#i think the reason why it's so massively disappointing though is that there's so many beautiful things there too

[mymp3]

I finished reload and I'm so disappointed I came back on Tumblr to post about being disappointed.

[incorrectbatfam]

Wayne Tower yelp reviews pls (wrong answers ofc)

★★★☆☆ Disappointed but not surprised

Was invited to the Wayne Gala held at the Tower this year to accommodate special guests from the Justice League. Was photographed by reporter Clark Kent. Wanted to meet Superman but he didn't show up. Food and atmosphere was good. Got told off for swinging from the chandelier. Why have a chandelier if not for swinging?

★☆☆☆☆ Not even gonna dignify it with a title

I'd give zero stars if I could. The CEO is a massive fucking asshole. He's full of nothing but smooth-brained takes. He claims he'll be there when you need him but never shows up. And when you RIGHTFULLY resent him, he'll turn around and pretend YOU are the bad guy. That isn't even touching on his AUDACITY to replace you so soon after you leave. You think you know this man, you think you've grown to trust him, and then he goes and stabs you in the back. Believe me when I say RUN. Get as FAR away from this company and that bastard Bruce Wayne as you possibly can.

★★☆☆☆ SOS

I work here. Too many emails. Half the execs are Boomers who can't export a PDF. The break room is out of coffee. My dad won't stop visiting the office. When will the nightmare end???

★★★★☆ Imperfect but respectable

I had the opportunity to visit Wayne Tower on Bring Your Child To Work Day. The building is up to code and I was able to view all the health code certifications. I admire that Wayne Enterprises takes care of its employees by allowing ample vacation time, in-house daycare, and well-maintained recreation spaces. The cafeteria did not have as many vegetarian options as I would have preferred, but I have been informed that they operate on a rotating menu, so I shall revisit again next week and possibly amend my review. I would leave five stars but I ran into Tim Drake on the way out and that brought the whole experience down a notch.

★☆☆☆☆ No Chipotle

Was told there was a Chipotle here. Did not find Chipotle.

★★★☆☆ Badge entry didn't work

I'm on the night shift at the company's call center. One time I was already running late but for some reason I couldn't badge in. The janitor wouldn't let me through even though I had proof I was supposed to be here. Had to escalate to the CEO. Still better than working the Batburger drive-thru though.

★★★★★ Hi Dad

Hi Dad.

★★★★☆ Good but...

I love the bathrooms. They're easy to find and very accessible for a wheelchair user like myself. There's plenty of space for me to navigate and the products are top-notch, especially the hot towels. The toaster oven under the sink also doesn't make sense, but then again, my lockscreen is Nightwing so I can't judge.

★★☆☆☆ No cats allowed

I got written permission from the CEO himself to bring my cat to the office, but the doorman turned me away. Next time, there should be better communication between the employees.

★★★★☆ Rooftop makes for good date

I brought my girlfriend up here for our anniversary date. The building has a beautiful view of the city and the restaurant was great. The bread was a little dry, but nothing that a little butter couldn't fix. Unfortunately, she's an on-call detective and we had to cut our evening short, but that's not the staff's fault.

★☆☆☆☆ Got called Bri'ish

Someone called me Bri'ish.

[sanflawoah]

Black Myth: Wukong ramblings because I'M GOING INSANE.

FOUR YEARS. I. DID. MY. WAITING. WOULD VERY MUCH LIKE TO EXPRESS MANY THOUGHTS ABOUT THIS GAME.

(Lengthy words and massive spoilers below!)

First minutes into the game I was all chill expecting the opening to be a long prologue cutscene about JTTW, explaining core things you need to understand, a helpful guide for those unfamiliar with the lore beforehand. But NOOOOO....we jump straight ahead fighting ERLANG SHEN AND THE FOUR HEAVENLY KINGS. We're WIDE AWAKE.

About gameplay, the devs stated repeatedly that it's not a souls-like game, and more like a God of War ish. Yet so many still questions whether it's a souls-like and then went into the game just to say "meh not souls-like". Amazing density of head.

I really don't demand much for whatever mechanic they serve, I'm really just here for the monkey smash experience and the childhood nostalgia and the fresh aesthetics.

The character design?? The environment?? The architecture?? The statues?? Soooo beautiful oh my god you really need to stop and admire these things (when you don't have a boss shredding you) up close. Look up their inspirations and concept arts, some statues and buildings exist in real life and it's really mind boggling how they incorporate it into the story. The part where you fight with Yellowbrow at Thunderclap temple, what a creative choice, the idea of "miniature fight" on the temple altar. I'm farming so many screenshots for art references. 10/10 visuals, graphics will definitely fry your PC.

Again with the character designs. I'm really loving the absurd looking bosses one, really fresh take. Then to the celestials and yaoguais, I just..... OH they're ALL hella gorgeous. I've seen some people going "WOULD" towards Wukong or The Destined One and I don't blame you. I've had my fair share of neuron activation moment.

Erlang yoo, I was stunned at first with the way they present his personality during the opening, but turns out we got the reason for it near the ending :"(((. He was helping us all along ughsjsjsjsksdsd. Also, they know EXACTLY what they're doing by casting Andrew Koji as the english VA.

White Clad Noble? Half snake man hissing at you to get off his lawn. I feel kinda bad for him lmao, dude was just minding his business and we go monkey smash all over his place.

Keeper of Flaming Mountain? Neat hat and cool makeup bro, awesome yin yang palette and battle area design. BANGER THEME I'll get to it.

The Third Prince in Pagoda realm prison, why does he looks so good, you encounter this guy in his cell just suffering, and somehow he's still serving looks.

The girlies damn, the spider sisters are gorgeous, and YES even madam violet spider, come look at spider granny serving fashion and arachnophobia.

At first I was scared that they're going to sexualise the hell out of the spider sisters or any of the female characters, since the book itself tells their trait as luring men with their beauty (to be eaten though). But actually?? They're a lot tamer than I expected? I mentally prepared myself for the worst, like racy sexualised outfit and personality, but turns out they're all very normal. Like how you would see Tang dynasty inspired ladies. I braced for GTA or cyberpunk-like explicitness but thank god it's not the case, not at all.

Rakshasi and Pingping having the relatively "sexy" look, but then both of them had a moment where they're not actually their real selves, but rather a transformation of Zhu Bajie and Red Boy LMAO. Funny boner killer.

Talk about this boi, our Destined One. To be honest I was kinda disappointed when I found out he doesn't speak at all. Banters, insults, cackles, anything you would expect a Wukong-like personality, he doesn't have it.

I tried to think of a reason, and I think the dev's choice of making The Destined One silent kinda has a root to it. Our MC is NOT the Wukong himself, we are literally just some monke, and we're tasked to gather the six relics Wukong had scattered by retracing his journey. Also, I think it's a funny thought that probably it's just their personality difference, Wukong the loud, Destined One the quiet. Wukong sometimes does chaos for shits and giggles, our Destined One does chaos because we have to.

My theory: our Destined One is just non-verbal! Zhu Bajie even acknowledged it. When we first met him after defeating Kang-Jin Loong, he bantered "A furry coat and a pinched face, luck's all you've got", and he looked confused when we don't say anything back because Wukong would've returned the favour, "Great, another mute. Let's not dally". So the game actually acknowledges it, it's not like they intentionally muted us and have the NPCs acting as if we talk back to them all the time.

Non-verbal and asexual coded? I'll take it.

THE ANIMATED CUTSCENES??? OH MY GODDD. Impossible to put ALL the epic frames here. I really don't expect this from a game at all, real time cutscenes are great, but a WHOLE 2D AND STOP MOTION ANIMATED SCENE?? No wonder the full development took SIX years. You could pause the scenes at any frame and it's worthy of analysis.

The stop motion one really surprised me, how are they that dedicated. The plot as well, it started out romantic and escalated into HORROR real quick. Batshit insane, love it.

For many players, the animated cutscenes may be confusing on the first watch. So many references to JTTW, metaphors, mix of Chinese Taoism and Buddhism. I personally encourage people to look around in forums for explanations, plenty of the Chinese words are untranslatable into English, but it's all so worth the knowledge.

Enjoying the JTTW shows and contents as a child is all about the fun and giggles, understanding the lesson of it all as an adult hits me like bricks, especially with the way they're adapted in this game.

I CRIED?? A LOT??? Of all characters I could cry for, ZHU BAJIE?? Man is literally a nasty pervert in the book, living to the pig form indeed, but in this game he's a bit better. Sure he's still his natural pervert self, but since the game took place after JTTW, he surely had some character development. His animated love story cutscene, loorddd they have no business making it so full of freshly diced onions.

Love how each character in animations have different styles. Erlang's design in particular are different in each scenes. Most of the time he has dark hair, in others he has white hair and different armor, same goes for Wukong's design. I'd imagine the devs struggled to choose for one consistent design and decided to just fuck it and put them all in lmao.

And then THE SOUNDTRACKS, THE SOUNDTRACKS YALL. Love love love it when they incorporate buddhist prayer chants flawlessly into the soundrack. The soundtrack during the chapter one ending animation caught my attention with it, I asked around what mantra is it and they say it's probably Cundi Dharani? Please correct me if I'm wrong. The track is called "I See" in the official playlist. The lyrics too, my god, the way they narate the animations.

During the fight with Keeper of Flaming Mountains, IS THE SOUNDTRACK A RENDITION OF "FISHERMAN'S SONG AT DUSK"? IS IT? Losing my mind because it's my favourite chinese traditional piece. Half expected him to pull out a guzheng and blast me with phantom blade from the strings, IYKYK.

And of course, a new rendition of the classic JTTW theme. This will be my neighbour's favourite music for a while.

Some tidbits I like, apparently if you're idle for a while and Zhu Bajie is with you, sometimes he'll start to talk about past stories or lectures you. If you push him around for a few times he'll get annoyed, if you keep pushing him then he'll struck you with his rake lmaoooo. Perhaps we weren't so different from Wukong after all.

Another insane stuff is the headless singing guy. GoW has a talking disembodied head, now BMW has a HEADLESS singing man, literally a reverse Mimir.

The rematch with The Four Heavenly Kings YOOOOO I love their design so much. They look like statues from temples jumping straight to life. The stances! Throwing hands with them is the true Monke of War experience. The East King with his Pipa literally playing the background music, excellent touch.

This has been an insane scroll of yappings, I'll stop here (for now) and take a moment to touch grass. If you've been reading ALL THE WAY to this line, I'm so sorry, I didn't mean to harm your braincells.

[thecurioustale]

My Thoughts on Jenny Nicholson and the Star Wars Hotel

I watched Jenny Nicholson's four-hour "The Spectacular Failure of the Star Wars Hotel" video essay that YouTube showed me recently but which till now I couldn't bring myself to construct a day around. She's in great form here, and I'm pleased to say I go back as a fan of her work all the way to her Friendship Is Witchcraft days. (Blows my mind that she voiced all Mane Six characters, and others, so well.)

Anyway, long story short, Disney built a Star Wars hotel at Disneyworld in 2022 that was themed as a voyage on a spaceship, then proceeded to charge thousands of dollars per person per night, the most expensive publicly-available Disney theme park hotel experience by miles and miles, and then closed the hotel in 2023 after having spent hundreds of millions of dollars. Jenny went into the experience as a member of the core target demographic and spent four hours talking about all the ways it was an underwhelming or outright disappointing experience.

Her video reminded me of Hasbro's own misadventures in corporate greed with Magic: The Gathering, which has suffered in recent years from price increases, disengagement from the fan community, and a huge proliferation of product spam—i.e. more products overall, more ways to buy a given product (e.g., the proliferation of different boxes, which eventually killed the original draft booster box that had powered Magic for 30 years), and more variants of individual cards within and between products.

Hasbro and Disney are very similar in the economic space they operate in, and also utilize similar business strategies. Disney is essentially the S-tier megacorporation to Hasbro's B-tier, and we have seen many of the same corporate trends play out in both companies.

When it comes to Disney theme parks, they have massively increased ticket prices over the years, well beyond the rate of inflation, and have also implemented advance-scheduling systems for faster access to rides that has made the process of exploring a Disney theme park much less spontaneous and a lot more regimented and stressful.

Disney realized, years ago, that their limited number of theme parks—they only really have two, not counting the various sub-parks: Disneyland on the West Coast and Disneyworld on the East Coast—together with Disney's entrenched status as a cultural icon with lots of goodwill and brand recognition among the public, are vastly underserving public demand, allowing them to inflate the price of a single trip almost arbitrarily, well into the four digits—or even the five-digits if you're taking the family and spending several days.

The Star Wars hotel was Disney's "Magic 30": a product so ludicrously expensive as to incur immediate and universal condemnation by their own fans. It's clear to me what Disney was doing: They'd happily turned the conventional price knob up and up and up for years. Now they wanted to experiment with a fundamentally more expensive product class, basically five to ten times more expensive. They wanted to see if the market could support it. Because the growing disparity of wealth in America, together with America's obscene wealth as a nation relative to the rest of the world, means that it's definitely possible: There are definitely millions of people out there who could book a stay at the Star Wars hotel if they wanted to. And Disney was like "Let's see if they will."

And you know what? I think it could have succeeded. Because there really is an obscene excess of wealth in this country, even though most of us don't have any access to it. And we are a culture whose zeitgeist is ever ravenous for the next big, flashy experience.

But instead the venture failed spectacularly. Why? Because such reckless corporate greed is, itself, usually a sign of deep organizational rot and incompetency among the board and executive leadership. In other words, their hotel failed for the same reason they tried building it in the first place: Disney has grown stupid.

The way it failed, going by Jenny's video, is down to two independent reasons:

An outrageous degree of "penny-wise, pound foolish" thinking;

A fundamental failure to anticipate the comfort and pleasure of the guest.

The former is the more obvious of the two, and what really stood out to me as emblematic of it in this whole boondoggle were two simple thing: 1) The hotel rooms didn't have complimentary Disney+; and 2) the free loaner umbrellas for hotel guests visiting the Star Wars Land in Disneyworld were either so worn-out or so shoddy to begin with that, unless it was a big coincidence, both Jenny's and Jenny's sister's umbrella failed while in use. This was in the context of Disneyworld's most expensive customer experience ever, by a lot, and Disney was nickel-and-diming them. Jenny's video goes into a great depth of detail on the dozens if not hundreds of corners they cut; it was basically everything but the food. The result was an antagonistic relationship between Disney and their hotel guests where almost everything interesting cost more money (usually a lot more money) while almost everything included in the main ticket price was of cheap quality or stingy in its allotment. Every aspect of the whole process, from the scammy vibes of booking a room in the first place, to the pathetic after-care for customers who reported a problem after their stay, was likely to leave a sour taste in the customer's mouth.

When you're paying the most expensive prices in the history of a product category, you really just need to be given an up-front price that includes all or nearly all of it. You'll know what you're in for, and you can make an informed decision, and then it's really just down to the host to provide an experience and level of service that matches those high dollar outlays. But instead, as Jenny pointed out, it's like you're dealing with Spirit Airlines, where you're gonna pay a fee for literally everything beyond sitting your body quietly on the airplane.

Mind-boggling hubris. Disney needs to be broken up for the monopoly that it is, and this is just one more example of how convinced of their own inevitability and supremacy Disney has become.

The other main failure on Disney's part is the subtler one.

Jenny focused on how the Star Wars themed choose-your-own-adventure game, which was at the heart of the hotels' central conceit of "live your own personal Star Wars story," was irreparably dysfunctional. Not only was the app, through which most of the "experience" was conveyed, horribly designed; and not only were the tasks delivered through this app mostly busywork to anyone other than young children, consisting of little more than walking around and scanning inanimate objects; but the storyline's entry points and decision points were completely impenetrable through reasonable means, to the point of seeming arbitrary. Jenny proactively tried and failed to get into her preferred storyline; then tried and failed to get into any storyline; then was automatically sorted into one the next morning; and ultimately ended up having only one (dubiously) interactive story experience over the whole weekend.

She talked about how the tightly-regimented and incredibly full schedule was so mentally and physically draining that on the final night she fled her dinner table fearing she would vomit and had to stand in her hotel room staring at herself in the mirror for a while, to understand her illness (which turned out to be stress-induced exhaustion) and center herself.

She talked about how she didn't get to see a much-coveted music show during dinner on her first night because she was seated behind a giant column.

Really, these things are manifestations of the larger and more fundamental failure on Disney's part to anticipate the comfort and pleasure of the guest, as I put it.

As I was watching her video, two thoughts came to me in this vein:

First was that this whole experience really needed to be "playtested," as we might say in Magic. I mean, I'm sure there nominally was, but whatever playtesting they did was completely ineffective. Good playtesting would have brought most of these issues to light.

Second was that the Disney of today has completely lost touch with the namesake of their industry: hospitality. This would never have happened at a new luxury resort by an established world-class hotelier a century ago. Because they understood the basics. Little things, like hot towels.

I could tell just from Jenny's video that this whole hotel was decided from the top-down by soulless, disconnected corporate suits who blatantly disregarded whatever good suggestions I'm sure the Imagineers® came up with. For the failures to be as expansive and ubiquitous as Jenny's video documented, no doubt the institutional rot extends down at least as far as the project manager level, if not down to individual Imagineers® and beyond, but there have to be at least some good ones, and clearly they were overruled early and often. Whenever Disney's leadership was faced with a decision between anticipating the comfort and pleasure of the guest, and saving a couple bucks on a guest who was literally laying out several thousands of dollars to be there, leadership chose the latter.

They were so arrogant that they believed, without noticing or questioning it (unless Disney's leadership is in fact cartoon evil), that they would tell the customer what constitutes a good experience, and the customer would pay top dollar for it. And so you get a guest experience where customers who are actively trying to pick a given storyline can't get any storyline and are later seated for the dinner show behind a giant fucking column.

It's sad, and we should all be glad that their hotel failed. Not that Disney is likely to learn the right lessons from their failure, but the long-term solution here is for leisure dollars to be directed toward other companies. For the several thousand bucks that Jenny paid, she could have had a true luxury vacation in most parts of the world—and for longer than two nights.

One thing that I noticed during the four hours of her video was that Disney, or at least the people in charge of developing this hotel, didn't seem to understand what constitutes an enjoyable story experience. I am forgiving of the low level of complexity in the various puzzles, since the public is famously stupid plus a lot of these guests are going to be children. But there was so little imagination in the actual plot beats: Chewie sneaks in, gets arrested, and busts out. You get to help some Resistance fighters smuggle their luggage. Like, it's insipid. I mean, ultimately, most pop storytelling is insipid, but what I mean is that the dressings were insipid too. Dressing a story up is what makes stories great, at least at the mainstream level. There was no pomp and flourish; no clever interweaving; no electric events that put people on the edge of their seats. Just walking around on your phone for two days scanning crates and occasionally being in the same room while somebody busts Chewie out of the clink—assuming you even make it to the story events in time, since they often fired early.

The whole thing smacks of rule by committee, too many cooks, and suits suits suits all the way down.

I think it's a sign of the times that this is happening. We are once again in Robber-Baron territory in this land. The big corporations and the oligarchs who run them have become so obscenely rich and so utterly disconnected from ordinary life, and their corporate cultures have become so masturbatory and so officious, that they are increasingly creating products for idealized, phantom audiences. They increasingly don't understand real people or real life.

And we can and should bring the weight of the government down on them, more to break up monopolies and allow new and established competitors to seriously challenge them than to actively punish these companies for making money, but even more so we just need to spend our dollars elsewhere. I mean, I'm speaking hypothetically here; I am poor so none of this even applies to me in the first place.

Hence why, even after inflation, this is still just my two cents.

[ganondoodle]

another thing i feel has deepend my hatred for totk is... how quickly people jump to defending it, as soon as there is any criticism at all, no matter how little or legit, anyone that expresses disappointment, even in the most tamest way possible, the comments are filled with excuses for it like nintendo can do no wrong

(saw someone express disappointment about a concept art in the totk book that they would have liked more than what we got, and the comments were filled with people making excuses for it-)

often the process of cool concepts getting less cool over the development cycle, especially in this modern gaming industry, isnt bc it just wasnt 'possible' or not the best choice, but bc it gets filtered through many layers of corporate "mass appeal" ideals for greater profit, "mass appeal" i think is always going to give you something more generic, losing its edge, its spark, you cant make soemthing that literally appeals to everyone, thats not how it works, but they certainly try anyway bc it promises greater profit in theory

of course, that doesnt mean that has to be the reason for whatever they decide to go for in the end, but they can do wrong, very questionable, and very much bad things, they have done that and ARE doing that, and you should be able to express disappointment about that without getting swarmed by a weird nintendo defense squad, in fact, it SHOULD be criticised, sometimes that can even be fun, sometimes mroe frustrating, but it should be done regardless, does it sound fun to jsut fully accept everything they throw in front of you without question??? does that sound like you will only get better things???

i just realyl hate that weird cult following (exaggeration) the game has amassed where you either worship it or must unreasonably hate it, that you cant express any sort personal feelign towards it that isnt praise without being hit by the squad tm

its not just annoying, its weird, what are you defending them for?? why??? i had this problem a while too, but its died down sicne then, probably bc people realized im not the 'average' fandom guy but a very specific kind of fandom guy- whenever i view outside my little bubble though i see it still happen ... even for the most miniscule of criticism

(dont get me started on how i have MASSIVE gameplay and design frustrations about totk and dont really understand how so many people can say the gameplay is stellar and jsut the writing sucks .... bc its not ..)

[comicgeekery]

Sherlock and Co.

So I just listened to the latest episode, the conclusion of A Case of Identity. I have to say, it was deeply disappointing. For the most part I've been really enjoying Sherlock and Co. It's been fun and engaging. The actors are great. It's a solid new take on "Sherlock Holmes but in the 21st century". I love that they're going through all the stories of the original canon and giving them modern updates. So many Sherlock Holmes adaptations seem to have the basic trappings of the characters and premise without any interest in the original mysteries. This show is clearly being made with love and deep attention to detail. Also, on a personal note, my heart melts every time it explicitly (and even casually!) confirms that Sherlock is autistic and that that is a DISABILITY for him. He gets overstimulated. It gives him an often restricted diet. He hurts people's feelings from not picking up social cues and feels bad about it! There's also a lot of hints that Sherlock used to struggle to interact with others FAR worse than he currently does, to the point where he has never graduated from any school he attended. And John is kind and supportive, understanding the situation as a friend and a doctor, while also having his own understandable limitations. He gets annoyed with Sherlock sometimes and they need to hash things out. It's not perfect between them, but I can see how they're growing closer as they come to understand each other. John Watson is also handled very interestingly in this podcast. He's clearly got some issues of his own he's going through. There's some obvious PTSD from his time in Afghanistan, but also more mundane issues. He feels unappreciated by his mother and still grieves the father that died when he was ten. He's clearly massively insecure, as he constantly expresses jealousy of other people's wealth, good looks, and success. He seems to perk up every time he hears of an idea that could, in theory, make him rich or successful. He constantly second-guesses himself in any social situation because he's so afraid of looking foolish. I even think the reason that he himself decided to call their detective/podcasting business Sherlock and Co. (rather than Sherlock and Watson or something more evenly balanced) is because of his profound insecurity. He doesn't think anyone would care about the role he plays in the business. Clearly Sherlock is the only interesting person there.

But for all of that, I think this is the most competent, helpful, and good Watson I've ever seen. (ACD's Watson is excellent, but the stories almost always really downplayed his role in the crime-solving.) He is shown, again and again, to be an excellent doctor and more than that, one who is very calm and capable under extreme pressure. (Which makes perfect sense with his history as an army doctor.) If someone gets shot at your wedding, Dr. John Watson is the one who will have the skill and the presence of mind to use an expired condom as a tool to save their life. And he's also a good co-detective. He regularly helps Sherlock see connections that Sherlock might have missed. Things relating to pop culture, to social norms, to anything medical, not to mention all the support and encouragement John offers. And Sherlock genuinely appreciates it! These two are an actual, real team! It's excellent! (I have a soft spot in my heart for Nigel Bruce's Watson, but I can't deny that he inspired a real line of idiotic, totally a sidekick, why-are-you-even-here Watson portrayals. Granted, we've gotten away from that in most modern portrayals; Liu, Freeman, and Law were also very capable, though I think Liu was easily the smartest. It's just refreshing to have a Watson I can respect.) But all of that is a pretty roundabout way of getting to my point of what disappointed me with A Case of Identity. So, in the original Case of Identity story, a woman comes to Sherlock and Watson saying that her fiancee has disappeared. The eventual solution is that everything about this fiancee was a lie. He was actually her evil stepfather in disguise "wooing" her with the intention of disappearing mysteriously and leaving her too heartbroken and loyal to think of marrying anyone else (and thus depriving her stepfather of her fortune). The Sherlock and Co. adaptation has a solid update to the story. It's now about a rich, though insecure, man who's being cat-fished. He loves "Angel", even wants to marry her, and has given her tons of money for two years now. He's only going to Sherlock at all because he has a friend who thinks the situation is sketchy. In a parallel to the original story, it turns out that "Angel" is actually Des, the client's stepfather. It started off as a scheme from Des and the mother, Clara, to keep Miles from dating women they didn't approve of. Then Des went behind Clara's back to keep the charade going and get more and more money, consequently getting more and more intimate with his stepson the whole time. I was already a bit nervous at that point, because Des was coming dangerously close to playing out a transphobic stereotype. Being a man who pretended to be a woman for personal gain, and willing to completely betray and deceive the people closest to him. It also didn't help that John had made a point of saying that there was nothing wrong with being a Tory mere minutes before. (Which to me read as more of his insecurity and need to not alienate the in-universe listeners but certainly wasn't interrogated.) But I tried to be optimistic and kept listening. Unfortunately...it was even worse than I'd feared. Des turned out to not only being grifting his stepson through a semi-incestuous cat-fishing scheme, but he had a split personality. Angel had become real through Des having a mental health crisis. And she could spontaneously take over, which she did in order to grab Clara and hold a knife to her throat when the truth came out. Finally, Angel/Des tries to kill themself, which is something the show has the audacity to make a joke about before the audience knows if Des lived or died.

Sooooo, yeah. That's incredibly offensive on so many levels. Angel, while not quite a trans character (I think?) plays into transphobic rhetoric beat-for-beat. It's also an incredibly cliche representation of split personality disorder that plays into extremely tired representations of people with mental illnesses being violent dangers to society. And that's especially disappointing because of the attention Sherlock and Co. usually pays to portraying mental health issues with sensitivity. What the fuck, Sherlock and Co.? Did you get a new writer for this one? Did they time travel directly from the 1950s? This is cheap drama that hurts. It hurts trans women. It hurts people with mental illnesses. And it hurts the wider queer and disabled communities. Which, if you're trying to get popular with the most vocal Sherlock Holmes fans today, are largely the exact people you most want to like you.

Cards on the table, I've been really hoping this show would finally be the adaptation where John and Sherlock would become an actual, explicit couple. It's something fans have longed for for literal generations and now that all of Sherlock Holmes is in the public domain it can finally definitely happen. I felt like Sherlock and John had good chemistry and were maybe even flirting in previous episodes, but I'll save those theories for now. My point is that this is a show where I believed that could happen. I trusted Sherlock and Co. to be respectful and thoughtful. And I'm not saying that all my goodwill is gone now. But it has taken a hit. Sherlock and Co. has been overwhelmingly clever and interesting, finding creative ways to recast the classic stories while still keeping their hearts. I love the acting, I love the action and mysteries, and I haven't even come close to expressing how much thought I've put into what overarching plot threads might be getting established in each episode.

But I won't be able to continue to enjoy those parts if I come to spend my time listening more concerned about if a plot twist is going to leave me feeling attacked. I don't know who writes for this show and I don't know if you read any reviews on Tumblr, but I hope you do. And I hope you do better in the future. An apology and some good trans representation in the future would be nice. Please, I really want to be able to obsess about your show peacefully!

[lyon-77]

I’ve been curious as to why Erlang Shen, who was once depicted as a heroic lord with strong ties to the mortal realm, was turned into this cold-hearted "hound of heaven" figure. I get that his influence had waned, and you've said that it was an unconscious effort to revive key themes from his lore. That might make sense during a decline in his worship. But why did they have to lean into a more negative interpretation of his character? Sorry for the example, but it reminds me of how characters who were originally portrayed as good and fair sometimes get flipped into their opposite, and that darker version sticks. It’s kind of the reverse of the trope where villains become heroes. Take Sun Wukong, for example: he originally wasn’t some oppressed freedom fighter for the yaoguais (like he only cares about his children, which isn't bad but yeah). He was a warlord whose pride got wounded, and he threw a massive tantrum because he wasn’t getting the position he thought he deserved. Black Myth: Wukong shows him as a misunderstood revolutionary. But with Erlang Shen, it's the opposite—he started as a popular hero and deity, and yet he’s been reduced to a villainous enforcer. From what I’ve heard about his original stories and your and many others posts, he was a good person and a hero, not the oppressive figure he's been turned into over the years. It’s strange to see him constantly depicted in such a terrible light when his lore is so much more complex and positive.

Yeah, it can get frustrating, but I’d say the tide has turned since the early 2000s. Erlang is almost always portrayed as charismatic and dependable in Investiture of the Gods adaptations. In JTTW-inspired works, he's meant to be a positive figure as well, though some adaptations that focus solely on the main hero can end up oversimplifying or even discrediting complex supporting characters. To me, it always feels like such a waste of the rich source material.

In the past two decades though, the trends has leaned towards depicting Erlang Shen as a misunderstood hero. When the Black Myth: Wukong intro first came out, many people were disappointed, though not entirely surprised, to see Erlang cast as the antagonist again. So when it was later revealed he was more complex than he first appeared and had been our ally all along, the Chinese audience were both relieved and greatly satisfied.

I do think part of the reason Erlang wasn’t more fully developed in modern media previously might be precisely because he’s a righteous god—a character archetype that doesn’t always translate well in eras that celebrate antiheroes, individualism, and self-made rebels. Figures like Wukong and Nezha, who actively defy traditional values, fit the idea of a hero as someone who challenges the status quo. Meanwhile, the classic hero archetype can get pedantic and lose its emotional impact. Erlang Shen is a classic hero but is also more than that: his nuances bridge the old and the new and can resonate well with the audience today. Yet, his complexity isn't always easy to convey in the short-form messaging more typical of today's media.

In the end, all canonized characters need to adapt to remain relevant, and new audiences need a bit of patience and curiosity to get to know them. I think it just took Erlang some time to find his place in our era, but for a folk god with millennia of history, that's not too bad at all 😉

[marvel-starwarsfangirl]

"The Bad Batch" Series Review

Now that this show is over and I've had some time to think about it, I'll give my overall thoughts, its strengths, weaknesses, and how it compares to other two main popular animated shows. In general, TBB is a solid show with fun characters, beautiful animation/music, and moments of truly peak Star Wars. Is it perfect? Definitely not, but I love it all the same. It's probably a solid 8/10 for me. In many ways, TBB is the type of show I absolutely love. It's dark, character driven, and touches on mature themes. I love seeing how different characters came to terms with Order 66 and the birth of the Empire. At a time when hope seemed at its bleakest, seeing characters try and find it again is very compelling.

Tbh, I think one of the reasons why I love this show so much is because it really hits home for me. A lot of the themes and ideas that are explored by the characters are also things I've been exploring at the same time. TBB has been a comfort show for me as the world becomes even scarier and I grow as a person. It was the show I needed right now. Also, the Batch remind me of my own friend group. So, I might be a bit biased here.

In comparison to the other shows, I think I love TBB about the same as much as the others. Some days, I'll prefer TBB, other days, I might prefer Rebels or CW. Each show has something I truly love and something that frustrates me. For example, Rebels has a lot of emotional moments I enjoy, but Zeb was really slept on after S2. CW had an amazing scale and scope, but some arcs were just awful. You know which one I'm talking about. TBB is the same. It really depends on the vibe though. At the end of the day though, I truly love all 3 shows and all the joy (and tears) they give me.

Alright, let's get into the nitty gritty.

Weakness:

I'll start off with the flaws just to get them out of the way. I think TBB's biggest flaws are regarding balancing the character dynamics and arcs. I understand that Omega is more or less the main character since she really changes the Batch's life, but they needed to do more. I wanted to learn more about the Batch. However, sometimes it felt like characters could only grow when Omega was with them. Granted, this wasn't the case 100% of the time. Crosshair is the most notable example of this and I loved Tech's interactions with Romar and Phee. Unfortunately, it does affect the characters if they only get characterization with one character. Echo is the biggest victim of this imo. They had a goldmine to explore how he felt in the aftermath of Skako Minor, but they didn't. Crosshair wound up being the Batcher who would've understood him most, except they only exchange two lines of dialogue together in S3. That's it. Imagine how impactful it would've been for Cross if he talked to him. Echo truly understands the horrors of being turned into a lifeless machine. It was an opportunity that was practically gift wrapped for the writers. Sadly, it did not come to pass. Overall, this show just needed more Echo.

Btw, TBB wasn't the only show with this problem. As mentioned above, Zeb didn't get much to do after S2 and I'm disappointed in that. Even Rex and Kallus also got sidelined after S3. CW's format was more forgiving with this, but certain characters like Savage became more irrelevant once more popular characters showed up. Additionally, Echo not learning about Fives was a massive missed opportunity.

Branching off of that, having Omega as the centerpiece also means that the emotional moments tend to happen with her. Now, that's not a bad thing, except it only seems to happen with her. In S1, it really felt like no one cared that Crosshair was gone. This is their brother who they've known forever. Why is Crosshair the only one who seems to be really emotional about the whole thing? Since the Batch have only ever had each other, I would've expected them to be more upset/bothered when one of their own suddenly does a 180 in personality. And again, it's not like it's not there, it is, but it really needs more. I'll be honest, I really didn't like S1 Hunter at all. The man tunnel visioned on Omega.

I'm more forgiving about the rough start since both CW and Rebels were also kinda rough. However, I think the lack of clear focus did hurt the show a bit. Rebels and CW had a greater scope: fighting in a war/revolution. TBB doesn't have this since everything just got uprooted. Had the show been a bit more focused, I think it really would've helped a lot. S2 and 3 both established what the overall focus was pretty quickly. But with S1, it seemed to jump from the inhibitor chips to whatever Omega's purpose was to Project War Mantle and I was like: so, what was the Batch's goal other than survival?

There are other things that bugged me as well. Tech's death should've been handled better. I get that the Batch are soldiers so they aren't expected to cry in each others arms. Except the closure for Tech's death wasn't enough. What wound up happening was half the fandom questioning if he was really dead and searching for hints that he was alive. I covered this in my S3 review, but to summarize: the writers needed more time and more deep character moments. TBB thrived on those deep, mature conversations.

I know I just went off, but I truly love this show with all my heart. I know it's capable of so much more as shows in its strengths. It just frustrates me when it falls short.

Strengths:

Crosshair. Looking back at his overall journey, Crosshair is easily the most compelling character. I'm linking my study of him because his arc is just that good.

https://www.tumblr.com/marvel-starwarsfangirl/750696139213471744/crosshairs-character-in-tbb-a-study?source=share

What's so impressive to me about Cross is that he doesn't need to be in a lot of episodes in order to tell his story in a satisfactory way. Everything he's in is so well written that I can easily tell how he's feeling, why he feels that way, and why he makes the choices he does. In S2, not once did I have to wonder why he decided to betray the Empire or befriend Mayday despite that arc being only 2 episodes. The subtext really said it all perfectly. TBB does such a good job with his character, but I won't go on any further because we'd be here forever. Anyways, I love Crosshair and he has the best redemption arc in Star Wars. You can't change my mind.

TBB also touches on mature themes and I love that they are explored in a thoughtful way. Tech's conversation with Omega is really beautiful. It speaks to a lot of people and I love that the writers chose to take a thoughtful route instead of just having Tech say something nerdy and calling it at that. The same thing with Crosshair's PTSD. It was a genuine issue that affected him and not just when the plot needed it. I also appreciated that he was given time to actually try healing. Letting the characters sit down and have deep moments is what really connects the audiences to them because we see what makes them vulnerable. Light-hearted action is fun and all, but there is so much more to these characters than "blaster go pew." I really resonated with Crosshair's story and I know many people did the same with Tech's. I also loved how the show showed Omega adapting to the change around her; it can be very difficult sometimes and I appreciated that it wasn't still sunshine and rainbows after. Echo had a role within the Batch and his absence definitely shook the dynamics.

The animation and music are just perfection. It speaks for itself, but it's perfect imo. (yes, I'm aware of the errors, but it doesn't impact the actual quality).

The Empire was really freaking scary. TBB did a great job showing how the Empire started encroaching on the entire galaxy and began phasing out the clones. Occupations started, Rampart began his chain code system, and any form of dissent was immediately silenced. There was no question as to how ruthless they were. And there were genuine consequences to the actions of characters. Rampart was thrown under the bus for something he was ordered to do. The Empire doesn't protect anyone except Palpatine. "The Outpost" is so brutal and raw, but it perfectly shows how the Empire can drain a person until they break. Both Rampart and Hemlock are two fantastic villains that capture the true horrors of humanity. Rampart is a cold and greedy man. We all know people like him and he will stop at nothing to get what he wants. Not even humble juice in prison could make him reevaluate his views. Hemlock is a monster that only cares for his experiments. He was such a different villain compared to the Sith and greedy imperials we tend to see and I appreciated that. Even Crosshair was a good example of how misguided beliefs can turn people against one another. Like with Rampart, we all know people like Crosshair. It grounds TBB that much more.

I also loved the main focus on family in this show. It's a value that I hold dearly because of my beliefs and how I was raised. At the end of the day, the Batch's greatest strength comes from the bonds they have with each other. In times so dark, it's the people they love the most that will help them get through their struggles. I honestly love that. Whether it's friends, siblings, or parents, those bonds are so important. People aren't meant to tackle the world alone. TBB does a great job showing how hard it is when you're stuck in a dark place and how impactful it can be to have people who love and support you. Overall, I really loved it.

At the end of the day, I just really love the Batch. They mean a lot to me, especially Crosshair and Omega. Omega herself is such a sweet bean and her light truly is beautiful. I've loved watching her journey over the last several years. She's a wonderful character and I love her dearly. I love Crosshair (he's really hot, ok). I love Tech's charm and quips. I love Echo's strong drive for justice. I love Wrecker's big heart. I love Hunter's... fatherly instincts.

Ok, I know that was long, but I am so grateful for this show. I love TBB with all my heart and there's so much more to say. For now though, I'll just say that TBB has truly made an impact on my life. It gave me something to enjoy when times got rough and it gave me Crosshair. I will always be thankful for him.

[musette22]

I wonder if Steve has a significant amount of imposter syndrome, especially when he came out of the ice. People had solidified this idea of him and expected him to excel and be that, hell even his teammates were just like oh I know all about you. (Expect maybe Thor, who I think was one of Steve’s closest friends in the beginning)

He can’t escape these expectations and if he goes against it, he’s berated for it. It’s made even worse with the serum, but at least with that he had the howling commandos to ground him and encouraged him. In the 21st Century there was no one to bounce of and the fact it would have been made worse by his survivors guilt.

Idk Steve is a character that has so many layers but gets over looked because he isnt allowed to fall into a vulnerable headspace. I kinda wished we saw more of that in his character, not in like a reflective sort of way but a kinda overwhelmed by everything portrayal. I’m sorry if this doesn’t make any sense.

Oh absolutely, yes! I think you're completely right. I also think Steve struggles hugely with the expectations people have of him, the dichotomy between the persona & legend of Cap versus the real Steve Rogers. He had to get used to a whole new body first, and then on top of that, he also had to learn to deal with all those expectations and the idea(l) people have of him which he doesn't even recognise himself in, half the time. He doesn't feel worthy of all the attention and hero worship, constantly thinking that if only people knew the real him, they'd be sorely disappointed. At the same time though, I think he feels like the whole celebrity aspect of being Cap is empty and meaningless anyway, most of the time (except for when he can use his fame to do something good, of course, which he tries to do as much as he can because otherwise, what's the point?), so in a way I think he doesn't even want to live up to people's expectations of him. He is also known for his stubbornness and righteousness, after all 😉

And yeah, in the 21st century, there isn't anyone left who knows the real him, who can grab his shoulders and shake them and tell him that it's the real Steve Rogers, that little guy from Brooklyn who was too dumb to run away from a fight, who makes Cap great, that he is worth knowing and loving. That his ideas may be reckless and harebrained more often than not, but that he does what he does for the right reasons, because he is a good man first and foremost, even if others can only see a perfect soldier. He must've felt so enormously alienated and lost, those first few years 😔

While I love the idea that (most of) the Avengers would've ultimately come to understand and appreciate Steve for Steve too, the way things stood at the beginning of TWS, they definitely weren't there yet (thank god for Sam, who at least tried). Which is why I adore the kind of fics in which Bucky, after he comes back, is not only cared for and helped to get back to himself by Steve, but in which he also gets to care for and help Steve to get back to himself in return ❤️ Mutual healing, that's my jam 💫

And yes, Steve Rogers is actually a huuuugely layered and complex and interesting and underrated character, and I will die on that hill!!! The MCU unfortunately did not explore any of this nearly enough (in fact, they cut some of the scenes that would've been the most telling when it came to the state of mind he was in) and they massively oversimplified his character development for the sake of action/tony/heteronormativity/etc. I'll always wish we'd have gotten to see more of Steve's motivations and character in the movies, but I'll also always be grateful that fanfiction has given us what the MCU didn't dare, and a thousand times over too! ❤️

[cyten0]

A Symphony In Crimson

Act 1: A Movement in Black

Chapter 9

The house has been much nicer this time around. It feels like everyone is working together a bit better, there’s a closer bond of trust. The others were quite surprised by Bonnie’s marksmanship! But honestly, all of them seem a little stronger.

The first floor has been a breeze really. Which is good, since it means you haven’t had to take any hits really. Nothing to try and cover up. Plus, the party has taken less hits, which means less temptation. Stars you’re hungry.

You’re sitting down for snacks when Odile does their coinflip thing with Isa. Looks like they lost this time.

▲ “What was that about, madam?”

◆ “Ah well. I asked the Favor tree to win my next coin flip.”

✿ “Huh?”

◉ “Such a silly favor.”

◆ “Purely for scientific reasons. I wanted to see if there was anything to this Favor tree business. As we can see, apparently not much.”

The others look a little disappointed by that, and you’re just a little hurt for some reason, as usual.

▲ “… Well you didn’t put any belief into it, so of course nothing happened! Sif actually told me a bit about that!”

Huh! Oh right! You did!

◆ “Really? Tell me more.”

Oh STARS yes, you get to talk more about this, it’s so cool! It still hurts your head to talk about, but it’s SO WORTH IT!!!!

✦ “Using favor trees, and the right steps, you can call energy from the stars! The trees aren’t the only way, but its certainly one of them! But in order to do so, you have to care about what you’re wishing for, otherwise they won’t feel compelled to answer you. You can do all the steps perfectly right, and not get a thing! But if you care enough, you can get something even if you do nearly every step wrong.”

✿ “Woah! That’s so cool!”

◆ “I’ve never heard this before…... Oh, Is this a field of study from your homeland?”

Oh, they remembered! They must have spent some effort doing that. You nod.

◆ “Fascinating. How effective is this method?”

Heh, time to shock them all.

✦ “Well, it might not have been a favor tree, but. I bet the king used a similar method to get Timecraft!”

◉ “WHAT!!!”

▲ “Oh Crab!”

◆ “You’re Certain?”

✦ “Like I said, That power comes from the stars. It’s no coincidence his armor is decorated with them.”

✿ “Oh yeah! The poster!”

◉ “Does that mean ANYONE could do that? And be just as dangerous?”

No it’s not that good but… Hm… It hurts your head but...

✦ “No. Getting that much power would not only require an insane commitment, but would require really lengthy, costly, and complicated rituals that would take months in order to draw from enough stars.”

◉ “Oh thank change.”

▲ “Makes you wonder about his motive though…”

Huh. Isa’s right, it does mean the king is awfully dedicated. Big wishes like that take effort…

A wish like that is probably why your here, right? But you still need more information. This gives information as to what it is, but it doesn’t make sense why you’d be here. Your wish was way too small, can’t be that. If only you could read that book in the storage room, the picture on the cover makes you think it might be about wishcraft.

But trying to remember a language from barricaded memories of memories is a few steps of separation too many. And your head still hurts a TON from yesterday.

Ah well. You’ll figure out, bit by bit. Your making progress! It’s only been… Hm. You haven't kept track how many times you’ve looped. Might want to ask loop about that. Anyways, it’s time for snacks, and you’re super hungry! You’ll try and cut down just a little bit, but that’s gonna be a tall order.

>>>

You’re in the library. Your eyes got caught by the diary again, and Mirabelle is reading it out again. Then the others start talking about the country. It’s hard to listen to it again.

✿ “Still…. The name of that country…. What was it again?”

▲ “Oh, I think it was something like A-”

You all suddenly get a massive headache as Isa tries to say it! Your head feels like it’s going to split open it hurts so blinding much! It hurts so much you can only see red! You cover your eyes so they don’t notice. It hurts it hurts it hurts!!!!

But…. Then… The pain…. Subsides…..

You look up. That. Didn’t happen last time. What… Odile. She stopped Mira from interrupting?

✿ “Ow. Crab, that hurt way more then I thought.”

◉ “Ow ow ow… Madam, why did you let that happen?”

◆ “Gems, that hurt…. Siffrin?”

She… She did that for you…? Just so you’d have a chance to? You really don’t deserve that. Others shouldn’t have to hurt for your needs. But….

✦ “….. Starts with an A. Heh. It’s something!”

The others give puzzled looks, as you slot the diary back into the bookshelf. That one. That helps a lot more then just Siffrin. That’s for all of them.

>>>

You’re on the third floor, in the room with the person doing bodycraft again. Key is obtained, but you’re a little bored, so you decide to take a look at the closet.

▲ “Oh, look at this shirt! It’s the same material as your cloak, right Sif?”

◆ “It looks very warm. I’m surprised you managed to wear it all through summer.”

Right. This cloak was one of the first things you ever had. You never questioned it much.

✦ “It’s actually quite cool? Never get hot in it really.”

◉ “Really?”

▲ “...Sif, mind if I take a look real quick?”

Huh! You're a little nervous to have him so close, but… Okay. The only wounds you’ve taken are covered up well enough, so it… Should be fine, right?

You nod. Isabeau kneels and takes a hold of your cloak lifting it up and examining. it. You can feel his breath against your body, feel the warmth exude from him, hear his heartbeat so keenly, smell his body and it’s taste, feel the slight tugs and motions as he handles the fabric... It’s hard to focus.

▲ “… Holy Crab… This is some impressive work.”

✦ “Huh? What do you mean?”

▲ “Okay, starting on the simple side, It’s got a very interesting stitching style. Not very Vaugardian at all, and seems to focus on being highly durable. Like, borderline armor durable. It’s even fireproof. Difficult to pull off. Plus it’s been treated to be stainless as well.”

◉ “Huh! That’s some good traveling cloths.”

▲ “Oh that’s just the beginning. Someone decided to take this already impressive cloak, and literally stitch craft into the fabric. And not just a little, there’s a bunch! Self repair, temperature regulation, it even adjusts to your size! And to top it off, while you can’t tell normally, some of the fabric inside glows a little in dark places, showing some interesting patterns!... Hey, they even sewed a little butterfly emblem on the inseam!”

✿ “Woah! That sounds REALLY fancy!”

▲ “Honestly Sif, this cloak alone is practically worth an entire village?!? Where did you even get this?”

… You don’t speak. You remember Siffrin was important in his homeland. Guess you got an idea how important.

▲ “… Oh. Hey, it’s alright! I’m sure they’d be happy with how you’ve used it.”

✦ “… Yeah.”

The others are confused, but you move on. It’s fine.

>>>

Got the third floor handled, and got food at the bathrooms. Odile didn’t interupt this time, even though you ate a lot during the snack breaks, maybe because of the increased trust? And now you’ve obtained the Keyknife! And are back at the entrance…

Hm. You wonder. You’re curious about that statue. You remember Mira mentioning that these statues are connections to the Change god. Who’s is the one that blessed you?

✦ “Hey, Before we go ahead, I want to check something”

◉ “Huh? Okay, let’s go!”

>>>

You’re back in the statue room. You’re not expecting anything, but you ARE curious about it. You take a closer look.

Hm. Not to judge but… Oh, Looks like the others are judging instead.

✿ “Can noses look like that?”

▲ “Wow, it’s left eye is somehow above the right brow.”

◆ “I can’t tell if it’s smiling or frowning.

You notice Mirabelle is oddly quiet. You had suspicions but...

✦ “...Mirabelle?”

◉ “I… I was trying to make it look nice and gentle…”

▲ “CRAB, MIRA WE’RE SO SORRY!!!!”

✿ “SORRY WE SAID YOUR STATUE SUCKED!!!!”

◉ “It’s alright…. I’ll get my revenge on you all someday.”

The others shudder, and you smile a bit.

Hm. So this is Mirabelle's statue, huh? A connection between her and the change god, the only one unharmed in the house, and the one that gives you this blessing each time...

✦ “Mira, can you put your hand on the statue?”

◉ “Um? Okay, sure?”

She puts her hand on the statue, and suddenly, the room shifts!

You’re both pulled into that strange realm again! But. You’re still here? You havn’t been teleported, you’ve been brought…. Elsewhere.

You look around. It’s nothing but pure white as far as you can see. There’s a faint humming, in that sound only you can hear.

There’s a figure approaching. You don’t know what to do! Wait is that?

◉ “Euphrasie?”

Is that the name of the Head Housemaiden? They seem a little surprised, but then…

❍✿ Incorrect buzzer

❍✿ “mirabelle!!! i can't believe u can't recognize me ಠ_ಠ"

They’re wearing Bonnies face now?

◉ “Wait you changed shapes?!? Are-”

❍◉ “yay!!! o(≧▽≦)o got it so fast! it’s me! The Change God ＠＾▽＾＠”

You’re stunned. You can’t move. Wait, Mirabelle’s crying!

❍◎ “oh no don’t cry! i didn’t want to make you cry (╥﹏╥)”

◉ “I’m so sorry!!!! For not changing enough, for being useless, for lying and making everyone think you blessed me, for-”

❍▲ “nonono you’re all good! ( : ౦ ‸ ౦ : ) i’m not worried about any of that. you’re a-okay!(≧◡≦) “

◉ “Huh?

❍✿ “if I was upset, i wouldn’t have helped you all earlier! (⁀ᗢ⁀) but I did because I’m rooting for you. both of you!”

H-huh! They… they are?… Mirabelle dries her tears, and seems happier.

❍◆ “i’m about to tell you something, that you won’t remember for a lot of reasons. well, your brain won’t, but your heart will!!!”

❍▲ “it’s true that, as the Change God, i can’t do much to help you all. but i feel okay with that, because you all have the real power! you’re really strong mirabelle! ლ(ಠ益ಠ)ლ”

❍◎ “just the will to change things is enough to do anything! and look how far you’ve gotten without my help!o(>ω<)o but if that’s not enough…”

The figure’s form dissipates, revealing a single, small, cloaked figure, with the face of the statue from earlier. For a brief second, their voice feels different.

❍ “You are loved, mirabelle. i see you changing, even if you do not. you are always changing, evolving, growing. and even if you’re not, that’s ok. Because life might be about changes, but sometimes it’s about staying right where you are, sometimes. i’m proud of you, and i love you!”

She looks at them not sure what to say. You’re just happy to see her happy at this point.

❍ “and i love this stupid face you made me and i’m never letting anyone destroy it!!! got it?”

Mirabelle gives them a hug. The figure seems surprised! But allows it.

◉ “….Thank you. You’re not what I was expecting, but I’d expect nothing less. Thank you so much…”

❍◎ “hehehe…. euphie is right, you’re super stinking cute!”

Mirabelle lets go, and wipes away her tears.

❍✿ “okay! that’s your special god call! i’ll send you back now, but i’ma chat with your friend here a little more!”

◉ “Huh? WAH-”

In a blink, Mirabelle is gone. It’s just you and the change god now…

Their disguise melts. Their form shifts. Their cloak billows out and grows to tower over you. Their face pure shadow. As they speak, their demeanor shifts, ever so slightly. Their voice echoes in the unheard sound only you hear. The space fills with twirling shapes.

❍ “Sorry to keep you waiting. But I wanted to talk to her first. She needs those words desperately, and has been waiting for them from me for a while now!”

✦ “I-I um!”

❍ “It’s alright!!! I know. I know. About the island, about the timeloops, about who you are and... It’s okay…. I-I’m sorry I can’t help you much! It made me very happy to see my little gift helped make you happy!!! Y-You’ve been through a lot.”

You… They care. They care? And they did know? They know and… and you’re crying. You’ve stopped holding your eyes in shape, your horn is out, your heart glows, you just collapse. And you’re crying.

❍ “I um!! okay, maybe you just need a second to let it out a bit? Oh, I’m not very good at this….”

They give you a hug. You can barely breathe through the tears. They know what you did, this being that cares so much for life, and yet… Hearing them say it, hearing them tell you they care even despite everything...

❍ “...You know, for a lot of people, I’d be kinda upset at the whole ‘locking a major place of change in time’ thing, but I know you’re trying, and you don’t want to do that. Just like you didn’t want to hurt those on the island… I’m sure you’ll find a way to fix it, and you’ll make good use of the time. I’m rooting for you.”

✦ “I-I!!… thank you…I don’t know if I deserve it though….”

❍ “…. I have a message from my partner. A patron of your home.”

Huh?!!!

They pull back a bit, still holding you, looking you head on with their void of a face. And sing, in the voice of the stars:

Oh dear and precious fallen star

We’ve seen you travel, long and far.

Through trials filled with pain and fear

We know you’ll hold to all that’s dear

So sing your song, o mournful Dove

But know that you have always been Loved.

You… You feel hands. Hugging you. Not the change gods, but ones that feel… familiar… Feel kind. Feel like…

You see tears drip down from the Change Gods hood. They’re crying? Why are they crying for you? You killed so many… you don’t deserve it...

❍ “You have always been loved. Not as Siffrin, but as you….”

They pull you close again. Your tears mix with theirs as they pool into the space below you.

❍ “Y-Your cloak was made so you could wander the streets... Your tinkers tools so you could make things yourself…. That device in your pocket to show you the world when it wasn’t safe for you to be out... That gun so you could defend yourself even when you didn’t trust yourself up close... Your skill with music was taught because it helped you talk and they wanted to hear your voice… and…. And….”

You can’t… You can’t stop crying…. They… were for you? All along? But…. But…

❍ “And I wish I could have done something!!! You shouldn’t have had to deal with any of this!!! So please, please!!! Don’t forget that!!! Don’t forget that people have loved you always, no matter what!!!”

❍ “…You’re so young. So young for what you are. You shouldn’t have to suffer like this.”

You… you hug them back. Stars, you need to hug them. You need to hold them close. You wish you could hug these figures you barely remember, tell them you’re sorry, wish you could remember who they were. Wish you could remember why they cared for you. And… at the very least, you’ll hold close someone. You need to hug SOMEONE. The Change God hugs you tighter.

❍ “...I… Can’t keep you here for much longer. So. Don’t worry, I’ll give you the keyknife as many times as you need it, I’ll wait for you to get out of this, and… I’ll be rooting for you. Okay? Just promise me, you’ll remember what I said?”

You struggle to speak through your tears. You… really were loved…

✦ “…Yeah. I will. T-Thank you…”

You feel them fade away, as the room starts to form.

You put yourself back together as it does. Physically at least. But the tears aren’t stopping. You turn towards Mira. She’s crying a little too.

✿ “HEY!!!!”

▲ “Mira, Sif! Are you both alright?!”

◉ “What… just happened? I can’t… Siffrin?”

You can’t speak. You can’t stop crying.

▲ “SIF?!? Are you okay? Say something!!”

✦ “S̴̯̕orry! I just… I…”

You can’t help but laugh. You… You feel a bittersweet mixture of joy and sorrow. You don’t know how to process it at all.

◉ “I think we experienced something… Incredible? But I can’t remember it anymore.”

You do. You’ll never forget. You won’t let yourself. You take a deep breath, and dry your tears.

◆ “Are you alright now Siffrin?”

✦ “I… Yeah. Come on. We have a king to beat.”

You smile. It’s bittersweet… You want to remember them. So badly now. They loved you, they cared for you. And you can’t even remember a thing about them…

No. One more memory surfaces. They said… they said…

It takes strength to see what you want from the world. Don’t give up on it ever.

You HAVE to find a way to remember them. You can’t let them be forgotten, not a second longer, not when you’ve gotten so close… But… You’ll need help… and there’s only one person who’d try. Who COULD help.

It’s time to meet the king.

✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸

...There’s a look in Stardust's eye.

This loop was doing so good. They’re all happy. They deserve that. They’ve been at this for a while, even if they aren’t aware of it. And the change god was very kind to say that. But…

Stardust isn’t thinking clearly. They haven't been for a while. The last two they remembered clearer because you fed them proper food, but it’s not easy to get that. And you have this sinking feeling things are going to take a turn for the worse. Very fast.

You hope you are wrong.

[tortured-demigods-department]

an unhinged (and unofficial) dissertation on the pjo fandom

so i don't usually post anything that isn't my-works-related, but i had a...mildly heated discussion with a fellow film student tonight about the pjo show and it's got me thinking. bear with me, we'll be here awhile.

as we all know, the first season of pjo has ended. i've stayed relatively OFF tumblr and other social media during this time, but i know there are a lot of OG fans who are (in their words) "massively disappointed" in the show. most of the complaints i've heard have been during in person conversations though, so this post is mostly going to be referencing real complaints i've heard.

i've been a part of this fandom since i was thirteen. that's nearly eight fucking years of my life that i've devoted to the pjo universe. i have written and consumed YEARS' worth of fanfiction, i have read and reread every book so many times i can quote them forwards and backwards, and i went to the bookstore every single year on the new books' release dates to pick up my copies in-person. this fandom, these characters and this world have brought so much joy to my life, and i don't think i could ever fully articulate that in words. when i think of this series, i genuinely feel nothing but happiness.

but a few years ago—around the time i started college—i started distancing myself from the fandom for one glaring reason. this fandom can be such an...angry place? like, genuinely, i don't know how far it goes back—maybe all the way to the release of HoA, honestly—but i wasn't here pre-HoA, so all i know is that i very much remember how much people hated ToA when it came out.

here i was, having the TIME of my life with apollo and his silly little haikus, and people are going to war over how the series' writing quality has gone to shit and how everything was better before, blah, blah, blah. IN SPITE of everything that series gave us—discussion of the repercussions of child abuse and ptsd, representation of lgbtqa+ characters, and deep psychological messages that really teach young readers, i think, how to better understand themselves and their emotions and deal with them in healthy ways. and it just wasn't fun to be in a fandom where, as soon as you go "hey, did you read the new book?" they scoff and roll their eyes and only want to talk about how terrible it is. (i also missed all the discourse on the sun and the star when it came out—PHENOMENAL read, btw—but i've read some things that lead me to believe that it wasn't well received either, in spite of how lovely it was.)

so...it's dramatic to say i "left" the fandom, but i certainly withdrew from it. deleted my pjo ao3 and tumblr, started over with a different fandom. but the love has always been there, and the show starting really helped spark it fully back to life.

but now, the same thing is happening again, i'm noticing. remember back in the day, when we only had the shitty fucking movies, and we were like "man, ANYTHING would be better than this garbage. literally just give us actors who are the right age and we'll be happy." well, now we have PHENOMENAL kid actors who genuinely are having a good time playing our beloved characters, and instead of supporting them, we're STILL complaining about them not being "portrayed correctly"?

i've talked to so many people who complain that percy is "too smart," which is kind of a bullshit insult to percy's canon character. in the books (at least the first five) we're seeing things ONLY from percy's pov. he's a kid who's struggled with learning disabilities and been told he's an idiot all his life by everyone except his mom—but as others have pointed out way more eloquently than i could, percy is a very intelligent and powerful individual while maintaining his goofy fun personality, which is WHY so many people love him so much. he's complex, and i think they managed to capture that really well in the show even amidst all the changes.

don't get me started on the fucking racism towards leah sava jeffries—i'm honest to gods ashamed that there are racists who call themselves pjo fans. she is so talented, and everything we ever could have hoped for in an on-screen annabeth. ALL of the kids are—there's literally no argument to be had there.

and then, if people aren't complaining about the casting, it's the series' writing. or there's too much exposition. rick is changing too many things. the directors don't know what they're doing. it's not a TRUE book adaptation. (someone said that to me, and i genuinely laughed because i thought they were joking. when the MOVIES exist, they wanted to make that comment about the show.)

are there some things i would change about the show, given the opportunity? god, yes. the set design for the underworld was horrendous. (in my opinion, of course.) but here's the thing. i have spent eight years of my life waiting for this show to happen, and in that time, i've learned a lot about how much goes into successfully producing such a complex series. how much money and time is spent, and how many people have to be on board to make it happen. it's genuinely kind of miraculous that we're even getting this show at all, considering all the ways it could have failed before it even made it out of pre-production.

and i think we, as fans, sometimes forget that we aren't owed this. we don't own the percy jackson franchise. it makes me so sick and tired when authors or artists in any capacity feel like they have to cater their works to the masses, because they know they'll get thrown into the fucking fire if they don't. rick and becky riordan didn't have to got to the trouble of producing this show for us. they chose to—everyone involved chose to—because they wanted to make something fun and enjoyable not only for the fans, but everyone who chose to be a part of it.

do you know how insane it is that, when you read pretty much any interview of pjo bts, everyone talks about how fun the production was? i've been on film sets. they can be ABSOLUTELY miserable when they're not done right. but eight months into production, the kids were still laughing and having a good time, everyone's still giving 100%, they're excited, it's fun. walker was willing to go into a diving tank for a full fucking day in order to get one scene—i know i would never have that kind of dedication, and i bet 99% of you wouldn't either.

i know this has gotten really long-winded, but i've said all of that to say that...i'm kind of tired of fans trying to bring down the show, and more than that, trying to bring down each other for having a good time. as i've said before (many times, i'm sure), i waited eight years for this, and i have had SUCH a fun time watching it. assuming we get a season 2 renewal, there are going to be even more new fans coming in than we've already gotten from season 1, and i want this fandom to be a fun and positive place for them. for all of us. we don't have to miserable and angry all time. we can critique the show, sure—it's not perfect, and it was never going to be—but we have to remember that television is an art form, and that art is subjective even when it involves our favorite characters. and we can accept that and still have a good time, because it's just more fun to have fun, you know?

this fandom has always had so much potential to be the BIGGEST, most supportive and kind and loving fandom. with how much representation this series has, with how much content we've been given, with the SHEER massive number of us...i've always thought we could be a really, really great community. maybe it's impossible to hope that we could be the best fandom on earth, but if nothing else...could we all try to just be a little bit kinder? genuinely, as cheesy as it may sound...it's just nicer when we're nice to each other. and when there's so many real things in the world to be mad about...i would much rather this be a place where we can come to at the end of a long day and just...feel at home. personally, i just think that would be really, really nice.

[a-lonely-dunedain]

29 and/or 59 for celeair?

#29 "Electrocution/Shock" and #59 "Storms/Weather"

oh hehehe yaay yippee I get to make Celeair Suffer through improbable circumstances! my favorite! I get too giddy about this sorta thing which is why I'm certain my characters would hate me if they were real

(also I didn't manage on working 59 in here all that much but when I do the followup to this it'll probably be present) (ALSO also, I couldn't help myself and had to work in #26 "Helpless/Motionless/Paralyzed" and #100 "Chase/Hunted". yeaaaaah Celeair's really Going Through It huh.)

Well this was certainly a fine predicament Celeair had gotten himself into. Alone in the now-abandoned herd lands in southern Trum Dreng, cornered by a small group of Dragon Clan raiders. 

These alone might not have been such a deadly threat, for while he does not fight he still has a number of useful tricks up his sleeve. It is an unusually dark night, it smells like a storm is brewing and thick clouds veil the moon and stars, so a flash of blinding light and the sound of footsteps running in the other direction while he hid behind a rock should normally be enough to stun and distract his pursuers, allowing him a quick escape. 

But, it is not mere raiders he must contend with here, and the massive Worm they brought with them will not be so easily tricked. There is an evil sort of cunning in its eyes, and there is something else wrong about it too.

It is of a breed he has never seen before, instead of the rusty umber and gold scales these beasts usually have, it is pure jet black, and the only reason it does not blend entirely into the night is because its entire body is streaked with bright jagged lines of cyan and cobalt, he could swear they emit a light of their own. It is also missing the distinct red warpaint the Dragon-Clan typically adorn their beasts with, and the only marking it bears is a large imprint of a white hand at the base of its tail.

“Well well, what do we have here?” their leader steps forward, casually brandishing her blade “a lone trespasser on our rightfully won lands? We were here to hunt Stags to become thralls of Isengard, but it looks like we’ve found a different kind of sport!”

“Sport? oh I think you will find little of that, as you can see I am unarmed” he calmly holds his hands up in a gesture of surrender, though what they cannot see is that hidden between his fingers is a small amount of fine grey powder. All he need do is snap his fingers at the right moment and it will cause a loud ‘bang!’ and a bright flash of light. “If it is a fight you are looking for I’m afraid you will be disappointed.”

“We’re not picky,” she shrugs “if we can’t find a fight, slaughter will do.”

He internally curses himself for insisting to come here alone, but it seemed a reasonable choice at the time. There is a rare herb called Cloudwort that grows only by the banks of this river, and it is needed for an antidote to a new kind of poison the Dragon Clan had been coating their weapons in. Already many people of the Stag Clan were suffering from its effects, and would likely succumb to it soon if nothing was done. They knew that the Dragon Clan still lurked around the ruined farmsteads, and he thought that, rather than risking any of their few remaining warriors in open battle, it would be better to slip in and out undetected. It was a calculated risk, but none of them had accounted for this new gift from Saruman the raiders had with them.

But it’s not hopeless, Margim knows he’s here. She was staunchly opposed to the idea of him coming alone, and as a compromise they agreed that she would remain hidden nearby in the event that something went wrong. She will come for him if she senses anything is amiss. If he can just stall for long enough...

“If it is prisoners you are after, I will go quietly.” He doubts they will entertain that idea, he gets the distinct impression they are out for blood, but it’s the best gambit he has to play at the moment. Anything that might stay their weapons for a little longer.

“I’m afraid you are out of luck, Duvoidaid,” Their leader shakes her head with a cruel smirk “The Wizard asked us to bring him those of the Caru-Lûth, he never said anything about lost southerners, so you’re starting to look an awful lot like Worm food... isn’t that right, my pet?” she looks at the black Worm beside her, but it shows no reaction to her words, its eyes remaining fixed on Celeair with an unsettling sharpness. He realizes it hasn’t blinked once. What did the Wizard do to this poor creature?

“But I might as well make this interesting,” she continues “I’ll give you a five second head start.”

“What?”

“Four,” well so much for stalling. 

He’s barely made it a few yards down the winding paths of the once-farmsteads before he hears a rumbling hiss and lumbering footsteps close behind him. She definitely did not give him the full four seconds. As he sprints he holds his hand out behind him and snaps. There is a BANG! and a flash of violently dazzling light. He casts the briefest glance behind him, and is both unsurprised and disheartened to see that the Worm was totally unaffected by it, and it swiftly lumbers after him mouth agape, driven by instinct rather than sight.

But the more important thing is that sound surely alerted Margim to his peril, he just needs to hold out until she makes it to him. Easier said than done of course, something with proportions like that has absolutely no right to move so swiftly, and yet-

Celeair notices he can see his shadow in front of him, quite clearly despite the darkness. There is a bright, blue-tinted light growing behind him, and a strange crackling sound. He barely has the time to process this information before something in the back of his mind screams get out of the way.

Immediately he throws himself to the side and into the cover of a ruined farm building. In that same moment there is a crack of thunder and a flash of light shoots past, missing Celeair only by a slim margin. Something explodes where the blast landed, but he cannot see where. He doesn’t have time to wonder what on earth that was.

Just as he staggers to his feet the Worm’s head rounds the doorway, and Celeair realizes that he is cornered. He frantically looks for a means of escape, but then sees that the Worm’s mouth has begun to glow again as little arcs of lightning fizzle between its teeth.

Of course it can breathe lightning. Why wouldn’t it breathe lightning.

He knows that it is possible for those learned in the lore of nature to channel the power of lightning, he had read about some methods for it in his studies, but it is not something he ever practiced himself. There was never a need for it before, he never wished to harm anyone with such powers, and he never expected to encounter something that could use it against him.

But here he is, staring down the maw of this great Worm as it crackles with lightning. It was by sheer dumb luck that it missed its first strike, but it will not do so again. He has but a split moment before its attack is fully charged, and in that time all he can do is grab a nearby burnt wooden rake -it will have to do as a staff for now- plant it into the ground with both hands, call upon what fragments of the technique he remembers, and brace himself. If he can, he must channel as much of it into the ground as possible, and maybe, just maybe it will be enough to save him.

A flash of light, a crack of thunder, and then the very core of his being in engulfed in searing agony. There is some small mercy in the fact that he is almost immediately rendered unconscious, but it is only a brief respite.

He awakes mere seconds later, collapsed on the ground with the remnants of his makeshift staff scattered around him in splinters and the smell of burnt flesh in the air. 

His plan worked, he’s still alive. Barely.

He feels as if he is burning from the inside out, his hands and arms feel like they are being shredded by white-hot razors, he can barely remember where he is over the pounding in his head, and is completely paralyzed. He feels as though he should be more worried about that last part, as through the pain he dimly recalls that he was being chased by something. There is a shuffling sound drawing near him.

With some effort he manages to get his eyes to focus, and the great Worm crawling towards him comes into view. He tries to move, to cry out, to do anything at all, but his body heeds none of his commands. He can do nothing but watch helplessly as the Worm calmly approaches its next meal, seeming to be in no particular hurry as he can no longer run from it. 

The thought enters his mind that, in a few minutes or so, Margim will have to discover him half-eaten by this thing. Of all the ways he could die this is a particularly grisly end, and he wishes that she would not have to see it. He wishes he could apologise to her for it. And for getting himself killed.

It is difficult for him to follow what happens next. Just as the Worm prepares to bite down on him, he thinks he hears the sound of footsteps running up behind it. There is a blur of movement, the sound of a mace cracking bone, a pained hiss, another blow, and a spray of hot blood. 

Soon after, he feels himself being gently lifted by strong hands and hears a familiar voice calling out to him. He can’t really make out any words, and his eyes already drifted shut without him noticing, but the voice makes him feel safe, so instinctively he knows it’s Margim.

Her tone sounds uncharacteristically frantic. He tries to say something, to tell her that he’s alright -even though he’s not sure it’s true- but all he manages is a pained wheeze.

Soon he feels movement again as Margim stands with him still held securely in her arms. Consciousness slips away from him and he knows nothing more.

Celeair is Fine and Ok don't worry. or at least he will be later lol (also I feel like the very last ask I got should be able to tie into this rather well so expect a short followup at some point wherein Celeair has a slightly less bad time)

[thekimspoblog]

Making a compliment/criticism sandwich for "Inscryption"'s final twist ending.

Criticism: The OLD_DATA is your classic example of mystery box writing. You make an audience work hard enough for a piece of information, they're going to be disappointed if the payoff feels picked at random.

Compliment: I wasn't able to guess the twist! When I initially started down the rabbit hole of "This video game hides a dark secret", I expected it to be one of three things - (a) absolutely nothing; the true horror was the time we wasted along a way, (b) a mind virus which is a pretty cliched concept for a horror video game at this point, or (c) some really tasteless drivel about child abuse. I WAS NOT EXPECTING HITLER! Granted, this sort of "Inglorious Bastards" style decontextualization of real-world tragedies is still a little tasteless, but this game gains massive points with me for at least being creative with the choice of shock value.

Criticism: The game still seems to be trying to have its cake and eat it too, in terms of whether the OLD_DATA is cursed. I don't think the found footage movie with Luke is very good; I get that it's cringey on purpose but I don't find the joke funny; to me it just subtracts from the atmosphere where those segments are SUPPOSED to be the part of the game most grounded in realism. It employs too many cliches I'm already sick of from creepypastas which were written over a decade ago. And while the secret of the OLD_DATA is cool and indeed dangerous, it would not drive someone to madness. I think the story is more interesting if we cut out the "King in Yellow" homages altogether.

Compliment: Like I said, "Nazi Bombs Under Berlin" was a good twist! That's such a more tangible threat than your run-of-the-mill Polybius clone. It makes perfect sense that this game about secret codes would have its final secret be a detonator created during an age of cryptographic warfare. It ties in well with the game's theme of how all information is useless without context. I don't like interpretations where the game itself is the doomsday device, because that's been done; it's a lot harder to falsify the claim that this game holds the KEY to a doomsday device. And that makes the danger a little scarier even though obviously fictional.

Criticism: The story of how the floppy disk ended up on Luke's desk makes no sense. Kaycee just did that thing characters in creepypastas always do, where instead of just destroy the stupid game when she had the chance, she gave it to someone else hoping they would do it for her. Why tho?!

Compliment: Not exactly a compliment so much as a negation of the previous criticism. This game's subplot utilizes mystery-box storytelling, but at the end of the day Daniel Mullins wasn't angling for any Pulitzers. ARGs are still a new art form, and maybe it's a low bar, but the fact that the treasure map lead to ANYTHING narratively satisfying still puts the game head-and-shoulders over tedium like "Who's Lila?". Personally I like the multimedia nature of ARGs in theory, but in practice they usually end up being too much work for little reward. But it seems like the people who did participate had fun, and now we all get to profit from the fruits of their labors.

Criticism: The steps to learn about the Nazi Bombs Under Berlin were still way too hard though. Deeply into "How TF was anybody supposed to get that?!" territory. I can only assume people dug into the game's code for some of these... which is kind of the point anyway, isn't it? "Manatee##" is especially where you've officially lost me. Inscryption is all about the violability of barriers, and for me, that riddle was the moment "Daniel Mullins" went from some name attached to this cool little artifact, to an AUTEUR who wanted me to notice him. And I hate auteurs.

Compliment: This is the main point I wanted to get to! The reason this game ultimately gets a thumbs up from me is that the story is not INCOMPLETE without the twist ending. I criticize a lot of indie games for using metafiction to distract from a lack of conventional narrative, but Inscryption fascinates me because it cleverly avoids that trap. Like "The King in Yellow", the point is not the contents of the forbidden knowledge. The point is the effect the forbidden knowledge has on the characters.

And maybe I'm just a sucker for a quadradiestic magic system, but I do like the characters and the ideas the surface-level story tells! Leshy and Magnificus have made peace with the inherent suffering of existence. PO3 wants an escape from the purgatory, but his idea of a greater purpose is really just to spread the misery. Grimora wants to end it all out of mercy, but really I think she's just a pessimist who has no right to project her desire for suicide onto everyone else. The chemistry between these four characters manages to say something interesting about the meaning of life. It's HELPFUL to understand what the Karnoffel Code is, so we can better understand why the characters did what they did, but you don't actually need that information to understand the events of the story.

There is something dangerous buried at the bottom of the game's software, and it's a nice touch how the difficulty accessing this power is symbolized by a literal sea of data. The four main bosses of the game's world had gained self-awareness through enough playthroughs, and are now stuck in a cycle of each one trying to remake the game in their own image. With each iteration of this struggle, the characters were getting more powerful and the situation was getting more and more out of hand, until eventually one of the four (implied to be the youngest) finally hacked the game so badly that it was able to breach containment onto the internet. Grimora tries to kill everyone including herself, to prevent whatever the dangerous thing is from falling into the wrong hands, but she's too slow and the game ended up in the Steam Store anyway. That's all you really need to know, and that's a plenty enough operatic story to sustain a three hour game.

Criticism: Even with all this laid out on the table, the stakes of this story don't make a whole lot of sense. I can see why Grimora would be worried the detonator could fall into the wrong hands, but if that's the case it's kind of a happy ending that the floppy disk was recovered by the authorities, wasn't it? As much as I distrust the FBI, it's not like they're going to use the Karnoffel Code to blow up Berlin. It sucks that Luke had to die (I wasn't very attached to him), but this probably means the bomb has been diffused. I mean if this story supposedly takes place in the real world, and last time I checked Berlin is still standing, then logically the largest crisis of the game's lore has already been averted by the time we started playing.

Compliment: This does just make the ending funnier/more interesting. If the Nazi Bombs Under Berlin have been located and dismantled by the government, then the Karnoffel Code is now a useless string of data that's just buried in a normal video game for no reason. Except the "normal" video game is still a glitchy old RPG, modified beyond recognition into a multiplayer online download, containing sentient characters trapped in a time loop.

And I'm just curious where we go from here; how the Scrybes are taking this turn of events. Leshy is probably happier than a pig in shit, to have thousands of new challengers flooding into his cabin every minute. PO3 is the only one who actually got what he wanted, but he's probably going to find out enslaving humanity from the comfort of the Steam Store is easier said than done, especially with the weapon neutralized. We don't really know Magnificus well enough to gauge his reaction, but I assume he's just relieved to not have been deleted. But what of Grimora? She was pretty excited that her misery was finally coming to a close, and now because the game is online, her suicide was not just prevented but made impossible. It's just so mean; I love it.

Criticism: Most players of this game won't get to ANY of this story, because Chapter 1 is just so damn difficult. I get that it serves a purpose, but come on man how many times are you going to make me fight this prospector?

[the-obnoxious-sibling]

https://www.tumblr.com/the-obnoxious-sibling/735283406764752896/thats-also-how-i-always-saw-shanks-reaction-but

Anon from this ask!

I’m so glad I decided to send that ask to you. You’re so right.

But I must admit my “But I wonder what he would think if he knew the real reason why Buggy left him?” Was worded wrong, I’m sorry English is not my first language and I have troubles with expressing myself. What I meant is if that knowledge would change shanks view right now, like he founds out the reason. I wonder if he would be less accepting of buggy just choosing his way vs knowing he broke his heart

But your answer made me wonder so much about everything. I wonder if anyone in shanks crew knows about why he waited so long. And exactly what you pointed out. How would Buggy react to “actually I NEED to wait”.

WHY THEY CAN’T JUST TALK GOD DAMMIT

hello again, anon! (i have been wondering how many of you are unique vs returning askers! it's nice to know at least one of you has come back for more~)

please don't feel any need to apologize for your english! i was the one who misunderstood that you meant shanks learning the truth now, not shanks being told the truth at the time. that’s on me!

so. shanks as he is now—thirty-nine, an emperor of the sea, boss of a good ship and crew, protector-captain of a massive fleet, finally going after the one piece—learns that the reason the first person he asked to sail with him refused was because shanks didn’t want to go after the one piece when he was fifteen.

would shanks think differently of buggy for feeling rejected by shanks’ decision, and not sincerely wanting to go his own way? i think he must! if your best friend leaves because they have their own plans that don’t involve you, that’s one thing… if they leave because you failed to live up to their (unspoken!) expectations of you, that’s quite another!

thinking about it like that, i wonder if shanks might be mad, or disappointed, to learn that buggy left because shanks wasn’t the person buggy had been imagining him to be. because on one hand: shanks isn’t responsible for the shanks buggy made up inside his head! he isn’t beholden to the way buggy thought that false shanks would act, or the things buggy imagined he believes. that’s on buggy! and on the other: if the person you thought knew you best can misjudge you so badly they run away from the real you… it must shed a dim light on your whole relationship.

…but maybe it’s been long enough that it would just make him sad. it’s a decades-old hurt by now, and with the way shanks dislikes and avoids conflict there’s no way he keeps grudges or clings to hurt feelings. so it might just be a passing feeling of sadness—ah, so even buggy thought too highly of me, huh?

i think benn beckman must know at least a bit of shanks’ plans. that’s his first mate, after all! there has to be trust there, or the whole crew falls apart! as for the rest of the red-haired pirates… i don’t think we know them well enough to say whether any of them would need truth to offer trust. i suspect most of them don't, that they trust shanks unconditionally, and will follow his lead wherever it takes them.

and buggy… i don’t think he wants to trust shanks, but for a long time trusting shanks was as easy as breathing, so it's a hard habit to break. (though shanks makes it easier the more he betrays that trust, however good his motives or minor the deception.) i think if shanks had said, back in roguetown, that they needed to wait, buggy would have whined and complained and begged shanks to reconsider, but he would’ve gone along with it. if buggy found out about that now, i think he’d snap that you could have just said so back then! stupid shanks, didn't you trust me?!

to which the answering silence must be a new flavor of the old heartbreak, because no, apparently he did not.

[demonsfate]

FINISHED THE TEK8 STORY. Under the cut, I will be saying how it affects my blogs and changes i may make to my own depiction, as well as how my blog will be canon divergent (for some obvious reasons). under the cut will contain MASSIVE SPOILERS. so, do not peek unless you don't care or you've finished the story already. if you've already completed the story, I highly recommend you look as it will be crucial to my blog and depiction as well as writing with me in the Tek8 verse. thank you.

I liked the story but I was also a little disappointed by a few things. I will disclose that later, for now I want this to focus on primary the depiction and what will change or stay for this blog and how this blog handles Tek8.

-JIN STILL DIDN'T START THE WAR. Honestly this is something that made the story so hard to really really like is that Jin's just good again and there was no real explanation as to why he is back to his old self. Before his character episode, they said he was consumed by the devil's blood ... but it still felt so unclear to me. Regardless, Jin didn't start the war nor was he responsible for it. DJ still started it in hopes to do what Kazuya did, awaken Azazel and take its power. Jin's guilt and suicidal tendencies are still there. However, his guilt, as always on this blog, comes from his weakness, his body being used, and feeling as though he should've killed himself and DJ sooner.

-DJ AND HIS RELATIONSHIP WITH JIN. Holy shit. This is definitely gonna be the hardest for me - as I am struggling to even know how to push forward with this. As yes, I didn't expect DJ to be precisely what I believed him to be, but MY GOD, the story basically went against almost everything I've written. So I'm gonna do my best to make it work with my own concept. So there will be a lotta points regarding DJ and their relationship, starting with -

-DJ AND JIN KNEW EACH OTHER SINCE THE END OF TK3. Tek8 seems to imply that it's Jin's first time actually meeting DJ. This blog strongly rejects that notion. Why? This blog's biggest focus has been on Jin and DJ's relationship and how they live with each other. It's actually the most fun about writing the two. So, to say they never actually really knew each other would just destroy a lot of fun and love I had for this dynamic. DJ's been talking to Jin ever since he woke up after Jin was killed by Heihachi. Not only do Jin and DJ know each other, they know each other better than anyone else.

-DJ IS NOT IN ANY WAY JIN, HE'S HIS OWN ENTITY. This is pretty self - explanatory, but no. Jin and DJ may share the same body, but they are not the same person. I'm never changing this.

-DJ REGARDING JIN. Okay, as sweet as Jin looking to DJ and saying "you've always been protecting me..." and DJ saying with a small smile, "I'll go anywhere with you" or some shit. But... that does go against my whole depiction. Y'know... DJ did attempt to kill Jin and came close to it before he started the war. So this is something I'm struggling with the most. I THINK I might have an idea of how I can better fit this in my depiction, though. Since whenever I write his Tek6 verse especially, I always strongly imply that DJ misses Jin. However, I'd make it unclear whether or not DJ genuinely misses Jin and thus cared about him to an extent, or if DJ is just uncomfortable by the change and new silence in his head. Because of the "you've always been protecting me" line, I suppose I'll just go completely straightforward and say yea, DJ does care about and genuinely likes Jin. However, as I've also stated many times on this blog - even if DJ likes somebody, when it comes down to it, he'll always put himself first. But DJ liking Jin is also one reason why he's so possessive of him. It's his own fucked up way of expressing that like - so a very toxic relationship.

-DJ'S JOURNEY IN 8. DJ is still mad at Jin for taking away his chances during the war. DJ still tries to gaslight Jin and isolate him as a means of getting back. Jin ends up defeating DJ regardless - like what happens in the story. However, Jin learns that DJ is something - no, someone that will always be with him no matter what. Perhaps using his Kazama powers, or Jun's influence, he/she "purifies" DJ and brings out the best in him. DJ admits his true feelings to Jin, and how they both do need each other if they want to take down their common enemy. Jin, of course, can't so easily forgive DJ for y'know... the selfishness and war crimes. But he also learned from his mother to show mercy and give second chances, as he felt he's been given a second chance. And plus, with a more purified mind, Jin feels DJ in a different headspace than he once was. DJ willingly gives his powers to Jin to fight Kazuya. In a way, DJ and Jin's relationship has improved and they've reconciled.

-DJ'S FATE? Since Jin seemingly lost the ability to activate the devil (or angel's lol) powers. I, uh... I don't know what this means for DJ at all. I really don't know if this means DJ is "dead" or just "dormant." At the point of writing this, I don't know if I'll say that DJ is dead - therefore he can't be interacted with during post Tek8 verse. Or... if I'll say he's still around, but Jin only hears him in his head, and there's no way that DJ can actually take over. Therefore, still kinda hard to interact with DJ in this verse :')

-JIN'S FATE. I'm still unsure what I wanna say Jin's fate is. It seems like he's going off with Xiaoyu, but... I don't think he's necessarily becoming a hermit like many think? For now, I'd like to think he's making up for loss time with Xiao and they're exploring the world together. Jin is absolved of his crimes due to Victor getting to actually know Jin, seeing how Jin has helped saved the world, as well as choosing to believe that Jin was indeed not the one to blame for the war. Jin's also learned to forgive himself for his mistakes, and learned that with friends - he is stronger. Jin is at his happiest, and is no longer suicidal. He wants to live!!!

-JIN ACCEPTING HIMSELF. Yes, Jin is willing to use Mishima-Style again, but NOT because of Heihachi or that Heihachi was actually a good guy (I swear this game felt like it was doubling down on Heihachi actually being noble - barf). Jin accepts Mishima-Style because he realized not all Mishimas are as bad as he originally thought. (See Lars, Jinpachi and himself, - even if Lars doesn't practice Mishima-Style)

[goldenhickeysandramen]

Things I dont like of Chapter 2 (the rise of solos)

You have heard me say it more than once that I don't like Chapter 2.

After much thought, and internal reflexions (cause sometimes I catch myself being mad or sad) I want to share with you the reasons (as a therapy):

1. There is no Ot7 content. Obviously, it's not the purpose, but if we want to see our favorites together (e.g. jikook), it's hard, and it makes me very sad 😥. There is only content from those who have something to promote, and so they do crossover, or a 2 x 1 (even in the design department).

2. Chapter 2 is the rise of solos, and maybe the end of the power or strength Army (as fandom) used to have. 

The true face of many accounts that are SOLO has come out. 

And when I say “SOLO”, I mean those who want the artist outside of BTS. I respect all opinions. But, if I knew that was their pov from the outset, I would not follow those accounts. Still, I follow accounts that follow and agree with those accounts... 😓😓 and the fact is that I don't know what the fuck to do, because sometimes I have the feeling that I need to start over and do a clean up, even though that would mean not following moots that I appreciate a lot.

I'm a bit of a solo myself. We all are. With our favorites. It's logical. 

But I want BTS back in 2025 or 2026.  I don't want any of them to leave the group unless they want to. 

And so far, they have expressed their willingness to be back together. I don't know... maybe they are constantly lying to us... or maybe it's the FUCKING TRUTH! 

As solos become more polarized, fandom will lose strength.

3. I do NOT like Hybe's planning at all. I'm sorry for what I'm going to do now, which is to compare, but it doesn't seem right to me that Hobi, for example, had almost 4 months for it (from July 15th when JiTB was released til mid October when Jin released the Astronaut) and Jimin only 4 weeks. Of course, the solution is to give more time to Jimin (not shade to my dear Hobi).

Let's see... wasn't this supposed to have been planned for a long time? This chapter 2.... 

Didn't Suga or RM have some songs already prepared before? 

Why not the vocal line? 

And what the fuck happened to the 3 songs and 3 MVs that Jungkook was talking to Hobi in early 2021?

Something is wrong here? Do you see it too?

4. In addition to planning, it should be added that Hybe is being very negligent in the way it promotes its biggest intangible assets: BTS members. I won't expand on this, because I already made a post.

https://www.tumblr.com/hickeyramenjmjk/714301263540584449/he-doesnt-deserve-this?source=share

But I do want to add something. It is good for all of us to speak out and raise our voices in the face of injustice. But we have to keep in mind that the solution is in Hybe now and the radio issue.

In my opinion, it is not organic to make massive purchases to boost anyone's position. I mean, from my pov, the merit is to take the song to the top 1 because everyone who listens to it, likes it, and then "it sounds more and more" and also they buy it. Army is needed, especially at the begining, but can't be the only source of success of BTS. 

BTS members deserve to be EXPORTED worldwide! Hybe DO YOUR JOB! 

5. Despite some glimpses of change (i.e. Bangtan naked era 😏) some things remain the same, to my own disappointment (but my fault & my expectations).

By this I mean certain very Kpop dynamics, which BTS still respects. Despite their privileged position and sailing between two seas: kpop and more western culture .... I think it's clear to us that where they are living influences their behaviour.

By this I mean all: the subject of women, how they should present themselves in front of Army, maintaining the illusions of the "ships", having  impeccable friends and collaborations (although as drinking is culturally accepted there, that seems to be well seen...).

It is funny to me when I see a lot of my PJMS-moots think that everything Jimin is going to do is always some kind of "coming out". There may be glimpses, and hints, but nothing could be further from the truth. Expectations of him are very high (free him from that burden!).... and they forget that he is one of the members who has the most respect for the elders and for his culture and values. If you talk to K-army they will point out that Jimin speaks with impeccable respect for Army. It's not for nothing that he's always at the top of the reputation rankings.

(Side note: maybe that's why the final part of "Letter" is so important, that it's not written in informal and that Jimin would never sing in that tone to Army).

There are things that have not changed and I wished they would change. For instance:

- I never expected jikook to come out of the closet, if I'm correct and they are together. But I also didn't expect such a level of misguidedness and protection (compared to other members, with whom they seem to go out to the theatre, football or drinking with no problem).

- I expected Taejennie to attend a premiere together, of some of their actor friends, and they didn't even greet each other at the Harry Styles concert. 

I don't think I'll ever get over this. 

https://twitter.com/taenniefacts/status/1643833776986890241?s=20

Even if you don't think they're a couple, and that it was all a set-up (a bit naive, actually), it's impossible to think that they don't know each other, given that they share a lot of friends (starting with the Paradise family). 

But on the contrary, to cover up what for me is obvious, Tae has over-used certain mass-raising behaviours.... you know what I mean.

- I thought Jimin was going to tell us a bit more about his album, and he censored things for the minors in his vlive. I will never forgive our Jiminie for this.😣

I still have faith in Jungkook's recent misbehavior 😂. Although not much either.... But if he comes out in one pic alone with Calvins, I'll adore him for life and think there's hope for change 🥹

Anyway... the best thing about this era is seeing their talent and getting to know their solo works. Obviously. And of course to see how all the top brands want them...

and  how they show more and more skin! hahahahaha....Let's enjoy it...

cr: @taebokkiii

Don't get me wrong.  I'd rather 10 times “chapters 2″ than see them go off to military service.

But I MISS BTS. A LOT. 

AND I MISS JIKOOK, TOO MUCH indeed.

And I needed to make this post, because it's a way to get out the helplessness I feel these months (while I also think about what to do with my twitter experience lately and the rise of solos).