#i thought i was having an identity crisis

[darkbluekies]

GOLDEN TRIAL PT2: A slippery slope

Part 1

Yandere!mafia x yandere!female!mafia x female!yandere x yandere!king x yandere!doctor x male!detective!reader

Summary: after your adventure on Normandie, you've been dealing with the consequences of the horror. Unfortunately, you start to realize that you might not be the person you think you are. It doesn't help when a certain doctor finds you again.

Warnings: lingering head trauma, identity crisis, kidnapping, mocking, dog collar (lol), syringes/drugs, forced tattooing,

Word count: 9.3k

You get off the subway in silence and push your way through the crowd, walk up the stairs and out onto the sidewalk. Blinking, you try to fix your blurry vision. Sometimes, even though it’s been three months since you were hit on the head with a glass bottle, you’re reminded of the events on board the liner Normandie. You had been running around over two days before going to the hospital about the blow to your head. It seems to have been too late. What could have been brushed off with some bandage and disinfection had now given you minor problems you are dealing with daily. Not enough to hurt or bother, but enough for your agency to hesitate sending you out on missions. 

These last months have been weird, to say the least. Not only have you been forced to take a break from your job, you have been lonely. So very lonely. You haven’t done anything and the only time you’ve went outside the door is when you go to your doctor’s appointments and when buying food. After the ominous note you got, you have been careful about going outside, scared that you will meet them again. How long will your life be forced to be like this? Maybe you should leave New York and start over somewhere new, where you can live a normal life. No more detective work, no more hiding, no more … fear. Perhaps a farm on the west coast? 

You open the door to the private hospital. It’s located in a house no other than any of the other houses on the street. The first time you were here, you thought that you had been given the wrong address and waked into someone’s private house. Quietly you walk into the reception. The young woman behind the desk has always been friendly. Her sparkly blue eyes and chestnut hair remind you of a squirrel.  

“Good morning”, the receptionist smiles at you. “Name?”

“Y/N L/N”, you say. “I’m here for a revisit at eleven am.”

“Ah, yes, I remember you. Your doctor is currently on sick leave, so there will be another doctor taking care of you today. Is that okay?”

“Yeah, it’s fine.”

“Take a seat and the doctor will see you in a moment.”

“Okay, thank you.”

You sit down in one of the wooden chairs. The clock on the wall ticks like a doomsday clock. You can’t help but shiver. 

Your eyes wander in the small room. A mother with her young son, a father with his daughter, an old couple. And you, alone. There’s paintings on the walls, as if to distract one from the horror they might have to partake in when they step through one of the three doors on the right hand side of the room. 

You’re not sure why you’re here. You have been going to this doctor for three months and all he’s done is to confirm that you do, indeed, have head trauma. As if you couldn’t figure that part out for yourself. Sometimes you wonder if you still have shards of glass stuck in your head. 

“The doctor will see you now, Mister Y/N”, the receptionist suddenly says. “It’s the middle door.”

You stand up and walk over to the doors on the other side of the room, opening the middle one. Behind the desk, a man sits. He looks up at you and you can feel your heart stop, and so does the clock. For a second, you wonder if it’s one of the side effects from the glass bottle, but you can still hear your heart pound loudly in your chest. He’s trying to hide a smile, trying so hard to make it look like you’ve never met before. What do you do? Do you close the door behind you and get into his office or do you make a scene and get away? Your hand still holds onto the door handle behind you. 

“Close the door, if you don’t mind”, Doctor Kry says and raises his eyebrows testingly when you flinch back. “Don’t even think about it. Close the door.”

With a frustrated sigh, you close it, but remain by the wall. 

“I figure that you’re not going to sit down”, Doctor Kry says and rises from his chair. 

“Don’t come closer”, you say quickly. “I will make a scene.”

“I’m fine with that. Easier for me to get you into a lunatic asylum.”

You freeze. 

“Your usual doctor is on sick leave, so I’m here today”, Doctor Kry continues as if the prior conversation never happened. “I hope that is fine with you.”

“I am not comfortable with having you anywhere near me”, you spit. “How did you even know that I went here?”

Doctor Kry leans back against his desk with his hands in his pockets. “I can’t take the credit for that, unfortunately. It was my dear friend miss Carter who managed to find you.”

“Hedwig?”

“Yeah. Who knew that a young heiress with a phenomenally large contact net and money would be able to find someone like you. Unbelievable.”

You don’t give in to his joke. 

“Sit down, Y/N”, Doctor Kry says and pulls out the chair for you, “or I will get you dragged out of here in a straightjacket.”

Involuntarily you sit down in his chair. Doctor Kry walks around you and you follow him in the corner of your eye. 

“I read your report”, Doctor Kry says. “Trauma to the head? What happened?”

“You fucking know”, you spit.

“Oh, right.”

You want to slap that smirk off of his face. He continues to smile as he puts on his gloves. 

“Let’s get it under control”, Doctor Kry says and takes your head in his hands. 

You flinch, silently praying that he won’t twist your neck and break it. 

“Don’t touch my neck”, you say. 

“How else am I going to treat you?” Doctor Kry scoffs. 

You start to wonder if he’s messing with you when he’s just touching around. He’s too close to your neck, he could snap it. 

“Can you hurry up?” The words just slip out, before you have the time to shut your mouth. 

To your horror, he chuckles. You freeze in your seat. 

“Why did you go so stiff all of a sudden?” Doctor Kry asks smugly, grabbing your shoulders. “Are you scared that I’m going to hurt you, Golden Boy?”

The familiar pet name sends a wave of nausea through your body. You feel how every hair on your body stands on edge. Terrified to meet his blue eyes, you concentrate on a point on the wall where it looks like a small bug has landed. 

“You threatened me with a tranquilizer”, you breathe out. “You could have helped me with my head that night — you’re a doctor — but you didn’t. You could have prevented me from coming here.”

“I could have”, Doctor Kry says. “But why would I? Remember what I told you? I’ve never said that I was nice.”

You stand up, shaking off his hands. 

“We’re done here”, you decide and start to move towards the door. 

“Alright, I suppose so”, Doctor Kry says. 

You grab the door handle with your shaking hand and open it forcefully. 

“I guess that I will see you soon, Y/N”, you hear his voice say behind you. “Can’t let a patient go before they’re healed, now can I?”

You ignore him. Stumbling on trembling legs, you pass the patients in the waiting room, struggle past the receptionist and out of the house. You throw up in the nearest bush.

For a few moments, the world has gone silent again. You can hear your heart thumping in your ear, feel every nerve in your body beat alongside it and you have to sit down on a nearby bench to collect your spinning head. That eerie feeling you had on board the Normandie returns … as if you’re being watched. You look around in a dizzy, blurry haze. Everyone looked like each other. Anyone could be them. If Kry had found you, what says that the others aren’t around the corner?

Going home feels wrong. What if they follow you and see where you live? Where do you go? What do you do? 

Your numb legs take you to a nearby telephone booth. With shaking fingers you call your boss and tell him about the incident. 

“You told me that I’d be safe!” you shout. “I knew that it would end like this! I knew that this would happen!”

“Y/N-”

“If I die, it’s your fucking fault, okay? You sent me out on that ship alone and now I have to deal with the consequences of your choices!”

You throw the telephone back in its hold and scream in frustration. The sound doesn’t escape the little telephone booth, which is probably for the best. You don't want to go to that mental asylum Doctor Kry threatened with.

You stand still for a few seconds, breathing heavily. You feel like crying.

The coming days can't be described as anything less than torture. You look over your shoulder for every step you take, flinch at every sound. Just as paranoid as on board the ship. Those four days will haunt you for the rest of your life … and the ones who caused it will hunt you until you're in their claws.

To calm your nerves, you've had to drink strong whiskey. Nothing else seems to work. Should you leave the country? You shiver. The thought of stepping aboard another ship again makes your skin crawl. You take another sip of the whiskey. It doesn't burn anymore.

The world started to blend together in blurry waves ages ago. It's starting to shift into black. Finally you're going to fall asleep and not have to worry about anything in this world. You’ll be safe in dreamland. 

A small sound reaches your drowsy ears, but you’re too far off to react in time, almost as if you’re drugged. The door opens slowly and a dark figure enters. Everything is fuzzy. The person says something, but you can’t hear it. A cloudy wall separates you from you and whoever has broken into your apartment. A cloud which quickly turns everything black.

When you wake up again, you feel every muscle in your body pulsating, hurting and a nauseating feeling roars in your body. You’re lying on a couch in what looks like a warehouse … or a basement. 

“He’s awake!” a familiar voice gasps. 

Hedwig jumps up from a chair right by your head and waves for someone to come over. You hear the sound of people move closer. You try to pull yourself up on your elbows. 

“You son of a bitch, Y/N”, you hear Silas say, a clear smirk in his taunting voice. “You thought that you could get away. How naive!”

“I want to put it on”, Jerry says and takes something from Edmund’s hands.

“Fuck sake, Jerry!” he hisses and pulls his hand quickly away. “I've told you to trim those nails!”

Jerry doesn't bother to answer. She walks over to you and slips something around your neck. You're too dizzy to realize what it is before it is too late. A collar and a leash. Like a dog. Just like they had promised.

“What an obedient dog”, she snickers. “Letting me put it on without protests.”

She tugs on the leash, causing your head to rip forward. The air in your throat gets abruptly cut off. Their laughter feels your aching head.

“Golden boy deserves a treat”, Edmund smirks and holds a piece of chocolate to your lips.

You turn your head away.

“Don't touch me!” you cough.

“A little too late for that”, Doctor Kry says and shrugs. “How do you think we got you here?”

You try to get up from the couch. Nausea roars through your body. Jerry pulls the leash towards her. You stumble before falling down on your knees, catching yourself with your hands on the hard cement.

“Just face it”, she says cockily. “You're too hungover to overpower us, and once you're sober enough you will already be broken. Don't bother to try anything. Hm, maybe he should stay on his knees, or what do you all think?”

“Stop fucking around”, Edmund sighs in annoyance and grabs the leash out of her hands, pulling harshly. “Stand up.”

It's on shaking legs that you manage to get on your feet. You're the same height as the king, but feel unbelievably inferior. Is it the collar around your neck, the degrading look in his eyes or the fact that you know what they're capable of that makes you terrified? You can't meet their eyes.

“This is humiliating, can you stop?” you hear Hedwig asks.

She's standing on the far end of their little line, a few steps away from them, with her arms hugging herself. Disgust covers her face.

“I feel nauseous just watching it”, she mutters. 

“Don't worry, Hedwig, we're just playing with him”, Silas smiles and ruffles your hair with his hand. “We're not hurting him.”

“Hedwig shouldn't take him”, Edmund says. “I don't trust him.”

“What do you want?” you ask, trying your best not to sound like a pathetic little puppy.

“What did you do with the list of names?” Silas asks. “The one behind the painting.”

“And where is my fucking painting?” Edmund asks.

“The painting, I don't know”, you say and meet Silas black eyes. “Your list was hidden on board the ship, but my contacts have found it. They're on the way to arrest everyone on your list.”

“Oh, are they now?” he asks deadly calmly. “And I suppose that you are still their shining Golden Boy thanks to that?”

You lower your eyes.

“Or did someone get put on an indefinite hiatus because they're a security risk?” Silas continues, moving closer, tugging ever so carefully on the leash. “Are you sure that you're their favorite? You never seem to have much protection, despite the threat against you. Don't worry, Golden Boy, we will make sure nothing ever reaches you. We will make sure you stay hidden.”

“If they don't want to give us our note, we won't give them their darling dearest”, Jerry says, shrugging.

You feel a lump in your stomach. Your contacts will never give over the note … and in that case they'll never give you. Wonderful.

A tug on the leash brings you back to reality. 

“It's healing quite nicely, don't you think?” Jerry asks, tilting her head to get a better view of the back of your neck.

“It's still fresh, it's nowhere near healing”, Doctor Kry says with his monotone voice, arms crossed over his chest.

Their eyes turn to your neck and you gulp, realizing that part of the pain isn't coming from your head, but from the back of your neck, easily mistaken as the brainstem. You lift your hand and try to touch whatever is hurting you. Hedwig picks up a pocket mirror from her pocket and hand it to you. You’re in disbelief when you see black marks on your skin, drawn in a strange symbol you have never seen before. The skin is swollen and tender to the touch. 

“What is this?” you question in pure fear. 

“We told you that you would be tattooed, didn’t we?” Silas smiles. “That tattoo is the symbol of my group. It’s somewhat of a trademark. Everyone who sees you will know that you belong to me.”

“I hate that you are the only one getting associated”, Edmund mutters. 

“Well, I am the only one with a symbol, aren’t I?”

“You are so self centered.” Edmund puts his hand on Hedwig’s shoulder. “As if we haven’t got one?”

“‘Self centered’, you absolute hypocrite”, Jerry scoffs. 

“I did not consent to this!” you shout angrily. “How could you just tattoo me when I wasn’t even conscious?!”

“It was pretty easy since you were, as you said, ‘not even conscious’”, Silas smiles teasingly. 

“Enough of this foolishness”, Doctor Kry cuts in. “We have things to do. The train leaves tomorrow morning and we still have things to do.”

Train? 

“Give the poor boy some food and make sure he sleeps”, Silas says. “It’ll be a long day for him tomorrow.”

They start to move towards the stairs of the basement, all but Hedwig who have went upstairs to get you a plate and Edmund — the man who’s holding the leash. 

“You don’t have to be here”, she says. “I can take care of him myself.”

“I don’t trust him”, Edmund mutters angrily and wraps more of the leash around his hand. “He knocked Jerry over when she was guarding him and — fuck it — she is tougher than you. I am not letting him anywhere near you alone.”

“Can you at least let go of the leash?” Hedwig asks. 

Edmund lets it go with great dramatic effect. You sit down on the couch with a thumping heartbeat. Hedwig sits down beside you, turning towards you. Edmund stands behind her, towering over the young woman like a giant, glaring at you. It reminds you of a lioness behind their cub. 

“Are you hungry?” Hedwig asks and looks down at the plate. “I’ve watched my maid cook ever since I was a little child but I don’t have much experience with it myself so I apologize if it isn’t the best.”

“I’m nauseous.”

“Then some sleep will do you good.”

“What train did he talk about? I’m not going on some train!”

“You are”, Edmund says, “and you’re doing it tomorrow morning. In a box.”

You look at him, baffled. “What?”

He looks at you with mockery in his icy blue eyes. “Nobody told you? You’re getting a first class ticket. I heard that they make those wooden boxes are quite comfortable nowadays.”

“I’m not going in some fucking box!”

You stand up in a swift, aggressive motion. Not only will they bring you onto a train going to who-knows-where, but they’re also stuffing you in a trunk? No shame. 

“Where are you taking me?”

“My father has a house on the coast, by the beach”, Hedwig replies. “You’ll like it. Hey, If you’re not going to eat, then will you please go to sleep?” 

“I will not be able to sleep. If I have to drink myself to black out, do you really think I will be able to fall asleep here?”

Maybe you shouldn’t have said that. You don’t want to see a sympathetic look from her. It’s their fault, after all. They took everything from you … and now she’s looking at you as if she’s pitying you. 

You refuse to sleep, refuse to even sit on the couch. It doesn't take long before the door to the basement stairs open and the sound of footsteps fill the air. You look up, seeing Doctor Kry walk down. In his hand, he holds a transparent syringe.

“I suppose that you are familiar with this”, he says and looks at the needle. “I thought that it was finally time for you to get acquainted with it.”

“Don't come close”, you warn him.

He's quicker than you've anticipated. Before you know it, you're tackled onto the hard floor. It knocks the air out of your lungs. Doctor Kry is stronger than you could have imagined. He doesn't look muscular underneath his clothes, and he probably isn't as muscular as Silas, but he is strong with firm grips. You try your best to fight against the needle coming closer to your neck.

“Goodnight, Golden Boy”, Doctor Kry says and finally punctures your neck with the sharp end of the needle.

He gets off of you immediately and you try to get up and run. You manage to get a few steps forward before your legs give up and you fall down on your knees. You start to lose your hearing, and your sight start to darken. Doctor Kry grabs your shoulders and pull you over to the couch. The last thing you see before it all turns back is his blue eyes staring down at you.

You’re not sure if you have opened your eyes. You try to shut them tight, then open them again. It’s just as dark. Your knees are pressed to your chin, arms folded over your chest. Panic rises in your body, suddenly feeling every single cell of your body and what it touches. Painfully aware that you’re squashed together in a wooden box. 

“Let me out!” you shout and try to bang on the walls, floor and ceiling. 

A harsh slap on the side of the box makes you flinch. 

“Shut the fuck up”, Silas voice hisses through gritted teeth, shocking you for being too close. “Do not make a single sound, whatever you do.”

You breathe heavily and crawl together. For these past months, you’ve felt scared … but never like this. The only thing you can compare it to is that morning when you ran around the Normandie with the painting tucked under your arm. Your heart has never beaten that quickly before. And here you are now, in a wooden box with a dog collar around your throat and a tattoo in the back of your neck. The leash is gone.

They won’t kill you before they have gotten the list, right?

You hear men's voices and suddenly the box jerks. Your head slams against the side and you groan, quickly biting your lip to avoid making sound. Silas will probably punch you if you disobey his command. You form fists. 

Whoever is handling the box does not care for it. It seems to go back and forth, up and down, with you hitting your head with every jerking motion. 

Finally, finally, it stops. The moving, the sound, everything stops. You breathe out, listening. Where are you? Can you get out of the box? You try to push the top of the box, but it won’t budge. Neither will the walls. With a frustrated yell, you kick and then, in defeat, sink down again. 

Silence keeps you company for what feels like ages. Suddenly, the ground under you start to shake and move. You gasp. The train!

It takes a while before the top of the box is moved. Bright light hits your eyes and you squint. 

“Good morning”, Silas smiles and pulls you up from the box. 

Your muscles are stiff and aching, popping when you try to move. Your legs threaten to give out. 

“Ouch …”, you moan. 

“Did you have a nice time?” Jerry smiles and claps your back. 

You look around, blurry eyes being met by a cargo hold. Silas and Jerry are the only ones here. 

“What are you doing?” you ask, stressed. 

“What do you mean?” Jerry wonders.

“What do you want? Why am I out?”

“Did you think that you were going to spend the entire trip in the box?” Silas asks. 

“Edmund said-”

“And you believe a single word that stuck up manchild says?” Jerry scoffs and grabs your arm. “Come now.”

They take you out of the cargo hold and into a thin corridor. Running along your left are cabins and to your right are windows. Silas opens a door and directs you inside the cabin. It’s a suite, and a gorgeous one a that. A king sized bed, couches, big windows, drapes and your own bathroom. Hedwig and Edmund sits on the couch doctor Kry is leaning against the window. Behind him, America swooshes past. 

“Here he is”, Jerry says.

“What’s going on?” you stutter. “What do you want?”

“We are not going to let you be alone in cargo hold”, Silas says. “We are not monsters.”

I have other opinions.

“We’ve decided that you are going to be by our sides so that we can keep an eye on you”, Hedwig says and smiles. “If you are in the cargo hold you could die.”

“You’re not going to wear the leash because that will cause people to be suspicious”, Doctor Kry says. “Yes, we are not the only ones on this train.”

“You will not talk to any of them”, Jerry says. 

“You will stay here in my cabin”, Silas says. “My second in command will be in Jerry’s cabin, so don’t think that you can do anything towards me. He’ll be just on the other side of the wall.”

Why does he have to be here too? 

Everyone leaves the suite but Silas. You sink down on the bed with your head in your hands. 

“Why do you do this?” you groan.

Silas sits down beside you. “You did this to yourself”, he says, voice weirdly calm. “You put your nose into the wrong business, knowing that it could put your life in danger.”

“It was my job.”

Was. 

“I still don’t understand why they sent you on that ship without backup … or any kind of protection at all besides that pitiful gun. Almost like they wanted you to get caught.” Silas furrows his dark brows and looks at you, unreadable hint in his black eyes. “Are you even sure if they liked you at all?”

This has to be some kind of scare-tactic. Don’t fall for it.

“Of course they did”, you mumble. “I had a high position, a good salary … they liked me. They did.”

“Are you saying that to reassure me or you?”

Silas stands up and breathes out. 

“Let’s go eat lunch, I’m starving”, he says. “You must be hungry too, I heard from Hedwig that you didn’t eat dinner last night. Come now.”

Silas walks out of the room, holding the door open out to the corridor. His words ring in your mind. Who are you trying to reassure?

“I’m not waiting all day”, Silas calls out. “You’re not getting lunch if you stay in there.”

You hurry to stand up and follow him out to the corridor, having to pass him on the way. The thin corridor is big enough for one of you. He walks closely behind you, peering over your shoulder. You’re led into a restaurant car with tables of four, each having seats instead of tables. The carriage is divided in two with a with a glass wall with open space where a door normally sits. Silas chooses one of these seats. 

“Sit down”, he says. “Now. By the window.”

You give him a questionable look before sitting down in the seat closest to the window. Silas sits down beside you, blocking your escape to the middle aisle. His second in command is already sitting by the table in the seat in front of you. Silas holds three menus laying on the set table in front of you, giving you one. 

“Choose what you want”, he says. “I have money.”

“I don’t doubt that”, you mumble. “With your dirty businesses you must make a lot of money?”

Silas scoffs, but there’s a small smile tugging on his lips. “More than you can imagine, Golden Boy.”

You start to look through the menu for things you like. You are, indeed, starving and head for a grilled salmon while Silas chooses a medium rare steak. When a servant is taking your orders, you look out the big window at the blurry obstacles whooshing by. Where are they taking you? You’re not leaving much, but you can’t bring yourself to start over. New York is not for you, not anymore, but you don’t want them to force you to leave your home. What will they do to you? You can’t give them the painting, you don’t know where it is anymore, and you don’t have the list of criminal names. You’re not sure that you will be able to be switched with it. You don’t have anything to offer them, but yourself … but why would they want you? 

“Pretty quiet today, huh?” Silas says. “You usually quite quick-witted.”

You pull your eyes away from the window and look at him. It’s almost comical, how a secret agent is having lunch with a mafia leader and his second in command. You have done it before, but under much different circumstances. 

“I don't have much to say”, you answer shortly. 

Everything in your body is hurting, which isn’t weird since you’ve spent the night crammed into a wooden box. Your broken head is not a help.

Silas converses with his second in command — a man you haven’t heard talk more than necessary. 

The food is served by a servant in a spotless tuxedo and slicked back hair. You thank him. It'd be so easy to let the words slip out of your mouth. A simple ‘help me’. The words are soft and rounded, it wouldn't be hard to pronounce them, but the fact that Silas and his second in command are sitting right here makes it impossible. The words are so simple. But as soon as he arrives, he disappears. 

“I've heard that the food on board is tasty, it better be”, Silas jokes and his second in command chuckles quietly.

He has gotten beef with grilled asparagus. You pick up your knife and fork and start to eat in silence. Silas is right, it’s delicious. Better than any of the food you have aten these last few months. It makes you guilty for enjoying it. 

“I have some rules, Golden Boy”, Silas says from beside you. 

You look at him. You are not a Golden Boy. He said that himself. Silas meets your eyes. 

“If you disobey us”, Silas starts, “by either trying to talk to someone, or come up with some stupid idea to get off the train, I will handcuff you to me, got that?”

Imagining being handcuffed to him, forced to join his every step, not have a single second to yourself is enough to make you shiver. 

“Yeah”, you reply shortly. “I understand.”

You let your eyes wander through the restaurant car, at the other passengers sitting and enjoying their meals. An older man is reading the newspaper while enjoying a bowl of soup, a mother and daughter pair are eating cheeses while chatting. How many on this train belong to Silas? He wouldn’t travel with only one man.

“I’m thinking about getting another car”, Silas smiles at his second in command and shoots a fork full of steak to his lips. “Any tips of a model?”

“One of those Ford models”, he replies. “It was good enough for Bonnie and Clyde.”

The news of the infamous couple’s death broke out in May last year. Some colleagues had been working on that case, from what you remember. For years. 

“I’m not Bonnie and Clyde”, Silas says and smiles. “But I’m a bit jealous of them. Imagine having a partner in crime like that. I mean, more than just a brother in arms, a love partner. Or what do you say, Golden Boy?”

You look up from your plate. Your vision has started to blur again. 

“Don’t you want a love partner, hm?” Silas asks, a teasing smile playing on his lips. “Someone to back you up when needed?”

“I don’t want to answer personal questions.”

He exchanges a look with his second in command before smiling into his plate. “You’re shy, I see. Didn’t know that you were so cute.”

You ignore him. 

When lunch is done, Silas decides that it’s time for you to get back to the cabin. You get up, from your seat and scootch out into the middle aisle. You’re not sure if it is the moving of the carriage or your balance that causes you to stumble. Silas catches you by the arm. 

“That wine you had with lunch didn’t make you drunk, did it?” he asks. 

“No”, you reply and gulp. “It’s my head.”

“I see.”

You’re sure that it isn’t meant for you, but you can see how Silas gives his second in command a murderous look. Doctor Kry had told you that it had been Jerry and Silas’s second in command who had hit you with that glass bottle that night. 

“You should go rest, Y/N”, he says and places his hand on your back to guide you. 

He leads you back to your suite. The second in command closes the door behind him. You sit down on the couch, but Silas pulls you up again. 

“What do you think that you are doing?” he asks. “The bed is over there.”

“I’m not sharing a bed with you”, you mumble. 

“You are. Stop being childish and go to sleep.”

You’re pushed towards the bed. He’s quickly after you to pull the neatly fixed covers before you can change your mind. The mattress is softer than anything you’ve ever rested your back upon. 

“Sleep”, Silas orders. “I will get you for dinner.”

He asks his second in command to keep an eye on you. 

The gentle rocking of the train both soothes you to sleep and wakes you softly. You sit up and yawn. The second in command moves his eyes from the window. You can’t help but wonder if he ever does anything for pleasure or if he can turn off his emotions and needs whenever he wants. 

You reach for a glass of water on the bedside table and halt. After everything they’ve done, you wouldn’t be surprised if the water is contaminated. 

“It’s not dinner time”, the man says. “Back to sleep.”

“I’m not tired anymore.”

“Lay down.”

You sigh and lay down again, listen to the gentle rocking of the train against the rail. Last time you spent a night in a cabin with them was when you were tied on the floor. You should never have taken that mission. Your mind involuntarily drift to what Silas had said and feel how your heart squeezes in pain. It can’t be.

Suddenly, the door opens. 

“Time for dinner”, Silas says. “Get up, you need to eat.”

You groan and pull yourself up from the bed. The second in command follows closely to the restaurant cart. One table can only fit four passengers. They have to separate three and three, and then you’ll have to choose whichever combination is the least bad.

Hedwig, Edmund and Doctor Kry … or Silas, Jerry and the second in command. You sit down besides Hedwig. Edmund is quick to have her change seats with you, so that you’re by the window and she’s blocking the exit out to the middle aisle. The girl smiles at you and takes your hand. 

“You look much better without that inhumane leash”, she says. 

“I think he looks better with it”, Edmund mutters and inspect his silver knife. 

She ignores him. “What do you want to eat, sweetheart?”

You shrug, telling her that she can choose for you. You don’t say anything throughout dinner, even though Hedwig tries her best to spark a conversation with you. She talks about the scenery swooshing past outside the window, the beautiful interior, how much she has missed you and how happy she is to have you back. You drown it all out to the point of wondering if her voice is all just a hallucination.

You’re barely active during dinner, only being able to think about your — former — job. Heart feeling unbelievably heavy.

“I have to leave”, you whisper to Hedwig. “I have to be alone.”

“Are you okay?” Hedwig asks worriedly and watches how you stand up. 

“I need to go.”

“I’ll come with you.”

She excuses the both of you from the table. You can feel the others eyes linger on you, burn right through you. You’re sure that Edmund wants to say something, but he keeps his mouth shut for once. Hedwig takes your arm and leads you back to the cabin carriage. 

“I don’t understand why they’re so afraid of me being alone with you”, Hedwig giggles and opens the door to Silas’s suite. “You wouldn’t hurt me.”

At this point you’re not sure what you would and wouldn’t do. 

“Do you want to sleep?” Hedwig asks and walks over to the bed. “I can tuck you in.”

You lay down in bed and Hedwig makes sure that none of your body parts escapes the covers. She looks pleased with herself and lets her hand caress your cheek. Her hazel eyes look down at you with immense love and for the moment that is the only thing you can believe. That kind of look can’t be mistaken. 

“Are you tired?” she asks softly, continuing to caress your cheek. 

You nod, despite not feeling the slightest bit tired. Exhausted, but not tired. 

“I will let you sleep”, she says and kisses your forehead. 

You close your eyes, hoping that she will think that you’re asleep and leave the room. You need to be alone, but Hedwig is making it impossible. As long as she knows that you’re awake, she will cling onto you like a leech. She’s like a dog, a puppy. 

But she doesn’t leave. You can feel her sit on the side of the bed, and without opening your eyes, you know that she is staring at you with that same look of extreme love. As if you are the most important thing in the world. Her sun, her solar system. 

Eventually, she leaves. You wait a few seconds before opening your eyes and letting out a sigh. Lying down makes it hard to breathe. You try sitting up, but the pressure over your chest remains. You pull at your tie to open your airways, but neither that or buttoning up the first buttons on your shirt help. Your fingers claw at the window lock, but it remains in place. God, how badly you need air. You hurry over to the door and open it, exiting out to the corridor. They can get you, you don’t care. You need air and you need it now. 

You walk through the claustrophobic corridor in the opposite direction of the dining hall. You reach a door with a window. The rails run away from the train, towards the horizon. You rip the door open and find yourself on a balcony. Fresh air roams around you and you grab onto the oval railing, breathing in deeply until your lungs can’t take anymore, welcoming the pleasurable feeling of light headiness. You sink down on the floor with your back towards the train’s wall, watching the surroundings disappear further away. The sun is setting in the horizon, like in a painting. 

The thoughts return. Was everything a lie? Were you nothing more than a pawn? Why were you put on that mission? Did they know that you would be taken? Broken? Damaged? They didn’t bother give you any security or backup, and when you weren’t killed or taken, they use the trauma they caused to put you on hiatus and made you look at fault. You have worked for them since you left school, given them your everything. Did they want to get rid of you? Were you worth nothing more? Did they ever care about you?

Suddenly you’re aware of the tears running down your cheeks.

“There you are”, a voice sighs. 

You flinch and look over your shoulder. Jerry is standing in the doorframe, holding her hands on either side.  Out of all the people who could find you, why did it have to be just Jerry?

“Everyone is looking for you”, Jerry says. 

“Didn’t mean to”, you mumble. 

“You better have a good explanation.” 

She sits down on the other side of the door, in arms reach of you. The door closes behind her, leaving the two of you on the balcony platform. It’s first now that she seems to notice that you’re crying. 

“Oh, what’s wrong?” she asks in a sarcastic tone, clearly mocking you. “Feeling homesick?”

“No”, you sigh and look down at your hands. “Just leave me alone.”

“Can’t do, princess. You are not allowed to be alone, you know that very well. But sure, I can leave. I can tell the other that you have attempted to escape.”

Your hand shoots forward to stop her from leaving. “No, don’t say that!”

“Then tell me. Hurry up, princess, I don’t got all night!”

You sigh and rest your head back against the wall. She’s doing it on purpose, you think, riling you up to the breaking point so that she has something to punish you for. 

“Jerry, stop”, you plead and hold your head in your hands. “I’m asking you nicely. Don’t do that.”

“In what position do you think you are to speak to me like that? Do I need to go get the leash to remind you who you are? Hm? Is that what you want, Golden Boy?”

The name breaks something in you. You feel so stupid. Like an absolute fool!

“Don’t call me that!” you shout. “I never was a fucking ‘Golden Boy’! They just used me! And I just let them do it! Like the idiot I am!”

Your head pounds worse than ever. You’re afraid that it is going to rip out of your skull. You can feel how Jerry moves closer. 

“They never fucking cared about me”, you hiss. “No one does!”

“Now, who told you that?” Jerry sighs.

“It’s obvious! Just look at how they’re treating me! They wanted to get rid of me, that’s why they sent me on that ship, wasn’t it …?”

Jerry sighs heavily and runs her hand through her black hair. “Well, fuck … I don’t know what the fuck to say.”

“Be quiet, then.”

You don’t want to hear her ‘I told you so’ mantra. You’ve understood how much of an idiot you are, you don’t need her to remind you. She removes your hands and forces you to look at her. 

“It does not fucking matter what they thought of you, okay?” she says. “I get that they tricked you but you’re never going back there, so drop them. They’re not worthy of your attention. Just look at what a mess you become when you think of them! And I don’t want to hear that shit again, about no one caring about you. We have looked for you day and night since that last night on the ship!”

“That’s different. You know that. You won’t get the list or the painting. If they wanted me gone, they won’t trade me for it. I’m useless to you.”

She sighs frustratedly and runs her hand through her black hair again. 

“Fuck, I am not made for this”, she mutters and looks around for help, but the only thing nearby are the passing landscape. “Listen, Y/N, we could have done things a whole lot differently. We didn’t actually need you, alright? Not for business. Hell, we don’t even want the same things! Me and Silas are the only ones wanting the list. Edmund wants his painting. I don’t even know what the doctor and Hedwig want, but do you know the only reason why the five of us stay together? Because of you, dumbass.”

She grabs your head and holds it to her chest, letting you cry. 

“The term ‘Golden Boy’ isn’t just because of your job, it’s more than that. Don’t take it the wrong way. Now stop talking like that, it is getting on my nerves. Pity yourself to someone else.”

Silence. You listen to the rattling sound, the wind and Jerry's irregular breathing.

“What did I do wrong?” you ask quietly, emotionlessly. “Why did they do that to me?”

“I don’t know, Y/N”, Jerry answers softly. “Some people are horrible. There is a difference between people who's openly bad, and those that pretend to be good but are rotting on the inside. I can’t stand those people. If you’re going to be a bad person, at least stand for it.”

“I feel like a fool.”

“You are a fool, but it isn’t your fault. You did what you had been told, like everyone else.”

“I wish that I knew why they decided to let me go … I mean, that way I could have prevented it … or fixed it.”

“Stop thinking about it. I told you that you’ll never deal with those people again. You’re with us now.”

You sigh. Listening to Jerry’s heart beat makes you want to laugh at how hard it is beating when she has acted like she doesn’t have one. 

“Get up”, she says after a while. “We can’t sit here the entire night. It’s starting to get cold.”

You drag yourself up on your feet. Jerry takes your hand and leads you back inside. Warmth hugs you the second you reenter the thin corridor. She takes you back to Silas’s cabin where you find him arguing with his second in command. You catch something along the lines of ‘you hit him so hard he’s lost his mind’ and don’t have to think twice to know who he is talking about. A new punch in the chest. Does everyone view you that way? As a loser who can’t take care of himself after what happened? As a dog?

“Where have you been?” Silas asks angrily. “Wasn’t I very clear what would happen if you tried to leave?”

“I didn’t fucking try to leave!” you burst out, unable to do anything else beside matching his energy. “How could I when the train is moving at two hundred kilometers per hour?!”

“Yeah? What were you doing then?”

How dense is he?

“I tried to get one second to myself to try to think! My life is falling apart and no one is caring! Everyone is just mocking me!” Tears blur your vision. “Why is no one treating me like an actual human being?! No one respects me!”

Your knees give out. The carpeted floor does nothing when you fall. A few seconds pass where you’re left to sob in silence before a pair of arms wrap around you. They’re too muscular to be Jerry’s and the second in command would never touch you. It has to be Silas. 

“Get up, Y/N”, Silas says. “You need to sleep. We’ll talk about this tomorrow.”

He tells Jerry to get the doctor and she disappears out of the room. Doctor Kry comes in two minutes later. In his hands he holds an identical syringe to the one he injected you with before you got onto the train. Silas holds you down as the sharp needle pricks your arm. You can feel the foreign — yet painfully familiar — substance enters your bloodstream. Damn them, you think before the darkness swallows you, damn all of them.

You wake up with him sitting by the round table. He’s already dressed. You wonder how long that syringe makes you sleep. 

“Good morning”, Silas says. 

“Hi”, you mumble as memories from yesterday wash over you, like an ice cold shower. 

“I thought that you’ll stay here for breakfast. I’ve already ordered room service.”

Your eyes lay upon the silver tray with coffee, toast and waffles on the table, when you sit up. 

“Jerry filled me in about what you talked about”, Silas says. “I don’t want more of that, got it? You don’t get to run around causing havoc like that. You need to tell us instead of getting a melt down. Surprise, we might actually help you.”

You scoff and roll your head against the headboard. “You don't want to help. You just want to hurt me.”

Silas sighs. 

“Is that why I have tattooed my symbol on you?” he asks. “To hurt you?”

You don’t answer. How should you know?

“It never crossed your mind that I tattooed that on you so that you wouldn’t leave?” Silas asks. “Maybe because I want you here?”

“It doesn’t excuse what you have done.”

“Okay, maybe not, but ask yourself something, Y/N: where would you go if not here?”

You try to avoid his dark eyes. They burn right through you, confirming everything you have been thinking. You have nowhere to go, nowhere to stay. Nowhere where you are safe, nowhere where you feel like home. Not anymore. The only thing that kept you in New York was the pride in your job and now, if you go back, the only thing that is associated with that city is shame and hurt. With Silas tattoo on your neck, no one will want to have anything to do with you, for fear of him. 

Silas leaves you be. He doesn’t ask you questions, doesn’t try to get you on better thoughts or distract you. He lets you sit by the table with him, lets you feel your feelings. Lets you try to sort out the fog in your head. 

“How long do we have until we reach Hedwig’s house?” you ask after a while. “I’m getting tired of people.”

“Two days”, Silas answers. “You’ll like it. It’s far away from everyone and everything. You’ll be able to go somewhere quiet, where you can rest for once.”

The thought of resting makes you almost tear up. You can’t recall the last time you actually had a moment of peace. 

“I don’t know what you want, I don’t have anything more to give you”, you mumble. “I don’t have the painting, or the list of names, or any contacts. You can’t trade me for the list, and it’s too late now. They’ve already seen the names.”

“We don’t care about the list anymore”, Silas says. “When are you going to realize that?”

“I don’t know. I can’t seem to … think.”

Silas grabs your neck and pushes your head onto his shoulder. You let him. And there it rests until you’re feeling better. 

You decide to get out of the cabin before it’s going to swallow you whole. You make your way down the carriages until you get to the lounge. People sit chit-chatting in their seats, drinking tea. You wonder how many of them belong to Silas, how many eyes he has on board. You do your best not to stare at any of them. Instead, you walk towards an empty table and sit down by the window, staring out towards the horizon. You’ve never been so … lost before. And yet, you feel better — just a tad bit. One day at a time. Things will be fine. Hopefully. 

“Good afternoon”, you hear a voice. 

You look up to see Edmund carrying a deck of cards. 

“ Have you finished sulking now?” he asks. 

You don’t answer. Not even these kinds of stupid questions deserve stupid answers.

“If you have, why don’t we play a game of cards?” Edmund asks and sits down in front of you. 

“Sure”, you sigh. “What do you want to play?”

“What can you play?”

“A little poker, I suppose.”

“Good. Let’s play.”

Edmund starts to sort the cards. He shuffles them skillfully. 

“What do we play about?” he asks. “What do i get if I win?”

“What do i get if I win?” you conquer. 

A spark ignites in Edmund’s eyes and for once, it gives him a human touch. He leans forward, over the table, and smirks. 

“What do you want, Golden Boy?” he asks. 

You think about it. What do you want? 

“I don’t know”, you reply and when he rolls his eyes, you add: “I actually don’t know. A bit more freedom, maybe.”

“Oh, as in?” Edmund asks. 

“Be able to walk around freely without anyone going insane, like yesterday. I can’t run anywhere on here, now can I? Just being able to go wherever I want on the train whenever I want would be a comfort.”

“Alright, I can work with that. And if I win?”

“What do you want?”

Edmund leans back in his seat and looks out the window, thinking. 

“You need to call me ‘your majesty’ or ‘your royal highness’ from now on”, he says, looking pleased. 

Any traces of humbleness is gone. 

“Haven’t I been humiliated enough?” slips out of you before you have the time to stop yourself. 

Edmund smiles boyishly. “Nope. Not nearly enough.”

There’s a small tug at your heart, and your first instinct is to feel offended … but you can’t help but feel relieved that, while the others are trying to keep you from breaking down, Edmund is still the same. 

You smile slightly. 

“Alright, let’s start”, you say. 

He’s a skillful player with sharp eyes. You wonder who he has trained with. 

“Oh, you’re an idiot, Y/N.”

Doctor Kry stands by the table, watching the table amusedly with his arms crossed over his chest. Edmund grins up at him. 

“Aren’t I smart?” he asks and nods at you. “This dumbass has to call me by my title — as he should have from the start — from now on.”

“The game isn’t over yet”, you remind him.

“Just throw the towel in and die a hero. That way you’ll have some dignity left.”

“No.”

Edmund shrugs. “Alright.”

You’re not sure how, but you manage to beat him. Doctor Kry laughs behind his hand. Edmund glares at him.

“Beginner's luck”, he insists.

“Good job, your majesty, now you've given him free roam over the entire train”, the doctor says.

“Don't get so fucking happy, doc, I can still have you executed”, Edmund warns him with dark eyes. “I don't care if Silas has you under his protection.”

Doctor Kry doesn’t seem affected. “It’s just a day.”

“This motherfucker did quite much in a day last time.”

“I’d like to see our friend Axel Ainsworth trying to do his stunts here.”

You rise from your chair and bid farewell to the two men, happy to show that you are allowed to walk away. Your last day on board won’t be too bad, you reckon. 

You take the time to sort out your thoughts and think. Sitting in the lounge, looking out the window with a glass of whiskey, listening to the sounds of the train moving and the other guests chitchatting. Your head starts to make sense, for the first time in months. Your heart beats in your chest. You hate them, hate what they did to you. How they played you. How they used you for bait. 

“Can I sit down?”

You’re pulled out of your thoughts. Hedwig stands by the armchair in front of you, wearing a sweet pink dress. You nod. She squeals and sits down, looking giddy. 

“Do you want me to get you anything?” she asks. “Maybe something to dilute the whiskey with? Drinking on an empty stomach isn’t good, you know?”

“What do you know about that?” you ask. “Are you a heavy drinker?”

“No, but Edmund is … and I guess that you can imagine how ha is when he is drunk.”

“I’m not drunk … but yes, i can imagine how he would be. He’s not the politest sober either.”

“He’s nice, in his own way.” She shakes her head, as if she’s shaking herself free from thoughts. “How are you feeling? I heard that you had some troubles. Do you want to share them with me?”

“No, I’m okay, I think I got it now. It’s been nice to sit and think … to deal with it myself.”

“What have you come up with?”

“That I don’t want anything to do with those bastards in New York anymore. If I had the list, I’d give it to Silas and Jerry. I wish I had written down the names.”

“You remember some of them, don’t you?”

She picks up a notebook out of her purse and places it on the table. A golden pen is connected to it. 

“Write them down”, she says. 

You stare at the notebook, questioning if you really should give away the little information you know. You would never have done that before. An old saying pops into your head — my enemie’s enemy is my friend. 

You pick up the pen.

[drpvnk]

people who hate the direction of kit's character because he's upset with ty while also knowing ty is autistic... are the same people who fail to realize that while kit is more knowledgable in that area than most nephilim, he was STILL only 15 years old, and while he did go along with ty until last minute even ty questioned his authenticity at some point...

(also did we all collectively forget kits entire storyline? this kid was in NO position to make any life-altering decisions... tbh the only person who might have an inkling of what he's going through is clary, cause yea not even jace and his reassurance can fully encompass kits issues...

i mean here is a kid who was abused by neglection and harsh treatment, a kid who has only ever know to crave love and never felt it. and then one day his abuser/protector is ripped in half right in front of him, and he's promptly told that he is apart of a society who he was taught to hate his entire life. so there goes his first identity crisis. but oh wait, this entirely new society has been taught to expect tragedy to happen at anytime of the day so suck it up cause your one of us now and also we're placing you in a super tight-knit family that is going through their own traumatic shit, so they won't have time to even TRY and make you feel welcomed or acknowledged... like AT ALL. (cause wow, how many times was kit left on the sidelines while the entire LA institute had a giant group hug... LOL) but then you get accepted by these twins and become apart of their little group, and now you don't want to let go, you CAN'T, because this is the closest you've ever been to being apart of a family, so you have to bury your grief and be likeable and cool and strong. but then one of the twins die and suddenly everyone is looking at you to comfort the other twin, but you haven't even been able to figure out how to grieve yourself before having to experience this additional loss of a budding relationship. but you love this boy so OK you do what you can, even if it means going along with something that makes you sick to your stomach. but your still new here, you don't know which lines to cross, you don't know whats ok and what's not, who to tell and who not to tell, you dont want this boy to hate you, you can't lose this "home" even as it's being held by the thinnest string ready to break. even as you look at yourself and can only see the same look of disappointment and hate and secrets upon secrets, an exact copy of his fathers expression when he looked at kit, a man your not sure you even love. there goes your second identity crisis. (funny how much kit hates secrets and yet thats been the only revelation of his entire existence)

you suck it up until you can't anymore, until your feelings spill over in the purest words that you can express, words that mean a lifetime to you because these are words no one has have uttered to you, because these are words you know you probably need to hear too.

except now your left soppin wet and punched by your inconsolable crush and watching as he performs a failed resurrection. and then after being kept in confinement for some days its revealed that your part faerie, another race hellbent on being hated by the world. except your not just any faerie but the one true heir to TWO thrones... and there's your third identity crisis.))) also,,, dont get me started on the short stories where we expect to read about kit healing and then we actually just see him sink deeper and deeper into this pit of self-loathing as he's continuously put in positions that have him viewed as a threat and danger to his family... i.e. his heritage, tessa and jems reaction to him holding james' gun, mina's kidnapping, etc.

yea, by all means kit be angry!

and to address kit being older and still holding this grudge years later with the assumption that he knows more and maybe understands ty's thought process better,,, he's already admitted to being mad at ty for putting kit in a position that had him looking in the mirror and seeing johnny rook... NOT at the fact that he was "rejected" or even the resurrection itself...

is kit in the right for his misplaced anger? ofc not,,, but he also went through a lifetime of trauma that you can't simply let go of just because another person might not have fully understood the headspace that he was in at the moment

kits characterization within the fandom really makes me realize how privileged many people are to never having to go through the messy process of grieving your abuser while now figuring out who you are after them, all while their shadow is still casted over your entire being... like, no kit didn't runaway from being rejected by a boy, he ran away from being rejected despite his desperate efforts to be loved, even if it meant sacrificing his own sanity by becoming someone who resembled the catalyst of ALOT of his trauma,,,ofc this is all in his pov since we the readers are aware of tys feelings)

thats all to say that kit really is good at suppressing his feelings if even the readers glossed over the multiple times his mind began to stray towards the death of his father throughout the tda series. like, we're aware of johnny's treatment towards kit and we're also aware of the envirommemt he was raised in,,, so why is it that people focus on him "knowing" about the spectrum b/c he lives in modern society than they are about the life he's personally lived that influenced his decision and thought process throughout the story?

and if it wasn't obvious this post was entirely for kit's pov, ty has a completely different view of things and where kit might not fully understand how ty processes things, neither does ty towards kit. they're both on completely different pages!!

but thats the point of their story!! theyre gonna heal together! we will explore ty's pov and see what he REALLY saw during that time period and maybe kit can finally love himself the way he wants others to love him,,,,

[technovillain]

kiwi KIWIIII you’re making me insane. I could ask a million questions bc I love to hear about these funny guys and love knowing your thoughts but for now I will just ask about Clem my friend Clem. I want to know about the Clem and Cassie dynamic and also the identity crisis. What’s up there I’m clapping excitedly.

also maybe not intentional but the joke abt “standing around the quarry making people anxious” makes me think abt Cassie in the forest freaking people out in the green needle witch costume. These could be the same thing I think.

YAYYYYY CLAPPING MY HANDS BACK AT YOU! I wrote the whole post thinking "I hope Vinny explodes upon reading this post."

I LOOOOVE LOVE LOVE YOUR VERSION OF CLEM. So you have had influence on me... I love transfem Clem sm that is so real to me. So first of all there's that :]

ALSO YOU ARE IN LUCK I did the same thing after posting this, but I was in fact talking about your favorite old woman Cassieeee!

So it's obvious that Clem's childhood was definitely horrible. And the coping mechanisms chosen were always very indicative of sort of just... ignoring the gravity of the surrounding situations and playing happy all the time. Sort of becomes really disconnected from the real world and who she is, sort of feeling like she's been floating outside it all since she was a kid. Depersonalization-derealization disorder. So I think a way that might manifest as a psychic is through the presence of Mental Projection archetypes. Her archetypes are tied very strongly to her, and she sometimes astral-projects into them. With many of her archetypes wandering around the real world, and her mind jumping between them, she kind of can't get a good grip on what happened to "the real her" or exactly where she was when things were happening, and if it was an archetype or her actual body. I imagine the transgender identity crisis did not help with the DPDR.

Keeping a distance from the motherlobe building, she spends a lot of time around the Quarry with her archetypes wandering around. Cassie's swarm takes note of this presence, and once she detects that there's also archetypes involved, she feels connected and wants to help. She has the swarm give Clem a copy of Mindswarm, and slowly approaches her and invites her to spend time, offers her to help her with managing her archetypes. I thiiink hanging out with Cassie also is what helps her connect the dots that she is a woman as well. And figuring that out is able to help her connect with herself a lot more. Cassie's presence is very calming and the way that she talks about depersonalization and archetype management is very informative and helpful :]

AND YES. The parallel with Green Needle Witch was intentional. Since only some of the archetypes are obviously meant to resemble Clem, and others are much more distorted, depending on whether or not they formed during a feedback loop of derealization, people sort of can...encounter these archetypes wandering the gulch/quarry and don't know where they came from or what they're doing there, especially if Clem's mind isn't really inside/guiding them at the moment.

[matimatti]

Genderswap bingyuan save me,,,,,, save me genderswap bingyuan

[necrotic-nephilim]

what's fun about shipping Tim with Dick, Jason, or Damian is he has, at some point, hallucinated all of them to comfort himself. even when he doesn't like them or particularly get along with them, he has to imagine/hallucinate them just so he has the power to go on. Tim's concepts of the Robin mantle and what it should be is so fun, because he respects the others through the Robin mantle. Tim worships Dick because he was the first Robin. he wouldn't be Robin if Jason hadn't died in the mantle. and a lot of his frustration with Damian is he feels Damian isn't honoring the mantle correctly. when you ship Tim with the other Robins you can't divorce their identities as Robin from it because Tim will always see them as a Robin first and that's so fun and fucked up. like.

batman (1940) #456

Tim perceiving Dick as *Robin* cheering him on, not Nightwing, which is the version of Dick that Tim actually knows? that's just. wild of him. he will always view Dick as Robin first, his personal hero but also the original of the legacy. his love for Dick is shaped by that.

and then of course, even when he's hallucinating/imagining Jason cheering him on, it's *still* through the lense of being reminded how Jason failed? subconsciously believing that Jason got himself killed because of his actions, and that being a lesson for Tim to learn from? Jason isn't a person to Tim, he's a moral lesson about how to be Robin. any potential idolization he could have of Jason isn't because he loves Jason, it's because of the lessons Jason's death taught him.

and then, even though him hallucinating TIm is from the New-52, which makes characterization all kinds of questionable, i do think it makes sense for TIm to hallucinate/imagine Damian after Damian's death in an attempt to cope with it.

teen titans (2011) #18

to an extend, he sees Damian's death as in part his own fault. and even hating Damian, Tim needs the comfort from this to cope with Damian being gone. he's angry that Damian even was Robin, and has to learn something from Damian's death and how it impacts the Robin mantle, and teenage heroes as a whole. like, Tim can pretend he hates Damian all he wants, even getting taunted by the image of Damian, but there's still an underlying love to their relationship.

i think that's just the fun of shipping Tim with any of them. you will never divorce Tim's views of them from the Robin mantle and how fucking Unwell he is about anyone else who's been Robin before or after him, to the point he has to hallucinate them comforting him when he's at his lowest. it's always going to be a little unhealthy, a little toxic, and driven by Tim's relationship with being Robin as well. i need more Tim being weird about Robin in these ships.

[sincerely-sofie]

What if the lamb and narinder swapped places?

BEHOLD: Narilamb but make it vaguely Wind Waker / Ponyo and even more tragic.

[puppyeared]

RETURN TO MONKE (PUBERTY EDITION)

MK’s monkey form doesn’t feel right to me so i wanted to break up his transformation into stages. Maybe as he learns to accept that side of himself it becomes part of him, instead of changing between human and monkey randomly (which is probably painful). Love yourself, NOW!!!

@zymstarz im tagging you for FULL MONKE

[lucindasthighs]

Giggling about Aph's mini-love interest children until i thought about what if they realized it in-universe

Levin having fuzzy memories of pulling at his mom's flower crown, given to her by a man who looked a bit like him. It wasn't his dad, but it must have been someone who made his mom happy. Maybe he's still out there keeping Mom safe. Maybe he'll be the one to make sure she comes home... no matter the cost.

Malachi getting some street smarts lessons from Laurance. Being an adopted kid of a lord, feeling like an outsider and just trying your best to hold your sibling's hand and keep them safe? Yeah, Laurance gets it. It's just a couple tips on avoiding bad circles and keeping your wits about you, but Malachi flashes back to them constantly while trying to help Levin.

Lilith Garnet carrying on the souls of two Lord's lost beloveds through her very name. Two people who have had far more tears shed for them than she'll ever be able to repay. I don't even have more to say here, I'm just sad :(

[captainmaxatx]

I feel like we are all sleeping on the fan fiction potential given to us from Deadpool and Wolverine using their bodies to make a circuit with matter and anti-matter

Who knows what that could do to a person, you could write a fic where that caused anything your heart could think up.

[manitapaleta]

listen,….. we don’t know y hermie didn’t grow up with his dads but i already know its going to DEVASTATE ME when anthony tells us bc i know they would have loved the little joker, our sweet little thespian (also big brother nick hellooooooo)

[majiinatc]

peterhobie friendship is one of my favorite spidey friendships in comics and i really love how much they care for each other. how different yet very similar they are to one another. the narrative foils.

bonus:

[godhurts]

Yo so I'm confused

How do I tell if I'm poly and a little bit in love with all of my close friends or if I'm aromantic and just love everyone platonically

[poyopaan]

self indulgent Yand moments cause i had this idea and i thought it was funny. Gills gonna be mad he lied about his name 😔

[goldengodcannibal]

"everybody also definitely constantly asks themselves what it means to be a human or a person, and they definitely also always ask themselves who they actually are or what makes them"

- me, in denial

[xbraveheartx]

Just full of ✨ Thoughts ✨ over the development and progress from when you start the game to when you finish on how P/Carlo just evolves, and kinda just thinking on some internal stuff on how I would like to write him.

How you start and he's just P, he doesn't know his purpose, he just knows he's being called somewhere. Lost, alone, faced with peril and made to fight when he hasn't even stepped out of his "birth place". He wakes up and he's just handed a sword. And he fights. At the start he's very much this empty slate; A newborn stumbling through Krat, and despite the man who calls himself himself father saying stuff like "Krat isn't how you remember it--" He really doesn't 'remember' anything at all. What is there to 'remember', he wonders?

And then he starts to get the memories-- they're not his but also... they are? They feel so close and yet so far away; Foreign and yet familiar. And then he hears a name whispered: Carlo-- and his whole world shifts right from under him. He feels sick, the name makes his head spin. The voice to have said it makes his head spin all the more. And bit by bit. He remembers. Not all of it, but... he remembers enough.

And he's hurt by what he remembers.

But by the end of it, after he claims his own freedom, after everything is resolved, and he returns to the hotel, he doesn't feel fully like Carlo-- doesn't feel at all like "P", either. He woke up not too long ago, and suddenly his life is flipped in its entirety. He's neither, and yet he's both. He doesn't know who he is anymore, but the name sticks. It's all he has left, even if a part of him feels some strange form of imposter syndrome, somewhere deep down... But he doesn't like being referred to as Geppetto's Puppet, either. He's not a puppet, not anymore. He's human, albeit, a different kind of human.

So just Carlo, is fine with him, even if he's changed far beyond of who-- and what-- Carlo was.

'--an Ergo puppet can have a second life and become another kind of human--' He just needed now to decide just what that second life meant for him, now.

[sincerely-sofie]

Me: Wait. Oh my gosh. Am I an angst writer???

Friend: ... Sofie.