#i thought i was screaming into a void

[mihawkhugs]

thank you 42 other ppl who feel the same i feel so heard rn

the leona brainrot is so real ok literally thinking of him and how he would support women AHHH

i wanna hug him too bc i just know he’d smell so nice and warm AND LIONS CAN OURR i wanna hear him purr

dammit i need to touch some grass

[oh-snapperss]

they'll fund a genocide and let their poor regions be destroyed. don't fucking forgive them for that.

my hometown is completely gone from what pictures i can find of it, i have not heard from my family (including aunts, uncles, parents, one sibling, and a grandparent), and the infrastructure in the mountain communities is wiped out. i cannot stress how catastrophic this is, or how difficult it will be for these communities to build back. i am angry, and scared, and heartbroken by everything that's happened.

and our government is spending it's money to fund a genocide.

free palestine, and don't be complicit. realize that this is not something happening that doesn't affect you--although it shouldn't take this to care about the deaths of thousands of people anyway.

[qcomicsy]

I think a thing that people get wrong about Jason's anger is that it's not explosive.

It's cold. Jason isn't the type of person who storms off at every little thing or goes throwing tantrums and setting things on fire blindfully.

He's the type of person who's very practical. He keeps to himself, always. You rarely see issues where Jason's anger is reactive at the moment where the trigger happens to him. If you see his character up close, most of the time when he's triggered his reaction is calm. Even cold.

He gets triggered -> He keeps to himself → He makes a plan → And then he reacts.

Jason's anger being something explosive and out of character and out of place is actually how other people (characters) see it, because they have no idea on how it's playing out on Jason's head.

And that's a thing you can see operating since he was a child.

Where the only exceptions about this effect is either when someone he believes needs his help is involved.

See Nightwing Annual (2021)

But In Batman #411 when Jason learns the fact that Two-Face was responsible for his father's death and Bruce was keeping that from him as a secret his first reaction isn't to blow up on him.

Was to seethe.

Bruce goes up home after dealing with a Two-Face case (in my field we call that poetic irony) and asks Alfred where Jason is, Alfred's answer is that he's been sleeping all day (which is a conclusion that Alfred drew probably after going to check on Jason and seeing him in fact on his bed all day).

But when you see the next panel, even though he is on the bed, He's fully awake and both his expression and his body language shows that he's in fact angry.

This is the first time he appears again in the comics after learning that Two Face killed his dad.

Jason doesn't go towards Bruce immediately to demand an explanation or ask why he did this, or even to throw the truth on his face.

(Which could be debatable that that's something the Dick would usually do, but I'm not that literate on Dick's comics)

His reaction wasn't immediate.

His reaction was to go to his bed and stay quiet. Jason stayed calm and collected the whole trip until meeting Two Face again.

But the moment Jason as Robin has the opportunity to get his hands on Two-Face he does this

From Bruce, and maybe Alfred's perspective it could be interpreted as out of place or him storming off.

But it isn't. Jason was able to keep his cool (even though he shut off), until he was face a face to Two Face.

Does that mean he planned that to happen?

That's debatable, in any moment of this issue it is shown that Jason was actually planning to get to Two Face and do this. I my personal opinion, other and much more plausible explanation is: That he was in fact trying to keep to himself but couldn't hold back the moment that he saw his dad's murder.

You can see the same thing happening as Jason learns that Batman got another Robin in Red Hood: Lost Days.

Talia asks "You all right?" and Jason's first answer is "Sure Why Wouldn't I Be Alright?"

When he's alone he finally has the moment to break down.

(Actually both Red Hood: The lost days and Batman: Under the Red Hood are great case studies on how that usually play out on Jason's head.)

Jason is way more in control of his emotions than people ever give him credit for. The thing is that Jason holds it back until he either blows off or is capable to throw it back in someone's face.

[vavoom-sorted-art]

Is that. A Nightingale????

"I'm afraid that's not for you, sir. What about this?", Goldstone asks while showing Aziraphale a case with a bronze nightingale as a handle. "No, no, no, it's alright. I've found my showstopper.", Aziraphale answers, looking at the magic bullet catch.

Is Aziraphale actually choosing a RIFLE over a Nightingale in this scene. I am losing it.

Not only is he choosing danger over the safe option, he's choosing a weapon. HE IS CHOOSING TO FIGHT.

And, he is also choosing to do this with Crowley (even though Crowley is reluctant) and he is choosing to trust him. He's not even considering the safe option.

[kacievvbbbb]

I just know Crocodile brought on Mihawk because he thought he would be sensible, calm and collected, low maintenance. He thought it was going to be them against the idiocy that is buggy. And it is to a degree.

What he failed to calculate is that Mihawk is just as bad as buggy.

Worse even because at least Buggy can be bullied into doing paperwork. I just know everyday Crocodile is astonished by the absolute commitment Mihawk has to his aesthetic. Walks into his tent just to find that he has somehow converted this circus ass tent into a mid century gothic castle. Somehow carpeted the whole thing end to end is burning more that a 100 candles for “mood lighting”, has a fully open fire pit and a sewing machine in the corner.

Like Crocodiles essentially a mafioso he can appreciate the wanting nice things. Still won’t prepare him for the day Mihawk’s brings him a wine budget, a tailoring budget and an embroidery budget all painstakingly itemized.

Won’t prepare him for having to replace every single wine glass because buggy drank out of one and he can’t break up a set but refuses to use a cup that buggy’s put his mouth on.

He’s starting to think that the real reason the Warlords were disbanded was because they simply could not afford to pay for Mihawk’s upkeep anymore and decided they’d rather pay in cadet lives than see one more wine budget.

He is essentially being held hostage, in his own guild, by the whims of a bored middle aged vampire, and a fucking clown.

[bdxpelik]

Apothecary Diaries LN 12 epilogue

*screaming into the void*

GUYS GUYS GUYS GUYS

And that concludes Light Novel 12. I can rest in peace now knowing these two idiots will continue to idiot, back home in the capital city, but now with ✨mutual feelings✨

[qaze]

I feel like the “retired” fable smp characters (what I’ve started calling post-s3 finale fable characters) would just randomly drop lore events on new people they meet.

Like tell me retired Ulysses Themist wouldn’t sporadically drop “oh, me? I used to make biological sea weapons. Made a sentient creature once from the genes of a god. She’s my child now.”

Icarus post-Quixis just saying “oh yeah turns out I was the reason the entire multiverse was crumbling because the guy before me didn’t want a 12-year-old protecting the multiverse.”

Fenris just pulling the “I’m dating two gods and a son of a major god and have been for who knows how long. All in some way from the end. Really happy I betrayed the overworld, that god was a bitch. Didn’t like being a wolf because of it though”

[alexandraisyes]

The cutest reminder ever that the way family works in TSAMS canon is that two parties have to be in mutual agreement that they are family. If one party doesn't agree then they aren't family. Parties can revoke familial ties whenever they want and that means they are no longer family.

"Code Relation" theory is stupid because you're then implying that Eclipse is Sun and Moon's child. Which he isn't. Or that Killcode is somehow Moon's child and his brother at the same time that he's Eclipse, Lunar and Bloodmoon's "father" at the same time that they're Sun and Moon's grand children. Like, we're seeing the issue here, right?

Don't make things more complicated than it has to be. Just accept the fact that family is literally determined by a verbal agreement between two animatronics and nothing else because none of them were born from wombs. That means respecting canon when characters in canon decide that they aren't comfortable being family (like Eclipse) or just straight-up disown everyone (like Bloodmoon). It's okay to have headcanons, but don't try to push them onto canon.

[suntails]

totals ur drama

[applepies-and-starlight]

Also on the topic of bloodfiends I made this a couple days back

[arrgh-whatever]

Permission to donate and blaze your post?

p-permission granted

[jewishcissiekj]

Local Prequels girlie thinks about Anidala for more than two seconds and proceeds to eat drywall

[little-pondhead]

Thinking about if Dani ever gets added to the Villain Everlasting Trio au, like how would she fit in? Obviously the JL would have to figure out she's a clone and try and figure out why she exists ("maybe fenton is just that narcissistic?" flash asks, meanwhile batman is already texts agent a to get ready another room in addition to the three already prepared). Maybe she acts like the innocent kid in danger until heroes get close? batfamily trying to pspspsps her away from fenton? The trio collectively calling her their daughter?

I love this au so much, even if I still don't fully forgive you for making Tucker hot.

The way I SPRINTED to my computer.

Disclaimer: This particular AU has nothing to do with Fun Sized and Feral by @nutcase8691 or my Dani Fenton redesign from a while ago. This isn’t really important, but I thought the plot of this au might be straying the tiniest bit too close to the Feral AU (which I love btw) and I just didn’t want to cause confusion.

TLDR: Dani had to mature too quickly in their home world, so when she arrived in the DC universe, she finally got to slow down and be a kid. :)

Okay okay. Give me a moment. Since everyone is acting like the opposite of their usual self when they're playing villains, your question was, how would she fit in? To backtrack to this earlier post, I said that each of the trio's specific gimmicks somehow ties into their everyday lives. They looked at their immediate friends, family and acquaintances, picked out the traits they saw as 'villainous,' and then applied that to themselves.

Danny became a mad scientist because even though his parents love him through and through, they still hurt him the most. The threat of capture and dissection from the GIW didn't help, either. He wears a suit similar to his parents, pushes his hair up so he can see better, and his white lab coat looks a little like the GIW's suits. The suit is also red, which is the opposite of green, distancing himself further from his hero life as Phantom and connecting him more to his civilian self, where red is present on his shirt. He refuses to use his powers, as well.

Sam looks like an angel, which seems odd given her completely goth look and slightly pessimistic attitude. And if she uses her plant powers (shut up, she totally has them) as part of Team Phantom, then that rules out using them as a villain. They want to completely separate these alter-egos from each other. Well, one of the most significant sources of strife in Sam's personal life is her parents. In the show, they're seen constantly fighting with Sam, trying to mold her into their perfect daughter, when Sam is very obviously happy with how she is right now. So as a silent fuck you to her parents, Sam gets a hold of a Realm artifact, the halo, which gives her a pair of ghostly wings and the ability of flight. Now, she's the one in the air, and Sam is still doing what she does best, even as an angel. She tries to show the world that not all angels are perfect, and in fact, they can be downright monstrous. (This is where her more aggressive and destructive attitude comes in.)

As far as I'm aware, Tucker doesn't have any trauma related to his parents. (The lucky bastard.) He is the tech-nerd stereotype, however. And since he's from a cartoon from 2004, that means he gets bullied. A lot. The show focuses mainly on Danny, but you cannot tell me Tucker wasn't bullied like that, either. For the sake of the au, let's say Danny was taking all the beatings for Tucker. Maybe he was in canon; I can't remember. But not only is Tucker being physically bullied but so is his best friend. (Eventually lover!) And imagine his feelings when Team Phantom shows up to a ghost fight, and Tucker is absolutely useless the entire time. He just can't help at all. Danny and Sam are on the front lines, redirecting hits and doing damage control, and here he is, waiting for the Wi-Fi to catch up on his PDA. It eats him up. He wants to be helpful in more ways than one, and that's what the DC universe gives him. He takes another Realm artifact; this time, it's actually his by birthright, and the artifact drastically increases his physical power, just like he's always wanted. He learns Egyptian magic and dresses in a way that gives homage to his time in Egypt-which was traumatizing by itself, but hey, he has sweet beetle magic now.

Basically, Fenton, Manson, and Foley are all the results of the trio's frustrations and fears. They become the things they stress about the most to help cope with their everyday lives. The DC universe is their outlet.

So where does Dani fit in?

Well, Dani is a clone, as we know. Her creation and introduction to the world were rather sudden if you compare her to a typical baby. And that's what she is; a baby. Unless you jumped the timeline far into the future, Dani is barely a year old in canon (I think.) And after her team-up with Danny to defeat Vlad, she makes the decision to leave Amity and travels the world. She has to navigate an entire world independently, even if Danny wants to help her. So now, plop her in the DC verse. What's the opposite of an independent clone who's had to fend for herself from a very young age and has had almost no real familial bonds?

A kid. A scared, touched-starved child who's had no one to look after her for who knows how long. (Vlad doesn't count here.) Dani gets to the DC verse and cries because she and Danny can finally bond like she always wanted to. She doesn't have to put up a strong front because the trio is there to protect her. Dani is extremely young, and now she can finally be a kid. It's not mental age regression; instead, Dani no longer has to hold herself back from doing childish things or crying. Both are things that could be a danger when you're living on the streets. She spends almost all her time here now.

The Everlasting Trio had already missed her before, but they had just fully adopted her in this new world. Dani is their baby. Their little girl. She didn't ask to be born-she shouldn't have to suffer because it was unsafe at home. Well, they can make a new one, just for her, here in this universe. And look! There’s more clones for her to bond with! The GZ is more accessible than ever, and their commute between universes really isn’t that bad. They like it here! And the heroes and villains will never take her away, no matter how hard they try. Sure, Dani can have playdates with some of them, but she will wail and scream if anyone so much as suggests she stay the night without her parent's permission.

Oh, and she never stops being a little shit. If anyone doubts that Fenton and Dani are related, they are simply ushered online to see that one viral clip of Dani latching on to King Shark with her teeth and not letting go in the middle of a shopping plaza. The camera pans to the left a moment later, and the audience spots Fenton doing the exact same thing to John Constantine.

The first time the Justice League meets Dani, it's right after she got lost during a spacewalk with Danny and Sam. She enters the first place she sees, the Watchtower, and breaks down in front of Wonder Woman about how she can't find her parents and doesn't know how to get home. The heroes are baffled and try to comfort her until Danny comes barging in five minutes later, panicking over his baby girl missing. They reunite, the heroes are reeling, and Superman mentions he didn't think Fenton was old enough to have a kid.

Fenton looks up from his bear hug and goes: "Huh? Oh, no. I'm only seventeen. (work with me here) Dani is technically my clone, but we adopted her properly as soon as possible."

And now the League has two issues. Their most annoying enemy is only seventeen. And he has a clone.

What the f u c k.

Extra analysis: Dani's outfit is cleaner and a little fancier than what she wore in the show. She ties her hair up like Tucker and pins her bangs back like Sam. She already looks identical to Danny but likes to wear his sweaters, especially in cold weather. The oversized clothes remind her of her time with Danny in Amity Park, and helps hide her physique better, so it's hard to tell how old she is. She wears leggings to show that she no longer has to fight for her life every day on the streets. Now that the trio adopted her, she can relax and let someone else take the hits for a while. (We all know how fast leggings and tights can be ruined when doing literally anything.) Fright Knight gifts her a cursed doll that helps protect her in stressful situations and functions like an SOS beacon. JLD hates the bear. (She named it Strawbeary.)

She acts on her impulses more often, which the trio sees as a good thing. Even if that impulsive desire gets her in trouble, it gives everyone a chance to learn and grow as a family. Dani also refrains from going ghost at first, following her dad's wishes. Right now, she's just giving herself a break from her previous nomadic lifestyle. After a bit, she and Danny will bond over their halfa status, and she'll grow into her own unique core and powerset. The heroes dread the day the littlest Fenton decides to join her parents in their shenanigans.

[metionohre]

[chimaeray]

Mouthwashing thoughts assembled from my Discord messages with a friend while we both go apeshit about it

Spoilers this is your only warning because I will be getting RIGHT into it. Things are not organized super well it's all braindump baby. CW for game topics including sexual assault, torture, and general misery.

Jimmy's so certain everyone is or should be like him that he can't imagine anyone actually caring about other people. From Anya asking for any help and care whatsoever being a nuisance to him, to Swansea keeping watch at the utility room just trying to keep Daisuke safe and put him in that cryopod once everyone else was too far gone. This is unfathomable to Jimmy, who's first instinct upon learning they were all getting terminated was to belittle and shame everyone as a way to guilt Curly further. Of course including Curly himself, who was struggling (kind of having a midlife crisis) and putting on airs to keep everyone else calm and okay for this one last job. Jimmy is so sure of himself being able to fix things like Curly does, and figuring out how they can "both be heroes in this," that he makes a dying man eat his own flesh and then freezes him under the idea that this is GOOD and RIGHT. He doesn't care about the misery and pain Curly is in at this point. At first he seemed happy Curly was helpless and incapable. He seems to take satisfaction in volunteering to force-feed those painkillers, after he ridicules Anya first. He's so sure Curly should be grateful and thank him for all of this. He can't take responsibility even when he kills himself, all he does is reassure himself he did the best he could at every moment and fixed it all in the end. Curly will be miserable for the rest of the life he may or may not have. Jimmy got his, alright. Curly was feeling unsatisfied with his life, so isn't this better now? Curly says he doesn't want his life to feel like something he has to escape, but now his own mutilated body is the prison. While he watches and hears everyone else die, and he can't even try to fix it anymore. He missed his chance to do anything about Jimmy before it was too late. And when Jimmy says he can still fix this, make sure they survive and will be okay, Curly wheezes and laughs at him.

My take on Curly is that he did his best by and large, but he valued his relationship with Jimmy and trying to salvage it more than he should have especially when Anya told him she was raped. He is still a man in a place of power that didn't want to rock the boat too much, and that ended up enabling someone that would rather implode the whole fucking thing. After everything Anya still chose to die with him. She loved him(in the very least platonic but I know romantic was teased), still felt safest with him, and wanted to keep them both safe from Jimmy. So she locked them into a room together to die, quietly, away from him. Even if that made Curly witness as she overdosed and died. She had the gun hidden away with them, out of Jimmy's reach. Until Jimmy manipulates Daisuke into crawling up that vent, sentencing a young and hopeful man to a miserably painful death. Jimmy doesn't even respect Anya's authority and capability as the nurse (at all) enough to have listened when she said the mouthwash would be too sugary to use as an antiseptic. He still pours it onto Daisuke's wounds, because his short-sighted selfishness used up the entirety of the last bottle of antiseptic they had to poison Swansea.

(Daisuke is literally in an osha training video that's like "If you know it's dangerous don't do it! Even if a supervisor says so!")

By the end Jimmy only feels guilty for some of it. He knows he sentenced them all to a miserable death but he only feels guilty for Daisuke, and then Curly to a point. He doesn't really regret Swansea that much, it seems mostly like he's bothered he got caught (Swansea even tries leveling with him, to some extent--somewhere between a confessional and a final reach to see if he can be reached at all). He only worries about what having to deal with a baby might mean for him, but he doesn't give a shit about Anya at all. She's a non-issue in his mind, just some pathetic and poor girl that couldn't even get through schooling. He's only worried about the fact that a baby means he'd have to be responsible for it, and whatever discipline may come from the last remains of the company for sexually assaulting the nurse. Her suffering matters so little to him, if at all even considering he smears her entirely out of his perception while looking for antiseptic.

He's such an unreliable asshole he can't even confront himself, he has to use Curly and Polle as his conscience in his hallucinations.

The party scene is so intense. What a way to illustrate how off the deep end he is and it feels deserved. It's not just used to show he's insane and trying to cope by pretending they're all alive. It's everything he wanted. Praise, adoration, respect. Part of what I think is very interesting is he refuses to admit they're fully gone, but he doesn't necessarily deny their appearances. He isn't fixing them to look normal in his hallucinations, it's still their dead bodies he's propped up in chairs around him. Like a really weird coping mechanism to assure himself that its fine, he did it, he did a good job. Now he just needs to eat and celebrate with everyone! They just need to eat a little bit of Curly, get through one more meal, it'll be okay!

[serpentarius]

been trying to wrap my head around the cancellation of "Our Flag Means Death" and why it hurts so fucking much. lots of folks who are much more eloquent than I have summed it up perfectly, but I still think it’s important I add my voice to the matter. 

It really, really sucks that the hurt is being compounded on us every time another queer/minority-led show gets prematurely cancelled. and for a long while, we also had to deal with the many shows that deliberately queerbaited us, which was a shitty and traumatic experience unto its own. And even though we’ve largely surpassed that early-‘00s-flavoured brand of queerbait now, mainstream queer media is still predominantly white-led. With the cancellation of OFMD, we've lost one of the very few intersectional queer shows in the mainstream. Shouldn’t we be beyond asking for crumbs at this point? Shouldn’t we get unabashedly intersectional shows helmed by and starring queer, BIPOC, and trans folks without them being axed for no rhyme or reason?

It’s exhausting at this point, honestly. OFMD has done so well in terms of viewership and engagement and fan response—almost entirely due to word of mouth and little thanks to the Max marketing team, mind you—and even still the show got cancelled? Can they make it make sense????

For me, the thing most akin to this OFMD situation was when Sense8 got cancelled. And yes, the fandom fought, and we eventually DID get a movie that wrapped things up years later! That gives me hope for OFMD, that maybe another network will pick it up, or maybe they’ll be able to make a movie someday. But what makes me sad about cases like Sense8 is knowing that the creators still had to force the narrative around the amount of time they were given. That the corporate overlords who only care about numbers and profit dictated how much time they had to wrap up their story.

And it fucking kills me that DJ only wanted one more season. One more season to complete the vision.

I'm just so mad that queer people are constantly being jerked around and used for profit and then left high and dry. And then we're given excuses like "oh there's no budget" or "oh there's not enough viewership, that's all it is". like, sure, maybe those are contributing factors, but then I look at all the useless garbage shows that have little viewership and high budgets that keep going forever and then I think "hmmmm, the math ain't mathing." It's fucking transparent; the corporations can spew all they want with their rainbow capitalism and talks about diversity, but the evidence is clear, and they can't convince me homophobia/racism/transphobia/etc. is not a factor in these decisions.

Anyways, back to OFMD. OFMD made me fall in love with fandom again. I drifted away from fandom for a while in my 20s, and while OFMD wasn't the first fandom that drew me back into the madness, it's certainly the largest. The sheer amount of creativity both within the show and outside of it has blown me away; I've read some of the best fics, seen some of the best art, and witnessed some of the most incredible creativity from people in this fandom.

And let's not forget the role of the show's creators and how they've interacted with us fans. They made us feel seen. And made us feel loved and valid, even when we were being weird and loud and horny. It's so fucking rare to see that. But they understood; understood that the show they made was for us, for any of us who've been marginalized or made to feel Othered or different or stuck in life or unsure of our identities. And they gave us so much love for it.

The story... man. The unique combination of quirky humour and bright visuals and dark, introspective moments, the gorgeous costumes and soft, lovely, unabashed queerness, and veteran actors and new actors all getting to shine, brilliant comedic actors getting to show off their dramatic chops and vice versa. For me, seeing Rhys Darby - an actor I've loved for a long time, but who I never thought I'd see in a leading role - getting to be the romantic lead in a queer role? And seeing acclaimed director/producer/screenwriter/actor Taika Waititi play opposite Rhys, as an indigenous Blackbeard? Fucking incredible. OFMD Edward Teach you will always be famous to me.

Anyways... despite my long ramblings here, I still don’t think I've been able to get to the root of WHY exactly this show has inched its way under my skin and stayed with me in the way it has. Maybe I'll spend years trying to understand it. But I DO know that it's in part to do with seeing both older queers AND a diverse range of queerness onscreen, in a way that I've never seen in media before. I DO know that OFMD has forced me to look inwardly, and allowed me to realize some important things about myself. About my own queerness, my own identity, things I'm still figuring out. I've cherished being able to see myself in Stede, in Ed, and each of the crew members. In Roach’s love for cooking, in Oluwande’s ability to mediate; in Jim’s quick temper, in the way Izzy builds walls to guard his heart. In Buttons’ quirkiness, in Wee John’s sass, in Frenchie’s ability to turn pain into humour; in The Swede’s silliness, in Lucius’ bluntness, in Pete’s soft heart beneath the skepticism. Lastly, OFMD has inspired me. To create, to write, to draw, to devour other peoples' works and worlds while I sit in sheer, overflowing joyousness at their talent.

so yeah. the news of this cancellation is upsetting and hurtful and disappointing. And it's making us cry, and it's making us grieve, and may make us hollow and numb at times because we've lost yet another thing we love so deeply before it was meant to go. It's so much more than "just a TV show". It means more to us than any passive mindless idiotic mind-numbing bullshit - because even though there's a time and a place and a purpose for that type of media, it's the thought-provoking work, the work that creators pour their entire hearts and souls into, that hit us deep in our own souls. The work that changes our lives. The work that has the ability to save lives, as I know OFMD has done for so many. 

please know I'm sending immense amounts of love and strength to those of you who are also hurting. we'll get through this, one way or another, and I'll keep up with the hope that we'll get more someday; but in the meantime, I'm holding you tight. ❤️️🫂