#i think theres so much potential here

[lhavibid]

reynah is now a victim of watsuki's vocal prowess

this was supposed to be a silly doodle but i played around with the lighting too much

[askgardenerwoods]

hi Emma! Who do you consider your friends do you have a crush on anybody?

" For crushes... "

[roseetube]

Been playing around with some aus!!! Magical girl aus are good for the soul!!! ALSO! ALSO!! IM ATTENDING NY COMIC CON ON SATURDAY!!! I swear if the 7 train isn't running, im gonna spontaneously combust!!!!!! And now it's time my mandated 100 tags (well 30, actually)

[deoidesign]

Hello! I just discovered your blog and I immediately became captivated by your webcomic, but I'm unsure where to read all of it. I know it's on Webtoons, but I can see it hasn't been updated for a while, and you still post about it.

Are your physical novels just prints of the webcomic? Are they a continuation? Is the story complete? Thanks in advance!

Hi there!

Glad you found me and are enjoying my comic!

It's only on webtoons, and the story is not complete yet! We're 2/3 of the way through right now. It's currently on hiatus, and it's scheduled to come back in about 2 months!

I'll explain why it's been so long if you're curious, but also for my followers who might also be wondering about it under the cut. Sorry, it's pretty much just me complaining haha

I took a month off I took 2 months to get the books printed I took a month to prepare my next comic and I took 2 months to write the rest of the series (I knew the character arcs I wanted, but not the time periods or mysteries!!!) I've been working on actual episodes since then

I had to take some time off because of some pretty extreme burnout due to the sheer amount of work it was to draw over 800 pages and write 6 complete stories in a year and a half... I was getting sick almost weekly due to the overwork, it was really really bad honestly. I was having to work 60+ hours every week just to keep up...

The nature of the comic itself is also difficult... Each of the arcs is a complete, self contained story which can be read (ideally) without context, and my arcs need to be about 10-13 episodes each... And since I have an exact number of episodes to work with, it's even harder.

It takes a ton of planning and a ton of refinement, and working week to week with no breaks I was forced to put out second or even first drafts, so I just wasn't happy with the work I was doing... And to do that for the rest of the series? I wouldn't be proud of the work I did.

Plus... To be entirely honest, webtoon has treated me quite badly IN MY OPINION... They deprioritized me before I launched (I had to beg for more promotion, I'm not exaggerating), they outright denied me the opportunity to even ask for a raise, I don't make any money on fast pass and they pay me less than my partner makes working at trader joes. My first editor left me completely hanging, my second editor (who I loved) was fired... And they told me I wouldn't get a third season before my first season even finished. So it was just repeatedly completely demoralizing.

I'm sorry it has taken so long, it'll have been 10 months by the time I come back. But I realized... I won't get promotion either way. I won't get more episodes either way. I won't get more money either way. So to finish everything, to make it feel good, to make it something I'm proud of, I chose to take longer to make it better.

I am fully aware I will lose a significant amount of my readership for this and it might genuinely affect my career moving forward. But it's what I had to do! So I'm sticking to my guns on it, and I'm confident long term it'll be worth it. It never could have been this good if I didn't take this much time.

[bibibbon]

I've seen a take where you say that Hawks thinks he didn't have a choice and HAD to kill Twice, and you mention in ( ) that he actually DID have a choice and that confuses me.

Hawks gave Twice TWO chances to change and go with Hawks and leave the LOV behind him and change his way of life and when he refused BOTH chances, he posed as a potential (MASSIVE) threat to the hero's, so Hawks had to kill him so he wouldn't risk others lives.

So, with my maybe-not-very-analysed take, why do you think this? Have I missed a crucial part of his character? Did he actually have any other options? And how different would they be then what he ended up doing?

I am assuming you're talking about this paragraph from one of my posts about Hawks👇

Now it is true that Hawk's did indeed give Twice two (possibly 3) chances to back down and surrender. The first time it happens is when Hawk's corners twice, with all the feathers pointing at twice, ready to strike him, saying that he shouldn't resist and come calmly. The second time is when Hawk's explains his reasoning for offering twice this chance, and the 3rd is after Hawk's killed the first set of twice clones and reaches out saying that there's a way forward if he comes calmly and that he would personally help twice start over after he gets punished for his crimes.

However, I still think there's an interesting way in how Hawk's approaches Twice. He doesn't choose to position his feathers far away, but he quite literally corners him, almost trapping Twice in one place and offering him one option which is to surrender himself and come quietly or else. Now, while from an incredibly detached prespective this may seem as a mercy option that Twice should be grateful for I think that there needs to be acknowledgement as to how Hawk's own hpsc teachings and hero experiences have shaped him in approaching a situation like this and before Hawk's offers anything to Twice he feels and acts on the urge to be in control to be above Twice in this conversation to make sure that he has more power. All of this is summed up to Hawk's experiences, and we see how this is a flaw because in reality Hawk's is an incredibly fast man he did not need to corner Twice in such a way and essentially give him one option he could have approached the situation differently (yes it doesn't mean that he would have succeeded but there's still a point to be made in the way Hawk's approached the situation from the beginning)

When horikoshi first introduces Hawk's to us in the series, he makes it a very clear point that Hawk's is fast and that he is a powerful hero.

Hawk's is fast in every sense of the word,he is shown to quickly climb up the ranks at an incredible speed becoming the number 3 hero, he is fast enough to stop a criminal without batting an eye, he is fast enough to evacuate everyone from a falling building and to try and stabilise the building. Hawk's is also quick in being able to mentally recognise what's going on and quickly act on it. With the series reinforcing this message consistently it seems weird for Hawk's to not be fast enough to knock twice out instead going for the kill.

Now you can chalk this up to a writing mistake or an ooc moment, but I personally think there is symbolism in it. Hawk's failure concerning the MVA was foreshadowed the moment he came into play and said "I am too late" this to me shows the small downward spiral that Hawk's is then sent to by the narrative. It's essentially tragic that the fastest hero or man was too late or too slow to stop tragedy from occurring. In other words, Hawk's heavily reminds me of minato namikaze from Naruto.

@doodlegirl1998 even points this out

So, how does this link into Hawk's killing twice, you might ask?

Horikoshi establishing that Hawk's main trait is his speed and agility highlights (to me) the ability that Hawk's had to simply knock Twice out and get him out of the area.

Again, this didn't occur due to the tragedy and reoccurring theme of the fastest hero being too late. Hawk's was too late to apprehend Twice, he was too late in escaping from Dabi's flames. He was too late in many things, and it resulted in horrible consequences.

However, while this string of events is played for the tragic irony, it also highlights just how corrupted Hawk's has become by the hpsc teachings and how he at the end of the day is still a bird trapped in a cage both mentally and physically. This is because you can clearly tell throughout that scene that Hawk's doesn't really want to kill twice. He keeps on bringing the fact that Twice is a good man at heart and that he believes that Twice can be redeemed, but after Twice's rejection, he believes that he must kill him saying that he didn't come this far for mere sentiment to trip him up.

However, even with that being said, when fighting Twice Hawk's doesn't aim to kill him. He could have. He had Twice cornered. He could have killed him in one hit but didn't because he couldn't because mere sentiment was indeed tripping him up and he was so clearly trying to justify his actions, trying to be logical but failing. This is further highlighted when Hawk's ends up saving both himself and Twice from Dabi's flames in chapter 266. Hawk's didn't want to kill Twice but after a string of events, he believed that it was the only way to resort to his hpsc teachings.

Personally, I believe the brief fight between them heavily shows Hawk's internal struggle with his own beliefs, his own desires to save as a hero, and actually help all of that clashing with his hpsc teachings and the belief that killing Twice would be easier and safer.

Hawk's ending up killing Twice narratively shows us the failings of the system and could have been great in showing us Hawk's further questioning the system he feels trapped in and straying fat from it as he does end up acknowledging in the final arc that jin was a good man (I think it's symbolic that he calls him by his citizen name and not villain one) and it could build up to him creating a completely different one but alas that fails due to various reasons which are too long for me to list out.

[vaniliens]

Im not even sticking around for the drama that stuff gives me heart diseases im just here to see where this guys gonna lead us and to make fun of him if it ends up bad and ignore it if it was good

[puhpandas]

I want the fnaf dbd chapter to be good so bad

[laika-of-the-stars]

that scene with cyn/the solver and uzi at the very end where the solver/cyn is still a part of uzi.... so OSSDID/System coded fr fr.... im going insane abt it. im so autistical abt this

please please PLEASE send me asks abt this i am so eager to talk to ppl abt it

(rambles in tags)

[cubedmango]

AAAAA like honestly I really don’t care for tsugemina but I know they have a decent sized jp fanbase so I get the vol 12 sacrifice once again💔 but kurodachi as parents my God naina… I can see it so clearly like in my dream they’d be the sweetest most loving parents ever like in my dream it was weird cause it was little snippets? But I can just see it… adachi falling asleep with their baby girl already far into dreamland on his chest and kurosawa using every molecule of strength in his body not to start crying (53636 burst shots were taken), kurosawa buying matching pyjamas for all three of them (cherry print I’m sorry I’m a weak, weak person…), that classic moment of them laying together in bed ready to sleep, wedding photos framed prettily on the bedside, when all of a sudden the baby starts crying and they both make a move to get up but then one of them stops the other with a gentle hand with the ‘I’ve got it, rest yourself’ line oh I’m insane. Positively INSANE

ANON DO U HAVE ANY IDEA . HOW SEVERELY THIS ASK CHANGED MY BRAIN CHEMISTRY.??? ive been thinking about ur scenarios all Day. i started thinking of whole ideas and hcs and everything head in hands i never knew krdc being parents could be this powerful...... im choosing to believe ur dreams are prophetic bc i need this to happen in canon so badly its not even funny . brb i need to send sensei a very tearful request letter

anyway thank u so much for this ask i drew u some la kurodadchi in return after taking some inspiration pls enjoy .......

[sifloopboning]

saw you had kingfrinned thoughts. have any you'd like to share? (they were very good from what i've seen so far.)

im glad u like em and OH BOY DO I! most of them are just Ideas and Concepts that i receive like the oracle of an angry god so theyre not quite Postable yet but rest assured i am thinking about them an abnormal and strange amount. a genuine hateship can be so personal <3 rest assured i will Keep Posting soldier 👍🏽

[trebuchet151]

High Priestess, Hermit, Temperance, Devil, and Sun

FINALLY answering these im so sorry lmao

High priestess: Which does Rook obey more, their head or their heart?

Ithelanas is pretty well balanced by the time the events of Veilguard roll around, but it took a LONG time for him to mellow out like that. When he first started with the Inquisition, he was in the habit of ignoring his feelings (his heart) in favor of "logic" or following orders (his head). It wasnt that he never did things impulsively or followed his own path, its just that he agonized about it for weeks, and made himself and everyone around him miserable in the process. Meeting and falling in love with Revasulahn (my inquisitor), helped start him on unlearning that habit. Letting go of the FOMO/regret cycle he was so prone to definitely saved him a lot of grief during the regret prison quest sequence in Veilguard.

This got LONG so the rest are under the cut!

Hermit: When Rook is alone with their thoughts, what do they think about? Is solitude a blessing or a curse for them?

Lanas is quite the introvert, and tends to do best when he has lots of time to himself for introspection. He daydreams a lot, and mulls over conflicts/problems he needs to solve (sometimes obsessively). Hes very inventive and is fascinated by enchantments/complex magic, so if theres nothing to worry over hes thinking about nerdy stuff. Solitude in moderation is a blessing. That said, he's also prone to feeling lonely, so having people that care about him around to force him to socialize every now and then is imperative. Give him his space, but pop in and irritate him sometimes to remind him hes loved lol.

Temperance: What does Rook do to deal with the stress of their situation?

Aforementioned alone time for introspection is how Lanas best handles stress. Giving him space to decompress and think things over is better for him than reassurance in most cases. If he's stressed enough to ask for help from those he trusts, talking things over won't do anything but upset him more. Distracting him until hes relaxed enough to go be alone with his thoughts for a bit is the best course of action. Suli's default "calm Lanas down" plan is giving him chocolate, sex, and drawing him a nice bath with candles and fancy herbs and salts and whatever else he wants. It turns into the "doing whatever my hot witch wife wants" meme every time. Whats the fun in marrying a mage if you dont indulge their funky rituals every now and then to help them relax?

Devil: What type of demon is most likely to target Rook? Why?

Despair demon! Lanas is depressed. By the time Veilguard happens, hes got it pretty well under control, but he had a rough go of it when he was younger. Spending your teens and 20s passively suicidal doesn't resolve itself with no lasting effects. Fear hes had mastered since childhood, you can't scare a man that thinks things cant get worse. Despair is the opposite. It tells him he'll never get better, that the world won't change, and that hes doomed to repeat the cycles hes trying to break. Nothing to lose vs wasted potential. If you'd thrown him in the regret prison a decade earlier, he wouldn't have escaped. Hes had a long time to heal and learn better coping skills. He has hope now (and the inquisitor) to see him through it.

Sun: What is Rook passionate about? How do they fuel that passion?

Lanas is most passionate about learning and teaching. This one was hard to answer but most of the other more specific thoughts I had can be boiled down to the pursuit of knowledge (magical research, reading, adventure) and the distribution of it (loves infodumping about his interests, journaling/archiving while he was with the inquisition, mentoring apprentice mages while staying with clan Lavellan between Inquisition and Veilguard. He'd tell you he doesn't have favorite apprentices but thats a lie. Suli's nephew, Fennas, is a teachers pet and definitely the favorite (hes 19 at the start of Veilguard and ive got an au where i made him my rook instead. If i were more of a fan of the teenager saves the world trope id make that my canon worldstate but im gonna let Fen be a kid and have his 40 something mentor do it instead))

[cheswirls]

there's not anything from the beginning of the cyberpunk au that is ready to share (too many holes and fill-ins and such that i don't feel like correcting rn) so instead here's three takes of a particular breakdown scene from the second act that is. uh. hopefully far, far enough away from being published that this part fades from everyone's minds by then :) but if not, no context is a killer

-

Ace moves back into the room he and Sabo had formerly occupied alone. He’s not sure how to take that at first, and seeing the lack of Sabo’s belongings spread around the shared space hits like a punch to the gut. But after a spell, he resolves to give Sabo some space. He’ll come around when he’s ready, Ace tells himself. All Ace has to do is be patient.

It quickly becomes painfully obvious that things are not that simple.

Sabo starts avoiding him, little by little. At first it’s almost unnoticeable. He’ll stiffen in Ace’s hold, then shy away from Ace’s touch, then casually move to avoid it altogether. They’ll be in the same room, in the same space, and yet it suddenly feels like Sabo is worlds away. 

It’s such a sharp contrast compared to how they were when Ace was first recovered. Where Sabo would cling to him with pain in his eyes, unwilling to let Ace out of sight for any reason. Now he’s so reluctant to initiate any sort of contact at all, and when it’s just the two of them, no matter the situation, Sabo finds an excuse to be somewhere else.

Ace thought, given time, Sabo would move back in with him. That the room he was staying in now would be temporary the longer he adjusted to Ace being back. But it turns out to be the opposite. The more time goes on, the less he sees of Sabo in general. 

With help, Ace manages to confront Sabo before he’s confined himself in his office for the day. It’s tense and awkward where it doesn’t need to be, should never need to be. Sabo doesn’t have any reasons for his recent behavior that he’s willing to give to Ace. So Ace starts offering his own, wanting to finally get to the bottom of this.

He hits rock bottom with his final guess, convincing himself that no matter how Sabo answers, he’ll accept it. But Sabo surprises him again, head shooting up to look at Ace with wide, scared eyes, one hand outstretched in Ace’s direction.

“Of course I–” Sabo stops, his voice failing him, and turns his head sharply to choke on the sob stuck in his throat. Ace steps forward, dropping to his knees to kneel at Sabo’s side, and risks grabbing Sabo by the shoulders so he’ll finally look at Ace.

Sabo’s teeth are gritted tight. There are tears in the corners of his eyes, and after a moment, he blinks harsh and two wet trails run down his cheeks. “Maybe that’s the problem,” he whispers, and Ace’s heart stops thudding in his chest.

Sabo continues, oblivious to Ace’s condition. “If I didn’t love you anymore, maybe this would be easier. Maybe it would stop hurting all the time.” He glances over and ends up holding Ace’s gaze, sincerity blooming in his own eyes in a way that physically pains Ace, when coupled with the words he says. “It’s so empty,” Sabo confesses, reaching up to grab at his heart. “It has been ever since you d–” He shakes his head. “And now that you’re back, I can’t even feel happy about it. It aches, Ace. It’s indescribable, and you don’t even feel it!”

Sabo leans back, out of his hold, almost toppling from the chair. “You left me!

[Take 2.]

It’s hard not to notice all the changes, but at first, especially in the beginning, it’s easy to ignore them.

Sabo clings to Ace in such an unnatural way. He has a new room now, because none of his belongings remain in the room he and Ace had shared. But it would be hard to tell otherwise, because Ace is there, and Sabo occupies the space as if he had never left. 

It’s different from before, like when Sabo had first moved in with him. Ace still remembers it well. Sabo being in here all the time, even when Ace was not. Sleeping in the same bed more days out of the week than in his own room, and then casually borrowing items from Ace until he began to leave space for his own. At first it was clothes for the next day in an empty drawer Ace never had the need to fill. Then various hygiene products taking up space in the en-suite bathroom one by one. Sabo brings a bag filled with various things that never end up leaving, and by the end of a particularly draining week, when they’re both back here, too exhausted to even make it to the bed, Sabo softly admits that there was nothing he needed to grab from his own room to make it through the next day.

And Ace just. Follows that. Really easily, the ‘why don’t you just move in?’ spills from his lips, because it seems like the correct response to have. It would keep Sabo from worrying about missing something, because everything will be in one place once more. He and Sabo will be in one place, really, wholeheartedly.

There’s not even much left, but the next day, Ace helps Sabo carry the remaining items over. And that was it. Simple. Easy. Natural, even.

Not like this.

Something is wrong. Something is terribly wrong, but Ace is too afraid to ask. He can’t quite put his finger on it, either, and yet he knows. 

It wouldn’t be too far off to say Sabo is scared, but of what Ace isn’t certain. Losing him again? That would explain a lot, but it would only explain the things he could outright see. Sabo clinging to him tightly, unable to let go. Unwilling to be apart, and yet.

All of his belongings remain in his other room. Completely separated. 

Ace has never even seen it, but he knows it has to exist. Sabo is so frantic, so on edge, and Ace thinks, at first, that Sabo is bracing himself. Not willing to give himself the chance to get attached, in case something else happens.

It’s a good theory, but Ace knows, instinctively, that it’s incorrect. There’s another reason, has to be, and he just hasn’t stumbled upon the right pieces to put it together yet.

It’s colder, too. 

Ace can feel it at night, gripping Sabo’s frozen fingers and wishing he had the power to warm them up. His body heat isn’t unnaturally high, though, and that’s all he has. All he can do is cup Sabo’s hands in his own and hope the chill doesn’t spread to him as well. 

And that’s not the only thing that’s missing.

For all the trouble it was worth, Ace can’t help but feel a tinge of regret that their soul bond was no longer. It’s definitely an adjustment. Ace will do something too hard, too rough, and then instinctively look over his shoulder to apologize only to find Sabo hasn’t felt a thing.

But he notices. How Sabo tenses, like he should be feeling a reaction and is lost when he doesn’t. It’s subtle, but Ace starts watching closer so he can see when Sabo acts out of turn. An action that’s too forceful, or a misstep, or something he can get away with while in Ace’s line of sight that should send a twinge of pain coursing through him.

It never does. Sabo always looks so unhappy about it. Like he’s testing their bond, like he wants Ace to have a reaction, to feel what he’s feeling.

Ace doesn’t understand why it matters so much until Sabo starts pulling away. Subtly, at first. Little things Ace shouldn’t notice, but he does. 

[Take 3??]

“You don’t have a soul bond anymore,” Sabo mutters, so distraught and defeated, head drooped low. Ace’s lips open, a counter on his tongue, a reassurance, a promise. Sabo doesn’t give him the chance, continuing, words dripping from his lips like acid. “But I do. It’s still there. It hasn’t gone away. You came back, and still, nothing has changed.” 

He stops to breathe, ragged, in and out. Then his teeth clench and he lifts his head just to the point where he can gaze up at Ace through his bangs. “It’s still broken. It won’t go away. I–” He’s cut off by a sob tearing through his throat, and when he blinks, tears leave his eyes. 

Ace, panicked, crouches down to eye-level. He reaches out, slowly, both hands up, but it doesn’t even matter. Sabo still flinches back violently, eyeing him warily. He realizes his actions right after they happen, biting down on his lip, eyes blown wide. 

A second later, Sabo is out of his chair, collapsed fully in Ace’s outstretched arms, clinging to his form. Ace’s knees drop so he doesn’t overbalance, and he grips tight, drawing Sabo in. 

“It feels so empty,” Sabo confesses, voice warbled from tears that drip down the back of Ace’s neck. “So lonely. You’re right here and yet my heart doesn’t know. It can’t find you, Ace. This doesn’t even feel real right now. 

"And I don’t know what to do. I don’t know how to stop feeling like this. And I’m sorry, sorry that I keep pushing you away, but! It’s so much easier than having you in my arms with my soul telling me that you died, that you left and took half of me with you, and the other half is so inconsolable about it. It doesn’t understand, it keeps telling me to find you, to join you again, but I have so much work left to do here. I can’t leave. Not with Dragon dead. Not with you alive, still, because if I die and my soul can’t find you even in the afterlife? It will kill me, Ace, for good. It’s killing me now. And you don’t–”

He chokes and stops, working through a set of shaky, shallow breaths that Ace coaxes him through, running a comforting hand down his back and up again, over and over. 

Ace sits and tugs Sabo down onto his lap, bringing them both into a more comfortable position. 

“I don’t even feel it,” Ace finishes, voice quiet, barely there. “Right? The remains of our soul bond are tearing you apart, and here I am, free from it in death.” That would explain all of Sabo’s peculiarities as of late. He’s been trying to get Ace to feel, like before. Working himself up over it and then falling apart when Ace doesn’t react. He wants their bond back so bad that he’s been so reckless, and Ace didn’t even notice.

[kawaiianimeredhead]

Was reminded how much I fucking love Unpacking

Wish I could wipe my mind and replay it completely blind again

[orcelito]

Some1 voicing interest on Libero a Due.....🥺

[homophyte]

thank you for the long & thought out response. while i do fully agree with you on stances like prison abolition & the myth of the stranger pedophile scapegoat, my question and discomfort with jimmy’s actions comes not so much from a political/philosophical standpoint but from a very human emphatic one. i put myself in the shoes of the girl he groomed and abused and imagine people listening to and enjoying the music of my abuser and it makes me sick to my stomach. so thats more where my guilt and discomfort comes from. that said i can’t say that their music doesn’t have an impact or isn’t enjoyable. i also agree with you that this mass outrage and very public renunciation and demand for punishment is very much a social mechanism and automatic reaction that quite simplifies a complex situation. however these mechanisms exist for a certain evolutionary purpose after all (sorry my background is psychology) but thats sort of besides the point because im also not a fan of how these things get handled with zero nuance. 

its also true what you said that me or you or anyone deciding to disengage with this band or their music changes nothing in the grand scheme of things, so doing it as some sort of Noble Cause against abuse is useless. so in this case i feel it’s up to personal preference and whether or not i can swallow the cognitive dissonance and discomfort this information arises in me whenever i listen to their music from now on. 

thanks again for the insightful response, i’m glad we can have this sort of discussion because i also think this topic is extremely important but people often shy away from it because it’s so heavy. 

im glad you asked me to share! like i said ive spent a lot of time thinking abt this specifically so its very much like years worth of mishmash thoughts kinda strung together only by me experiencing them over time in succession lol. but i agree its important to talk about it especially within a culture so ensnared in the logic of the prison and particularly how effectively thats been exported into like 'mob justice' for lack of a better word.

re: the emotive aspect im not sure i have much to say other than like Yeah its a very strong one and i dont think its a bad thing at all to have. i got the impression from ur ask--and idk how true this is--that you were wrestling between a desire to return to the music bc you enjoyed it and that response preventing you and feeling a sort of obligation to do one over the other n struggling with that. so i think i approached it as like 'heres ways you can reason w that emotional response and grapple w it if its smth ur agonizing over' or something like that. im also a firm believer in the ways politics shapes the ways we think n feel so my instinct was to tease out some of the structures that may be shaping ur thought processes--which of course i nor anyone but you can fully know. but i dont get that same sense from how u describe it here and either way i think whatever feeling ur having about it is like...i dont want to say its 'valid' but ur allowed to have that and do whatever you want pretty much lol. i cant and am not going to force anyone to engage w the band and theres probably more reasons than i could think to list why its not for everyone even without the sordidness of abuse hanging over it.

without getting into a much much broader discussion i would gently push back on the idea of a biologically innate reason for the existence of carceral/punitive logics (and frankly psychology more broadly), if only bc it does a lot of the work of justifying them. keep in mind that these are concepts ideas and patterns of thought that exist because they serve systems of power and particularly the state. we did not have to have a society which created them, we only happen to--which is to say theyre not innate in this way and i disagree that they have an 'evolutionary' purpose bc it fails to properly historicize them. but thats me coming from an antipsych position lol