#i think. not in a profound way but more like making themselves a place to talk to and come home to if that makes sense
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cursezoroark · 10 months ago
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reguri and their nonchalant way of picking up kids into their weird family. specifically nemona and Moon. walk with me.
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coralhoneyrose · 11 months ago
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Why Chrom Fire Emblem is The Husband of All Time: An Essay
SO. There was a screenshot going around of a reddit thread asking about how Chrom has managed to maintain such lasting popularity as a Fire Emblem husband even 6 years after Awakening came out. Given how beloved he still is another 5+ years later, I could not resist taking the opportunity to talk about just what I think makes him so great and endears him to players.
Character Introduction:
Let’s start out the same way Awakening does—with Chrom’s in-game introduction. This is one of the immediate ways Chrom sets himself apart. The game boots up and before anything else happens, Chrom is there expressing his unshakable faith in the player character. You take down the Bad Guy™ together, he turns and gives you this wide, puppy-ish smile and then you push him out of the way to take the hit from an oncoming spell in his stead. Right away you know this is someone your player character cares about deeply—and clearly that care is returned, because he’s immediately running over to make sure Robin’s alright.
Of course, as we all know, things go south very quickly after that. But as the cinematic plays out, and you proceed to watch yourself stab him in the chest, the *first* thing he does, the very first words out of his mouth are: “this is not your fault”. Chrom has just been completely blind-sided and arguably betrayed by his best friend, possibly his spouse, and his immediate instinct is to absolve Robin of guilt. He is literally more concerned about Robin blaming themselves for what happened than about his own imminent death. That alone tells you so, SO much about the depth of their relationship. It tells you both how deeply Chrom cares and how well Chrom knows Robin too. And not only that, but his final request, the ONE and only thing he asks of Robin before dying is that they will promise him they will escape from this place. In his last moments, his single “selfish” wish is for Robin to assure him that they will do what they can to survive. Chrom’s final request is for Robin to give him the comfort and peace of mind he can only obtain through the assurance that even though he won’t get out of there himself, Robin will. He just wants to be able to die believing they’ll take care of themselves and be alright—and knows them well enough to realize that unless he makes them promise, they likely won’t.
AND THEN. And then!!!! You jump cut to Robin waking up in the field with all the sunshine and Chrom’s smiling down with the softest expression and his ridiculously blue eyes. He lifts Robin up by the hand and pulls them right up to his face (because he has no concept of personal space, apparently) and OUUuuggh.
Those scenes in direct sequence make me so insane. You get Chrom’s life ending with Robin immediately followed by Robin’s life starting anew with Chrom. Chrom’s unwavering faith in them and his eagerness to extend his hand and bridge the gap between them from the moment they meet until his last breath. The warmth and kindness and love that Chrom treats Robin with is communicated so effectively in the first few MINUTES of the game it honestly makes me feel unwell. Showing how profoundly Chrom cares for Robin immediately endears him to the player. And he only gives you more reasons to love him as the game goes on.
Personality:
There can be a tendency in some corners of fandom to simplify Chrom to just being either a generic prince charming type character or a lovable himbo. I’m not here to police how other people enjoy him, but I will say that those characterizations fail to get at some of the aspects of his personality I find most compelling.
Chrom is deceptively nuanced. While there are certainly ways in which he aligns very closely with the standard jrpg protagonist, I suspect that a lot of his enduring popularity is the result of the ways he deviates from it too. He is brave and loyal and cares deeply for his friends, yes. He has profound conviction in his ideals and strives to do the right thing, as is typical for that archetype…but what makes Chrom so lovable is his determination to keep trying to be good in spite of the ways it does not come easily to him.
We see this in the Valm arc, when he’s struggling to reconcile his own beliefs about justice with his sister’s ideals for peace. We hear echoes of it when he talks about the horrors the Ylissean people endured at his father’s hand and how despite that, he has never been able to understand how Emmeryn forgave them for the cruelty they once directed her way. He has so much admiration for his older sister’s ideals despite the fact that peace is not his first instinct. 
When Emmeryn first sacrifices herself, Chrom is consumed with grief and rage, and it takes some time for him to understand why she made the decision she did. “Peace above all else” is just not how he’s programmed to operate…yet he wants it to be. If you count the drama CDs as canon, then that serves as another excellent example as well—where the message of his sister’s sacrifice is so lost on him that his first instinct is to respond to it with violence and prejudice and hatred directed at the very people she sought to reach out to. For a moment there, we see him veer from the person he wants to be towards what we as the player can only assume is the person his father left him afraid that he would become.
And yet he finds his way back. He stumbles, he lashes out, but his love for his friends and fear of losing more of those he holds dear is able to help him course correct.
I love that tug-of-war in him. I love that we get glimpses of the darker paths he could have gone down and that there are tangible consequences for his mistakes. Early in the game, we see Chrom lose control of his temper and how Gangrel and Aversa are able to take advantage of that to officially declare war on Ylisse. Chrom later tells Gangrel that were he alone, he can imagine losing himself in that need for vengeance but reiterates that it’s love that is able to keep him from succumbing to that.
And it’s not only that he’s able to stop himself from being horrible—his losses are the catalyst for him coming into his own as a leader. He’s able to pick himself up and hold himself together to see their troops through the rest of the war. And he manages that despite the fact that in the course of mere days, he lost both his home and his most important person and has been freshly saddled with the duty of ruling an entire country. That’s…a lot. And really goes a long way in demonstrating Chrom’s incredible strength of character and conviction. We get some wonderful moments of vulnerability where he confesses to being riddled with doubts about his own capabilities and worthiness, but in spite of that, he is still determined to try to be the person that Ylisse needs him to be.
All of this leads me right into another wonderful aspect of Chrom’s personality, which is that he is just…so driven by emotion. He feels DEEPLY, and while the narrative definitely uses that as a way to hurt him and force him to grow at times, something that really stands out to me about Chrom is how the story isn’t here to send a message that it’s wrong for him to be that way. Chrom’s big feelings are one of his greatest strengths in addition to his greatest weakness—they’re what saves his life and ultimately Robin’s too, if you go the sacrifice ending route.
And ya know what? I honestly think that’s such a breath of fresh air. I love how much he does NOT embody the emotional disconnectedness that you see pushed a lot of times with stereotypical masculinity. I love that he is the hero, and he's gallant, and very traditionally "manly" in a lot of senses…AND that he's also very emotional and guided by his heart. If you’re playing with f!Robin then you wind up with a really refreshing inversion of gender stereotypes from that: in which Chrom is the emotional decision maker and Robin is the more calculating and logic driven of the two.
Beyond his big heart, I can’t talk about what’s so charming about Chrom’s personality without touching on the ways he embodies a certain level of gap moe as well. Chrom is so stern and serious, as well as quite charismatic when he’s speaking from a place of passion. But on the flip side of that, we get to see him as an absolute bumbling mess when he’s out of his element. He’s easily embarrassed / flustered, self-conscious about his appearance, and often socially awkward where romance is involved. While these traits may seem of minor importance compared to the whole rant above, I think they’re really important for humanizing and rounding him out.
There are lots of other nuances to his characterization that go a long way in fleshing him out too. Despite being a prince, Chrom is blunt and completely unmindful of formalities. That, along with his impulsivity, definitely gets him into trouble sometimes. He’s melodramatic and blisteringly sincere. He’s a little bit clumsy and doesn’t know his own strength. He has a dry sense of humor and can be surprisingly funny. He’s optimistic and trusting—not due to naivete or stupidity but because he has decided that giving people chances and believing the best of them is an important value to him and one that is worth embodying in how he lives his life. 
Lucina’s presence in the story and his immediate and complete acceptance of her is an extremely effective way of demonstrating what an incredible father he is too. Honestly, he just has really wonderful relationships and deep admiration for a lot of the women in his life and that absolutely earns him points in my book (and I suspect in many others’ as well). When you look at all of that together, I don’t think it’s hard to understand why he’s so beloved.
Design:
Slightly less serious note here, but I think it warrants discussion regardless because character design absolutely contributes to player’s feelings about and interpretation of a game’s cast members.
And Chrom is…well, he’s eye candy, honestly. He’s got the nice, exposed arm, the messy blue hair, the completely nonsensical outfit he somehow manages to look handsome in anyway (his questionable sense of fashion is a charm point, okay?). Add in the square jaw and the surprisingly long eyelashes and he’s just. He’s very pretty. Idk what to tell you. Bonus points for the summer scramble cg where he has the most inexplicably flat butt of all time. And I really do believe that some of the oddities of Chrom’s design lend memorability to him and go a long way in setting him apart from other lords in the series with similar design concepts. The insistent asymmetry across many of his outfits, the fact he’s showing a little skin, idk it just WORKS. Chrom is hot, I don’t make the rules.
Relationship with Robin / the Player Character:
Last but not least, I want to talk about Chrom’s relationship with Robin.
I touched on some of this in his character introduction already, but Chrom is just…the biggest Robin stan. If Robin has only one fan then that is Chrom. If Robin has no fans it’s because Chrom is bleeding out on the floor with lightning in his gut. 
He just has such deep respect and admiration for them. He values Robin’s opinion and insight and thinks so highly of them and their ideas, often serving as an enabler in many cases (setting the boats on fire, the volcano, etc.). Chrom’s faith in Robin is SO unshakable that when his daughter tells him that Robin is going to be magically controlled and forced to murder him, his response is, “That won’t happen because Robin and I love each other so much that everything will somehow be okay. No, I will not elaborate.” And ya know what? He was RIGHT. Their bond DOES wind up being so strong that it’s able to change fate. The narrative is quite literally validating his slightly ridiculous insistence that him and Robin just care about each other The Most of Anyone Ever. He is Robin’s biggest advocate from the moment they meet when he defends them from Frederick’s suspicions all the way to the game’s close when he either assures Robin that their life was worth preserving or, as in the case of the sacrifice ending, that he will spend the rest of his own life searching for them until they return.
Honestly the fact that Chrom was willing to potentially risk dooming the whole world to the fell dragon’s awakening 1,000 years down the line just so he doesn’t have to lose his comfort tactician is WILD. For the game’s hero to literally say “we don’t have to defeat this evil for good, the people of the future can figure it out” JUST so he can keep Robin is absolutely unhinged behavior and I love it. I think it’s incredibly humanizing that he’s a little bit selfish about the people who are most important to him…that despite his willingness to sacrifice himself or run headfirst into danger, he draws the line at losing Robin because he’s already lost his most important person once and he’s not going to let it happen again. Chrom and Robin absolutely come across as a little codependent and a lot obsessed with each other and personally I wouldn’t have it any other way.
And then there’s his love confession to Robin. GOd...
I think that’s the most flustered Chrom appears in any content in the entire game…and it’s because he treasures their friendship so deeply that he is petrified about messing it up or saying the wrong thing. I love that he goes into their S support dead set on NOT telling Robin what is going on but the second he realizes that Robin is under the impression he doesn’t care about them or like spending time with them anymore he is so horrified and desperate to correct that line of thinking that he blurts out the full love confession on the spot.
He’s SO earnest throughout the whole thing, but then at the end he hits you with the whole “this is the best day of my life”, and the “You are the wind at my back and the sword at my side. Together, my love, we shall build a peaceful world, just you and me” (thank you Matt Mercer for your services), and the cg image of him staring right at Robin with what are basically heart eyes and. I just. There were no survivors.
That’s not even their only proposal / love confession scene either! The fact that the game gives us an entirely separate alternate proposal that’s more serious in tone is the icing on the cake. How many ships out there can say that they get not one but TWO canon proposals that are both that good? Truly no one is doing it like chrobin.
Closing Remarks:
Chrom is a well written and nuanced character who struggles and grows over the course of the story while always remaining true to himself and his ideals. His intense and unending trust, admiration, and love of Robin endears him to the player from the moment the game begins all the way to its conclusion. He is kind and good while still being fundamentally flawed (and it doesn’t hurt that he’s very handsome to boot). Bearing all that in mind, while the message of Awakening may be that nothing is inevitable, Chrom’s conceit and execution were always going to lead to MANY of those who play the game coming to love him and pick him as Robin’s husband…and there may be no greater evidence of that then the fact I’m out here writing all of this eleven years after the game’s release.
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cripplecharacters · 13 days ago
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What are some disabilities you've never or extremely rarely seen represented? As in no one's tried at all as far as you know, not just trying badly - people are at least aware wheelchairs are a thing.
Hi! Interesting question, since there's quite a lot of these (and a million of ones that I only saw done badly).
For the sake of my sanity: I will not include disabilities that I only saw represented as a one-time curiosity on a medical show because I don't feel like this counts for anything to be honest (and because some of these shows have 27 seasons and covered literally all existing conditions with 5 minutes of screentime each). Other than that, these are all disabilities I have never seen in any published media, and the vast majority of these I have not seen mentioned even in the online spaces focused on writing disabled characters (including places like our inbox).
One of my own facial differences. I don't know a single character with a permanent cranial nerve disease. Which is kinda wild to me because facial nerve palsy is really common in real life. I'd like to see someone with permanent paralysis on their face, regardless of how similar or dissimilar it is to what I have going on.
Profound intellectual disability, as in the kind where the person actually needs 24/7 care and requires help with all activities of daily living. All the intellectually disabled characters I've seen have been on the milder side - which does make sense considering the vast majority of people with ID are mildly and moderately affected, but I'd still like to see some more variety.
Spinal muscular atrophy. To be honest I was 100% sure I was missing some obvious character from some bigger piece of media because there was just no way there was none, but I wasn't able to find anything. So as far as I can think of right now, I have never seen it represented. It'd be cool to see characters with SMA of all the different types.
In a similar vein, most muscular dystrophies. Pretty much all the "characters" with them are just real people playing themselves, so I personally don't really count it (?). But even then it's basically impossible to find anything representing MDs other than Duchenne and maybe Becker.
In an also similar vein, just severe disabilities in general. Writers are allergic to the idea of making a character who has significant limitations and needs a lot of help to perform daily functions. Sometimes it's the age-old argument that the character "can't fight so what's the point" that I see online with some frequency (as if there aren't other things to do in an action series), sometimes the writer is just too ableist to consider thinking of severely disabled people as people so it doesn't cross their mind that writing a living human being who needs help with eating is a possibility.
Pretty much all characters that I know of with high-needs autism, high cervical SCIs (from C"0" to C4), severe brain damage, severe muscular dystrophies (as mentioned), severe/profound intellectual disability (as mentioned...), non-mild SMA (...as mentioned...), locked-in syndrome, ALS, they mostly don't exist; sometimes they do and die/are murdered because of the "death>being disabled" sentiment. Disabled lives are worth living and this absolutely needs to be represented more ASAP.
Most autoimmune conditions. I'm blaming it on the fact that 99% of characters that could be seen as having them just have Vague Unidentified Something that makes them Vaguely Weak. I have never heard of a character with Graves' disease or Addison's, named or at least implied enough to reasonably assume that's what the author meant. For the most part all that's out here is just Vaguely fragile characters who are Vaguely staying in hospitals and getting Vague treatments. It could be meant as representation for anything but represents nothing because it's all empty and nonspecific (I'm NOT talking about undiagnosed characters here, diagnosis or not there are still symptoms one can actually show in the story).
Some conditions are more difficult to show than others, but it doesn't change that it'd be cool to see more of them and for them to actually get named. Especially in modern settings where these conditions very much have names that can be said (even in passing) and specific symptoms that can be shown in literally any setting.
Ehlers Danlos syndrome that's not the hypermobile type. Sun Spider has hEDS and she's cool as hell but other EDS types are just completely forgotten to the point that unspecified EDS is presumed to be hEDS. There's nothing here for the classical or vascular types, let alone the ones described as rare (you don't even see pEDS or kEDS mentioned on a lot of EDS info guides).
This kind of "single type of condition with multiple types makes up 100% of existing representation" is really common for a lot of disabilities, actually. Have I seen "representation" and representation of oculocutaneous albinism? Yeah in like every other bad fantasy series. Have I ever heard of ocular albinism being included in media? Chédiak–Higashi syndrome? Hermansky-Pudlak? All the other ones that no one's ever talking about? Absolutely not. Even in the online writing space, all I have seen is a single character with one of these (actually made by one of the other mods of this blog).
You are very much correct in that people know about wheelchairs. However, a wheelchair can have a lot of variables that people are very much not aware of.
99% of wheelchair user characters use either a manual chair or a transport chair. This leaves out the borderline-mystical motorized wheelchairs. Right now I can think of one character who uses a modern-day, realistic powerchair; Saraqael from Good Omens. That's it.
People are still more or less aware of their existence though, even if it's just the "oh, like Stephen Hawking?" angle. But do they know of chin control? Sip 'n' puffs? Foot joysticks? Lever drives for the manual ones? No. Manual-shaped low backrest powerchairs are mostly out of the picture, wheelchairs modified to be propelled by foot are literally seen as a meme. Wheelchairs, despite being the disability symbol, don't have as much awareness as one would like to think.
List of disability aids I've never seen shown anywhere: posterior walkers; ankle-foot orthoses (I saw a KAFO once!); group 3 powerchairs with all their neat functions; platform crutches; refreshable braille displays; adaptive strollers; basically any of the aids made to help with holding objects... These are whole groups of things that don't get shown. Don't get me started on how non-oral communication systems are non-existent outside of American Sign Language.
A lot of the facial differences mentioned in this post.
Also, I don't really take into account how rare or how common these disabilities/aids are because 99% of writers aren't doing it either. There are more characters with ridiculously depicted congenital insensitivity to pain (is there a single writer out there who read about the symptoms outside the name of it?) which is obviously rare (and with high mortality) than ones with diabetes, which ~10% of humans worldwide have... There is roughly 0 correlation between the prevalence of a disability IRL vs in media.
The unfortunate issue of writing characters with a rarely represented/straight up never represented disability is that there will be less information about media tropes and the like, so you might need to be extra careful and talk to more people (or just get a sensitivity reader). When in doubt try to reach out to people with said disability and compensate them for their time!
mod Sasza
Thank you for your ask! I’m going to try to mention things Sasza hasn’t, though the list isn’t going to be incomplete since there are so many disabilities I’ve known people with but have never seen represented in any form (movies, shows, books, or podcasts).
Marie charcot tooth disease. I know multiple people with it but have never seen a character with it, or even any character with AFO braces (I feel like I’ve seen most mobility aids at least once but never has media even mentioned AFO braces?).
Diabetes, type 1 or 2. For all people talk about it in media (and usually negatively..) they never give it to their characters! Meanwhile it’s possibly the most common disability the people I know have.
More chromosome difference! There are so many chromosome syndromes, Turners, Williams, Cri du chat, Trisomy 13 or 18, and more. When I see a chromosome disorder portrayed it’s always down syndrome (note: I’m not saying don’t give your characters ds! It’s underrepresented in media still, but it’s also the only chromosome syndrome I’ve seen represented.), and even then most of the time it seems like little to no research has been done on it.
COPD (chronic obstructive pulmonary disease). It’s a fairly common disability that (9-10% of the population has it, aka roughly 780 million people!) should be portrayed more, and the fact that it’s completely ignored when people make speculative fiction, sci-fi, or post apocalyptic fiction about a more polluted world seems like an oversight to me (though please don’t only write people with COPD in these stories, they can be present in any genre!)
Congenital hand/arm differences [also foot/leg differences, but characters rarely take off their shoes]. Radial club hand, cleft hand, contractures, oro-facial-digital syndrome (OFD), congenital constriction band syndrome, anything!
Ambulatory mobility aid users. If someone is a show is using a mobility aid [which is already pretty rare] they’re using the same aid at all times. There’s no representation for people who use aids at different times for different reasons [such as fluctuating symptoms, depending on the path/time spent outside, safety, comfort, etc.] Every time I’ve seen a disabled character moving without the aid they previously had, it’s used as a reveal that they were faking the whole time, which directly impacts how abled people see ambulatory aid users in the real world.
Ostonomy bags and/or catheters. I feel like if people saw more characters with these, there would be much less stigma around them [I also recently saw a tiktok of a person who made decorative ostonomy bag covers for a friend to match their outfits, and decorating aids is so cool I want to see way more of that!].
Actually on that note, more aids in general! There are so many disability aids such as feeding tubes, ventricular assist devices, tracheostomy tubes, silver ring splints, I really want to see them more!
I hope this helps with your question! In truth the answer would be “almost every disability” since it tends to be a handful that get represented with little to no research about them.
Mod Rot
Hello,
Acute confusional migraines. These are a severe type of migraine that come with delirium-like changes in mental status. Most ACM patients are children who grow out of it, but some people either continued having them into adulthood or started getting them in adulthood, like me.
TBI that occurred when the character was very young, to the point where they either don't remember their life before it or barely remember it. It's a very different experience
Chronic headaches. Not chronic migraines, chronic normal headaches.
Vocal slur that's not from substances or a temporary head injury, that's just how the character always talks.
Myofascial pain syndrome, which is kind of like fibromyalgia's little sibling.
Bilateral waddling gait.
Global aphasia, which is a severe nonfluent aphasia that causes the loss of all or nearly all of someone's language abilities, both expressive and receptive. Here's the Wikipedia page on it
Psoriasis
Mod Aaron
Hi,
Obviously so many things have already been mentioned so I'm just adding a couple things I thought of:
Like any heart/cardiovascular condition that isn't "girl with an unspecified weak heart." And, listen, my favorite ballet has this trope – but the ballet's defense is that it was written in 1842, before we knew literally anything about any heart conditions. Modern-day media doesn't really have this defense.
On that line, pacemakers. Lots of people use pacemakers, and not just old people either.
Crohn's disease. It's not a particularly rare condition, but I have never seen a character mentioned to have it, or even a mention of it past a line or two on a medical TV show.
Narcolepsy. It's rare, yes, but not extremely so. And narcolepsy not as a "haha so funny they fall asleep," because it's not a joke, it's a health issue that can be really stressful and frustrating.
That's all I can think of right now without repeating myself.
Mod sparrow
Adding on a few of my own!
With all the jokes in media about going gluten-free as a fad or an example of being stuffy, I've never seen a character with Celiac disease or complications from it.
Adding to that - vitamin deficiencies are very common side effects of so many disorders and never seem represented, the most common being iron deficient anemia and B12 and vitamin D being other common ones.
Food allergies or severe allergies are another thing that's become a joke but is both difficult to accommodate for and more common than many people realize.
-Mod Bert
Hello!
I think everyone else covered most of it. One thing I want to add is digestive conditions or conditions that affect the digestive system in some way. They're very common but not really represented and there's a lot of stigma around them.
The way they're written doesn't have to focus on their washroom habits either. It could focus more on necessary diet changes, medication they need to take, etc.
When I say this, the conditions that come to mind are things like Irritable Bowel Syndrome (IBS), Crohn's Disease (Which was mentioned earlier), Celiac Disease (Also mentioned earlier), Lactose Intolerance as well as some lesser known conditions such as Hirschprung's Disease and Achalasia.
Cheers!
~ Mod Icarus
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notmorbid · 1 month ago
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these violent delights.
dialogue prompts from these violent delights by micah nemerever.
i never told you my name.
who puts those awful ideas in your head?
you're forever assuming the worst.
what's that face? you look like you're going to cry.
you're one of those people who worry all the time, aren't you?
i don't worry, i ruminate. they're distinct actions.
nothing made you. you just are.
beautiful things are supposed to hurt.
people tell you you're shy all the time, don't they?
i don't know how i ever got on without you.
a little trouble is a good thing for a young person.
i wasn't born yesterday. i know what kids get up to.
it's good to have guns to stick to.
you could do anything to me and i'd let you.
i'm not ready to be seen. not yet.
i don't need you to treat me respectfully. i'm not made of glass.
tell me you love me, at least. please. i need to know somebody does.
do i look normal? i can't tell if i look normal.
you can get away with anything, as long as you act like an authority on the truth.
don't tell me what i want.
you know you're just about the worst liar i've ever met.
i don't think you've ever felt anything that didn't hurt you.
you're so square, you're a cube.
i just want you to believe me when i tell you you're worth something.
there are limits to what you can expect people to understand, without living it.
you can't fight everybody all the time. you still have to live with them.
i forget how blue the sky can be outside the city.
i'm going to push you off a cliff, you fucking boy scout.
thank you for trusting me with this.
be a kid while you still can.
please believe in the things i try to tell you, instead of the things you think you deserve to be told.
if the sun touched you for even a moment, you'd go up in flames. like a vampire.
your voice changes when you're angry.
what a lonely, dreary thing it is to know the truth.
you never look away, even when your eyes are closed, but i'm never certain you can see what's really there.
tell me you need me. in those words.
can i tell you something? that i'm all but certain you won't believe?
i never lie to you. but sometimes, i wish i could.
you never let me pretend the truth is alright when it isn't.
you have a profound, elusive sadness about you.
you didn't. please tell me you didn't.
you and your awful little games.
why would i bother to grow my own conscience when you're always around to pester me?
you're going to help me escape.
this house is a shadowbox, never meant for human things.
you have no right to stop me, and you're not going to try.
you're sweet, when you want to be.
do you want me to kill ____? i mean it.
it might do you good to be an orphan.
you're just so sincerely creepy.
wealthy people pay handsomely for the privilege of ignoring cries for help.
i've never seen you like that before. not once.
i've decided to learn to be impulsive.
the worst damage humans do isn't rooted in malice, but in thoughtlessness.
there's such a thing as right and wrong. anyone can figure out the difference if they're willing to think for themselves.
there's no part of you i can't see.
i don't want to hurt you. please don't let me.
you're ridiculous, sometimes. but that's alright.
i don't want you right now. go home.
i'm not like you. i don't even have a shape of my own to hold anything else in place.
i'll never matter the way you do, and you know it.
say what you need to say.
if you say the word 'deserve' one more time, i'm driving us off a bridge.
i've been meaning to talk to you about ____.
i'm worried about what you're getting into.
you don't see me. you can't. you never could.
it's your life. you're entitled to make your own mistakes.
i want you to know you deserve better. you don't have to put up with ____.
you scare the hell out of me. you really do.
you look the same way you always have.
i was worried i'd lost you.
i'll take care of you. i don't need you to be brave.
all i want to do is make you happy, and you're the unhappiest person i've ever met.
i would rather be cruel than weak.
i want you to let me be nice to you today. i don't care if you think you deserve it.
this place looks like somewhere in a jigsaw puzzle.
it's always been real for me. every second.
please don't say anything to my mother.
we can't fix it if you don't tell me what happened.
i'll call you when i can stand the sight of you. don't hold your breath.
hiding the truth is still lying.
i thought you'd finally trust me if you knew i'd kill for you.
i'm just as much of a monster as you are.
i was missing part of myself my whole life, until i met you.
righteous fury leaves no space for fear.
you can always talk to me. about anything, okay? i love you no matter what.
you played [game] in school, didn't you?
no one tolerates boredom worse than the idle rich.
someone needs to be looking after you.
you know you can't actually stop me, right?
i want to be able to look at you.
when you need to, you will understand.
i'm only ever early when i'm afraid.
people talk themselves into the strangest things when they want to look impressive.
in the end, there's no difference between trusting someone and underestimating them.
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pricesprincess · 1 month ago
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from this ask | fat fem! reader | asshole oc for story purposes
simon riley really did live up to his nickname ghost with the way he followed you from place to place and any obstacles didn't matter to him, not when it came to know if you were safe or not.
he knew your schedule like his own and after years of being together it was just natural and simon couldn't just give up on the notion that you weren't his wife anymore so that's why he calls you everyday.
it could be about the weather, if things around your apartment need to be fixed, or if any men are hitting on you at your job because the idea of you moving on makes him sick to his stomach with dreadful pain.
but the first thing he always asks is are you okay love? because he wants to know if you are doing alright, perhaps without him and it seems that you're struggling with it all as well.
so when you ask simon to crash your date when you're halfway through dinner because he keeps making odd comments that put you on edge the moment you two sat down from each other there was no way he wouldn't help you.
your date was polite at first but something in your gut was warning you to text simon a simple word. red. he knew what it would mean.
"i'll be right back, i just need to freshen up." you murmured with a fake smile as you grabbed your purse and stood up knowing that if you were to be honest he could flip out and do something crazy.
your date nodded looking you up and down with a slight lip curl. "you could've dressed better and sprayed more perfume." his words were said so nonchalantly like they couldn't hurt a person's feelings.
you couldn't get away from his faster.
once in the bathroom you leaned against the wall pulling up simon's contact, the picture was of him and the cat you had custody of, princess q-tip who you had to beg him to do it but gave in quickly.
white with blue eyes and spoiled since you weren't too sure on having kids with his job, while you would love to have a baby with him it was the practical thing to do right now.
instead of texting you called him.
hearing simon's rough voice made the hair on the back of your neck stand. "hello? everthing ollright love?" the use of your nickname had your mouth going dry knowing you only had so much time.
"i'm on a date and its in the red, if you're busy i know i can always call the guys too and one of them can save me." your words tumbled out in a rush you were nervous he didn't hear and you'd have to repeat it.
in the background you heard the television click off and simon grunt as he stood up to get dressed. "send me your location." he hung up giving you some time to prepare yourself before going back out.
when you came back your date was flirting with the waitress, his eyes undressing her as she stood there until she finally saw you and smiled awkwardly before leaving you two alone.
"don't worry about her, your rack is a lot bigger." he told you with a wink and tipped his beer back all but chugging the thing as you watched with a slack jaw, you weren't offended when insults came from people who were clearly miserable with themselves.
the moment you leaned down to grab your water cup to splash him with it you smelt him before you felt his hand on your hip giving it a squeeze as he towered over the table casting a shadow over it.
his intense gaze cut through the air like sharp daggers intimidating the man who looked up at your ex-husband who pulled on his mask for old time-sake. "she's coming home with me." simon told him.
there was no arguing from your date which only made you laugh mentally as simon guided you away from the table and prying eyes, his lips brushing against your ear. "you deserve a lot better than that."
his words were laced with a profound sense of sadness and his sentence had a double meaning. "thank you for saving me, i don't think i'm going to date for a while after all that." you murmured and let him walk you to his car and open the door as usual.
almost like you were both on autopilot.
simon listened as you told him about your date and you both laughed and joked about everything which was really what you needed and then when the porch light flicked on as simon pulled his car up into the driveway he knew he shouldn't ask but did so anyway.
"can i come in for a nightcap?" he asked turning to look at you before tugging his mask off, it was a rare sight that he never let anyone see.
without saying anything you leaned over and kissed his scarred cheek. "of course, i'll make your favorite." you told him with a grin feeling your heart ache at being so close to him again.
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lyneira · 2 years ago
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♡ attempting to flirt ♡
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-> how the genshin men try to flirt with you
lyneira's 1.2k milestone event
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Flirts through their words
Heizou, Cyno, Kazuha, Kaeya
I see these guys flirting primarily through their words, yet in a couple different ways.
I feel like Heizou and Kaeya would flirt by being smooth when giving you compliments or verbally teasing you, usually imbued with a seductive undertone. Even when talking to you in general, specifically about you, listen to his words carefully and you'll find a hidden meaning in there, containing his admiration and desire for you. They know which specific words to use and how to use them, dragging out certain syllables, speaking in a lower tone, changing their intonation in a way he knows makes you blush, and all that other good stuff.
Just as he's notorious for jokes, I'd think Cyno would also be notorious for making cheesy pick-up lines when trying to flirt with you. They might be cringe, but the sentiment behind them will be endearing enough to make you smile.
As for Kazuha, he knows how to use his words to describe how he feels for you and how he views you in a profound way, using the many poetic techniques to make it personal and specific to you, and only you.
Bottom line, these guys have have a way with words lol
Flirts through physical contact
Ayato, Baizhu, Childe, Venti, Kaveh
They flirt through their touch and they will never be abrupt or imposing with them. Their touches would be gentle and seemingly innocent. Maybe they might place a gentle hand on your shoulder or maybe softly graze his hand against yours when reaching for something. If you've got a stray hair blocking your face, he'll pull it away and hide the strand behind your ear so that he can clearly look upon the face that he so adores. Or if you have a crumb on your lip, he'll softly place his thumb on the corner of your mouth and wipe across to not only get rid of the crumb, but most of all, take the opportunity to feel the softness of your lips.
You know, his touches are gentle and light for a reason. They're like that to make you crave their touch even more and to instill you with a desire for them to touch you with more fervor and passion. At the same time, I see guys like Venti and Childe also touching you more forwardly. And to be clear, I'm not talking about in an indecent manner. Rather, they would be the type to cling onto your arm, pull you closer by your waist, or easily take you by the hand, all in a playful manner.
Also, you know that typical romantic scenario where the main character is learning how to do something using their hands and the love interest helps them out by coming in from behind, putting their hands on theirs and guides them? Yeah, the main character is you and the love interest is them, hehe
Flirts through eye-contact
Albedo, Diluc, Tighnari
These guys wouldn't have to say a word nor lift a finger to make it known that they admired you.
They would flirt using eye-contact and would do so subtly, and at times, purely unintentional. The sudden haze of longing and desire clouding their gaze and their half-lidded eyes would tend to occur subconsciously when they're simply interacting with you or even just staring at you from afar. One might even equate this look to "bedroom eyes", and it might as well be with how intense it was. It would be an intense look that let you know that their mind and their focus was solely on you at the moment.
Like, he can be totally silent or be talking to you about the weather, but was he really thinking about the weather? Nah, not at all. With that look on his face, bro was clearly thinking of you.
They CAN'T flirt
Xiao, Scaramouche, Itto, Gorou
They get embarrassed with any attempt to show attraction. It's not that they're unsure of their feelings for you, they're just unsure of how to make them known without ending up being too direct and scaring you off. They'll be very unsure of themselves and won't know if they're doing it right.
They'd be too proud to ask for advice, so they'll try to flirt their own way, but I think they'd end up putting themselves in awkward sitautions and would eventually become so frustrated with their poor attempts that they just ask you out or confess to you directly lol
They don't flirt
Zhongli, Alhaitham, Dainsleif, Thoma
They'd rather be direct with their intentions. If they're interested in you, they'll let you know clearly. After all, they'd prefer to show their interest in a genuine manner, being straightforward in all of your conversations and really taking the time to get to know and understand you in order to make fruitful attempts to earn your trust and your love.
Bonus:
Flirts through their words + physical touch + eye contact
AYATO, Kaveh, Heizou, Kaeya
These dudes are the very definition of a smooth casanova. They'll use all of their assets to make their desire for you known and attempt to woo you.
They'll not only tease you by touch through fingers, but through the feathery touch of his lips on your skin as well. Maybe as he whispers into your ear, his lips will slightly graze it, or when he takes your hand to kiss atop of it, he'll try to make you swoon.
As for eye-contact, he'd gaze at you with a sultry look in his eyes intentionally rather than unintentionally, and tends to use it when he's up-close in front of you, where you're able to look deep into his eyes.
They'll also charm you with compliments and witty remarks, but what will truly captivate you are the promises that he makes. Anyone can easily make false promises in order to woo someone over, but what makes them different is that they truly follow through with what they say and promise to you. He may be a casanova, but he's also a gentleman!
Overall, I see them being more direct with their flirting, showing that they're unafraid of revealing their affections and desire for you. Really, they want everyone to know that they want you. Their confidence and natural rizz will ward off anyone else seeking to do the same.
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© 2023 lyneira. PLEASE DO NOT COPY, PLAGIARIZE, OR REPOST MY WRITING ONTO OTHER PLATFORMS
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smileposting · 22 days ago
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what are your feelings on inspekta being both a sympathetic character and a (now former) fascist?
WELL. first of all, i think it's Probably worth noting that even while GGG's representation of the conditions that can give rise to fascism are Uncannily accurate at times (as outlined in this very excellent post by elkian) it is Also a story in which the central message is "maybe talk to your friends instead of conspiracy-posting when you start to feel bad about yourself, dipshit," and therefore its representation of fascism/fascist thought As A Whole is very... how do i say this without sounding disparaging. "saturday morning cartoon"-esque. i think this is pretty apparent in how the worst that the bizzyboys' reign of terror ever gets is banning The Concept Of Art and not, like. genocide. the only Actual fatal threat (the rift) is saved for the very end, and inspekta/hector is talked down before it can actually cause any fatalities -- otherwise, inspekta and the bizzyboys would be very different antagonists that would require the narrative to treat them much more harshly, and this would result in a very different game overall (although not one i would be opposed to playing.)
second of all, i wanna talk more about the idea of GGG being less of a game about taking down a single power-hungry fascist and more an examination of the conditions that can eventually lead to fascism if left unchecked. for just one example, we can see that even before inspekta came into power (or at least, before he started his corruption arc) and even in a world where every god is genuinely kind and just and deserving of their position, it was generally The Norm to not really call them out To Their Face - any displeasure a character voices with a god's (apparent) decision is directed to each other and the godpoke, not to the god themselves, even when that god is perfectly open to visitors and/or feedback. and this is bad because despite the gods no longer being Physically human, they are still just as fallible - they have a tendency to jump to conclusions, they let their devotion to their interests or one another cloud their judgement, they struggle with showing vulnerability (which, ironically, makes them more vulnerable than they would be otherwise.) not only does the grove benefit from regular contact with the gods to make sure that their needs are being met -- it benefits the gods, too, by way of keeping them from getting lost in their own heads and losing touch with their own humanity.
i think it's also worth noting that the bizzyboys are not the only characters we see buying into fascist rhetoric, or at least stuff that benefits fascism in the long run. you could argue that anyone who bought into inspekta's framing of king in the first place also counts, given that to do so would probably Also require one to believe that the gods are infallible. it's also worth noting that a Lot of the more notable supporting characters who fall into this are also doing so out of a profound sense of alienation; saul can't remember the last time he talked to any of his friends and he thinks nobody takes him seriously, pollina's students don't sound like they're being taught much of anything about milldread's history and therefore they have very little to actually connect them to milldread, nobody likes rick brick and he has no interiority to speak of By Design, etc etc. all of these characters, however, are also treated with a fair amount of empathy - ol' bloom turns out to be Correct in believing that saul doesn't have what it takes to kill him and once the issue of the harvest is solved, he's welcomed back with open arms, pollina's students are like 8, and even rick brick's story ends with him beginning to realize that maybe it's okay if a story only appeals to its author and nobody else.
tl;dr: if ggg was even Slightly less cartoony than it actually is, this aspect of inspekta would come across as pretty jarring, but given the aspects of fascism that GGG chooses to focus on and how it treats smaller antagonists, i can't really imagine inspekta's story ending any other way. if i Did have any actual concerns, i'd say maybe it's that the bizzyboys being from the drain + the drain having such a negative connotation can get kinda dicey? something about the idea of fascism being an Evil Foreign Entity and not something that can just as easily start at home doesn’t sit quite right with me. but ofc a lot of emphasis is placed on the bizzyboys' humanity and potential to do good if not for inspekta's own Complexes getting the better of him (and even inspekta's own genuine capacity for leadership before that happened) so that's probably more of a potential bone to pick with fanwork, given how little exploration drain actually Gets in canon.
also i hope this doesn't Need to be said but just to be clear: i'm not trying to like, call out limbolane or Inspekta Himself, just examining what this aspect of his character was trying to Accomplish + how it relates to the game's themes and such. with that said i am very much still a novice when it comes to political analysis of media so if anybody more well-read than me wants to chime in, Please feel free to do so lol.
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nackrosor · 1 year ago
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~Midnight Healing~
𝓢𝓲𝓶𝓸𝓷 𝓖𝓱𝓸𝓼𝓽 𝓡𝓲𝓵𝓮𝔂 𝔁 𝓣𝓮𝓪𝓶𝓶𝓪𝓽𝓮!𝓡𝓮𝓪𝓭𝓮𝓻
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[I highly recommend to put this song on repeat as background music. It will help set the mood.]
warnings/tags: 18+ smut, p*rn with feelings & plot, unexperienced reader, first kiss, first time, oral s*x (fem receiving), p in v, soft Ghost, slow dance, mutual pining, slight angst/comfort, Soap being the best mate, the team being supporting in their own way lmao, cap. price approved 👌🏻 summary: You're at the pub, enjoying a night out with your team. The soothing lulling music, the booze, Johnny's taunts and your own repressed feelings embolden you to invite Simon to join you in a slow dance. The dance leads to long overdue confessions which in turn lead to your first time together. word count: 12.5k. (longest one yet)
A special and huge thank you to my dear @magnoliabutters who has helped me SO MUCH. You've given me so many suggestions that inspired me to write the best possible version of this story. I probably would have given up halfway through if it wasn't for your support. I love you and appreciate you a lot. ♥️
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You close your eyes and take a deep breath, elbows resting on the smooth surface of the counter with a thumb circling the cold rim of your half-full glass of bourbon. The soothing blues music playing in the background adds to your sense of calm, with notes vibrating through your limbs, echoing in your ribcage, and clearing your thoughts. You let yourself be lulled by the soft melancholy tune, quietly humming along and rocking your head in rhythm. 
Given your job as a task force officer, you rarely get a breather and a chance to enjoy a night out. It is a luxury for you and that is what makes it so special, a time to truly look forward to. Especially when you can share it with your brothers in arms, your family, not bonded by blood but by a profound feeling born through shared hardships and nurtured by trust, respect and understanding. One would imagine you'd prefer to spend your free nights alone or with different people, perhaps even a one-night lover, rather than with your coworkers, the very same guys you spend your entire days with, through sweat and tears, anger and frustration, and occasionally a moment of respite. This is exactly the reason why you wouldn’t dare unwind with anyone else; they are everything for you, the sole people you trust and you would gladly give your life for without hesitation. Why would you need anybody else? 
Seeing them loosen up for one night, just enough to treat themselves to a pint or a glass of whiskey is such the delight. You wouldn’t even need to chug a drink of your own to feel the tension leave your body, finally allowing yourself to relax. 
This time is no exception. Same place, same company, same feeling of being exactly where you need to be, of needing literally nothing else in the world.
"Enjoying yourself?" 
Soap's voice sounds clear in your ear and interrupts your blues-induced trance. A lazy smile greets you as you turn to look up at him. He settles down on the barstool next to you.
"Yeah… I love this music. It feels like a lullaby but instead of making me want to sleep, it makes me want to move, you know? "
"Sounds like you want to hit the dance floor! Care to give us a show?" 
"Wouldn't you like that!" 
You smirk at him, bumping your shoulder against his.
"Who wouldn’t?” he returns the nudge, playfully winking at you, “But I know someone who would particularly enjoy it, more than anybody else."
You raise an eyebrow, giving him a knowing look. Every time you come to the pub, you can't avoid one or two, occasionally three, drunken brash males hitting on you or simply gluing their eyes on you from afar, never stopping for the entire time you're here. You'd think that being literally surrounded by four menacing - some more than others - muscular men would prevent anyone from ever looking your way twice, especially weak-minded misogynists who don't believe a woman could take care of herself… That clearly isn't the case. Go figure! These people have no sense of shame or… self-preservation. 
"What ugly old man’s ball sack-looking dude is staring at me this time?" 
A chuckle escapes him. He shakes his head as he swirls the liquid in his glass before taking a sip. 
“No ugly old man’s ball sack-looking dude , just a possibly ugly dude.”
"Oh?" a wry smile takes form on your lips, "well, I could get behind that."
"He's been throwing some not-so-sneaky glances your way ever since we arrived."
"Yeah?”, you ask, taking a quick glance around the room. “Coordinates, Sergeant. Don’t leave me in the dark."
Soap's eyes glint mischievously as he subtly nods to your left, then raises his glass to his lips to take another sip and mask his grin. You follow the trajectory of his nod, gaze skimming the whole length of the counter, overlooking the serene faces of Gaz, Laswell, the captain, until it locks on a familiar pair of big dark eyes. The smirk on your lips immediately falters and your stomach flips. 
Simon is holding your gaze, seemingly unfazed, arms folded across his chest and muscles flexing under his black windbreaker. No matter how accustomed you are to seeing him in his casual attire, your heart always loses a beat whenever your eyes land on him. The way his skull balaclava hugs his face and the way the hood of his dark grey sweatshirt is all the way up, hiding his head, make his mesmerising eyes circled with black make-up even more striking and thus much more lethal to your poor weak heart. You’re so attracted to him, so infatuated… you’ve never felt this inexorable pull toward anyone before. It’s like a new form of gravity, so strong that you can’t even avert your gaze; it takes too much effort, like going against the laws of nature. 
Soap’s giggle draws you back from the trance. Your eyes dart around aimlessly for a moment before you whip around to glare at your friend.
“You’re a bastard.”
He shrugs innocently, that stupid grin of his still tugging at his lips.
"You saw it for yourself, he was staring."
"Yeah, 'cause he probably heard you or read your lips or… something."
"Right,” he says with a scoff, elongating the word. “Didn’t know superman was part of the 141…"
His mocking tone makes you roll your eyes. Grabbing your glass, you bring it to your lips and savour the sensation of the cool, sweet but strong liquid flowing down your throat. As you knock the empty glass back onto the counter, you catch a glimpse of Ghost. Fortunately, this time he appears to be engaged in discussion with Price, providing you with the green light that allows your wistful gaze to linger on him, unnoticed. 
"Well, you must admit that…”, you mutter almost to yourself, eyes reverently roaming his figure, “...if anyone had superpowers in our team, it would definitely be him." 
"Heh. You certainly look at him as if he already has them."
Johnny interrupts your reveries again and you shake your head, tearing your eyes away from Simon and trying to clear your mind in the process. "Stop it. He's just, he's-" 
"He's single, for all I know." 
The sergeant shrugs again with an innocent smile as you give him the stink-eye.
"You’re a menace ."
You poke him hard in the ribs, causing him to wince and almost spill his drink. You both can’t help but laugh.
“I swear if you told him or anyone anything… I'll strangle you in your sleep.”
“Mmm, so passionate, y/n. He’s gonna love that.”
You roll your eyes again, yet can't help but smile.
Soap is your best mate; you're closer to him than the rest of the squad, which is saying a lot given how close the team is. You may or may not have let your feelings for Simon slip during a private conversation one night at the HQ while you were a little tipsy, and he's been a little shit about it since then, unwilling to let you live it down. You know it's all in good fun, there's no malice in his words, but his taunts do nothing to help you keep your feelings under control. 
“You should tell him, by the way.”
“We’ve already talked about this, Johnny…”
“I just don’t understand why you’re keeping it to yourself. You scared of getting rejected?”
You shrug, your gaze fixed on the empty glass in front of you as you fidget with it absentmindedly. He struck a nerve. Taking the first step without being absolutely certain that your feelings are reciprocated and thus making a colossal blunder scares the shit out of you. Actually, the mere thought of taking a shot in the dark makes your stomach churn with dread. 
“Y/n, he would never turn you down. Never .”
“You don’t know that.”
Soap scoffs incredulously. “C’mon! You’ve seen the way he looks at you! There’s nothing PG-13 about it.”
He pauses for a moment waiting for your retort but when you don't give him any, he draws conspiratorially close to your ear. “Although, I guess you don’t get to hear what he says about you when it’s just us boys…”
You perk up, turning toward him with a curious and clearly hopeful look on your face. Does he know something you don’t? Or is he messing with you? You can never tell with Soap.
“W-what does he say?”
Soap grins victoriously, undoubtedly pleased with himself for catching you failing, yet again, to hide your stupid little crush. 
"Gave my word that I would keep my mouth shut..."
“Ugh!", you push him away with a hard smack on his arm, "you’re insufferable.”
“Go talk to him and find out on your own. In the unlikely case that what you fear the most happens, any of us smart boys would gladly take his place in your heart, love ."
You shake your head with a scoff, eyes drifting aimlessly to the other side of the room. Turns out, Johnny was trying to get under your skin, as per usual, however you can’t help but mull his words over.
Perhaps he's got a point, perhaps it is time to let it all out in the open and face the consequences , whatever they might be. Johnny said that Simon has talked about you with the guys. It might be nothing, but what if he really has let his own feelings slip during a conversation, just like when it happened to you with Soap? Or perhaps, he had a real heart to heart talk with his mates… 
You have your doubts, but then again why would Johnny mention that he spoke of you? Why would he try so hard to reassure you that Simon would never reject you? Why would he stress out the fact that he often gets caught staring at you? Could your friend be doing this solely for a laugh? No, Johnny is not that kind of person. He cares about you and he clearly understands how much you care about Simon. He would not give you a friendly push merely to watch you fall face first to the ground. There must be some truth behind his jokes and teasing… but are you ready to risk it all to find out? Being rejected isn't the only fear that prevents you from acting on your feelings... 
"Whatever.” You sigh at last, propping yourself up by pushing your palms against the edge of the counter. “I'm here to unwind, not get caught up in my head as usual. So… now, I’m going to dance. And, just to be clear, I'm not doing it for you or Simon or anybody other than myself."
The pointed look you give him makes Soap raise his hands in defeat, however it doesn't wipe that little smirk off his face. The glass grazes his curled up lips as he looks at you with an amused twinkle in his eyes.
"Yeah, yeah… You'll thank me later.”
His words get lost in the rising bustle of the pub; the cacophony of voices and the clatter of glasses gets louder just as the music fills your ears the more you get away from the bar. The soothing tune comes out of two huge amps set at either side of an empty stage, and floods over you, the sole person standing in front of it. You feel a bit self-conscious at first, sensing everyone's eyes on you but you try your best to ignore them. Letting your eyes flutter shut, you focus solely on the music, allowing yourself to be transported by the slow lulling rhythm. 
Soon, you're swaying your hips in time, your feet picking up their own pattern. You don't care about how you're moving, how it may look; all you care about is letting go, setting yourself free, feeling the music pass through you, and being completely in the moment. You dance worry-free, entirely surrendering control of your body to the enthralling and sinuous voice of the electric guitar. Few things are more freeing than dancing like nobody’s watching…
The song comes to an end almost too quickly and so does the enchantment that has seized you. When you open your eyes, chancing a look around you, you immediately meet Simon’s stare. He's still sitting at the bar but now he's turned toward you, back to the polished wood of the counter, one elbow resting on its edge. Clearly he has been watching you the whole time, enjoying the show , as Soap said. You feel a thrill run through you. Perhaps it's the alcohol kicking in, perhaps those feelings pushed deep inside you are finally emerging to the surface. Or is it just the adrenaline of the dancing still holding control over your body? 
Regardless of the answer, you find yourself walking toward him; the initial notes of a new song matching your sultry and unhurried steps. He firmly holds your gaze, but you notice the shifting in his seat as you approach him with renewed confidence.
You stop when you’re right in front of him, a coy smile plays on your lips while you hold out your hand.
"Care to join me?" 
His eyes flicker to your extended palm then wander over your face, as if he's looking for a cue that would tell him whether you're joking or being serious.
"You're outta your mind, princess ."
You raise your eyebrow at the word 'princess'. He knows you don’t like to be called like that but he doesn't seem to care. He keeps using that stupid term, especially when he wants to reprimand you, putting you in your place or just to tease you and get under your skin. But there is something in the way he said it just now, an endearing nuance in his tone that combined with his thick accent makes you melt like chocolate.
"Why? You seemed really interested only a minute ago."
You tease him with a challenging look on your face while you nonchalantly tug down the zip of your biker jacket. After the dance you're feeling a bit flushed, you need to let your skin breathe. No other reason for uncovering your cleavage, right? Definitely not to draw his attention to the deep neckline of your dress. Of course not, why would you do that? 
"I was only-" 
You interrupt him, arms folding across your chest, drawing his eyes even more to the curves of your body. " Enjoying the show , right."
"No.” He counters quickly, his voice loud and clear even over the music. Doesn’t he sound a little nervous? Or are you simply imagining it? 
“I was just… glad to see this carefree side of you. It's a good look on you."
You stare into each other’s eyes, your heart thumping hard in your chest. You didn’t expect to hear him say that.
"Well…”, you bite your lip as you try to ease your racing heart, arms falling back to your sides, “...dancing is very freeing. You should try it."
"I don't think it would work for me."
"Why don't we find out?" 
Shivering just a little, you take another step forward. His head slightly cranes up so that he can keep his piercing gaze on yours. You move your hand on his wrist, fingers wrapping gently around it before giving a little pull in your direction.
"C'mon…", you give him a teasing smile as you step back, head nodding back to the space behind you, “...let’s go.”
Despite your pulling, Simon doesn’t budge a single inch, but you see him hesitate. You keep tugging at his wrist, stepping backwards, even attempting to pout, until he silently relents and stands up, letting you drag him toward the stage at last. You didn't expect him to give up. You thought you'd have to put much more effort into it, or that you'd have to be the one giving up in the end. You're genuinely surprised by the turn of events but you won't let that dent your spirit now. You've just started playing with fire and you can't help but feel the thrill of it, the excitement lighting up inside of you. 
You stop when you reach the spot you previously made your own during your solo dance and turn around to face him. He stands there, tall and motionless, the hood of his sweatshirt still on; he looks so out of place on the dance floor, the sight makes you chuckle.
"Don't worry Si, nobody would dare judge you."
"I don't care about that."
"No?"
With a smile on your face, a gaze fixed on him, you start to sway your hips in sync again. His eyes immediately flicker down to take in your movements. He doesn’t seem to care about the fact that he looks like a freaking pole, standing so still in front of you, not moving even one muscle. His whole focus is on you and he seems to particularly enjoy being able to watch you from the best seat in the house.
“You could move your shoulders a little bit, you know? Or even just nod your head in time with the music.”
It’s so evident that he doesn’t know what to do with his body, where to even begin. You almost feel guilty of having dragged him there, of putting him on the spot.
“Here, follow my steps.”
You pick up a simple left-to-right footwork, following the slow but steady rhythm of the drums and encourage Ghost to mirror your motions with a nod and a gentle smile. He studies you, eyes observing your body attentively, picking up every little movement you make. 
He appears quite stiff as he attempts to follow along; his bulky body doesn't seem keen to make him look as graceful on the dancefloor as it does on the battlefield. But he's trying at least, and quickly getting the hang of it.
“That’s it! You’re not half bad, Si!” 
A soft chuckle escapes you as you bite your bottom lip. Seeing him dance - or try to - makes you oddly giddy, euphoric even. It's just such a rare and bizarre thing to see that you can't help but smile wide and enjoy the moment to the fullest.
Raising your arms in the air, you swing your hips and bend your knees as you lower your body to the ground, only to raise up again, twisting your curves like a snake. The thrill of his probing stare piercing you causes you to shudder; his eyes are unwavering, admiring your every move with utmost devotion. Having his undivided attention makes you feel alive, it makes you feel special and bold. 
You take a step closer and reach out to grab both of his hands in yours, your movements mellowing to fit his laid-back rocking. His calloused hands are surprisingly soft and warm as they wrap perfectly around yours, like matching pieces of a puzzle; his touch feels comforting, stable, safe. As you look up at him, eyes locking once again, you feel your heart pound rapidly in your chest. A small smile takes form on your lips to mask the turmoil rising within you.
“This feels… nice, doesn’t it?”
“It does.”
Your heart soars upon hearing his answer, smile widening.
“I didn't know you could dance."
"I can't dance”, you correct him with a light chuckle, “I simply enjoy moving my body to the music."
"Never seen you do that before."
"Well, most of you guys don't even like listening to music, so I only get to do it when I'm on my own… which is a rare occurrence since apparently you babies can’t leave me alone for more than one minute."
You squeeze his hands playfully, a cheeky grin playing on your face. You notice his eyes crinkle lightly in response.
"You can use my office, if you want. There's enough room to… move around."
You let out a hearty laugh, head shaking softly. Your eyes lower to the floor for a moment, monitoring the way both your feet move perfectly in sync and at the same time picturing the silly image in your mind.
"You gonna sit at your desk, grumbling over your paperwork while, with music blasting in my ears, I dance like nobody’s watching right in front of you?" 
"Why not,” he says with a shrug.
His voice doesn’t betray his collected demeanour, but you know he’s smiling underneath that mask.
"Well, for one…”, you raise one eyebrow, giving him a knowing look, “I think it would get pretty distracting, rather quickly." You bring your joined hands to the level of your eyes and his chest, slowly interlacing your fingers with his. The muscles of his arms seem to tense for a moment.
"...Fair enough."
"Secondly…”, you trail off, eyes flickering up to meet his serious stare, voice losing a bit of its jovial nuance, “...people might start talking."
"Who cares."
His remark is curt and blunt, and it takes you a bit by surprise. He actually sounds as though he wouldn't care less if your coworkers were to start spreading rumours about you two possibly being... intimate. Or perhaps you're merely grasping at straws. After all, you're talking about dancing. Nothing more, right? 
"You’re telling me that you wouldn’t care what the others may think or say?" your tone is clearly hesitant this time, vulnerable even, eyes frantically searching his, "...watching us dance like this? Being this close?"
He keeps silent for a long moment, gaze boring into yours. His hands then pull on your wrists, tugging you closer to him. He swiftly wraps his arms around your waist, while your hands fly onto his chest for support as a surprised gasp escapes your mouth.
“How could I give a crap about them or what they think… when I have you here in my arms?”
His straightforward statement catches you off-guard, causing you to stumble upon your feet. It feels like the tables have turned. Your flirtatiousness made him take the bait and now you’re the one who doesn’t know how to act. Your boldness instantly vanishes, it’s as if you never had it in you in the first place. A tardy nervous chuckle slips out of you as you struggle to regain your synced rocking.
“You must’ve had a drink too many, huh Si?”
“Never been more lucid in my life.”
You stare deeply into his eyes, a wild-eyed look on your face, as he firmly holds your gaze. Tension soaks the air around you, you can sense it getting thicker and thicker. Suddenly, there's not a single soul in the pub but you two. Your eyes locked, bodies swaying gently together, lightly brushing against one another. Your heart thumps forcefully against your chest. 
[ 2:26 min .]
… 
I just want to get your head back, baby
Give you all the love I got, for sure
So, baby, if you've got that feeling
You know I wanna give you that midnight healing
Oh, I just want to make love to you all night long
… 
Perhaps it's merely your perception, but the music appears to get louder. The song’s lyrics are now distinctly clear; they echo in your head, tickling your mind like a subtle hint intended specifically for you.
Returning your attention to Simon, you detect a strange glint in his eyes. Did he receive the hint as well? The way his grasp on your waist tightens, palms roving over your sides and drawing you even closer to him, seems to confirm your supposition.
You both seem to lean forward, attracted like magnets, until your faces are merely inches away. The music deafens, slowly making its way into the background, providing the perfect mood for this special moment. Neither of you says a word, instead you let your eyes speak for themselves. Everything around you seems to blur into a negligible mist. Simon has you hypnotised, just as the music did, with the intensity of his gaze and the warmth of his touch. As one of his hands slides up to your neck, fingers grazing the soft hollow area just above your pulse point, a sharp shiver travels up your spine. 
The room spins around you. All of a sudden, your heart pounds hard against your chest and in your ears. You sway on your feet with fingers tugging on his jacket to keep your balance. His hands move quickly to your back, to support your body as you shift your weight on him for a moment before catching yourself. You feel hot, dizzy, and out of breath. 
"Y/n?" 
"J-just give me a moment, will you?" You say rather harshly, unable to keep the rising panic and tension out of your voice.
His concerned gaze is the last thing you see before you abruptly pull away and dash back towards the counter, mind buzzing, chest tightening. You notice Soap’s smile drop into a puzzling look as he watches you rush over but before he can ask you anything, you hear Gaz's hesitant voice coming from behind you. 
"What's going on?" 
You throw a quick glance over your shoulder, instantly meeting his perplexed look. Your actions seem to have drawn the attention of Price and Laswell, too; you find both of their gazes set on you. 
You struggle to take deep breaths, your eyes darting aimlessly from one friendly face to another while your hands clutch around the table edges, fingertips turning white. It takes all your efforts to not raise your gaze toward the dance floor and rest it on the man still standing exactly where you have just left him. 
"Nothing! It's all going great!" 
Your voice comes out higher pitched than normal but you try to mask it with the most convincing smile you can muster. 
You turn toward Johnny before you can witness the other's reactions or give them time to question your words. Your friend pierces you with a questioning look that doesn't leave room for lies. 
"I-I think I'm gonna pass out."
He immediately reaches out to place a comforting hand on your arm as he slides his freshly refilled glass towards you.
"You ok? What happened?" 
Your hand shakes as you grab the drink. You rub it to your forehead, cheeks, and neck before moving it to your lips. The cool sensation of the glass against your feverish skin seems to ease your panic, even if only a little. You focus completely on the cold liquid scorching down your throat as you take a long sip. 
You gasp, pulling from the rim of the glass. "Nothing. It's just-" you take another deep breath, squeezing your eyes shut,"...it felt all-too real, all-too quickly, I guess. I'm not entirely sure. I panicked."
"Y/n," he coos softly, gently squeezing your arm, "you don't have to do anything you don't want to-" 
"But that's the point! I want it! We were so close, I mean… you saw it! If it wasn't for the mask, I’m pretty sure he would’ve leaned in for a kiss. I-I felt my heart was about to burst!” The words fall out of your mouth in a nervous rambling. “I wanted to close the distance so bad… that I fucking ran away." A deprecating chuckle escapes you, eyes rolling in disbelief. "I'm so fucking stupid!" 
Johnny squeezes your shoulder again, offering you a genuine smile.
"You are not stupid, y/n... Well, maybe just a little bit." He grins in response to your not-so-convincing glare. "Could a little more privacy help you feel better? You know there are rooms upstairs, you could always go there if you want to..."
You watch as his hand disappears inside his jacket and reappears a moment later, holding a small silver key between his fingers. He holds it out to you and you take it from him mindlessly.
Soap laughs as he detects the mute query in your stunned expression.
"I took it earlier thinking I might get lucky and use it for myself, but it looks like I’m not the lucky one tonight…"
Your gaze darts from your friend's face to the key, then back to him. Your heart starts racing again as the true meaning that small metallic object holds hits you like an unforeseen gunshot to the chest. You let out a loud groan, your hands flying to your face to hide your grimace.
"What is it now?"
"Johnny...", his name falls out of your lips in a sing-songy cry, barely audible above the music and chatter. Lips quivering both in embarrassment and fear for the confession you’re about to make. With a whisper, you share, "I've never been with anyone before... I've never even kissed anyone." You chance a look at your friend through your fingers. "What if I make a fool out of myself in front of Simon? Hell, who am I kidding? I-I already have!"
The astonished expression on Soap's face only aggravates your growing anxiety.
"Creeping Jesus! Y/n… I thought you… uhm, it’s okay-," he awkwardly shifts in his seat, his mouth opening and shutting without emitting a single sound, at least not one that you can hear. His gaze abruptly darts to the side, focusing on something far over your shoulder before moving back to rest on you with a barely concealed alarm. "Ok, take a deep breath, he's coming over."
You only have time to curse under your breath and pull your hands away from your face before you feel a presence behind you that makes every hair on your body stand on end.
When you hear your name being called, you turn warily to face the man standing by your side, stomach twisting as you meet his inquisitive stare. You believe you can also see a flicker of hurt in his eyes, too. 
"Simon, I'm… I'm-"
"She needed some fuel, L.T.!" Soap rushes to your aid, grinning up at Ghost and smacking him on the arm - a little too hard. "She's all good now… right, y/n?" 
He gives you a quizzical look, as if he's asking whether you're ready to handle the situation on your own or if you need more time; at least, that's what you believe he’s trying to convey.
You respond with a feeble nod before your gaze shifts to Simon. You offer him your glass. "A sip?"
He stares at you intently, seemingly studying your face, his expression now unreadable. 
"No."
"A-alright, more for me..." you fake a smile and then guzzle the drink all in one go. You slam the empty glass on the counter as you suck air through your teeth, grimacing at the piercing sensation of the scorching liquor spreading inside your system. Your gaze is drawn to Soap's, and you give him a somewhat confident smile, which he returns with a little wink.
Your hand then moves on its own accord, finding Ghost's large palm and interlacing your fingers with his; the contact sends a chill up your spine. When you look up at him, a ghost of a smile appears on your lips. You're not sure what you're doing or what's going to happen, but you try not to second-guess yourself too much and risk screwing up for the second time in a row.
Taking a step back, away from the counter, you beckon him to follow you.
"Come with me…"
He does not resist your pull. He does not hesitate for even one second. He trails behind you as you lead him up the stairs and to the second floor. 
Neither of you dare utter a single word as you walk through the corridor and come to a door that matches the number on the key Soap gave you. You don't dare glance at him as you walk in, taking in the dim tavern-like atmosphere of the tiny bedroom. Your gaze is immediately drawn to the king size bed in the centre, which takes up most of the space. Your mouth goes dry. You wonder what Simon might be thinking, if the same thoughts that course through your mind are pestering him as well. 
The sound of the door being closed startles you and makes you whirl around. Your gaze immediately captures his, and you gulp under his piercing stare.
With slow heavy steps that mismatch your thundering heartbeat, he walks over to you, stopping only when he’s towering right over you, standing tall in all his imposing height. You keep your gaze levelled in front of you, unable to meet his eyes, however his fingers curl under your chin and nudge your head up, forcing you to face him. 
" Princess… " he murmurs in a low breathy tone, his voice tinged with something akin to irritation, “why are you playing little games with me?”
Your stomach flips again. Of course he’d assume you’ve been messing with him, leading him on; it’s only fair considering the odd behaviour you’ve had all night. And probably not just tonight. 
“I’m not, trust me…”
He pauses for a brief moment, his keen eyes studying your face, possibly looking for proof of your sincerity.
"You brought me here. Why ?" 
"I-I don't know…"
"You don't know?" 
You mentally reprimand yourself for your dumb answer and shake your head in an attempt to dissipate the haze that has settled over your mind.
"I mean, I know why, but-" you try to swallow but your throat is dry. The intensity of his dark eyes boring into yours causes you to stutter, "f-fuck Si, you make me so nervous I can't even think straight!"
Your voice comes out louder than intended and soaked with frustration. Your hand moves on his wrist, tugging at it to pry yourself free from his grasp, but his hold on you does not relent.
"You were dancing for all the pub to see until a minute ago, and I make you nervous?" 
"Yes! Of course! I don't give a damn about those strangers! Why should I? Besides that's not the point! You make me nervous because you are... you are-" 
You shake your head again as you let out a shuddering breath, your gaze averted from his. You know you can't really back down now. You have to tell him the truth but it's damn hard to find the right words to express exactly how you feel. And more than that, to finally find the courage to say them.
You feel like your heart is on the verge of bursting out of your chest.
"You’re someone I really care about, Simon."
His fingers squeeze your chin, urging you to look up, and when you do you notice that his eyes have softened. 
“That made you panic?”
You give him a lopsided smile, but a short-lived one, for your anxieties come tumbling back, slithering into your mind and compelling you to address them, once and for all.
"T-There's something else..."
You want to tell him that you've never been with a man before, that you've never even had your first kiss yet, and that the thought of him, the only man you’ve ever loved, desired , possibly being your first, makes you incredibly nervous and self-conscious. You really want to tell him everything and free yourself of this burden but your voice gets stuck in your throat and you gape up at him, feeling your stomach churn.
Simon waits patiently for you to speak up, his fingers still holding your chin. The soft look he offers you seems to ease your tension a little. 
"I have…”, you draw a sharp breath, "...no experience in this field , if you catch my drift...”. You mutter those few words in a small voice as your face twists into a grimace. 
Your confession hangs in the air for what feels like eternity, your heart seems to have stopped beating altogether. 
"I know."
“Wha-?!”
You are completely thrown off by his matter-of-fact tone.
"H-how? Why-" you stutter, mouth gaping, your eyes wide. How could he know? You've never told anybody, not until a few minutes ago. But he couldn't have heard you, could he? That would be impossible. 
"Is it really so fucking obvious?" 
"No.” 
In stark contrast to yours, his voice sounds cool and collected. His fingers graze your skin as they move up from your chin to your cheek. "I figured you had no idea how this worked when suddenly you’re lacking your usual confidence and turning into a bloody school-girl. It threw me off at first. I thought you didn’t want this…”
" Hell…”, your head slowly shakes in disbelief, eyes darting to the side. 
Suddenly you don’t know if you should feel relieved, ashamed or sorry for it all. Your own body chooses for you, opting for an odd mix of the three; shoulders slumping, mind buzzing, you stare into space while his words sink in. 
So he's been into you the whole time but your mixed signals, caused by your stupid anxieties, have made it look like you were not into him? Or that you were just playing with him? Seriously? What kind of shitty B-rated rom com is this? 
" So , you've never been held by a man.” Simon’s calm voice draws you back to the moment, his fingers taking hold of your chin once again. “ Blimey . Is that what makes you so nervous?" 
"Is it really not a problem for you?" you ask out of genuine curiosity, brows furrowing as your eyes meet his.
Simon’s scoff almost turns into a hearty laugh as he holds your gaze, eyes crinkling.
"No man has ever put their filthy hands on you and I should be - what? Sad? Disappointed? For God's sake, princess..."
He shakes his head, fingertips taking better hold of your jaw as he leans down.
“You and your worries…” His tone is almost scolding but playfully so, eyes studying every feature of your face. “Stop thinking so much, you numpty . It’s not good for you.”
“Tell me something I don’t know…”, you let out a long shuddering breath, in an attempt to let go of the lingering worry still tightening your throat, "I just… don't want to fuck this up, Si. You mean too much to me..."
He hums softly. 
Silence engulfs you. A silence tinged with renewed tension. Not the type of tension that fuels your anxieties but the kind that makes you warm inside. Soft distant notes coming from downstairs fill the room, washing over you in a soothing yet electric wave, reminding you of the dance you shared, of how close you were and the desire that was rising, burning hot, inside of you. 
Just like a magnet the attraction between you and Simon grows. 
His free hand moves on the small of your back, pulling you closer to him and just like before, out of instinct, your hands land on his chest. He holds your chin high, his gaze piercing straight to your heart.
"Do you want me to kiss you?" 
You bite your lip, surprised by his forwardness, a nervous giggle shaking through you. "What kind of question is that-"
"Do you want me to kiss you, princess?" 
He asks a second time with a more serious tone that makes your nervous giddiness fade. Looking deep into his eyes, you take a long breath to ease your racing heart, or at least attempt to.
"Y-yeah, I want you to kiss me."
His hand moves over yours resting on his chest, and guides it up to his neck. 
"Pull up my mask, uncover my mouth. Only my mouth."
You stop breathing altogether, heart jumping in your throat. 
"Y-You want me to do it?" 
"Aye."
Touching his mask, pulling it up to uncover his face feels like such an intimate gesture… Your eyes roam reverently over his newly uncovered skin as your fingers gently peel up the fabric of his balaclava, until his mouth is completely exposed to your sight and you can let your adoring gaze truly linger for the first time. You’ve caught glimpses of his face before, his chin looking vaguely familiar for the few times you’ve seen Simon drink or eat in front of you and the team. But that’s all it has ever been: glimpses. You’ve never been allowed to study his clean-shaved chin and alluring mouth like you are now, from so up close.
"You have pretty lips…"
Your comment slips out of your mouth before your mind could register it and you grimace out of embarrassment. "Uh, sorry, that was-" 
Words die on your tongue as soon as you feel his hand firmly squeeze your jaw. Your eyes immediately dart to his, which bore into yours. Slowly - breathtakingly slow, he draws closer until his lips hover inches away from yours and you can feel his hot breath on your skin. You swallow dry. In a heartbeat he closes the distance, kissing you gently, softly but with a clear, barely-withheld passion. 
You respond to the kiss after a moment of stun. The contact of his lips on yours feels like a soft dream at first, one that seizes your mind in a haze and makes you walk on cloud nine, and then grows in force, as if Simon can't contain his desire any longer.
Your lips part and his tongue slips into your hot mouth, eager to explore this new territory. You moan in the kiss and meet him in a twisting dance of control. 
Every move comes surprisingly natural to you, as if you’ve done this a million times before.
His hand travels down from your back to your ass, fingers digging into the soft flesh with a possessive squeeze, then slips even lower to lift your short black dress at its edges and tug it upward just enough to expose the back of your thighs. He doesn't waste time when moving his hand onto that newly uncovered area, kneading the tight flesh there as he bends forward, causing you to arch your back and latch your hands around his neck. Bodies tucking closer. 
You take a deep breath as you slightly pull away, lips still grazing his, your hot breaths merging together. 
All the words you thought would play out in your head in such an important moment are now nowhere to be found. Instead, it’s all just a feeling of rightness between you and him. None of your fantasies could have ever prepared you for a feeling so… intoxicated. 
"Simon…", you usher in a barely audible whisper, slipping your hand under his jacket and feeling his muscles tense under your wandering touch. His lust clouded eyes search yours, his chest heaving hard, hands pressing against you and relenting a second later, as if he’s trying to restrain himself. 
"...I want you to be my first."
A guttural sound comes out of his mouth at your words, his fingers spread again on your ass cheek, squeezing it hard and causing you to whimper. His gaze seems to get darker and he draws closer once more, teeth grazing your bottom lip, nibbling at it. 
"Are you sure?" 
"Positive."
And just like that, as if a barrier has been finally lifted, his lips crush onto yours once more but harder, hungrier than the first time. In one swift motion he yanks the biker jacket off your shoulders and tosses it on the floor. You instantly match his eagerness, returning the favour; his own windbreaker dropping at your feet. 
Before your mind can register what’s happening, you find yourself back against the wall, your shoulder blades hitting the hard surface in an audible thud. You feel your guts twist as heat starts to pool in your belly. 
Your lips are still connected, unwilling to separate. His hands dive on your hips, the thin fabric of your flared dress creases under his ravenous groping. One hand slides down, curling up the hem and slipping underneath, meeting the side of your bare upper thigh. His palm closes around it, firmly, possessively as he lifts your leg up to his hip; you wouldn’t be surprised if you were to find a red mark on your skin later, nor would you be displeased. You moan in his mouth in response and let your own hands wander on his body, blindly scanning the muscles of his torso from above his sweatshirt, only to slide lower and lower, until you find its edges and curl them up. Your fingers sneak under the fabric, meeting the smooth skin of his abdomen; his muscles tense up at the teasing contact. Your palms climb up his abs, his pecks, committing the tactile sensation of every inch of his taut torso to memory. 
As you both pull away, gasping for air, you let your eyes fall to where your hands disappear under his clothes; you want to look at him, feast your hungry eyes on his naked body but before you can do it yourself, Simon grabs the hem of his sweatshirt and pulls it off his head, adding it to the rest of your discarded clothes. However, he doesn’t give you time to take his bare chest in, for he grabs the back of your thighs and lifts you up like you weigh nothing at all, walks you over to the bed and drops you on the mattress. 
Only at this moment are you allowed to let your eyes wander over the muscles of his torso, probably the only part of his body you've already had the pleasure of seeing in the past, although mostly in not so pleasant times, when he needed to be patched up. This time it's totally different. Your hungry gaze devours every inch of him, glinting in twisted pleasure when it meets the scars that you remember having tended to yourself. 
You're too eager to touch him again to keep laying there waiting. Quickly throwing your boots off the side of the bed, you crawl on your knees toward him, hands latching on the inseam of his trousers to unzip them. In the meantime he yanks his own boots off his feet and out of the way, with eyes glued to yours. 
When you're done with his zip, before you can tug his jeans down, he pushes you back on the mattress and joins you on the bed, settling himself on top of your body, knees resting at either side of your legs. 
“I’ve been waiting to do this for a long time.”
The way his raspy voice breaks a little as he ushers his confession makes your stomach twist.
“Do w-what, exactly?”
His hands move on your collarbone, peeling the thin straps of your dress and your bra off your shoulders. You allow him to tug them down your chest as you look up at him with nothing but unyielding passion. His eyes wander over your freshly uncovered breasts and you can see his adam’s apple bobbing in his throat, jaw setting hard. 
He takes a moment to answer, staring down at you, perhaps struggling to give voice to something that has been swirling against the recesses of his mind for quite some time. 
“Push you on a bed, pin your body under mine and… taste you.”
A sharp shiver runs up your spine at his words, heart skipping a beat. 
One of his palms closes around your breast, firmly squeezing the soft flesh, while the other lifts the skirt of your dress up to your stomach. Without missing a beat he bends down beneath your thighs and presses his mouth against your panties, just above your lower belly. 
“Oh!”
Your hips buck up on their own at the sudden stomach-churning contact. His free hand moves to rest on your upper thigh, pressing your body back against the mattress. 
"This is uncharted territory, innit?"
"I-It is, Lieutenant…", you match his playful tone even though your voice is but a mere whisper, struggling to get out in between your ragged breaths, "...nobody has yet claimed that path..."
You hear him hum in appreciation and you feel his voice too, vibrating against your core.
"Don't mind if I do."
You take a sharp breath as you feel his lips press against you again, only lower this time, teasing your most sensitive part. The thin fabric of your underwear does nothing to muffle the intense touch and yet the obstacle irritates you, you want it out of the way and Simon seems to share your feelings. Both his hands move on your hips, grabbing the hem of your panties and sliding them down and off your legs. A thrill curses through your whole body at the sight of your undies being tucked inside the back pocket of his jeans. Simon’s eyes crinkle lightly as they watch your reaction, lips curving into a smirk.
You don’t really care about them now, whether he’s planning on returning them or making you walk out of here butt naked. All your attention is drawn to the cool breath blowing against your delicate skin, turning hot only a second later as Simon leans closer, until you feel his lips meet your heat and cause you to whimper. The cloth of his mask grazing against your folds only adds to the stimulating touch.
His hot tongue swipes up your core once, twice, with hands spreading you wider for him to reach every inch of you. Another slow stripe from your entrance up to your clitoris and your body shakes in ecstasy. He latches his lips to you and starts to suck hard, swirling his tongue around your nub and dragging it up and down along your wetness. 
He said it. He wanted to taste you. And that is exactly what he’s doing, with no hesitation whatsoever, nor waste of time. You’re already a quivering mess beneath him, pathetic whines falling from your parted lips, hands closing in fists as fingers dig into the sheets. 
“F-Fuck, Simon…”
You feel his soft chuckle against you; it drives you mad. 
He shifts from his position, lips pulling away as he grabs the back of your thighs to tug you closer and pin your spread legs to your stomach. You chance a look at him through your heavy lidded eyes. His lips and chin are wet with your juices, the sight ignites a fire inside you that you’ve never felt before. The way you’re spread for him, your privateness so thoroughly exposed for the first time in your life… you thought that you’d be embarrassed, that you’d be awfully shy to show yourself like this, especially to him. You do sense a faint tightness in your stomach and a warmth spreading in your face, yet there’s another feeling prevailing over the rest. A feeling that surges from Simon himself; the way he leans back down, hands travelling up your body to grab your breasts, the way he’s devouring you like a starved man, the way he’s taking care of you, making sure to pleasure you, to make you feel good… It allows no room for awkwardness or discomfort, only a warm pervasive and soothing feeling of pure care and devotion to wash over you and envelope you whole. 
The lewd sound of his mouth working against you has long prevailed over the music and it only seems to grow in tone the more the tightening of the heat in your belly grows in intensity. You feel it coming, the high is close. Your hands fly toward him, landing on his head. You grab his mask, tug at it, feeling it slip from its place, then you freeze abruptly, as soon as you realise what you’re doing. You look down again, instantly meeting Simon’s hard stare. A strange glint passes over his eyes; he seems to ponder something for a moment then come to a final decision. In a few dismissive moves, he pulls away from you, grabs the dark fabric curled under his nose and yanks it off his head, throwing it carelessly on the floor. 
Your heart is sent into a frenzy. It no longer knows what to do; whether it should keep thundering in your heart for the intense and building pleasure or stopping altogether for the shock of what you have just witnessed. Your wide eyes wander toward him, curious and hesitant at the same time but they only catch a glimpse of his bare face before he disappears between your legs once again, latching his mouth on you even more greedily than before, possibly feeling more free in his movements without the mask impediment. You want to watch him, stare at him as he drives you to heaven but your head falls back on the mattress, eyes squeezing shut and back arching sharply as a wave of skin-crawling chills sets your entire body aflame. It is nothing like the orgasms you’ve had before, when you touch yourself. This is a new feeling; it’s intense, it goes to your head, it makes you dizzy and wordless. It makes you feel loved. 
Simon keeps moving against you, tongue curling at your entrance, gathering up the fruits of his hard work. His hands still pinning your thighs close to your stomach, fingers digging in your soft flesh as he eases your shakes. 
Your mind is still struggling to come out of the haze when your hand blindly travels down in search of him. Fingers tug at his short locks of hair, urging him to come up to meet you. He lingers a moment longer to press a soft kiss on your swollen bundle of nerves, then on your lower belly and between your breasts as he makes his ascent. Finally he faces you, eyes meeting again. 
If your body wasn't already heavily overwhelmed, the sight of his beautiful sharp features would send all your senses into overdrive. 
He looks at you so openly, dark eyes twinkling with adoration and what you can only read as vulnerability, that you find yourself unsure of how to act. 
Would this special moment turn awkward if you were to make a comment on his looks? You wouldn’t want to make him uncomfortable. Removing his mask must take such an effort… you don’t want to risk making this more stressful for him. You opt for keeping your comments to yourself, at least for now. 
Instead, you let your hand rest on his face, caressing his skin, softly, slowly, as if it’s the most fragile thing in the world and you have to handle it with utmost care. You hope that by doing this you can show him and reassure him that everything is ok, nothing has changed, surely not for the worse. That you deeply appreciate the fact that he decided to let his guards down, to be vulnerable with you. That’s what you try to convey with your adoring gaze and your tender touch, and you sincerely hope it reaches him.
When you feel him lean into your touch, a content smile spreads on your face and you instinctively tilt your head up, capturing his damp lips in a passionate kiss that instantly rekindles the desire inside of you. Simon matches your eagerness, hands travelling down your body to caress, grab, squeeze, grope and tease anything he finds on his path. You do the same, mapping his muscular torso, skimming your fingers down to his navel. 
For a moment, only a moment, you hesitate to go lower as you get caught up in your head, worries threatening to hold you back again, but the way he interrupts the contact of your lips to place a trail of sloppy kisses down the sensitive skin of your neck makes your worries fade again and you slip your hand inside his unzipped jeans. You relish in hearing the guttural sound that rewards your action; it compels you to rub your hand over his boxers with more confidence, feeling his bulge with a light squeeze.
Simon hastily brings his hand to his waistband and tugs it down, his boxers receive the same treatment. Your hand now closes around his erection, giving it a few tentative strokes. He draws a sharp breath.
“ Bloody hell , princess…”
He mutters in the crook of your neck and you shiver. His reaction encourages you to increase the vigour of your movements.
“Is this ok?”
He hums softly, hips starting to buck in sync with your hand. He lets you fondle him, drag your fingers on the tip wet with precum, make him moan in pleasure as your hold around his girth tightens… then he pulls away, grabs your hand and brings it to his lips for a soft peck on its back.
You follow his movements, eyes drawn to his lips then flickering down to his cock. By the touch you assumed it was pretty big and the sight only confirms your thoughts but it shocks you anyway.
You hear him huff a laugh through his nose.
“Do you think you can take me, mh?”
Your eyes dart back to his face, meeting his amused look.
“I don’t know…”, you bite your lips, the angles of your mouth curling up in a playful smirk, “but I sure as hell ain’t gonna back down from a challenge.”
Your heart soars with joy seeing his face crack into a pleasantly surprised expression, a chuckle coming out of his mouth.
“Good girl.”
He pins you with his mesmerising gaze, bending down on you again. He leans on the side, toward the bedside table. You crane your neck to watch. His hand slips into a black smoking-bowl and comes back with a small metallic sachet. Protection. Of course. This place is well-equipped. Your curious eyes keep following his movements as he takes the condom and secures it onto his throbbing erection. You swallow as his gaze moves back on your face, your stomach starts churning again. He seems to sense your nervousness and leans down, hand grabbing your jaw, eyes piercing right into yours.
“Don’t worry, princess. I’ll be gentle.”
You nod with a smile, then take a deep breath.
“It’s okay. I trust you, Si.”
He leans in for a quick soft kiss, hand guiding his erection between your legs, tip rubbing against your slit to coat it in your wetness. Your whole body tingles in anticipation. 
“Stop me anytime if you need to.”
He waits for your confirmation before he slides in, bit by bit, easing you to the intrusion. An instant groan comes out of his mouth.
“Oh, you’re so fucking tight!”
Your brows furrow, your jaw sets, soft cries come out of you as he settles inside your walls but you don’t stop him. He kisses your neck, right on the spot he learned that makes you quiver the most, your hands clutched at his sides. It doesn’t take long for the nagging feeling to fade and for you to get accustomed to the sensation as your core stretches to welcome him fully.
Simon feels your body relax and starts to push into you, slowly, carefully, letting out pleased grunts of his own. His hands wrap around the back of your thighs and lift them up to his waist. You latch your legs around his body, a maneuver that allows him to bury his cock deeper inside you and that causes a loud moan to erupt from you.
“G-God… That’s…”
His lips trail back from your neck to your jaw, teasingly brushing your skin, until they hover on your open mouth; his eyes take in your contorting features with a pleased smile. 
He rocks at a steady pace against you while his hands roam your body, travel up your hips, caress your breasts, skim along the shape of your arms, stopping only to let his fingers interlace with yours, and pin your hands down to the mattress, at either side of your head.
You feel your lucidity slip from you completely. No coherent words come out of you, only a nonsensical mumbling. The way he’s thrusting inside of you, so deep and precise, hitting that perfect spot at each push, it takes every fiber in your being not to scream out loud and make the whole pub know how Simon’s fucking you sensless. 
You can only focus on how you’re connected to him, how he is filling you up so beautifully, how your bodies move wonderfully together; it’s almost like a dance, a primal animalistic dance that belongs to you two only. You even have the music to accompany your dance moves, a soft sensual melody that perfectly complements your passion-imbued union of trembling bodies.
So this is how it feels to have sex? This is how it feels to be wholly consumed by lust and desire? Or could this overwhelming sensation simply be Simon’s doing? To have him make love to you?
“Y/n…”
It takes a lot of effort for you to hum back in response.
Simon’s lips crush clumsily against yours as his movements become frantic and sloppier. He must be close to reaching the high. And so are you. Your eyelids are heavy, your sight slightly blurred and unfocused.
“Si, I think I’m about to-”
He pulls away from your lips, spine straightening, piercing eyes landing on your face as one of his hands slips from yours and travels along your body, down toward your core. He deliberately rubs your slit with his palm before he picks up a hectic waving motion to stroke your swollen nub, immediately triggering a shock wave of shivers to spiral up your back. Your head spins at the additional stimuli. Your eyes squeeze shut, cries fall out of your mouth as you contort in pleasure.
You feel his other hand grab your jaw and shake it lightly, demanding your attention.
“Eyes on me, beautiful.”
You look up at him with glazed eyes, dizzy and yearning for your release. With every stroke and every thrust you lose yourself more and more into the bliss.
His hand settles on your neck, closing around your throat, not hard enough to delay your breathing but providing you with such a thrilling and wicked pressure that makes you salivate and that instantly sends heat flaring in your belly, causing your need to build faster and even more intense.
Panting hard, your hands now free, you grip onto Simon’s strong arms while you progressively lose focus on every way he’s indulging your desire, instead centring your heightened senses on the feelings he’s awakening. The last thread of restraint then finally snaps and you reach the peak, core lightening with an answering flame that you’ve never felt before. You lose yourself in the waves of pleasure overtaking you, barely taking notice of Simon’s rutting inside you once, twice, three more times before his body goes still against you and a deep groan erupts from him. Both of you anchor the other’s body, pressing together, relishing in the other’s shudders and panting breaths. You’re so flush against him that you can feel his heart, challenging your own in a speed race and then gradually slowing down.
Chest heaving, you cradle the back of his head, letting your fingers thread between the roots of his hair, while he blows his hot breath on the crook of your neck as you both ease down from your highs. The warmth of his body is comforting against yours, you never want him to let go. The rousing feeling of his cock still buried inside you, resting between your fluttering walls is one you could easily get used to. It almost takes your breath away when Simon slides out of you, leaving you bare.
His damp lips press against your boiling skin, trailing up your jaw. You close your eyes and take a deep breath, committing this idyllic moment to memory. 
His thumb gently strokes your chin, fingers resting upon your cheek. When you open your eyes, he's already looking at you with the loveliest smile you've ever seen graze his face. You return it with one of your own.
"Si..." you pause, staring deep into his eyes. There's so much you want to say, a multitude of emotions running wild and untamed inside of you that needs to be addressed and yet you struggle to find the right words to tell him how you feel.
The realisation of what has just happened downs on you. You've spent years fantasising about this moment, fearing the real thing wouldn't even come close to your idealised perfect first time. Wondering when, where, with whom you would live through this experience. You're euphoric to admit to yourself that the real thing has surpassed the fantasy by a landslide. 
"I'm... glad it was you."
It sounds silly when you say it. You could have chosen from a billion other thoughts you had swirling in your head, yet this one drowned out the rest. But as silly as it may sound, it’s the truth: you’re beyond thrilled he was your first. There’s no other man in your life that you trust, respect, and love as much as him with whom you could share such intimacy. 
You see the angle of his lips curl up to one side, the pad of his thumb softly brushing the outline of your bottom lip. 
" I'm glad it was me ."
Your face cracks as you erupt in a giggle. With your palm against his cheek, you gently push him away. "Simon..."
He smiles down at you, his eyes crinkling as he leans down again to kiss the crown of your head before drawing all the way back and getting off the bed. 
Your gaze follows him as he tosses the used condom into the trash can and pulls up his underwear and jeans. As he picks up the rest of his clothes from the floor and gets dressed again, your devoted gaze glides up and down his body, a permanent smile engraved to your lips. You feel so lucky to be able to witness such a sight… You still have a hard time believing your eyes.
“Now, who’s enjoying the show ?”
His amused glance meets yours, and you give him a sheepish smile, followed by a shrug.
"I'm just taking it all in..."
"Oh, you've already taken it all in , princess."
You let out a shocked scoff, your mouth wide open. You dismissively wave your hand in front of your face and shake your head, as you feel a crawl of heat flooding to your cheeks. 
"Oh, shut up..."
You love his sense of humour. It’s one of the qualities you like the most about him. And now that you’re… well, even closer to him, the sarcasm is only bound to get more pungent. Not that you’d complain about it.
His low chuckle fills your ears as you distract yourself by adjusting your bra and dress, then taking a seat on the side of the bed to slip your boots back on. You notice a heap of black and white fabric on the floor at your feet and bend down to pick it up. It's his balaclava.
The thought doesn’t even have time to fully form in your mind that you’re already pulling the mask over your head. Unfortunately there’s no mirror in the room to check your reflection, to see how the skull fits you but the cloth feels surprisingly nice against your skin and… you can smell his scent.
The sudden lack of rustling from behind you causes you to spin around and you find Simon staring at you, holding your jacket. He walks toward you, handing you the garment, reaching then for your face to adjust the fabric on your nose and on your chin. He stops to give you an appraising look.
"It looks better on me."
You chuckle, smacking him playfully on the chest. “Oh, c’mon… what if I want to wear one, too?”
"And hide your beautiful face? Negative.”
“Well, then…”, you pin him with a challenging look, palms pressing hard against your cheeks, securing the mask on your head. “I won’t let you hide your beautiful face, either.”
You see him softly shake his head as he huffs a chuckle through his nose. After a moment, he reaches for his back pocket and retrieves your undies, waving them high above your head. 
“What? You’ll put those on your head instead?”
You try to suppress the laugh by biting on your lips but it erupts out of you anyway, like a river in flood. The pointed look he gives you only makes it worse.
“Alright, alright…”
Still snickering, you pull on the fabric and peel it off your head, holding it out to him. 
He takes the mask from you but doesn’t let go of your undies. He puts them back in his pocket as casually as he took them out.
You scoff, tilting your head to the side. "Really?" 
“I’m keeping them, as a memento.”
You stare at him, appraising his solemn expression. If he wants them then you’ll let him have them - the fabric is ruined anyway. They're not even your favourite pair, thankfully.
“First and last time you steal something from me, Si!”
“Can’t make promises, princess.” 
Your chest swells as you try to read between the lines. It's inevitable. You can't help but wonder if he means to tell you something else. Will there be a next time, or multiple next times? Does he plan on stealing something else? Like, your heart? To be honest, he's already halfway there, but he doesn't need to know that. At least not yet. 
You keep on looking into each other's eyes for a bit longer. You think you can detect the profound fondness behind his look. Your lips curl up in a shy smile.
“Ehm… I believe we kept the guys waiting long enough." you say, breaking the silence. "We should get back downstairs."
He gives you a curt nod but instead of moving away, he draws closer to you. Taking your chin between his fingers, he leans down and angles your head to brush one more kiss against your lips. The contact is strikingly gentle and it takes your breath away. It’s a kiss infused with unspoken words of devotion, promises, feelings which are too strong to be shared so early on but that are already there, growing, blossoming. Both your hearts are gardens in bloom. 
He pulls away, resting his forehead against yours for a lingering moment before taking a step back and disguising his face once again. 
The action saddens you but at the same time it fills your chest with pride; you're the only one who has been blessed to bask in the beauty of his seldom-seen bare face and no one else will receive such special treatment. Not today. Hopefully never. Is it selfish of you to wish that? Perhaps, but you don't care. Not when images of your lovemaking are still so fresh in your mind. Not when you can still feel the worshipping touch of his hands and tongue on your body. Certainly not when the cool, humid air of the room hits the wetness of your exposed core beneath the dress. 
You exchange a knowing look before moving towards the door and walking down the stairs together. That soothing tune, now linked with poignant core memories, floods in your ears once again, growing louder as you return to the main area and towards the bar. Your team is still at the counter, exactly where you left them... how long ago? You have no idea how much time has passed. You were too engrossed in your passion to pay attention to the outside world and its trivialities.
Johnny glances behind his shoulder just as you and Simon make a beeline toward the group. You can see his lips moving; he must be saying something to the others because they all crane their heads to look at you before returning to their drinks. Soap is the only one who whirls around, bivouacing on his seat and all over the counter like a fucking braggart as he meets your eyes and winks at you. 
Oh, he'll take yours and Simon's hookup as a personal victory, and he'll brag about it; you already know it. But you're far too happy right now to be bothered by it. Let him gloat. You're the one who got the reward, anyway. 
When you eventually make it to the bar, no one acknowledges your arrival. Nobody says anything about your absence or the dance prior to that. Their silence only serves to emphasise that they are all aware of what happened. The furtive glances they cast your way, some more mischievous than others, serve as plain confirmation. 
"Now that we're all here, I suppose we can head out." 
The captain's voice calls out to everyone as he stands up from the barstool. "Unless the two lovebirds fancy one last drink?" 
You try to ignore the appellation he used and the way your stomach flipped in response. You raise one hand and shake your head, avoiding his eyes as well as the urge to glance up at Simon. "I'm good."
A beat.
"Alright then. Off we go."
On cue, everyone gets off their seats, some knocking back their glasses, others stretching their legs. You take advantage of the shuffle to walk over to Johnny and hold out the key to him. He takes it back without a word but the sly smile playing on his face is hard to miss. You hope at least he has the decency to hold off of grilling you for deets until you’re back at the HQ.
You seem to catch a movement in your peripheral vision: Price giving Simon a firm pat on the shoulder? You’re tempted to turn your head to take a better look when a loud scoff interrupts you and draws your attention back to your best mate.
"Bloody hell, y/n! You and L.T. are not joking around!" 
Your brows furrow upon hearing his remark and when you follow the trajectory of his stunned look, your eyes widen as they meet the cloth of your undies poking out of his back pocket. You spring into action right away, grasping the exposed edge to yank it farther inside his jeans. Simon’s own hand reaches behind him to wrap around yours, fingers interlacing, as he maintains his focus on Price in front of him. Your chest swells at the gesture, heat rising in your cheeks,  but you manage to turn around and zap Johnny with a fierce glare anyway.
He makes a show of zipping his lips and throwing away the key. However, the grin he flashes you is so contagious that you find yourself returning one of your own.
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It appears like you're in for a ride full of taunts, jokes, knowing looks and funny name-calling. Your mates will give you two no rest… but who gives a shit about it? Simon said it first. Why should you care? You'll take this and much worse if it means getting the chance to explore your feelings with the man of your dreams and spending many more nights out - or inside his spacious office - dancing together.
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rambite6 · 2 months ago
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Ashlesha and Uttara bhadrapda music analysis
Ashlesha nakshatra naturally carries a mystical spirit in their work that focuses on feelings of nostalgia and intimate moments of comfort. Cancer rules the 4th house, which governs the mother, home, and emotions—an incredibly private and vulnerable domain. Think of it as the womb where you were nurtured and secured. When you were born, you held onto your mother for emotional and physical support, which is vital for your development as a human being, both spiritually and materially. Our mothers are the primary reason we are here on Earth, and the way we are nurtured shapes who we become.
This is why Ashlesha natives seek security. They often hide their sensitivity behind a confident persona that is both inspiring and alluring. However, this façade can make them vulnerable to those who seek to drain their energy or manipulate and emotionally abuse them. Despite this, Ashlesha individuals have their own wants and needs and often fantasize about something more. They dislike being pigeonholed and desire to explore the darkest and rawest parts of themselves. This can lead to tendencies similar to those of the people who drain them; they may restrain or possess others in pursuit of their own feelings of security and love, akin to a mother not wanting her children to leave home.
Ashlesha ascendant Alexa Demie begins her music video “Leopard Limo” with a dreamy scene of a pregnant Alexa, gently holding her stomach. It’s interesting because she appears pregnant only at the beginning of the video; throughout the rest, she is either dancing or emoting, without any obvious signs of pregnancy.
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The Ashlesha themes of illusion, private intimacy, and possessiveness are portrayed in her lyrics:
Every Sunday night we ride
On the highest quality supply
With the sun down
And the windows up
And your tongue between my thighs
Every Sunday night we ride
Until you need another lie
You’ll receive no more backseat love
Riding in my leopard limo
Ain’t nobody gonna see us when we ride
Another example of the manifestation of Ashlesha's love and need for security is shown in "Maps" by the Yeah Yeah Yeahs. The song was inspired by Ashlesha ☽ Karen O’s relationship with her then-boyfriend. In the music video, she is crying toward the end, with real tears, because Andrew was expected to attend the show but was three hours late, and she was about to leave for tour. There is speculation that "MAPS" stands for "My Angus, Please Stay."
“Wait, they don't love you like I love you”“Wait, they don't love you like I love you”
The need to assert that her love for him is more profound and distinct than anything others can provide is Ashleshas way to forge an affirmation that counters their fear of competition and the possibility of being abandoned or replaced.
“Made off / Don’t stray”
The desire to hold on tightly and restrain reflects the emotional turmoil of fearing the loss of someone they deeply cherish, along with the inherent yearning for intimacy found in Ashlesha.
“Oh say, say, say”
“Wait, they don't love you like I love you”
The repetition of “say” a desperate plea for acknowledgment and validation from their partner the same plea in “Wait” that emphasize the doubts or uncertainties in the relationship. Revealing the inherent vulnerability of Ashlesha natives, they are prone to struggle with feelings of insecurity stemming from a deep-seated fear of losing emotional intimacy.
Uttara Bhadrapada, similar to Ashlesha, has a mystical approach to their work, though it is expressed differently. Known for its elusiveness, Uttara Bhadrapada can be difficult to grasp due to what it is constantly hiding or guarding. With its deity being the serpent or dragon of the depths, this nakshatra carries a hidden quality. Pisces, ruling the 12th house of loss, isolation, and the subconscious, is also a deeply private and confusing house; any planet placed here functions with an inward focus and a need to explore its hidden dimensions—an innate trait of Uttara Bhadrapada natives. Constantly contemplating both spiritually and materially, they are natural observers of life, but these natives tend to think about death all of time, they have accepted death as a natural part of life as the nakshatra is the back of a funeral cot.
Uttara Bhadrapada seeks stability and spiritual liberation, embodying a sacrificial nature where they surrender themselves for transcendence. Ubp natives experience life as unfulfilling, often feeling detached from everyday experiences and longing for deeper meaning. While Uttara Bhadrapada is governed by a double dose of sattva, it ultimately culminates in tamas. This tamasic influence means that, despite their quest for higher knowledge and spirituality, Uttara Bhadrapada natives may fall back into ignorance or adopt unhealthy coping mechanisms, such as daydreaming or living in delusion, which do not serve their well-being.
In Lykke Li's song "I Follow Rivers," she taps into the themes of her ☉ in Uttara Bhadrapada. At the beginning of the music video, Li can be heard breathing alongside the sounds of waves crashing on the shore. The overall color tone of the video is grayscale, with decaying blues as the only color present. There is a coolness to the video that reflects the cold nature of Uttara Bhadrapada. Colors like blue and black are associated with Saturn, particularly in relation to this nakshatra. A man is shown lost on the snowy shore, running toward the woods, breathing heavily and looking around as if he’s trying to escape something. Meanwhile, Li is covered in soft black fabric that cloaks her as she follows him. By the end of the video, the man eventually gives up, and Li catches up to him, embracing him in a kiss.
The lyrics portray a quest for connection through devotion and surrender, even if it means losing oneself or facing death (with Li symbolizing death in this scenario). The ocean and river serve as symbols for the unpredictability and vastness of emotions that love and pain can evoke. It can also represent the overwhelming nature of Uttara Bhadrapada natives' mental state, as they are constantly feeling and contemplating, much like waves crashing on the shore and retreating back into the ocean to repeat the cycle.
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Oh, I beg you
Can I follow?
Oh, I ask you
Why not always?
Be the ocean
Where I unravel
Be my only
Be the water where I'm wading
You're my river running high
Run deep, run wild
I, I follow
I follow you, deep sea baby
I follow you
Death, used as a storytelling tool to communicate feelings of love and loss, can also be seen in Grimes's song "Realiti," where she expresses themes reflective of her Uttara Bhadrapada ☉ and ☽.
When we were young, we used to get so close to it
And you were scared and you were beautiful
I wanna peer over the edge and see in death
If we are always the same
Oh, I fear that no life will ever be like this again
Cause your love kept me alive and it made me insane
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krisluxxeeempress · 1 month ago
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SATURN CONJUNCT NORTH NODE SYNASTRY| ASTRO SYNASTRY SERIES
Saturn conjunct north node synastry is similar to mars square Saturn synastry that I’ve already covered. I compared mars square Saturn synastry to that of a parent/child relationship where the mars person was like a child or immature person being with a more seasoned, mature, and no-nonsense kind of person. I find that Saturn conjunct north node synastry has the same qualities and vibe.
There’s a profound misconception in the astrological world that the south node, opposite to the north node, should be negated and moved away from and that’s a misleading and damaging perspective to have because the south node is who we are and have been. If anyone finds that they have changed and are no longer who they once were and or in a place they’ve once been in, that’s because they have grown in that particular area. None of us would be where we are today if it wasn’t for the past, both good and bad. The past is the south node and should never be disregarded.
The south node dictates and gauges our growth as people and in this case relationships.
I used to fall for sweet nothings, hard d*** and bubble gum, which is my past that I’ve thankfully grown from through trial and error. I used to be naïve until life or a person played the role of Saturn in my life to push me into maturity and growth which is another way to perceive the north node. I needed the south node as a footstool to grow into my north node. If I was like most people, I would negate the south node and ultimately never learn or grow. The past dictates your future, FOR THE GOOD OR BAD. ANYONE SPEAKING ON MOVING AWAY FROM THE SOUTH NODE OR ACTING AS IF IT’S BAD IS WRONG. SURE, CIRCUMSTANCES MAY BE BAD WHEN YOU’RE OPERATING IN SOUTH NODE ENERGY BUT ANYONE SUCCESSFUL OR MATURING USE THE SOUTH NODE AS MOTIVATION.
ULTIMATELY NEVER FORGETTING WHERE THEY CAME FROM SO TO SPEAK. THE ASTROLOGY AND TAROT COMMUNITY SPEAKS ON THE SOUTH NODE AS IF OTHERS NEED TO FORGET IT COMPLETELY AND THAT’S NOT RIGHT.
With that understanding, we can move on to interpreting this synastry aspect.
As always, Saturn is the disciplinarian in any synastry aspect. There’s yet another misconception that Saturn governs lessons in life when in actuality, Jupiter is. The beloved Jupiter is the teacher dishing out lessons. Jupiter gives out our lessons and for some they are hard but everyone rather blame Saturn for anything hard. Saturn is the disciplinarian when we do not learn the lesson. Saturn is the consequences for our lack of action or overcoming in a particular error.
I find myself educating while trying to interpret this synastry aspect and that’s the vibe for the north node person in this synastry. Anytime Saturn is involved it’s because someone is not learning, growing or in simpler terms “not getting it” and so therefore, consequences are issued out. Most people want to blame anyone and everything but themselves when their life and, in this case, relationship is getting hard, and that mentality is equivalent to most people blaming Saturn for things being hard in their life.
Example. The north node person can be a cheater and has always gotten away with it before, like south node energy.
Think of it like this. You’re in school and you’ve always cheated on your test without getting caught. You’ve gotten so far in your schooling because you’ve been evading studying and resorting to cheating and then you come across a new teacher who dishes out harder test and homework. You get exposed, caught even and then there’s consequences. The teacher is Jupiter and Saturn is the consequences.
As the north node person, your south node behaviors get exposed. What you’ve always done isn’t going to work anymore therefore, initially as the north node person- you will try to blame the Saturn person as someone who is making this synastry difficult when really, your old behaviors are the problem. Casting blame on everyone else but yourself is what causes consequences and difficulty in this synastry. The Saturn person is just easier to blame instead of self-i.e. the north node person.
I used to blame those hard d*** sweet talkers in the past for hurting me, lying to me, and cheating on me and I kept making the same mistakes because it was everyone but me. Those liars and cheaters were playing the role of Saturn to me. I was the victim, the south node person. However, it wasn’t util I took accountability that I not only no longer attracted liars and cheaters, but I also matured into my north node energy. I no longer have consequences to suffer through. I learned that I was the problem, not those liars and cheaters.
The difference with mars square Saturn synastry is the mars person rebelling and being angry at the Saturn person because the Saturn person expects more and believes the mars person can be more. With Saturn conjunct north node, the energy is about taking accountability for your actions, past behaviors that are being repeated and owning your punishments, consequences- like being cheated on constantly and not learning from it.
What is the common denominator? Who is the common denominator?
As I always say, conjunctions do not guarantee roses sometimes conjunction hit harder than square and oppositions. You may think (wrongfully) the person you have a conjunction with is on your side and will agree with you harmoniously but sometimes two of same thing exemplifies the energy in a negative manner. There isn’t a balance, and you can’t play the player so to speak with those you share a conjunction in synastry with. A lot of people try to get over or take advantage of someone else who is opposite to them but when someone is the same, thinks, acts, and feels the same way as you- it’s harder to get away with things or play games.
The north node conjunct Saturn gives off the energy of “you got the right one today”. Again, Saturn is only employed in any synastry to reveal that someone in this mix needs consequences for not learning when they had the opportunity. The beloved Jupiter is the teacher, and some teachers are nice until they get taken advantage of or disrespected long enough and then the principle, a higher authority, or a parent gets involved and there’s no more games.
It’s ass whooping time.
The north node person in this synastry is still the south node person and the Saturn person has come in to whip them into shape to mature into the north node person. -unconsciously. The Saturn person is literally matching the north node persons energy. This is truly a karmic synastry and they aren’t meant to be together long term. The moment the north node person evolves and matures there’s no need for the Saturn person. Saturn isn’t here to directly teach a lesson in terms of sitting someone down giving wisdom like the mars square Saturn synastry. Saturn conjunct north node is literally karmic and riddled with difficulties, making life harder for the north node person to become the north node person officially.
I hope this makes sense.
An example of this would be the north node person (who really acts like the south node) is used to cheating on their partners. So, the north node person meets the Saturn person, and the Saturn person starts cheating on the north node person. Now, the north node person (who is really the south node person) will experience what it feels like to be cheated on. This relationship will be long term in the event the north node person refuses to actually become the north node person. This couple will go tit for tat until one day the north node person finally learns by trial and error. It may take the north node person getting the Saturn person pregnant or vice versa, and being weighed down by bills, drama, cheating, lies etc. for the north node person to finally get it. The Saturn person isn’t sitting the north node person down in a mature manner saying, “it’s time to grow up”. No, the Saturn person is reflecting back the north node person (really their south node behavior) to unconsciously make them grow up.
Another example.
Let’s say the north node person (who is really behaving like the south node) gets locked up. They get locked up and keep fighting and getting in trouble in jail and each time, their jail sentence gets longer. The judge, the correction officers and extended jail sentences aren’t sitting the north node person down saying please do better. No. they just keep extending the punishment until the north node person says to themselves, I need to stop fighting and getting in more trouble. Only I can change my ways, no one else. That extended jail sentence is equivalent to Saturn. Saturn is consequences not someone giving wisdom and harsh lessons. It’s consequences for not adhering to the lesson, the opportunity. Its punishment for your actions- no one else’s.
Hopefully this doesn’t get overwhelming or confusing but it’s clear for me because it took pain for me to realize I was the problem. It took getting hurt multiple times over in the same manner for me to realize that I was the problem not others.
In conclusion, this synastry aspect will last however long it takes for the north node person to really become the north node person. Saturn wouldn’t be present if otherwise. It’ll be the north node person to finally leave the Saturn person alone hopefully it’s not too late. Hopefully it doesn’t take jail, multiple babies, std’s, continuous setbacks, unhappiness, entrapment, child support, drama, fighting, abuse, cheating, lies and hell for the north node person to finally set into their north node energy. Again, though this is north node conjunct Saturn synastry- it’s really describing south node conjunct Saturn or south node opposite Saturn.
If your being cheated on, are you going to cheat back or leave? A mature person would leave.
If your being verbally abused, are you going to be abusive back or leave? A mature person would leave.
If your losing money, opportunities, and your peace of mind in a relationship, are you going to stay and become resentful and bitter or leave? A mature person would leave and so forth.
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drdemonprince · 7 months ago
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In reading your latest piece, I think I've stumbled onto something akin to a personal epiphany. You describe transition as an act of "want" (Chu's longing for gossip and yours for the life of an eternal bachelor) and I've realized that I think as a consequence of growing up autistic, I've obliterated the concept of personal want. I don't know if I truly ever want anything? How do I even know what I truly want (versus what other people tell me I should want)? Is there an opposite of resentment I can tune into so I can tell what I want when my conscious mind is unable to provide me an answer?
I think the place is to start with what you don't want. What I describe as "wanting the bachelor life forever" in my piece is actually a desire born out of negation: I don't want kids, I don't want marriage, I don't want responsible adulthood and the weight that that carries, I want to feel free-roaming and open to random experiences. What i knew most viscerally for myself was what felt wrong, and owning up to those feelings no matter how socially inconvenient they might be was what made it possible for me to articulate what I proactively did find desirable.
I recommend rejecting a lot of things, disappointing a lot of people, being disobedient, setting boundaries, all of that stuff that I have been writing about for a very long time (check out the pieces on those subjects if you haven't already, but from the sound of it you probably have). And then when it comes to positively desiring things, you've got to start small. Find a little thing to look forward to every day, or every week. In my household, Wednesdays and Fridays are Dunkin Donuts days. Instead of making coffee at home, you get a little treat. That makes getting a coffee out of the house still feel precious and special while also making it attainable, and gives the work week a little horizon to peak over at its mid point.
I so look forward to the weekly streams on Friday with @testdevice, too. Afterward I usually get a meal somewhere and then go out for some kind of weekend activity -- drinking and watching Drag Race at Roscoe's, a movie, dancing, whatever. I make forming plans for the weekend a task I set out for myself at the top of every week. I find street festivals, concerts, craft fairs, protests, little things to do that I know will be meaningful to me. Small pleasures parceled out on a regular schedule provide a pleasing structure to life. It makes the forward march of time feel more exciting and keeps daily life from being defined by obligation and drudgery. Sometimes it's something like playing a video game at home or meeting up at a friend's house for a movie night and snacks. However you can swing it, you gotta have little things to look forward to, I think, in order to enjoy being alive and to get into the habit of thinking more expansively about what you want. you can making finding things that you want to do a regular project, a practice.
A lot of life is experimenting with new experiences and relationships with other people to find out what you actually like. It's not some profound act of introspection. People block themselves off from a lot of meaningful aspects of life by thinking the answers come from plumbing the depths of their soul and finding their true calling or true desire divorced from everything else. There is no self outside of experience and social connection.
And so the best way to find out what you want is to try a lot of different things. Go watch your friend at their competitive poker tournament. Volunteer to clean litter off the beach. Foster a bunny rabbit. Make a casserole. Darn a sock. Buy some handmade jewelry. Visit a museum with a coworker you kinda might like the company of. Invite someone over for dinner. How it plays out and how you feel about it is all data about the kind of person you are becoming.
I also wouldn't get too bogged down in the idea that wants can only come from the pursuit of happiness. I got a few really well intentioned asks this week that I never answered about what brings me joy, what makes me happy. Truth is, I'm not someone who experiences happiness easily and i might never be. That is okay. I still have a life that holds meaning because I AM very good at finding things interesting. i like talking to people, learning from them, watching things play out in real time.
You don't have to feel some kind of abiding soul connection to an activity or sense that a way of life will absolutely make you happy in order for it to interest you, help you grow, bring your life meaning. Other people might not want to read long history books about genocide and the social construction of race in order to bring their life pleasure, but those activities engage my mind and make me feel more firmly rooted in the actual world. they're interesting and rewarding to study, and so i do it. i say yes to a lot of invitations purely because i've never seen what horse racing is like or because i want to see if i'll still get nauseated if i ride a boat now as an adult. it's interesting. it might not make me happy or be fun. but i like a life better with those experiences. those are the things i gravitate to and want. and you can find what you want, too, and it will always keep changing probably.
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bambi-kinos · 5 months ago
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people’s arguments about why john has to be a bottom and not paul tend to regurgitate the same critique these people have about paul (“you say he’s a bottom just because he’s feminine!”) by bringing up john’s appearance and more femme attitude after ‘68 and then saying how paul is more masc because of his body / facial hair. i also feel like a lot of people still conflate dom/sub with top/bottom when it comes to mclennon. though i haven’t thought about the societal perception of receiving / giving, i had an ohhh moment when i read that in your post. i personally will always be a fan of service top john paired with a power bottom paul, but john being servicy to me doesn’t mean he’s “submissive” in the typical way. i think he can be dominant and aggressive with paul but that’s because paul allows him to be. like what you said about paul enjoying being john’s second and being put in his place by more domineering and strong men. there’s a lot of power play that goes on in their sexual relationship and it deeply fascinates me!
people’s arguments about why john has to be a bottom and not paul tend to regurgitate the same critique these people have about paul (“you say he’s a bottom just because he’s feminine!”) by bringing up john’s appearance and more femme attitude after ‘68 and then saying how paul is more masc because of his body / facial hair.
Yes, it gets very transparent for exactly those reasons. What makes me roll my eyes about the “you say he’s a bottom just because he’s feminine!” thing is that anyone who bitches about this can only imagine switching the roles and having Paul by a hypermasculine stoic (which breaks characterization) and having John be a hyperfeminine bottom (which is also OOC). I don't think that the original complaints are necessarily a bad thing, there is an iteration problem in McLennon fandom where Paul can sometimes be reduced to a weepy princess, though I haven't heard of any fics coming out in the past 5 years that actually made this mistake. But it does annoy me that fandom can only imagine flipping the script and having John be the weepy bottom princess. It never leads to something more creative or interesting being produced where John and Paul's roles, both self assigned and imposed on them, are discussed especially for the effect it had their relationship.
It would be interesting to explore John's femme qualities but I think that fans are hesitant about going there because they would have to admit that John's passivity in 1968 was induced by his heroin addiction which destroyed his life and his relationships. There's never any appreciating John's femininity when he wasn't on heroin even though 1965 is arguably when John was at the most soft spoken and open minded. I find it a little sad that John's feminine qualities are only appreciated when he was at the peak of his hatefulness and addiction.
i also feel like a lot of people still conflate dom/sub with top/bottom when it comes to mclennon.
A lot of that is wish fulfillment IMO. Especially since Paul fans are usually the ones driving it and it's pretty universal that we want to see him get railed, not really the other way around. We like him because he's so poundable. So it's nice that he has a built in boyfriend who's willing to fuck him until he cries, you know. And it's easy to classify that as top/bottom::dom/sub.
McLennon is very subtle in some ways because of the give and take between John and Paul was so weird and it's just really difficult for us as outsiders to grasp. John and Paul themselves are baffled and confused by it. It makes me wonder if part of their dissolution was the fact that they didn't understand how much power they held over the other one which meant that they couldn't understand why their decisions were having such profound effects on the other person. They seem profoundly frustrated and bewildered by the undercurrents of their relationship where they perfectly fulfill each other in all ways except one, and how deeply unsatisfying their other relationships have been in comparison.
I think @amoralto damaged the fandom for this in some ways because she ended up having a popular blog which meant that her interpretations of John in particular were xeroxed over and over. The problem with this being that I don't think amoralto fully appreciated the power dynamic between John and Paul and her bias against John crept into her opinions which means that they screwed up the fandom discourse. If you go purely by her public posts then amoralto appears to be under the impression that John was a hysteric that was perpetually shitting himself about Paul one upping him. There is some truth to that but it's also not the whole story because Paul's ability to pull the rug out from under John was always a source of pride, fascination, love, and eroticism for John. Yesterday rocked John's world but he was also proud of Paul for being such an incredible artist and he was always pleased about being the one who discovered Paul. He was always aware that Paul had a lot of power over him and John both reveled and despaired in that.
This relates to the top/bottom::dom/sub thing because this dynamic would naturally play out in an erotic relationship between John and Paul. There's the surface layer where John is railing Paul but then there's the additional layer where Paul is the one enticing John to do it by showing his ass off (like really, who do you think those tight cut trousers are for?) and inviting John to put his cock inside Paul. And then there's the part where John's butch attitude and even some of his violence was egged on and encouraged by Paul who was most likely turned on by John punching people out. Paul was not the slightest bit put off by John being a violent person or else he would have bailed within a year of knowing him. When Julia died, Paul is the only one who had patience with John who was getting drunk and getting into fights…meanwhile there's a femmeboi in the background making soothing noises and cleaning him up so that he's fit for company. Really makes the your mind run wild with possibilities huh? Who is to say Paul didn't say "c'mon Johnny, just put it in me mouth and I'll fix you up." Or something!
The point is Paul is ultimately in control of the situation. This is supposed to be what dom/sub set ups are supposed to be anyway, subs are the ones who dictate the conditions in the bedroom. But considering how John built Paul up in his mind, it seems clear that Paul had a lot of overt power over John too. They don't fit neatly into the dom/sub set up either.
They switched power positions constantly and they got a lot of pleasure out of dominating but also being dominated. Paul liked being on top and being on bottom and John liked it when he got to be on top of Paul and when Paul crushed him. The pleasure was in the struggle itself, not necessarily the positions in of themselves.
though i haven’t thought about the societal perception of receiving / giving, i had an ohhh moment when i read that in your post.
It's not nearly as prevelent now though it still lingers. But heteronormativity really dictated the nature of a lot of relationships in the past.
i personally will always be a fan of service top john paired with a power bottom paul, but john being servicy to me doesn’t mean he’s “submissive” in the typical way. i think he can be dominant and aggressive with paul but that’s because paul allows him to be.
IMO there's a lot of truth to this! @zilabee has a really nice post about how John and Paul could afford to be gentle with one another and wrote love songs together. I think that a service top john/power bottom paul really fits this dynamic because it allowed John and Paul to express themselves to each other which solidified their mutual trust and their bond.
In a lot of ways Paul was an ideal partner for John in that he was someone John could have sex with that didn't have consequences (such as pregnancy) while Paul also had the feminine beauty that John really loved. (There's a quote from Yoko I think that John claimed if he fell in love with another man then that man would have to be extremely beautiful. Handsome is not enough.) John could probably be a lot rougher with Paul who could stand up to being tossed around a bit if needed but was beautiful enough for John to fuck tenderly too. Paul wasn't afraid of John's rough side and even encouraged it and decided to love it. In some ways John being a service top lets him express that roughness sexually with someone who won't break in half from being treated like a sack of potatoes. And there wouldn't be judgment from Paul either because he is still a man and experienced the same puberty and testosterone that John did including the same struggles with temper, the bodily changes, etc. He knows where John is coming from whereas a 1960s woman would not. (The transwomen, crossdressers, and homosexuals in Hamburg may have been John's first explicit taste of this. People who were familiar with what growing up as a male would be like so they didn't judge John for his proclivities and interests.)
In other words, John could express himself sexually with Paul in a way that he probably couldn't with women. Paul was fine with it judging from that photo of John's nutsack against his back and it fulfilled his needs as well!
like what you said about paul enjoying being john’s second and being put in his place by more domineering and strong men. there’s a lot of power play that goes on in their sexual relationship and it deeply fascinates me!
Yes! John overwhelms and dominates Paul but it's because Paul wants it to happen. He relied on John's intuition and discernment and ultimately his trust in John to carry it through. John has a partner who can't get pregnant when he climaxes inside him and then can take it on the chin when John is rough and/or degrading. All while he's sharply aware of how much Paul likes it which itself feeds into John's eros, and so on and on…
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nonbinarypirat · 3 months ago
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Hello! I really like your character analysis from m!ik. I wanted to ask you what do you think of Amerie? And her influence on Iruma? And their relationship?
Great question! Okay, I’ll go in order of your questions since you have a few for me :)
Okay, so I have issues with how Ameri is written on the character, some of the few issues I have with Nishi’s writing thus far. But before I talk about the negatives I want to focus on the positives of Ameri and her character because I do think she has a lot of potential that I hope we get to see! Ameri is a classic capable but soft character type that we see in both her romance fantasies but also her deep care for her fellow students. She isn’t just a student president because of the prestige or power it could give her, it’s because her ideal is for every demon to be proud of themselves and their authentic selves. And this is a quality in her that I find deeply profound and beautiful. She’s proud of herself and she wants others to be proud of themselves as well. And what I like about Iruma and Ameri is that she encourages him to strive for more, more than he ever could have dreamed of in the beginning. And he makes her enjoy herself more rather than overworking herself. He makes her be still more, stop to appreciate the little things. She also has the power to inspire others, a nature born leader, and one that is willing to do anything for her fellow students. Not to mention she has given her fellow student council members a place to belong and by doing so, they have deep respect and loyalty to her. And for demons who are inherently selfish and idealistic, this says a lot. They aren’t with her because of her strength, they care for her and I think that speaks volumes in itself.
What I have a problem with is how much her growth is tied to iruma. I think in this Nishi failed at making her an independent character. For instance, we don’t get to see her work towards rank 7, which would help her in her main ambition. We know she wants to take over for her dad, but we don’t know why that’s so important to her yet. And we don’t get to see the steps she takes towards that goal. Her growth is her progress in her relationship with Iruma and I think that’s a let down. Like I said, I love how she inspires and pushes iruma to be a better version of herself. I enjoy that a lot about their relationship. But I don’t find myself interested at all in the romance aspect of the two, mostly because of how they met each other. The trope is that in so many animes and mangas (and the romance genre in general) have two characters run into each other and instantly fall for the other. They went for the trope, we had some laughs about it, but then it kind of just… stuck around? It’s making fun of the clique while also adhering to it and to me it just didn’t land. I think for the joke to work and to make the relationship flow better, the immediate attraction should have quelled and from there a more slow burn of feelings for Ameri. I think if she didn’t become so Iruma crazy so soon into the story, it could have made a more compelling relationship compared to the current one we have. Right now, besides motivating each other I don’t see much in the way of their relationship? I think it’s also hard because we see so little of her in the actual plot and story so the relationship feels like it’s going at a snail’s pace while also going too fast when we do get to see them interact again to make up for the lack of Ameri. It’s weird, they’ve gone on three or four dates (or at least, we can categorize them as dates even if both characters haven’t called it that) but at the same time it’s like nothing has happened for them. I guess besides Ameri realizing her feelings, Iruma blushing when hugging Ameri, and the talk with Henri. I wish the relationship was more friendship focused or the feelings took longer to develop. Because she’s a busy woman and she’s a year above Iruma, we don’t see her actively take part of the plot often and it just makes it hard to get to know more personal stuff about Ameri.
This isn’t to say I’m a Ameri x Iruma hater, I just don’t find their relationship a fun part of the story. I do also admit to having a bias for the love trio when it comes to Iruma ships. But I do hope that the relationship develops more in an in-depth way because I could see her and their relationship becoming more interesting if Nishi takes the time to write her (in my opinion) better.
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ramblingguy54 · 3 months ago
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The more I think on it, the more I believe Wild Robot is arguably the perfect Dreamworks' movie for myself.
Roz & Brightbill feeling like outsiders to their respective origins really sells the weight of how truly lost and lonely both are in their pursuit of understanding what to make of it all. Their dynamic being brought together through heartbreaking misfortune is immensely profound. Makes me reflect upon what own my mother went through trying to fit in with her family, but never could. Just as I have always been insecure about trying to figure out my own place, when she brought me into this world and a big family. In retrospect, we both felt "defective" for our own reasons.
Usually, I don't cry often at movies, or anything for that matter, but their internal struggle of acting like a natural mother & son drives a knife through my heart in the best manner. A surreal mirror of my own life struggling to feel okay with being myself. Further reinforcing how much I love my mother went above and beyond to give me a life of happiness, in spite of whatever bumps in the road happened.
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"The accident that killed your family saved you. Funny how life works...?"
The Wild Robot's biggest feat, if not one of many, is managing to make all the denizens of this island not feel insanely mean spirited. It is more so capturing that harsh aspect of nature's morbid atmosphere. In this regard, those chances of Brightbill making it as the runt of that litter were practically nonexistent without Roz's unexpected arrival. He likely would've been either killed by nature's intense elements, a lurking predator of some kind, or end with his biological mother giving up on helping him learn to fly. It served to emphasize nature's survival instincts, in contrast to Roz's evolving compassion for Brightbill. No one else wanted to help the poor kid out because all they saw was dead meat, more or less. Even Fink, despite warming up to Brightbill, wanted to eat him right off the bat after coming across his egg.
Brightbill's weak wings weren't psychically capable in achieving normal flight, much less even a full on migration. However, Roz's determination allowed him to be able to survive from winter, just like the rest of his species. It's the beauty of showing kindness, even to those who may or not like you that can inspire emotional growth. Learning to stay optimistic in an unforgiving environment can bring out the best surprises from places you'd least expect it.
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"This is my migration. And when it is time I promise I will find my way home."
The Wild Robot's heavily endearing lesson about kindness persevering makes its ending feel entirely earned. The animals don't just get along with each other right off the bat. Almost dying from that terrible winter storm was a serious wake up call they can't rely on being by themselves forever. Survival instincts or not, it's about opening yourself up to the possibility of trusting and relying upon genuine emotions. Much like Brightbill's entire character was learning to accept Roz did genuinely care for his well being as his mother. Tragedy may have created their situation, but it doesn't define whatever comes next in building a heartfelt connection.
Honestly, it's why I believe The Wild Robot is among Dreamworks' very finest stories they've animated to life. Taking basic ideas spicing them up to feel more emotionally introspective about ourselves. Hell, I'd probably place at it the very top of my number one spot in my favorite Dreamworks' content. It seriously affected me in ways I didn't expect. A bold statement to be sure, but that alone should be a damn great enough reason, as far as I'm concerned.
A simple story about parenthood can do wonders. Especially when it's executed in this caliber of writing. Chris Sanders and his team are legends in their own making.
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duhragonball · 10 months ago
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Akira Toriyama (1955-2024)
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I wouldn't say I'm feeling better today, but I'm feeling less bad than yesterday. So let's see if I can put some words together.
In case anyone still hasn't heard, Dragon Ball creator Akira Toriyama passed away on March 1, 2024. This news was made public on March 7 or 8. I woke up early on Friday morning and found out while I was checking Twitter. I had a long, busy day at work, and I kept getting on my phone to scroll through fan reactions and tributes.
I think that, more than anything, is what's gotten me so worked up about his death. My Twitter timeline and my tumblr dashboard were just chock full of touching message and images about how Akira Toriyama's work has changed their lives. I wanted to write my own tribute, but I'm not sure what else I can say that hasn't already been expressed by Archie Comics, professional wrestling trio The New Day, and the Republic of El Salvador.
There's this immense, global community of fans, and it's easy to lose sight of just how big it is. It's easy to get bogged down in the infighting and petty squabbles. I saw one tweet responding to the criticism of Dragon Ball not being like this "entry level" franchise compared to other, more high brow anime and manga. It's popular with so many people, that critics will assume it's designed to appeal to the lowest-common-denominator. But the opposite is true! Dragon Ball is accessible, which is how so many people from so many different places and walks of life can get into it. The guy telling the story was such a master storyteller that he could grab an audience's attention and make it look easy. So easy that the haters would start to think that it was a trick, and he must be overrated.
Let me talk about this panel for a minute.
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Last night I started going through the original manga, looking for panels to screencap. I wasn't sure what I wanted to do, but I thought maybe a selection of panels that really stood out for me might be worth posting. I'll probably still do that one of these days, but I got to this one, where Gohan tells Chi-Chi about Goku's death, and it hit me like a ton of bricks.
This was a powerful scene in the anime, of course, but in the comic it's even more profound. It's just one panel, no dialogue, because the reader already knows what's happening here. We know Gohan is telling his mother that Goku died in the Cell Games, and that he refuses to be wished back, because he thinks his presence on Earth will attract new enemies. It was hard enough to hear when Goku said it to Gohan and the others, and now Gohan has to relay that message to Goku's wife. All she can do is lie prostate on the floor and weep.
And look at the composition. She's surrounded by all that negative space. Gohan's there for her, but she still feels so alone, surrounded by her husband's absence. Pots of flour for food he'll never eat. An empty chair he might have sat in. Their son, who will have to grow up without him.
I saw this, as though for the first time, and it was so gut-wrenching that I had to post it by itself. I felt like it summed up my feelings better than any words could. We're all Chi-Chi in this panel, reacting to Akira Toriyama's death. And we're all Gohan too, each of us consoling one another with our own thoughts and tributes.
So what did Akira Toriyama mean to us all? Lots of people have answered this in a lot of different ways. Obviously his art, storytelling and cultural impact speak for themselves. I've seen people compare him to other luminaries like Jack Kirby and Osamu Tezuka. I'll try to add my own two cents with this:
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I wrote a post about "Dragon Ball Daima" back when it was first announced, and I led off with this image of a note from Akira Toriyama. I guess this was from some big fancy presentation about Daima at a convention. I forget which one. In particular, I was skeptical that the Daima rumors were even true, and if they were, the whole idea seemed half-baked to me. Turning Goku into a kid had been done before, and it wasn't exactly successful the first time.
But this note from Toriyama was very reassuring to me. More than the trailer clips and character designs, this was what got me interested in the show. That's because he took the time to not only hype up the show, but also to explain what's going on behind the premise. He took the time to tell everyone that he's working on this show, and what "Daima" means, and why all the characters get turned into kids. It's "due to a conspiracy", and the good guys will have to "fix things". In short, he established a plot, conflict, and resolution to the story. He didn't just slap this together to sell new merch. I'm sure that was part of the motivation to make Daima, but there's more to it than that.
I think that's the loss I feel with Toriyama's passing. It's not that there won't be new Dragon Ball stories in the future. I'm sure others will continue telling their own versions long after I'm gone. I'm not that worried about the fate of Daima. I'm sure they'll figure something out, whether it's delayed, rewritten, or canceled. But we'll never see another message from Toriyama to promote a new project, and that's what I'll miss. From here on, his credit will just be an acknowledgement of his past contributions.
There's this great credibility with Akira Toriyama's name. Fans will argue about how involved he was in a project as a way of establishing how good or bad it was. Dragon Ball GT has his name on the credits, and he provided some designs and artwork early on, and for some fans that proves the series has his endorsement. For others, the sole problem with the show is that he wasn't directly writing the script. There's similar debates over Dragon Ball Super, where he was involved, but only writing those mysterious "notes". So if a fan doesn't like something in DBS, who do they blame? Did Toriyama lose his touch, or did his co-creators fumble the ball? Dragon Ball Evolution basically ignored all of Toriyama's advice and bombed, while Battle of Gods, Resurrection F, Broly, and Super Hero all put Toriyama's writing credits up at the very beginning, and each film made plenty of money. I read his comments on the Daima confirmation, and immediately thought "Okay, this should be pretty good. Akira Toriyama knows what's up."
That's gone now. I mean, there's still a lot of talent out there, but we'll never again have the little gas mask-wearing robot telling us that this story will be good because he worked on making it good. I don't think I really appreciated how much I trusted that guy until now. I still can't believe he's really gone.
I'll probably have more to say about this in the coming days, but I'll stop here for now. Thanks for letting me ramble a bit on this.
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backjustforberena · 1 month ago
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Ok, so this question has been hurting my head for a while and I had to ask this because I love your analysis of Rhaenys's character.
How do you think Rhaenys's relationship maintained with these people over the years?
Daemon, Viserys, Aemma, her mother Jocelyn, Jaehaerys, Alysanne, Laena, and Laenor.
I'm so sorry if it is too much to ask!
Hello! Okay, so I'm going to keep this brief because that's quite a lot of people and so I'm just going to go with general vibes and first thoughts, and stick with later-in-life stuff rather than childhood, and if you want me to go into more specifics or have any questions, then absolutely follow up. It's based mostly on the show but for some characters, I have used book facts and events.
DAEMON: I think the big thing that I have, as a personal headcanon (or just the way I look at the relationship) with Daemon is that Rhaenys has to make an active choice, probably fairly early on, that she cannot love him. She can't let herself. Eve has spoken before about how Rhaenys keeps Daemon at arms' length and how she has a profound distrust of him and sees him as just this chaotic element, so I think that she makes a decision that there have to be boundaries in place. Just for her own sense of safety and stability. Daemon orbits her family: they're blood but also he goes to war with her husband and son, he marries her daughter, he's the father of her granddaughters. But I think Rhaenys is just far too aware that he hurts. He causes immeasurable pain and, in the end, there's an understanding of him - he will never spite himself to help her: he keeps her daughter from her, he "murders" her son, he has respect for her but little regard.
I think the relationship ebbs and flows from enjoying his company, tolerating him and then wanting nothing to do with him. It alters throughout the years but she will never be caught out by him. I don't think she really likes him. Perhaps for the boy he was, she does - they are definitely still familial. What Daemon gives, he gets in return, I think.
VISERYS: There's love there. It's one of the relationships that I find the most tragic because they're cousins torn apart by the choices of others and the positions they find themselves in. They can never be as close as they want to be. I think Rhaenys's first loyalty is to the home and house she's built with her husband, which directly conflicts with Viserys, on occasion. I think they probably did go three years without speaking to one another (possibly missives to congratulate on births etc but nothing of note) because of the Stepstones War.
I think it does become "us vs them" with Rhaenys on the outside because his family keeps being responsible for the destruction of hers. And then we get to this place where he's having this happy family meal and she's in a crypt. When you think about how close their fathers were and how close they might have been or wanted to be, once upon a time, then that's tragedy.
AEMMA: Poor Aemma. We don't see them ever interact in the show, but it's easy enough to imagine that they were friends from childhood and family in that way. I think they grew apart, in adulthood, given the way their lives went. But we have deleted dialogue where Rhaenyra recounts coming to Driftmark with Aemma and collecting seashells with Laena. I like to imagine that wasn't too infrequent. I think they probably kept in touch via letters: neither woman had many female relations to speak to.
JOCELYN: My opinion is that Jocelyn lives at High Tide after Aemon's death, until her own. So, maintaining that relationship is pretty easy as they live in the same place. We don't know when Jocelyn dies or how. But I sort of take my opinion that Rhaenys isn't too dissimilar to her parents and that Jocelyn and Rhaenys probably relied heavily on one another. I think she would have been a very present and active grandmother: she had no other duties, nowhere else to be, nothing else to do.
JAEHAERYS: My feeling is, a bit like with Daemon and, to a lesser extent, Viserys, that when it becomes an "us vs them" she cuts the feeling off as much as possible. When Jaehaerys chooses someone else as his heir, when she is discarded, she has to stop treating him in the same way she once did. She has to choose herself, she has to be something different. I think, in the latter years, she'd only go to court if summoned. She'd only act the part in public.
I think she probably understands and sympathisers with her grandfather and the choices he made (to a point) but she doesn't agree, she doesn't find comfort in that, it hurts and she's aware that there is a danger now, to her, because of the choices he makes. I don't know if I'd say she hates him. I think, certainly by the time we get to HOTD, the feelings have been processed somewhat and Rhaenys is someone who doesn't waste time on things that won't accomplish anything.
I think it's also, likely, easier to do so because I don't think she sees him as family from her father's death onwards. The most prevalent thing he is to her is her King. And once Alysanne retires from King's Landing, she has no reason to return until Jaehaerys is on his deathbed. I imagine she'd visit him on his deathbed.
ALYSANNE: She loved Alysanne. So, I'm thinking letters, visits, dragon flights. I think Rhaenys visits her whenever she's on Dragonstone and then writes when she's in King's Landing. I think Alysanne would visit Driftmark, if allowed or it was okay PR-wise. I think that Rhaenys could have become a primary visitor or carer for Alysanne when her body and wits began failing. Alysanne never forsook her, or her children. Alysanne would understand things so many wouldn't: marriage, children, dragons, being a Targaryen. And it's reciprocated.
LAENA: Letters. So many letters. I think mother and daughter were very close. It kills me to know that Rhaenys knew of Laena's desire to not just come back home, but to remain there. To stay and be close to her family, rather than be across the Narrow Sea. For Rhaenys to know this, and to know it was Daemon who was causing the problem, tells me that Laena told her and therefore feels confident in her mother as a confidante. It's also worth keeping in mind that, for at least three years, it was just Rhaenys and Laena together - whilst Corlys and Laenor were in the Stepstones. And then it was Laena almost as an only child again until she was married.
We know how Rhaenys reacted to her death, to her funeral, to her daughters, to her legacy. Moreover, we know that Laena has been raised by her mother with her eyes wide open - it's Rhaenys who informs a 12-year-old Laena that she will not have to bed Viserys until she is 14, it's Rhaenys who overlooks the walk with Viserys and (at least I presume) picks her up at the end of it. I think Rhaenys just loved the bones off of that girl and was so proud of the woman she became.
LAENOR: Similarly, once he's married, I think it's letters. However, I don't believe they are as candid as Laena's. I think Laenor probably retreats into formality - we know that he doesn't even divulge incriminating details in letters to Laena, his sister whom he adored. There are so many things he'd just not want to discuss with his mother: things she'd worry about. I think Rhaenys visits court when she can and when she's invited. Whether that's often, I couldn't say. She does seem to be in tune with the cost the arrangement of his marriage takes on Laenor, however, when she mentions it to Corlys in Episode 07.
I don't think the distance has quite taken root but I think she fears something drastic will happen to the relationship. She sees her son's misery and she fears losing him from an emotional perspective. She fears a precipice or an implosion: a breaking point. I think she wants change, in Episode 07. Maybe she hopes that something can be done and it seems to be on her to do it, whatever it is. Maybe she'd also hope that the move to Dragonstone would help - Dragonstone is closer to Driftmark.
Of course, she does end up losing him in a way she couldn't imagine. And whatever hopes she could have had die with her.
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