#i think thats pretty representative of everythhing

[todayisafridaynight]

Ok but Jiro splurging and getting Ichi a little pocket guide to local bugs ;o; He’d carry it everywhere as a kid and it’d get so bent and dirty but he learns so much. Bringing home bugs to his dad in his lil wire bug trap and rattling off bug facts while some of the girls are screaming for him to take it outside (cute lil Ichi being the one who handles bugs for some of the girls at Shangri-La who are afraid of them)

I’m sorry I dunno why I’m so obsessed with little bug guy Ichiban. Imagine him being young and watching caterpillars grow in class okay ;o; angel!!

oh so we're all on board with Bug Lover Ichi then maybe democracy does exist

[boywithbear]

back with another opinion that I guarantee has been said before but I think autistic people who don't have an intellectual disability really need to speak to people who do

[sorcerersandskillusers]

Card Meanings in the new, The Day I Picked Up Dazai art.

Ok so im currently still in shock that were getting new day I picked up dazai content so bare with me, but onece again Asagiri has included playing cards in his art so of course I have to break down what they mean.

Lets start with side A (the right side):

First we see a joker:

While Gogol is the obvious fit for the joker, the card also describes Dazai extremely well. He is almost always acting like the fool in any given situation, even in the mafia he loved to be as weird and funny as he could as well as tease and annoy the people around him, something jesters famously did.

In fact, his dynamic with Mori is very close to how a king and a jester used to work, where the jester was the only person who was allowed to openly mock the king and would usually heckle him. They also played a key part in psychological warfare, which we see Dazai specialises in.

I think the whole; wit, intelligence and unpredictability kind of speaks for itself.

Next card is the four of spades:

This one is also really fitting, it shows how after the day I picked up Dazai side A, Dazai settles into his little routine of going to bar lupin with Oda as well as how he finally has someone who he can trust and be comfortable around. Finally, it is a clear message of optimism, something Dazai never shows before he meets Oda.

Next the two of hearts:

This one is pretty obvious, it's Dazai and Oda spending time at bar lupin. It actually fits so well, there's not much I can say about it other then how it shows the love and care Dazai and Oda had for each other (platonically)

Now for Side B (prepare to cry)

The first card is the three of spades:

Whyyyyyyyyyy... why Asagiri. This one is also fairly obvious but it has multiple meanings. It most clearly represents Dazai suffering in side B as he has to run the mafia without odasaku and live in utter loneliness while destroying all the connections he never got to have for the sake of a friend he never got to meet.

“It was hard,” muttered the young man. “It was really hard fighting Mimic without you in the organization. I had no choice but to take over for Mori and make enemies of everyone around me to expand the business. Everything I did was for this world’s—”

It also represents the moment on the platform where he nearly tells Odasaku the truth and goes with him to bar lupin, the horrible decision to abandon everything for Odas future

The next card is... the ace of spades:

The ace of spade has many meanings, most of which involve change or transition, but by far its most famous meaning it death. I really don't think I have to explain this one, Beast Dazai having the card of death has a pretty clear meaning.

But the ace of spade does have a secondary meaning, and this one is a little more hopeful, as it shows Dazai passing the safety of this world onto Atsushi and Auktagawa.

Finally, (it's a bit hard to see) we have the ten of diamonds:

I want to focus mostly on the highlighted part because it's what really applies to BEAST Dazai, he lived his whole life to create a world where what matters most to him, that Oda gets to be happy and write his books, becomes real. This card doesn't apply to Dazai directly, more to the fact that he made succeeding in his mission his only priority and discarded everything else.

Bonus round Odasku card; the king of clubs

the only card thats seen on Oda's section and one that clearly represents Odasaku as a character.

"King of clubs represents a dark man, who is loyal and kind. He is a good businessman, shrewd with money and investments, but isn’t selfish. In fact, the King of clubs is a very devoted father, husband and citizen. In a broader sense, the King of clubs encompasses idealized qualities of a fatherly figure. This card is universally considered as a very good omen."

I feel like this sums Odasaku up very well, the devoted father and loyal friend parts are just him to a t.

(this is also the card I think best represents Fukuzawa)

Right, I think I got everything, if you disagree with this or find something I missed, please reblog or comment with whatever you want to add, or send me an ask. I love discussing, and hearing other people's views as long as they're respectful.

If you add something, please add it in the post not the tags, so I can reply to it (or in the tags if that makes you more comfortable)

[yawnderu]

not much to say just very bimbo coded. i like to think she gets it while simon was away and is so so excited to show him how pretty they look with all her little rings and her pretty nails. and he loves them like he loves everything else about her and when he asks why the dragonfly and scorpion she just smiles and says "thats us obviously :)"

She would!!

God, she absolutely would get those tattooed, not only for aesthetics but also because it's a nice representation of her and Si's relationship, something permanent in her body because she knows their love is truly the epitome and will last them a lifetime :')

I truly believe Simon would also get something tattooed to represent her, away from his tattoo sleeve that is a pure representation of his struggles and the war he's lived.

He'd love for it to be a surprise, showing up one day and showing her without saying a word, hoping she'd like what he chose— one of the many kiss marks she leaves all over his face and body is now tattooed under his collarbone, in the color of her favorite lipstick. 💗

Bimbo!Reader Masterlist

[lazyleafeon]

i put a lot more time into my piece for the serenity zine than I usually do, so ive been wanting to make a write up with more details about what i was intending + stuff thats easy to miss (full piece without the character names can be seen here)

[ID: a drawing centered on a young kim dokja writing in a notebook, surrounded by paper cut outs of ways of survival characters. there are names next to the cut outs to clarify which characters are which. End ID]

1: text on the characters

the text on all of the characters are all quotes from orv. for characters from specific rounds, the text is specifically linked to those rounds (ex: 1863 uriel has text from when kdj is thinking about how gabriel isn't aware of her own betrayal of eden). Where i could, i tried to find text that paralled kdj somehow (sp with changing the 999th worldline, and 41 sys with her resentment towards yjh paralleling kdj's towards lsk for leaving him behind.).

for characters that aren't from specific worldlines (or where i couldn't find text i wanted to use that related to their worldlines) , the text either centers something i feel is central to orv (ex jhy talking about the final wall is used in both of her cut outs), kdjs perception of the character or thoughts of them from wos (ex lsh and his line about not really knowing her), or something about the character that parallels kdj (bihyungs cut outs are both about his ending of sacrificing himself, yma is about yjh leaving in the epilogue and her belief he won't come back (which works doubly as yjh leaving as kdj often did, and yma being left behind by her guardian)).

there is also sunfish yjh. who only says "the sunfish" because of the constraints of being a tiny piece of paper. The full quote is "Maybe I had been lucky until now. I might be the 'sunfish' rather than yoo joonghyuk" from chapter 38.

i don't think everything like, perfectly follows these categories, but that was the intent for the most part. One intentional exception is that the yjh near the bottom of the drawing has the text: "I want to read this story for a little bit longer"

if you want to read all the text, I have it up on a doc here. (you can also ask me about thoughts behind specific quotes if you want to know why i chose them)

2: amount of characters + visual details

there are 2 versions of each character for the most part, with 4 exceptions: kdj (3), yjh (6, counting the sunfish but not the kkoma), and na bori and knw only having 1.

the reason there's only one na bori is because her fate is, for the most part, set before her story can be changed by yjh. there is only 1 of her in all of the characters memories, outside of the 1865 worldline (though given we see knw after kdj kills him, its not out of the question there isn't a worldline where she reappears.)

for kim namwoon, its part because of kdj's hatred for him as someone he sees himself in, and part because kdj in orv like. replaces knw pretty directly by killing him and trying to become yjh's companion. so in kdjs notes and doodles based on wos, knw is here only as an outergod king, where kdj is unaware of him.

the outer god kings all have at least one element that sets them apart from the other cut outs: sp has his crumpled paper cloak, knw's cut out is in the shape of dragons near the edges, uriel is on fire, lhs is partially tin foil, and ljh has a water stain and some of her paper is peeling off into water. this represents them being unbound from the worldlines, but since they're still bound to the story they're still made of paper.

anna croft (near uriel) is intentionally a little more 3D than the other characters, since she has memories from past worldlines. she's supposed to seem like shes going against the tide.

1863 uriel is also a bit of an exception, though not intentionally, since her halo looks better as a separate piece of paper, and i wanted her to have flames too... it fits because shes a constellation and seeing the story from a somewhat outside perspective but is still a part of it, but it wasn't intentional.

near the edges of the piece towards the right, some characters outlines start to become faded, and the paper cut out outlines become more irregular. the outer god kings are exempt because they've managed to keep their sense of self to an extent outside of the worldline.

some of kdjs books are from his library in orv.

the text for all characters is slightly cut off (i tried to make it so most of the quotes are missing some texts so you can't actually read them in full). this is both because they're cut out of a larger page, and because kdj can't actually learn everything about the characters once he meets them by reading them because you can't read people like that. so some of the text is out of view because the characters are viewed as characters to kdj and not "real" yet, so kdj doesn't see their full stories.

some concept art + one of the earliest digital sketches i have. all of my works in progress have a billion notes left on them so i know not to forget something when i get back to them:

[drawing of yjh made of paper, and an earlier sketch of the overall piece]

i sort of wish i kept the paper style of this yjh, but it wasn't meant to be....

3. final thoughts........

this really is the most... orv piece i've ever done (?), in a lot of ways. there is nothing that makes you feel more like kdj like searching up orv quotes from memory and then scrolling through the epub on your phone to find what you want. i even ended up explaining it to my mom and having to show her what a sunfish was.

there are things i would change about it if i did it now (i would probably erase the outline from adult kdjs cut out and emphasize his shadow falling on it instead), and things i didn't get to do that would've made it more like what i envisioned (ideally i would've reread all of orv to find quotes. and i didn't do that).

It's personal to me in ways that are kind of silly. I used to doodle a lot of paper cut out creatures in high school, which helped a lot with getting the sort of paper movement down here. and of course the handwriting is just my own, so i had to actually rewrite the quotes i found. it's probably the most ambitious piece i've drawn yet composition wise, and i don't think ive spent so long on a single illustration besides art studies for school. It feels like a love letter to everything orv means to me.

if you've read this far, thank you :)! i don't normally go into this much depth about my thought process, but there's a lot here i don't expect people to pick up that i wanted to get into

[crowthis]

PFC Eugene B. Sledge

Co. K, 3rd Bn., 5th Marines

First Marine Div.

c/o FPO San Francisco Calif.

Dec. 7, 1944

Dear Pop,

I received the packages of nuts & laundry powder & brushes. They really make my washing a lot easier. The Hersheys, cheese crackers, more cookies, cocoa, and Georgia Cottage earth arrived. The latter I sprinkled around my bunk & I feel like I'm once again on family ground. I really I certainly got a kick out of the crow foot & feathers & attached cards.

I read "Song to Remember" in a movie magazine this morning. It was the gist of the movie of the life of Fred Chopin. It was very interesting & I enjoyed it. Every one in my tent gets a lot of pleasure from the magazines you & Mummie have sent. I lay in my bunk by the hour & read. You & Mummie can rest assured that I've enjoyed your packages equally as much as you did sending them. I certainly appreciate it and all the love they represent.

If you can't find me some sort of 98[cent] watch & if my wrist watch is repaired please send the latter to me as I do need some sort of watch. Be sure & insure it. Do you remember the small pipe you had with the metal filter & shaped [picture of pipe]. I liked it for its strait, screw on stem, small squatty bowl & metal filter. I thought if you could find it I'd like it if you don't use it. The pipe I have [picture of pipe] is from Sid & pretty nice but I prefer a metal filter & don't like a tall bowl. I guess I'm lowly for asking for anything after all the wonderful packages. I hope you don't think I'm greedy. Tell Mom all the contents of the packages have been fresh and good & all the packages arrived in fine shape. All the boys say I'm really blessed with devoted parents. I inform them thats very very true. I got a nice package from Uncle Woolsey & I wrote him last nite.

Well Pop I have run out of news. As I look over at my bunk with a copy of Field & Stream & a box of cookies on it I feel the need to remove my shoes & relax. This rest snows me but I guess we really earned it. My love to you & Mummie.

Devotedly, Gene

(over)

P.S. Give Floyd my regards & the same to the Wares. Tell them I hope I'm back home hunting with you in the big field next Dec. 7. I got a nice letter from Ed yesterday & I wrote last nite. I hope the rest of the little ducks get along O.K.

Love, Gene

Two packages just arrived. One from Mom & one from Mrs. Butler. Some cheese crackers & a flashlight and some lifesavers were in the boxes. Pop please cease sending baby canned food. It's too rich for me & besides the mortar section takes great glee in "Say Sledgehammer did you get any baby food today?" I can take teasing but thats too much. Be careful how you tell Mummie because I don't want to hurt her & besides everything else is swell. I wrote you about it for I know you'll understand. Now don't let Mummie misunderstand & get her feelings hurt. Tell her its too rich for me, it really is. Everything else is just what I like.

Love, Gene

[corpsebrained]

i dont ship ellen and ted but i think they got something funny going awhn ngl............

they have a very amusing and deeply frustrating dynamic where ted continually takes her kindness for granted whilst insisting everyone hates him because he has a raging victim complex and is a paranoid shithead but thats completely am's fault.

Ellen is long suffering and deserves someone wayyy better than ted but hes soo pathetically in goopy puppy love with her. like at least in the game he is,, the book and audio drama is a different story lol.

While I do think Ted is in love with ellen, in a way he's also in love with what she represents?? Ted is a playboy and his view on women is pretty warped from manipulating lonely rich single women for years and suddenly being placed in what is essentially his own personal hell for over a century. He would desperately crave and cling to his previous life. Ellen, being the very last woman on earth would be a sort of reminder of what he lost and what he can't get back, which would translate into a deep resentment for her whilst also yearning for her. He's also kind of an incel (see his twisted perspective on ellen and benny's relationship).

Ellen's whole deal is that she's endlessly compassionate and understanding and everything Ted ISNT. and he sucks and i hate him. Ellen, despite her trauma, offers sex to Ted and the other survivors even though they do nothing to repay her kindness ever, emphasises this boundless empathy she holds. Ellen being forced into this caretaker role is so frustrating and is sort of its own kind of horror when looking at it from the perspective of how women, especially women of colour are treated societally. Ellennnn. ELEENNNAAUGH

Ted's anger is also kind of situational?? like i think his hatred of ellen stems more so from the fact that he's never going to have a relationship with her outside of the torture and ellen never argues with him because she knows he isnt well.

ted is so very mentally broken its obvious why he lashes out but i KNOW for a fact he cares deeply for ellen because he literally saves her in the end hhrrrgggahshhd. i hate these two i hate them so much and what they do to me.

[lastwave]

Harry Du Bois, the skills + DID/OSDD coding

a compilation of most of my thoughts on harry as a system (note: i am system im not just like. pulling stuff out my ass)

1. Structural Dissociation Theory crash course

so for this point i'm going to give you a crash course structural dissociation theory (do not use me as a source for ur knowledge on it this is very like. base level and just to establish context)

structural dissociation states that we all start as multiple different facets, and that as we grow up, these facets all fuse into a cohesive personality. however, in DID/OSDD, ongoing trauma proves it safer to NOT fuse these facets and instead develop dissociative and amnestic barriers between them to varying degrees. these facets cope by developing into individual personalities, and if traumatic events persist, the brain may split more personalities to try and cope with this. this gives us two bits of information that i'm going to use throughout this

1. there is no "original", just alters that host for long periods of time and/or identify with the body the most

2. amnestic & dissociative barriers are fluid. in times of rest, these barriers may start to come down between some alters, but not necessarily all.

**NOTE: these are not hard and fast rules and vary from system to system. it's also vastly different if you have Polyfrag DID or Complex DID. since I don't hc Harry as polyfrag or complex tho, i'm not gonna get into that

2. Harry (the system)

so it's pretty easy to establish that harry has a good handful of childhood trauma. being born in a military hospital + town and growing up there means he probably saw and/or heard a lot of death and sickness. we also know his father left based on the logic passive in the measurehead conversation

we also know from the reaction speed passive when you find out your name that harry was born in a time all these were concerns. most likely, hunger, considering how through the game hunger + eating is an undertone w/ harry

we also have the klaasje half-light passive implying that harry's been raped (might not have occurred during childhood, but still a contributing factor to trauma)

my point being bro has enough childhood trauma and then some to create a system.

we also see a LOT of amnestic barriers between harry and the rest of the skills. besides the obvious not remembering anything, we see the skills remembering things that harry doesn't.

for example, EChem remembers that harry took speed some point recently, while harry himself doesn't

we also see that the skills have distinct personalities and opinions separate from each other. shit we've got a communist (rhetoric) and a fascist (endurance) living in the same fucking body. half light is immediately suspicious of everyone and everything while empathy tries to understand everyone even to their own detriment. and volition and echem need a whole post of their own. thats some pretty strong dissociative barriers

3. Harry (the alter)

to be quite honest with you i think harry as we, the audience, know him is a brand new split, an introject* of an old host that has either fused with another alter or gone dormant. he's trying to fill a different harry du bois's shoes- someone he is fundamentally similar to, but is, at his core, not

*Definition from did-research.org: Introjects are alters that are based off of an outside person or figure. Introjects may or may not see themselves as the individual that they represent.

knowing nothing about yourself, even what you look like, is a common feeling for new splits (in our experience). with the high amnestic barriers separating harry from the rest of the system, it makes sense that the first time he is conscious he is totally lost about his own identity, where he lives, or what his occupation even is.

losing facts about basic reality is probably a dissociative response. things the brain knows (see encyclopedia filling in gaps once given a prompt about something like Fillipe the Conquerer) but doesn't want the new host to know for fear of not being able to function.

4. Certain Alters with Functions

some of the skills fall into alter "archetypes" (not all alters will, even in like. real life systems) and im just gonna list them out here:

ones with subtextual backing:

Volition: Caretaker + Apparent Normal Part

Half-Light: trauma holder

Electro-Chemistry: symptom + trauma holder

Authority: protector

Logic: apparent normal part

ones that are just my headcanons:

Interfacing: little

Endurance: ex-persecutor

Inland Empire: ex-caretaker

here ends my post of articulate thoughts, if u have any like. follow up questions feel free to shoot me an ask. might take me a minute tho

[planefood]

I was telling some friends last night I'd be going more indepth with Mikey too so here it is

Sometimes I worry I infantilise Mikey a lot, he is a favourite character of mine and he's an amalgamation of the most vulnerable parts of myself. He's also given the short end of the stick from his life and the people around him as well which makes me very defensive about him in general.

If I'm a gobstopper and each of my characters are a specific layer of it, Mikey would be my soft centre

(I swear they have gum in the centre I promise thats a thing)

BUT just like I don't wanna give people the impression that Tandy is just a one sided grumpy pants, I don't wanna give the impression that Mikey is a perfect victim or incapable of fending for himself either. Max is incredibly over protective of him which causes a lot of strain in their relationship. Mikey hasn't been treated very kindly by people around him because he's very high maintenance and not very good at making people feel like he cares about them even if he does. Which makes him latch onto robots like Max who treat him with any amount of kindness. Max will defend him from pretty much everything. But after awhile Mikey starts lashing out because, truth be told, Max doesn't really view Mikey as an equal despite the kindness he shows him. Which eventually gets on Mikeys nerves. Max doesn't give him the proper space to heal from past traumas. Maybe I can sometimes pull a Max on him unintentionally when I write about him or draw him.

I created Mikey in a middle of a particularly grueling work week, feeling totally out of my element and very vulnerable. I believe I made him around the time I had started some antidepressants I reacted really badly to or just after I had to quit them cold turkey. I rolled up all those feelings I had at the time and sculpted it into Mikey. It's no wonder he looks absolutely miserable on his first ref

I also based him off an old dell laptop I had when I was a kid, windows 7. I broke it because I accidentally turned it off while it was updating and turned its computer brain into soup. That left a particular impression in my mind of what Dell computers were like: easy to break, badly. I turned that into Mikey being a lot more emotionally fragile compared to a lot of my other characters. I imagined what I'd be like if I was a Dell computer and I figured I'd probably not be happy. I recently got an old Dell Laptop that's similar to Mikey as a gift from a friend. He doesn't have a battery so he needs to be plugged in at all times but otherwise he works fine and I find him to be quite charming.

Everytime I see him I think about how I write Mikey. I wanted to make a character that represented the worst parts of my mental health but also gave a view into how other robots could quickly turn on a fellow robot if they viewed them as being too burdensome or annoying. But I don't want Mikey to just be a "hey maybe bullying people is bad" 90s kid cartoon style moral for Tandy. I enjoy writing him as a character in general. He is dipping his feet into writing and creating comics and I'm keen on exploring other facets of him as time goes on.

[chaifootsteps]

Am i the only one who thinks that the only queer group that seems to have a decent representation on Vivzie's shows are bisexuals?

Lets analyze how other groups are treated compared to bisexuals:

Gay men- Fetishized as shit and presented as extremely kinky and sexual, half of their existence is sex jokes (Stolas, Fizz, Angel)

Lesbians- just underepresented, almost non existant (Vaggie, Sallie Mae)

Pansexuals- also really sexual, formed around the "they fuck with EVERYTHING" joke (Blitzo, Moxxie's ex, and Husk seems to be an exeption... for now)

Asexuals- Theyre presented as someone thats either too selfish to have a relationship or that they have such an unlikeable personality that no one would date them (Alastor, Mammon)

Transgenders- always background characters aded for brownie points (Sallie Mae and other characters with 5 second screen time at best)

And with bisexuals we have Moxxie and Charlie (cant remember if there is any more), who are both represented as nice people in working, healthy relationships where they really seems to love and repect their partner. They have some kinky moments and jokes, but not as much as others. There is no harmful stereotypes played, and theyre presented as "the perfect partner".

Im not saying the representation is amazing, its just the closest to decent.

This is just my take, but if anybody disagrees or has a diferent opinion about the theme im interested in hearing it (especially from bisexuals themselves)

You're not wrong! Moxxie and Charlie are loving partners whose bisexuality is respected even though Moxxie's in a relationship with a woman, which you can't always say for media that depicts bisexuals.

It's not perfect representation, but it's pretty good and when we're talking about Vivziepop's writing, "pretty good" is amazing.

[yellowjackingit]

Omegaverse yellowjackets personal headcanons and parings✨ nsfw

(don't like don't read, you know who you are ;)

Shauna -alpha she's my bi messy failgirl icon <3 she just has alpha energy to me (but idk I'm sure in some fics I'll have her beta) , and Jeff has omega energy to me idk why, vibes man. I feel like in an omegaverse society alpha women traditionally are expected to have big families and accomplish a lot, so when Jackie dies I'd imagine her mother's slights have to do with how Shauna is such a rare breed, an alpha female, only 5% of the population contains alpha females and yet she was somehow never as special as her lil jack jack

Jackie- omega Jackie just needs an alpha to hold her and tell her everything's gonna be ok, too bad they eat her lol. Also i wanna see Shauna pin her down what of it. She's totally a lesbian

Lottie- alpha The total it girl, she's got it all, she embodies the traditional femalpha standard, think barbie, but tbh most of that was learning at a young age she was different (gay) and got really good at hiding it. it was a no brainer when she became the first head alpha of the group as people usually do they fall under her leadership and guidance. Shes the kind of alpha that would have led rome or egypt. And yet. When she loses her omega she loses her way. Her power crumbles and so she hands the torch to the alpha she trusts most

Natalie- alpha as the runt of her litter of one and every class or group she's been apart of she was never the first picked alpha but when the group assigned her the leader everything changed for her. She was finally where she was born to be. Out in the woods she became the best version of her alpha. Also I just wanna see her go thru a rut and Lottie offer to help a bro out with it 👀 who said that

Laura lee- omega voted cutest omega of her year, always had a crush on Lottie and now that they're lost in the wilderness maybe she can show her some her holy moves? Idk I'm not Catholic anymore

Taissa - beta

Van - butch nonbinary beta

Taissa van beta4beta my beloved<3 taissa being resentful of her beta gender (transmasc taissa goes hard) and trying her hardest to become a beta representative "betas are 45% of the population and yet only have 4 seats on the Senate? What's that bull" but I can also see taissa being an alpha and van be an omega

Misty- omega also a runt, she looks up to Natalie a lot being a runt as well who actually earned the respect of the pack. So her and nat bond over it and eventually more 👀 imagine Misty's heat hitting round the spring, and in order to avoid pregnancies nat being the ever so gracious pack leader helps her through it with her massive dick

Travis- beta him and Shauna beta solidarity has good potential, I hope they talk about girls together, like imagine them coming out to each other? Grieving javi together, both being ppl who lost their own blood to these woods... Y'all pls understand my vision

Mari- beta when no immediate role is assigned to her she struggles and takes it out on jackie, it's ok babygirl thats not how u get the pretty omegas attention but u will learn

Coach ben- alpha his death is their first meal, and the death of the traditional alpha male patriarchy i guess lol

Crystal- omega to mirrors misty

Anyone feel free to add on! I wanted to headcanons the other girls too but I cant Google it rn, so if anyone wanna drop the background girls names I'll love u forever <3

[alicentsgf]

why are people so pressed about how Alicent ends up this season??? Like hotd hasn’t been good since s1 people also criticized everything back then but tbh Alicent from s1 was always headed to where she ends up?? I thought it was common knowledge that her last choice would always going to be duty vs love and s1 stated very well that Rhaenyra is that freedom for Alicent???? I absolutely hated the things they put Alicent through (alicole sex and for what? All of her sons being a dick to her??) her arc this season was badly executed but to blame and think that the writers are catering to rhaenicents? seems a bit stretch when the ship is hated by the majority of the show. We can argue in the journey of how Alicent get to the point she is now but it was clear for the beginning that the head of TG?? She would never be, sometimes I think that thanks to most of the general viewers didn’t understand Alicent as a character the writers thought if we put her in these humiliating scenes the viewers would understand that she is a victim of the patriarchy and the men who surround her, but I guess not even with that the GA and fandom as whole could ever understand her character and honestly im good with it, she’s a walking contradiction and i have read her character like that since the beginning, good riddance tho to the obnoxious people that kept bad talking Olivia for only doing her job (this is not a dig to you but the extended fandom that are attacking Olivia again for her character)

Why are we upset now? Because we dared to hope lmao. And now we're realising theres absolutely no coming back from this (it was already mostly ruined i know).

I think the issue is the choice between duty and love should have been made when she chose her children and grandchildren over viserys wish for rhaenyra to rule. Choosing love didnt have to and shouldnt have meant choosing rhaenyra. Like finally FINALLY she lets herself cast duty aside, because "what is duty against the feel of a newborn son in your arms", "you never love anything in the world the way you love your first child", "you imbecile (affectionate)", etc etc. That is what works in line with the original story AND the sympathetic sides of alicent we saw with in season 1. Sure motherhood shouldn't define women but this is a story abt a fucking lineage !! What do people expect. Of course its going to be about parents and children.

F&B might have been bare bones, but it at least had a strong political backbone to it thats been completely removed this season. That direction would have offered more oppertunities for alicent to be explored as a multifacted character. The problem is that because they angled this as a story primarily about misogyny rather than a story about the inevitability of the targaryen line imploding, they maybe thought they couldnt do that without making alicent look like an unsympathetic agent of patriarchy. (Most of the audience read her that way anyway so they did a pretty crappy job avoiding it). Rhaenyra represented a certain freedom for alicent in the story, sure, im not against that at all, but for the writers to suggest literally being with Rhaenyra is what alicent needs to do to achieve freedom from duty? To free herself from the shackles or patriarchy?? (🙄) Its so laughable. Alicents little grandson had to have his head sown back on for his funeral and Rhaenyras faction sent the assassin. Her daughter was traumatised. You dont just fucking come back from that. Really we should have known when viserys died how this was gonna go and I think in some ways we did because a big number of us were upset with the misunderstanding then, we just didnt want to believe what this signaled about where they were taking alicent. People are upset now because alicents character has become totally unrectifiable. We just never believed they'd diverge so much from the known plot points of fire and blood.

As for this bit you said:

" I think that thanks to most of the general viewers didn’t understand Alicent as a character the writers thought if we put her in these humiliating scenes the viewers would understand that she is a victim of the patriarchy and the men who surround her, but I guess not even with that the GA and fandom as whole could ever understand her character and honestly im good with it, she’s a walking contradiction and i have read her character like that since the beginning."

I have thought this myself and unfortunately I think you're right. In an effort to make alicent sympathetic they have created the most convoluted character i've ever laid my eyes on. Towards the end of season 1 we were already saying her being so forgiving after driftmark made no sense, but i was compelled enough by her because of olivias performance of that scene with the knife to be willing to wait to see where they took her this season. And its been an exercise in more of the same stupid shit. The issues in season 1 have just been amplified by the realisation that season 2 is just the same thing again and again and again for alicent. Shes just a punching bag and im sure thats in an attempt to get the audience to feel bad for her, because i cant see any other reason for it, but its just so badly written that shes no longer compelling or interesting or likeable really at all. Theres nothing to root for when you dont know who someone is. I have so little to say about her this season and that hurts honestly. Olivias performances deserved much better writing.

[angelliicc]

real you

“don't be funny, i don't know the real you

i won't hide either the real me”

masterlist

a/n HI EVERYONE! im spoiling yall, an edit AND a fic?? be grateful bc this is very rare. hoco week is this week yayay anyways enjoy

warnings not proofread

you were always insecure about yourself, anything exactly. your voice, your body, face, hair, and so much more. you hated yourself. when you got into a relationship that was fresh, it was hard. constant thoughts of “oh, what if she doesn’t like this about me? what if she doesnt enjoy when i do that?” you weren’t yourself, showing the real you, it was just a facade.

ellie on the other hand was never afraid to express herself. she was a huge extrovert, the golden retriever girlfriend in the relationship. she adored going out with you, showing you off to everyone like she won the lottery. you were both lucky to have found each other.

after a long after school day, you dropped on your bed from exhaustion. then, the doorbell rang. you grunted, at one point too lazy to answer. something magnetic told you deep inside. you walked down the stairs, opening the door. ellie was standing there in a leather jacket and jeans, with flowers in her hands.

“hey! theres my girl.” she said opening her arms to give you a hug and placed a gentle kiss on your cheek.

you and ellie went to different schools, but that didn’t stop your love for each other. she always came to visit you every day, no matter what. “i brought these for you, can i come in?”

“of course.” you replied, letting her come inside then closing the door. she gave you more kisses to represent how much she missed you. you both walked to your room.

it was a mess, but she didn’t care. she jumped onto her bed, inviting you to sit with her. you joined her, and placed your head on her shoulder. you started to think, like your mind was on a rollercoaster. it was so bad you tuned everything out, eventually started sweating and your heart beating faster every second. you were worries about what ellie liked.

“babe? are you okay?” ellie asked with worry.

“oh, um, yeah. sorry i was zoned out.” you replied.

“no, somethings wrong. talk to me my love.” she pleaded. you sighed.

“i feel like im not my true self around you ellie. im worried you’re going to find a lot of things wrong with me. everyone ive met as friends has, and they don’t talk to me. i just dont want you to stop loving me.” the words exited your mouth before you could even think. every word got hard to hear due to you becoming more quiet.

“from now on, i don’t want you to think that. i will love every single thing about you even if you hate it. no one’s perfect my love, and thats okay. what if we were all perfect? this world would be so boring. that’s why we’re unique, okay? i love you so much.” she ended, kissing your forehead.

“i know you aren’t quite all the time, wheres that little laugh of yours?” she questioned. you started to smile. ellie tried to make you flustered, then tickled you as a last resort. “there’s my pretty girl. a laugh that i will always fall in love with.” she kissed your hand while staring into your sunlit eyes. “i love you so much.” she reminded you.

“i love you too, els.”

you both fell asleep into each other, taking a deep nap.

“i want the real you, don't hide it

oh, yeah, yeah, yeah

i want the real you, that's you

oh, yeah, yeah, yeah”

[milgram-tournament]

MILGRAM Best Song Tournament, Round 1, Match 3 THROW DOWN vs. THIS IS HOW TO BE IN LOVE WITH YOU

Propaganda for both options under the cut!

Propaganda for THROW DOWN:

silly point is that throw down was my top song for this past year and i havent even been into milgram that long so. good song. also i sang it on stage once so. anyway

Flower imagery!!!! god i love flower imagery

the vocals are good

it has a banger es cover too

"ethics are a delusion" is singlehandedly the funniest line to come out of the t1 songs

the mv is SO pretty like. holy shit

the first note constantly jumpscares me

also i like the clock sounds in the background of the verses

the instrumental,,,,

throwdown is just a really nice. calmish song that still has the whole desperation thing conveyed through his voice props to va for that cuz its relatively subtle but really adds to it imo

im reiterating that ethics is a delusion is the funniest thing to me

also i really like the bridge (the whisper part)

irrelevant to the song itself but i like his fit in throw down i'd wear that irl

gardening/pruning as imagery is so fun for a surgeon character

also vocally i just really like throw down its calm sounding yet theres a hint of like. desperation? despair? in his voice and thats really cool to me

---

Jackalope's note: Only one propaganda piece... hmmhehe. Well, I'm glad our resident pretty girl got tons of asks! But I feel a little bad about Shidou, so let's let him argue his case at least! Oi! Shidou! Get over here! Oi! Sheesh, it's like he can't even hear me! This is why I need to send the reminders early...

(mod's propaganda: While I love both songs very much, Throw Down has a special place for me in that I can actually sing it. You sing way too fast, Mappi!! I also just think using flower imagery both made the MV one of the prettiest ones we have yet and helped distance both the viewer and shidou himself to the reality of his sin... I also really like the ethics is a delusion bit lol)

Propaganda for TIHTBILWY:

okay so like the thing im most in love with: the VOCALS!!!! this song has an absolutely AMAZING singer and AMAZING vocals!!!! the way the conversational talk-singing lines still feel so musical!!!! the cute cute cuteeeee mahiru voice!!!! it brings you so much energy!!!! its a song sung with so much love!!!! mahirus va brings such an amazing feel to the song with such amazing talk-singing!!!! its very skillfully done and it happens in i love you too!! mahiru songs r the QUEENS of musical talk singing

the silly phone call bit. kurururu~!

the little vocal flourish and the way her voice raises up like an excited exclamation in the final prechorus!! daijoubu nante kirai DA!

its such a fast song but everything flows so well!!!! it makes it feel so bright and cheery and peppy!!

the instrumental is so underrated just LISTEN to that catchy bass line thats so pretty in the verses!!!! no for real even if u dont vote this is how to be in love with you go listen to the bass line in the verses it works to move both the song and the listener forward at mahirus sweeping breakneck pace. and the cute keyboard sounding and synth instruments!!!! its SUCH a danceable song!!!! i cant listen to it without bopping along in my seat

the way the ominous bits are subtly hidden? it all sounds so cute but there are just these Things that she sings that are really kind of concerning and unhealthy when she sings them!! and the veiled desperation to be in her relationship- listening to that and the cheery tone and breakneck, quick song pace, it really does represent mahiru SO well. she throws in all these little bits that just go noooo teehee the relationships just fine!! when it REALLY isnt

i would listen to mahiru talk for hours

the MV!!!!!! HER FASHION SENSE THE MAGAZINE STYLE!!!! the magazine style especially works so well with her character!!!! its so cute and stunning and just looking at it you have a blast. also her birdcage!!!! her birdcage and the bright orange and the pink bars!!!! the way everything desaturates and becomes more sickly looking when she wakes up at the end!!!! its such a happy carefully curated and designed dream and then it drains away!!!! also god all her outfits are stunning. mahiru call me

the way she sings "overheat de~!" cutest thing in the WORLD.

the little faces she makes!!!! godddd shes so expressive

actually the whole songs so expressive!!!! shes putting her all into it!!!! her words have so much expression in them!!!! once more praising mahirus va the way her voice can soften and become bright or subtly desperate so quickly is MASTERFUL control of expression when singing and its so underrated. join me in being insane over miho okasaki delivers her lines. shes such a perfect mahiru.

funniest es cover. hands down. funniest es cover.

this is how to be in love with you is FREE serotonin!!!! free energy right there!!!! this is how to be in love with you sweep!!!!!

---

-The song is so cheerful!! I always feel like dancing and singing when this one comes up in my playlists!! Absolute banger, mood definer, kicking sadness in the shin with those high-heels and then hitting its face with a cute purse -THE HIGH-HEELS STEPPING TO THE BEAT OF THE MUSIC IN THAT ONE SCENE (0:50). SIMPLY ICONIC. NO ONE DID IT LIKE HER. -👠💅👝👗 -She is slaying. Look at her outfits. She put so much effort there. She gave it her all. Absolutely serving. -SUKITTE KIMOCHI WAKATTA TSUMORI? NARA KONO MAMA FUTARI O-VA-HI-TO- DE -The storyline of the mv MAKES SENSE and you can form a COHESIVE TIMELINE OF EVENTS (unlike other unspecified contestants' mvs you know 🙄) -look at herr 🥺 she beby 🥺 all she did was love too much 🥺 we all love mappi don't we 🥺 she deserved more let her win this pleease 🥺 -No medical malpractice happened in the making of this mv 👍

---

I care so much about This is How To Be In Love With You- it's visuals are brilliant in the ways it conveys its themes and narrative. I'm never normal Ever about the "Love as marketing" symbolism that is brought in by the use of magazines. It's a lovely upbeat song but the Horrors are Always Lurking under it, the breakup Ritual line is my Favorite Line cause its so horrifying but its said so casually and its so good oh its so good-

[aranock]

Just had someone claim that I maliciously stole ideas from a friend without acknowledgong them when said friend is litterally in the video, and I was in the video I supposedly took thing from, despite my not even once thinking about either thing as being even remotely similar. Like not even slightly an influence. Also I am pretty open about when something influenced me. I don't exactly hide it. Idk I feel like people are really stretching to find anything they can hate Jessie and I for this video with. Like really? Really?

Anyway just to be clear The Editor is not a ripoff of my friend Neil from The Leftist Cooks video on metamodernism, great video btw go watch it. I wrote the editor in because as I was doing the script editing proccess on Jessies initial script and came up with a new structure and worried that if I didnt draw attention to this people would maliciously misinterpret part 1 without getting to the part 2 twist. The Editor is LITTERALLY representing what I did in the script editing proccess for this video. Though there role and purpose expanded to represent more broadly what editing and editors do to works, reinforcing the points we make on art as collaborative and the importance of the influence of for example Marcia Lucas on making the original trilogy as good as it was. If there was any inspiration for The Editor it was chatting with my friend @wonderful101gecs about Pathologic and Brechtian Epic Theatre. I wanted to disallow the audience from suspension of disbelief and force them to reconcile with the world as it is and with how narratives are manufactured. Even then its pretty loose inspiration. The Editor was just a natural result of needing a purpose fulfilled and rounding out my layers within layers structure. Im not sure if it was Jessie or I that named them that, but we made them a named character because we worried at one point early on if we didnt do that people might get really shitty towards me. Like originally in the script it was just "Aranock" and as they became a character I pushed it further towards them being a sort of amoral embodiment of concepts masquerading as a villain who was masquerading as a Hero, pretendint to be the great person behind everything. Thus I came to "oh I need a second rug pull" and thats where layer 5 came from because I needed to really REALLY make the audience go "oh I need to question the narrative" and not treat The Editor as the great man myth. Layer 1, the animation, came from a desire to have a narrative layer below the documentary and video essay layers, below any meta layer. So yeah originally this was just a long very direct essay by Jessie about the making of and politics of star wars, my reediting of those become layer 2 and 3, with some small bits of those ending up in layer 4. Oh also some elements of what became the editor and of the script existed before I even began my youtube channel. Like I have been kicking around aspects of these ideas for over 3 years. The Editors opening monologue is almost all from something I wrote about a year before releasing my first video. So yeah I was not stealing stuff from a video by my friend that released last year, and frankly its really shitty that people assume that of me.

Also I'm tired of how frequently people have been specifying out just me to be shitty about. Attacking my voice for being feminine, being weird about my body. Really makes me feel great. Love being a trans woman making art on the internet. Love how y'all attack me if my voice sounds how you perceive womens voices should sound and you attack me when it doesnt. Im tired people suck, and its really weird that some of you want me to sound more "manly", but thanks for the validating my self taught voice training I guess????

[rocketkid300]

so at first I thought the JJK finale was buns. And then I was mad. Then I thought about it a bit.

I think a lot of the stuff that Gege included within the final chapter (final few chapters ngl) is CONCEPTUALLY pretty good. Trio and all students surviving? Conclusion for the CG characters? Everyone moving on from Gojo because sorcerers should work together as a community and not rely on the strongest in a flawed system? Yuuji passing on encouragement to a new CG sorcerer to represent the next gen passing on their strength? All great points.

The problem was that it felt too fast paced. We didn't have time to really let the characters breathe and settle into the new world. No emotional conversations between the main trio, not even between Yuuji and Megumi. Just. Right back to it! And my biggest gripe was probably that there didn't really feel like there was a change to the status quo. Megumi's character didn't really feel like it had a proper conclusion, and we definitely should've gotten more from both Nobara and Yuuji about the new world they're in. Just killing the higher ups and putting gakugangi up there doesn't really make that much of a difference imo. And also everything with the foreign militaries? Ofc there was a lot of stuff implied w/ Mei Mei and the NSS clan stuff, and all the new CG sorcerers and etc, but honestly we just needed more.

That's when I realized the real enemy was Shonen Jump all along. Shonen Jump has extremely strict deadlines on the final chapter; meaning that once the final arc starts, the author would have to pick a date to end the manga and stick with it. But remember what happened a few months ago? Gege got sick around the time when the yuutago chapters dropped. He was out for a month. Thats anywhere from 3-5 extra chapters we could've had.

And that... really hurts. I genuinely think even 3 extra chapters could've fixed all the glaring issues with the last few chaps. More room to have emotional conversations, more to talk about the future of Jujutsu society/cursed energy, more change to the status quo, more actually cohesive character conclusions/interactions, even maybe a Gojo acknowledgement (yes ik the point is that the future gen will move on without him but I think it's unrealistic that the students don't look back on him fondly at least). Those extra chapters wouldn't fix everything, ofc, but it would definitely make things feel more complete. It sucks from a readers perspective, because we KNOW Gege can write really well. But I imagine it sucks even more from a writers perspective.

There's a lot of debate on whether or not Gege actually cares about JJK and its characters (especially when it comes to that six eyes freak ykwim), but even if his original ideas were scrapped, I think ANYONE who works on something for upwards of six years will feel some sort of love or care towards that project. I can't imagine what it must feel like to not be able to fully execute your creative vision because of health problems and the shitty cog-wheels of Shonen Jump serialization.

Ofc, I might be reading too much into it. Perhaps his leave of absence had nothing to do with how Gege ended JJK. Maybe this was his plan all along. The more I sit with it, the more okay I feel. We've known for a long time that the JJK ending wasn't going to be perfect. And yeah, we can (respectfully) mourn what we could've had but honestly? I had so much fun. I have never ever been involved in a fandom like this and yeah it sucked like 99% of the time but despite it all I had so much fucking fun. Say all you want about Gege's skills but you can't deny that he is amazing at creating compelling characters, cool power systems and emotionally packed plots. Yuuji, Megumi, Nobara and Maki will all be oh so dear to me forever. Yeah the ending could definitely have been better, but I'm willing to give him grace. If anything, I'm even more excited for his next work.

Anyways, I think that having all these plot holes and "wasted potential" might actually be a good thing in the long run. It can be frustrating, obviously, when you look at the story all on its own, but ngl fandom works best when we can fill in the gaps on our own. I'm looking forwards to seeing what everyone's gonna make from here on out! I definitely have a LOT of things I'd want to write about, maybe even draw ooh.

Incredibly longwinded way of saying: Gege, you aint so bad after all. And yeah, I think I'm pretty happy overall with JJK. Maybe a lil miffed about certain things, but I doubt I would be the person I am today without this godforsaken manga. How amazing is that? :)