this, i'd appreciate it if you remembered the word "hiloha". it means thunder. and aside from being the name of a very good boy who deserves to be remembered, i think it's even more important to remember the histories, cultures, and of course the languages of all the indigenous folks who came before us and did their damndest to preserve their cultures in spite of it all.

[lconoclasts]

Can't add the exact timestamp (it's at the end) but they just??? Jump off screen???? Do they not die???

My general consensus with this fight is that it's just extra content and... in-between canonicity. They don't show up in the credits (in a scene) regardless if you kill them or not, and the pupils are alive(?) or possibly some other ones are alive as they could just look similar/be reused sprites

long speculation under the cut

Fitzroy is lore for sure which contradicts some of the implications about trancending that we get but like. Royal is kind of a dumbass AND is being told all of this from mother/one concern. There's multiple implications of the "ancestors" (both isi and Him followers) coming from somewhere else/resetting the planet and leaving instructions/tech for their respective people to use. Fitzroy seems to fit in the between stage before the concern has studied the tech, but AFTER the Ancestors arrived/reset the planet. In The Tower and the Bastion there are images of famous earth landmarks (taj mahal, new York, pyramids I think) implying that some sort of Earth was destroyed/minerals drained (more connections to the themes about environmentalism) and that humanity was "reset". RIGHT BUT CANONICITY. Fitzroy is more lore... If u want him to be. The true past of humanity is still foggy ESPECIALLY with conflicting views from Him followers and the Isi. The concern claims to have longer records of history, and has aforementioned images, but they shape it to their beliefs and leave out certain parts intentionally as well as only educate people deemed more faithful (concern staff) and censor/mysticize parts for the common folk and ESPECIALLY city one residents. Cough cough 'merica haha but not really I doubt he was thinking about Americans specifically. This is more likely a commentary on religion specifically they larger ones and how they shape societies views and history! (Remember when we used B.C?) I'm not going to say this is an effective commentary or a scathing remark on Christianity (I believe that Christianity is used as a reference as it's the poster child to westerners for what "religion" is. He probably intended for this to be about religion as a whole but like. Come on. It's definitely Christianity with a few changes to make it a "generic religion" especially with the focus on punishment and ascension to a "good place". They also use sin/sinners a few times but that may be for familiarity especially since he had a whole npc for explaining terminology) that aside. Canonicity. Again. The history behind the Starworm followers vs the Isi is intentionally left a mystery! Fitzroy and Leticia are real as fuck (if u think they're canon) and provide some ideas for what actually happened in history but who knows! I should get back to my conversation I got distracted haha.

[just-rogi]

We had to do a diversity exercise at work today and the (white) proctor asked all the teachers if we knew anyone who felt like they belonged to two groups… except the entire room was female teachers of color it felt so fucking stupid